name	Daas
director	Babu Yogeswaran
producer	K. MuralitharanV. SwaminathanG. Venugopal
writer	Babu Yogeswaran
starring	Jayam RaviRenuka MenonVadiveluLivingstonAdithyaMonica
music	Yuvan Shankar Raja
cinematography	Vijay K. ChakravarthySrinivias Devamsam
editing	Anthony
studio	Lakshmi Movie Makers
released	2005
runtime	165 mins
language	Tamil
country
website	}}

''Daas'' is a 2005 Indian Tamil romantic film, written and directed by newcomer Babu Yogeswaran. The film stars Jayam Ravi, Renuka Menon in lead and Vadivelu, Livingston, Adithya, Shanmugarajan and Monica among others in supporting roles. The film's score and soundtrack are composed by Yuvan Shankar Raja. The film, released in 2005, was an average grosser.

Plot

The movie begins in a small village in Tirunelveli district where a few upper caste men hold a chariot festival. Antony (Jayam Ravi) along with his friends pull the chariot in to their slum and they naturally incur the wrath of a local leader Annachi (Shanmuga Rajan). Meanwhile his daughter Rajeswari (Renuka Menon) falls in love with Daas. Her sister (Monica) elopes to marry a lower caste boy Guna (Abhinay), a classmate of Daas.

Coming to know about this, Annachi sends his men to bump off the couple. Eventually, Annachi set the couple ablaze in front of Daas. An angry Rajeswari in order to teach her father a lesson elopes with Daas and vows to get married. The couple then seeks refuge in the house of Nasser (Krishna) in Madurai. He promises to get them married. However coming to know about their hideout, Annachi's men reach Madurai to foil their plans. Nasser's father Vappa (Salil Ghouse) promises to get them united. Enters Sadiq (Adithya), Nasser's brother, who plans to let loose terror in the Madurai town in the name of Jehad.

How Daas emerges triumphant from all the troubles and marries Rajeswari forms the rest of the story.

Cast

Jayam Ravi...Antony Daas

Renuka Menon...Rajeshwari

Vadivelu...

Shanmugarajan...Annachi

Adithya...Anwar

Monica...Punitha (Rajeshwari's sister)

Abhiney...Guna

Salim Ghouse...Vappa

Krishna...Naseer

Livingston...Nasser's relative

Seetha...Rajeshwari's mother

FEFSI Vijayan...police officer

Mahadevan...the minister

Tharika...Maimun

Nirosha...Kala

Crew

Story, Screenplay, Direction: Babu Yogeswaran

Production: K. Muralitharan, V. Swaminathan & G. Venugopal

Music: Yuvan Shankar Raja

Cinematography: Vijay K. Chakravarthy & Srinivias Devamsam

Editing: Anthony

Art direction: G. K.

Stunts: 'Rocky' Rajesh

Choreography: Siva Shankar, Raju Sundaram, Kalyan, Dinesh & Ashok Raja

Lyrics: Pa. Vijay, Viveka & Yugabharathi

Banner: Lakshmi Movie Makers

Soundtrack

name	Daas
type	soundtrack
artist	Yuvan Shankar Raja
released	21 April 2005 (India)
recorded	2004 / 2005
genre	Feature film soundtrack
producer	Yuvan Shankar Raja
last album	''Arinthum Ariyamalum''(2005)
this album	''Daas''(2005)
next album	''Oru Kalluriyin Kathai''(2005) }}

The musical score as well as the soundtrack were composed by noted music composer Yuvan Shankar Raja. The soundtrack, released on April 21, 2005, features 6 songs, the lyrics for which are written by Pa. Vijay, Viveka and Yugabharathi.

