Sellers may refer to

• Sellers, South Carolina, a small US town
• USS Sellers (DDG-11), a US Navy destroyer
• Sellers (surname), people with the surname Sellers

See also[link]

• Fort Sellers
• Sellars

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Peter Sellers
Publicity photo of Sellers, about 1975
Born	Richard Henry Sellers (1925-09-08)8 September 1925 Southsea, Hampshire, England, United Kingdom
Died	24 July 1980(1980-07-24) (aged 54) London, England, United Kingdom
Cause of death	Heart Attack
Nationality	British[1]
Occupation	Actor, comedian
Years active	1948–1980
Spouse	Anne Hayes (m. 1951–1961; divorced) Britt Ekland (m. 1964–1968; divorced) Miranda Quarry (m. 1970–1974; divorced) Lynne Frederick (m. 1977–1980; his death)
Children	Michael (deceased), Sarah, Victoria

Richard Henry Sellers, CBE (8 September 1925 – 24 July 1980), known as Peter Sellers, was a British comedian and actor. Perhaps best known as Chief Inspector Clouseau in The Pink Panther film series, he is also notable for playing three different characters in Dr. Strangelove, as Clare Quilty in Lolita, and as the TV-addicted man-child Chance the gardener in his penultimate film, Being There. Actress Bette Davis once remarked of him, "He isn't an actor—he's a chameleon."^[2]

Sellers rose to fame on the BBC Radio comedy series The Goon Show. His ability to speak in different accents (e.g., French, Indian, Italian, American, German, as well as British regional accents), along with his talent to portray a range of characters to comic effect, contributed to his success as a radio personality and screen actor and earned him national and international nominations and awards. Many of his characters became ingrained in public perception of his work. Sellers' private life was characterised by turmoil and crises, and included emotional problems and substance abuse. Sellers was married four times, and had three children from the first two marriages.

Early life[link]

Peter Sellers' birthplace on the corner of Castle Road and Southsea Terrace, in Southsea; the blue plaques read "Peter Sellers, Actor and Comedian was born here"

Sellers was born in Southsea, Portsmouth, to a family of entertainers. Although he was christened Richard Henry, his parents always called him Peter, after his elder stillborn brother,^[3] and, according to Bryan Forbes, "was, during his formative years, totally smothered in maternal affection".

Schooling[link]

He attended the North London Roman Catholic school St. Aloysius College. His father, Yorkshire-born Bill Sellers, was Protestant, and his mother, Agnes Doreen 'Peg' (née Marks) was Jewish, the daughter of Solomon Marks and his wife, Welcome Mendoza. Agnes was a first cousin, three times removed, of boxer Daniel Mendoza (1764–1836), not, as is commonly believed, his great-granddaughter.^[4] As an adult, notes film critic Alexander Walker, Mendoza was the relative Sellers "most revered," and he usually kept an engraving of him hanging in his office. At one time he planned on having Mendoza's image for his production company's logo.

According to Sellers' biographer Roger Lewis, Sellers was intrigued by Catholicism, but soon after entering Catholic school, he "discovered he was a Jew—he was someone on the outside of the mysteries of faith." Sellers says that teachers referred to him as "The Jew", which led to his subsequent sensitivity to anti-semitic innuendos. He was a top student at the school, and recalls that the teacher once scolded the other boys for not studying: "The Jewish boy knows his catechism better than the rest of you!"^[3]:203

Later in his life, Sellers is quoted as saying "My father was solid Church of England but my mother was Jewish, Portuguese Jewish, and Jews take the faith of their mother."^[5] Film critic Kenneth Tynan noted after his interview with Sellers that one of the main "motive forces" for his ambition as an actor was "his hatred of anti-semitism." Tynan explained:

In scholars, lawyers, doctors and vaudeville comedians, Jewishness is tolerated. In legitimate actors, much less often. . . . Hence [Peter Seller's refusal] to be content with the secure reputation of a great mimic and his determination to go down in history as something more—a great actor, perhaps, or a great director.^[6]:10-13

Sellers was of the opinion that "becoming part of some large group never does any good. Maybe that's my problem with religion," he said during an interview. He explained:

"I wasn't baptised. I wasn't Bar Mitzvahed. I suppose my basic religion is doing unto others as they would do unto me. But I find it all very difficult. I am more inclined to believe in the Old Testament than in the New . . . .^[7]

Radio days[link]

Sellers began to develop a "gift for improvising dialogue," writes Walker, while he was still in Catholic school. His closest friend during those years was Bryan Connon, and they were both equally enjoyed listening to early radio shows. Connon recalls their time spent after school:

As we walked home together from school, Peter got endless pleasure imitating the people in "Monday Night at Eight." He had a gift for improvising dialogue. Sketches, too. I'd be the "straight man," the "feed," and all the way up Archway Road I'd cue Peter and he'd do all the radio personalities and chuck in a few voices of his own invention as well. In hindsight, "The Goon Show" was a logical development of that sidewalk "show."^[6]:30

Early stage experience[link]

Accompanying his family on the variety show circuit,^[3] Sellers learned stagecraft, which proved valuable later. He performed at age five at the burlesque Windmill Theatre in the drama Splash Me!, which featured his mother.^[8] However, he grew up with conflicting influences from his parents and developed ambivalent feelings about show business. His father lacked confidence in Peter's abilities to ever become much in the entertainment field, even suggesting that his son's talents were only enough to become a road sweeper, while Sellers' mother encouraged him continually.^[3]:18

Sellers got his first job at a theatre in Ilfracombe, when he was 15, starting as a janitor. He was steadily promoted, becoming a box office clerk, usher, assistant stage manager, and lighting operator. He was also offered some small acting parts.^[3] Working backstage gave him a chance to see serious actors at work, such as Paul Scofield. He also became close friends with Derek Altman, and together they launched Sellers' first stage act under the name "Altman and Sellers," where they played ukuleles, sang, and told jokes. They also both enjoyed reading detective stories by Dashiell Hammett, and were inspired to start their own detective agency. "Their enterprise ended abruptly when a potential client ripped Sellers' fake moustache off."^[3]

At his regular job backstage at the theatre, Sellers began practising on a set of drums that belonged to the band "Joe Daniels and His Hot Shots." Joe Daniels began noticing his efforts and gave him some practical instructions. Sellers' biographer Ed Sikov writes that "drumming suited him. Banging in time Pete could envelop himself in a world of near-total abstraction, all in the context of a great deal of noise."^[3]:20

