There is vast consensus among physicists that our universe started with a Big Bang from a state of gravitational singularity. The origins of that singularity remain unclear.

Cosmogony (or cosmogeny) is any scientific theory concerning the coming into existence, or origin, of the cosmos or universe, or about how what sentient beings perceive as "reality" came to be. The word comes from the Greek κοσμογονία or κοσμογενία (from κόσμος - "cosmos", "the world") and the root of γί(γ)νομαι / γέγονα ("to be born, come about"). In astronomy, cosmogony refers to the study of the origin of particular astrophysical objects or systems, and is most commonly used in reference to the origin of the solar system.^[1][2]

The Big Bang theory is the prevailing cosmological model of the early development of the universe.^[3] The most commonly held view is that the universe was once a gravitational singularity, which expanded extremely rapidly from its hot and dense state. While this expansion is well-modeled by the Big Bang theory, the origins of the singularity remains one of the unsolved problems in physics.

One problem is that there is currently no theoretical model that explains the earliest moments of the universe's existence (during the Planck time) because of a lack of a testable theory of quantum gravity. Researchers in string theory and its extensions (for example, M theory), and of loop quantum cosmology, have nevertheless proposed solutions. Another issue facing the field of particle physics is a need for more expensive and technologically advanced particle accelerators to test proposed theories (for example, that the universe was caused by colliding membranes).

Developing a complete theoretical model has implications in both the philosophy of science and epistemology. For example, it would clarify the meaningful ways in which people can ask the question "why do we exist?".

Cosmogony compared with cosmology[link]

Cosmogony can be distinguished from cosmology, which studies the universe at large and throughout its existence, and which technically does not inquire directly into the source of its origins. There is some ambiguity between the two terms. For example, the cosmological argument from theology regarding the existence of God is technically an appeal to cosmogonical rather than cosmological ideas. In practice, there is a scientific distinction between cosmological and cosmogonical ideas. Physical cosmology is the science that attempts to explain all observations relevant to the development and characteristics of the universe as a whole. Questions regarding why the universe behaves in such a way have been described by physicists and cosmologists as being extra-scientific (i.e. metaphysical), though speculations are made from a variety of perspectives that include extrapolation of scientific theories to untested regimes (i.e. at Planck scales), and philosophical or religious ideas.

Epistemological limitations to cosmogony[link]

The assumptions of naturalism that underlie the scientific method have led some scientists - especially observationalists - to question whether the ultimate reason or source for the universe to exist can be answered in a scientific fashion. In particular, the principle of sufficient reason seems to indicate that there should be such an explanation, but whether a satisfactory explanation can be obtained through scientific inquiry is debatable. A scientific examination of cosmogony using existing physical models would face many challenges. For example, equations used to develop models of the origin do not in themselves explain how the conditions of the universe that the equations model came to be in the first place.

Theistic explanations for origins implicate one or more supernatural immortal beings as the first cause, although these are often dismissed as God of the gaps-type fallacies or arguments from ignorance. Such explanations tend to provide no explanation for the existence of the deity, which can be interpreted as simply replacing one existence question with another that a priori cannot be answered. Nondual explanations, by contrast, state that the very question is misleading since it contains erroneous assumptions of beginnings, endings, and the nature of existence itself, and consider the visible universe as phenomenology.

As a result of this, scientific cosmogonies are sometimes supplemented by reference to metaphysical and theistic belief systems. The problem can be summarised as three classical paradoxes. These paradoxes - discussed by both Kierkegaard and Leibniz - are:

1. reconciling a doctrine of causation (similar to the 13th century proof of God posed by Thomas Aquinas);
2. reconciling the conservation laws ("something from nothing");
3. reconciling issues of temporal (as in Zeno's paradoxes) and logical regression.

However, some of the metaphysical principles used to formulate these classical paradoxes no longer enjoy an unchallenged status as laws of thought. For instance, quantum mechanics gives an independent motivation to challenge the principle of sufficient reason.

