Louis or Louÿs may refer to:

Surname[link]

• Louis, a Taishanese surname derived from the Chinese surname Lei (雷)
• Arthur Louis (born 1950), British musician whose surname is pronounced 'Lewis'
• Thomas Louis (1758-1807), British naval officer
• Pierre Louÿs (1870-1925), French writer
• Spyridon Louis (1873-1940), Greek runner
• Morris Louis (1912-1962), American painter
• Jean Louis (1907-1997), French-born costume designer

Other uses[link]

• Louis (given name), origin and several individuals with this name
• Louis (coin)
• HMS Louis, two ships of the Royal Navy

See also[link]

• Louis XIV (band)
• Louis dressing, for salad
• Louis Quinze, design style
• Louis Cruise Lines
• Lewis (disambiguation)
• Louie (disambiguation)
• Luis (disambiguation)
• Louise (disambiguation)
• Ludwig (given name)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Tony Hawk

Hawk in November 2006
Personal information
Full name	Anthony Frank Tony Hawk
Nickname(s)	The Birdman
Born	(1968-05-12) May 12, 1968 (age 44) Carlsbad, California, United States
Height	6 ft 3 in (1.91 m)
Weight	170 lb (77 kg)
Sport
Country	United States
Sport	Skateboarding
Medal record Summer X Games medal record Competitor for  United States Gold 1995 Rhode Island Vert Gold 1997 San Diego Vert Gold 1997 San Diego Vert Doubles Gold 1998 San Diego Vert Doubles Gold 1999 San Francisco Vert Doubles Gold 1999 San Francisco Vert Best Trick Gold 2000 San Francisco Vert Doubles Gold 2001 Philadelphia Vert Doubles Gold 2002 Philadelphia Vert Doubles Silver 1995 Rhode Island Park Silver 1996 Rhode Island Vert Silver 2001 Philadelphia Vert Best Trick Bronze 1998 San Diego Vert Bronze 1999 San Francisco Vert

Anthony Frank "Tony" Hawk (born May 12, 1968), nicknamed "The Birdman" is an American professional skateboarder and actor. Hawk gained significant fame for completing the first 900 as well as his licensed video game titles distributed by Activision. He is widely considered one of the most successful and influential pioneers of modern vertical skateboarding.^[1]

Raised in San Diego, California, Hawk was described as being "hyperactive" as a child. His parents supported his skateboarding because it served as an outlet for his excessive energy, and as Hawk's skills developed, he became a professional skateboarder at age fourteen. In 1999, he became the first skater to land a 900. In 2002, he created the Boom Boom HuckJam, an extreme sports exhibition and tour which launched in Las Vegas.

Throughout his career, Hawk has made numerous appearances in films and other media, as well as his own series of video games. He has also been involved in various philanthropic activities including his own Tony Hawk Foundation which helps build skateparks in underprivileged areas, and also including collaborations with other athletes in the charity Athletes for Hope.

Early life[link]

Hawk was born in Carlsbad, California, to, Frank Peter Rupert Hawk. ^[2][3] When Hawk was young, he was described as being "hyperactive,"^[3] and his mother says that he was "so hard on himself and expected himself to do so many things."^[1] One time, Tony struck out in baseball and was so distraught that he hid in a ravine and had to be "physically coaxed out" by his father. His frustration with himself was so harsh that his parents had him psychologically evaluated at school. The results were that Tony was "gifted," and school advisors recommended placing him in advanced classes.^[1]

Hawk attended Jean Farb Middle School from 1980 to 1981, and recently went back there for the show "Homecoming" where he set up a ramp and did a demonstration.

He turned pro by the age of 14^[1] and was the National Skateboard Association world champion for 12 consecutive years.

The 900[link]

On July 27, 1999, Hawk was the first skater to land a 900. He successfully landed the trick, which involves completing two-and-a-half revolutions with the skateboard, on the eleventh attempt. After completing the trick, he commented, "This is the best day of my life."^[4] Nearly 12 years later Hawk was still able to land his famous 900 and posted a video of the trick via his Twitter account stating "I'm 42 and I did a 900 today."^[5]

Endorsements[link]

Boom Boom HuckJam[link]

In 1998, Tony Hawk started freestyle motocross, skateboarding, and BMX with a show in Las Vegas and then on to 31 cities around the USA and eventually to Six Flags amusement parks.^[6]

Video Game Series[link]

A video game series based on his skateboarding debuted in 1999. Since then, the series has spawned 16 titles, including main series titles, spin-offs, and repackages. The latest game of the series is the Tony Hawk: Ride, which involves riding on a skateboard-shaped controller.

Hawk's role in the series was usurped by customizable player characters in later installments,^[7] but he has remained a prominent character. In the 2003 game Tony Hawk's Underground, he is a minor non-player character whom the player meets in Tampa, Florida and skates against. Impressed with the player's skills, Hawk grants them entry into a skate competition.^[8] He later appears in Moscow to teach them the "360 Varial Heelflip Lien" move.^[9] Hawk and other skaters are briefly playable near the end of the game when they skate in a promotional video for the player's skate team,^[10] and in all gameplay modes except the story mode.^[11] He appeared as a kid in the Backyard Sports series Backyard Skateboarding.