World War II period[link]

As war broke out in Europe, Sellers continued to develop his drumming skills, which strongly impressed even his father and landed Sellers his first drumming job with a band in Blackpool.^[3]:22

He later enlisted, and during World War II Sellers was an airman in the Royal Air Force, rising to corporal, though he had been restricted to ground staff because of poor eyesight. His tour included India and Burma, although the duration of his stay in Asia is unknown and its length may have been exaggerated by Sellers himself.^[3]

He also served in Germany and France after the war.^[3] As a distraction from the life of a non-commissioned officer, Sellers joined the Entertainments National Service Association (ENSA), which his father had earlier also signed up with, allowing him to hone his drumming and comedy. By the end of the war in 1945, more than four out of every five British entertainers had worked for ENSA, whose focus was on boosting morale of soldiers and factory workers.^[3]

During those years, Sellers and his soldier friend David Lodge, who later became a leading British actor, entertained the troops in Gang Shows, with Sellers on the drums. Lodge describes Sellers' role in those shows:

Peter on the drums was one of the best performers ever. "Drumming Man" was how he was billed. He closed the show. To see him do his jazz numbers was a show in itself, throwing up the sticks, catching them. Nothing could have followed him! ^[6]:49

Lodge notes that there were elements of anti-Semitism expressed by some of the show's members, although not aimed at Sellers, but at others in the group:

What I remember about Peter was the way he stood up for the little Jewish bloke on the receiving end of it. Another time he actually broke a chair up, very deliberately, piece by piece, to work out his aggression.^[6]:49

He occasionally impersonated his superiors,^[3] and his portrayal of RAF officer Lionel Mandrake in the film Dr. Strangelove may have been modelled on them. He bluffed his way into the Officers' Mess using mimicry and the occasional false mustache. Walker explains that because many of the military camps during this period were disorganized, with various uniforms kept backstage, Sellers found it overly tempting, and "borrowed these shamelessly," adds Walker, "seduced by the enormity of the impersonation and indifferent to the consequences of being caught literally 'in the act.'" On one occasion, he found a uniform of a flight lieutenant, and ten minutes later, wearing the uniform, "sauntered into the officers' mess for a gin and tonic."^[6]:50

Lodge clearly remembers the first time he witnessed Sellers impersonating an officer, after he pulled a squadron leader's uniform out of the props. The band's trumpeter first tried to stop him: "Don't be a bloody idiot, Peter. You'll get five years in the clink if you're cropped." It did no good, according to Lodge:

On went a false mustache. He parted his hair down the center, dusted it with talc around the temples, smoothed the medal ribbbons he'd awarded himself for campaigns he'd never been in—which was another five years, maybe—and clapped his cap on at the rakish angle which was how that sort of rank was expected to wear it. Then he went downstairs, me following, white with apprehension. I noticed his walk had even gotten years older, and carried an authority I never imagined Peter could muster. He threw open the door of the men's bunkhouse and waited a second before he entered—even then he had a great sense of timing. . . . Then he walked down the center, eyeing them with quiet pride. . . . imitating impeccably the tones of a man unused to having his authority questioned.^[6]:51

According to Lodge, Sellers' attitude during that pretended inspection of the men, "was like royalty meeting loyal workers on the factory floor." As Sellers left the barrack, having asked for and hearing their numerous complaints, he said to the men, "Well, carry on chaps. You're not forgotten, I assure you." These kinds of impersonations became frequent, with Walker saying they were "like watching Dr. Jekyll's involuntary transformation into Mr. Hyde."^[6]:51-52

Early career[link]

The Goon Show[link]

After his discharge and return to England in 1948, Sellers supported himself with stand-up routines in variety theatres whose impresarios needed to legitimise their business.^[3] Sellers telephoned BBC radio producer Roy Speer, pretending to be Kenneth Horne, star of the radio show Much Binding in the Marsh, to get Speer to speak to him. Speer reportedly called Sellers a "cheeky young sod" for this.^[9]

As a result, Sellers was given an audition, which led to his work on Ray's a Laugh with comedian Ted Ray. His principal radio work was on The Goon Show with Spike Milligan, Harry Secombe and (originally) Michael Bentine. Sellers followed this with television work.

Records[link]

In the late 1950s, Sellers released two comedy records produced by George Martin: The Best of Sellers and Songs for Swinging Sellers. The Best of Sellers album cover (first released in 10" format in 1958 and his debut LP) pictured him polishing a Rolls-Royce motor car. The most popular tracks on this album were "Balham, Gateway to the South" (a parody travelogue) and "Suddenly It's Folksong" where a group of people end up smashing up a pub after a row over someone playing a bum note. The Songs for Swinging Sellers album, released in 1959, whose title parodied Frank Sinatra's album Songs for Swingin' Lovers!, contained material written by Frank Muir and Denis Norden, and featured Sellers performing "Puttin on the Style" (a parody of the skiffle movement's performer Lonnie Donegan). Sellers also appeared with guest Irene Handl on the track "Shadows on the Grass" where he played the part of a Frenchman befriending a lady in the park. Musical direction was by Ron Goodwin.

In 1963, Sellers worked with Anthony Newley, Leslie Bricusse and Joan Collins to produce the LP Fool Britannia. This comprised a series of sketches satirising the British political scandal, the Profumo Affair, in which the Minister for War was revealed to have lied about his relationship with a prostitute who was also involved with a Russian diplomat. The album was controversial, in part perhaps because of material involving the royal family, and would-be buyers in the United Kingdom found it especially hard to obtain.

A 1965 hit was a spoof spoken version of the Beatles' "A Hard Day's Night", in the style of Laurence Olivier. This followed up various pieces of Olivier-style speech in the Goons.

In 1979 he released a new gatefold album entitled Sellers' Market (the cover shows him standing next to traders reading the Financial Times and the Wall Street Journal whereas Sellers is reading the Finchley Press) which included comic singing and a feature called the "All England George Formby Finals" where he parodies the late George Formby and his ukulele-playing. Also featured was the Complete Guide to Accents of the British Isles. The album was not as popular as his first two in 1958 and 1959 although it is still sought after by collectors.^[10] All of his albums exploited Sellers's ability to use his flexible voice to comedic effect.

Acting technique and preparation[link]

In an October 1962 interview for Playboy, Sellers described how he prepared for acting roles once he agreed to play the part:

Film career[link]

In The World of Henry Orient (1964)

Sellers' film success arrived with British comedies, including The Ladykillers, I'm All Right Jack and The Mouse That Roared. In his early film roles, he continued to exploit his ability to do accents and different voices, often in character parts and occasionally playing several distinct roles in a single film. In his second movie, he played two parts; in his third, six (see chart below).

