- published: 12 Jun 2008
- views: 49477
- author: UCtelevision
60:36
Conversations with History: Robert S. McNamara
Robert S. McNamara, former Secretary of Defense and former President of the World Bank rem...
published: 12 Jun 2008
author: UCtelevision
Conversations with History: Robert S. McNamara
Robert S. McNamara, former Secretary of Defense and former President of the World Bank reminisces with host Harry Kreisler about public service, the War in Vietnam, znc the dangers of the superpower confrontation during the Cold War. Series: Conversations with History [Public Affairs] [Humanities] [Show ID: 7131]
- published: 12 Jun 2008
- views: 49477
- author: UCtelevision
71:41
The Fog of War: Mark Danner in Conversation with Robert McNamara and Errol Morris
Mark Danner, Robert McNamara and Errol Morris in Zellerbach Hall, the University of Califo...
published: 27 Jan 2010
author: calcommunitycontent
The Fog of War: Mark Danner in Conversation with Robert McNamara and Errol Morris
Mark Danner, Robert McNamara and Errol Morris in Zellerbach Hall, the University of California, Berkeley. Sponsored by Graduate School of Journalism. markdanner.com
- published: 27 Jan 2010
- views: 8101
- author: calcommunitycontent
5:04
Robert McNamara commentary on the Cuban missile crisis
Robert McNamara commenting on the Cuban missile crisis and how such risks and scenarios ar...
published: 17 Aug 2007
author: CossieKid
Robert McNamara commentary on the Cuban missile crisis
Robert McNamara commenting on the Cuban missile crisis and how such risks and scenarios are still very real today. Robert McNamara (born June 9, 1916) is an American business executive and a former United States Secretary of Defense. McNamara served as US Secretary of Defense from 1961 to 1968, during the Vietnam War. He resigned that position to become President of the World Bank (1968-1981). McNamara was responsible for the institution of systems analysis in public policy, which developed into the discipline known today as policy analysis.
- published: 17 Aug 2007
- views: 45928
- author: CossieKid
4:39
Charlie Rose - An Appreciation of Robert McNamara
An appreciation of Robert McNamara, former United States Secretary of Defense. McNamara di...
published: 10 Jul 2009
author: CharlieRose
Charlie Rose - An Appreciation of Robert McNamara
An appreciation of Robert McNamara, former United States Secretary of Defense. McNamara died in his sleep at his home in Washington early in the morning on July 6, 2009. He was 93. Visit Charlierose.com
- published: 10 Jul 2009
- views: 12026
- author: CharlieRose
2:40
Robert McNamara on the Effectiveness of Nuclear Deterrence
Complete video at: fora.tv Former US Secretary of Defense Robert McNamara passed away on M...
published: 07 Jul 2009
author: ForaTv
Robert McNamara on the Effectiveness of Nuclear Deterrence
Complete video at: fora.tv Former US Secretary of Defense Robert McNamara passed away on Monday, July 6, 2009. He was 93. In this excerpt from March 2005, McNamara discusses the effectiveness of nuclear deterrence during the 1962 Cuban Missile Crisis. McNamara implies that, due to their lethality, small stockpiles of nuclear weapons are just as effective as large-scale arsenals in deterring military action by an enemy state. ----- The 8th US Secretary of Defense reflects on the history of nuclear weapons policies and current dangers. Secretary McNamara was a principle actor in the formulation of Cold War era nuclear strategy in the NATO alliance. He will share his views on the current state of the alliance and the direction nuclear policy has followed - and perhaps should follow - in today's world. - World Affairs Council of Northern California Robert Strange McNamara (June 9, 1916 July 6, 2009) was an American business executive and the eighth Secretary of Defense. McNamara served as Defense Secretary for Presidents John F. Kennedy and Lyndon B. Johnson from 1961 to 1968. Following that he served as President of the World Bank from 1968 until 1981.
- published: 07 Jul 2009
- views: 4358
- author: ForaTv
1:56
The Fog of War (trailer)
Movie trailer...
published: 13 Oct 2006
author: Johnny Lynch
The Fog of War (trailer)
Movie trailer
- published: 13 Oct 2006
- views: 219883
- author: Johnny Lynch
26:16
WILSON'S GHOST: Robert S. McNamara
Recorded on June 20, 2001. More than eighty years ago, President Woodrow Wilson presided o...
published: 07 Jul 2009
author: HooverInstitution
WILSON'S GHOST: Robert S. McNamara
Recorded on June 20, 2001. More than eighty years ago, President Woodrow Wilson presided over the US entry into the First World War, promising that it would be "the war to end all war." Wilson promoted "peace without victory" and the creation of a League of Nations with the power to enforce the peace thereafter.