Amusement Park Ride[link]

A series of amusement park rides known as Tony Hawk's Big Spin were built in three Six Flags parks in 2007 and 2008. The ride was originally billed as the "total Tony Hawk experience" and was designed to have the look and feel of a giant red-and-black skatepark. It offered a full "extreme sports" experience, with monitors in the queue lines displaying highlights of the history of action sports and a large spinning Tony Hawk figure crowning the ride. The ride was later demolished to make way for a new ride known as Superman: Ultimate Flight (Six Flags Discovery Kingdom) announced to be open in Spring 2012. Additionally, a water park ride called Tony Hawk's Halfpipe was opened at Six Flags America in Bowie, MD.

Film and television appearances[link]

In 1986, Tony Hawk was a featured skateboarder and skater-double for Josh Brolin in the movie Thrashin'. In 1989, he appeared as a skateboarder in Gleaming the Cube. In 2002, he appeared in Neal H. Moritzs's and Christopher Gilcrest's film xXx playing the role of one of Xander Cages stuntman friends, and later in the movie, a skateboarder at a party. In 2004 he played himself in the Australian skateboarding movie Deck Dogz. In 2006, Tony Hawk appeared in a cameo on the film Drake & Josh Go Hollywood as himself; when Drake & Josh steal his car to escape from two crooks with the Geo (iPods) that carry illegal information for counterfeiting money. Tony Hawk also asks for the cops to give Drake & Josh a police escort to Sunset Studios, for a performance on TRL. Hawk has had a cameo in the movie, The New Guy. Hawk appeared in Jackass: The Movie with Mat Hoffman and Bam Margera, skateboarding in a fat suit and Jackass 2, while skateboarding through an obstacle course. Tony appears in the film following the 2006 Gumball Rally, 3000 Miles, again with Bam Margera. He also plays the police officer who arrests Ryan Dunn in the movie Haggard: The Movie. Hawk also made a brief cameo appearance in Lords Of Dogtown as an astronaut, where he is shown comically falling off the skateboard as he is a "rookie". He played himself in an episode of Rocket Power.

Hawk was featured as an extra in the "Weird Al" Yankovic video "Smells like Nirvana". He can be seen sitting in the bleachers during the crowd sweep near Dick Van Patten. He also made a cameo appearance in the Simple Plan music video for "I'm Just a Kid", he can be seen, in a crowd, watching kids at a high school skating..

On television, he has also appeared in Action (TV series), What I Like About You, The Suite Life of Zack & Cody, The Tom Green Show, The Naked Brothers Band and Zeke and Luther, So Random, and All That. Hawk was a guest on the kid's show on Nickelodeon, Yo Gabba Gabba.^[12] In 2000, he played himself in Max Steel. He also guest voiced on The Simpsons episode "Barting Over", where he played himself, along with fellow San Diegans Blink-182. In the episode, Hawk lends Homer a new board from his brand where complete rookies are able to perform at the top levels. He ends up having a comical play off with him after Homer begins to show him up. On the PBS Kids show Cyberchase, he guest starred as Slider's long-lost father, Coop. In the CSI: Miami episode "Game Over" he played a game programmer who was murdered. In 2008, he played on Million Dollar Password. Hawk also played on Fox's Are You Smarter Than a 5th Grader. Tony Hawk helped design the world famous Canvey Island skate park in 1982 and has hosted Cartoon Network's "Hall of Game" sports award show on February 25, 2011. Hawk was also on the Live-Action/Animated Talk Show Take Two With Phineas and Ferb. Hawk appeared on the internet cooking show Epic Meal Time on October 28, 2011 to celebrate the show's one year anniversary, where he can be seen in the final scene eating a deep-fried pizza cake. He also guest starred on the ABC comedy, Last Man Standing. He also played a skater in Police Academy 4: Citizens On Patrol.

Skate videos[link]

This section requires expansion.

• 1984: The Bones Brigade Video Show (Powell-Peralta)
• 1985: Future Primitive (Powell-Peralta)
• 1987: The Search for Animal Chin (Powell-Peralta)
• 1988: Public Domain (Powell-Peralta)
• 1989: Ban This (Powell-Peralta)
• 1992: Feasters (Birdhouse)
• 1992: Untitled (Birdhouse)
• 1993: Ravers (Birdhouse)
• 1998: The End (Birdhouse)
• 2001: One Step Beyond (Adio)
• 2007: The Beginning (Birdhouse)

Personal life[link]

Hawk with Lhotse Merriam in 2007.

Hawk married Cindy Dunbar in April 1990.^[13] They had a son, Riley Hawk (born December 6, 1992) whom they named for one of Hawk's ancestors.^[14] Riley also skates for Lakai Limited Footwear and Baker Skateboards.^[15] The couple divorced in 1993.^[3] Hawk married Erin Lee in 1996. They had two sons, Spencer (born March 26, 1999) and Keegan (born July 18, 2001). Lee and Hawk divorced in 2004.^[3] Hawk married Lhotse Merriam on January 12, 2006, on the island of Tavarua, Fiji.^[16] The couple's first child, a daughter named Kadence Clover Hawk, was born on June 30, 2008. The couple announced their divorce on February 7, 2011.^[17]

Tony launched the Tony Hawk Foundation, which has given away more than $3.4 million to help build well over 400 skateparks around the U.S.A. The Foundation supports projects in low income areas and helps underprivileged kids. In 2007, Hawk, Andre Agassi, Muhammad Ali, Lance Armstrong, Warrick Dunn, Jeff Gordon, Mia Hamm, Andrea Jaeger, Jackie Joyner-Kersee, Mario Lemieux, Alonzo Mourning and Cal Ripken, Jr. founded the charity Athletes for Hope^[18] which helps professional athletes get involved in charitable causes and aims to inspire all people to volunteer and support their communities.