In The Smallest Show on Earth, the 32-year-old actor played a doddering, drunken elderly projectionist twice his actual age. In The Mouse That Roared, set in a small European country, he played three major and distinct roles, the elderly queen, the ambitious Prime Minister, and the innocent and clumsy farm boy selected to lead an invasion of the United States. In the United States he received considerable publicity for playing three parts, a stunt he would do again in Dr. Strangelove.

He began receiving international attention for his portrayal of an Indian doctor in The Millionairess with Sophia Loren. The film inspired the George Martin-produced novelty hit single Goodness Gracious Me and its follow-up Bangers and Mash, both featuring Sellers and Loren.

[edit] Lolita

In 1962, Stanley Kubrick asked Sellers to play the role of Clare Quilty in Lolita opposite James Mason and Shelley Winters. Kubrick had seen Sellers in his earlier films and was intrigued by his range, also demonstrated during The Goon Show period when Sellers had done impressions of famous people, such as Winston Churchill, the Queen, and Lew Grade.

According to Walker, working on Lolita was "the first time he tasted what it was like to work creatively during shooting, not just in the preproduction run-up." However, Sellers felt the part of a flamboyant American television playwright was beyond his ability, mainly because Quilty was, in Sellers' words, "a fantastic nightmare, part homosexual, part drug addict, part sadist...". He became nervous about taking on the role, and many people came up to him and told him they felt the role believable.^[11] Kubrick eventually succeeded in persuading Sellers to play the part, however. Kubrick had American jazz producer Norman Granz record Sellers' portions of the script for Sellers to listen to, so he could study the voice and develop confidence.^[12]

Unlike most of his earlier well-rehearsed movie roles, Sellers was encouraged by Kubrick to improvise throughout the filming in order to exhaust all the possibilities of his character. Moreover, in order to capture Sellers at his most creative heights, Kubrick often used as many as three cameras. The experience also lifted Sellers' spirit as an actor. Kubrick describes this change:

When Peter was called to the set he would usually arrive walking very slowly and staring morosely. . . . As work progressed, he would begin to respond to something or other in the scene, his mood would visibly brighten and we would begin to have fun. Improvisational ideas began to click and the rehearsal started to feel good. On many of these occasions, I think, Peter reached what can only be described as a state of comic ecstasy.^[6]:135

Kubrick gave him free "license" to break the rules, notes Walker:

He indulged in his liking for setting himself problems, encouraged by Kubrick to explore the outer limits of the comédie noire—and sometimes, he felt, go over them—in a way that appealed to the macabre imagination of himself and his director.^[6]:136

The movie's cinematographer, Oswald Morris, further commented that, "the most interesting scenes were the ones with Peter Sellers, which were total improvisations."^[12] Because of this experience, Sellers later claimed that his relationship with Kubrick became one of the most rewarding of his career.^[12]

[edit] Dr. Strangelove

Group Captain Mandrake

President Merkin Muffley

Dr. Strangelove

In Kubrick's next film, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb he asked Sellers to be in the leading role. Sellers played three extremely different characters: U.S. President Merkin Muffley, Dr. Strangelove, a heavily German-accented nuclear scientist, and Group Captain Lionel Mandrake of the RAF. Sellers was initially hesitant about taking on the task, but Kubrick convinced him that there was no better actor that could play these parts.^[12]

Muffley and Dr. Strangelove appeared in the same room throughout the film, with the help of doubles mostly seen from the rear. Sellers was originally also cast to play a fourth role as bomber pilot Major T. J. "King" Kong, but from the beginning Sellers was reluctant. He felt his workload was too heavy and he worried he would not properly portray the character's Texas accent. Kubrick pleaded with him and asked screenwriter Terry Southern (who had been raised in Texas) to record a tape with Kong's lines spoken in the correct accent. Using Southern's tape, Sellers managed to get the accent right, and started shooting the scenes in the airplane. But then Sellers sprained an ankle and could not work in the cramped cockpit set.^[13][14][15] This forced Kubrick to recast the part with Slim Pickens. For his performance in all three roles, Sellers was nominated for an Academy Award for Best Actor. Kubrick again gave Sellers a free rein to improvise throughout the filming. Sellers once said, "If you ask me to play myself, I will not know what to do. I do not know who or what I am."^[16]

[edit] The Pink Panther

In October 1962, Sellers' father died suddenly while undergoing surgery in London, at the age of 62. The event became life-changing for Sellers, remembering his own history of heart trouble; soon after the death he decided to move from England to "get away from it all." He put his large home in Hampstead up for sale, and grasped at the first international film offer he received that would take him out of England. His first offer came from director Blake Edwards, to star in The Pink Panther (1963).

Fortunately for Sellers, Edwards was an experienced director of comedies who would allow him to develop his own character's personality. Edwards' decision to hire Sellers was because his previous star for the part, Peter Ustinov, suddenly backed out. He recalls that because of Ustinov leaving the film, he was "desperately unhappy and ready to kill, but as fate would have it, I got Mr. Sellers instead of Mr. Ustinov—thank God!" ^[6]:145

Sellers was cast as the bumbling Chief Inspector Clouseau in the film, which gave him a worldwide audience. Although the character of Inspector Clouseau was in the script, Sellers had to create his personality, notes Walker. While flying to Rome, he used the time alone to devise the character. Sellers would create his own unique accent and add his own costume and makeup ideas for the part, including a mustache and trench coat. Sellers described the character's personality he would portray:

I'll play Clouseau with great dignity, because he thinks of himself as one of the world's best detectives. Even when he comes a cropper, he must pick himself up with that notion intact. The original script makes him out to be a complete idiot. I think a forgivable vanity would humanize him and make him kind of touching. It's as if filmgoers are kept one fall ahead of him.^[6]:147

The film was the first time Sellers played a "slapstick" comedy role, and was followed by the sequel the following year, A Shot in the Dark (1964), in which he featured even more prominently. He returned to the character for three more sequels from 1975 to 1978. The Trail of the Pink Panther, containing unused footage of Sellers, was released in 1982, after his death. His widow, Lynne Frederick, successfully sued the film's producers for unauthorised use. Sellers had prepared to star as Chief Inspector Clouseau in another Pink Panther film; he died before the start of this project, Romance of the Pink Panther.

