Abed Azrie or Abed Azrié (Arabic: عابد عازرية‎) (born 1945 in Aleppo) is a Syrian singer who performs Arab classical music,^[1] although he claims to belong to no particular music tradition.^[2] In his work he sets ancient and modern Arabic texts to traditional instruments (such as the ney, kanun, darbuka, violin, flute and lute), and synthesizers.^[2][3]

He was born in Aleppo, and after living for a time in Beirut moved to Paris at the age of 22 where he studied Western classical music. While there he translated classical poetry, such as the Sumerian Epic of Gilgamesh, into French.^[4] He has stated that he prefers to live in the West, saying in a 2000 interview that he has an "inability to work in the Arab countries, in which the way people live is still conditioned by halal and haram. Here I can produce contemporary art, I can work in freedom, and there is 'motion' around what I produce: journalism, concerts, programme…Nobody tells me to write a song for a specific political occasion."^[5]

His music has been featured in the films Al Leja, directed by Ryad Chaia,^[6] and Elia Suleiman's Chronicle of a Disappearance.^[7]

Discography[link]

• Abed93.jpg

  Caption1

• 1990: Aromates^[8]
• 1994: Epopée de Gilgamesh
• 1996: Lapis Lazuli^[9]
• 1999: Pour enfants seulement
• 1999: Omar Khayyam^[10]
• 2001: Venessia - sung in Venetian dialect.
• 2006: Suerte Live
• 2007: Chants d'amour et d'ivresse (Live A Radio France)
• 2008: Mystique - Sufi poems
• 2009: Évangile selon Jean oratorio in Arabic, 2CD^[11]
• 2010: Satie En Orient with Ensemble Sarband
• 2011: Epopée De Gilgamesh (New Recording 2011)

References[link]

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2011)

Ibn 'Arabī
Born	July 28, 1165 CE Murcia, Taifa of Murcia
Died	November 10, 1240 CE District of Ṣāliḥiyya at Jabal Qāsiyūn, Damascus
Era	Islamic golden age
School	Sufism
Main interests	Mysticism, Sufi metaphysics, Poetry
Notable ideas	Oneness of being,

Mediaeval list of Ibn Arabi's books

Ibn ʿArabī (Arabic: ابن عربي‎) (Murcia July 28, 1165 – Damascus November 10, 1240) was an Arab Andalusian Sufi mystic and philosopher.

He was sometimes referred to as "the Son of Plato" (Ibn Aflatun) for his devotion to Plato.^[1]

Biography[link]

'Abū 'Abdillāh Muḥammad ibn 'Alī ibn Muḥammad ibn `Arabī (أبو عبد الله محمد ابن علي ابن محمد ابن عربي ) was born into a respectable family in Murcia, Taifa of Murcia on the 17th of Ramaḍān 561 AH (27th or 28 July 1165 AD). Muḥyiddin Muḥammad ibn ‘Alī ibn Muḥammad ibn ‘Arabī was widely known as al-Shaykh al-Akbar; in medieval Europe he was called Doctor Maximus.

Youth[link]

His father, ‘Ali ibn Muḥammad, served in the Army of ibn Mardanīsh. When ibn Mardanīsh died in 1172 AD, ‘Ali ibn Muḥammad swiftly shifted his allegiance to the Almohad Sultan, Abū Ya’qūb Yūsuf I, and became one of his military advisers. His family then relocated from Murcia to Seville.

Education[link]

ibn ‘Arabī’s dogmatic and intellectual training began in Seville, then the cultural and civilized center of Muslim Iberia, in 578 AH. Most of his teachers were the clergy of the Almohad era and some of them also held the official posts of Qadi or Khatib. He was a young boy when his father sent him to the renowned jurist Abū Bakr ibn Khalaf to study the Qur'an. ibn ‘Arabī learned the recitation of the Qur'an from the book of Al-Kafi in the seven different Qira'at. The same work was also transmitted to him by another ‘Abd al-Raḥmān ibn Ghālib ibn al-Sharrāt. At the age of ten, he was well-versed in the Qira’āt; afterwards he learned the sciences of Hadith, Fiqh and Sirah from the famous scholars of the time such as Al-Suhayli.

The Sufi Path[link]

Ibn ‘Arabī was about sixteen when he went into seclusion. There is a story that ibn ‘Arabī was at a dinner party which ended with a round of wine. As he took the wine cup to his lips, he heard a voice: O Muḥammad, it was not for this that you were created! This gave him an urge to quit worldly pursuits and to embark upon the search of God. Another important cause of this retreat was a vision of the three great prophets Moses, Jesus and Muḥammad.

As a consequence of this retreat and the spiritual insights granted to him, ibn ‘Arabī was sent by his father to meet the great philosopher Averroes. The meeting was very significant in that ibn ‘Arabī answered his questions in ‘Yes’ and ‘No.’ Ibn Rushd declared: I myself was of the opinion that spiritual knowledge without learning is possible, but never met anyone who had experienced it.^{[citation needed]}

Mystical Meetings with Khidr[link]

Ibn ‘Arabī claimed to have met with Khidr three times over the course of his life. The first occurred while `Ibn Arabi was a youth in the service of the king, Shaykh al-‘Uryabī. Ibn ‘Arabī said of their encounter:

I met Khidr in Qūs al-haniyya in Seville, and he said to me: 'Accept what the Shaykh says!' I immediately turned to the Shaykh ‘Uryabī and before I spoke he said: 'O Muḥammad, does that mean that every time you contradict me, I will have to ask Khidr to instruct you in submission to the masters?' I replied: 'Master, was that person Khidr?' He answered: 'Yes!' (I, 331; Addas 63)

In 1193 at the age of 28 Ibn ‘Arabī visited Tunis to meet the disciples of Abu Madyan, notably ‘Abd al-‘Aziz al-Mahdawī and Abū Muḥammad ‘Abdallāh al-Kinānī. He stayed there for less than a year. Ibn `Arabi met Khidr for the second time while he was returning from Tunis. One night, traveling by boat, he saw a man walking on the water towards him. Upon reaching the boat, Khidr stood on the sea and showed him that his feet were still dry. After that Khiḍr conversed with Ibn ‘Arabī in a language which is peculiar to him (OY: III, 182). Ibn ‘Arabī had his third meeting with Khidr upon reaching Andalusia in late 590 AH. Khidr performed a miracle to provide evidence for a skeptical companion of Ibn ‘Arabī.

Mystical Great Vision in Cordoba[link]

In the year 586, while visiting the dying saint al-Qabā’ili in Cordoba, Ibn ‘Arabī had a vision in which he met all the Prophets from the time of Adam to Muḥammad in their spiritual reality. Hud spoke to him and explained him the reason for their gathering: “We came to visit Abū Muḥammad Makhlūf al-Qabā’ili” (Ibn ‘Arabī, “Rūh al-Quds” 116). However, according to a tradition among the direct disciples of Ibn ‘Arabī, Hūd explained that the real reason for their gathering was to welcome him (Ibn ‘Arabī) as the Seal of Muhammadan Sainthood (khatm al-wilāya al-muḥammadiyya), the supreme heir (Addas 76).

