Bluffmaster!
File:Bluffmaster!.jpg Poster
Directed by	Rohan Sippy
Produced by	Ramesh Sippy
Written by	Rajat Aroraa Shridhar Raghavan
Starring	Abhishek Bachchan Priyanka Chopra Ritesh Deshmukh
Music by	Vishal-Shekhar Trickbaby Sameeruddin
Cinematography	Himman Dhamija
Editing by	Amitabh Shukla
Distributed by	Entertainment One Pvt. Ltd
Release date(s)	16 December 2005
Running time	139 mins
Country	India
Language	Hindi
Budget	8 crore (US$1.6 million)
Box office	31.3 crore (US$6.24 million)

Bluffmaster! is a 2005 Bollywood romantic comedy film directed by Rohan Sippy, son of Ramesh Sippy. The film stars Abhishek Bachchan, Ritesh Deshmukh and Priyanka Chopra in the lead roles and also features Arash Labaf, an Iranian singer in a special appearance. The storyline resembles the Argentinian film Nine Queens (2000) and Hollywood film The Game (1997), however it is not related to Manmohan Desai's 1963 film of the same. The film released on 16 December 2005, to positive response from critics and public, despite being an average grosser at the box office.^[1]

Synopsis[link]

Roy Kapoor (Abhishek Bachchan) cons everybody, even his girlfriend Simi (Priyanka Chopra). On the day of their engagement, however, Roy's true face is exposed & Roy loses Simi. As if that were not enough, Roy finds out that he is going to die in less than 3 months. Besides this, an amateur conman named Dittu (Ritesh Deshmukh) enters his life. He learns from Dittu that a man named Chandrakant Parekh aka Chandru (Nana Patekar) had duped Dittu's father & countless other of their life savings.

Chandru is a whimsical, irate & ruthless man, who will not hesitate in resorting to violence even on slightest pretext. Roy decides to do one good deed for Dittu. Roy is now between devil & the deep sea. Can the greatest conman con the death itself?

Plot[link]

Roy Kapoor is a shameless conman. In fact, Roy's girlfriend Simi too believes that he is an investment banker. One day he cons a film producer (Tinu Anand). Unfortunately, the producer turns out to be an acquaintance of Simi and thus Roy's true face is exposed. Simi calls their wedding off. Some weeks past this episode, Roy sees an amateur conman Dittu conning a doctor called Dr. Bhalerao (Boman Irani). Roy meets and foils Dittu's plans a couple of times, upon which Dittu pesters Roy to become his mentor. Roy reluctantly accepts Dittu, a film buff.

One day, Roy starts experiencing blurring of eyes, unbearable headache and blackouts. Dr. Bhalerao diagnoses him with brain tumor and says he has only 3 months to live. Roy is shattered. He wants to reconcile with Simi, while she spurns him. When Roy sees her with somebody else, he resigns to his fate and turns his attention to Dittu. Dittu reveals that his father was a simple man who was conned of his life savings by a share market scam, apparently pulled by Chandru. Chandru is a whimsical but ruthless man. Roy decides to do use his skills for Dittu. When Roy sees a news footage about a robbery in a jewellery shop, Roy gets an idea to con Chandru.

Roy sends one of his men as police to Chandru to give him a list of serial numbers of all the notes stolen in the "heist" (which they have themselves printed). Then Roy and Dittu turn themselves up at Chandru's hotel as suspicious characters with lots of money. When Chandru is convinced that they are the thieves, he proposes to give them any amount for the stolen loot. They strike a deal with Chandru. They turn down the deal, which makes Chandru raise the price. Chandru privately arranges another deal with Roy: Roy gets full money if he kills Dittu. Roy apparently accepts the deal.

Meanwhile, Simi re-enters Roy's life after learning that he was indeed telling the truth about his condition. She has broken her marriage and wants to be with Roy in his last days. Their relationship blossoms again.She learns from Roy why he took up to being a conman. As per Chandru's deal Roy kills Dittu & tells Chandru to meet him in Maratha Mandir. It is revealed that Dittu is not dead, he has faked it as part of their con.

Chandru arrives with the money at the theatre as promised. But Dittu shows up behind them suddenly & shoots Roy to death, taking advantage of a shooting scene being shown. Dittu demands 5 crore rupees at gunpoint from Chandru. Chandru arranges the money to be delivered before the film ends. After the payment, Chandru returns back & Roy is shown to be alive. The con arranged by Roy & Dittu has been successfully executed. Unfortunately, Omar, a man conned earlier by Roy, has seen the whole thing.

When Roy & Dittu are celebrating, Omar confronts the duo. Roy suddenly faces one more blackout while Omar runs away with the money. Roy has never told Dittu about his condition. When Roy opens his eyes, he is in Dr.Bhalerao's hospital. He sees a pained look on Dittu's face who has learnt Roy's secret. Dr.Bhalerao tells Roy that his cure is possible abroad, but money is the problem. Roy withdraws all his life's savings. Suddenly, he gets a call from Simi. He answers, but hears the voice of Chandru.

Chandru threatens him that if he doesn't return the money, Simi will suffer. Roy heads towards the rendezvous location with Dittu. He instructs Dittu to forget whatever Roy has taught him & live rest of his life as a reformed man. He also tells that he will see to it that Simi comes down safely, upon which Dittu should escort her to safety. Roy comes on the top floor to meet an angry Chandru. Chandru leaves Simmi, but has a scuffle with Roy. He angrily pushes Roy from the roof.

