Power metal is a style of heavy metal combining characteristics of traditional metal with speed metal, often within symphonic context. Generally, power metal is characterized by a more uplifting sound, in contrast to the heaviness and dissonance prevalent in styles such as doom metal and death metal. The term refers to two different but related styles: the first pioneered and largely practiced in North America with a harder sound similar to speed metal, and a later more widespread and popular style based in Europe (especially Germany, Finland, Italy, Scandinavia), Argentina, Brazil, and Japan with a lighter, more melodic sound and frequent use of keyboards.

Musical characteristics[link]

Kai Hansen of Gamma Ray during a show in Barcelona, Spain. Hansen is widely regarded as the "godfather of power metal."

Power metal is today associated with fast tempo and melodic harmonies, the sound tempered by characteristics of speed metal, power metal's musical forerunner.

Vocals[link]

Power metal is highly focused on the vocalist, with "clean" vocals being much more prevalent than the growling vocals often associated with extreme metal. Inspired by Ronnie James Dio, Bruce Dickinson, Rob Halford, Geoff Tate and other heavy metal vocalists, power metal vocals are often in a high register. The majority of the genre's vocalists sing in the tenor range, capable of hitting very high notes. There are however many exceptions who sing in either baritone or bass range, or even make use of growls. Many power metal vocalists record multi-layered vocals reminiscent of Queen, creating a choral effect.^[1]

Lyrical themes[link]

Power metal's lyrical themes, though as varied as metal itself, often focus on fantasy and mythology, camaraderie and hope, personal struggles and emotions, war and death, or combinations of the listed themes. Many Power metal bands based their concept albums on fantasy books and national epics, as well as on their own imaginary stories. Many otherwise typical metal themes such as religion and politics are comparatively rare but not unheard of.

Instrumentation[link]

This section may contain original research. Please improve it by verifying the claims made and adding references. Statements consisting only of original research may be removed. More details may be available on the talk page. (September 2010)

This section's tone or style may not reflect the encyclopedic tone used on Wikipedia. Specific concerns may be found on the talk page. See Wikipedia's guide to writing better articles for suggestions. (September 2010)

Power metal guitarists and bassists generally play rapid streams of notes, but change chords comparatively slowly, with a harmonic tempo of once per measure or slower. Fast and demanding guitar solos, however, are almost guaranteed. The slow changing of chords are significant in defining power metal just as the fast rapid chord changes often define traditional thrash metal. Power metal often makes use of Major chord progressions as well as circle progressions. Some of the most influential and imitated power metal guitarists are Kai Hansen of Gamma Ray, Michael Weikath of Helloween, and Timo Tolkki formerly of Stratovarius, currently of Symfonia. It is a common trait in power metal for the bass guitar to take a back seat, so to speak; often simply providing the chord root notes and being drowned out by the more prevalent rhythm guitars. However, some power metal bands incorporate bass that is more audible with colorful patterns distinct from the rhythm guitars, such as Helloween, Hibria, and Symphony X.

Many power metal drummers play with double bass pedals or two bass drums, utilizing them to play a constant stream of sixteenth notes (semiquavers) with snare drum accents on the beat, a style not restricted to, but most often associated with, power metal. The style was used by drummer Ingo Schwichtenberg of Helloween, setting a blueprint for many other drummers to follow. Others, such as the drummers of Blind Guardian and Iced Earth, use a more thrash metal style of drumming with rapid bursts of double bass that involve three to six beats with the double kick. Even more uncommon, but not unheard of, is the use of the blast beat.

Power metal bands often incorporate keyboards into their musical arrangements, something popularized by Jens Johansson of Stratovarius, though their usage varies from subtle accents to a full-blown melody line. Some power metal bands also record with symphonic elements, and as such, they utilize a full orchestra to fill the role usually played by the keyboardist.