Stephen Hartenstein writes in his book Unlimited Mercifier: “It is from his return from Tunis, we find the first evidence of Ibn ‘Arabī beginning to write; later in 1194, he wrote one of his first major works, Mashāhid al-Asrār al-Qudusiyya (Contemplation of the Holy Mysteries) for the companions of al-Mahdawī and perhaps around the same time, in a space of four days, also composed the voluminous Tadbīrāt al-Ilāhiyya (Divine Governance) in Mawrūr for Shaykh Abū Muḥammad al-Mawrūrī.” (Hirtenstein 91)

Ibn 'Arabī in Fes[link]

The next five years were a time when Ibn ‘Arabī entered into a different world. Having been brought up under the instruction and guidance of various spiritual masters of the West, he now came into his own as a Muhammadan heir. As from this point the real genius of Ibn ‘Arabī began to emerge and he became universal. Shortly after his return to Andalusia from North Africa in 1194 AD, Ibn ‘Arabī’s father died and within a few months his mother also died. Now the responsibility of the upbringing of his two young sisters fell upon his shoulders. His cousin came to him with the request that he should take up his wordly duties, and give up the spiritual life (Hirtenstein 110). It was a time of great uncertainty for Seville because of War. The third Sultan, Abū Yūsuf Ya’qūb al Manṣūr offered him a job but Ibn ‘Arabī refused both the job and an offer to marry off his sisters and within days he left Seville heading toward Fes, where they settled.

In Fes Ibn ‘Arabī met two men of remarkable spirituality, one of them was a sufi Pillar (awtād), his name was Ibn Ja’dūn. The second was known as al-Ashall (literally “the withered,” due to a withered hand). It was a happy period of his life, where he could utterly dedicate himself to spiritual work. In Fes in 593 AH, when he was leading a Prayer in the al-Azhar Mosque, he experienced a vision of light:

“I lost the sense of behind [or front]. I no longer had a back or the nape of a neck. While the vision lasted, I had no sense of direction, as if I had been completely spherical (dimensionless).” (II, 486)

His spiritual mentor in Fes was Mohammed ibn Qasim al-Tamimi.^[2]

A Lifetime Friend[link]

In Fes 594 AH, ‘Abdallāh Badr al-Habshi first met Ibn ‘Arabī and for the rest of his life became a soul mate and a faithful friend, accepting Ibn ‘Arabī as his master and guide. Al-Shaykh al-Akbar said about him in Futūḥāt:

“[He is a man] of unadulterated clarity, a pure light, he is a Ḥabashī named ‘Abdallāh, and like a full moon (badr) without eclipse. He acknowledges each person’s right and renders it to him; he assigns to each his right, without going further. He has attained the degree of true discrimination. He was purified at the time of fusion like pure gold. His word is true, his promise sincere” (OY: I, 72; Hirtenstein 123).

In the year 595 AH Ibn ‘Arabī returned to the Iberian Peninsula for the last time and it seems he had two intentions: to introduce al-Habashī to his friends and masters and to depart finally from the land of his birth. In December 595 AH, Ibn ‘Arabī was in Cordoba, at the funeral of Ibn Rushd, whom once he met some 18 years earlier. When the coffin was loaded upon a beast of burden, his works were placed upon the other side to counterbalance it. Ibn ‘Arabī said the following verse on that day:

"Here the master, there his works – Would that I know if his hopes have been fulfilled!"

From Cordoba they traveled to Granada and met with ‘Abdallāh al-Mawrūrī and Abū Muḥammad al-Shakkāz. From Granada to Murcia, the town of his birth and stayed with an old friend Abū Ahmed Ibn Saydabūn, a famous disciple of Abu Madyan who at the time of their meeting was evidently going through a period of fatra or suspension. They traveled again to Almeria, where they spent the month of Ramadan in 595 AH and Ibn ‘Arabī wrote Mawāqi‘ al-Nujūm over a period of eleven nights. Perhaps in Almeria also, he started writing ‘Anqā’ Mughrib where full explanation about the Seal of Saints can be found. These were his last days in the West, where he started visiting his masters for the last time, and he collected his writings and ensured that he must at least have a single copy of all of his works as now he was departing toward the East forever. When he left Andalusia for the last time he appeared to have a vision of his future destiny at the shores of the Mediterranean as he later told his stepson Ṣadr al-dīn al-Qūnawī:

“I turned towards God with total concentration and in a state of contemplation and vigilance that was perfect: God then showed me all of my future states, both internal and external, right through to the end of my days. I saw that your father, Isḥāq ibn Muḥammad, would be my companion and you as well” (Hirtenstein 127).

In the year 597 AH/1200 AD, he was in Morocco and took his final leave from his master Yūsuf al-Kūmī, who was living in the village of Salé at that time. This shows that he had finally completed his training under the teachers of his early years and was now ready to go to a new world. On his way to Marrakesh of that year he entered the Station of Proximity (maqām al-qurba). “I entered this station in the month of Muḥarram in 597 AH… In joy I began to explore it, but on finding absolutely no one else in it, I felt anxiety at the solitude. Although I was realized in [this station], but I still did not know its name” (II, 261).

Later Ibn ‘Arabī finds Abū ‘Abd al-Raḥmān al-Sulamī in it and he told Ibn ‘Arabī that this station is called, the station of proximity (maqām al-qurba) (Hirtenstein 128).

Mystical Voyage to Center of Earth[link]

Having left behind all the traces of his past, Ibn ‘Arabī began his long journey to the East from Marrakesh where he had a marvelous vision of the Divine Throne. In that vision, he saw the treasures beneath the Throne and the beautiful birds flying about within them. One bird greeted Ibn ‘Arabī, saying that he should take him as his companion to the East. This companion was Muḥammad al-Haṣṣār of Fes. He started travelling with his friends towards the East. After visiting the tombs of his uncle Yaḥyā and Abū Madyan in ‘Ubbād near Tlemcen, he stopped at Bijāya (Bougie) during Ramaḍān and saw a remarkable dream about the secrets of letters and stars. He saw himself united like the union in marriage with all the stars of heavens, after the stars the letters were given his union, and he united with all of them (Ibn ‘Arabī, “Kitāb al-Bā’” 10-11). This dream was later interpreted as the great Divine knowledge which was bestowed upon Ibn ‘Arabī.

