Mimes Jean and Brigitte Soubeyran

A mime artist (from Greek "μίμος"—mimos, "imitator, actor")^[1] is someone who uses mime as a theatrical medium or as a performance art, involving miming, or the acting out a story through body motions, without use of speech. In earlier times, in English, such a performer was referred to as a mummer. Miming is to be distinguished from silent comedy, in which the artist is a seamless character in a film or sketch.

The performance of pantomime originates at its earliest in Ancient Greece; the name is taken from a single masked dancer called Pantomimus, although performances were not necessarily silent. In Medieval Europe, early forms of mime such as mummer plays and later dumbshows evolved. In early nineteenth century Paris, Jean-Gaspard Deburau solidified the many attributes that we have come to know in modern times—the silent figure in whiteface.

Jacques Copeau, strongly influenced by Commedia dell'arte and Japanese Noh theatre, used masks in the training of his actors. Étienne Decroux, a pupil of his, was highly influenced by this and started exploring and developing the possibilities of mime and developed corporeal mime into a highly sculptural form, taking it outside of the realms of naturalism. Jacques Lecoq contributed significantly to the development of mime and physical theatre with his training methods.^[2]

In film[link]

Mime theatre on Place Georges-Pompidou, Paris 1987.

This unreferenced section requires citations to ensure verifiability.

Prior to the work of Étienne Decroux there was no major treatise on the art of mime, and so any recreation of mime as performed prior to the twentieth century is largely conjecture, based on interpretation of diverse sources. However, the twentieth century also brought a new medium into widespread usage: the motion picture.

The restrictions of early motion picture technology meant that stories had to be told with minimal dialogue, which was largely restricted to intertitles. This often demanded a highly stylized form of physical acting largely derived from the stage. Thus, mime played an important role in films prior to advent of talkies (films with sound or speech). The mimetic style of film acting was used to great effect in German Expressionist film.

Silent film comedians like Charlie Chaplin, Harold Lloyd and Buster Keaton learned the craft of mime in the theatre, but through film, they would have a profound influence on mimes working in live theatre even decades after their death. Indeed, Chaplin may be the most well-documented mime in history.

The famous French comedian, writer and director Jacques Tati achieved his initial popularity working as a mime, and indeed his later films had only minimal dialogue, relying instead on many subtle expertly choreographed visual gags. Tati, like Chaplin before him, would mime out the movements of every single character in his films and ask his actors to repeat them.

On stage and street[link]

Mime has been performed onstage, with Marcel Marceau and his character "Bip" being the most famous. Mime is also a popular art form in street theatre and busking. Traditionally, these sorts of performances involve the actor/actress wearing tight black and white clothing with white facial makeup. However, contemporary mimes often perform without whiteface. Similarly, while traditional mimes have been completely silent, contemporary mimes, while refraining from speaking, sometimes employ vocal sounds when they perform. Mime acts are often comical, but some can be very serious.

In literature[link]

Canadian author Michael Jacot's first novel, The Last Butterfly, tells the story of a mime artist in Nazi-occupied Europe who is forced by his oppressors to perform for a team of Red Cross observers.^[3] Nobel laureate Heinrich Böll's The Clown relates the downfall of a mime artist, Hans Schneir, who has descended into poverty and drunkenness after being abandoned by his beloved.^[4] Jacob Appel's Pushcart short-listed story, Coulrophobia, depicts the tragedy of a landlord whose marriage slowly collapses after he rents a spare apartment to an intrusive mime artist.^[5]

Greek and Roman mime[link]

This section requires expansion.

A Mime artist on the Ponte Sant'Angelo

The first recorded pantomime actor was Telestēs in the play Seven Against Thebes by Aeschylus. Tragic pantomime was developed by Puladēs of Kilikia; comic pantomime was developed by Bathullos of Alexandria.^[6]

The Roman emperor Trajan banished pantomimists; Caligula favored them; Marcus Aurelius made them priests of Apollo. Nero himself acted as a mime.^[7]

In non-Western theatre traditions[link]

While most of this article has treated mime as a constellation of related and historically linked Western theatre genres and performance techniques, analogous performances are evident in the theatrical traditions of other civilizations.

Classical Indian musical theatre, although often erroneously labeled a "dance," is a group of theatrical forms in which the performer presents a narrative via stylized gesture, an array of hand positions, and mime illusions to play different characters, actions, and landscapes. Recitation, music, and even percussive footwork sometimes accompany the performance. The Natya Shastra, an ancient treatise on theatre by Bharata Muni, mentions silent performance, or mukabhinaya.