Roy falls down, but instead of dying, ends up on an inflated plastic bed and survives. Confused, he turns towards people surrounding him, only to learn that they thought it was a film shoot. Roy tries to call everyone from Simi to Dittu and Chandru, but gets no response. Then he realizes that he has been elaborately conned. After learning that he has no brain tumour, he heads to a place where he thinks everybody would be present. As expected, he meets everybody and as Dittu gives real introduction of every partner, Roy is left amazed.

Dr. Bhalerao is actually a vet while Chandru is the script writer for all the drama (who in reality is afraid of smallest of the things). Roy learns that Dittu is actually Arjun a film-director, and is the son of the producer he had conned and that even Simi's second engagement was fake. Then, Dittu explains in detail how the whole operation was planned. After learning that it was Simi and Dittu's idea to teach him a lesson, Roy approaches and makes up with Simi.

Cast[link]

• Abhishek Bachchan as Roy Kapoor
• Priyanka Chopra as Simran Saxena aka Simi
• Ritesh Deshmukh as Aditya Srivastav aka Dittu
• Nana Patekar as Chandrakant Parekh aka Chandru
• Boman Irani as Dr. Bhalerao

Allusions[link]

• When Roy and Dittu attempt a con in a cinema hall, the movie playing is Ramesh Sippy's hit film Shaan. This film starred Abhishek Bachchan's father Amitabh Bachchan.
• The song Do Aur Do Paanch is originally from the film of the same name, which starred Amitabh Bachchan, the father of Abhishek, lead actor of this film.
• Majority of the background music of the film & some dialogues were taken straight away from various films of Sippy Productions.
• The film is based on the movies Criminal and Nine Queens.
• The movie bears many resemblances to the Hollywood film Matchstick Men, a Ridley Scott film starring Nicolas Cage. Interestingly Cage's name in Matchstick Men was Roy and Bachchan's name in Bluffmaster is Roy Kapoor.
• The movie is also inspired by the 1997 Michael Douglas film, The Game.

Soundtrack[link]

The soundtrack was released in 20 November 2005. The background score was done by Sameeruddin.

Track listing[link]

1. Sabse Bada Rupaiyya: Mehmood, Chetan, Saira Hussain, TrickBaby – 4:09
2. Say Na Say Na: Aneela, Robert Uhlmann, Arash – 3:16
3. Right Here Right Now: Abhishek Bachchan, Sunidhi Chauhan – 3:02
4. 9 Parts Of Desire: TrickBaby (Hussain, Ager) – 3:48
5. The Gateway Theme: Sameeruddin – 2:47
6. Boro Boro: Robert Uhlmann, Arash – 3:06
7. Do Aur Do Paanch: Kishore Kumar, Sameeruddin – 4:29
8. Indi-Yarn: TrickBaby (Hussain, Ager) – 3:58
9. Neela: TrickBaby (Hussain, Ager) – 3:06
10. Parde Ke Peechhe: Jaideep Sahni, TrickBaby (Hussain, Ager) – 3:37
11. Come Fishing (Bluffmaster Theme): Sammeruddin – 2:42
12. Right Here Right Now (Hip Hop Mix): Abhishek Bachchan, Sunidhi Chauhan – 3:43

Box office reception[link]

Bluffmaster! got some hard reviews. However, it was the third highest opening of the year 2005. The film was declared an average grosser at the box office.

References[link]

1. ^ "Box Office 2005". Boxofficeindia.com. http://www.boxofficeindia.com/showProd.php?itemCat=211. 

External links[link]

• Bluff Master at the Internet Movie Database

Abhishek Bachchan
Abhishek Bachchan in 2007
Born	(1976-02-05) 5 February 1976 (age 36) Mumbai, Maharashtra, India
Occupation	Actor, producer, television presenter
Years active	2000–present
Spouse	Aishwarya Rai (2007–present)
Children	Aaradhya Bachchan
Parents	Amitabh Bachchan Jaya Bachchan
Signature	150px

Abhishek Bachchan (born 5 February 1976 in Mumbai, Maharashtra) is an Indian actor and producer. He is the son of Indian actors Amitabh Bachchan and Jaya Bachchan and is married to actress and former Miss World Aishwarya Rai.

Bachchan debuted with J.P. Dutta's Refugee (2000), but it was not until 2004 that he achieved success when he appeared in the commercially successful Dhoom and the critically acclaimed Yuva. His work in Yuva received several awards, including his first Filmfare Award in the Best Supporting Actor category, an award he would win for the two next years as well. In 2010, he won his first National Film Award (as a producer) for Paa which won the award for Best Feature Film in Hindi. He has starred in films such as Bunty aur Babli, Guru, Sarkar and Dostana.

Early life[link]

Abhishek Bachchan is the son of Indian actor Amitabh Bachchan and actress Jaya Bachchan, his elder sister is Shweta Bachchan-Nanda (b. 1974). His grandfather, Harivansh Rai Bachchan, was a poet of Hindi literature and professor at the Allahabad University in Uttar Pradesh. The original last name of his family is Shrivastava, Bachchan being the pen name used by his grandfather. However, when his father Amitabh entered films, he did so under his father's pen name. Bachchan is of Kayastha heritage from his father's side,^[1] Bengali Kulin Brahmin from his mother's side^[2] and Punjabi Sikh from his grandmother's side.^[3]

Bachchan was dyslexic as a child.^[4] He attended Jamnabai Narsee School and Bombay Scottish School in Mumbai, Modern School, Vasant Vihar, New Delhi, and Aiglon College in Switzerland.^{[citation needed]} He then attended Boston University.^{[citation needed]}

Career[link]

In the year 2000, Bachchan began his career with J.P. Dutta's Refugee. The film performed moderately well at the box office and was the fifth highest grossing film of that year.^[5] Bachchan went on to do other films, including Kuch Naa Kaho and Bas Itna Sa Khwaab Hai, without much success.^[6]