His next stop was Tunis 598 AH where he happened to see Syakh ‘Abd al-‘Aziz al-Mahdawī whom he had met about six years before. At the same time he continued writing works like Inshā’ al-Dawā’ir for his friend al-Ḥabashī. Resuming his travels, he arrived in Cairo in 598 AH/1202 AD where he met his childhood friends, the two brothers, ‘Abdallāh Muhammad al-Khayyāt and Abū al-Abbās Aḥmad al-Ḥarrārī and stayed at their house in the month of Ramaḍān. That was a period of great devastation, terrible famine and plague for Egypt. Perhaps the death of his companion Muḥammad al-Haṣṣār was due to this plague. Ibn ‘Arabī saw this devastation with his own eyes and a passage of Rūh al-Quds tells us that when people made light of Allāh’s statutes He imposes the strictures of His Law upon them (yūsuf 240).

Ibn ‘Arabī resumed travelling toward Palestine, and his route took him to all the major burial places of the great Prophets: Hebron, where Abraham and other Prophets are buried; Jerusalem, the city of David and the later Prophets; and then Medina, the final resting place of Prophet Muhammad.

Pilgrim at Mecca[link]

At the end of his long journey he finally arrived at Mecca, in 598 AH (July 1202 AD). The Meccan period of Ibn ‘Arabī’s life can be viewed as the fulcrum of his earthly existence; he spent 36 years of his life in the West and the upcoming 36 years in the East, with about 3 years in Mecca in between. This three year period both connects and differentiates the two halves of his life. It was in Mecca that he started writing the very best of his works Al-Futūḥāt al-Makkiyya, It was in Mecca that his status as Seal of Muhammadian sainthood was confirmed in the glorious vision of the Prophet; it was in Mecca that he had the dream of the two bricks and his encounter with the Ka‘ba; (Hirtenstein 148) it was in Mecca that the love of women was first evoked in his heart by the beautiful Niẓām, (Hirtenstein, 149) who became the personification of wisdom and beauty. It was in Mecca that he first savoured the pleasures of married life, marrying and becoming a father. His first wife was Fāṭima bint Yūnus and their first son Muḥammad ‘Imāduddin was probably born in Mecca (Hirtenstein 150). Again it was in Mecca that he produced the very best of his works, like the first chapters of Futūḥāt, the Rūḥ al-Quds, the Tāj al-Rasā’il, the Ḥilyat al-Abdāl and a collections of hadīth qudsī named “Mishkat al-Anwār”. It is also worth mentioning that in Mecca he met some of the eminent scholars of Ḥadīth of his time. Amongst them was Abū Shujā’ Ẓāhir bin Rustam, father of the beautiful Niẓām and Yūnus ibn Yaḥyā al-Ḥāshimī, who had been a pupil of the great ‘Abd al-Qādir al-Jīlānī in Baghdad. He not only introduced Ibn ‘Arabī to the Prophetic tradition but also transmitted to him the teachings of the most famous saint in Egypt in the ninth century, Dhū’l-Nūn al-Miṣrī. Yūnus ibn Yaḥyā also invested him in front of the Ka‘ba with the Khirqa (Mantle) of ‘Abd al-Qādir al-Jīlānī. (Ibn ‘Arabī, “Nasab al-Khirqa”; Elmore “Mantle of Initiation” 1-33). It is believed that after wearing this Khirqa Ibn ‘Arabī formally joined the Qadriyya Tarīqa.

Mystical Visions at Kaaba[link]

Apart from all this, several visions were granted to him in Mecca. The first took place at night during his circumambulations of the Kaaba when he met a young beautiful girl Qurrat al-‘Ayn (Hirtenstein 148). In the second vision, during his circumambulations of the Kaaba, he met the mysterious figure who had appeared at the beginning of his ascension and here at Mecca. He said to Ibn ‘Arabī, you should circumambulate in my footstep and observe me in the light of my moon, so that you may take from my constitution that which you write in your book and transmit to your readers (OY: I, 218). The third vision also occurs at Kaaba in a spiritual conversation with the Ḥaram and the Zamzam stream; Kaaba ordered him to circumambulate it and the Zamzam told him to drink this pure water but a soft refusal made Kaaba angry and he took revenge on a cold and rainy night in the year 600 AH. Shaykh heard the voice of Kaaba loud and clear; later in a meditation God taught him the lesson and to express this gratitude Ibn ‘Arabī composed a collection of letters in rhymed prose, entitled the Tāj al-Rasā’il, in homage to the Kaaba. The next vision is also related to Kaaba, in the year 599 AH in Mecca Ibn ‘Arabī saw a dream which confirms once again his accession to the office of the Seal of the Muhammadian Sainthood. He saw two bricks – one of Gold and the other of Silver – were missing from two rows of the wall of Kaaba. He says: “In the mean time I was observing that, standing there, I feel without doubt that I was these two bricks and these two bricks were me …. And perhaps it is through me that God has sealed sainthood” (Addas 213). In the year 599 AH during circumambulating the Kaaba, he encountered the son of Caliph Hārūn al-Rashīd, who had been dead for four centuries and was famous for choosing Saturday for work to gather food for rest of the week. Ibn ‘Arabī asked him: “Who are you?” He replied: “I am al-Sabtī ibn Hārūn al-Rashīd.” Later Ibn ‘Arabī asked him: “What was the reason of choosing Saturday for work?” He replied: “As God has made this universe in six days from Sunday to Friday, and he rested on Saturday(This is refuted by the Quranic verse "We created the heavens and the earth and all that is between them in six days, nor did any sense of weariness touch Us" (50:38)), so I, as His servant worked on Saturday and devoted myself to worshipping Lord for the rest of the week.” In another glorious vision at Kaaba Ibn ‘Arabī saw his forefathers and asked one of them his time, he replied he had been dead around forty thousand years ago. Finally, at Kaaba, behind the wall of Hanbalites, Ibn ‘Arabī was granted the privilege of being able to join a meeting of the seven Abdāl (Addas 216).

Order to "Counsel my Servants"[link]

The message was clear and it was from God; in a passage of Kitab al-Mubashshirāt Ibn ‘Arabī admits that one evening in Mecca he experienced a brief spell of despondency on the face of his disciples, he thought of leaving all counselling, abandon men to their fate and to devote his future efforts to himself alone as those who truly enter the Path are rare. On the same night, he saw himself in dream facing God on the Day of Judgment. In that dream, He said:

“I was standing in front of my Lord, head lowered and fearing that He would punish me for my short comings but he said to me: “Servant of Mine, fear nothing! All I ask of you is that you should counsel My servants” (Addas 218).

Faithful to this assurance he would spend the rest of his life giving advice to people from all walks of life, direct disciples, religious authorities and political rulers. This vision probably occurred in the year 600 AH at Mecca, as the very first page of the Rūḥ al-Quds, written following this revelational order mentions it vividly. According to Osman Yahia; Ibn ‘Arabī produced 50 of his works after this Divine order, some of which are short epistles of less than 10 pages but all of these are rooted in the Divine order: “Counsel My servants.”