In Kathakali, stories from Indian epics are told with facial expressions, hand signals and body motions. Performances are accompanied by songs narrating the story while the actors act out the scene, followed by actor detailing without background support of narrative song.

The Japanese Noh tradition has greatly influenced many contemporary mime and theatre practitioners including Jacques Copeau and Jacques Lecoq because of its use of mask work and highly physical performance style.

Butoh, though often referred to as a dance form, has been adopted by various theatre practitioners as well.

Notable mime artists[link]

See also[link]

• Corporeal mime
• Dumbshow
• Floating (dance)
• Liquid and digits
• Mummers Play
• Pantomime
• Popping
• Physical theatre
• Turfing

References[link]

External links[link]

Look up mime in Wiktionary, the free dictionary.

• World Mime Index
• Mime.info, The world of mime theatre. International mime theatre information, including a library, resources, performer contacts, and events calendar.
• MOVEO—International school of corporeal mime and physical theatre in Barcelona—centre for research, creation and training, moveo.cat
• International Theatre School Jacques Lecoq, ecole-jacqueslecoq.com
• London International School of Performing Arts, lispa.co.uk
• Innovo Conservatory of Physical Theatre, innovotheatre.com
• European Mime Index, European Network for the Promotion and Profiling of Visual Theatre

Mr. Bean is a British comedy television programme series of 14 half-hour episodes written by and starring Rowan Atkinson as the title character. Different episodes were also written by Robin Driscoll, Richard Curtis and one by Ben Elton. The pilot episode was broadcast on ITV on 1 January 1990, with the last television episode, "Goodnight Mr. Bean" broadcast on 31 October 1995.^[2] The final episode, "Hair by Mr. Bean of London", was a video exclusive released on 15 November 1995, but not broadcast in the UK until 2006.

Based on a character originally developed by Atkinson while he was studying for his master's degree at Oxford University, the series follows the exploits of Mr. Bean, described by Atkinson as "a child in a grown man's body", in solving various problems presented by everyday tasks and often causing disruption in the process.^[3] Bean rarely speaks, and the largely physical humour of the series is derived from his interactions with other people and his unusual solutions to situations. The series was influenced by physical performers such as Jacques Tati and comic actors from silent films.^[3]

During its five-year run, the series gained large UK audience figures, including 18.74 million for the 1991 episode "The Trouble With Mr. Bean".^[4] The series has been the recipient of a number of international awards, including the Rose d'Or. The show has been sold in 245 territories worldwide, and has inspired an animated cartoon spin-off and two feature films.^[5]

Origins and influences[link]

The character of Mr. Bean was developed while Atkinson was studying for his master's degree at Oxford University. A sketch featuring the character was performed at the Edinburgh Fringe in the early 1980s.^[6] A similar character called Robert Box, played by Atkinson, appeared in the one-off 1979 ITV sitcom Canned Laughter, which also featured routines used in the 1997 film Bean.^[7] In 1987, one of Mr. Bean's earliest appearances occurred at the "Just For Laughs" comedy festival in Montreal, Quebec, Canada. When programme co-ordinators were scheduling Atkinson into the festival program, Atkinson insisted that he perform on the French-speaking bill rather than the English-speaking program. Having no French dialogue in his act at all, program co-ordinators could not understand why Atkinson wanted to perform on the French bill. As it turned out, Atkinson's act at the festival was a test platform for the Mr. Bean character and Atkinson wanted to see how the silent character's physical comedy would fare on an international stage with a non-English speaking audience.^[8]

The name of the character was not decided until after the first programme had been produced, with a number of other vegetable-influenced names, such as "Mr. Cauliflower", being explored.^[9] Atkinson cited the earlier comedy character Monsieur Hulot, created by French comedian and director Jacques Tati, as an influence on the character.^[10] Stylistically, Mr. Bean is also very similar to early silent films, relying purely upon physical comedy, with Mr. Bean speaking very little dialogue (although like other live-action TV series of the time, it features a laugh track). This has allowed the series to be sold worldwide without any significant changes to dialogue.^[8][11]

Characters and recurring props[link]

Mr. Bean[link]