Venkat Prabhu 'Saami Kittay ' 'Nee Enthan' 'Shaheeba Shaheeba ' 'Vaa Vaa' 'Sakka Podu'

Track !! Song !! Singer(s)!! Duration !! Notes
1	'Yennoda Raasi'	|	4:28
2	|	Hariharan (singer)>Hariharan, Shreya Ghoshal	4:47
3	|	Karthik (singer)>Karthik	4:55
4	|	Hariharan, Sujatha Mohan	3:58
5	|	Shankar Mahadevan, Mahalakshmi Iyer	5:22
6	|	Krishna Kumar Kunnath>K. K., Sadhana Sargam	4:21

External links

Category:2005 films Category:Indian films Category:Tamil-language films

honorific-prefix	The Right Honourable
name	Doug Anthony
honorific-suffix	AC, CH
Office1	Deputy Prime Minister of Australia
Term start1	5 February 1971
Term end1	5 December 1972
Primeminister1	John Gorton (1971)William McMahon (1971-72)
Predecessor1	John McEwen
Successor1	Lance Barnard
Term start2	12 November 1975
Term end2	11 March 1983
Primeminister2	Malcolm Fraser
Predecessor2	Frank Crean
Successor2	Lionel Bowen
constituency mp3	Richmond
parliament3	Australian
predecessor3	Larry Anthony
successor3	Charles Blunt
term start3	14 September 1957
term end3	18 January 1984
birth date	December 31, 1929
birth place	Murwillumbah, New South Wales
nationality	Australian
spouse	Margot Budd
party	National Party of Australia
relations	Larry Anthony, Sr. ''(father)''
children	Larry Anthony
occupation	Dairy farmer
footnotes	}}

John Douglas Anthony, AC, CH (born 31 December 1929), is a former Australian politician. He was leader of the National Party from 1971 to 1984, and Deputy Prime Minister from 1971 to 1972 and again from 1975 to 1983.

Early life

Anthony was born in Murwillumbah in northern New South Wales. He was the son of Hubert Lawrence "Larry" Anthony, a well-known Country Party politician. Doug Anthony was educated at The King's School in Sydney and at an agricultural college in Queensland. After graduating he took up dairy-farming near Murwillumbah. In 1957 he married Margot Budd, with whom he had three children: Dougald, Jane and Larry.

Political career

In 1957 Larry Anthony sr., who was Postmaster-General in the Liberal-Country Party coalition government led by Robert Menzies, died suddenly, and Doug was elected to succeed his father in the Division of Richmond in the House of Representatives, aged 27. He was appointed Minister for the Interior in 1964. In 1967 he became Minister for Primary Industry. It was obvious that the Country Party leader, John McEwen, was grooming Anthony to succeed him.

When McEwen retired in 1971, Anthony was duly chosen as his successor, becoming Minister for Trade and Industry and Deputy Prime Minister in the governments of John Gorton and William McMahon. He was a shrewd, attractive figure, with considerable public speaking skills, and many people would have preferred to see him, rather than the bumbling McMahon, as Prime Minister. Such was not to be, but he showed his tough streak within the cabinet when he forced McMahon to accede to the Country Party's demands on petrol prices and other issues which affected rural voters.

After McMahon's defeat in 1972, Anthony was said to favour a policy of absolute opposition to the Labor government of Gough Whitlam. Despite this, the Country Party voted with the Labor Government on some bills, for example the 1973 expansion of state aid to under-privileged schools. He urged the Liberals to take a hard line against Whitlam thereafter, and welcomed his dismissal by the Governor-General, Sir John Kerr, in 1975. To broaden the appeal of his party beyond its declining rural base, he led its name change to the National Country Party, which began contesting urban seats in Queensland and Western Australia.

When the coalition parties were confirmed in power at the 1975 election, Anthony again became Deputy Prime Minister, with the portfolios of Overseas Trade and National Resources (Trade and Resources from 1977). But with the dominating Malcolm Fraser as Prime Minister, and the Liberals having a majority in their own right between 1975 and 1980, Anthony found that he did not have the same power he had possessed before the 1972 election. Even Fraser's near-defeat in 1980 did not significantly increase Anthony's cabinet standing.