[edit] Being There

In 1979, Sellers played the role of Chance, a simple-minded gardener addicted to watching TV, in the black comedy Being There, considered by some critics to be the "crowning triumph of Peter Sellers's remarkable career,"^[17] as well as a great achievement for novelist Jerzy Kosinski. During a BBC interview in 1971, Sellers said that more than anything else, he wanted to play the role of Chance.^[17]

Kosinski, the book's author, felt that the novel was never meant to be made into a film, but Sellers succeeded in changing his mind, and Kosinski allowed Sellers and director Hal Ashby to make the film, provided he could write the script.^[17] According to film critic Danny Smith, Sellers was "naturally intrigued with the idea of Chance, a character who reflected whatever was beamed at him".^[18]

Sellers's performance was praised by some critics as achieving "the pinpoint-sharp exactitude of nothingness. It is a performance of extraordinary dexterity",^[3]:361 and "...[making] the film's fantastic premise credible".^[19]

Sellers's experience of working on the film was both humbling and powerful for him.^[18] During the filming, in order not to break his character, he refused most interview requests, and even kept his distance from other actors. He tried to remain in character even after he returned home.^[18] Sellers considered Chance's walking and voice the character's most important attributes, and in preparing for the role, Sellers worked alone with a tape recorder, or with his wife, and then with Ashby, to perfect the clear enunciation and flat delivery needed to reveal "the childlike mind behind the words."^[18]

Critic Frank Rich noted the acting skill required for this sort of role, with a "schismatic personality that Peter had to convey with strenuous vocal and gestural technique. . . . A lesser actor would have made the character's mental dysfunction flamboyant and drastic. . . . [His] intelligence was always deeper, his onscreen confidence greater, his technique much more finely honed."^[19]

Co-star Shirley MacLaine found Sellers "a dream" to work with, while the story's author and screenwriter Jerzy Kosinski claimed that "nobody thought Chance was even a character, yet Peter knew that man."^[6]:237 Being There earned Sellers his best reviews since the 1960s, a second Academy Award nomination and a Golden Globe award. A few months after the film was released, Time magazine wrote a cover-story article about Sellers, entitled, "Who is This Man?" The cover showed many of the characters Sellers had portrayed, including Chance, Quilty, Strangelove, Clouseau, and the Grand Duchess Glorianna XII. Sellers was pleased by the article, written by critic Richard Schickel, and wrote an appreciative letter to the magazine's editor.^[3]:373

Final projects[link]

Sellers' last movie was The Fiendish Plot of Dr. Fu Manchu, a comedic reimagining of the classic series of adventure novels by Sax Rohmer. In this new version, Sellers played both "Fu Manchu" and his arch nemesis, police inspector Nayland Smith. Production of the film ran into problems from the start, with Sellers' poor health and mental instability causing long delays and bickering between star and director Piers Haggard. With roughly 60% of the movie shot, Sellers had Haggard sacked and took over direction himself. Haggard later complained that the reshoots Sellers ordered added nothing to the production, and had resulted in the film being incoherent and unfocused. The movie contains references to Sellers' serious heart troubles, including scenes where Fu revives his ancient body with large electric shocks.^[20]

Sellers died shortly before Fu Manchu was released, with his very last performance being that of conman "Monty Casino" in a series of adverts for Barclays Bank. In 1982, Sellers returned to the big screen as Inspector Clouseau in Trail of the Pink Panther, which was composed entirely of deleted scenes from his past three Panther movies, in particular The Pink Panther Strikes Again, with a new story written around them. David Niven also reprised his role of Sir Charles Lytton in this movie. Along with what many, notably his widow Lynne Frederick, saw as exploitation of Sellers, the manner in which Niven's cameo was handled has earned the movie a lasting unsavoury reputation.^{[citation needed]} Edwards continued the series with a further instalment called the Curse of the Pink Panther, which was shot back-to-back with the framing footage for Trail, but Sellers was wholly absent from this film.

After The Fiendish Plot of Dr. Fu Manchu, Sellers was scheduled to appear in another Clouseau comedy, The Romance Of The Pink Panther. Its script, written by Peter Moloney and Sellers himself, had Clouseau falling for a brilliant female criminal known as 'The Frog' and aiding her in her heists with the aim to reform her character.^{[citation needed]} Blake Edwards did not participate in the planning of this new Clouseau instalment, as the working relationship between him and Sellers had broken down during the filming of Revenge Of The Pink Panther. The final draft of the script, including a humorous cover letter signed by "Pete Shakespeare", was delivered to United Artists' office less than six hours before Sellers died.^{[citation needed]} Sellers' death ended the project, along with two other planned movies for which Sellers had signed contracts in 1980. The two films—Unfaithfully Yours and Lovesick—were rewritten as vehicles for Dudley Moore; both performed poorly at the box office upon release.^{[citation needed]} Trade papers such as Variety carried an elaborately curlicued advert for the former movie, with Sellers at the top of the cast list, in early June 1980.^{[citation needed]}

Other roles[link]

Director Billy Wilder hired Sellers to co-star with Dean Martin for the ribald 1964 comedy Kiss Me, Stupid, but six weeks into filming, Sellers suffered a heart attack. Wilder replaced him with Ray Walston.

Sellers was a versatile actor, switching from broad comedy, as in The Party, in which he portrayed a bumbling Indian actor Hrundi Bakshi, to more intense performances as in Lolita.

Sellers appeared in an episode of the American television series It Takes a Thief in 1969. By the early 1970s he faced a downturn, however, and was dubbed "box office poison".^[21] Sellers never won an Oscar but won the BAFTA for I'm All Right Jack.

Sellers appeared on The Muppet Show television series in 1977. He chose not to appear as himself, instead appearing in a variety of costumes and accents. When Kermit the Frog told Sellers he could relax and be "himself," Sellers (while wearing a Viking helmet, a girdle and one boxing glove, claiming to have attempted to dress as Queen Victoria), replied, "There is no me. I do not exist. There used to be a me, but I had it surgically removed."^[22]

Personal life[link]

Sellers was reticent about discussing his private life. He was invited to appear on Michael Parkinson's eponymous chat show in 1974, but agreed under the condition that he could appear in character. Sellers appeared dressed as a member of the Gestapo, impersonating the Kenneth Mars character in The Producers. After a few lines in keeping with his assumed character, he stepped out of the role and settled down for what is considered one of Parkinson's most memorable interviews.^[23]

Marriages[link]

Sellers and Britt Ekland 1964

Sellers was married four times and fathered three children:

• Anne Hayes (née Howe,^[24] 1951–1961). They had a son, Michael, and a daughter, Sarah.
• Swedish actress Britt Ekland (1964–1968). They had a daughter, Victoria Sellers. The couple appeared in three films together: Carol For Another Christmas (1964), After the Fox (1966), and The Bobo (1967).
• Australian model Miranda Quarry (1970–1974; now the Countess of Stockton).
• English actress Lynne Frederick (1977–1980), who was briefly married to Sir David Frost shortly after Sellers' death.

