38:11
Lec 1 | 8.01 Physics I: Classical Mechanics, Fall 1999
Powers of Ten - Units - Dimensions - Measurements - Uncertainties - Dimensional Analysis -...
published: 14 Jan 2008
Author: MIT
Lec 1 | 8.01 Physics I: Classical Mechanics, Fall 1999
Powers of Ten - Units - Dimensions - Measurements - Uncertainties - Dimensional Analysis - Scaling Arguments View the complete course: ocw.mit.edu License: Creative Commons BY-NC-SA More information at ocw.mit.edu More courses at ocw.mit.edu
6:31
Mike And The Mechanics - Living Years (Live At Shepherds Bush)
For more info - www.eagle-rock.com Mike & The Mechanics was formed in 1985 by Mike Rut...
published: 19 Jun 2008
Author: eaglerocktv
Mike And The Mechanics - Living Years (Live At Shepherds Bush)
For more info - www.eagle-rock.com Mike & The Mechanics was formed in 1985 by Mike Rutherford of Genesis as a separate project to run alongside his work with Phil Collins and Tony Banks. They released their eponymous debut album the same year featuring vocals from both Paul Carrack (ex of Ace) and Paul Young (ex of Sad Café) and had an immediate hit with Silent Running. This was followed a string of further hit singles and albums as gaps in the Genesis schedule permitted. In 2004 the band reunited for the first time since the sad death of Paul Young in 2000 and released a new studio album Rewired. With Paul Carrack now handling all the lead vocals they went out on the road across Europe, culminating in this outstanding performance at London's Shepherds Bush Empire. This track is from the live DVD "Live at Shepherds Bush, London", available now from Eagle Vision.
4:48
This is why Mechanic love to deal with Women...
Girl is pranked by her dad.. She dropps her car to the shop for a regular oil change... an...
published: 23 Oct 2006
Author: Tina Marie
This is why Mechanic love to deal with Women...
Girl is pranked by her dad.. She dropps her car to the shop for a regular oil change... and omg.... she has no transmission in the car... and she fucking believes it
9:37
A Brief History Of Quantum Mechanics
www.facebook.com ... Quantum Mechanics (Chapter 1): A Brief History Of Quantum Mechanics. ...
published: 24 Dec 2009
Author: Best0fScience
A Brief History Of Quantum Mechanics
www.facebook.com ... Quantum Mechanics (Chapter 1): A Brief History Of Quantum Mechanics. --- Please SUBSCRIBE to Science & Reason: • www.youtube.com • www.youtube.com • www.youtube.com --- 1. A Brief History Of Quantum Mechanics www.youtube.com 2. The Structure Of Atoms www.youtube.com 3. Wave Function And Wave-Particle Duality www.youtube.com 4. The Uncertainty Principle www.youtube.com 5. The Spin Of Fundamental Particles 6. Quantum Entanglement --- The history of quantum mechanics began essentially with the 1838 discovery of cathode rays by Michael Faraday, the 1859 statement of the black body radiation problem by Gustav Kirchhoff, the 1877 suggestion by Ludwig Boltzmann that the energy states of a physical system could be discrete, and the 1900 quantum hypothesis by Max Planck that any energy is radiated and absorbed in quantities divisible by discrete energy elements, E, such that each of these energy elements is proportional to the frequency ν with which they each individually radiate energy. Planck insisted that this was simply an aspect of the processes of absorption and emission of radiation and had nothing to do with the physical reality of the radiation itself. However, at that time, this appeared not to explain the photoelectric effect (1839), ie that shining light on certain materials can function to eject electrons from the material. In 1905, basing his work on Plancks quantum hypothesis, Albert Einstein postulated that light itself consists of individual <b>...</b>
5:33
Mike and the Mechanics - The Living Years ( HQ sound - with Lyrics )
Mike & the Mechanics - The living years # LYRICS #" I wasn't there that morni...
published: 04 Dec 2009
Author: EgefalikoEggramo
Mike and the Mechanics - The Living Years ( HQ sound - with Lyrics )
Mike & the Mechanics - The living years # LYRICS #" I wasn't there that morning, when my father passed away, I didn't get to tell him all the things I had to say.... I just wish I could have told him in the living years "
6:21
Quantum Mechanics
www.myspace.com The Danish physicist Niels Bohr, who worked in Rutherford's lab, was t...
published: 04 Aug 2007
Author: Acorvettes
Quantum Mechanics
www.myspace.com The Danish physicist Niels Bohr, who worked in Rutherford's lab, was the first to describe orbits of fixed size and energy in which electrons are free to travel without losing energy and falling toward the nucleus. According to this model, published in 1913, electrons can only occupy or jump between fixed energy levels and cannot reside in between these levels. In addition, once in their "ground state," electrons maintain the energy they contain. This energy keeps them in perpetual motion, allowing them to resist the attractive force of the nucleus.