After Fraser lost office in 1983, Anthony remained as party leader (now named the National Party) for less than a year. He resigned from Parliament in early 1984. By then, although still only 55, he was the Father of the House of Representatives. He returned to his farm near Murwillumbah and generally stayed out of politics. In 1996 his son Larry Anthony won his father's old seat, creating the first three-generation dynasty in the House of Representatives.

In 1981 Anthony was appointed a Companion of Honour (CH). In 2003 he was made a Companion of the Order of Australia (AC) for service to the Australian Parliament, for forging the development of bi-lateral trade agreements, and for continued leadership and dedication to the social, educational, health and development needs of rural and regional communities.

References in popular culture

Doug Anthony's name was used by the anarchic Canberra comedy trio the Doug Anthony All Stars, who rose to fame with celebrated appearances at the Edinburgh Festival Fringe in the 1980s and came to national prominence in Australia in 1990 with their popular performances on the TV comedy series ''The Big Gig''.

See also

Anthony family

References

Category:1929 births Category:Living people Category:Australian monarchists Category:People from New South Wales Category:Companions of the Order of Australia Category:National Party of Australia politicians Category:Members of the Cabinet of Australia Category:Members of the Australian House of Representatives for Richmond Category:Members of the Australian House of Representatives Category:Members of the Order of the Companions of Honour

de:Doug Anthony

name	Brendan Francis Behan
birth date	February 09, 1923
birth place	Dublin, Ireland
death date
death place	Meath Hospital, Dublin, Ireland
occupation	Writer
nationality	Irish
period	1942–1964
genre	Irish poet, novelist, playwright Behan was portrayed from life by two Irish artists,Sean O'Sullivan and Reginald Gray.
subject	Irish Republican struggle, often autobiographical
influences	James Joyce
influenced	Shane MacGowan
website	}}

Brendan Francis Behan ( ; ; 9 February 1923 – 20 March 1964) was an Irish poet, short story writer, novelist, and playwright who wrote in both Irish and English. He was also an Irish republican and a volunteer in the Irish Republican Army.

Biography

Early life

Behan was born in the inner city of Dublin on 9 February 1923 into an educated working class family. He lived in a house on Russell Street near Mountjoy Square owned by his grandmother, Christine English, who owned a number of properties in the area. Also living in the area was his uncle Peadar Kearney, song writer and author of the Irish national anthem. Brendan's father Stephen Behan, a house painter who had been active in the Irish War of Independence, read classic literature to the children at bedtime from sources such as Zola, Galsworthy, and Maupassant; his mother, Kathleen, took them on literary tours of the city. If Behan's interest in literature came from his father, his political beliefs were by his mother. She remained politically active all her life and was a personal friend of the Irish republican Michael Collins. Brendan Behan wrote a lament to Collins, "The Laughing Boy", at the age of thirteen. The title was from the affectionate nickname Mrs. Behan gave to Collins. Kathleen published her autobiography, "Mother of All The Behans," a collaboration with her son Brian, in 1984.

Behan's uncle Peadar Kearney wrote the Irish national anthem Amhrán na bhFiann. His brother, Dominic Behan, was also a renowned songwriter best known for the song "The Patriot Game"; another sibling, Brian Behan, was a prominent radical political activist and public speaker, actor, author, and playwright. Brendan and Brian did not share the same views, especially when the question of politics or nationalism arose. Brendan on his deathbed (presumably in jest) asked Cathal Goulding, then the Chief of Staff of the IRA, to 'have that bastard Brian shot—we've had all sorts in our family, but never a traitor!'.

A biographer Ulick O'Connor, recounts that one day, at the age of eight, Brendan was returning home with his granny and a crony from a drinking session. A passer-by remarked, "Oh, my! Isn't it terrible ma'am to see such a beautiful child deformed?" "How dare you", said his granny. "He's not deformed, he's just drunk!"

Behan left school at 13 to follow in his father's footsteps as a house painter.