The title character, played by Rowan Atkinson, is a childish and selfish buffoon who brings various unusual schemes and contrivances to everyday tasks. He lives alone in his small flat in Highbury, and is almost always seen in his trademark tweed jacket and a skinny red tie. He also usually wears a digital calculator watch. Mr. Bean rarely speaks, and when he does, it is generally only a few mumbled words which are in a comically low-pitched voice. His first name (he names himself "Bean" to others) and profession, if any, are never mentioned. In the first film adaptation, "Mr." appears on his passport in the "first name" field, and he is shown employed as a guard at London's National Gallery.^[12] In Mr. Bean's Holiday, however, his name is listed on his passport as "Rowan", the actor's first name.^[13]

Mr. Bean often seems unaware of basic aspects of the way the world works, and the programme usually features his attempts at what would normally be considered simple tasks, such as going swimming, using a television set, redecorating or going to church. The humour largely comes from his original (and often absurd) solutions to problems and his total disregard for others when solving them, his pettiness, and occasional malevolence.

At the beginning of episode two onwards, Mr. Bean falls from the sky in a beam of light, accompanied by a choir singing Ecce homo qui est faba ("Behold the man who is a bean"). These opening sequences were initially in black and white in episodes 2 and 3, and were intended by the producers to show his status as an "ordinary man cast into the spotlight". However, later episodes showed Mr. Bean dropping from the night sky in a deserted London street, against the backdrop of St. Paul's Cathedral, perhaps suggesting Bean is an alien. At the end of episodes 3 and 6 he is also shown being sucked right back up into the sky in the respective background scenes (black scene in episode 3 and street scene in episode 6). Atkinson himself has acknowledged that Bean "has a slightly alien aspect to him".^[14] In the animated series (episode 38, "Double Trouble") he is taken inside a spacecraft with "aliens" who look exactly like him and even have their own plushy toys. In an obvious homage, the aliens send him back home in a beam of light similar to the opening of the original Mr. Bean series. Whether Mr. Bean himself is an extraterrestrial is not clear. Mr. Bean lives in Flat 2, 12 Arbour Road, London, England.^[15]

Teddy[link]

Teddy is Mr. Bean's teddy bear and perhaps Mr. Bean's best friend. The bear is a dark brown, knitted oddity with button eyes and sausage-shaped limbs, invariably ending up broken in half or in various other states of destruction and disfiguration. Although Teddy is inanimate, Mr. Bean often pretends it is alive. For example, when Mr. Bean hypnotises Teddy, he snaps his fingers and the bear's head falls backwards as if it has fallen asleep instantly (Bean used his finger to prop Teddy's head up). Mr. Bean behaves as if the bear is real, buying it a Christmas present or trying not to wake it in the mornings. The bear is often privy to Mr. Bean's various schemes and doubles as a dish cloth or paint brush in an emergency; it has been decapitated ("Mr. Bean in Room 426"), used Teddy as his paint brush ("Do-It-Yourself Mr. Bean") and shrunk in the wash ("Tee Off, Mr. Bean"). Teddy is also Mr. Bean's "pet" in "Hair by Mr. Bean of London" and is used to win a pet show. The Teddy that was used in filming sits in the windshield of the replica of Mr. Bean's mini that is on display at the National Motor Museum. Over the years, Teddy has undergone several changes. When it debuted on "The Trouble with Mr. Bean", it had a smaller head. Two episodes later, its head reached its current size, but its "eye" wasn't present until Bean placed gold thumb tacks on its face. The "eyes" have since been replaced with two small white buttons sewn over Teddy's face, giving it a distinct image.

Mr. Bean's car[link]

Rowan Atkinson demonstrating a famous scene from the Mr. Bean episode "Do-It-Yourself Mr. Bean" on a Mini at Goodwood Circuit in 2009

Mr. Bean's car, a British Leyland Mini 1000, developed a character of sorts over the series and was central to several antics, such as Mr. Bean getting dressed in it, driving while sitting in an armchair strapped to the roof or attempting to avoid a parking garage toll by driving out through the entrance.

At first, an orange 1969 BMC Mini MK II (registration RNT 996H) was Mr. Bean's vehicle, but this was destroyed in an off-screen crash at the end of the first episode. From then on, the car was a 1976 model (registration SLW 287R), applejack green in colour^[16] with a matte black bonnet. It made its first appearance in "The Curse of Mr. Bean".