- published: 07 Jul 2009
- views: 2567
- author: HooverInstitution
3:34
Robert McNamara admits Gulf of Tonkin attack did not happen
An extract From "The Fog of War". An interview with Robert S McNamara who was Secretary of...
published: 08 Mar 2010
author: 1ThatWants911truth
Robert McNamara admits Gulf of Tonkin attack did not happen
An extract From "The Fog of War". An interview with Robert S McNamara who was Secretary of Defense during the Vietnam war.
- published: 08 Mar 2010
- views: 14192
- author: 1ThatWants911truth
107:02
The Fog of War
Academy Award®-winner for Best Documentary Feature, THE FOG OF WAR is the story of America...
published: 21 Oct 2011
author: CrackleUK
The Fog of War
Academy Award®-winner for Best Documentary Feature, THE FOG OF WAR is the story of America as seen through the eyes of the former Secretary of Defense under President Kennedy and President Johnson, Robert S. McNamara 2003 Sony Pictures Classics Inc. All Rights Reserved.
- published: 21 Oct 2011
- author: CrackleUK
3:34
Robert McNamara admits Vietnam War a mistake..flv
...
published: 13 Mar 2011
author: historyispopculture
Robert McNamara admits Vietnam War a mistake..flv
- published: 13 Mar 2011
- views: 1014
- author: historyispopculture
9:48
Fog of War Excerpts - Robert McNamara Craziness of Wars
...
published: 04 Aug 2009
author: Rippley Ripples
Fog of War Excerpts - Robert McNamara Craziness of Wars
- published: 04 Aug 2009
- views: 25543
- author: Rippley Ripples
2:30
Former US defence secretary McNamara dies - 07 Jul 09
Robert McNamara, a former US defence secretary, died at the age of 93 on June 6, 2009. Bes...
published: 07 Jul 2009
author: AlJazeeraEnglish
Former US defence secretary McNamara dies - 07 Jul 09
Robert McNamara, a former US defence secretary, died at the age of 93 on June 6, 2009. Best known for his role in the Vietnam War, McNamara served under John F Kennedy during the Cuban missile crisis and was also considered to be a key strategist in US policy on nuclear deterrence. Between 1968 and 1981, he headed the World Bank. Al Jazeera's John Terrett looks back on McNamara's life.
- published: 07 Jul 2009
- views: 3076
- author: AlJazeeraEnglish
1:17
Robert McNamara on the Press and Vietnam
In a 1995 Booknotes interview Former Defense Secretary Robert McNamara talked about press ...
published: 06 Jul 2009
author: CSPAN
Robert McNamara on the Press and Vietnam
In a 1995 Booknotes interview Former Defense Secretary Robert McNamara talked about press coverage of the Vietnam War. www.c-spanarchives.org
- published: 06 Jul 2009
- views: 11293
- author: CSPAN
3:34
Gulf of Tonkin: McNamara admits It didn't happen.
An extract From "The Fog of War". An interview with Robert S McNamara who was Secretary of...
published: 04 Mar 2008
author: compelled2283
Gulf of Tonkin: McNamara admits It didn't happen.
An extract From "The Fog of War". An interview with Robert S McNamara who was Secretary of Defense during the Vietnam war.
- published: 04 Mar 2008
- views: 52677
- author: compelled2283
Vimeo results:
69:10
FACTUM KANG
FACTUM KANG, 2009
Left: Hanna Kang (born 12 February, 1985).
Right: Hanjoo Laurie Kang (b...
published: 21 Jul 2010
author: Candice Breitz
FACTUM KANG
FACTUM KANG, 2009
Left: Hanna Kang (born 12 February, 1985).
Right: Hanjoo Laurie Kang (born 12 February, 1985).
FACTUM KANG is usually shown as a dual-channel video installation on two vertically-mounted plasma displays hung alongside one another. For exhibition purposes, the footage loops endlessly without beginning or end. For more info on FACTUM and to view other portraits from this series, see http://vimeo.com/album/259786
To produce the series of works collectively titled FACTUM (2010), Candice Breitz conducted intensive interviews with seven pairs of identical twins and a single set of identical triplets in and around Toronto during the summer of 2009, footage from which she then edited seven dual-channel video installations (and one tri-channel video installation). Like Robert Rauschenberg’s near-identical paintings FACTUM I and FACTUM II (both 1957), from which the series borrows its title, each interviewee in FACTUM is an imperfect facsimile of their twin: their apparent identicality is soon disrupted by a host of subtle differences.