5:24
Mike & The Mechanics - The living Years
Lyrics :-) Every generation Blames the one before And all of their frustrations Come beati...
published: 13 Apr 2009
Author: Ryder276
Mike & The Mechanics - The living Years
Lyrics :-) Every generation Blames the one before And all of their frustrations Come beating on your door I know that I'm a prisoner To all my Father held so dear I know that I'm a hostage To all his hopes and fears I just wish I could have told him in the living years Crumpled bits of paper Filled with imperfect thought Stilted conversations I'm afraid that's all we've got You say you just don't see it He says it's perfect sense You just can't get agreement In this present tense We all talk a different language Talking in defence Say it loud, say it clear You can listen as well as you hear It's too late when we die To admit we don't see eye to eye So we open up a quarrel Between the present and the past We only sacrifice the future It's the bitterness that lasts So Don't yield to the fortunes You sometimes see as fate It may have a new perspective On a different day And if you don't give up, and don't give in You may just be OK. Say it loud, say it clear You can listen as well as you hear It's too late when we die To admit we don't see eye to eye I wasn't there that morning When my Father passed away I didn't get to tell him All the things I had to say I think I caught his spirit Later that same year I'm sure I heard his echo In my baby's new born tears I just wish I could have told him in the living years Say it loud, say it clear You can listen as well as you hear It's too late when we die To admit we don't see eye to eye
3:35
Over My Shoulder - Mike + the Mechanics, Beggar... - Official Music Video 1995
Written by Mike Rutherford & Paul Carrack Album: "Beggar On a Beach of Gold"...
published: 09 Jun 2011
Author: etnopollino
Over My Shoulder - Mike + the Mechanics, Beggar... - Official Music Video 1995
Written by Mike Rutherford & Paul Carrack Album: "Beggar On a Beach of Gold" Publisher © 1994 Michael Rutherford Ltd/ Hit & Run Music (Publishing) Ltd/Plangent Visions Music Ltd
89:11
Classical Mechanics | Lecture 1
(September 26, 2011) Leonard Susskind gives a brief introduction to the mathematics behind...
published: 15 Dec 2011
Author: StanfordUniversity
Classical Mechanics | Lecture 1
(September 26, 2011) Leonard Susskind gives a brief introduction to the mathematics behind physics including the addition and multiplication of vectors as well as velocity and acceleration in terms of particles. This course is the beginning of a six course sequence that explores the theoretical foundations of modern physics. Topics in the series include classical mechanics, quantum mechanics, theories of relativity, electromagnetism, cosmology, and black holes. Stanford University www.stanford.edu Stanford Continuing Studies continuingstudies.stanford.edu Stanford University Channel on YouTube: www.youtube.com
111:18
Lecture 1 | Modern Physics: Quantum Mechanics (Stanford)
Lecture 1 of Leonard Susskind's Modern Physics course concentrating on Quantum Mechani...
published: 14 Feb 2008
Author: StanfordUniversity
Lecture 1 | Modern Physics: Quantum Mechanics (Stanford)
Lecture 1 of Leonard Susskind's Modern Physics course concentrating on Quantum Mechanics. Recorded January 14, 2008 at Stanford University. This Stanford Continuing Studies course is the second of a six-quarter sequence of classes exploring the essential theoretical foundations of modern physics. The topics covered in this course focus on quantum mechanics. Leonard Susskind is the Felix Bloch Professor of Physics at Stanford University. Complete playlist for the course: youtube.com Stanford Continuing Studies: continuingstudies.stanford.edu About Leonard Susskind: www.stanford.edu Stanford University channel on YouTube: www.youtube.com
47:50
Lecture 1 | Modern Physics: Classical Mechanics (Stanford)
Lecture 1 of Leonard Susskind's Modern Physics course concentrating on Classical Mecha...
published: 10 Apr 2008
Author: StanfordUniversity
Lecture 1 | Modern Physics: Classical Mechanics (Stanford)
Lecture 1 of Leonard Susskind's Modern Physics course concentrating on Classical Mechanics. Recorded October 15, 2007 at Stanford University. This Stanford Continuing Studies course is the first of a six-quarter sequence of classes exploring the essential theoretical foundations of modern physics. The topics covered in this course focus on classical mechanics. Leonard Susskind is the Felix Bloch Professor of Physics at Stanford University. Complete playlist for the course: youtube.com Stanford Continuing Studies: continuingstudies.stanford.edu About Leonard Susskind: www.stanford.edu Stanford University channel on YouTube: www.youtube.com
5:35
Mike & The Mechanics You Really Got a Hold on Me
Mike & The Mechanics You Really Got a Hold on Me...