The Mini also had a number of innovative security measures, for example Bean uses a bolt-latch and padlock, rather than the lock fitted to the car, and removes the steering wheel instead of the key. These formed a running joke in several episodes, at one point deterring a car thief. The car, confused with another demonstration car of exactly the same model and colours (but no padlock) (registration ACW 497V), was crushed by a tank in "Back to School, Mr. Bean", but returned in later episodes, perhaps having actually been the identical demonstration car from that point on.

Mr. Bean has a long-running feud with the unseen driver of a light blue Reliant Regal Supervan III (registration GRA 26K), which will usually get turned over, crashed out of its parking space and so forth. This conflict originated in the first episode, when the Reliant's driver held the Mini up on the way to a mathematics exam, and subsequently became a running joke throughout the series.

Both the Mini and the Reliant re-appeared as characters in the animated Mr. Bean cartoons, and in the film Mr. Bean's Holiday, yet another Mini, registration YGL 572T, appears. Also seen is a left hand drive version of his Mini, owned by the character Sabine which has a French registration.(registration 207 UHO 75). For the 1997 feature film a sequence involving the Mini driving through Harrod's Department Store was shot, but this was not included in the final cut.^[17][18] In the animated series, his Mini's registration plate number is STE 952R.

After filming ended, the original Mini used in filming was sold to Kariker Kars to be hired for various events. It was then temporarily displayed as a major attraction at the Rover Group's museum. In 1997, it was purchased by the Cars of the Stars Motor Museum and is now on display at the National Motor Museum, Beaulieu.^[19]

Irma Gobb[link]

Mr. Bean's "girlfriend", Irma Gobb, played by Matilda Ziegler, appeared in a number of episodes. She is treated relatively inconsiderately by Bean, who appears to regard her more as a friend and companion than a love interest. However, he does become jealous when she dances with another man at a disco in "Mr. Bean Goes to Town", and she certainly expects him to propose to her on Christmas Day in "Merry Christmas, Mr. Bean", with his failure to do so resulting in her leaving him for good (she does not appear in any subsequent episodes). The character later appeared in the animated series. The spin-off book Mr. Bean's Diary (1993) states that Mr. Bean met Irma Gobb at a local library.^[20]

Prior to the episode Merry Christmas Mr. Bean, Irma's name is not revealed. In "The Curse of Mr. Bean" and "Mr. Bean Goes to Town," the character is credited as "the girlfriend."

Other characters[link]

Although Mr. Bean is the only significant human character in the programme, others appear, usually as foils for his various antics. Other than his girlfriend, Mr. Bean's only friends appear to be Hubert and Rupert, who appear as Bean's New Year's party guests in the episode "Do-It-Yourself, Mr. Bean" (although they altered his living room clock and fled to the party in the flat opposite, gaining real friends in the process) and Robin Driscoll appears in many episodes as various characters. However, several notable British actors and comedians appear alongside Atkinson in sketches as various one-off supporting characters, including Richard Briers, Angus Deayton, Nick Hancock, Paul Bown, Caroline Quentin, Danny La Rue, Roger Lloyd Pack, David Schneider and Richard Wilson.^[21]

Production and broadcast[link]

The programme was produced by Tiger Television (later Tiger Aspect Productions) for Thames Television from 1990 to 1992 and for Central Independent Television from 1993 to 1995. Rather than being shown as a series, each episode of Mr. Bean was produced individually, and broadcast at intermittent intervals on the ITV network in the United Kingdom across six years, often around New Year. The episode "Hair by Mr. Bean of London" has not been broadcast on ITV, but was instead reserved for video release. After its original run it has been shown repeatedly on PBS and satellite channels such as Telemundo in the United States, CBC in Canada, TV1 in Australia, TVB in Hong Kong, Nickelodeon, Comedy Central and ITV3 in the UK, Disney Channel Asia in Southeast Asia, TV3 in Malaysia, MediaCorp TV Channel 5 in Singapore and RCTI in Indonesia.^[22] Digital channel ITV3 began rebroadcasting the series on 5 January 2010, and again on 24 May 2010. In Pakistan it has been aired on a number of channels such as Cartoon Network, Starlite TV, Raavi and on Syndicated Networks as well.

The record-selling UK videos were withdrawn shortly before the release of Bean, and DVDs were released on an annual basis as of 2004.