References[link]

External links[link]

Wikimedia Commons has media related to: Tony Hawk

• Official website
• tonyhawkfoundation.org
• Tony's Birdhouse Skateboards website
• Tony Hawk at the Internet Movie Database

Dane Cook
Cook at Comic Con 2007 promoting Good Luck Chuck
Birth name	Dane Jeffrey Cook
Born	(1972-03-18) March 18, 1972 (age 40) Boston, Massachusetts, U.S.
Medium	Stand-up, film, television
Nationality	American
Years active	1990–present
Genres	Stand-up comedy
Subject(s)	Observational comedy
Influences	George Carlin, Richard Pryor, Denis Leary, Steve Martin
Notable works and roles	Retaliation, Dane Cook: Vicious Circle, Isolated Incident
Website	Official website

Dane Jeffrey Cook (born March 18, 1972) is an American stand-up comedian and film actor. He has released five comedy albums: Harmful If Swallowed; Retaliation; Vicious Circle; Rough Around The Edges: Live From Madison Square Garden; and Isolated Incident. In 2006, Retaliation became the highest charting comedy album in 28 years and went platinum.^[1] He performed an HBO special in the Fall of 2006, Vicious Circle, a straight-to-DVD special titled Rough Around The Edges (which is included in the album of the same name), and a Comedy Central special in 2009 titled Isolated Incident.

He is credited as one of the first comedians to use a personal webpage and MySpace to build a large fan base^[2] and in 2006 was described as "alarmingly popular".^[3] As an actor, Cook has appeared in films since 1997, including Mystery Men, Waiting..., Employee of the Month, Good Luck Chuck, Dan in Real Life, Mr. Brooks (in a non-comedic role), and My Best Friend's Girl.

Personal life[link]

Cook was born in Cambridge, Massachusetts,^[4] the second son of Donna Jean (née Ford) and George F. Cook.^[5] Cook has an older half-brother, Darryl, and five sisters. He was raised in a Roman Catholic family^[6] in Arlington, Massachusetts, where he attended Arlington High School.

Cook has described himself as being "pretty quiet, pretty introverted, shy" as a child, although he was a "wild child" at home.^[7] He overcame his shyness in his junior year of high school when he began acting and doing stand-up comedy.^[8] After graduating from high school, he studied graphic design in college as a back-up plan in case he did not achieve success in comedy.^[9] He now designs all of his merchandise, including the cover of his album Harmful If Swallowed.^[8] Cook has stated that he does not drink or do drugs.^[10]

Cook's half-brother Darryl was Cook's business manager until 2008, when it was discovered that Darryl and his wife had embezzled millions of dollars from Dane Cook. Both Darryl and his wife have been sentenced to prison for the embezzlement.^[11]

Career[link]

Dane Cook

Stand-up[link]

In 1994, Cook moved to New York City and began performing. Two years later, he moved to Los Angeles, where he still lives today.^[12] His big break came in 1998 when he appeared on Comedy Central's Premium Blend. In 2000, Cook did a half-hour special on Comedy Central Presents. Since then his special has won the Comedy Central Stand-up showdown twice in a row.^[13]

In 2003, Cook released his first CD/DVD, Harmful If Swallowed. He signed a contract with Comedy Central Records. The album is certified platinum. He released his second CD/DVD in 2005, entitled Retaliation. This album went double platinum and made Cook the first comic in 29 years to have an album at #4 on the Billboard charts.^[13] He performed at the MTV Video Music Awards, and then afterwards he joined Snoop Dogg (who introduced him) in presenting the award for Best New Artist.^[13]

On April 15, 2005, Cook performed his first HBO Special entitled Vicious Circle. Vicious Circle was filmed "in the round" at the TD Banknorth Garden. The same year, Cook shot two pilot episodes for his own sitcom, Cooked. The sitcom never got picked up and the two pilot episodes were later released on DVD as the Lost Pilot Episodes. That same year, he embarked on a 30-day 20-show college tour called Tourgasm with his long time friends Robert Kelly, Gary Gulman, and Jay Davis. The tour was filmed and was later made into a 9-episode documentary on HBO.