Republican activities

In 1937, the family moved to a new local authority housing scheme in Crumlin. Behan became a member of Fianna Éireann, the youth organization of the IRA. He published his first poems and prose in the organisation's magazine, ''Fianna: the Voice of Young Ireland''. In 1931 he also became the youngest contributor to be published in the ''Irish Press'' with his poem "Reply of Young Boy to Pro-English verses".

At sixteen, Behan joined the IRA and embarked on an unauthorised solo mission to England to blow up the Liverpool docks. He was arrested and found in possession of explosives. Behan was sentenced to three years in a Borstal and did not return to Ireland until 1941. He wrote about these years in his autobiography, ''Borstal Boy''. In 1942, during the timeframe leading to the IRA's Northern Campaign, Behan was tried for the attempted murder of two detectives in Dublin while at a commemoration ceremony for Wolfe Tone, the father of Irish Republicanism. Sentenced to fourteen years in prison, he was incarcerated in Mountjoy Prison and the Curragh. These experiences were relayed in "Confessions of an Irish Rebel." Released under a general amnesty for Republicans in 1946, his terrorist career was over by the age of twenty-three. Aside from a short prison sentence he received in 1947 for his part in trying to break a fellow Republican out of a Manchester jail, he effectively left the IRA, though he remained great friends with Cathal Goulding.

Behan the writer

Behan's prison experiences were central to his future writing career. In Mountjoy he wrote his first play, ''The Landlady'', and also began to write short stories and other prose. It was a literary magazine called Envoy (A Review of Literature and Art), founded by John Ryan, that first published Behans short stories and his first poem. Some of his early work was also published in ''The Bell,'' the leading Irish literary magazine of the time. He also learned Irish in prison and, after his release in 1946, he spent some time in the Gaeltacht areas of Galway and Kerry, where he started writing poetry in Irish. He left Ireland and all its perceived social pressures to live in Paris in the early 1950s. There he felt he could lose himself and release the artist within. Although he still drank heavily, he managed to earn a living, supposedly by writing pornography. By the time he returned to Ireland, he had become a writer who drank too much, rather than a drinker who talked about what he was going to write. He had also developed the knowledge that in order to succeed, he would have to discipline himself. Throughout the rest of his writing career, he would rise at seven in the morning and work until noon—when the pubs opened. He began to write for various newspapers, such as ''The Irish Times,'' and also for radio, where a play entitled "The Leaving Party" was broadcast. Additionally, he cultivated a reputation as carouser-in-chief and swayed shoulder-to-shoulder with other literati of the day that he had got to know through Envoy and who used the pub, McDaid's, as their base: Flann O'Brien, Patrick Kavanagh, Patrick Swift, Anthony Cronin, and J. P. Donleavy. For unknown reasons he had a major falling-out with Kavanagh, who reportedly would visibly shudder at the mention of Behan's name and who referred to Behan as "evil incarnate".

Behan's fortunes changed in 1954 with the appearance of his play ''The Quare Fellow''—his major breakthrough at last. Originally called ''The Twisting of Another Rope'' and influenced by his time spent in jail, it chronicles the vicissitudes of prison life leading up to the execution of "the quare fellow"—a character who is never seen. The prison dialogue is vivid and laced with satire, but reveals to the reader the human detritus that surrounds capital punishment. It was produced in the Pike Theatre in Dublin. The play ran for six months. In May, 1956, ''The Quare Fellow'' opened in the Theatre Royal Stratford East, in a production by Joan Littlewood's Theatre Workshop. Subsequently it transferred to the West End. Behan generated immense publicity for ''The Quare Fellow'' as a result of a drunken appearance on the Malcolm Muggeridge TV show. The English, relatively unaccustomed to public drunkenness in authors, took him to their hearts. A fellow guest on the show, Irish-American actor Jackie Gleason, reportedly said about the incident: "It wasn't an act of God, but an act of Guinness!" Behan and Gleason went on to forge a friendship. Brendan loved the story of how, walking along the street in London shortly after this episode, a Cockney approached him and exclaimed that he understood every word he had said—drunk or not—but hadn't a clue what "that bugger Muggeridge was on about!" While addled, Brendan would clamber on stage and recite the play's signature song "The Auld Triangle". The transfer of the play to Broadway provided Behan with international recognition. Rumours still abound that Littlewood's hand was all over ''The Quare Fellow'' and led to the saying, "Dylan Thomas wrote Under Milk Wood, Brendan Behan wrote under Littlewood". She remained a supporter, visiting him in Dublin in 1960.