Episode guide[link]

Music[link]

Mr. Bean features a choral theme tune written by Howard Goodall and performed by the Choir of Southwark Cathedral (later Christ Church Cathedral, Oxford). The words sung during the title sequences are in Latin:

• Ecce homo qui est faba – "Behold the man who is a bean" (sung at beginning)
• Finis partis primae – "End of part one" (sung before the advertisement break)
• Pars secunda – "Part two" (sung after the advertisement break)
• Vale homo qui est faba – "Farewell, man who is a bean" (sung at end)

The theme was later released on Goodall's album Choral Works. Goodall also wrote an accompanying music track for many episodes. The first episode of Mr. Bean did not feature the choral theme tune, but instead an up-beat instrumental piece, also composed by Howard Goodall, which was more an incidental tune than a theme. It was used while Bean drove between locations intimidating the blue Reliant, and as such, was sometimes heard in later episodes whenever Bean's nemesis is seen.

In the episode "Tee Off, Mr. Bean" Howard Goodall's choral theme tune for another Richard Curtis comedy, The Vicar of Dibley, is heard playing on a car stereo. In Merry Christmas, Mr. Bean., while playing with Queen's Royal Guards figurines and the nativity set, he hums "The British Grenadiers", which was quoted in the theme to Blackadder Goes Forth.^[23]

Mr. Bean appears in a music video made for the 1991 Comic Relief fund raising single by Hale and Pace called The Stonk.^[24] Mr. Bean also appeared in the music video for Boyzone's single Picture Of You in 1997.^[25] The song featured on the soundtrack to the first Bean movie.

Mr Bean also made a Comic Relief record in 1992. This was (I Want To Be) Elected and was credited to "Mr Bean and Smear Campaign featuring Bruce Dickinson". This was a cover of an Alice Cooper song and reached number 9 in the UK singles chart.^[26]

Awards[link]

The first episode won the Golden Rose, as well as two other major prizes at the 1991 Rose d'Or Light Entertainment Festival in Montreux.^[27] In the UK, the episode "The Curse of Mr. Bean" was nominated for a number of BAFTA awards; "Best Light Entertainment Programme" in 1991, "Best Comedy" (Programme or Series) in 1991, and Atkinson was nominated three times for "Best Light Entertainment Performance" in 1991 and 1994.^[28]

Spin-offs[link]

The animated series[link]

Bean was revived in a 2002–2004 animated cartoon series, again featuring little dialogue, with most being either little soundbites or mumbling. The series, which consist of 26 episodes (with 2 segments each), expanded the number of additional characters, featuring Bean's unpleasant landlady, Mrs. Wicket, and her evil one-eyed cat, Scrapper. Atkinson provided the voice for Bean, and all of the animated Bean actions are taken from Atkinson himself. Other characters' voices are provided by Jon Glover, Rupert Degas, Gary Martin and Lorelei King.^[29] A video game based on the Animated series was released on 14 December 2007 and was a third person platformer. The games were released on PAL only for PS2, Nintendo DS, and Wii (called Mr. Bean's Wacky World).

Film adaptations[link]

Two films featuring Bean have been released. The first, Bean: The Ultimate Disaster Movie was directed by Mel Smith and released in 1997. This broke from the programme's tradition by using a subplot with more developed characters – instead of being the sole centre of attention, Bean here interacted with a suburban Californian family he stayed with while overseeing the transfer of Whistler's Mother to a Los Angeles art gallery. The film grossed over US$250 million globally ($45 million in the USA)^[30] on a budget estimated at $22 million.^[31]

News broke out in March 2005 that a second Bean film, Mr. Bean's Holiday was in development, with Atkinson returning in the title role. The film had been through several changes of name during its development, including Bean 2 and French Bean.^[32] Filming began on 15 May 2006 and began post-production in October 2006. It was released in the UK on 30 March 2007. On 17 July 2007, the North American premiere was held in Montreal, Quebec, Canada, at the Just For Laughs festival; the launching pad for the Mr. Bean character 20 years earlier.^[8] The film was then released nationwide in North America on 24 August 2007. The film follows Bean on an eventful journey across France for a holiday in the French Riviera, which after a number of misfortunes culminates in an unscheduled screening of his video diary at the Cannes Film Festival. It was directed by Steve Bendelack and, according to Atkinson, is the last appearance of Bean.^[33] It grossed nearly US$230 million globally ($33 million in the USA).^[34]

Books[link]

Two books were released related to the original series: Mr. Bean's Diary in 1991 and Mr. Bean's Pocket Diary in 1994. The two books have identical content and differ only in the format in which they are printed. The content of both is a template diary with handwritten content scrawled in by Mr. Bean. They provide some additional information on the setting: for example, they establish that Mr. Bean lives in Highbury and rents his flat from a landlady named Mrs. Wicket. They confirm the name of Mr. Bean's girlfriend as "Irma Gobb", and also give the name of the other man she actually dances with in Mr. Bean Goes to Town (Giles Gummer). An additional book called Mr. Bean's Diary was released in 2002 to accompany the animated series; this book was also graded as a children's reader.