Types of power metal[link]

This section may contain original research. Please improve it by verifying the claims made and adding references. Statements consisting only of original research may be removed. More details may be available on the talk page. (December 2007)

American power metal[link]

This branch of power metal emerged in early 1980s in the United States, drawing its influences mainly from speed metal and the NWOBHM. Though very close to its roots, US power metal (often abbreviated USPM) is often faster than standard heavy metal, with a more riff-driven approach than its later European counterpart, but more melodic and often with a higher emphasis on guitar leads than thrash. Another notable difference is the relative lack of keyboards in American power metal, in contrast to their almost universal presence in the European variety. USPM is also notable for its wide (but not universal) use of high-register operatic vocals, a trend which would continue with the rise of European power metal in the late 80s and early 90s. Manilla Road, Manowar, Helstar, Wild Dogs, Virgin Steele, and Jag Panzer are examples of American power metal bands. In addition, the American progressive metal bands Fates Warning, Crimson Glory, Savatage and the epic doom metal band Cirith Ungol have incorporated elements of American power metal into their music. US power metal saw a sharp decline in popularity at the beginning of the 90s, though the style has rebounded somewhat in the past decade.

European power metal[link]

Blind Guardian, one of the key acts in European power metal

Often referred to as melodic power metal, European power metal originated from the New Wave of British Heavy Metal, emerging in mid/late 1980s with Germany's Helloween, Blind Guardian and Finland's Stratovarius, with a strong focus on melody and uplifting, positive themes. Helloween mixed fast palm muted speed metal riffs with high-pitched clean vocals. Stratovarius further developed this melodic direction by making heavy use of keyboards. This genre spread over Europe, often incorporating further influences from classical and folk music. The style has become one of the most popular metal subgenres, and has many bands outside of Europe.

See also[link]

• List of power metal bands
• Neo-classical metal
• Progressive metal
• Symphonic metal

Literature[link]

• Sharpe-Young, Garry (2003). A-Z of Power Metal. Rockdetector Series. Cherry Red Books. pp. 464. ISBN 978-1-901447-13-2. 
• Dio, Ronnie James; Bukszpan, Daniel (2003). The Encyclopedia of Heavy Metal. Barnes & Noble Publishing. pp. 300. ISBN 0-7607-4218-9. 
• Kahn-Harris, Keith (2007). Extreme metal: music and culture on the edge. Rockdetector Series. Berg Publishers. pp. 194. ISBN 1-84520-399-2. 

References[link]

External links[link]

• Power Metal at Allmusic
• Power Metal Radio

v t e Heavy metal Subgenres Alternative metal Black metal Cello rock Celtic metal Christian metal Crossover thrash Crust punk Deathgrind Death metal Death 'n' roll Deathcore Death/doom Djent Doom metal Drone metal Extreme metal Experimental metal Folk metal Funeral doom Funk metal Glam metal Goregrind Gothic metal Grindcore Groove metal Grunge Industrial metal Mathcore Medieval metal Melodic death metal Metalcore Neo-classical metal Nintendocore Nu metal Pagan metal Pornogrind Post-metal Power metal Progressive metal Rap metal Sludge metal Speed metal Stoner metal Symphonic black metal Symphonic metal Technical death metal Thrash metal Traditional heavy metal Unblack metal Viking metal Notable scenes New Wave of British Heavy Metal Mediterranean scene Norwegian black metal Swedish death metal Gothenburg metal Bay Area thrash metal Brazilian thrash metal Teutonic thrash metal Australian heavy metal New Orleans heavy metal New Wave of American Heavy Metal Neue Deutsche Härte Culture Heavy metal subculture Fashion Subgenres Bands Festivals Umlaut Headbanging Sign of the horns Portal

Mike Oldfield
Mike Oldfield, December 2006, at the Night of the Proms
Background information
Birth name	Michael Gordon Oldfield
Born	(1953-05-15) 15 May 1953 (age 59) Reading, Berkshire, England
Genres	Progressive rock, pop, Celtic fusion, world, new age, Neoclassical, Ambient, classical, experimental, minimalist
Occupations	Musician, songwriter, producer, game designer
Instruments	Guitar, keyboards, Percussion, vocals, bass, glockenspiel, mandolin, banjo, tubular bells, Chapman stick
Years active	1967–present
Labels	Virgin (1972–1991) Warner Bros. (1992–2003) Mercury (2005–present)
Associated acts	Maggie Reilly, Kevin Ayers, Robert Wyatt, David Bedford, Anita Hegerland, Pekka Pohjola
Website	www.mikeoldfieldofficial.com