On December 3, 2005, Cook hosted Saturday Night Live. It was one of the highest-rated SNLs of the season".^{[14][dead link]} He would then go on to host the premiere of season 32 of SNL a year later. Both episodes were the highest rated of the season.^{[citation needed]}

In 2006, Cook headlined for Dave Attell's Insomniac Tour and hosted the 2006 Teen Choice Awards alongside Jessica Simpson. The following year he won the award for Best Comedian. On November 12, 2007, Cook became the second comic to sell out Madison Square Garden. He did two sold out shows in one night. The show was filmed and would later be put onto a DVD to be sold on Cook's third comedy album. Cook won the Big Entertainer Award at the VH1 Big in '06 Awards, and Rolling Stone magazine's Hot Comic of the Year. The following day, November 13, 2007, he released his third CD/DVD entitled Rough Around The Edges, which was filmed live at Madison Square Garden in New York City. During that time, he embarked on his first arena tour.^{[citation needed]}

On April 10, 2007, Cook broke The Laugh Factory's endurance record (previously held by Richard Pryor)^[15] by performing on stage for 3 hours and 50 minutes. Dave Chappelle would break the record five days later.^[16] On January 1, 2008, Cook later broke Chapelle's record, by performing on stage for 7 hours.^[17]

From May 23, 2008 to May 25, 2008, Cook reunited with Robert Kelly and Al Del Bene for three shows at The Coliseum in Caesars Palace. From May 29, 2008, to June 4, 2008, the trio went to Iraq to perform for the troops. Del Bene was the Emcee, Kelly was the Feature, and Cook was the Headliner.^{[citation needed]}

He finished his fourth album, Isolated Incident; a performance which aired on Comedy Central on May 17, 2009, with the release of the record following two days later. He kicked off that tour at the Mohegan Sun in Uncasville, Connecticut, on April 25, 2009. This album will be the last as part of Cook's four record deal with Comedy Central Records. The new album was performed at The Laugh Factory in Hollywood, which is considered to be Cook's home base, where he goes and works on new material. He released the DVD version of Isolated Incident in November 2009.^[18]

Critique[link]

Cook's style is principally "long-form storytelling"^[19] and "multipurpose phrases"^[3] with a casual attitude. Cook says his onstage persona is a combination of the personalities of his mom, Donna, and his dad, George. "My mother is like a Looney Tunes cartoon. She's wiggly ... She has the ability to tongue in cheek a lot, and do it in a way where she's being physical. My dad is the polar opposite. He always had a little 'what the fuck' in his voice. Even if he knew nothing about what he was talking about, he could sell it. So I looked at these two extremely funny people and created a style of comedy from absorbing their actions."^[20]

He explains:

I wanted to create a stage persona for myself that allowed me to really speak about anything I want... So I can be a storyteller, I can be jokey, I can be corny, I can be a little vulgar, I can be a lot vulgar. And I'm not afraid to go anywhere to get the point of the joke across, even if I have to just blabber like a retard until it becomes apparent that I'm a retard and that the audience should laugh.

Commentators in a variety of media sources have characterized Dane Cook's humor as unfunny.^[2][3][21] Comedian Ron White has criticized Dane Cook for his lack of real material and for his inflated ego; saying "[He] does not make me laugh, at all, in any way, shape or form."^[22] When asked about his opinion of Cook on The Howard Stern Show, comedian Nick DiPaolo said "he doesn't make me laugh, but that doesn't mean he's not funny."^[23] On Boston radio station WBCN, Dane Cook was named by radio show Toucher and Rich to a tournament of the top 16 "Worst Comedians" and, based on listener voting, was voted the "Worst Comedian" of all. In the Michigan Daily, Elie Zwiebel and co-author Jesse Bean wrote that "he's managed to become one of the most overrated comics ever" and that his act is "boringly stagnant".^[24]

Jim Breuer talked about Cook's reputation within the comedy industry, saying: "Everyone kills this guy ... Not one comedian comes on [my Sirius radio show] and says 'I'm so happy for him', which is weird. ... They can't stand this poor guy." Breuer went on to say that he personally thinks Cook is a "tremendous performer".^[25]

Accusations of plagiarism[link]

Comedian Joe Rogan has claimed that Cook performed a bit on an episode of Premium Blend that Rogan had developed on I'm Gonna Be Dead Someday (sketch titled "Tigers Fucking"), and claimed to have performed the routine earlier in clubs with Cook present.^[26] Other comedians have also accused Cook of stealing their material. A 2007 article in Radar magazine about joke theft included Rogan's allegations, as well as the allegations of an anonymous "veteran comic" who accused Cook of appropriating one of that comic's "very physical routines," despite a direct request by the comedian that Cook stop using the routine in question.^[27] The piece also noted widespread Internet discussion of the similarity between the bits "Struck by a Vehicle," "Itchy Asshole," and "My Son Optimus Prime," from Cook's 2005 album Retaliation, and the bits "Guy on a Bike," "Itchy Asshole," and "Kid's Names," from comic Louis C.K.'s 2003 album Live in Houston.^[27] In 2011, Cook played himself in an episode of Louie, scripted by C.K., centering on a fictional encounter between the two comics during which they discuss the controversy.^[28]

Film[link]

Cook began with small film roles in the late 90's, including Mystery Men as "The Waffler," and opposite Dennis Rodman in 1999's Simon Sez.^[29]

In 2006, Cook starred in his first leading role as the slacker box boy Zack Bradley in Employee of the Month, which co-starred Jessica Simpson and Dax Shepard. Poorly received by critics, the film made a modest $30 million against a $12 million budget.^[30] In June 2007, Cook co-starred in his first dramatic role as the devious photographer "Mr. Smith" in Mr. Brooks, which starred Kevin Costner. The film debuted at #4 at the box office. The film grossed $10,017,067 in the opening weekend.^[31]