Video and DVD releases[link]

The series was available on a number of Thames Television VHS compilations. In the United Kingdom (Region 2), episodes of Mr. Bean were released on a yearly basis by Universal Pictures UK from 2004. The complete collection is now available, including the two feature films and other extras. In the United States (Region 1), the complete series has been available since 2003 on A&E Home Video as "The Whole Bean".

In August 2009 an official YouTube channel was launched featuring content from the live action and animated series.^[35]

DVD format[link]

Volumes

Best of Mr. Bean

VHS format[link]

Popular culture[link]

The sale of Mr Bean worldwide has enabled his character to secure a place in the popular culture of several countries. Notably, a number of public figures have been compared to the character, usually as an insult. Tony Blair, then-Prime Minister of the United Kingdom was identified by Homer Simpson as "Mr. Bean" when his cartoon form greeted the Simpsons to the United Kingdom in an episode of the eponymous programme, allegedly demonstrating the stereotypical view of the British by Americans.^[36]

Arthur Batchelor, one of the Royal Navy captives held by Iran during the 2007 Iranian seizure of Royal Navy personnel, has stated that some of his captors had mocked him calling him "Mr. Bean".^[37] NRL Referee Sean Hampstead is regularly nicknamed "Mr. Bean" in nationally broadcast commentary by Australian television/radio personality Ray Warren as a result of his similar appearance. In 2007, Vincent Cable, the acting leader of the Liberal Democrats, described the recent decline in Prime Minister Gordon Brown's fortunes as his "remarkable transformation in the last few weeks from Stalin to Mr. Bean".^[38] The Spanish Prime Minister José Luis Rodríguez Zapatero is often mocked in his own country for his facial resemblance to Mr. Bean, and a computer hacker broke into Spain's official website for its presidency of the European Union, inserting the character on the front page of the website. Satirists have also compared Zapatero to Mr. Bean when discussing government policies that are deemed to have been unsuccessful.^[39]

Several of the visual jokes in the series have been used as experiments on the Discovery Channel's MythBusters series. In episode 52 – "Mind Control", the idea of painting a room with a stick of explosives (Firework, or other) placed in a paint can, as in the episode "Do-It-Yourself, Mr. Bean", was tested and deemed impossible, as adequate coverage was not achieved.^[40]

An image of Mr. Bean has also been used as an internet meme usually accompanied by the statement, "if you know what I mean."^{[citation needed]}

Though Rowan Atkinson is not typecast to characters like Mr. Bean, he has played similar characters in other works, such as Enrico in the 2001 film Rat Race.

In Tetsuo Hara and Buronson's manga Souten no Ken, a parody of Mr. Bean can be found in a minor character appearing in chapter 45, contained in vol. 5. In it, a barman identical to Mr. Bean tends the main character Kenshiro Kasumi, for comic relief.^[41]

In the videogame Resident Evil 2, during the opening sequence in the streets of Raccoon City, Mr. Bean's British Leyland Mini 1000 can be seen parked against a barricade.

See also[link]

• List of films based on British sitcoms
• Uncle Max
• Jacques Tati
• Ernest P. Worrell

References[link]

External links[link]

• Official Mr. Bean website
• Mr. Bean at the Internet Movie Database
• Mr. Bean at TV.com
• Mr. Bean: The Animated Series at the Internet Movie Database
• Bean: The Ultimate Disaster Movie at the Internet Movie Database
• Mr. Bean's Holiday at the Internet Movie Database
• Filming locations from Mr Bean

v t e Richard Curtis Screenplays The Tall Guy (1989) Four Weddings and a Funeral (1994) Bean (1997) Notting Hill (1999) Bridget Jones's Diary (2001) Love Actually (2003) Bridget Jones: The Edge of Reason (2004) The Boat That Rocked (2009) War Horse (2011) Director Love Actually (2003) The Boat That Rocked (2009) Producer Four Weddings and a Funeral (1994) Bean (1997) Notting Hill (1999) Sixty Six (2006) Mr. Bean's Holiday (2007) The Boat That Rocked (2009) Television Not the Nine O'Clock News (1979–1982) The Black Adder (1983) Spitting Image (1984–1985) Blackadder II (1986) Blackadder the Third (1987) Blackadder Goes Forth (1989) Mr. Bean (1990–1995) Bernard and the Genie (1991) The Vicar of Dibley (1994–2007) Doctor Who and the Curse of Fatal Death (1999) Blackadder: Back & Forth (1999) The Girl in the Café (2005) Casualty (2007) The No. 1 Ladies' Detective Agency (2008) Doctor Who: "Vincent and the Doctor" (2010) Other works Comic Relief The Atkinson People (1979) Dead on Time (1983) No Pressure (2010)