Michael Gordon Oldfield (born 15 May 1953) is an English multi-instrumentalist musician and composer, working a style that blends progressive rock, folk, ethnic or world music, classical music, electronic music, New Age, and more recently, dance. His music is often elaborate and complex in nature. He is best known for his hit 1973 album Tubular Bells, which launched Virgin Records, and for his 1983 hit single "Moonlight Shadow".^[1] He is also well known for his hit rendition of the Christmas piece, "In Dulci Jubilo".

Biography[link]

Oldfield's parents are Raymond Oldfield, a general practitioner, and his wife Maureen Liston, a nurse.^[2] His sister Sally and brother Terry are successful musicians in their own right and have appeared on several of his albums. Mike Oldfield was born in the Battle Hospital, Reading, Berkshire, and he attended St Joseph's Convent School, Highlands Junior School in Tilehurst, St Edward's Preparatory School,^[3] and Presentation College in Reading. When he was 13 he moved with his parents to Harold Wood in northeast London, where he attended Hornchurch Grammar School. He only stayed there long enough to take one GCE examination, in English, as he had already begun his music career.^[3]

Early career[link]

Oldfield's career began fairly early, playing acoustic guitar in local folk clubs. At this time, he already had two fifteen-minute instrumental pieces in which he would "go through all sorts of moods", precursors to his landmark 1970s' compositions. In his early teens, Oldfield was involved in a 'beat group' playing Shadows-style music (he has often cited Hank Marvin as a major influence, and would later cover The Shadows' song "Wonderful Land"). In 1967 he and his sister Sally formed the folk duo The Sallyangie and were signed to Transatlantic Records after exposure in the local folk scene. An album, Children of the Sun, was issued in 1968. After Sallyangie disbanded, he formed another duo with his brother Terry, called Barefoot, which took him back to rock music.^[4]

In 1970 he joined The Whole World – backing group to vocalist Kevin Ayers, formerly of the Soft Machine – playing bass guitar and occasionally lead guitar. The band also included keyboardist and composer David Bedford, who quickly befriended Oldfield, and encouraged him in his composition of an early version of Tubular Bells. Bedford would later arrange and conduct an orchestral version of that album. Oldfield is featured on two Ayers albums, Whatevershebringswesing and Shooting at the Moon.

Having recorded a number of demo pieces of music, which would later turn into Tubular Bells, Oldfield attempted to persuade record labels to take the project on with no success. In September 1971 Oldfield went to the Manor Studio, owned by the young Richard Branson and run by engineers Tom Newman and Simon Heyworth, to record as bass guitarist in the Arthur Louis Band. Branson already had a number of business ventures and was about to start his own record label, Virgin Records. After Newman and Heyworth heard Oldfield's demo they took it to Branson and Simon Draper. They eventually gave Oldfield one week to record at the Manor, during which Oldfield completed "Part One" of Tubular Bells. "Part Two" was then completed over a number of months.^[5]

Virgin years (1973–1991)[link]

Tubular Bells became Oldfield's most famous work. The instrumental composition was recorded in 1972 and launched on 25 May 1973 as the inaugural album of Richard Branson's Virgin Records label. The album was groundbreaking, as Oldfield played more than twenty different instruments in the multi-layered recording made in Branson's Manor Studio, and its style moved through many diverse musical genres. Its 2,630,000 UK sales put it at No.34 on the list of the best selling albums in the UK. In the US, it received attention with the opening theme appearing in the soundtrack to The Exorcist. The title track subsequently became a Top 10 hit single in the US as well and is today considered to be a forerunner of the New Age movement.^[6] In 1974, Oldfield played guitar on the critically acclaimed album Rock Bottom by Robert Wyatt. In the autumn of 1974, the follow-up LP, Hergest Ridge, was No.1 in the UK for three weeks before being dethroned by Tubular Bells. Although Hergest Ridge was released over a year after Tubular Bells, it reached No.1 first. Tubular Bells spent 11 weeks (10 of them consecutive) at No.2 before its one week at the top. In 1979, Oldfield's music was used as the musical score for The Space Movie, a Virgin movie that celebrated the 10th anniversary of the Apollo 11 mission.^[7]