In September 2007, Cook starred as dentist Charlie Logan in Good Luck Chuck, which co-starred Jessica Alba and Dan Fogler. The film was the second-highest grossing film (#1 Comedy) at the U.S. box office in its opening weekend, grossing $13.6 million in 2,612 theaters. The film went on to have a total box office tally of approximately $35 million U.S. and $24 million foreign. It was received very poorly by critics.^[32] A month later, Cook co-starred as Mitch Burns in Dan In Real Life, which starred Steve Carell. The film grossed $11.8 million in 1,921 theaters its opening weekend, ranking #2 at the box office. As of July 6, 2008, it has grossed $62,745,217. It received moderate to good reviews from critics.^[33]

In 2008, Cook starred as air purifier call-center supervisor Tank Turner in My Best Friend's Girl with Kate Hudson, Jason Biggs, and Alec Baldwin. The film grossed $8.2 million in its opening weekend, debuting at #3 at the box office, but received poor reviews from critics.^[34]

In 2010, Cook auditioned for the role of Captain America for Captain America: The First Avenger, although the director, Joe Johnston, did not have him on the short list for the part.^[35]

Stage[link]

On November 18, 2010, it was announced that both Cook and Josh Hamilton will be starring in Neil LaBute's 2011 Broadway production of Fat Pig.^[36] Production will begin in March 2011.

Tours[link]

• Tourgasm 2006 (w/ Robert Kelly, Gary Gulman, Jay Davis)
• Rough Around The Edges Tour 2007
• Globo Thermo Tour 2009 (w/ Robert Kelly and Al Del Bene) – In a Shave Magazine review of the Globo Thermo tour, Jake Tomlinson expressed that "his live performance quite enjoyable", and gave the concert 4 out of 5 stars.^[37]

Discography[link]

Albums[link]

Other releases[link]

• 2006: Dane Cook's Tourgasm (3DVD)
• 2007: The Lost Pilots (DVD) Sony Pictures Television.
• 2011 In the Future Steel Panther Balls Out

Singles[link]

• (2006) I'll Never Be You – #100 (U.S. Pop), #4 (Germany)
• (2007) Forward
• (2010) Drunk Girl/Red Car^[38]

Cook co-wrote and performed the song "Ruthie Pigface Draper" for the Dan In Real Life film with Norbert Leo Butz.^[39]

Filmography[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Dane Cook

Wikiquote has a collection of quotations related to: Dane Cook

• Official website
• Dane Cook at the Internet Movie Database

Louis Armstrong
Louis Armstrong's stage personality matched his flashy cornet and trumpet playing. Armstrong is also known for his raspy singing voice.
Background information
Birth name	Louis Armstrong
Born	August 4, 1901 New Orleans, Louisiana, U.S.
Died	July 6, 1971(1971-07-06) (aged 69) Corona, Queens, New York City, U.S.
Genres	Dixieland, jazz, swing, traditional pop
Occupations	Musician
Years active	c. 1914–71
Associated acts	Joe "King" Oliver, Ella Fitzgerald, Kid Ory, Bobby Hackett

Louis Armstrong^[1] (August 4, 1901 – July 6, 1971),^[2] nicknamed Satchmo^[3] or Pops, was an American jazz trumpeter and singer from New Orleans, Louisiana.

Coming to prominence in the 1920s as an "inventive" cornet and trumpet player, Armstrong was a foundational influence in jazz, shifting the music's focus from collective improvisation to solo performance. With his instantly recognizable deep and distinctive gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also greatly skilled at scat singing (vocalizing using sounds and syllables instead of actual lyrics).

Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over," whose skin-color was secondary to his music in an America that was severely racially divided. It allowed him socially acceptable access to the upper echelons of American society that were highly restricted for a black man. While he rarely publicly politicized his race, often to the dismay of fellow African-Americans, he was privately a strong supporter of the Civil Rights movement in America.^{[citation needed]}

Early life[link]

Handcolored etching Louis Armstrong by Adi Holzer 2002.

Armstrong often stated that he was born on July 4, 1900,^[4] a date that has been noted in many biographies. Although he died in 1971, it was not until the mid-1980s that his true birth date of August 4, 1901 was discovered through the examination of baptismal records.^[5]

Armstrong was born into a very poor family in New Orleans, Louisiana, the grandson of slaves. He spent his youth in poverty, in a rough neighborhood of Uptown New Orleans, known as “Back of the Town”, as his father, William Armstrong (1881–1922), abandoned the family when Louis was an infant and took up with another woman. His mother, Mary "Mayann" Albert (1886–1942), then left Louis and his younger sister Beatrice Armstrong Collins (1903–1987) in the care of his grandmother, Josephine Armstrong, and at times, his Uncle Isaac. At five, he moved back to live with his mother and her relatives, and saw his father only in parades.