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Sir Charlie Chaplin
Chaplin as The Tramp, 1915
Birth name	Charles Spencer Chaplin
Born	(1889-04-16)16 April 1889 Walworth, London, England, United Kingdom
Died	25 December 1977(1977-12-25) (aged 88) Vevey, Switzerland
Medium	Film, music, mimicry
Nationality	British
Years active	1895–1976[1]
Genres	Slapstick, mime, visual comedy
Influenced	Benny Hill Marcel Marceau The Three Stooges Federico Fellini Milton Berle Peter Sellers Rowan Atkinson Johnny Depp Jacques Tati Woody Allen
Spouse	Mildred Harris (m. 1918–1921) «start: (1918)–end+1: (1922)»"Marriage: Mildred Harris to Charlie Chaplin" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Charlie_Chaplin) 1 child Lita Grey (m. 1924–1927) «start: (1924)–end+1: (1928)»"Marriage: Lita Grey to Charlie Chaplin" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Charlie_Chaplin) 2 children Paulette Goddard (m. 1936–1942) «start: (1936)–end+1: (1943)»"Marriage: Paulette Goddard to Charlie Chaplin" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Charlie_Chaplin) Oona O'Neill (m. 1943–1977) «start: (1943)–end+1: (1978)»"Marriage: Oona O'Neill to Charlie Chaplin" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Charlie_Chaplin) 8 children
Signature

Sir Charles Spencer "Charlie" Chaplin, KBE (16 April 1889 – 25 December 1977) was an English comic actor, film director and composer best known for his work during the silent film era.^[2] He became the most famous film star in the world before the end of World War I. Chaplin used mime, slapstick and other visual comedy routines, and continued well into the era of the talkies, though his films decreased in frequency from the end of the 1920s. His most famous role was that of The Tramp, which he first played in the Keystone comedy Kid Auto Races at Venice in 1914.^[3] From the April 1914 one-reeler Twenty Minutes of Love onwards he was writing and directing most of his films, by 1916 he was also producing them, and from 1918 he was even composing the music for them. With Mary Pickford, Douglas Fairbanks and D. W. Griffith, he co-founded United Artists in 1919.^[4]

Chaplin was one of the most creative and influential personalities of the silent-film era. He was influenced by his predecessor, the French silent film comedian Max Linder, to whom he dedicated one of his films.^[5] His working life in entertainment spanned over 75 years, from the Victorian stage and the music hall in the United Kingdom as a child performer, until close to his death at the age of 88. His high-profile public and private life encompassed both adulation and controversy. Chaplin was identified with left-wing politics during the McCarthy era and he was ultimately forced to resettle in Europe from 1952.

In 1999, the American Film Institute ranked Chaplin the 10th greatest male screen legend of all time.^[6] In 2008, Martin Sieff, in a review of the book Chaplin: A Life, wrote: "Chaplin was not just 'big', he was gigantic. In 1915, he burst onto a war-torn world bringing it the gift of comedy, laughter and relief while it was tearing itself apart through World War I. Over the next 25 years, through the Great Depression and the rise of Adolf Hitler, he stayed on the job. ... It is doubtful any individual has ever given more entertainment, pleasure and relief to so many human beings when they needed it the most".^[7] George Bernard Shaw called Chaplin "the only genius to come out of the movie industry".^[8]

Early years (1889–1913)[link]

Background and childhood hardship[link]