Like Tubular Bells, Hergest Ridge is a two-movement instrumental piece, this time evoking scenes from Oldfield's Herefordshire country retreat. It was followed in 1975 by the pioneering world music piece Ommadawn, and 1978's Incantations which introduced more diverse choral performances from Sally Oldfield, Maddy Prior, and the Queen's College Girls Choir. In 1975 Oldfield recorded a version of the Christmas piece "In Dulci Jubilo" which charted at number four in the UK. Oldfield's 1976 rendition of "Portsmouth" remains his highest charting single on the UK Singles Chart, reaching number three.^[8]

In 1976 Oldfield and his sister Sally joined his friend and band member Pekka Pohjola to play on his album Mathematician's Air Display, which was released in 1977. The album was recorded and edited at Oldfield's Througham Slad Manor in Gloucestershire by Oldfield and Paul Lindsay.^[9]

Around the time of Incantations, Oldfield underwent a controversial self-assertiveness therapy course known as Exegesis.^[10] Possibly as a result, the formerly reclusive musician staged a major European tour to promote the album, chronicled in his live album Exposed, much of which was recorded at the National Exhibition Centre near Birmingham.

In 1975, Oldfield received a Grammy award for Best Instrumental Composition in "Tubular Bells – Theme from The Exorcist". In 1979, he recorded a version of the signature tune of the popular British Children's Television programme, Blue Peter, which was used by the show for 10 years.^[11]

The early 1980s saw Oldfield make a transition to mainstream pop music, beginning with the inclusion of shorter instrumental tracks and contemporary cover versions on Platinum and QE2 (the latter named after the ocean liner). Soon afterwards he turned to songwriting, with a string of collaborations featuring various lead vocalists alongside his characteristic searing guitar solos. The best known of these is "Moonlight Shadow", his 1983 hit with Maggie Reilly. The most successful Oldfield composition on the US pop charts during this period was actually a cover version — Hall & Oates's remake of Oldfield's "Family Man" for their 1982 album H₂O. Released as the album's third single, it hit the Top 10 during the spring of 1983 and was a hugely popular MTV music video.

Oldfield later turned to film and video, writing the score for Roland Joffé's acclaimed film The Killing Fields and producing substantial video footage for his album Islands. Islands continued what Oldfield had been doing on the past couple of albums, with an instrumental piece on one side and rock/pop singles on the other. Of these, "Islands", sung by Bonnie Tyler and "Magic Touch", with vocals by Max Bacon (in the U.S. version) and Glasgow vocalist Southside Jimmy (in other versions),^[12] were the major hits. In the U.S., the Virgin America airline promoted the song "Magic Touch" to a large extent, making it a success, reaching the top 10 on the Billboard album rock charts. During the 1980s, Oldfield's then-wife, Norwegian singer Anita Hegerland, contributed vocals to many songs including "Pictures in the Dark".

Earth Moving was released in July 1989, and was a moderate success. The album was the first to exclusively feature rock/pop songs, several of which were released: "Innocent" and "Holy" in Europe, and "Hostage" in the USA for album rock stations. This was, however, a time of much friction with his record label. Virgin Records reportedly insisted that any future instrumental album should be billed as Tubular Bells 2. Oldfield's rebellious response was Amarok, an hour-long work featuring rapidly changing themes (supposedly devised to make cutting a single from the album impossible), unpredictable bursts of noise, and a very cleverly hidden Morse code insult directed at Richard Branson. Although regarded by many fans as his greatest work, it was not a commercial success. His parting shot from the Virgin label was Heaven's Open, which continued the veiled attacks on Branson but was notable for being the first time Oldfield had contributed all the lead vocals himself. It was the only album he released under the name 'Michael Oldfield'.