Journeys to the North[link]

Ibn Arabī’s life, spanning between 600 to 617 AH is full of journeys, he frequently kept crossing and re-crossing Syria, Palestine, Anatolia, Egypt, Iraq and the Hejaz, yet this physical activity stood in no way in his spiritual pursuits and obligations. The two dimension activity had indeed the same spiritual provenance and was motivated by the sublime purpose of higher life unrelated to egocentricity. The year 600 AH witnessed a meeting between Ibn Arabi and Shaykh Majduddīn Isḥāq ibn Yūsuf, a native of Malatya and a man of great standing at the Seljuk court. This time Ibn ‘Arabī was travelling north; first they visited the city of Muḥammad and in 601 AH they entered Baghdad. This visit besides other benefits offered him a chance to meet the direct disciples of Shaykh ‘Abd al-Qādir Jīlānī. Ibn Arabi stayed there only for 12 days because he wanted to visit Mosul to see his friend ‘Alī ibn ‘Abdallāh ibn Jāmi’, a disciple of Qaḍīb al-Bān. There he spent the month of Ramaḍan and composed Tanazzulāt al-Mawṣiliyya, Kitāb al-Jalāl wa’l-Jamāl and Kunh mā lā Budda lil-MurīdMinhu (Hirtenstein 176). Here he was invested with the khirqa of Khiḍr, transmitted to him by ‘Alī ibn ‘Abdallāh ibn Jāmi’. Later the group travelled north and arrived at Malatya, Majduddīn’s hometown and then to Konya. In Konya Ibn ‘Arabī met with Awḥaduddīn Ḥamīd Kirmānī, who became his friend like Majduddīn. He transmitted to Ibn ‘Arabī teachings and stories of the many great spiritual masters of the East. Over the next 20 years Ibn ‘Arabī and Kirmānī remained close friends and companions (Hirtenstein 179).

After spending 9 months in Konya, he returned to Malatya where Kaykā’ūs, one of the Kaykhusraw’s sons, had been made ruler of Malatya. Majduddīn was appointed as his tutor and Ibn ‘Arabī also became involved in the young prince’s education.

Return to South[link]

In the year 602 AH he visited Jerusalem, Mecca and Egypt. It was his first time that he passed through Syria, visiting Aleppo and Damascus. In Jerusalem, he continued writing, and 5 more works were completed. These are: Kitāb al-Bā’, Ishārāt al-Qur'an. In May 602 AH he visited Hebron, where he wrote Kitāb al-Yaqīn at Masjīd al-Yaqīn near the tomb of Ibrāhīm (Yūsuf 307). The following year he headed toward Cairo, staying there with his old Andalusian friends, including Abū al-‘Abbās al-Ḥarrār, his brother Muḥammad al-Khayyāt and ‘Abdallāh al-Mawrūrī. In Cairo Rūḥ al-Quds and Kitāb Ayyām al-Sha’n were read again before Ibn ‘Arabī, with the reader this time being a young man named Ismā’il ibn Sawdakīn al-Nūrī (Yūsuf 309). Like Badr al-Ḥabashī, Ibn Sawdakīn attached himself to Ibn ‘Arabī forever. He left value-oriented commentaries on the works of Ibn ‘Arabī notably Mashāhid al-Asrār, Kitāb al-Isrā’ and the Kitāb al-Tajalliyāt. His house in Aleppo was often used for the reading of Ibn ‘Arabī’s works over the next 40 years (Yūsuf 311).

Later in 604 AH he returned to Mecca where he continued to study and write, spending his time with his friend Abū Shujā bin Rustem and family, including the beautiful Niẓām (II, 376; Hirtenstein 181). The next 4 to 5 years of Ibn ‘Arabī’s life were spent in these lands and he also kept travelling and holding the reading sessions of his works in his own presence.

Baghdad, City of the Saints[link]

In the year 608 we find him in Baghdad with his friend Majduddīn Isḥāq and there he met the famous historian Ibn al-Dubaythī and his disciple Ibn al-Najjār. In Baghdad, he had a terrifying vision regarding the Divine deception (makr), In which he saw the gates of heaven open and the treasures of Divine deception fell like rain on everyone. He awoke terrified and looked for a way of being safe from these deceptions. The only safe way he found is by knowing the balance of the Divine law. According to Osman Yahia in Baghdad Ibn ‘Arabī met with the famous Sufi Shihābuddīn Suharwardī (d. 632), author of the ‘Awārif al-ma’ārif who was personal advisor to Caliph al-Nāṣir. In this meeting, they stayed together for a while, with lowered heads and departed without exchanging a single word. Later Ibn ‘Arabī said about Suharwardī: “He is impregnated with the Sunna from tip to toe” and Suharwardī said about Ibn ‘Arabī: “He is an ocean of essential truths (baḥr al-Ḥaqāiq).

Tarjumān al-Ashwāq[link]

In the year 611 he was again in Mecca, where his friend Abū Shujā had died two years before. Ibn ‘Arabī performed Ḥajj and started compilation of his most famous poetic work the Tarjumān al-Ashwāq. After Ḥajj Ibn ‘Arabī left Mecca, travelling north towards the Roman lands, probably Konya or Malatya and in the year 610/611 he returned to Aleppo. In Aleppo this work caused uproar and consternation in certain quarters, since he came under the blame of writing erotic verses under the cover of poetic allusions. The jurists from Aleppo severely criticized the claim that this poetry was a mystical or expresses Divine realities, which made his disciples very upset. Later on the request of his two disciples, Ibn Sawdakīn and Badr al-Ḥabashī he wrote a commentary on these poems by the title of “Dhakhā’ir al-A’lāq” in a great hurry. It was completed in Anatolia in 612. When the jurists heard this commentary, they felt sorry for unjustly exposing Ibn ‘Arabī to scathing criticism (Yūsuf 335).

In Sivas and Malatya[link]

The period of extensive travelling came to an end and for the next few years he seems to have made his home in the Seljuk Kingdom. In the year 612 AH, at Sivas he had a vision anticipating Kaykā’ūs victory at Antioch over the Franks. He wrote a poem in which he enlightened the Sultan of the vision and his future victory. Later Ibn ‘Arabī returned to Malatya and according to Stephen Hartenstein he met Bahā’uddīn Walad, father of the famous Persian Poet Jallaluddin Rumi, the famous Persian poet of that time. Little Rūmī was with his father and after the meeting when Bahā’uddīn left with his son tagging along behind him, Shaykh al-Akbar said: “What an extraordinary sight, a sea followed by an ocean!” (Hirtenstein 188). His reading and writings continued in Malatya, where in 615 AH, we find hearings of Rūḥ al-Quds, finalization of The Tarjumān al-Ashwāq and compilation of a short epistle on the technical terms of Sufism: the Iṣṭilāhāt al-ṣūfiyya. The year 617 was the year of mourning for him as he lost one of his best friends Majduddīn Isḥāq, Ibn ‘Arabī took charge of the upbringing of the young Ṣadruddīn and married the widow as it was necessary according to the customs of the time. (Hirtenstein 189). Lastly his close companion and valet, friend and fellow, traveller on the way of God Badr al-Ḥabashī died.