Abhishek went on to give a string of 17 poorly received films^[7] but his performances in Main Prem Ki Diwani Hoon (2003)^[6][8] and Mani Ratnam's Yuva (2004) proved his mettle as an actor.^[9] The same year, he starred in Dhoom his first commercial hit.^[6] Earning over Rs. 55 crore (US $12 million), the film became one of the top-grossing Indian films of 2004.^[10] For his work in "Yuva", Bachchan was awarded his first Filmfare Award for Best Supporting Actor

In 2005, Bachchan shot to fame with four movies that did well commercially. He starred in Shaad Ali's Bunty Aur Babli opposite Rani Mukerji. The film was a critical and commercial success becoming one of the biggest hits of 2005.^[11] In July, he appeared in Sarkar was a success at the box office and was greeted very well by critics. His performance earned him another Filmfare Award for Best Supporting Actor. His third film was Dus was a commercial success. He starred in Rohan Sippy's Bluffmaster was a moderate success.^[12] He also received his first Filmfare nomination in the Best Actor category.

Bachchan's first 2006 release Kabhi Alvida Naa Kehna, became one of the biggest box office hits in India, earning Rs 458 million, and grossed over Rs 480 million abroad, the biggest Bollywood success of all-time in the overseas market up until then.^[13] He played the role of Rishi Talwar, a young man who lives in New York whose wife cheats on him with a family friend. His performance in the film earned him his third consecutive award for Best Supporting Actor at the Filmfare Awards. Bachchan's second release Umrao Jaan failed to do well at the box office, but his third film that year, Dhoom 2, did very well—although, as in the first Dhoom, critics noted that Hrithik Roshan, as the antagonist, stole the show.^[14] The film was generally well-received by both critics and the mass audience. It became the highest-grossing Indian film of 2006,^[15] and remains in the top ten on the list of highest-grossing Bollywood films in India.^[16]

In early 2007, Bachchan starred in Mani Ratnam's Guru. The film was a commercial success and his performance was acclaimed by critics and audiences, earning him his first nomination for the Filmfare Award for Best Actor.^[17] His next release of that year, Jhoom Barabar Jhoom, failed to do well in India^[18] but did better overseas, especially in the UK.^[19][20]

In 2008 he co-starred with wife Aishwarya Rai and father Amitabh Bachchan in Ram Gopal Verma's Sarkar Raj, the sequel of Sarkar. His next film Drona was critically and commercially a failure. Later the same year he starred in Karan Johar's romantic comedy Dostana opposite John Abraham and Priyanka Chopra.^[21] Bachchan and Abraham star as two men who pretend to be gay, so that they can rent an apartment from an older lady, and later fall in love with the same girl, who is the woman's niece. The film was a big success at the box office.^[22]

In 2009, Abhishek appeared in Rakeysh Omprakash Mehra's Delhi-6. The film opened to mixed reviews and received a poor financial profit.^[23] In the same year, Bachchan produced the Hindi film Paa for AB Corp. Ltd.^[24] The film is based on a rare genetic condition known as progeria and places emphasis on a father-son relationship. Abhishek played the father of his real-life father Amitabh, with Vidya Balan playing the mother. The film received positive reviews and won the National Film Award for Best Feature Film in Hindi.

In January 2010, Bachchan hosted a game show for Colors titled National Bingo Night.^[25][26] The debut episode fetched a 3.5 in the TV ratings.^[27] In 2010, he starred as the villain in Mani Ratnam's Raavan, alongside his wife Aishwarya. Rediff said the film had "great performances", but the film was generally a critical and commercial failure.^[28][29][30] In the same year, he appeared in Ashutosh Gowariker's Khelein Hum Jee Jaan Sey.^[31]

In April 2011, Abhishek starred in the action film Game directed by Abhinay Deo.^[32] Later in that month, he played the lead in Dum Maaro Dum, which opened to mostly positive reviews from critics. Bachchan's acting was highly appreciated in the movie and considered as one of the best roles of the year.^[33][34]

Abhishek Bachchan is working on releasing a hip hop album titled "Side B" in late 2011.^[35]

Other work[link]

In 2005, he was a part of Tamil director Mani Ratnam's stage show, Netru, Indru, Naalai, an event which sought to raise funds for The Banyan, a voluntary organisation which rehabilitates homeless women with mental illness in Chennai.^[36]

In the summer of 2008, Bachchan, his wife, his father, and actors Preity Zinta, Ritesh Deshmukh, and Madhuri Dixit starred in the "Unforgettable World Tour" stage production. The first leg covered the USA, Canada, Trinidad, and London, England. Bachchan is also involved in the functional and administrative operations of his father's company, originally known as ABCL, and rechristened as AB Corp. Ltd. That company, along with Wizcraft International Entertainment Pvt. Ltd., developed the Unforgettable production.^[37]

In 2011, Bachchan has promoted awareness of drug abuse in India as part of a citizen education campaign. The actor launched the Awareness Day race, which celebrated the silver jubilee of the country's Narcotics Control Bureau.^[38][39]

Personal life[link]

In October 2002, at Amitabh Bachchan's 60th birthday celebration, Abhishek and actress Karisma Kapoor announced their engagement.^[7] The engagement was called off in January 2003.