Spike Milligan wrote Sellers' multiple marriages into his scripts, referring in one 1972 radio show to "The Peter Sellers Discarded Wives Memorial". At the time, Sellers was married to Quarry.

Depression, substance abuse, and health problems[link]

It has been suggested that Sellers suffered depression spurred by deep-seated anxieties of artistic and personal failure^[25] and exacerbated by substance abuse.^[26] It is believed that his drug use, especially amyl nitrites, contributed to heart attacks in 1964 (see below).^[27] Sellers' difficulties in his career and life prompted him to seek periodic consultations with astrologer Maurice Woodruff, who seemed to have held considerable sway over his later career.^[3]

Relationships[link]

Other celebrities[link]

Sellers had casual friendships with two of The Beatles, George Harrison and Ringo Starr.^[3] Harrison told occasional Sellers stories in interviews, and Starr appeared with him in the anarchic movie The Magic Christian, which was based on Terry Southern's novel and whose theme song was Badfinger's "Come and Get It", written by Paul McCartney. Starr's two-week hiatus from the Beatles during the White Album recordings was spent aboard Sellers's yacht, where he wrote "Octopus's Garden". Starr also gave Sellers a rough mix of songs from the Beatles White Album; the tape was auctioned and bootlegged after his death. Sellers recorded a cover version of "A Hard Day's Night", in the style of Laurence Olivier's interpretation of Richard III, as well as various versions of "She Loves You", including as Dr. Strangelove, a cockney, and an Irish dentist.

Sellers's friends included actor and director Roman Polanski, who shared his passion for fast cars. Sellers had a close relationship with Sophia Loren, but accounts differ on whether or not their relationship was consummated.^[29] Sellers was the first man on the cover of Playboy—he appeared on the April 1964 cover with Karen Lynn.^[28]

Sellers was a Freemason and belonged to Chelsea Lodge No 3098, a lodge whose membership consists of celebrities and performers, through which means he socialised with a number of other actors and comedians.^[30]

Royal Family[link]

In her autobiography True Britt, Britt Ekland described Sellers' close relationship with the British Royal Family. "I was completely unaware of his (Sellers) connection with the British monarchy. One afternoon before we married he had disappeared saying that he had to do something 'important'. I was to learn he had spent the afternoon having tea with the Queen Mother at Clarence House."^[31] He was a close friend of Princess Margaret,^[32] who appears in one of his home movies.

Obsession with automobiles[link]

Sellers had a lifelong obsession with cars, briefly parodied in a fleeting cameo in the short film Simon Simon, directed by friend Graham Stark. His love of cars was also referenced in The Goon Show episode "The Space Age," where Harry Secombe introduces Sellers by saying, "Good heavens, it's Peter Sellers, who has just broken his own record of keeping a car for more than a month." In "The Last Goon Show of All", announcer Andrew Timothy cued him with "Mr. Sellers will now sell a gross of his cars and take up a dramatic voice."

Personal conflicts[link]

Sellers' personality was described by others as difficult and demanding and he often clashed with fellow actors and directors. He had a strained relationship with friend and director Blake Edwards, with whom he worked on the Pink Panther series and The Party. The two sometimes stopped speaking to each other during filming.^[3]

His work with Orson Welles on Casino Royale deteriorated as Sellers became jealous of Welles's casual relationship with Princess Margaret. The relationship between the two actors created problems during filming, as Sellers refused to share the set with Welles, who himself was no stranger to strident behaviour.

Sellers could be cruel and disrespectful, as demonstrated by his treatment of actress Jo Van Fleet on the set of I Love You, Alice B. Toklas. On one occasion, Van Fleet had declined an invitation to his house, soon followed by a misunderstanding between the two actors during filming. This prompted Sellers to launch a tirade against Van Fleet in front of actors and crew.^[3]

Sellers' difficulties to maintain civil and peaceful relationships also extended into his private life. He assaulted his then wife, Britt Ekland,^[3] prompted by jealousy. Sellers sometimes blamed himself for his failed marriages. In a 1974 Parkinson interview, he admitted that "I'm not easy to live with".

Heart condition and death[link]

In the spring of 1964, at age 38, Sellers suffered a series of heart attacks (13 in a few days) while working on the set of Billy Wilder's Kiss Me, Stupid, and he was replaced by Ray Walston. Although Sellers survived, his heart was permanently damaged. Sellers chose to consult with psychic healers rather than seek conventional Western medical treatment, and his heart condition continued to deteriorate over the next 16 years. In late 1977, he suffered a second major heart attack, resulting in his being fitted with a pacemaker to regulate his heartbeat.^[33] Once again, Sellers refused to slow down, nor did he follow doctors' orders and consider open heart surgery, which could well have extended his life by several years.^[3]

A reunion dinner was scheduled in London with his Goon Show partners, Spike Milligan and Harry Secombe, for 25 July 1980. But around noon on 22 July, Sellers collapsed from a massive heart attack in his Dorchester Hotel room and fell into a coma. He died in a London hospital just after midnight on 24 July 1980, aged 54. He was survived by his fourth wife, Lynne Frederick, and his three children. At the time of his death, he was scheduled to undergo heart surgery in Los Angeles on 30 July 1980.^[3]

Although Sellers was reportedly in the process of excluding Frederick from his will a week before he died, she inherited almost his entire estate worth an estimated £4.5 million while his children received £800 each.^[3] When Frederick died in 1994 (aged 39), her mother Iris inherited everything, including all of the income and royalties from Sellers' work. When Iris dies the whole estate will go to Cassie, the daughter Lynne had with her third husband, Barry Unger. Sellers' only son, Michael, died of a heart attack at 52 during surgery on 24 July 2006 (26 years to the day after his father's death).^[34] Michael was survived by his second wife, Alison, whom he married in 1986, and their two children.