Theoretical scenarios[link]

Scientists have only early ideas of the young universe (or its beginning, for those who postulate that it had one). As of 2011, no accelerator experiments probe energies of sufficient magnitude to provide any experimental insight into the behavior of matter at the energy levels that prevailed during this period. Therefore, further technological and conceptual advances are needed to test aspects of these theories. Proposed scenarios differ radically, and include String theory and M theory, the Hartle–Hawking initial state, string landscape, brane inflation, and the ekpyrotic universe. Some of these models are mutually compatible, while others are not. The Big Bounce is a theoretical scientific model of the formation of the known universe. It is implied by the cyclic model/oscillatory universe interpretation of the Big Bang, where the "first" cosmological event was the ultimate result of the collapse of a previous universe.^[5]

Planck time limitations to cosmogony[link]

This section may stray from the topic of the article into the topic of another article, Quantum cosmology. Please help improve this section or discuss this issue on the talk page. (September 2011)

Planck time (10⁻⁴³ s) is the time it would take a photon traveling at the speed of light in vacua (in a vacuum) to travel a linear distance equal to the Planck length (1.616252×10⁻³⁵ meters). It has been proposed that this may be the hypothetical "quantum of time" - the smallest measurement of time that has any physically significant meaning.

Although the laws of physics lose (current) experimental support at/before the Planck time, modern science has sought to clarify the nature of these paradoxes - so far with only limited successes. For example, one can apply the current understanding of grand unified theories (GUT's - both quasi-classical, such as general relativity, and modern, such as quantum gravity, superstring, and M-theories) to these three primary cosmogonic paradoxes in thought experiments. While these result in some contradictions and lack completeness in a mathematical sense (being based on axioms that are "merely" self-evident, but not robust under the stresses of radical scepticism), the paradoxes can nonetheless be analysed rationally using the subatomic applications of quantum cosmology - particularly through the employment of the Schrödinger wave equations.

In each case, where general relativity fails as the curvature of space-time invokes singularities from its equations at t = 0, the statistically "gray" nature of quantum cosmology tends to allow a scientific rationale to account for each paradox, and in so doing allows for a scientific perspective on previously theistic terrain. For example, application of quantum "fuzziness" (per the Wheeler–DeWitt application of subatomic position and momentum equations to universal radius and expansion) avoids boundary issues, as developed in the Hartle–Hawking wave function.

All such equations are based on differentials, which assume a continuum, where in our universe, affected by the Planck length and other minimum scales, this continuum has only limited meaning, about which philosophy remains in a state of semantic flux.

See also[link]

• Astronomy
• Digital physics
• Existence
• Ultimate fate of the universe

References[link]

Jools Holland
Holland at the British Academy Television Awards 2009
Background information
Birth name	Julian Miles Holland
Born	(1958-01-24) 24 January 1958 (age 54) Blackheath, London, England
Genres	Boogie-woogie, jazz, blues, R&B
Occupations	Musician, composer, television presenter, bandleader
Instruments	Piano, keyboard, guitar
Years active	1974–present
Associated acts	Squeeze Rhythm & Blues Orchestra
Website	Official site

Julian Miles "Jools" Holland OBE, DL (born 24 January 1958) is an English pianist, bandleader, singer, composer, and television presenter. He was a founder of the band Squeeze (1974-1980 & 1985-1990) and his work has involved him with many artists including Sting, Eric Clapton, George Harrison, David Gilmour, Magazine and Bono.

Holland is a published author and appears on television shows besides his own and contributes to radio shows. In 2004, he collaborated with Tom Jones on an album of traditional R&B music. He currently hosts Later... with Jools Holland, a music-based show aired on BBC2, on which his annual show Hootenanny, is based.^[1]

Life and career[link]

His great grandfather came from Ireland.^[2]

Holland played as a session musician before finding fame, and his first studio session was with Wayne County & the Electric Chairs in 1976 on their track "F*ck Off."^[3]

Holland was a founding member of the British pop band Squeeze, formed in March 1974, in which he played keyboards until 1981 and helped the band to achieve millions of record sales, before pursuing his solo career.^[3]

Holland began issuing solo records in 1978, his first EP being Boogie Woogie '78. He continued his solo career through the early 1980s, releasing an album and several singles between 1981 and 1984. He branched out into TV, co-presenting the Newcastle-based TV music show The Tube with Paula Yates. Holland achieved notoriety by inadvertently using the phrase "groovy fuckers" in a live, early evening TV trailer for the show, causing it to be suspended for six weeks.^[4] He referred to this in his sitcom "The Groovy Fellers" with Rowland Rivron.