Warner years (1992–2003)[link]

The very first thing Oldfield did when arriving at his new label, Warner Bros., was to write and release Tubular Bells II, the sequel to his first record on Virgin, as his final insult to his former label. It was premiered at a live concert at Edinburgh Castle. He then continued to embrace new musical styles, with The Songs of Distant Earth (based on Arthur C. Clarke's novel of the same name) exhibiting a softer "New Age" sound. In 1994 he also had an asteroid named after him, 5656 Oldfield.^[13][14]

In 1995 Oldfield further continued to embrace new musical styles by producing a Celtic-themed album, Voyager. In 1992 Oldfield met Luar na Lubre, a Galician Celtic-folk band (from A Coruña, Spain). The band's popularity grew after Oldfield covered their song "O son do ar" ("The sound of the air") on his Voyager album.

In 1998 he produced the third Tubular Bells album (also premiered at a concert, this time in Horse Guards Parade, London), drawing from the dance music scene at his then new home on the island of Ibiza. This album was still inspired by themes from Tubular Bells, but differed in lacking a clear two-part layout.

During 1999 Oldfield released two albums. The first, Guitars, used guitars as the source for all the sounds on the album, including percussion. The second, The Millennium Bell, consisted of pastiches of a number of styles of music that represented various historical periods over the past millennium. The work was performed live in Berlin for the city's millennium celebrations in 1999–2000.

He added to his repertoire the MusicVR project, combining his music with a virtual reality-based computer game. His first work on this project is Tr3s Lunas launched in 2002, a virtual game where the player can interact with a world full of new music. This project appeared as a double CD, one with the music, and the other with the game.

In 2003 he released Tubular Bells 2003, a re-recording of the original Tubular Bells, on CD, and DVD-Audio. This was done to "fix" many "imperfections" in the original due to the recording technologies of the early 1970s and limitations in time that he could spend in the recording studio. It celebrated the 30th anniversary of Tubular Bells, Oldfield's 50th birthday and his marriage to Fanny in the same year. At around the same time Virgin released an SACD version containing both the original stereo album and the 1975 quadraphonic mix by Phil Newell. In the 2003 version, the original voice of the 'Master of Ceremonies' (Viv Stanshall) was replaced by the voice of John Cleese, Stanshall having died in the interim.

Mercury years (since 2004)[link]

Mike Oldfield playing a PRS Custom 24 guitar at the Night of the Proms in December 2006.

On 12 April 2004 Oldfield launched his next virtual reality project, Maestro, which contains music from the Tubular Bells 2003 album and also some new chillout melodies. The games have since been made available free of charge on Tubular.net. A double album, Light + Shade, was released on Mercury Records in 2005, with whom Mike had recently signed a three-album deal. The two discs contain music of contrasting moods, one relaxed (Light) and the other more edgy and moody (Shade). Oldfield headlined the German Night of the Proms tour, consisting of 18 concerts in December 2006.^[15]

His autobiography Changeling was published in May 2007 by Virgin Books.^[16] In March 2008 Oldfield released his first classical album, Music of the Spheres; Karl Jenkins assisted with the orchestration.^[17] In the first week of release the album topped the UK Classical chart and reached number 9 on the main UK Album Chart. A single, "Spheres", featuring a demo version of pieces from the album was released digitally. The album was nominated for a Classical Brit Award, the NS&I Best Album of 2009.

