Stars in Battledress (SiB) was an organisation of entertainers who were members of the British Armed Forces during World War II.
In Britain, during the Second World War, entertainment was considered an essential to keep morale high. In 1939 ENSA was organised by Basil Dean to send groups of entertainers to factories and military camps. The artists in ENSA were civilians and consequently could not be sent to areas were fighting was occurring. This did not mean that they were in places where there was no danger from enemy action—the whole of Britain was a war zone due to the air raids.
In order to get concert parties to forward areas, Stars in Battledress was formed. Talent existing in serving members of the army and ATS was transferred and sent to perform in any location, even on the edge of a battlefield. Colonel Basil Brown, together with Major Bill Alexander and Captain George Black (son of the impresario George Black) started up the organisation. As all the members of the concert parties were in the Armed Forces of Britain, there was no restriction of the location of concerts.
Stars In Battledress are an English musical duo featuring brothers Richard and James Larcombe. They are notable for their complex but tuneful compositions, their unorthodox fusion of folk music sources and British/American art rock influences, and for their intricate and allusive lyrics.
A related project led by Richard Larcombe - called Defeat The Young – has strong ties to Stars In Battledress. Both projects have ties to other bands including North Sea Radio Orchestra, Cardiacs, The Monsoon Bassoon, Max Tundra and Admirals' Hard.
Stars In Battledress draw strongly on traditional folk sources (most obviously in their use of folk instrumentation such as harmonium and autoharp, and in the specifically English inflections of Richard Larcombe's singing voice), 1990s American art rock (such as Don Caballero) and the complex "psychedelic mediaeval" music of the related British bands Cardiacs and The Sea Nymphs. Though the band have displayed a reluctance to be associated directly with progressive rock, the complexity of their music and the use of expansive keyboard textures have sometimes seen them labelled as a progressive rock act: Richard Larcombe's distinctly English tenor delivery has sometimes seen him compared to Richard Sinclair (Caravan, Hatfield and the North, etc.).