In 1957, his Irish language play, ''An Giall'' (''The Hostage'') opened in the Damer Theatre, Dublin. Reminiscent of Frank O'Connor's Guests of the Nation, it portrays the detention, in a teeming Dublin house in the late 1950s, of a British conscript soldier seized by the IRA as a hostage pending the scheduled execution in Northern Ireland of an imprisoned IRA volunteer. The hostage falls in love with an Irish convent girl, Teresa, working as a maid in the house. Their innocent world of love is incongruous among their surroundings—the house also serves as a brothel. In the end, the hostage dies accidentally during a bungled police raid, revealing the human cost of war—a universal suffering. The subsequent English language version ''The Hostage'' (1958), reflecting Behan's own translation from the Irish, but also much influenced by Joan Littlewood during a troubled collaboration with Behan, is a bawdy, slapstick play that adds a number of flamboyantly gay characters and bears only a limited resemblance to the original Irish language version.

His autobiographical novel ''Borstal Boy'' followed in 1958. A vivid memoir of his time in Hollesley Bay Borstal, Suffolk, England, an original voice in Irish literature boomed out from its pages. The language is both acerbic and delicate, the portrayal of inmates and "screws" cerebral. For a Republican, though, it isn't a vitriolic attack on Britain; it delineates Behan's move away from violence. In one account an inmate strives to entice Brendan in chanting political slogans with him. Brendan curses and damns him in his mind, hoping he would cease his rantings-hardly the sign of a troublesome prisoner. By the end the idealistic boy rebel emerges as a realistic young man who recognises the truth: violence, especially political violence, is futile. Kenneth Tynan, the 1950s literary critic said: "While other writers hoard words like misers, Behan sends them out on a spree, ribald, flushed, and spoiling for a fight." He was now established as one of the leading Irish writers of his generation.

He learned to speak Irish at the home of the Nolan family in the Gaeltacht area of Galway in the late forties. Drs Sinead and Maureen Nolan (daughters of the house) never heard a disrespectful word or a hint of obscenity from him during that time. He was much loved and revered by their deeply religious parents, who recognized his genius for language early. They saw his theatrics for what it was: a cover up for an exquisitely sensitive nature. In the end his favourite drink (a lethal combination for a diabetic) was Champagne and Sherry.

Decline and death

Behan found fame difficult. He had long been a heavy drinker (describing himself, on one occasion, as "a drinker with a writing problem" and claiming "I only drink on two occasions—when I'm thirsty and when I'm not") and developed diabetes in the early 1960s. As his fame grew, so too did his alcohol consumption. This combination resulted in a series of notoriously drunken public appearances, on both stage and television.

Brendan saw that it paid to be drunk; the public wanted the witty, iconoclastic, genial "broth of a boy," and he gave that to them in abundance, exclaiming: "There's no bad publicity except an obituary." His health suffered terribly, with diabetic comas and seizures occurring regularly. Towards the end he became the caricature of the drunken Irishman. The public who once extended their arms now closed ranks against him; publicans flung him from their premises. Although Brendan cried out that he was a writer, inside he knew his fears had materialised—he was unable to generate another classic. His last two books, ''Brendan Behan's Island'' and ''Brendan Behan's New York'', published in 1962 and 1964 respectively, were talk books and cannot be compared to his former works. They were littered with pretentiousness and sycophancy, neither of which he would have tolerated earlier: "As Norman Mailer said to me. ....." Arthur Miller came up to me. ..." "One day with Groucho Marx. ..." Both works were tape-recorded, which Brendan hated. He preferred to write longhand or to type.