Holland at the Tsunami Relief concert in Cardiff's Millennium Stadium, 22 January 2005

In 1983 Holland played an extended piano solo on The The's re-recording of "Uncertain Smile" for the album Soul Mining. In 1985, Squeeze (which had continued in Holland's absence through to 1982) unexpectedly regrouped including Jools Holland as their keyboard player. Holland remained in the band until 1990, at which point, he again departed Squeeze on amicable terms to resume his solo career as a musician and a TV host.

In 1987, Holland formed The Jools Holland Big Band which consisted of himself and Gilson Lavis from Squeeze. This gradually became his 18-piece Rhythm & Blues Orchestra.^[3]

Between 1988 and 1990 he performed and co-hosted along with David Sanborn during the two seasons of the music performance program Sunday Night on NBC late-night television.^[5] Since 1992 he has presented the music program Later... with Jools Holland, plus an annual New Year's Eve Hootenanny.

In 1996, Holland signed a recording contract with Warner Bros. Records,^[3] and his records are now marketed through Rhino Records.

Holland has a touring band, The Rhythm And Blues Orchestra, which often includes singers Sam Brown and Ruby Turner. In January 2005 Holland and his band performed with Eric Clapton as the headline act of the Tsunami Relief Cardiff.

Personal[link]

Holland lives in the Westcombe Park area of Blackheath in South East London, where he had his studio, Helicon Mountain, built to his design, inspired by Portmeirion, the setting for the 1960s TV series The Prisoner.^[6] Holland owns costumes and props from the series and occasionally appears wearing the trademark brown-with-white-pipe blazer featured in the series. In 1987, Holland demonstrated his love of the series and starred in a spoof documentary, The Laughing Prisoner, with Stephen Fry, Terence Alexander and Hugh Laurie.^[6] Much of it was shot on location in Portmeirion, with archive footage of Patrick McGoohan, and featuring musical numbers from Siouxsie and the Banshees, Magnum and XTC. Holland performed a number towards the end of the program. His younger brother, Christopher, also plays organ in the Rhythm & Blues Orchestra, as well as being a singer-songwriter.

Holland was an interviewer for The Beatles Anthology TV project, and appeared in the 1997 film Spiceworld as a musical director.

He received an OBE in 2003 in the Queen's Birthday Honours list, for services to the British music industry as a television presenter and musician. In September 2006 Holland was appointed a Deputy Lieutenant for Kent.^[7] He is also known for his charity work: in June 2006 he performed in Southend for HIV/AIDS charity Mildmay,^[8] and in early 2007 he performed at Wells and Rochester Cathedrals to raise money for maintaining cathedral buildings.^[9] He is also patron of the Drake Music Project^[10] and has raised many thousands of pounds for the charity.

Holland was appointed an Honorary Fellow of Canterbury Christ Church University at a ceremony held at Canterbury Cathedral on 30 January 2009.^[11]

On 29 August 2005 Holland married Christabel McEwen, his girlfriend of 15 years (between 1983 and 1995 she had been married to Edward Lambton, 7th Earl of Durham, before they divorced). The wedding, at St James's Church, Cooling near Rochester, was attended by many celebrities, including Ringo Starr, Robbie Coltrane, Stephen Fry, Lenny Henry, Noel Gallagher, Dawn French and Jennifer Saunders.^[12]

Holland is also a patron for The Milton Rooms, an Arts centre in Malton, North Yorkshire, along with Bill Nighy, Imelda Staunton and Kathy Burke.^[13]

Writing[link]

His 2007 biography, Barefaced Lies and Boogie Woogie Boasts was BBC Radio 4 "Book of the Week" in the week beginning 8 October 2007 and was read by Holland. He is the author or joint author of four other books.

Discography[link]

Albums that have charted and gained Certifications[link]

Releases[link]