In his will, Sellers requested that the Glenn Miller song "In the Mood" be played at his funeral. The request is considered his last touch of humour, as he hated the piece.^[35] His body was cremated and he was interred at Golders Green Crematorium in London. After her death in 1994, the ashes of his former widow Frederick were co-interred with his.^[36]

Legacy and influence[link]

The stage play, "Being Sellers," premiered in Australia in 1998, three years after release of the biography by Roger Lewis, "The Life and Death of Peter Sellers." The play premiered in New York in December 2010. In 2004, the book was turned into an HBO film, The Life and Death of Peter Sellers, starring Geoffrey Rush.^[37]

The film Trail of the Pink Panther, made by Blake Edwards using unused footage of Sellers from The Pink Panther Strikes Again, is dedicated to Sellers's memory. The title reads "To Peter ... The one and only Inspector Clouseau."

In a 2005 poll to find "The Comedian's Comedian", Sellers was voted 14 in the list of the top 20 greatest comedians by fellow comedians and comedy insiders.^[38] British comedian Sacha Baron Cohen frequently referred to Peter Sellers "as the most seminal force in shaping his early ideas on comedy". Cohen was considered for the role of the biopic The Life and Death of Peter Sellers (the role went to Australian actor Geoffrey Rush).^[39]

Filmography[link]

Box-office ranking[link]

• 1959 – 6th most popular British star in Britain^[40]
• 1960 – 2nd most popular star in Britain^[41]
• 1961 – 6th most popular star in Britain^[42]
• 1962 – 3rd most popular star in Britain^[43]

Comedy singles[link]

Sellers released several comedy singles, many of them produced by George Martin and released on the Parlophone record label. These include the following hits:

• "Any Old Iron" (1957) UK # 17
• "Goodness Gracious Me" (1960) with Sophia Loren UK # 4
• "Bangers and Mash" (1961), a follow-up also featuring Sophia Loren UK # 22
• "A Hard Day's Night" (1965) UK # 14. This consisted of him speaking the lyrics using the stereotypical voice of an actor playing Shakespeare's Richard III. He also performed the song in costume on television. The recording was re-issued in 1993 and reached Number 52 in the UK Singles Chart.

He covered several other of The Beatles hits, including "Help!" and "She Loves You". Sellers also recorded a parody version of "Unchained Melody", which long went unreleased.

When asked in 1960 what he thought the music business would be like in ten years' time, Sellers retorted:

NME, November 1960.^[44]

Albums[link]

Sellers made several albums, mostly of comedy pieces using his talent for voices.

Discography:

• The Best of Sellers (1959) UK # 3
• Songs For Swinging Sellers (1959) UK # 3
• Peter & Sophia (1960) UK # 5 with Sophia Loren
• Fool Britannia (1963) UK # 10 with Anthony Newley and Joan Collins.
• How To Win An Election (1964) UK # 20 with Harry Secombe and Spike Milligan (Note: unlike The Last Goon Show Of All this release was not credited to The Goons.)
• He's Innocent of Watergate (1974) with Spike Milligan
• Sellers Market (1979) his final album

Further reading[link]

• Lewis, Roger (1995). The Life and Death of Peter Sellers.. London: Arrow Books. ISBN 0-09-974700-6.  1108 pages. Published in the U.S. via Applause Books Roger Lewis's biography of Sellers is very comprehensive, and includes a very comprehensive index.
• Mr Strangelove; A Biography of Peter Sellers, a book by Ed Sikov^[3]
• P.S. I Love You by Michael Sellers 1981^[34]
• A Hard Act to Follow Michael Sellers (with Gary Morecambe, 1996).^[45]
• Sellers on Sellers Michael Sellers (2000, co-written with Gary Morecambe)^[34]
• Zinsser, William K (20 June 1960), "Peter Sellers: An unpredictable, irrepressible, irreverent mimic", Life: 63–70 (see p.66), http://books.google.com/books?id=5k4EAAAAMBAJ&pg=PA64&dq=%22peter+sellers%22&hl=en&ei=mAJzTKC2K4qUvAO89IXbDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDEQ6AEwAQ#v=onepage&q=%22peter%20sellers%22&f=false, retrieved 23 August 2010 </ref>

See also[link]

• The Life and Death of Peter Sellers (2004), HBO/BBC movie with Geoffrey Rush in the title role.

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Peter Sellers

Wikimedia Commons has media related to: Peter Sellers

• Peter Sellers at the Internet Movie Database
• Peter Sellers at the TCM Movie Database
• Peter Sellers at the British Film Institute's Screenonline
• Ken Adam talks about Peter Sellers on the set of Dr Strangelove (video)
• John Atrobus recalls his memorable Christmas with Peter Sellers Daily Mail 27 December 2009.

Video clips[link]

• "The Unknown Peter Sellers", documentary
• Peter Sellers tribute
• Peter Sellers on "The Goon Show," playing drums
• in stage skit of "A Hard Day's Night"
• in Lolita
• as U.S. president in Dr. Strangelove
• as Dr. Strangelove
• as British captain Mandrake in Dr. Strangelove
• in The Party
• in Being There

Sophia Loren
Sophia Loren in June 2009
Born	Sofia Villani Scicolone (1934-09-20) 20 September 1934 (age 77) Pozzuoli, Italy.
Residence	Geneva, Switzerland and Naples, Italy
Nationality	Italian
Other names	Sofia Lazzaro Sofia Scicolone
Occupation	Actress
Years active	1950–present
Spouse	Carlo Ponti (m. 1957-62, annulled; 1966-2007, his death)
Children	Carlo Ponti, Jr., Edoardo Ponti
Relatives	Alessandra Mussolini (niece)

Sophia Loren, OMRI (born Sofia Villani Scicolone; 20 September 1934) is an Italian actress.^[1]

In 1962, Loren, among 21 other awards, won the Academy Award for Best Actress for her role in Two Women, becoming the first actress to win an Academy Award for a non-English-speaking performance. Loren has won several international awards, including one Golden Globe Award, a Grammy Award, a BAFTA Award and a Laurel Award. Her other films include: Houseboat (1958), El Cid (1961), Yesterday, Today and Tomorrow (1963), Marriage Italian-Style (1964), and A Special Day (1977). She has received critical and commercial success in TV movies such as Courage (1986) and in American blockbusters such as Grumpier Old Men (1995), and Nine (2009). In 1994 she starred in Robert Altman's Ready to Wear, which earned her a Golden Globe nomination the same year. In 1995 she received the Cecil B. DeMille Award for lifetime achievements. In 2011 she dubbed one of the characters of Pixar blockbuster Cars 2 for non-English speaking markets.