Damascus, the last days[link]

After criss-crossing the east for a period of 20 years Ibn ‘Arabī now decided to settle in Syria and spent the last 17 years of his life in Damascus. The city was already known quite well to him, he had several contacts with leading notables there. He was greeted in Damascus as a spiritual master and a spacious house was provided to him by the Grand Qadi of the town Ibn Zakī. In Damascus, he devoted himself to writing and teaching to fulfil the commandment of his Lord: “Counsel My servants.” The first thing he did was to collect and disseminate the works which had already been written, copies were made and reading sessions took place in his house. Kitāb al-Tajalliyāt was one of these first books to record such a certificate (sima‘) in the presence of his disciple Ibn Sawdakīn. In the year 621 AH eight more works bore these hearing certificates, among these were: Kitāb al-Yaqīn, Al-Maqsid al-Asmá, Kitāb al-Mīm wal-Wāw wal-Nun, Mafātīh al-Ghayūb and Kitāb al-Ḥaqq. At the same time, Ibn ‘Arabī devoted his attention to complete the lengthy Futūḥāt, many volumes of this book came into being in this period.

During this period of his life, he imparted direct instructions to many of his disciples including Ṣadruddīn al-Qūnawī. He was brought up alongside Ibn ‘Arabī own family in Malatya and after the death of his real father Qūnawī joined Shaykh al-Akbar in Damascus. He accompanied and served Kirmānī on his travels in Egypt, Hijaz and Iran. In his private collection Ṣadruddīn wrote that he had studied 10 works of Ibn ‘Arabī under him and later Ibn ‘Arabī gave him a certificate to freely relate them on his authority. He studied and discussed with Ibn ‘Arabī no less than 40 works, including the whole text of Futūḥāt in 20 volumes.

Visions at Damascus[link]

Ibn ‘Arabī had several visions of Muḥammad at Damascus. In 624 AH he had been told by Muhammad that angels are superior to men. In the same year, he had another discussion with Muḥammad, this time Muḥammad replied to him regarding the resurrection of animals: “Animals will not be resurrected on the Day of Judgement.” (I, 527; Addas 275) In the third vision he was ordered by the Prophet to write a poem in favour of al-Anṣār. In this vision Ibn ‘Arabī was informed that his mother was from al-Anṣār’s tribe (I, 267). In the fourth vision, at the end of Muḥarram 627 AH the Prophet came to him once again and handed him the book Fuṣūṣ al-Ḥikam (The Bezels of Wisdoms). Ibn ‘Arabī started writing this book with all the purity of his intentions and his deepest aspirations. He said: “I state nothing that has not been projected toward me; I write nothing except what has been inspired in me. I am not a Prophet nor a Messenger but simply an inheritor; and I labour for my future life” (Ibn ‘Arabī, “Fuṣūṣ al-Ḥikam” 47). In the same year just over two months after receiving the book of the Fuṣūṣ he had a vision of Divine Ipseity, it’s exterior and interior which he had not seen before in any of his witnessings.

The Futūḥāt al-Makkiyya[link]

Diagram of "Plain of Assembly"(Ard al-Hashr) on the Day of Judgment, from autograph manuscript of Futuhat al-Makkiyya, ca. 1238 (photo: after Futuhat al-Makkiyya, Cairo edition, 1911).

In 629 AH the first draft of al-Futūḥāt al-Makkiyya was completed. The book has hundreds of manuscript in various libraries of the world, the most important of them is the manuscript of Konya, written by its author. This book had taken the best part of his thirty years and Ibn ‘Arabī dedicated it to his eldest son, ‘Imāduddīn Muḥammad. It contains 560 chapters of esoteric knowledge and is truly the encyclopaedia of Islamic Sufism. The book is divided into six sections and these are:

1. Spiritual Knowledge (al-ma‘ārif)
2. Spiritual Behaviour (al-ma‘lūmāt)
3. Spiritual States (al-aḥwāl)
4. Spiritual Abodes (al-manāzil)
5. Spiritual Encounters (al-munāzalāt)
6. Spiritual Stations (al-maqāmāt)

Chapter 559 contains the mysteries and secrets of all the chapters of the book (some may deem it a summary of the whole Futūḥāt). In the 48th chapter of the Futūhāt, he says that the content of the message and the form of its presentation have been determined by Divine Inspiration.

Three years later in 632 AH, on the first of Muḥarram, Ibn ‘Arabī embarked on a second draft of the Futūḥāt; this he explained, included a number of additions and a number of deletions as compared with the previous draft. This revision completed in the year 636 (Addas 286). After completion of this 2nd draft, he started teaching it to his disciples. Dr. Osman Yahia has mentioned hundreds of these hearings or public readings that occur between the year 633 AH and 638 AH. These hearings show that the Futūḥāt was a primary document of his concepts and was widespread in his life in comparison with the Fuṣūṣ al-Hikam, which has only one Samā’ given to only Ṣadruddīn al-Qūnawī.

Death[link]

Finally on 22 Rabī‘ al-Thānī 638 AH at the age of seventy-five, Ibn ‘Arabī’s terrestrial life came to an end. He was present at the house of Qaḍī Ibn Zakī at the time of death, Jamāluddīn ibn ‘Abd al-Khāliq, ‘Imād Ibn Naḥḥās and his son ‘Imāduddīn performed his funeral rites. He was buried in the family tomb of the Banū Zakī in the small beautiful district of Al-Salihiyah at Jabal Qāsiyūn.

Works[link]

Some 800 works are attributed to Ibn Arabi, although only some have been authenticated. Recent research suggests that over 100 of his works have survived in manuscript form, although most printed versions have not yet been critically edited and include many errors.^[3]