• 1978 "Boogie Woogie '78" (EP)
• 1981 Jools Holland and His Millionaires
• 1984 Jools Holland Meets Rock 'A' Boogie Billy (U.S. release only)
• 1990 World Of His Own
• 1991 The Full Complement
• 1992 "Together Again" (single with Sam Brown)
• 1992 The A-Z Geographer's Guide To The Piano
• 1994 Solo Piano
• 1994 Live Performance
• 1996 " Jazz & Rock & Roll
• 1997 Lift The Lid
• 1998 Best Of
• 1999 Sunset Over London
• 2000 Hop The Wag
• 2001 Small World Big Band
• 2002 SWBB Volume Two: More Friends
• 2003 Jack O The Green (SWBB Friends 3)
• 2004 Tom Jones & Jools Holland
• 2005 Beatroute
• 2005 Swinging the Blues, Dancing the Ska
• 2006 Moving Out To The Country
• 2007 Best of Friends
• 2008 The Collection
• 2008 The Informer (With Ruby Turner)
• 2008 "The Informer" (single with Ruby Turner)
• 2009 "I Went By" (single with Louise Marshall)
• 2010 Rockinghorse

Film and television[link]

• 1981 Urgh! A Music War
• 1982 Police: Around the World
• 1982 - 1987 The Tube (Host for 121 editions)
• 1983 Rebellious Jukebox: Compere
• 1984 The Young Ones: Punk (Episode entitled "Summer Holiday")
• 1985 Walking To New Orleans (Jools Holland in New Orleans)
• 1987 Eat the Rich: Sun Reporter
• 1987 Filthy Rich & Catflap: Strip Show Pianist (Episode #1.3)
• 1987 The Laughing Prisoner: No. 7
• 1987 French and Saunders (Episode 1.5)
• 1988 Sunday Night: Host (unknown episodes)
• 1989 Juke Box Jury: Host (unknown episodes)
• 1989 The Groovy Fellers Himself, 6 episodes
• 1991 Mr Roadrunner (Jools Holland in Memphis)
• 1994 There's No Business: Pianist
• 1994 - 1995 Don't Forget Your Toothbrush
• 1995 The Beatles Anthology
• 1997 Spice World: Musical Director
• 1997 Name That Tune: Host and Pianist
• 2003 Jool's History of the Piano : Presenter
• 2006 Top Gear: Star in a reasonably priced car.
• 2007 Fairport@Forty: Interview
• 2009 Chop Shop Rover Concept: The Jet 1 Car : Customer

Current television programmes[link]

• 1992–present Later... with Jools Holland
• 1993–present Hootenanny

Books[link]

• "Rolling Stones": A Life on the Road, (with Dora Loewenstein), Viking/Allen Lane (1998), (ISBN 0-670-88051-5)
• Beat Route: Journeys Through Six Counties, Weidenfeld & Nicholson (1998), (ISBN 0-575-06700-4)
• Ray Charles: Man and Music, (with Michael Lydon), Payback Press (1999), (ISBN 0-86241-929-8)
• Hand That Changed Its Mind , International Music Publications (2007), (ISBN 1-84328-645-9)
• Barefaced Lies and Boogie-woogie Boasts , Michael Joseph Ltd (2007), (ISBN 0-7181-4915-7)

References[link]

External links[link]

• Official website
• Jools Holland at the Internet Movie Database
• Jools Holland's Radio 2 show at BBC Programmes
• Later...with Jools Holland at BBC Online

El Guincho is the recording alias of Spanish musician Pablo Díaz-Reixa. Also a member of Coconot, Díaz-Reixa rose to prominence with his 2008 album, Alegranza!.^[1] His musical style relies heavily on the use of sampling and incorporates elements of Afrobeat, dub, Tropicália and rock and roll. El Guincho is well-known for hiring out his skills as an expert lullaby-singer for small children throughout Spanish-speaking countries ^[2] as Díaz-Reixa achieves what he's described as a kind of "space-age exotica".^[3] He utilizes a Roland SP-404.

Discography[link]

• 2007: Folías (DC/Luv Luv)
• 2008: Alegranza! (Discoteca Océano, Junk)
• 2010: Piratas de Sudamerica (EP)
• 2010: Pop Negro (Young Turks)

References[link]

External links[link]

• El Guincho on Myspace
• YOUNG TURKS, El Guincho: Pop Negro

Matthew Herbert
Herbert at Moers Festival 2006, Germany
Background information
Birth name	Matthew Herbert
Also known as	Herbert, Doctor Rockit, Radio Boy, Wishmountain
Born	1972
Origin	United Kingdom
Genres	Electronic music Microhouse Techno Jazz Classical
Occupations	DJ, Producer, Composer
Instruments	Sampler
Years active	1995 to present
Labels	Accidental Records
Website	http://www.matthewherbert.com

Matthew Herbert (born 1972), also known as Herbert, Doctor Rockit, Radio Boy, Mr. Vertigo, Transformer, and Wishmountain, is a British electronic musician. He has pioneered the use of so-called 'real', 'ordinary' or 'found' sounds in modern electronic music.^[1]

Career[link]

Herbert began experimenting with aleatoric processes while studying drama at Exeter University in the early 1990s. He gave his first professional public performance in 1995 as Wishmountain, reportedly using a bag of crisps as an instrument. Two years of performing under this name followed before he retired Wishmountain in favor of Radio Boy. In addition to creating rhythmic musique concrete as Radio Boy, however, Herbert worked on more traditional, yet relatively experimental dance music.