Behan had married Beatrice Salkeld (the daughter of painter Cecil Salkeld) in 1955. A daughter, Blanaid, was born in 1963. Love, however, wasn't enough to bring Behan back from his alcoholic abyss. By early March 1964, the end was in sight. Collapsing at the Harbour Lights bar, he was transferred to the Meath Hospital in central Dublin, where he died, aged 41.

He was buried in Glasnevin Cemetery, where he received an Irish Republican Army funeral. En route to the graveyard, thousands lined the streets.

Pop culture references

One of his books, ''Confessions of an Irish Rebel'' is burnt in the movie ''Fahrenheit 451''.

He was mentioned in the ''Preacher'' comics by Garth Ennis when the vampire Cassidy claimed to have known him in the '50s. Ennis also created a Behan analogue in ''Hellblazer''.

Behan's work has been a significant influence in the writings of Shane MacGowan, and he is the subject of "Streams Of Whiskey", a song by the Pogues.

Behan is also mentioned in the Pogues song "Thousands Are Sailing" (written by Philip Chevron) with reference to the experience of Irish immigrants in New York.

Chicago-based band The Tossers wrote the song Breandan O Beachain, found on their 2008 album On A Fine Spring Evening.

The Mahones mention Behan in the song "Draggin' the Days"

In the Thin Lizzy song "Black Rose", in the lyric "Ah sure, Brendan where have you Behan?"

In Bob Geldof's song "Thinking Voyager 2 Type Things," the line "So rise up Brendan Behan like a drunken Lazarus."

In Dexys Midnight Runners' first single, "Dance Stance" (a/k/a "Burn It Down"), a top 40 hit in the UK, Behan is named among other Irish writers in the song's chorus.

Behan's version of the third verse of "The Internationale", from ''Borstal Boy'', was reproduced on the LP sleeve of Dexys Midnight Runners' debut album, ''Searching for the Young Soul Rebels''.

In The Mighty Mighty Bosstones song "All Things Considered" where the main character claims "he was there the day Brendan Behan died".

Shortly after Behan's death a young student, Fred Geis, wrote the song "Lament for Brendan Behan" and passed it on to the Clancy Brothers, who sang it on their album ''Recorded Live in Ireland!'' the same year. This song, which calls "bold Brendan" Ireland's "sweet angry singer", was later covered by the Australian trio The Doug Anthony All Stars, better known as a comedy band, on their album ''Blue''.

Behan is mentioned as an alcoholic muse in the film "Divorcing Jack": "... as my artistic interests grew I found that many of my heros had had impassioned affairs with what my old dar would say was the devils vomit. Brendan Behan, Dylan Thomas, George Best, Pete Townsend... It had not adversely affected any of them, with the exception of the first two. 'em it killed."

Brendan Behan is also mentioned in the Damien Dempsey song ''Jar Song''.

"Brendan" :Seamus Robinson's song-tribute to Brendan Behan.

Behan's prisoner song (which was written by his brother Dominic) "The Auld Triangle", from his play ''The Quare Fellow'' (this term being prison slang for a prisoner condemned to be hanged), has become something of a standard and has been recorded on numerous occasions, by folk musicians as well as popular bands like the Pogues and the Dropkick Murphys.

Irish band A House mention Behan in their song "Endless Art".

The Mountain Goats song "Commandante" opens with the line "I'm gonna drink more whiskey than Brendan Behan".

A pub named for Behan is located in the historically Irish Jamaica Plain section of Boston, MA

Behan's two poems from his work "The Hostage", "On the eighteenth day of November" and "The laughing boy" have been translated to Swedish and recorded by Ann Sofi Nilsson on the album "När kommer dagen".

the same poems have been translated in 1966 to Greek and recorded by Maria Farantouri on the album "Ένας όμηρος" ( the hostage) by Mikis Theodorakis.