Breitz chose to work with monozygotic twins (and triplets) who spent their formative lives together and who thus draw on shared memories and experience. Each pair of twins was filmed over the course of one long day in a domestic environment designated by the twins – most chose to shoot in the home of one twin, or in their shared home. In each case, Breitz interviewed Twin A for approximately 5–7 hours in the absence of his/her sibling and then directed the same set of questions separately to Twin B. Designed to give each individual the opportunity to narrate his/her own story as s/he chose, the questions covered intimate areas such as childhood, sibling rivalry and family matters, but also zoomed out to allow each subject to address his/her relationship to the world at large.
Some questions were specifically slanted to shed light on the mysterious terrain of subject formation: the twins were asked to lend comment, for example, on the nature-nurture debate, or to offer their thoughts on evolution versus creation. Other questions invited the twins to share personal anecdotes or key memories. According to their level of comfort before the camera, some individuals were willing to enter into minute and graphic autobiographical detail, while others set distinct boundaries.
Each pair of twins was asked to style themselves as identically as possible for the camera, and left to decide how diligently they wished to fulfill the request. For some the superficial sameness that resulted – almost immediately to be undermined by innumerable small differences that manifest themselves throughout the interview – became an apt metaphor for the projections of sameness that they had been subject to all their lives.
Each pair of interviews was later woven together in the editing studio to create a somewhat stereoscopic dual-channel portrait. Breitz’s edits accentuate the push-and-pull relationship between the siblings. As the twins relate their stories, sharp distinctions in their voices, their attitudes, their body language, and their views on the world become apparent. At times they gravitate towards each other, offering almost the same syntax and gestures to describe memory, while at other moments they differ vastly in their conclusions on topics they both consider vital. Breitz’s presence is strongly tangible in each twin portrait – her jagged editing style distances the works from the truth claims of conventional documentary, suggesting that the intertwining forces of fact and fiction are always at play in auto/biography.
FACTUM raises questions not only about twinship per se, but also about the struggle that each individual must negotiate in defining him or herself as distinct, while facing constant reminders of the relative role of others in the process of self-definition.
The FACTUM series comprises FACTUM BRADLEY, FACTUM HAWKE, FACTUM JACOB, FACTUM KANG, FACTUM McNAMARA, FACTUM MISERICORDIA, FACTUM TANG and FACTUM TREMBLAY.
Director + Editor: Candice Breitz
Assistant Director: Bianca Semeniuk
Camera: Sean Anicic
Makeup: Allison Magpayo
Production Assistants: Manuela Buechting, Sue Johnson, Eva Michon
Post Production: Alex Fahl
Commissioned by The Power Plant, Toronto; Commissioning Partner - Partners in Art, Toronto
Additional information available upon request: www.candicebreitz.net
2:00
IKEA - Bright Shiny Colours
TV Commercial and Viral for IKEA UK to promote their 2013 Catalogue and new range.
Direct...
published: 07 Sep 2012
author: David Wilson
IKEA - Bright Shiny Colours
TV Commercial and Viral for IKEA UK to promote their 2013 Catalogue and new range.
Director: David Wilson
Production Company: BlinkInk
Executive Producer: James Bretton
Producer: Patrick Craig
Production Manager: Joshua Smith
Music by 99 Trees (a reworking of 'Bright Shiny Colours' by The Shirelles)
Director of Photography: Marc Gómez del Moral
Art Direction: Sam Ludgate & Arthur De Borman
Choreographer: Robert Hylton
1st Assistant Director: Chris Kelly
Actress: Sinaed Godin
Wardrobe: Alexis Knox
Lip Puppets and Puppeteer: Jonny Sabbagh
Music Magazine cover photo: Tag Christof
Director's PA: Chloe Hardwick
Agency Producer: Harriette Larder
Creative Directors: Tim McNaughton, Freddy Mandy, Ana Balarin, Hermeti Balarin,
Editor: James Rose at Cut & Run
Post Production: MPC
Lead flame: Michael Gregory & Bill McNamara
VFX Tea: Daniel Cowley, Oliver Chaffe, Ludo Fealy, Bruno Fukumothi, Ryan Hadfield, Mark Stannard
Colourist: Aline Sinquin
Post Producer: Anandi Peiris
Animation:
Lead Animator: Jonathan Harris
Illustration: Nick Edwards
Sinaed Rotoscope: Michael Zauner
Colouring Assistant: Florence Deary
49:29
FACTUM McNAMARA
FACTUM McNAMARA, 2010
Left: Martin McNamara (born 18 August, 1950).