In 1999, Loren was listed by the American Film Institute on AFI's 100 Years... 100 Stars as #21 of 25 American female screen legends of all time. In 2002, she was honored by the National Italian American Foundation (NIAF) at its annual Anniversary Gala and was inducted into its Italian American Hall of Fame. In 2009, the Guinness Book of World Records recognized her as "Italy's Most Awarded Actress".^[2] In 1991, she received an honorary Academy Award for lifetime achievements.

The same year, the Republic of France awarded her a Distinction of la Légion d'honneur (the Legion of Honor) with the grade of Chevalier (Knight). In 1994, she was awarded with the Honorary Golden Bear at the 44th Berlin International Film Festival.^[3] In 1997, Loren was invested Cavaliere di Gran Croce Ordine al Merito della Repubblica Italiana (Knight Grand Cross of the Order of Merit of the Italian Republic). In 2010, she was awarded the Praemium Imperiale by the Imperial Family of Japan on behalf of the Japan Art Association.^[2]

Early life[link]

I'm not Italian, I am Neapolitan! It's another thing!

—Sophia Loren -interview with Barbara Walters ^[4]

Loren was born in the Clinica Regina Margherita in Pozzuoli Italy ^[5][6] daughter of Romilda Villani (1914–1991) and Riccardo Scicolone, a construction engineer.^[7] Scicolone refused to marry Villani, leaving her, a piano teacher and aspiring actress, without support.^[8] Loren's parents had another child together, her sister Anna Maria Villani Scicolone, in 1938. Loren has two younger paternal half-brothers, Giuliano and Giuseppe.^[9] Romilda, Loren, and Maria lived with Loren's grandmother in Pozzuoli, near Naples, to survive.^[10]

During World War II, the harbour and munitions plant in Pozzuoli was a frequent bombing target of the Allies. During one raid, as Loren ran to the shelter, she was struck by shrapnel and wounded in the chin. After that, the family moved to Naples, where they were taken in by distant relatives.^{[citation needed]}

After the war, Loren and her family returned to Pozzuoli. Grandmother Luisa opened a pub in their living room, selling homemade cherry liquor. Villani played the piano, Maria sang and Loren waited on tables and washed dishes. The place was very popular with the American GIs stationed nearby.

When she was 14 years old, Loren entered a beauty contest in Naples and, while not winning, was selected as one of the finalists. Later she enrolled in acting class and was selected as an extra in Mervyn LeRoy's 1951 film Quo Vadis, launching her career as a motion picture actress.

Career[link]

1950-1957(beginnings and Hollywood stardom)[link]

After being credited professionally as Sofia Lazzaro, she began using her current stage name in 1952's La Favorita. Her first starring role was in Aida (1953), for which she received critical acclaim.^[11] After playing the lead role in Two Nights with Cleopatra (1953), her breakthrough role was in The Gold of Naples (1954), directed by Vittorio De Sica.^[11] Too Bad She's Bad, also released in 1954, became the first of many films in which Loren co-starred with Marcello Mastroianni. Over the next three years she acted in many films such as Scandal in Sorrento (1955) and Lucky to Be a Woman (1956). In 1957, Loren's star had begun to rise in Hollywood, with the films Boy on a Dolphin (her U.S. film debut), Legend of the Lost with John Wayne, and The Pride and the Passion in which she starred opposite Cary Grant and Frank Sinatra.

International fame[link]

Sophia Loren star on Walk of Fame

Sophia Loren in It Started in Naples, where she sang Tu Vuò Fà L'Americano

Loren in the trailer for Five Miles to Midnight (1962)

Loren became an international film star following her five-picture contract with Paramount Pictures in 1958. Among her films at this time were Desire Under the Elms with Anthony Perkins, based upon the Eugene O'Neill play; Houseboat, a romantic comedy co-starring Cary Grant; and George Cukor's Heller in Pink Tights, in which she appeared as a blonde for the first time.

In 1961, she starred in Vittorio De Sica's Two Women, a stark, gritty story of a mother who is raped while trying to protect her daughter in war-torn Italy. Originally cast as the daughter, Loren fought against type and was re-cast as the mother (actress Eleonora Brown would portray the daughter). Loren's performance earned her many awards, including the Cannes Film Festival's best performance prize, and an Academy Award for Best Actress, the first major Academy Award for a non-English-language performance and to an Italian actress. She won 22 international awards for Two Women. The film proved to be extremely well accepted by the critics and it was a huge commercial success.

Loren is known for her sharp wit and insight. One of her most frequently quoted sayings is a quip about her famously voluptuous figure: "Everything you see, I owe to spaghetti." However, on the December 20, 2009, episode of CBS News Sunday Morning, Loren denied ever quoting the line.

During the 1960s, Loren was one of the most popular actresses in the world, and she continued to make films in both the U.S. and Europe, starring with prominent leading men. In 1964, her career reached its pinnacle when she received $1 million to appear in The Fall of the Roman Empire. In 1965, she received a second Academy Award nomination for her performance in Marriage Italian-Style.

Among Loren's best-known films of this period are Samuel Bronston's epic production of El Cid (1961) with Charlton Heston, The Millionairess (1960) with Peter Sellers, It Started in Naples (1960) with Clark Gable, Vittorio De Sica's triptych Yesterday, Today, and Tomorrow (1963) with Marcello Mastroianni, Peter Ustinov's Lady L (1965) with Paul Newman, the 1966 classic Arabesque with Gregory Peck, and Charlie Chaplin's final film, A Countess from Hong Kong (1967) with Marlon Brando.

Loren received four Golden Globe Awards between 1964 and 1977 as "World Film Favorite - Female."^[12]

1970-1988[link]

Once she became a mother, Loren worked less. During the next decade, most of her roles were in Italian features. During the 1970s, she was paired with Richard Burton in the last De Sica-directed film, The Voyage (1974), and a remake of the film Brief Encounter (1974). The film had its premiere on U.S. television on 12 November 1974 as part of the Hallmark Hall of Fame series on NBC. In 1976 she starred in The Cassandra Crossing, a classic disaster film featuring such veteran stars as Richard Harris, Martin Sheen, and Ava Gardner. It fared extremely well internationally, and was a respectable box office success in US market. She also co-starred with Marcello Mastroianni in Ettore Scola's A Special Day (1977). This movie was nominated for eleven international awards such as two Oscars (best actor in leading role, best foreign picture). It won a Golden Globe award and a César award for best foreign movie. Loren's performance was awarded with a David di Donatello award, the seventh in her career. In addition the movie was extremely well received by American reviewers and was a box office smash.