There are two stories associated with him (both of which were in the A Series of QI, in the episode entitled, 'Advertising'.) One states that he was visiting Canada and he was asked by a reporter "What brings you to Canada, Mr Behan?" To which Behan is supposed to have replied "Well now, I was in a bar in Dublin and it had one of those coasters, and it said "Drink Canada Dry," so I thought I'd give it a shot." The second story states that he would write a slogan for Guinness if he were given a few crates of the product. The next day, the advertisers from Guinness returned to find the crates empty, surrounded by bits of crumpled paper, and he said "I've got it: 'Guinness makes you drunk.'"

Brendan Behan is mentioned in the Pete St John song about Dublin life made famous by The Dubliners, The Mero, "It's Brendan Behan out walking, Sure he's a ginger man".

The Doug Anthony All Stars performed The Auld Triangle on The Big Gig

According to J.P. Donleavy's "History of The Ginger Man," Donleavy claims that Behan was instrumental in bringing Donleavy in contact with M. Girodios of Olympia Press (Paris) in order to help Donleavy's famous first novel, "The Ginger Man" be published despite it's having been ostracized by the world literature community for its "filth" and "obscenity." Donleavy also alludes to the fact that Behan also lent assistance to Nabokov in getting "Lolita" published in a similar fashion.

Works

Plays

''The Quare Fellow'' (1954)

''An Giall'' (1958), ''The Hostage'' (1958)

*Behan wrote the play in Irish, and translated it to English

''Richard's Cork Leg'' (1972)

''Moving Out'' (one act play, commissioned for radio)

''A Garden Party'' (one act play, commissioned for radio)

''The Big House'' (1957, one act play, commissioned for radio)

Books

''Borstal Boy'' (1958)

''Brendan Behan's Island'' (1962)

''Hold Your Hour and Have Another'' (1963)

''Brendan Behan's New York'' (1964)

''Confessions of an Irish Rebel'' (1965)

''The Scarperer'' (1966)

''After The Wake: Twenty-One Prose Works Including Previously Unpublished Material'' (posthumous – 1981)

Songs

''Brendan Behan Sings Irish Folksongs and Ballads'' Spoken Arts Records SAC760 (1985)

''The Auld Triangle'' appears on the 2006 Bert Jansch album, The Black Swan

''The Auld Triangle'' Performed live by The Bleeding Irish

''The Captain and the Kings''

References

Biographies

''Brendan Behan - A Life'' by Michael O'Sullivan

''My Brother Brendan'' by Dominic Behan

''Brendan Behan'' by Ulick O'Connor

''The Brothers Behan'' by Brian Behan

''With Brendan Behan'' by Peter Arthurs

''The Crazy Life of Brendan Behan: The Rise and Fall of Dublin's Laughing Boy'' by Frank Gray

External links

Biography and selected bibliography last accessed 1 June 2005

Improving the day! A toast to the legendary Brendan Behan!

Living with Legends: Hotel Chelsea Blog

Two portraits from life by Irish artist Reginald Gray

Category:Irish dramatists and playwrights Category:Irish novelists Category:Irish poets Category:Irish short story writers Category:Irish Gaelic poets Category:Irish Republican Army members (1922–1969) Category:People from Dublin (city) Category:Burials at Glasnevin Cemetery Category:1923 births Category:1964 deaths Category:Republicans imprisoned during the Northern Ireland conflict Category:Alcohol-related deaths in the Republic of Ireland

de:Brendan Behan es:Brendan Behan eu:Brendan Behan fr:Brendan Behan fy:Brendan Behan ga:Breandán Ó Beacháin gl:Brendan Behan ko:브렌단 비언 hr:Brendan Behan it:Brendan Behan lb:Brendan Behan nl:Brendan Behan no:Brendan Behan pl:Brendan Behan pt:Brendan Behan ro:Brendan Behan ru:Биэн, Брендан sh:Brendan Behan fi:Brendan Behan sv:Brendan Behan uk:Біен Брендан