He attended the Fisk School for Boys, where he likely had early exposure to music. He brought in some money as a paperboy and also by finding discarded food and selling it to restaurants, but it was not enough to keep his mother from prostitution. He hung out in dance halls close to home, where he observed everything from licentious dancing to the quadrille. For extra money he also hauled coal to Storyville, the famed red-light district, and listened to the bands playing in the brothels and dance halls, especially Pete Lala's where Joe "King" Oliver performed and other famous musicians would drop in to jam.

After dropping out of the Fisk School at age eleven, Armstrong joined a quartet of boys who sang in the streets for money. But he also started to get into trouble. Cornet player Bunk Johnson said he taught Armstrong (then 11) to play by ear at Dago Tony's Tonk in New Orleans,^[6] although in his later years Armstrong gave the credit to Oliver. Armstrong hardly looked back at his youth as the worst of times but instead drew inspiration from it, “Every time I close my eyes blowing that trumpet of mine—I look right in the heart of good old New Orleans...It has given me something to live for.”^[7]

He also worked for a Lithuanian-Jewish immigrant family, the Karnofskys, who had a junk hauling business and gave him odd jobs. They took him in and treated him as almost a family member, knowing he lived without a father, and would feed and nurture him.^[8] He later wrote a memoir of his relationship with the Karnofskys titled, Louis Armstrong + the Jewish Family in New Orleans, La., the Year of 1907. In it he describes his discovery that this family was also subject to discrimination by "other white folks' nationalities who felt that they were better than the Jewish race. I was only seven years old but I could easily see the ungodly treatment that the White Folks were handing the poor Jewish family whom I worked for." Armstrong wore a Star of David pendant for the rest of his life and wrote about what he learned from them: "how to live—real life and determination."^[9] The influence of Karnofsky is remembered in New Orleans by the Karnofsky Project, a non-profit organization dedicated to accepting donated musical instruments to "put them into the hands of an eager child who could not otherwise take part in a wonderful learning experience."^[10]

Armstrong developed his cornet playing seriously in the band of the New Orleans Home for Colored Waifs, where he had been sent multiple times for general delinquency, most notably for a long term after firing his stepfather's pistol into the air at a New Year's Eve celebration, as police records confirm. Professor Peter Davis (who frequently appeared at the Home at the request of its administrator, Captain Joseph Jones)^[11] instilled discipline in and provided musical training to the otherwise self-taught Armstrong. Eventually, Davis made Armstrong the band leader. The Home band played around New Orleans and the thirteen year old Louis began to draw attention by his cornet playing, starting him on a musical career.^[12] At fourteen he was released from the Home, living again with his father and new stepmother and then back with his mother and also back to the streets and their temptations. Armstrong got his first dance hall job at Henry Ponce’s where Black Benny became his protector and guide. He hauled coal by day and played his cornet at night.

He played in the city's frequent brass band parades and listened to older musicians every chance he got, learning from Bunk Johnson, Buddy Petit, Kid Ory, and above all, Joe "King" Oliver, who acted as a mentor and father figure to the young musician. Later, he played in the brass bands and riverboats of New Orleans, and began traveling with the well-regarded band of Fate Marable, which toured on a steamboat up and down the Mississippi River. He described his time with Marable as, "going to the University," since it gave him a much wider experience working with written arrangements.

In 1919, Joe Oliver decided to go north and resigned his position in Kid Ory's band; Armstrong replaced him. He also became second trumpet for the Tuxedo Brass Band, a society band.^[13]

Career[link]

"Muggles"

On March 19, 1918, Louis married Daisy Parker from Gretna, Louisiana. They adopted a 3-year-old boy, Clarence Armstrong, whose mother, Louis' cousin Flora, died soon after giving birth. Clarence Armstrong was mentally disabled (the result of a head injury at an early age) and Louis would spend the rest of his life taking care of him.^[14] Louis' marriage to Parker failed quickly and they separated. She died shortly after the divorce.

Through all his riverboat experience Armstrong’s musicianship began to mature and expand. At twenty, he could read music and he started to be featured in extended trumpet solos, one of the first jazzmen to do this, injecting his own personality and style into his solo turns. He had learned how to create a unique sound and also started using singing and patter in his performances.^[15] In 1922, Armstrong joined the exodus to Chicago, where he had been invited by his mentor, Joe "King" Oliver, to join his Creole Jazz Band and where he could make a sufficient income so that he no longer needed to supplement his music with day labor jobs. It was a boom time in Chicago and though race relations were poor, the “Windy City” was teeming with jobs for black people, who were making good wages in factories and had plenty to spend on entertainment.

Oliver's band was the best and most influential hot jazz band in Chicago in the early 1920s, at a time when Chicago was the center of the jazz universe. Armstrong lived like a king in Chicago, in his own apartment with his own private bath (his first). Excited as he was to be in Chicago, he began his career-long pastime of writing nostalgic letters to friends in New Orleans. As Armstrong’s reputation grew, he was challenged to “cutting contests” by hornmen trying to displace the new phenom, who could blow two hundred high C’s in a row.^[16] Armstrong made his first recordings on the Gennett and Okeh labels (jazz records were starting to boom across the country), including taking some solos and breaks, while playing second cornet in Oliver's band in 1923. At this time, he met Hoagy Carmichael (with whom he would collaborate later) who was introduced by friend Bix Beiderbecke, who now had his own Chicago band.