Bachchan and actress Aishwarya Rai announced their engagement on 14 January 2007.^[40] The couple was married on 20 April 2007, according to traditional Hindu rituals of the Bunt community, to which Rai belongs. The wedding took place in a private ceremony at the Bachchan residence, Prateeksha, in Juhu, Mumbai, but was heavily covered by the entertainment media. The couple appeared on The Oprah Winfrey Show on 28 September 2009.^[41] Rai gave birth to a baby girl on 16 November 2011.^[42] Their daughter's name is Aaradhya Bachchan.^[43]

Filmography[link]

Producer[link]

• 2011: Bbuddah... Hoga Tera Baap

See also[link]

• List of Indian Actors

References[link]

External links[link]

Wikimedia Commons has media related to: Abhishek Bachchan

• Abhishek Bachchan at the Internet Movie Database

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Lata Mangeshkar
Mangeshkar in 2008
Background information
Born	(1929-09-28) September 28, 1929 (age 82) Indore, Central India Agency, British India
Genres	Film music (playback singing)
Occupations	Singer
Instruments	Vocals
Years active	1942–present

Lata Mangeshkar (born September 28, 1929) is a singer from India. She is one of the best-known and most respected playback singers in India.^[1][2] Mangeshkar's career started in 1942 and has spanned over six and a half decades. She has recorded songs for over a thousand Hindi films and has sung songs in over thirty-six regional Indian languages and foreign languages, though primarily in Hindi. She is the elder sister of singer Asha Bhosle, Hridayanath Mangeshkar, Usha Mangeshkar and Meena Mangeshkar. She is the second vocalist to have ever been awarded the Bharat Ratna, India's highest civilian honour.^[3]

Mangeshkar was featured in the Guinness Book of World Records from 1974 to 1991 for having made the most recordings in the world. The claim was that she had recorded approximately 25,000 solo, duet, and chorus-backed songs in 20 Indian languages between 1948 to 1974. Over the years, while several sources have supported this claim, others have raised concerns over its veracity, claiming that this number was highly exaggerated and that Mangeshkar's younger sister, Asha Bhosle, had more song recordings than she had.^[4][5] In 2011 Guinness officially acknowledged Bhosle as the most recorded artist in music history.^[6]

Early life[link]

Lata Mangeshkar was born in Sikh Mohalla,^[7] in the princely state of Indore, part of the Central India Agency (now part of Madhya Pradesh). Her father, Pandit Deenanath Mangeshkar who belonged to a Gomantak Maratha Samaj family from Goa, was a classical singer and theater actor. Her mother Shevanti (Shudhamati) who was from Thalner, Maharashtra, was Deenanath's second wife. The family's last name used to be Hardikar; Deenanath changed it to Mangeshkar in order to identify his family with his native town, Mangeshi in Goa. Lata was named "Hema" at her birth. Her parents later renamed her Lata after a female character, Latika, in one of her father's plays, BhaawBandhan.^[8] Lata is the eldest child of her parents. Meena, Asha, Usha and Hridayanath are her siblings in sequence.

Mangeshkar took her first lessons from her father. At the age of five, she started to work as an actress in her father's musical plays (Sangeet Natak in Marathi). On the first day in the school, she started teaching songs to other children. When the teacher stopped her, she was so angry that she stopped going to the school.^[8] Other sources cite that she left school because they would not allow her to bring Asha with her, as she would often bring her younger sister with her.

Singing career[link]

Early career in the 1940s[link]

In 1942, when Mangeshkar was 13, her father died of heart disease. Master Vinayak (Vinayak Damodar Karnataki), the owner of Navyug Chitrapat movie company and a close friend of the Mangeshkar family, took care of them

Mangeshkar sang the song "Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari" which was composed by Sadashivrao Nevrekar for Vasant Joglekar's Marathi-language movie Kiti Hasaal (1942), but the song was dropped from the final cut. Vinayak gave her a small role in Navyug Chitrapat's Marathi movie Pahili Mangalaa-gaur (1942), in which she sang "Natali Chaitraachi Navalaai" which was composed by Dada Chandekar.^[8] Her first Hindi song was "Mata Ek Sapoot Ki Duniya Badal De Tu" for the Marathi film, Gajaabhaau (1943). Mangeshkar moved to Mumbai in 1945 when Master Vinayak's company moved its headquarters there. She started taking lessons in Hindustani classical music from Ustad Amanat Ali Khan . She sang “Paa Lagoon Kar Jori” for Vasant Joglekar's Hindi-language movie Aap Ki Seva Mein (1946),^[8] which was composed by Datta Davjekar. Mangeshkar and her sister Asha played minor roles in Vinayak's first Hindi-language movie, Badi Maa (1945). In that movie, Lata also sang a bhajan, “Maata Tere Charnon Mein.” She was introduced to music director Vasant Desai during the recording of Vinayak's second Hindi-language movie, Subhadra (1946).

Following the partition of India in 1947, Ustad Amanat Ali Khan migrated to newly formed Pakistan, so Mangeshkar started to learn classical music under Amanat Khan Devaswale. Pandit Tulsidas Sharma, a pupil of Ustad Bade Ghulam Ali Khan, also trained her.

After Vinayak's death in 1948, music director Ghulam Haider mentored her as a singer. Haider introduced Mangeshkar to producer Sashadhar Mukherjee, who was working then on the movie Shaheed (1948), but Mukherjee dismissed Mangeshkar's voice as "too thin."^[8] An annoyed Haider responded that in the coming years the producers and the directors would "fall at Lata's feet" and "beg her" to sing in their movies. Haider gave Lata her first major break with the song “Dil Mera Toda,” from the movie Majboor (1948).^[8]

Initially, Mangeshkar is said to have imitated the acclaimed singer Noor Jehan, but later she developed her own style of singing.^[8] Lyrics of songs in Hindi movies are primarily composed by Urdu poets and contain a higher proportion of Urdu words, including the dialogue. Actor Dilip Kumar once made a mildly disapproving remark about Mangeshkar's Maharashtrian accent while singing Hindi/Urdu songs; so for a period of time, Lata took lessons in Urdu from an Urdu teacher named Shafi.^[9]

One of her first major hits was “Aayega Aanewaala,” a song in the movie Mahal (1949), which was composed by music director Khemchand Prakash and lip-synced on screen by actress Madhubala.