• The Ringstones of Wisdom (also translated as The Bezels of Wisdom), or Fusus al-Hikam.
• The Meccan Illuminations (Al-Futūḥāt al-Makkiyya), his largest work in 37 volumes originally and published in 4 or 8 volumes in modern times, discussing a wide range of topics from mystical philosophy to Sufi practices and records of his dreams/visions.
• The Dīwān, his collection of poetry spanning five volumes, mostly unedited. The printed versions available are based on only one volume of the original work.
• The Holy Spirit in the Counselling of the Soul (Rūḥ al-quds), a treatise on the soul which includes a summary of his experience from different spiritual masters in the Maghrib. Part of this has been translated as Sufis of Andalusia, reminiscences and spiritual anecdotes about many interesting people whom he met in al-Andalus.
• Contemplation of the Holy Mysteries Mashāhid al-Asrār probably his first major work, consisting of fourteen visions and dialogues with God.
• Divine Sayings Mishkāt al-Anwār, an important collection made by Ibn 'Arabī of 101 hadīth qudsī
• The Book of Annihilation in Contemplation (K. al-Fanā' fi'l-Mushāhada), a short treatise on the meaning of mystical annihilation (fana).
• Devotional Prayers Awrād, a widely read collection of fourteen prayers for each day and night of the week.
• Journey to the Lord of Power (Risālat al-Anwār), a detailed technical manual and roadmap for the "journey without distance".
• The Book of God's Days (Ayyām al-Sha'n), a work on the nature of time and the different kinds of days experienced by gnostics
• The Fabulous Gryphon of the West ('Unqā' Mughrib), a book on the meaning of sainthood and its culmination in Jesus and the Mahdī
• The Universal Tree and the Four Birds al-Ittihād al-Kawnī, a poetic book on the Complete Human and the four principles of existence
• Prayer for Spiritual Elevation and Protection ('al-Dawr al-A'lā, a short prayer which is still widely used in the Muslim world
• The Interpreter of Desires (Tarjumān al-Ashwāq) love poetry (ghazals) which, in response to critics, Ibn Arabi republished with a commentary explaining the meaning of the poetic symbols.
• Divine Governance of the Human Kingdom (At-Tadbidrat al-ilahiyyah fi islah al-mamlakat al-insaniyyah).
• The Four Pillars of Spiritual Transformation Hilyat al-abdāl a short work on the essentials of the spiritual Path

Commentaries and translations of Fuṣūṣ al-Ḥikam[link]

There have been many commentaries on Ibn 'Arabī's Fuṣūṣ al-Ḥikam: the first, al-Fukūk, was written by his stepson and heir, Ṣadr al-Dīn al-Qunawī, who had studied the book with Ibn 'Arabī; the second by Qunawī's student, Mu'ayyad al-Dīn al-Jandī, which was the first line-by-line commentary; the third by Jandī's student, Dawūd al-Qaysarī, which became very influential in the Persian-speaking world. There were many others, in the Ottoman world (e.g. 'Abdullah al-Bosnawī), the Arab world (e.g. 'Abd al-Ghanī al-Nabulusī) and the Persian world (e.g. Haydar Āmolī). It is estimated that there are over fifty commentaries on the Fuṣūṣ, most of which only exist in manuscript form. The more famous (such as Qunawī's Fukūk) have been printed in recent years in Iran. A recent English translation of Ibn 'Arabī's own summary of the Fuṣūṣ, Naqsh al-Fuṣūṣ (The Imprint or Pattern of the Fusus) as well a commentary on this work by 'Abd al-Raḥmān Jāmī, Naqd al-Nuṣūṣ fī Sharḥ Naqsh al-Fuṣūṣ (1459), by William Chittick was published in Volume 1 of the Journal of the Muhyiddin Ibn 'Arabi Society (1982).^[4]

The Fuṣūṣ was first critically edited in Arabic by 'Afīfī (1946). The first English translation was done in partial form by Angela Culme-Seymour^[5] from the French translation of Titus Burckhardt as Wisdom of the Prophets (1975),^[6] and the first full translation was by Ralph Austin as Bezels of Wisdom (1980).^[7] There is also a complete French translation by Charles-Andre Gilis, entitled Le livre des chatons des sagesses (1997). The only major commentary to have been translated into English so far is entitled Ismail Hakki Bursevi's translation and commentary on Fusus al-hikam by Muhyiddin Ibn 'Arabi, translated from Ottoman Turkish by Bulent Rauf in 4 volumes (1985–1991).

In Urdu, the most widespread and authentic translation was made by Bahr-ul-uloom Hazrat Muhammad Abdul Qadeer Siddiqi Qadri Hasrat, the former Dean and Professor of Theology of the Osmania University, Hyderabad. It is due to this reason that his translation is in the curriculum of Punjab University. Maulvi Abdul Qadeer Siddiqui has made an interpretive translation and explained the terms and grammar while clarifying the Shaikh's opinions.

See also[link]

• Sufism
• Mujaddid
• Al Akbariyya
• Ivan Aguéli
• Mahmud Shabistari
• Miguel Asín Palacios
• List of Sufis influenced by Ibn 'Arabī

References[link]

Sources[link]

• As of this edit, this article uses content from "A Concise biography of Ibn 'Arabi", which is licensed in a way that permits reuse under the Creative Commons Attribution-ShareAlike 3.0 Unported License and the GFDL. All relevant terms must be followed.

Citations[link]

Bibliography[link]

Books by Ibn Arabi[link]

This is a small selection of his many books.

In Arabic[link]

• Ibn ‘Arabī. Al-Futūḥāt al-Makkiyya, Vols. 1–4. Beirut: n.p.; photographic reprint of the old edition of Bulaq 1329/1911 which comprises four volumes each about 700 pages of 35 lines; the page size is 20 by 27cm. Print.
• Ibn ‘Arabī, Ibrāhīm Madkūr, and ʻUthmān Yaḥyá. Al-Futūḥāt al-Makkiyya, Vols. 1–14,. al-Qāhirah: al-Hayʼah al-Miṣrīyah al-ʻĀmmah lil-Kitāb, 1972. Print. this is the critical edition by Osman Yahya. This version was not completed, and the 14 volumes correspond to only volume I of the standard Bulaq/Beirut edition.
• Ibn ‘Arabī, Fuṣūṣ al-Ḥikam. Beirut: Dar al-Kitab al-'Arabī. Print.
• Ibn ‘Arabī. Sharḥ Risālat Rūḥ Al-quds fī Muḥāsabat Al-nafs. Comp. Mahmud Ghurab. 2nd ed. Damascus: Naḍar, 1994. Print.
• Ibn ‘Arabī. Inshā’ al-Dawā’ir, Beirut: Dar al-kutub al-‘Ilmiyya. 2004. Print.
• Ibn ‘Arabī. Rasā’il Ibn ‘Arabī (Ijāza li Malik al-Muẓaffar). Beirut: Dar al-kutub al-‘Ilmiyya, 2001. Print.
• Ibn ‘Arabī. Rasā'il Ibn al-'Arabî (Kitāb al-Jalāla). Hyberadad-Deccan: Dā’irat al-Ma‘ārif al-‘Uthmāniyya, 1948. Print.
• Ibn ‘Arabī. Kitāb al Bā’. Cairo: Maktabat al-Qāhira, 1954. Print.
• Ibn ‘Arabī, Risālat ila Imām al-Rāzī. Hyberadad-Deccan: Dā’irat al-Ma‘ārif al-‘Uthmāniyya, 1948. Print.

In English[link]

• Ibn ‘Arabī. Divine Governance of the Human Kingdom Including What the Seeker Needs and The One Alone. Louisville: Fons Vitae, 1997. Print.
• Ibn ‘Arabī. Nasab al-Khirqa. Trans. Gerald Elmore. Vol. XXVI. Oxford: Journal of the Muhyiddin Ibn ‘Arabi Society, 1999. Print.
• Ibn ‘Arabī. Divine Sayings The Mishkāt Al-Anwār of Ibn 'Arabi. Oxford: Anqa, 2005. Print.