Right: Michael McNama...
published: 15 Jul 2010
author: Candice Breitz
FACTUM McNAMARA
FACTUM McNAMARA, 2010
Left: Martin McNamara (born 18 August, 1950).
Right: Michael McNamara (born 18 August, 1950).
FACTUM McNAMARA is usually shown as a dual-channel video installation on two vertically-mounted plasma displays hung alongside one another. For exhibition purposes, the footage loops endlessly without beginning or end. For more info on FACTUM and to view other portraits from this series, see http://vimeo.com/album/259786
To produce the series of works collectively titled FACTUM (2010), Candice Breitz conducted intensive interviews with seven pairs of identical twins and a single set of identical triplets in and around Toronto during the summer of 2009, footage from which she then edited seven dual-channel video installations (and one tri-channel video installation). Like Robert Rauschenberg’s near-identical paintings FACTUM I and FACTUM II (both 1957), from which the series borrows its title, each interviewee in FACTUM is an imperfect facsimile of their twin: their apparent identicality is soon disrupted by a host of subtle differences.
Breitz chose to work with monozygotic twins (and triplets) who spent their formative lives together and who thus draw on shared memories and experience. Each pair of twins was filmed over the course of one long day in a domestic environment designated by the twins – most chose to shoot in the home of one twin, or in their shared home. In each case, Breitz interviewed Twin A for approximately 5–7 hours in the absence of his/her sibling and then directed the same set of questions separately to Twin B. Designed to give each individual the opportunity to narrate his/her own story as s/he chose, the questions covered intimate areas such as childhood, sibling rivalry and family matters, but also zoomed out to allow each subject to address his/her relationship to the world at large.
Some questions were specifically slanted to shed light on the mysterious terrain of subject formation: the twins were asked to lend comment, for example, on the nature-nurture debate, or to offer their thoughts on evolution versus creation. Other questions invited the twins to share personal anecdotes or key memories. According to their level of comfort before the camera, some individuals were willing to enter into minute and graphic autobiographical detail, while others set distinct boundaries.
Each pair of twins was asked to style themselves as identically as possible for the camera, and left to decide how diligently they wished to fulfill the request. For some the superficial sameness that resulted – almost immediately to be undermined by innumerable small differences that manifest themselves throughout the interview – became an apt metaphor for the projections of sameness that they had been subject to all their lives.
Each pair of interviews was later woven together in the editing studio to create a somewhat stereoscopic dual-channel portrait. Breitz’s edits accentuate the push-and-pull relationship between the siblings. As the twins relate their stories, sharp distinctions in their voices, their attitudes, their body language, and their views on the world become apparent. At times they gravitate towards each other, offering almost the same syntax and gestures to describe memory, while at other moments they differ vastly in their conclusions on topics they both consider vital. Breitz’s presence is strongly tangible in each twin portrait – her jagged editing style distances the works from the truth claims of conventional documentary, suggesting that the intertwining forces of fact and fiction are always at play in auto/biography.
FACTUM raises questions not only about twinship per se, but also about the struggle that each individual must negotiate in defining him or herself as distinct, while facing constant reminders of the relative role of others in the process of self-definition.
The FACTUM series comprises FACTUM BRADLEY, FACTUM HAWKE, FACTUM JACOB, FACTUM KANG, FACTUM McNAMARA, FACTUM MISERICORDIA, FACTUM TANG and FACTUM TREMBLAY.
Director + Editor: Candice Breitz
Assistant Director: Bianca Semeniuk
Camera: Sean Anicic
Makeup: Allison Magpayo
Production Assistants: Manuela Buechting, Sue Johnson, Eva Michon
Post Production: Alex Fahl
Commissioned by The Power Plant, Toronto; Commissioning Partner - Partners in Art, Toronto
Additional information available upon request: www.candicebreitz.net
59:30
FACTUM TANG
FACTUM TANG, 2010
Left: Joelle Tang (born 25 December, 1990).
Middle: Jade Tang (born 25 ...
published: 15 Jul 2010
author: Candice Breitz
FACTUM TANG
FACTUM TANG, 2010
Left: Joelle Tang (born 25 December, 1990).
Middle: Jade Tang (born 25 December, 1990).
Right: Mariah Tang (born 25 December, 1990).