1950s[link]

Mangeshkar as a young woman

In the 1950s, Mangeshkar sang songs composed by various music directors of the period, including Anil Biswas (in films such as Tarana and Heer), Shankar-Jaikishan, Naushad, S. D. Burman, C. Ramchandra, Hemant Kumar, Salil Chowdhury, Khayyam, Ravi, Sajjad Hussain, Roshan, Kalyanji-Anandji, Vasant Desai, Sudhir Phadke, Hansraj Behl, Madan Mohan, and Usha Khanna.

Mangeshkar sang many raga-based songs for Naushad in movies such as Baiju Bawra (1952), Mughal-E-Azam (1960), and Kohinoor (1960). Ae Chorre Ki Jaat Badi Bewafa, a duet with G. M. Durrani, was her first song for composer, Naushad. The duo, Shankar-Jaikishan, chose Mangeshkar for Aag, Aah (1953), Shree 420 (1955), and Chori Chori (1956). Before 1957, composer Sachin Dev (S. D.) Burman chose Mangeshkar as the leading female singer for his musical scores in Sazaa (1951), House No. 44 (1955), and Devdas (1955). However a rift developed between Lata and Burman in 1957, and Lata did not sing Burman's compositions again until 1962.^[8]

Mangeshkar won a Filmfare Best Female Playback Award for Salil Chowdhury's composition “Aaja Re Pardesi,” from Madhumati (1958). In the early fifties, Lata Mangeshkar's association with C. Ramchandra produced songs in movies such as Anarkali, Albela, Asha, Pehli Jhhalak, Shin Shinkai Bublaa Boo, Azad and Amardeep. For Madan Mohan, she performed for films like Adalat, Railway Platform, Dekh Kabira Roya and Chacha Zindabad.

1960s[link]

Mangeshkar's song "Pyar Kiya To Darna Kya" from Mughal-E-Azam (1960), composed by Naushad and picturized on Madhubala, still remains famous . The Hawaiian-themed number "Ajeeb Dastaan Hai Yeh" from Dil Apna Aur Preet Parai (1960) was composed by Shankar-Jaikishan and picturized on Meena Kumari.

In 1961, Mangeshkar recorded two popular bhajans, "Allah Tero Naam" and "Prabhu Tero Naam", for Burman's assistant, Jaidev. In 1962, she was awarded her second Filmfare Award for the song "Kahin Deep Jale Kahin Dil" from Bees Saal Baad, composed by Hemant Kumar.

On June 27, 1963, against the backdrop of the Sino-Indian War, Mangeshkar sang the patriotic song "Aye Mere Watan Ke Logo" (literally, "Oh, People of My Country") in the presence of Jawaharlal Nehru, the then Prime Minister of India. The song, composed by C. Ramchandra and written by Pradeep, is said to have brought the Prime Minister to tears.^[8][10]

In 1963, Mangeshkar returned to collaboration with S. D. Burman. She also sang for R. D. Burman's very first film Chhote Nawaab and later for his films such as Bhoot Bangla (1965), Pati Patni (1966), Baharon ke Sapne (1967) and Abhilasha (1969). She also recorded several popular songs for S. D. Burman, including "Aaj Phir Jeene Ki Tamanna Hai", "Gata Rahe Mera Dil" (duet with Kishore Kumar) and "Piya Tose" from Guide (1965), and "Hothon Pe Aisi Baat" from Jewel Thief (1967).

During the 1960s, Lata Mangeshkar continued her association with Madan Mohan which included the songs "Aap Ki Nazron Ne Samjha" from Anpadh (1962), "Lag Ja Gale" and "Naina Barse Rim Jhim" from Woh Kaun Thi? (1964), "Woh Chup Rahen To" from Jahan Ara (1964), and "Tu Jahan Jahan Chalega" from Mera Saaya (1966).

The 1960s also witnessed the beginning of Mangeshkar's association with Laxmikant-Pyarelal, the music directors for whom she sang the most popular songs in her career. She sang for Parasmani (1963) which was their first film together.

She also sang several playback songs for Marathi films, composed by Marathi music directors including Hridaynath Mangeshkar, Vasant Prabhu, Srinivas Khale, Sudhir Phadke and herself (under the name Anandghan). During the 1960s and 1970s, she also sang several Bengali songs, composed by music directors like Salil Chowdhury and Hemant Kumar.

In this period Lata Mangeshkar has recorded duets with Mukesh, Manna Dey, Mohammed Rafi, and Kishore Kumar.

1970s[link]

In 1972, Meena Kumari's last film, Pakeezah released. It featured popular songs including "Chalte Chalte" and "Inhi Logon Ne" sung by Lata Mangeshkar, and composed by Ghulam Mohammed. She recorded many popular songs for S. D. Burman's last films, including "Rangeela Re" from Prem Pujari (1970), "Khilte Hain Gul Yahaan" from Sharmeelee (1971), and "Piya Bina" from Abhimaan (1973).

Lata Mangeshkar's most notable songs in 1970s were composed by Laxmikant-Pyarelal (Laxmi-Pyare) and Rahul Dev Burman^{[citation needed]}. She recorded several songs composed by Laxmi-Pyare in 1960s and 1970s, many of them written by the lyricist Anand Bakshi. She also recorded many hit songs with Rahul Dev Burman in the films Amar Prem (1972), Caravan (1971), Kati Patang(1971), and Aandhi (1975). The two are noted for their songs with the lyricists Majrooh Sultanpuri, Anand Bakshi and Gulzar.