Following this success, Loren starred in an American thriller Brass Target. This movie received mixed reviews, although it was moderately successful in the US and internationally. In 1978 she won her fourth Golden Globe for "world film favourite". Other movies of this decade were Academy award nominee Sunflower (1970) which was a critical success and Arthur Hiller's Man of La Mancha (1972) which was a critical and commercial failure despite being nominated for several awards including two Golden Globes awards. O'Toole and James Coco were nominated for two NBR awards, in addition the NBR listed Man of La Mancha in its best 10 pictures of 1972 list.

In 1980, after the international success the biography Sophia Loren: Living and Loving, Her Own Story by A. Hotchner, Loren portrayed herself and her mother in a made-for-television biopic adaptation of her autobiography entitled Sophia Loren: Her Own Story. Ritza Brown and Chiara Ferrari each portrayed the younger Loren. In 1981, she became the first female celebrity to launch her own perfume, Sophia, and a brand of eyewear soon followed.^[11] In 1982, while in Italy, she made headlines after serving an 18-day prison sentence on tax evasion charges—a fact that failed to hamper her popularity or career. In fact, Bill Moore, then employed at Pickle Packers International advertising department, sent her a pink pickle-shaped trophy for being "the prettiest lady in the prettiest pickle".

She acted infrequently during the 1980s and turned down the role of Alexis Carrington in 1981 for the TV series Dynasty. Although she was set to star in thirteen episodes of CBS's Falcon Crest in 1984 as Angela Channing's half-sister Francesca Gioberti, negotiations fell through at the last moment and the role went to Gina Lollobrigida instead. Sophia preferred devoting more time to raising her sons.^[13][14] In 1988 she starred in the miniseries The Fortunate Pilgrim.

Loren has also recorded well over two dozen songs throughout her career, including a best-selling album of comedic songs with Peter Sellers; reportedly, she had to fend off his romantic advances. It was partly owing to Sellers' infatuation with Loren that he split with his first wife, Anne Howe. Loren has made it clear to numerous biographers that Sellers' affections were reciprocated only platonically. This collaboration was covered in The Life and Death of Peter Sellers where actress Sonia Aquino portrayed Loren. It is said that the song "Where Do You Go To (My Lovely)" by Peter Sarstedt was inspired by Loren.^{[citation needed]}

Later career[link]

Loren in Paris at the César Awards 1991.

Loren in Kenya while serving as Goodwill Ambassador in 1992

In 1991, Loren received the Academy Honorary Award for her contributions to world cinema and was declared "one of the world cinema's treasures." In 1995, she received the Golden Globe Cecil B. DeMille Award.

She presented Federico Fellini with his Honorary Oscar. In 2009 Loren stated on Larry King Live that Fellini had planned to direct her in a film shortly before his death in 1993.^[15]

Throughout the 1990s and 2000s, Loren was selective about choosing her films and ventured into various areas of business, including cook books, eyewear, jewellery and perfume.

She received a Golden Globe nomination for her performance in Robert Altman's film Ready to Wear (1994), co-starring Julia Roberts.

In the comedy Grumpier Old Men (1995), Loren played a femme fatale opposite Walter Matthau, Jack Lemmon, and Ann-Margret. The film was a box-office success and became Loren's biggest U.S. hit in years.^[11]

In 2001, Loren received a Special Grand Prix of the Americas Award at the Montreal World Film Festival for her body of work.^[16] She filmed two projects in Canada during this time: the independent film Between Strangers (2002), directed by her son Edoardo and co-starring Mira Sorvino, and the television miniseries Lives of the Saints (2004).

In 2009, after five years off the set and fourteen years since she starred in a prominent US theatrical film, Loren starred in Rob Marshall's film version of Nine, based on the Broadway musical that tells the story of a director whose midlife crisis causes him to struggle to complete his latest film; he is forced to balance the influences of numerous formative women in his life, including his deceased mother. Loren was Marshall's first and only choice for the role. The film also stars Daniel Day-Lewis, Penelope Cruz, Kate Hudson, Marion Cotillard, and Nicole Kidman. As a part of the cast she received her first nomination for a Screen Actors Guild Award.

In 2010, Loren played her own mother in a two-part Italian television miniseries about her early life, directed by Vittorio Sindoni, entitled La Mia Casa È Piena di Specchi (translated My House Is Full of Mirrors), based on the memoir written by her sister Maria.^[17]

Personal life[link]

Loren in 1986, by Allan Warren

Loren's primary residence has been in Geneva, Switzerland since late 2006.^[18] She also owns homes in Naples and Rome.

In September 1999, Loren filed a lawsuit against 76 adult websites for posting altered nude photos of her on the internet.^[19][20]

Loren is a huge fan of the football club S.S.C. Napoli. In May 2007, when the team was third in Serie B, she told the Gazzetta dello Sport that she would do a striptease if the team won.^[21]

Loren posed scantily-clad at 72 for the 2007 Pirelli Calendar along with such actresses as Penelope Cruz and Hilary Swank.^[22]

Loren is a devout Roman Catholic.^[23]

Marriage and family[link]

Loren first met Carlo Ponti in 1950 when she was 15 and he was 37. They married on 17 September 1957. However, Ponti was still officially married to his first wife Giuliana under Italian law because Italy did not recognize divorce at that time. The couple had their marriage annulled in 1962 to escape bigamy charges.^[24] In 1965, Ponti obtained a divorce from Giuliana in France, allowing him to marry Loren on 9 April 1966.^[25] They later became French citizens after their application was approved by then French President Georges Pompidou.^[26]

The couple had two sons: Carlo Ponti Jr. (born 29 December 1968) and Edoardo Ponti (born 6 January 1973).

Loren remained married to Carlo Ponti until his death on 10 January 2007 of pulmonary complications.^[27]

When asked in a November 2009 interview if she is ever likely to marry again, Loren replied "No, never again. It would be impossible to love anyone else."^[28]

Her daughters-in-law are Sasha Alexander and Andrea Meszaros.^[9][29] Loren has four grandchildren: Lucia Ponti (born 12 May 2006),^[30] Vittorio Ponti (born 3 April 2007).^[9] Leonardo Fortunato Ponti (born 20 December 2010) and Beatrice Lara Ponti (born 15 March 2012).

Filmography[link]