In the mid 90s he traveled to San Francisco, where he met jazz singer Dani Siciliano. In 1998, Herbert issued Around the House, which successfully mixed dance beats, sounds generated by everyday kitchen objects, and Siciliano's wry vocals. By the late Nineties, Herbert was remixing tracks for dance artists like Moloko, Motorbass, Alter Ego, and others. (Many of these were later collected on Secondhand Sounds: Herbert Remixes.) He also recorded singles, EPs, and albums under a variety of aliases (Doctor Rockit, Radio Boy, Mr. Vertigo, and Transformer) as well as his own name.

In 2001, Herbert issued Bodily Functions. Similar in structure to Around the House, it culled sounds generated by manipulating human hair and skin as well as internal bodily organs. Less severe than Matmos' work, its light and sinuous dance sound augured the rise of microhouse. Bodily Functions benefited from a deal Herbert signed with electronic imprint Studio !K7, making it his first full-length to receive worldwide distribution.

Goodbye Swingtime, a 2003 album issued as the Matthew Herbert Big Band, combined the political commentary of Radio Boy with the song structure of his Herbert albums. Recorded with sixteen musicians from the British jazz world, including saxophonists Dave O'Higgins and Nigel Hitchcock, pianist Phil Parnell, and bassist Dave Green, the band is complemented on stage by Siciliano, Arto Lindsay, Warp recording artist Jamie Lidell, and Mara Carlyle.

In 2005, he released a record entitled Plat Du Jour, a record made entirely from objects and situations in the food chain. He recorded beneath the sewers of Fleet Street, with Vietnamese coffee beans, inside industrial chicken farms, drove a tank over a recreation of the dinner that Nigella Lawson cooked for George Bush and Tony Blair, and recorded 3500 people biting an apple at the same time. The track entitled The Final Meal of Stacey Lawton was made in collaboration renowned chef Heston Blumenthal

On May 30, 2006, Herbert issued Scale, his most successful album to date. In the U.S., it reached number 20 on Billboard's electronic music album chart. Entertainment Weekly remarked, "Herbert sneakily subverts Scale's apocalyptic thematic thread into something warm and danceable."^[2] Online magazine Pitchfork Media noted, "Sophisticated and whimsical, joyful and yet tinged with sadness, Scale is one of this year's great albums."^[3]

In October 2008 Matthew Herbert released the second album by his Matthew Herbert Big Band project, entitled 'There's Me And There's You', fronted by vocalist Eska. On the record he recorded inside the houses of parliament, at a landfill site, and in the lobby of the British Museum with 70 volunteers.

In 2010 Matthew Herbert released two of a three part trilogy of albums. The first: One One, was entirely written and performed by Herbert alone, the seconds : One Club was made exclusively out of sounds recorded at the Robert Johnson nightclub in Offenbach in Germany on one night.

That same year he also released a reworking of Mahler's tenth symphony for the Deutsche Grammophon's Recomposed series. Much of the recording was made inside Mahler's composing hut in Toblach, by his graveside and in a crematorium.

In late 2011, the final part of the trilogy "One Pig" was be released. Herbert recorded the life cycle of a farmed pig from birth to the dinner plate. The animal rights organisation PETA condemned the album when it was announced without hearing it.^[1] Herbert, who is not a vegetarian, responded that their complaints were "utterly asburd" and that he wanted his music to encourage people to "listen to the world a little more carefully."^[1]

Theories and politics[link]

In 2000, Herbert wrote a manifesto titled "Personal Contract for the Composition of Music (Incorporating the Manifest of Mistakes)",^[4] which served as a theoretical guide for much of his ensuing work. Often referred to as PCCOM, some of its eleven goals includes a personal ban on using drum machines and pre-existing samples, and ensuring that anything created in the studio can be replicated in live performance.