Books about Ibn Arabi[link]

• Hirtenstein, The Unlimited Mercifier, ISBN 0-9534513-2-1
• Addas, Quest for the Red Sulphur, ISBN 0-946621-45-4
• Akkach, Samer, Ibn 'Arabî's Cosmogony and the Sufi Concept of Time, in: Constructions of Time in the Late Middle Ages, ed. Carol Poster and Richard Utz. Evanston, IL: Northwestern University Press, 1997. Pp. 115-42.
• Titus Burckhardt & Bulent Rauf (translator), Mystical Astrology According to Ibn 'Arabi (The Fons Vitae Titus Burckhardt Series) ISBN 1-887752-43-9
• Torbjörn Säfve, "Var inte rädd" ('Do not be afraid'), ISBN 91-7221-112-1
• Elmore, Gerald T. Ibn Al-'Arabī’s Testament on the Mantle of Initiation (al-Khirqah). Journal of the Muhyiddin Ibn ‘Arabi Society XXVI (1999): 1-33. Print.
• Elmore, Gerald T. Islamic Sainthood in the Fullness of Time: Ibn Al-‘Arabī's Book of the Fabulous Gryphon. Leiden: Brill, 1999. Print.
• Hirtenstein, Stephen, and Jane Clark. Ibn 'Arabi Digital Archive Project Report for 2009. Muhyiddin Ibn 'Arabi 1165AD - 1240AD and the Ibn 'Arabi Society. Dec. 2009. Web. 20 Aug. 2010. http://www.ibnarabisociety.org/articles/mssarchivereport2009.html>.

• Yahia, Osman. Mu'allafāt Ibn ʻarabī: Tārīkhuhā Wa-Taṣnīfuhā. Cairo: Dār al-Ṣābūnī, 1992. Print.
• Yousef, Mohamed Haj. Ibn 'Arabi - Time and Cosmology (London, Routledge, 2007) (Culture and Civilization in the Middle East).
• Yūsuf, Muhammad Haj. Shams Al-Maghrib. Allepo: Dār al-Fuṣṣilat, 2006. Print.

External links[link]

• Ibn Arabi entry by William Chittick in the Stanford Encyclopedia of Philosophy
• Ibn Arabi society page about Ibn Al 'Arabi
• Information about Ibn Al 'Arabi's life and works
• Home page of Ibn Al Arabi Foundation in Pakistan
• The Seals of Wisdom (فصوص الحكم)
• Ibn Arabi & Mystical Journey:The Journey to the Lord of Power -(John G. Sullivan Department of Philosophy Elon College)
• Correspondences between the Sufi Ideas of Ibn Al Arabi and Physics
• (French) Commentary of the Hadith Qudsi " My mercy prevails over my wrath " by Imam Ibn Al 'Arabi

v t e Sufism and Tariqa Ideas Qutb Wali Abdal Fakir Dervish Tazkiah Baqaa Fanaa Haal Keramat Haqiqa Ihsan Irfan Kashf Lataif Manzil Marifa Nafs Noor Sufi cosmology Sufi metaphysics Sufi philosophy Sufi poetry Sufi psychology Sulook Yaqeen Silsila Practices Anasheed Dhikr Haḍra Muraqaba Qawwali Sama Whirling Ziyarat Sufi orders Azeemia Akbarī Alians Ba 'Alawī Bayramī Bektashī Chishtī Galibī Gulshanī Ḥurūfī Idrīsī Jelvetī Jerrahī Khalwatī Kubrāwī Madarī Malāmatī Mawlāwī Mourīdī Naqshbandī Naqshbandi Uwaisī Khalidiyya Nasuhī Ni'matullāhī Nuqtawī Qadirī Qalāndārī Rifa'ī Safāvī Shadhilī Suhrawardī Sunbulī Tijanī Ussakī Uwaisī Zahedī Notable early Sufi saints and mystics Abdul-Qadir Gilanī Abul-Khayr Ahmad Ghazālī Ahmed Yasāvī Al-Ghazālī Al-Hallaj al-Misrī Al-Qāsim al-Qunawī Amīr Kulal Ardabilī Ata Allah Attar Balım Sultan Baha ūd-Dīn Naqshband Bande Nawāz Baqī Billah Bastamī Bhita'ī Bulleh Shah Shah Waliullah Dehlāvī Farīd ūd-Dīn Fozail Gālib Gharīb Nawāz Ghujdawanī Ghulam Farīd Sheik Edebali Gül Baba Hajji Bayram Hajji Bektash Hazrat Mai Safoora Qadiriyya Haddad Hamadānī Hansvī Harabatī Baba Hasan Basri Mahmud Hudayī Hujwirī ibn ʿArabī Jābir ibn Hayyān Jahangasht Jamī Jan-e-Jānāān Jazoulī Junayd Baġdādī Kākī Kaliyarī Karkhī Kharaqanī Kubrā Nāimī Najib al-Suhrawardī Nasīmī Mansur Al-Hallaj Ni'matullāh Nizām ūd-Dīn Nurī Otman Baba Pir Sultan Qutb ūd-Dīn Haydār Rabbānī Rabia Basri Razī Rifa'ī Rukn-e-Alam Rūmī Ibrahim ibn Adham Saadī Salman al-Farisī Sanai Mevlana Halid-i Bagdadi Sarı Saltuk Semnanī Shadhilī Shahāb al-Dīn Suhrawardī Shams Tabrizī Shiblī Shirazī Sultan Walad Surkh Bukhari Taj al-Dīn Gilanī Umar al-Suhrawardī Uwais al-Qarni Yunus Emre Magtymguly Pyragy Zakariya Zarruq Notable modern Sufi saints Auliya Azeemi Nagpuri Meher Ali Sheikh Muhammad Uthman Sirajuddin Qadeer Piya Muhammad Maliki Gohar Shahi Tahir ul-Qadri Tahir Allauddin Taqi Usmani Abdal Hakim Murad Nazim Al-Haqqani Hisham Kabbani Nuh Keller Nooruddeen Durkee Abdalqadir as-Sufi Zaheen Ghulam Mustafa Reshad Feild Ahmad al-Alawi Ashraf Ali Thanvi Bawa Muhaiyaddeen Abd al-Rahman al-Shaghouri Omar Shah Haeri Raza Khan Syed Shujaat Pir Zulfiqar Abdullah Naqshbandi Sufi Barkat Ali Hafiz Qamaruddin Saheb Qibla Fultali Feisal Abdul Rauf Osman Nuri Topbaş Sufi studies Aguéli Almqvist Burckhardt Chittick Corbin Ernst Frager Guénon Hixon Lindbom Lings Nasr Schimmel Sells Shah Schuon Topics in Sufism Art Fiction History Music Poetry Shrines Texts Portal

Ana Torroja
Torroja in 2009.
Background information
Born	(1959-12-28) 28 December 1959 (age 52)
Origin	Spain
Genres	Pop
Occupations	Singer, songwriter, musician
Instruments	Vocalist
Years active	1981–present
Associated acts	Mecano
Website	http://www.anatorroja.info/

Ana Torroja (born 28 December 1959 in Madrid) is a Grammy Award-nominated Spanish singer. She is the lead singer of the pop trio Mecano, considered one of the most popular pop bands from Spain during the 1980s and 1990s. Mecano split in 1998 and she embarked on a solo career.