FACTUM TANG is usually shown as a tri-channel video installation on 3 vertically-mounted plasma displays hung alongside one another. For exhibition purposes, the footage loops endlessly without beginning or end. For more info on FACTUM and to view other portraits from this series, see http://vimeo.com/album/259786
To produce the series of works collectively titled FACTUM (2010), Candice Breitz conducted intensive interviews with seven pairs of identical twins and a single set of identical triplets in and around Toronto during the summer of 2009, footage from which she then edited seven dual-channel video installations (and one tri-channel video installation). Like Robert Rauschenberg’s near-identical paintings FACTUM I and FACTUM II (both 1957), from which the series borrows its title, each interviewee in FACTUM is an imperfect facsimile of their twin: their apparent identicality is soon disrupted by a host of subtle differences.
Breitz chose to work with monozygotic twins (and triplets) who spent their formative lives together and who thus draw on shared memories and experience. Each pair of twins was filmed over the course of one long day in a domestic environment designated by the twins – most chose to shoot in the home of one twin, or in their shared home. In each case, Breitz interviewed Twin A for approximately 5–7 hours in the absence of his/her sibling and then directed the same set of questions separately to Twin B. Designed to give each individual the opportunity to narrate his/her own story as s/he chose, the questions covered intimate areas such as childhood, sibling rivalry and family matters, but also zoomed out to allow each subject to address his/her relationship to the world at large.
Some questions were specifically slanted to shed light on the mysterious terrain of subject formation: the twins were asked to lend comment, for example, on the nature-nurture debate, or to offer their thoughts on evolution versus creation. Other questions invited the twins to share personal anecdotes or key memories. According to their level of comfort before the camera, some individuals were willing to enter into minute and graphic autobiographical detail, while others set distinct boundaries.
Each pair of twins was asked to style themselves as identically as possible for the camera, and left to decide how diligently they wished to fulfill the request. For some the superficial sameness that resulted – almost immediately to be undermined by innumerable small differences that manifest themselves throughout the interview – became an apt metaphor for the projections of sameness that they had been subject to all their lives.
Each pair of interviews was later woven together in the editing studio to create a somewhat stereoscopic dual-channel portrait. Breitz’s edits accentuate the push-and-pull relationship between the siblings. As the twins relate their stories, sharp distinctions in their voices, their attitudes, their body language, and their views on the world become apparent. At times they gravitate towards each other, offering almost the same syntax and gestures to describe memory, while at other moments they differ vastly in their conclusions on topics they both consider vital. Breitz’s presence is strongly tangible in each twin portrait – her jagged editing style distances the works from the truth claims of conventional documentary, suggesting that the intertwining forces of fact and fiction are always at play in auto/biography.
FACTUM raises questions not only about twinship per se, but also about the struggle that each individual must negotiate in defining him or herself as distinct, while facing constant reminders of the relative role of others in the process of self-definition.
The FACTUM series comprises FACTUM BRADLEY, FACTUM HAWKE, FACTUM JACOB, FACTUM KANG, FACTUM McNAMARA, FACTUM MISERICORDIA, FACTUM TANG and FACTUM TREMBLAY.
Director + Editor: Candice Breitz
Assistant Director: Bianca Semeniuk
Camera: Sean Anicic
Makeup: Allison Magpayo
Production Assistants: Manuela Buechting, Sue Johnson, Eva Michon
Post Production: Alex Fahl
Commissioned by The Power Plant, Toronto; Commissioning Partner - Partners in Art, Toronto
Additional information available upon request: www.candicebreitz.net
Youtube results:
1:48
Robert S. McNamara Dies at 93
Former secretary of defense and one of the architects of the Vietnam War passes....
published: 07 Jul 2009
author: ABCNews
Robert S. McNamara Dies at 93
Former secretary of defense and one of the architects of the Vietnam War passes.
- published: 07 Jul 2009
- views: 6423
- author: ABCNews
1:48
JFK Burial - Robert McNamara - Fog of War
...
published: 11 Oct 2010
author: Hugh Garrett
JFK Burial - Robert McNamara - Fog of War
- published: 11 Oct 2010
- views: 6146
- author: Hugh Garrett
4:10
Robert S. McNamara
This is a little slideshow i made using audio snipits of the movie fog of war and some scr...
published: 31 Oct 2007
author: mcfartson
Robert S. McNamara
This is a little slideshow i made using audio snipits of the movie fog of war and some screen capture also some significant pics from elsewhere to get my point across.
- published: 31 Oct 2007
- views: 5215
- author: mcfartson
2:35
Michael Savage - Robert McNamara Killed More American Men in Vietnam than did the Vietcong
and what the leftist politicians didn't accomplish, the leftist media did!...
published: 07 Jul 2009
author: martysoffice
Michael Savage - Robert McNamara Killed More American Men in Vietnam than did the Vietcong
and what the leftist politicians didn't accomplish, the leftist media did!
- published: 07 Jul 2009
- views: 8928
- author: martysoffice