- published: 15 Sep 2022
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We Want Miles is a double album recorded by jazz trumpeter Miles Davis in 1981, produced by Teo Macero and released by Columbia Records in 1982. The album combines recordings from the first live appearances by Davis in more than five years, at Boston's Kix Club, on June 27, 1981. Other tracks were recorded at Avery Fisher Hall, New York, on July 5, and in Tokyo, October 4 of that year.
Miles Davis had returned to the studio in 1980, after a long hiatus during which he left the trumpet alone and focused on woman and cocaine, according to his autobiography. Changing some personnel while recording The Man with the Horn, he formed a live band consisting of Mike Stern on guitar (replacing Barry Finnerty), Al Foster on drums, Mino Cinelu on percussion (he had replaced Sammy Figueroa), Bill Evans on soprano, and Marcus Miller on bass. By this time it had been six years since he played live.
Davis secured a two-performance gig on July 2, 1981, at the Kool Jazz Festival (the name given to the old Newport Jazz Festival while it was held in New York City, at Avery Fisher Hall), but first played four shows at Kix, a club in Boston. Recordings from these shows, with a recording from an October date in Japan, were used to compile We Want Miles. It was for the shows at Kix, 26–29 June, that he hired Cinelu, whom he saw play percussion at a New York club (Cinelu having just fortuitously switched from drums—Davis was looking for a percussionist, not a drummer). After the show Davis put his hand on Cinelu's arm and said, "You're a motherfucker". Cinelu didn't recognize Davis, who was in poor health, but when he was told who it was, returned to Davis who asked for his number. Soon after Davis called him, saying "come to the studio, you motherfucker". He attended an impromptu jam session at Davis's apartment with Mike Stern, playing with a cymbal and some drums, and was hired.
Provided to YouTube by Columbia/Legacy Jean Pierre (2022 Remaster) (Live at Shinjuku Nishi-Guchi Hiroba, Tokyo, Japan - Oct. 1981 - version 1) · Miles Davis We Want Miles ℗ 1982 Columbia Records, a division of Sony Music Entertainment Released on: 1982-05-01 Composer, Lyricist: Miles Davis Producer: Teo Macero Auto-generated by YouTube.
Miles Davis-We want Miles
We Want Miles (1982) The melody is based on a French lullaby, 'Do do l'enfant do.' Miles heard Francis Taylor's son Jean Pierre humming it.
Live at the Hammersmith Odeon, London 1982. Miles Davis (trumpet), Marcus Miller (bass), Mike Stern (guitar), Bill Evans (sax), Al Foster (drums) and Mino Cinelu (percussion). This is the "We Want Miles" band.
Descrizione
Live at the Hammersmith Odeon, London 1982. Miles Davis (trumpet), Marcus Miller (bass), Mike Stern (guitar), Bill Evans (sax), Al Foster (drums) and Mino Cinelu (percussion). This is the "We Want Miles" band.
Provided to YouTube by Columbia/Legacy My Man's Gone Now (2022 Remaster) (Live at the Kix Club, Boston, MA - June 1981) · Miles Davis We Want Miles ℗ 1982 Columbia Records, a division of Sony Music Entertainment Released on: 1982-05-01 Composer, Lyricist: George Gershwin Producer: Teo Macero Composer, Lyricist: Dubose Heyward Auto-generated by YouTube.
Part 1 of 3. Live at the Hammersmith Odeon, London 1982. Miles Davis (trumpet), Marcus Miller (bass), Mike Stern (guitar), Bill Evans (sax, flute), Al Foster (drums) and Mino Cinelu (percussion). This is the "We Want Miles" band. See Marcus Miller's solo from part 3 also available on this channel.
Provided to YouTube by Columbia Fat Time (2022 Remaster) · Miles Davis The Man With The Horn ℗ 1981 SONY BMG MUSIC ENTERTAINMENT Released on: 1981-07-01 Guitar: Mike Stern Composer, Lyricist: Miles Davis Producer: Teo Macero Percussion: Sammy Figueroa Executive Producer: George Butler Drums: Al Foster Engineer: Don Puluse Assistant Engineer: Nancy Byers Assistant Engineer: Ted Brosnan Bass: Marcus Miller Mastering Engineer: Joe Gastwirt Soprano Saxophone: Bill Evans Mixing Engineer: Don Puluse Auto-generated by YouTube.
We Want Miles is a double album recorded by jazz trumpeter Miles Davis in 1981, produced by Teo Macero and released by Columbia Records in 1982. The album combines recordings from the first live appearances by Davis in more than five years, at Boston's Kix Club, on June 27, 1981. Other tracks were recorded at Avery Fisher Hall, New York, on July 5, and in Tokyo, October 4 of that year.
Miles Davis had returned to the studio in 1980, after a long hiatus during which he left the trumpet alone and focused on woman and cocaine, according to his autobiography. Changing some personnel while recording The Man with the Horn, he formed a live band consisting of Mike Stern on guitar (replacing Barry Finnerty), Al Foster on drums, Mino Cinelu on percussion (he had replaced Sammy Figueroa), Bill Evans on soprano, and Marcus Miller on bass. By this time it had been six years since he played live.
Davis secured a two-performance gig on July 2, 1981, at the Kool Jazz Festival (the name given to the old Newport Jazz Festival while it was held in New York City, at Avery Fisher Hall), but first played four shows at Kix, a club in Boston. Recordings from these shows, with a recording from an October date in Japan, were used to compile We Want Miles. It was for the shows at Kix, 26–29 June, that he hired Cinelu, whom he saw play percussion at a New York club (Cinelu having just fortuitously switched from drums—Davis was looking for a percussionist, not a drummer). After the show Davis put his hand on Cinelu's arm and said, "You're a motherfucker". Cinelu didn't recognize Davis, who was in poor health, but when he was told who it was, returned to Davis who asked for his number. Soon after Davis called him, saying "come to the studio, you motherfucker". He attended an impromptu jam session at Davis's apartment with Mike Stern, playing with a cymbal and some drums, and was hired.
We come Fe make the people dem just rock up
Now we come Fe mash it inna different style
Yer you know we come kill the tune just like a ninja
Busting up the place and turn the people dem wild
This is the sound of the band call Skindred
Calling every nation Fe jump as one
Come together in the pit and turn crazy
Then we grab the dollars from promoters and we run,
Co Lord have mercy me say
Now we come in ah de place and we tear things up
We rock out the stage and the hwole place chock
Promoter and his idrin dem ah tan up and ah look
Every ting in addy place get mash up and broke
This is what the people dem ah want and we ah cook
The DJ starts to rock and the tune get stuck
The music his the crowd like a ten-ton truck
Everybody in the place they lift their hands and shout
This is what we want,
we want the vibes just sweet and we don't want no negative
This is what we want,
crowd of people in the place lick a shot be co you know!
Rocking in the yard we nor go drop
Ghetto youth are running it hot
Slamming in the pit we nor go stop
Every youth man lick 4 shot
Unity is what we need a lot
Its like the worlds in a melting pot
To the youth we are give nuff props
From the bottom we are reaching to the top
Condensation it ah run from the walls and the ceiling
To the Punk and the Dread this sound is appealing
Anytime we come you know we bring a good feeling
Lyrics wha we write they got to have meaning
No check fee Babylon but hatred we no deal in
The way we mash the show we left the youth dem reeling
Spot light pon the Dred because the show that we stealing
From Brixton town down to New York dem feeling!