In 1973, she won the National Film Award for Best Female Playback Singer for the song "Beeti Na Bitai" from the film Parichay, composed by R. D. Burman, and written by Gulzar. In 1974, she sang her only Malayalam song "Kadali Chenkadali" for the film Nellu, composed by Salil Chowdhury, and written by Vayalar Ramavarma. In 1975, she again won the national award, this time for the song "Roothe Roothe Piya" from the film Kora Kagaz, composed by Kalyanji-Anandji.

From 1970s onwards, Lata Mangeshkar has also staged many concerts in India and abroad, including several charity concerts. Her first concert overseas was at the Royal Albert Hall, London, in 1974. She also released an album of Mirabai's bhajans, Chala Vaahi Des, composed by her brother Hridayanath Mangeshkar. Some of the bhajans in the album include "Saanware Rang Raachi" and "Ud Jaa Re Kaaga". In the early 70s, she released other non-film albums, such as her collection of Ghalib ghazals, an album of Marathi folk songs (koli-geete), an album of Ganesh aartis (all composed by her brother Hridaynath) and an album of abhangs of Sant Tukaram composed by Shrinivas Khale.

In late 1970s and early 1980s, she worked with the children of composers she had earlier worked with. Some of these composers included Rahul Dev Burman (son of Sachin Dev Burman), Rajesh Roshan (son of Roshan), Anu Malik (son of Sardar Malik), and Anand-Milind (sons of Chitragupt).

1980s onwards[link]

From 1980s onwards, Lata Mangeshkar worked with music directors including Shiv-Hari, Ram Laxman, and A. R. Rahman. She recorded some non-film songs, including ghazals with Jagjit Singh.

In 1990, Mangeshkar launched her own production house for Hindi movies which produced the Gulzar-directed movie Lekin.... She won her third National Film Award for Best Female Playback Singer for her rendition of the song "Yaara Sili Sili" from the film, which was composed by her brother Hridayanath. During the 1990s, she recorded with music directors including Jatin-Lalit and Nadeem-Shravan. She has sung for Rajshri Productions, including Maine Pyar Kiya (1989) and Hum Aapke Hain Koun..! (1994).

Mangeshkar has sung for almost all the Yash Chopra films and films from his production house Yash Raj Films at that time, including Chandni (1989), Lamhe (1991), Darr (1993), Yeh Dillagi (1994), Dilwale Dulhaniya Le Jayenge (1995), Dil To Pagal Hai (1997) and later on Mohabbatein (2000), Mujhse Dosti Karoge (2002) and Veer Zaara (2004).

A. R. Rahman recorded a few songs with Mangeshkar during this period, including "Jiya Jale" (Dil Se..), "Khamoshiyan Gungunane Lagin" (One Two Ka Four), "Ek Tu Hi Bharosa" (Pukar), "Pyaara Sa Gaon" (Zubeidaa), "Lukka chuppi" (Rang de Basanti) and "O Paalanhaare" (Lagaan). She made an appearance in the film Pukar singing this song.

In 1999, Lata Eau de Parfum, a perfume brand named after her, was launched.^[11]

In 1999, Mangeshkar was nominated as a member of Rajya Sabha.^[12] However, she did not attend the Rajya Sabha sessions regularly, inviting criticism from several members of the House, including the Deputy Chairperson Najma Heptullah, Pranab Mukherjee and Shabana Azmi.^[13][14] She stated the reason for her absence as ill-health; it was also reported that she had not taken a salary, allowance or a house in Delhi for being a Member of Parliament.^[13][15]

In 2001, Lata Mangeshkar was awarded Bharat Ratna, India's highest civilian honor. In the same year, she established the Master Deenanath Mangeshkar Hospital in Pune, managed by the Lata Mangeshkar Medical Foundation (founded by the Mangeshkar family in October 1989). In 2005, she designed a jewellery collection called Swaranjali, which was crafted by Adora, an Indian diamond export company. Five pieces from the collection raised £105,000 at a Christie's auction, and a part of the money was donated for the 2005 Pakistan earthquake relief.^[16] Also in 2001, she recorded her first Hindi song with the composer Ilaiyaraaja, for the film Lajja; she had earlier recorded Tamil and Telugu songs composed by Ilaiyaraaja.

Lata Mangeshkar's song "Wada Na Tod" is in the film Eternal Sunshine of the Spotless Mind (2004) and on the film's soundtrack.

On June 21, 2007, she released an album Saadgi, featuring eight ghazal-like songs written by Javed Akhtar and composed by Mayuresh Pai.^[17]

Lata Mangeshkar records songs for Madhur Bhandarkar Kitne Ajeeb Rishte Hain Yahan Par for Page 3 (2005), Daata Sun Le for Jail (2009) and, Kyun Yahan Hota Hai was recorded years ago for Corporate (2006), but is only being used in Heroine (2012).^{[18] [19]}

Non-singing career[link]

Music direction[link]

Lata Mangeshkar composed music for the first time in 1955 for Marathi movie Ram Ram Pavhane. Later in 1960s, she composed music for following Marathi movies under the pseudonym of Anand Ghan.^[20]

• 1960 - Ram Ram Pavhana
• 1963 - Maratha Tituka Melvava
• 1963 - Mohityanchi Manjula
• 1965 - Sadhi Manase
• 1969 - Tambadi Mati

She won Maharashtra State Government's Best Music Director Award for the film Sadhi Manase. The song "Airanichya Deva Tula" from the same film received best song award.^{[citation needed]}

Production[link]

Lata Mangeshkar has produced four films:

• 1953 - Vaadal (Marathi)
• 1953 - Jhaanjhar (Hindi), co-produced with C. Ramchandra
• 1955 - Kanchan (Hindi)
• 1990 - Lekin... (Hindi)

Awards and recognitions[link]

Lata Mangeshkar has won several awards and honors, including Bharat Ratna (India's Highest Civilian Award), Padma Bhushan (1969), Padma Vibhushan (1999), Dada Saheb Phalke Award (1989), Maharashtra Bhushan Award (1997),^[21] NTR National Award (1999), Bharat Ratna (2001), ANR National Award (2009), three National Film Awards, and 12 Bengal Film Journalists' Association Awards. She has also won four Filmfare Best Female Playback Awards. In 1969, she made the unusual gesture of giving up the Filmfare Best Female Playback Award, in order to promote fresh talent. She was later awarded Filmfare Lifetime Achievement Award in 1993.