Armstrong enjoyed working with Oliver, but Louis' second wife, pianist Lil Hardin Armstrong, urged him to seek more prominent billing and develop his newer style away from the influence of Oliver. Armstrong took the advice of his wife and left Oliver's band. For a year Armstrong played in Fletcher Henderson's band in New York on many recordings. After playing in New York, Armstrong returned to Chicago, playing in large orchestras; there he created his most important early recordings.^[17] Lil had her husband play classical music in church concerts to broaden his skill and improve his solo play and she prodded him into wearing more stylish attire to make him look sharp and to better offset his growing girth. Lil’s influence eventually undermined Armstrong’s relationship with his mentor, especially concerning his salary and additional moneys that Oliver held back from Armstrong and other band members. Armstrong and Oliver parted amicably in 1924. Shortly afterward, Armstrong received an invitation to go to New York City to play with the Fletcher Henderson Orchestra, the top African-American band of the day. Armstrong switched to the trumpet to blend in better with the other musicians in his section. His influence upon Henderson's tenor sax soloist, Coleman Hawkins, can be judged by listening to the records made by the band during this period.

Armstrong getting fitted for a hat, about 1955.

Armstrong quickly adapted to the more tightly controlled style of Henderson, playing trumpet and even experimenting with the trombone and the other members quickly took up Armstrong’s emotional, expressive pulse. Soon his act included singing and telling tales of New Orleans characters, especially preachers.^[18] The Henderson Orchestra was playing in the best venues for white-only patrons, including the famed Roseland Ballroom, featuring the classy arrangements of Don Redman. Duke Ellington’s orchestra would go to Roseland to catch Armstrong’s performances and young hornmen around town tried in vain to outplay him, splitting their lips in their attempts.

During this time, Armstrong made many recordings on the side, arranged by an old friend from New Orleans, pianist Clarence Williams; these included small jazz band sides with the Williams Blue Five (some of the best pairing Armstrong with one of Armstrong's few rivals in fiery technique and ideas, Sidney Bechet) and a series of accompaniments with blues singers, including Bessie Smith, Ma Rainey, and Alberta Hunter.

Armstrong returned to Chicago in 1925 due mostly to the urging of his wife, who wanted to pump up Armstrong’s career and income. He was content in New York but later would concede that she was right and that the Henderson Orchestra was limiting his artistic growth. In publicity, much to his chagrin, she billed him as “the World’s Greatest Trumpet Player”. At first he was actually a member of the Lil Hardin Armstrong Band and working for his wife.^[19] He began recording under his own name for Okeh with his famous Hot Five and Hot Seven groups, producing hits such as "Potato Head Blues", "Muggles", (a reference to marijuana, for which Armstrong had a lifelong fondness), and "West End Blues", the music of which set the standard and the agenda for jazz for many years to come.

The group included Kid Ory (trombone), Johnny Dodds (clarinet), Johnny St. Cyr (banjo), wife Lil on piano, and usually no drummer. Armstrong’s bandleading style was easygoing, as St. Cyr noted, "One felt so relaxed working with him and he was very broad-minded ... always did his best to feature each individual."^[20] His recordings soon after with pianist Earl "Fatha" Hines (most famously their 1928 Weatherbird duet) and Armstrong's trumpet introduction to "West End Blues" remain some of the most famous and influential improvisations in jazz history. Armstrong was now free to develop his personal style as he wished, which included a heavy dose of effervescent jive, such as "whip that thing, Miss Lil" and "Mr. Johnny Dodds, Aw, do that clarinet, boy!"^[21]

Armstrong also played with Erskine Tate’s Little Symphony, actually a quintet, which played mostly at the Vendome Theatre. They furnished music for silent movies and live shows, including jazz versions of classical music, such as “Madame Butterfly,” which gave Armstrong experience with longer forms of music and with hosting before a large audience. He began to scat sing (improvised vocal jazz using non-sensical words) and was among the first to record it, on "Heebie Jeebies" in 1926. So popular was the recording the group became the most famous jazz band in the USA even though they as yet had not performed live to any great degree. Young musicians across the country, black or white, were turned on by Armstrong’s new type of jazz.^[22]

After separating from Lil, Armstrong started to play at the Sunset Café for Al Capone's associate Joe Glaser in the Carroll Dickerson Orchestra, with Earl Hines on piano, which was soon renamed Louis Armstrong and his Stompers,^[23] though Hines was the music director and Glaser managed the orchestra. Hines and Armstrong became fast friends as well as successful collaborators.

Armstrong returned to New York, in 1929, where he played in the pit orchestra of the successful musical Hot Chocolate, an all-black revue written by Andy Razaf and pianist/composer Fats Waller. He also made a cameo appearance as a vocalist, regularly stealing the show with his rendition of "Ain't Misbehavin'", his version of the song becoming his biggest selling record to date.^[24]

Armstrong started to work at Connie's Inn in Harlem, chief rival to the Cotton Club, a venue for elaborately staged floor shows,^[25] and a front for gangster Dutch Schultz. Armstrong also had considerable success with vocal recordings, including versions of famous songs composed by his old friend Hoagy Carmichael. His 1930s recordings took full advantage of the new RCA ribbon microphone, introduced in 1931, which imparted a characteristic warmth to vocals and immediately became an intrinsic part of the 'crooning' sound of artists like Bing Crosby. Armstrong's famous interpretation of Hoagy Carmichael's "Stardust" became one of the most successful versions of this song ever recorded, showcasing Armstrong's unique vocal sound and style and his innovative approach to singing songs that had already become standards.