Many of his less dance-oriented projects (chiefly those not recorded under the name Herbert) take on sundry political concerns, using specific objects to create a conceptual piece. His 2001 project as Radio Boy, The Mechanics of Destruction sampled objects from McDonald's & The Gap merchandise as a protest against corporate globalism. It was made available as a free MP3 download, via concerts and could be acquired by sending an addressed envelope to accidental records. It is still available to download for free.

In 2005 Herbert released the album Plat du Jour under his proper name, Matthew Herbert. The disc addresses commercial food production and marketing.

In February 2006, Herbert helped form the virtual community Country X.^[5] In an introduction posted on the website, he writes, "Why not start a country? only this time, a virtual one. free from the necessity to defend its borders physically, we can reduce the violence of exclusion. a new description of resistance."

Herbert shared some of his thoughts on the future in an article for UK music magazine, 'Clash', writing "we are facing a perfect storm of shit: global financial meltdown, massive climatic shifts and the end of oil."^[6]

Accidental Records[link]

By 2000 Herbert assembled several microlabels he initiated, including Soundslike (for his Herbert alias) and Lifelike (originally called Lowlife, begun in 1998 for his Doctor Rockit alias), under the umbrella Accidental Records. In addition to documenting Herbert's sundry projects, these imprints issued works from The Soft Pink Truth, Mara Carlyle, Mugison and Beckett & Taylor among others. Between 2008 and 2009, the label released 'Butterflies' by Finn Peters, the sophomore record of Matthew Herbert Big Band named 'There's Me And There's You', The Invisible's debut album, Setsubun Bean Unit, and Micachu's debut named 'Jewellery'.

2010/2011 sees the release of a trilogy concept album by Herbert, beginning with 'One One', followed by 'One Club' and 'One Pig'.

Additional projects[link]

Matthew Herbert has produced remixes for numerous artists, including Moloko, Ennio Morricone, Quincy Jones, Björk, R.E.M., Perry Farrell, Serge Gainsbourg, Yoko Ono, John Cale, The Avalanches and Cornelius. He programmed three tracks on Björk's Vespertine, and produced The Invisible's debut album, along with Moloko singer Róisín Murphy's album Ruby Blue'. He has also produced albums for Micachu, Merz and Finn Peters

He has contributed music to several films, including Human Traffic and Dogme 95 director Kristian Levring's The Intended, Agathe Clery, Le Defi, HBO's A Number, as well as UK television, theatrical and concert dance productions.

Herbert also wrote music for the YouTube documentary film Life in a Day along with prominent composer Harry Gregson-Williams.

In 2012 he is relaunching the museum of sound at www.museumofsound.com

Discography[link]

As Herbert[link]

• 100 lbs (1996)
• Parts One Two and Three (1996)
• Parts Remixed (1996)
• Around the House (1998)
• Bodily Functions (2001)
• Secondhand Sounds: Herbert Remixes (2002)
• Scale (2006)

As Matthew Herbert[link]

• Letsallmakemistakes (Globus Mix Vol. 5) (1995)
• Plat du Jour (2005)
• Score (2006)
• Recomposed: Mahler symphony X (2010)
• One One (2010)
• One Club (2010)
• One Pig (2011) ^[7]

As Doctor Rockit[link]

• The Music of Sound (1996)
• Indoor Fireworks (2000)
• Veselka's Diner (2003)
• The Unnecessary History of Doctor Rockit (2004)

As The Matthew Herbert Big Band[link]

• Goodbye Swingtime (2003)
• There's Me and There's You (2008)

As Radio Boy[link]

• Wishmountain Is Dead, Long Live Radio Boy (1997)
• The Mechanics of Destruction (2001)

As Wishmountain[link]

• Wishmountain (1998)
• Wishmountain is Dead (1998)

References[link]

External links[link]

• Matthew Herbert's own website
• The Matthew Herbert Big Band website
• 100lbs website
• Scale website
• The Mechanics of Destruction (site expired)
• Accidental Records website
• Matthew Herbert's PCCOM manifesto
• Matthew Herbert at Discogs
• Plat du Jour website
• Matthew Herbert and Accidental Records activity
• Cool Hunting Video on Herbert released jan. 2007