In 2008 Oldfield contributed an exclusive song ("Song for Survival") to a charity album called Songs for Survival, in support of the Survival International.^[18] Oldfield's daughter, Molly, played a large part in the project.^[19]

In 2008 when Oldfield's original 35-year deal with Virgin Records ended, the rights to Tubular Bells and his other Virgin releases were returned to him,^[20] and then they were transferred to Mercury Records.^[21] Mercury issued a press release on 15 April 2009, noting that Oldfield's Virgin albums would be re-released, starting 8 June 2009. These releases include special features from the archives.^[22] On 6 June 2009, an International Bell Ringing day took place, to promote the reissue of his first album, Tubular Bells.^[22] The next two albums were reissued in June 2010 along with the launch of a new official web site.^[23] Incantations was reissued in July 2011.^[24]

In March 2010 Music Week reported that publishing company Stage Three Music (now a part of BMG) had acquired a 50% stake in the songs of Oldfield's entire recorded output in a seven-figure deal.^[25][26][27]

In 2010 lyricist Don Black said in an interview with Music Week that he had been working with Oldfield.^[28] According to German producer Torsten Stenzel, he was in a studio with Oldfield collaborating on a chill-out track for a forthcoming album by Stenzel's York project. In 2012 Oldfield was featured on Terry Oldfield's Journey into Space album.

Personal life[link]

Oldfield and his siblings were raised Roman Catholic, the faith of their Irish mother.^[29] In the late 1970s, Oldfield briefly married Diana D'Aubigny (the sister of the Exegesis group leader), but this lasted just a few weeks.

Mike Oldfield has seven children. In the early 1980s, he had three children with Sally Cooper (Molly, Dougal and Luke). In the late 1980s, he had two children (Greta and Noah) with Norwegian singer Anita Hegerland. In the 2000s, he married Fanny Vandekerckhove (born 1977), whom he met during his time in Ibiza; they have two sons together (Jake and Eugene).^[30]

Oldfield is a motorcycle fan and has five bikes. These include a BMW R1200GS, a Suzuki GSX-R750, a Suzuki GSX-R1000, and a Yamaha R1. He also says that some of his inspiration for composing comes from riding them.^[31] Throughout his life Oldfield has also had a passion for aircraft and building model aircraft.^[2] Since 1980 he has also been a licensed pilot^[32] and has flown fixed wing aircraft, the first of which was a Beechcraft Sierra and helicopters including the Agusta Bell 47G which featured on the sleeve of his cover version of the ABBA song "Arrival" as a parody of their album artwork. He is also interested in cars and has owned a Ferrari and a Bentley which was a gift from Richard Branson as an incentive for him to give his first live performance of Tubular Bells.^[33] He has endorsed the Mercedes-Benz S-Class in the Mercedes UK magazine. Oldfield also considers himself to be a Trekkie (fan of the popular science fiction television series Star Trek).^[34] He also noted in an interview in 2008 that he had two boats.^[34]

In November 2006, musician Noel Gallagher won a Spanish court case against Oldfield. Gallagher had bought an Ibiza villa for £2.5 million from Oldfield in 1999, but quickly discovered that part of the cliff-top property was falling into the sea. According to The Sun, the resulting court case awarded Gallagher a six-figure sum in compensation. Suspicion abounds in the music industry that the law-suit was initiated because of embarrassment that Gallagher brought on himself by not having a proper survey done on the property before buying it. This included making an immediate and noisy complaint about someone's yacht tied up at the villa's jetty before it was pointed out that the yacht came with the villa and was, in fact, his.^[35]

In 2007 Oldfield caused a minor stir in the British press by criticizing Britain for being too controlling and protective, specifically concentrating on the smoking ban which England and Wales had introduced that year. Oldfield then moved from his Gloucestershire home to Palma de Mallorca, Spain.^[36][37] He has lived outside the UK in the past, including living in Los Angeles and Ibiza in the 1990s, and Switzerland in the mid-1980s, for tax reasons. He also currently has a home in Monaco. In 2009 he decided to move to the Bahamas, and put his home in Mallorca up for sale; the asking price was around €3.5 million, but has since been lowered, and as of April 2012 is still listed as available for sale by a major international real estate agency.^[38][39]

Instruments[link]

Oldfield is a multi-instrumentalist; however he considers himself to be predominantly a guitarist.^[40]

Guitars[link]