published: 26 Oct 2006
Author: behold789
Mike & The Mechanics You Really Got a Hold on Me
Mike & The Mechanics You Really Got a Hold on Me
5:01
Mike & The Mechanics - All I Need Is A Miracle
...
published: 11 Apr 2009
Author: Ryder276
Mike & The Mechanics - All I Need Is A Miracle
120:52
Lecture 1 | Modern Physics: Statistical Mechanics
March 30, 2009 - Leonard Susskind discusses the study of statistical analysis as calculati...
published: 04 Sep 2009
Author: StanfordUniversity
Lecture 1 | Modern Physics: Statistical Mechanics
March 30, 2009 - Leonard Susskind discusses the study of statistical analysis as calculating the probability of things subject to the constraints of a conserved quantity. Susskind introduces energy, entropy, temperature, and phase states as they relate directly to statistical mechanics. Stanford University: www.stanford.edu Stanford Continuing Studies Program: csp.stanford.edu Stanford University Channel on YouTube: www.youtube.com
Vimeo results:
1:25
Nokta .
Client: Self-Initiated
Role: Art Direction, Design, Animation, Compositing
Date: February ...
published: 02 Mar 2010
Author: Onur Senturk
Nokta .
Client: Self-Initiated
Role: Art Direction, Design, Animation, Compositing
Date: February 2010
Format: Short Film 1024*576 Widescreen Pal
Sound: ECHOLAB Gavin Little
Nokta . (Dot .) is an abstract short film project which is an improvisation of organic pieces and themes like power, control and luck. Using low-budget equipment and with the combination of actual camera shooting, 2d and 3d animation techniques, the film alters the reality and physics of the real world with the help of the liquid and dynamic simulations’ impact.
Even though the film is not produced according to the base of Amos Funkenstein’s text on harmony, but the text is a convenient statement for the stylistic and representational behaviour of the film.
'I see some correspondence between the foundation of universal harmony on elliptical orbit and the predilection for the elliptic forms in Baroque architecture. In both cases harmony is still defined as unity within multiplicity, but it ceased to be static, namely, harmony expressed in one ideal geometrical form, and became so to speak dynamic. What was previously regarded as the deviation from the ideal form, was comprehended for the first time as an integral part of the form, or form of forms, which are capable of endless transitions one into another. ' [Amos Funkenstein, The Dialectical Preparation of Scientific Revolutions. On the Role of Hypothetical Reasoning in the Emergence of Copernican Astronomy and Galilean Mechanics.]
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
Author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
19:21
Zimoun : Compilation Video V.2.9 | Sound Sculptures & Installations, Sound Architectures
Zimoun : Sound Sculptures & Installations, Sound Architectrues
Compilation Video V.2.9 / L...
published: 24 Oct 2009
Author: STUDIO ZIMOUN
Zimoun : Compilation Video V.2.9 | Sound Sculptures & Installations, Sound Architectures
Zimoun : Sound Sculptures & Installations, Sound Architectrues
Compilation Video V.2.9 / Last update: December 4, 2011
Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. In an obsessive display of simple and functional materials, these works articulate a tension between the orderly patterns of Modernism and the chaotic forces of life. Carrying an emotional depth, the acoustic hum of natural phenomena in Zimoun's minimalist constructions effortlessly reverberates.
More works & information:
http://www.zimoun.ch
Next Events:
http://zimoun.ch/events.html
Newsletter:
http://www.zimoun.ch/newsletter.html
Facebook:
http://www.facebook.com/pages/Zimoun/134817185765
HD Video Archive:
http://vimeo.com/zimoun/videos/sort:plays
Galleries:
bitforms gallery nyc
http://www.bitforms.com
Galerie Denise René Paris
http://www.deniserene.com
_
«The sound sculptures and installations of Zimoun are graceful, mechanized works of playful poetry, their structural simplicity opens like an industrial bloom to reveal a complex and intricate series of relationships, an ongoing interplay between the «artificial» and the «organic». It‘s an artistic research of simple and elegant systems to generate and study complex behaviors in sound and motion. Zimoun creates sound pieces from basic components, often using multiples of the same prepared mechanical elements to examine the creation and degeneration of patterns.» Tim Beck
«Zimoun is best compared to a watchmaker of a self-reproducing time constructing his own gauging station.» Radjo Monk
«The clean, elegant sound sculptures combine visual, sonic, and spatial elements in an organically balanced entirely artwork. Using simple and well- conceived mechanical systems, Zimouns‘s work transforms and activates the space.» Jury Prix Ars Electronica 2010
«Zimoun creates complex kinetic sound sculptures by arranging industrially produced parts according to seemingly simple rules. Using motors, wires, ventilators, etc.., he creates closed systems that develop their own behavior and rules similarly to artificial creatures. Once running, they are left to themselves and go through an indeterminable process of (de)generation.