Armstrong's radical re-working of Sidney Arodin and Carmichael's "Lazy River" (recorded in 1931) encapsulated many features of his groundbreaking approach to melody and phrasing. The song begins with a brief trumpet solo, then the main melody is stated by sobbing horns, memorably punctuated by Armstrong's growling interjections at the end of each bar: "Yeah! ..."Uh-huh" ..."Sure" ... "Way down, way down." In the first verse, he ignores the notated melody entirely and sings as if playing a trumpet solo, pitching most of the first line on a single note and using strongly syncopated phrasing. In the second stanza he breaks into an almost fully improvised melody, which then evolves into a classic passage of Armstrong "scat singing".

As with his trumpet playing, Armstrong's vocal innovations served as a foundation stone for the art of jazz vocal interpretation. The uniquely gritty coloration of his voice became a musical archetype that was much imitated and endlessly impersonated. His scat singing style was enriched by his matchless experience as a trumpet soloist. His resonant, velvety lower-register tone and bubbling cadences on sides such as "Lazy River" exerted a huge influence on younger white singers such as Bing Crosby.

The Depression of the early Thirties was especially hard on the jazz scene. The Cotton Club closed in 1936 after a long downward spiral and many musicians stopped playing altogether as club dates evaporated. Bix Beiderbecke died and Fletcher Henderson’s band broke up. King Oliver made a few records but otherwise struggled. Sidney Bechet became a tailor and Kid Ory returned to New Orleans and raised chickens.^[26] Armstrong moved to Los Angeles in 1930 to seek new opportunities. He played at the New Cotton Club in LA with Lionel Hampton on drums. The band drew the Hollywood crowd, which could still afford a lavish night life, while radio broadcasts from the club connected with younger audiences at home. Bing Crosby and many other celebrities were regulars at the club. In 1931, Armstrong appeared in his first movie, Ex-Flame. Armstrong was convicted of marijuana possession but received a suspended sentence.^[27] He returned to Chicago in late 1931 and played in bands more in the Guy Lombardo vein and he recorded more standards. When the mob insisted that he get out of town, Armstrong visited New Orleans, got a hero’s welcome and saw old friends. He sponsored a local baseball team known as “Armstrong’s Secret Nine” and got a cigar named after himself.^[28] But soon he was on the road again and after a tour across the country shadowed by the mob, Armstrong decided to go to Europe to escape.

After returning to the States, he undertook several exhausting tours. His agent Johnny Collins’ erratic behavior and his own spending ways left Armstrong short of cash. Breach of contract violations plagued him. Finally, he hired Joe Glaser as his new manager, a tough mob-connected wheeler-dealer, who began to straighten out his legal mess, his mob troubles, and his debts. Armstrong also began to experience problems with his fingers and lips, which were aggravated by his unorthodox playing style. As a result he branched out, developing his vocal style and making his first theatrical appearances. He appeared in movies again, including Crosby's 1936 hit Pennies from Heaven. In 1937, Armstrong substituted for Rudy Vallee on the CBS radio network and became the first African American to host a sponsored, national broadcast.^[29] He finally divorced Lil in 1938 and married longtime girlfriend Alpha.

After spending many years on the road, Armstrong settled permanently in Queens, New York in 1943 in contentment with his fourth wife, Lucille. Although subject to the vicissitudes of Tin Pan Alley and the gangster-ridden music business, as well as anti-black prejudice, he continued to develop his playing. He recorded Hoagy Carmichael's Rockin' Chair for Okeh Records.

During the subsequent thirty years, Armstrong played more than three hundred gigs a year. Bookings for big bands tapered off during the 1940s due to changes in public tastes: ballrooms closed, and there was competition from television and from other types of music becoming more popular than big band music. It became impossible under such circumstances to support and finance a 16-piece touring band.

The All Stars[link]

Louis Armstrong in 1953

Following a highly successful small-group jazz concert at New York Town Hall on May 17, 1947, featuring Armstrong with trombonist/singer Jack Teagarden, Armstrong's manager Joe Glaser dissolved the Armstrong big band on August 13, 1947 and established a six-piece small group featuring Armstrong with (initially) Teagarden, Earl Hines and other top swing and dixieland musicians, most of them ex-big band leaders. The new group was announced at the opening of Billy Berg's Supper Club.

This group was called Louis Armstrong and his All Stars and included at various times Earl "Fatha" Hines, Barney Bigard, Edmond Hall, Jack Teagarden, Trummy Young, Arvell Shaw, Billy Kyle, Marty Napoleon, Big Sid Catlett, Cozy Cole, Tyree Glenn, Barrett Deems, Joe Darensbourg and the Filipino-American percussionist, Danny Barcelona. During this period, Armstrong made many recordings and appeared in over thirty films. He was the first jazz musician to appear on the cover of Time Magazine on February 21, 1949.