In 1984, the State Government of Madhya Pradesh instituted the Lata Mangeshkar Award in honour of Lata Mangeshkar. The State Government of Maharashtra also instituted a Lata Mangeshkar Award in 1992.

In 1974, The Guinness Book of Records listed Lata Mangeshkar as the most recorded artist in the history, stating that she had reportedly recorded "not less than 25,000 solo, duet and chorus backed songs in 20 Indian languages" between 1948 and 1974. Her record was contested by Mohammed Rafi, who was claimed to have sung around 28,000 songs.^[4][22] After Rafi's death, in its 1984 edition, the Guinness Book of World Records stated Lata Mangeshkar's name for the "Most Recordings", but also stated Rafi's claim. The later editions of Guinness Book stated that Lata Mangeshkar had sung no fewer than 30,000 songs between 1948 and 1987.^[23]

Although the entry has not been printed in Guinness editions since 1991, several sources claim that she has recorded thousands of songs, with estimates ranging up to figures as large as 50,000.^[24][25] However, even the earliest Guinness claim of 25,000 songs (between 1948–1974) was claimed to be exaggerated by several other sources, with one of them stating that the number of songs sung by Lata Mangeshkar in Hindi films till 1991 was found to be 5250.^[26][27][28] Mangeshkar herself stated that she does not keep a record of the number of songs recorded by her, and that she did not know from where Guinness Book editors got their information.^[29] In 2011 Asha Bhosle was officially acknowledged by Guinness as the most recorded artist in music history, surpassing Mangeshkar.^[6]

See also[link]

• Playback singer
• Asha Bhosle
• List of Indian playback singers
• Bollywood songs

References[link]

Further reading[link]

• Bichu, Dr. Mandar (2011). Lata - Voice of the Golden Era. Popular Prakashan. ISBN 978-81-7991-625-4. 
• Bhimani, Harish (1995). In search of Lata Mangeshkar. Indus. ISBN 978-81-7223-170-5. 
• Bharatan, Raju (1995). Lata Mangeshkar: A Biography. UBS Publishers Distributors. ISBN 978-81-7476-023-4. 
• Kabir, Nasreen Munni (2009). Lata Mangeshkar: In Her Own Voice. Niyogi Books. ISBN 978-81-89738-41-9. 
• Lata, Mangeshkar (1995). Madhuvanti Sapre and Dinkar Gangal. ed (in Marathi). In search of Lata Mangeshkar. Harper Collins/Indus. ISBN 978-81-7223-170-5. . A collection of articles written by Lata Mangeshkar since 1952.
• Nerurkar, Vishwas (in Hindi). Lata Mangeshkar Gandhar Swaryatra (1945-1989). Mumbai: Vasanti P. Nerukar. .
• Bichhu, Mandar V. (1996) (in Hindi). Gaaye Lata, Gaaye Lata. Sharjah: Pallavi Prakashan. ISBN 978-81-7223-170-5. . A collection of articles written by Lata Mangeshkar since 1952.

External links[link]