These quasi autonomous creatures exist in an absolutely synthetic sphere of lifeless matter. However, within the precise, determinist systems creative categorioes suddenly reappear, such as deviation, refusal and transcience out of which complex patterns of behavior evolve.» Node10
«It is a poetic and humorous absurdity we find in Zimoun’s work, which opens up a wide, refreshing and enriching space for discoveries, associations and a multitude of approaches.» Nina Terry
«The components used in Zimoun’s work are simple, functional and raw, whereas only aesthetically high-level and purposefully chosen elements and materials are used in minimalist fashion. Through radical reduction, Zimoun creates works of art which allow for a plethora of associations without being pinned down to a specific direction. Radical abstraction functions rather like a code in the background of things, thus elegantly avoiding an insinuation of direct, concrete attribution. Thanks to the abundance of mechanical activity, the range of perception, possibilities and interpretations is wide open.» Amanda Neumann
«Indeed, one of the refreshing elements of this work is the immediacy with which one can understand the sound-making process, where each micro-event is present, visible, and concrete. Yet at the same time the resulting complexity of the total system, conjured before your eyes, defies any attempt to dissect it. You might find yourself feeling there is a «prime mover» at work behind the scenes, but in fact it is just the characteristic reaction of materials behaving together and in unison with the space of their activity. A magic of the real.» Xymara
_
Website:
http://www.zimoun.ch
_
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
Author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
Youtube results:
6:25
How To Replace Your Car's Brake Pads
Replace your brake pads with the Saturday Mechanic, Ben Wojdyla. Learn how to do it yourse...
published: 01 May 2012
Author: CARandDRIVER
How To Replace Your Car's Brake Pads
Replace your brake pads with the Saturday Mechanic, Ben Wojdyla. Learn how to do it yourself with his step-by-step car repairs and upgrades. Say so long to squealing, worn-out brakes. Associate auto editor Ben Wojdyla puts a VW Rabbit up on the lift at Pop Mech's Detroit garage to show you step-by-step how to: * Remove calipers * Retract pistons * Inspect and install rotors and pads * Remove excess fluid from the reservoir. Subscribe! bit.ly Twitter: bit.ly Facebook: on.fb.me Follow Popular Mechanics associate auto editor Ben Wojdyla as he leads viewers, step by step, through repairs and upgrades on the Saturday Mechanic show. Got car questions? Email Ben, and he may answer them on the air. Connect with Ben Wojdyla: Facebook: www.facebook.com Twitter: twitter.com Youtube: www.youtube.com Connect to Car and Driver: Twitter: bit.ly Facebook: on.fb.me Each week, the Car and Driver YouTube Channel will launch episodes of The Full Hoon, Driver Rehab, Battle of the Beaters, Car and Driver: Tested, Popular Mechanics Saturday Mechanic, and Road & Track Presents. Extra links: Lang Caliper spreader: www.popularmechanics.com
16:41
Ken Block Gymkhana 5: Car Build & Drive - DC Shoes, Monster World Rally
DC Shoe's Ken Block talks about how he pulls off his amazing Gymkhana stunts while his...
published: 01 Aug 2012
Author: CARandDRIVER
Ken Block Gymkhana 5: Car Build & Drive - DC Shoes, Monster World Rally
DC Shoe's Ken Block talks about how he pulls off his amazing Gymkhana stunts while his chief engineer breaks down how Ken's Ford Fiesta works. Subscribe! bit.ly Connect To Monster World Rally: Twitter: twitter.com Facebook: www.facebook.com YouTube: www.youtube.com Connect To DC Shoes: Twitter: twitter.com Facebook: www.facebook.com YouTube: www.youtube.com Connect To Car and Driver: Twitter: bit.ly Facebook: on.fb.me Connect To Popular Mechanics: www.facebook.com twitter.com Each week, the Car and Driver YouTube Channel will launch episodes of The Full Hoon, Car and Driver: Abroad, Road & Track Presents, Popular Mechanics' How'd They Do That?, Car and Driver: Tested, and Popular Mechanics Saturday Mechanic.
4:00
Mike and the Mechanics from the westside to the eastside
Mike and the Mechanics - From the westside to the eastside Pics from my Live!!...
published: 22 Mar 2008
Author: Malus198810
Mike and the Mechanics from the westside to the eastside
Mike and the Mechanics - From the westside to the eastside Pics from my Live!!
5:21
Mike & The Mechanics - Silent running
Old Mtv video...
published: 13 Apr 2009
Author: Ryder276
Mike & The Mechanics - Silent running
Old Mtv video