Biography[link]

Ana Torroja met José María Cano while studying economics at university. The two became good friends, and José María soon introduced her to his younger brother, Nacho. After hearing Ana sing José María's guitar compositions, Nacho suggested that the three form a band. In 1981, Mecano was formed.

After seven Mecano albums and huge success in Europe and Latin America, the continuous touring began taking its toll on the band. Ana was especially affected and started developing vocal problems. In 1993, the band announced a temporary split. While José and Nacho released solo albums, Ana chose to travel around the world and visited Hawaii, Bombay, and New York—places she had sung about while with Mecano. She eventually settled in New York and took dance classes.

By 1997, Ana felt confident enough to sing again and moved to London to record her first solo album, Puntos Cardinales (Cardinal points). The album, produced by Tony Mansfield, marked a curious change for Ana. Because her new songs were not written from a male point of view—unlike the Mecano hits written by the Cano brothers—she felt that she could express herself as a woman for the first time. The first single from the album, A Contratiempo, was a Spanish-language cover of an old Bette Midler song, "Bottomless". Both the album and the single went to number 1 in Spain.

In 1998, partially due to the cost and commercial failure of José María's opera project, Mecano reunited for the double-disc greatest hits compilation Ana, José, Nacho, which also featured seven new songs.

Ana's biggest solo success came in 1999 with her album, Pasajes de un Sueño (Passages of a dream). This album was hailed by critics and the first single, Ya No Te Quiero ("I don't love you anymore" or "I don't want you anymore"), became one of the best-selling songs in Spain that year. As a part of the promotion of this album, Torroja undertook, together with Miguel Bosé the "GIRADOS" tour in May 2000, throughout Spain, the United States, and part of Latin America. The tour concluded at the beginning of the following year.

In 2001, Ana tried to reconquer the French audience she had won over at the time of Mecano, recording the album Ana Torroja.

She then took part in the recording of the disc Duetos 2 by the Mexican artist Armando Manzanero, with whom she recorded the song Nada personal (Nothing personal).

In 2003 she published her third album Frágil (Fragile), in which she presented a more genuine pop-based image. For the album, she appeared for the first time solo on stage, in a brief tour across America and Europe called the Gira Frágil (Fragile Tour). It was this material that consolidated her success as a solo artist, and with which she also obtained numerous nominations and prizes such as the Grammy Latino, Shangay (Spain) and Oye (Mexico).

Shortly afterwards, she took a brief break from her musical career, guesting with artists such as Mexican singer, composer, and keyboard player Aleks Syntek in 2004. She dueted with Syntek on the song Duele el amor (Love hurts), which was a major commercial success. en 2004 a dúo con el cantante italiano Ana Torroja Gigi D'Alessio una nueva canción llamada beso en italiano, y cantada por el mismo Gigi D'Alessio y Anna Tatangelo. In 2006, Ana released a new studio album called Me Cuesta Tanto Olvidarte, produced by Syntek. The album contained new versions of old Mecano hits. The first single was Los Amantes, which reached #2 on the Spanish charts.

In 2008, Ana decided to work with Schiller, singing Por qué te vas, which went to Number One in the Sehnsucht album charts in Germany.

On 17 May 2008, Ana Torroja was invited by Aleks Syntek to take part in the macro concert of the Fundación ALAS, in aid of children in Latin America. She sang Me cuesta tanto olvidarte, Duele el amor, Corazones, and Te amaré (alongside all the invited artists).

On 10 October 2008, she was seriously injured in a car crash in Cádiz, from which she fully recovered.^[1]

Ana's music has managed to spread further than just France and Germany. In 2010, British singer Jack Lucien announced that he had covered her song "Hoy ya no te quiero" for his forthcoming third studio album.^[2]

In October 2010 Ana released Sonrisa (Spanish for smile), her fifth original studio album in Spanish. The album was produced by the Venezuelan Andrés Levin, who also produced her second album. The recording of the album started in 2008, the album being originally scheduled for release in March 2009. The release had however been delayed due to her car accident in 2008. So far Sonrisa has been met with favourable reviews.

Discography[link]

Studio albums and Compilations[link]

• "Puntos cardinales" (1997)
• "Points Cardinaux" (1997)
• "Pasajes de un sueño" (1999)
• "Girados en concierto" - a collaboration with Miguel Bosé (2000)
• "Ana Torroja" (2001)
• "Frágil" (2003)
• "Esencial" (2004)
• "Me Cuesta Tanto Olvidarte" (2006)
• "Sonrisa" (Smile - 2010)

Covers and Collaborations[link]

• "A contratiempo and Les murs (version en français)" ("Bottomless" - Bette Midler) (1995)
• "Hold on" (duet with Jason Hart) (1997) (marketed in 2005)
• "Media luna" (duet with Deep Forest) (1997)
• "Veinte mariposas" ("Hidden like a secret" - Jimmy Wahisteen/Jorge Drexter) (2003)
• "Quien dice" ("I really don't think so" - Tina Harris/Marc Nelkin/Jamie Hartman) (2003)
• "Sólo por eso" ("Rien que pour ça" - Tristan Boccara/Nathaniel Brendel) (2003)
• "Cuatro días" ("Would you like to know" - Tina Harris/Mats Bernhoft/Anders Bagge) (2003)
• "Menos, más" ("Vers ta voix" - Tino Izzo/Diane Cadieux) (2003)
• "I wish you were here " ("Wish you were here" - Waters G.) (2003)
• "Sweet Lullaby" (duet with Deep Forest) (2003)
• "Duele el amor" (duet with Aleks Syntek)("Love breaks your heart") (2004)
• "Enfant de la lune" (duet with Psy 4 de la Rime, a French hip hop group) (2005)
• "Porque te vas" (duet with Schiller) (2008)
• "Hijo de la luna" (duet with Raphael) (2008)

Songs in English[link]

• "Si fueras tú" (1997) (If I were you) - Jason Hart
• "Dulce pesadilla" (1999) (Beautiful nightmare) - Jason Hart
• "No estás" (1999) (Don't fall) - Jason Hart

References[link]

External links[link]

• Mecano WebSite Official - Mecano
• Ana Torroja Homepage
• Forus Official Ana Torroja
• Review of Sonrisa (in English)