Wikimedia Commons has media related to: Lata Mangeshkar

• Lata Mangeshkar at the Internet Movie Database

Awards for Lata Mangeshkar v t e Bharat Ratna laureates Sarvepalli Radhakrishnan (1954) C. Rajagopalachari (1954) C. V. Raman (1954) Bhagwan Das (1955) Mokshagundam Visvesvarayya (1955) Jawaharlal Nehru (1955) Govind Ballabh Pant (1957) Dhondo Keshav Karve (1958) Bidhan Chandra Roy (1961) Purushottam Das Tandon (1961) Dr. Rajendra Prasad (1962) Dr. Zakir Hussain (1963) Pandurang Vaman Kane (1963) Lal Bahadur Shastri (1966) Indira Gandhi (1971) V. V. Giri (1975) K. Kamaraj (1976) Mother Teresa (1980) Acharya Vinoba Bhave (1983) Khan Abdul Ghaffar Khan (1987) M. G. Ramachandran (1988) B. R. Ambedkar (1990) Nelson Mandela (1990) Rajiv Gandhi (1991) Sardar Vallabhbhai Patel (1991) Morarji Desai (1991) Abul Kalam Azad (1992) J. R. D. Tata (1992) Satyajit Ray (1992) A. P. J. Abdul Kalam (1997) Gulzarilal Nanda (1997) Aruna Asaf Ali (1997) M. S. Subbulakshmi (1998) Chidambaram Subramaniam (1998) Jayaprakash Narayan (1998) Ravi Shankar (1999) Amartya Sen (1999) Gopinath Bordoloi (1999) Lata Mangeshkar (2001) Bismillah Khan (2001) Bhimsen Joshi (2008) v t e Dadasaheb Phalke Award 1969–1980 Devika Rani Chaudhuri Roerich (1969) B. N. Sircar (1970) Prithviraj Kapoor (1971) Pankaj Mullick (1972) Ruby Myers (1973) Bommireddy Narasimha Reddy (1974) Dhirendranath Ganguly (1975) Kanan Devi (1976) Nitin Bose (1977) Rai Chand Boral (1978) Sohrab Modi (1979) Paidi Jairaj (1980) 1981–2000 Naushad Ali (1981) L. V. Prasad (1982) Durga Khote (1983) Satyajit Ray (1984) V. Shantaram (1985) Bommireddy Nagi Reddy (1986) Raj Kapoor (1987) Ashok Kumar (1988) Lata Mangeshkar (1989) Akkineni Nageswara Rao (1990) Bhalji Pendharkar (1991) Bhupen Hazarika (1992) Majrooh Sultanpuri (1993) Dilip Kumar (1994) Rajkumar (1995) Sivaji Ganesan (1996) Pradeep (1997) B. R. Chopra (1998) Hrishikesh Mukherjee (1999) Asha Bhosle (2000) 2001–present Yash Chopra (2001) Dev Anand (2002) Mrinal Sen (2003) Adoor Gopalakrishnan (2004) Shyam Benegal (2005) Tapan Sinha (2006) Manna Dey (2007) V. K. Murthy (2008) D. Ramanaidu (2009) K. Balachander (2010) Soumitra Chatterjee (2011) v t e National Film Award for Best Female Playback Singer 1968–1980 No Award (1968) P. Susheela (1969) K. B. Sundarambal (1970) Sandhya Mukherjee (1971) P. Susheela (1972) Lata Mangeshkar (1973) No Award (1974) Lata Mangeshkar (1975) Vani Jairam (1976) P. Susheela (1977) S. Janaki (1978) Chhaya Ganguly (1979) Vani Jairam (1980) 1981–2000 S. Janaki (1981) Asha Bhosle (1982) P. Susheela (1983) P. Susheela (1984) S. Janaki (1985) K. S. Chithra (1986) K. S. Chithra (1987) Asha Bhosle (1988) K. S. Chithra (1989) Anuradha Paudwal (1990) Lata Mangeshkar (1991) Vani Jairam (1992) S. Janaki (1993) Alka Yagnik (1994) Swarnalatha (1995) Anjali Marathe (1996) K. S. Chithra (1997) K. S. Chithra (1998) Alka Yagnik (1999) Jayshree Dasgupta (2000) 2001–present Bhavatharini Ilaiyaraaja (2001) Sadhana Sargam (2002) Shreya Ghoshal (2003) Tarali Sarma (2004) K. S. Chithra (2005) Shreya Ghoshal (2006) Arati Ankalikar-Tikekar (2007) Shreya Ghoshal (2008) Shreya Ghoshal (2009) Nilanjana Sarkar (2010) Rekha Bhardwaj (2011) Rupa Ganguly (2012) v t e Filmfare Award for Best Female Playback Singer 1959–1960 Lata Mangeshkar (1959) No Award (1960) 1961–1980 No Award (1961) No Award (1962) Lata Mangeshkar (1963) No Award (1964) No Award (1965) Lata Mangeshkar (1966) No Award (1967) Asha Bhosle (1968) Asha Bhosle (1969) Lata Mangeshkar (1970) Sharda (1971) Asha Bhosle (1972) Asha Bhosle (1973) Asha Bhosle (1974) Asha Bhosle (1975) Sulakshana Pandit (1976) Hemlata (1977) Preeti Sagar (1978) Asha Bhosle (1979) Vani Jairam (1980) 1981–2000 Nazia Hassan (1981) Parveen Sultana (1982) Salma Agha (1983) Aarti Mukherji (1984) Anupama Deshpande (1985) Anuradha Paudwal (1986) No Award (1987) No Award (1988) Alka Yagnik (1989) Sapna Mukherjee (1990) Anuradha Paudwal (1991) Anuradha Paudwal (1992) Anuradha Paudwal (1993) Alka Yagnik and Ila Arun (1994) Kavita Krishnamurthy (1995) Kavita Krishnamurthy (1996) Kavita Krishnamurthy (1997) Alka Yagnik (1998) Jaspinder Narula (1999) Alka Yagnik (2000) 2001–present Alka Yagnik (2001) Alka Yagnik (2002) Kavita Krishnamurthy and Shreya Ghoshal (2003) Shreya Ghoshal (2004) Alka Yagnik (2005) Alisha Chinai (2006) Sunidhi Chauhan (2007) Shreya Ghoshal (2008) Shreya Ghoshal (2009) Kavita Seth and Rekha Bhardwaj (2010) Mamta Sharma and Sunidhi Chauhan (2011) Rekha Bhardwaj and Usha Uthup (2012) v t e Filmfare Award for Lifetime Achievement 1991 – 2000 Amitabh Bachchan (1991) Dev Anand (1992) Dilip Kumar (1993) Lata Mangeshkar (1994) Shammi Kapoor & Waheeda Rehman (1995) Ashok Kumar, Sunil Dutt & Vyjayanthimala (1996) Dharmendra, Mumtaz & Pran(1997) Sharmila Tagore (1998) Manoj Kumar & Helen (1999) Vinod Khanna & Hema Malini (2000) 2001 – 2010 Feroz Khan & Asha Bhosle (2001) Gulzar & Asha Parekh (2002) Jeetendra (2003) Sulochana Latkar, Nirupa Roy & B.R. Chopra (2004) Rajesh Khanna (2005) Shabana Azmi (2006) Javed Akhtar & Jaya Bachchan (2007) Rishi Kapoor (2008) Bhanu Athaiya & Om Puri (2009) Shashi Kapoor & Khayyam (2010) 2011 - present Manna Dey (2011) Pyarelal & Aruna Irani (2012)