Charles Spencer Chaplin was born on 16 April 1889 to Hannah Chaplin (née Hannah Harriet Pedlingham Hill, 1865–1928) and Charles Chaplin Sr. (1863–1901). There is no official record of his birth, although Chaplin believed he was born at East Street, Walworth, in South London.^{[9][note 1]} His mother and father had married four years previously, at which time Chaplin Sr. became the legal carer of Hannah's illegitimate son, Sydney John (1885–1965).^{[12][note 2]} At the time of his birth, Chaplin's parents were both entertainers in the music hall tradition: Hannah, the daughter of a shoemaker,^[13] had a brief and unsuccessful career under the stage name Lily Harley,^[14] while Charles Sr., a butcher's son,^[15] worked as a popular singer.^[16] The Chaplins became estranged in around 1891;^[17] a year later, Hannah gave birth to a third son—George Wheeler Dryden—fathered by music hall entertainer Leo Dryden. The child was taken by Dryden at six months old, and did not re-enter Chaplin's life for 30 years.^[18]

Chaplin's childhood was fraught with poverty and hardship, prompting biographer David Robinson to describe his eventual trajectory as "the most dramatic of all the rags to riches stories ever told."^[19] His early years were spent with his mother and brother in the London district of Kennington; Hannah had no means of income, other than occasional nursing and dressmaking, and Chaplin Sr. provided no support for his sons.^[20] Because of this poverty, Chaplin was sent to a workhouse at seven years old. The council housed him at the Central London District School for paupers, which Chaplin remembered as "a forlorn existence".^[21] He was briefly reunited with his mother at nine years old, before Hannah was forced to readmit her family to the workhouse in July 1898. The boys were promptly sent to Norwood Schools, another charity institution.^[22]

In September 1898, Hannah Chaplin was committed to Cane Hill mental asylum—she had developed a psychosis seemingly brought on by malnutrition and an infection of syphilis.^[24] Chaplin recalled his anguish at the news: "Why had she done this? Mother, so light-hearted and gay, how could she go insane?"^[25] For the two months she was there, Chaplin and his brother were sent to live with their father, whom the young boy scarcely knew.^[26] Charles Chaplin Sr. was by then a severe alcoholic, and life with the man was bad enough to provoke a visit from the National Society for the Prevention of Cruelty to Children.^[27] He died two years later, at 37 years old, from cirrhosis of the liver.^[28]

Hannah Chaplin entered a period of remission, but in May 1903 became ill again. Chaplin, then 14, had the task of taking his mother to the infirmary.^[29] He lived alone for several days, searching for food and occasionally sleeping rough, until his brother Sydney returned from the navy.^[30] Hannah Chaplin was released from the asylum eight months later,^[31] but in March 1905 her madness returned, this time permanently. "There was nothing we could do but accept poor mother's fate", Chaplin later wrote, and she remained in care until her death in 1928.^[32]

Young performer[link]

Chaplin's first stage appearance came at five years old, when he took over from his mother one night in Aldershot. Hannah had been booed off stage, and the manager chose Chaplin, who was standing in the wings, to go on as her replacement. The young boy confidently entertained the crowd, and received laughter and applause.^[33] It was an isolated performance, but at nine years old Chaplin became interested in the theatre. He credited his mother, later writing "[she] imbued me with the feeling that I had some sort of talent."^[34] Through his father's connections, Chaplin became a member of The Eight Lancashire Lads clog dancing troupe.^[35] He began his professional career in this way, as the group toured English music halls from 1899 to 1902.^[36] Chaplin worked hard and the act was popular with audiences, but dancing did not satisfy the child and he dreamt of forming a comedy act.^[37]

By age 13 Chaplin had fully abandoned education.^{[39][note 3]} He supported himself with a range of jobs, but said he "never lost sight of my ultimate aim to become an actor."^[41] At 14, shortly after his mother's relapse, he registered with a theatrical agency in London's West End. The manager sensed potential in Chaplin and he was soon on the stage.^[42] His first role was a newsboy in H. A. Saintsbury's Jim, a Romance of Cockayne. It opened in July 1903 in Kingston upon Thames, but the show was unsuccessful and it closed after two weeks. Chaplin's comic performance, however, was singled out for praise in many of the reviews.^[43] From October 1903 to June 1904, Chaplin toured with Saintsbury in Charles Frohman's production of Sherlock Holmes.^[44] He repeated his performance of Billy the pageboy for two subsequent tours,^[45] and was so successful that he was called to London to play the role alongside William Gillette, the original Holmes.^{[note 4]} "It was like tidings from heaven", Chaplin recalled.^[47] Chaplin starred in the West End production at the Duke of York's Theatre from 17 October to 2 December 1905.^[48] He completed one final tour of Sherlock Holmes in early 1906, eventually leaving the play after more than two and a half years.^[49]