Over the years Oldfield has used a various selection of guitars, some of the most noted being:

• A 1963 (also quoted as 1961 and 1962) salmon pink (fiesta red) Fender Stratocaster serial no.L08044 – used by Oldfield from 1984 (Discovery album) until 2006 (Night of the Proms, rehearsals in Antwerp) – Sold for £30,000 at Chandler Guitars.
• A 1989 amber PRS Artist Custom 24 – used by Oldfield from the late 1980s to the present day.
• A 1966 blonde Fender Telecaster serial no. 180728 – the only electric guitar used on Tubular Bells and also previously owned by Marc Bolan.^[41] Oldfield has since sold the guitar and donated the money to the SANE charity. This guitar had been put up for auction a number of times by Bonhams in 2007, 2008 and 2009 with estimates of £25,000 – 35,000, £10,000 – 15,000 and £8,000 – 12,000 respectively.^[42][43][44]
• Various Gibson Les Paul and SGs – used by Oldfield extensively in the 1970s and 80s.

Oldfield used a modified Roland GP8 effects processor in conjunction with his PRS Artist to get many of his heavily overdriven guitar sounds from the Earth Moving album onwards.^[41] Oldfield has also been using Guitar synthesizers since the mid-1980s, using a 1980s Roland GR-300/G-808 type system, then a 1990s Roland GK2 equipped red PRS Custom 24 (sold in 2006) with a Roland VG8,^[41] and most recently a Line 6 Variax.

Oldfield has an unusual playing style, using both fingers and fingernails and several ways of creating vibrato: a "very fast side-to-side vibrato" or "violinist's vibrato".^[45] Oldfield has also stated that his playing style originates from his musical roots playing folk music and the bass guitar.^[3]

Recording[link]

Oldfield has self-recorded and produced many of his albums, and played the majority of the instruments that feature on them, largely at his home studios. In the 1990s and 2000s he has been mainly using DAWs such as Apple Logic, Avid Pro Tools and Steinberg Nuendo as recording suites.^[46] For composing classical music Oldfield has been quoted as using the software notation program, Sibelius,^[16] combined with Apple Macintoshes.^[47] He also used the FL Studio DAW on his 2005 double album Light + Shade.^[48] Among the mixing consoles Oldfield has owned are an AMS Neve Capricorn 33238, a Harrison Series X,^[49] and a Euphonix System 5-MC.^[50]

Keyboards[link]

Over the years Oldfield has owned and used a vast number of synthesizers and other keyboard instruments. In the 1980s he composed the score for the film The Killing Fields on a Fairlight CMI.^[41] Some examples of keyboard and synthesized instruments which Oldfield has made use of includes Sequential Circuits Prophets (notably on Platinum), Roland JV-1080/JV-2080 units (in the 1990s), a Korg M1 (as seen in the "Innocent" video), a Clavia Nord Lead, and Steinway pianos among an almost endless list of others. In recent years Oldfield has also made use of software synthesis, such as Native Instruments products, notably on his Light + Shade album.^[51]

Discography[link]

Oldfield has had more than 30 charting albums and 25 charting singles on the British charts, and many more around the world.

Main albums[link]

Quotation[link]

NME – April 1979^[52]

See also[link]

• Sally Oldfield
• Terry Oldfield
• Kevin Ayers
• Maggie Reilly
• Rick Fenn
• Maddy Prior
• Anita Hegerland
• New Age music
• Electronic music
• Virgin Records

Bibliography[link]

• Moraghan, Sean. A Man and his Music (Biography). BookSurge Publishing. ISBN 978-1-4196-4926-4. 
• Evans, Peter (1994). Music from the Darkness – Mike Oldfield, 1953–1993. http://www.mikeoldfield.org/info/features/index.htm. Retrieved 2008-11-12. 
• Branson, Richard (1998). Losing My Virginity. Virgin Books. ISBN 978-0-7535-0648-6. 
• Oldfield, Mike (2007). Changeling. Virgin Books. ISBN 978-1-85227-381-1. 

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Mike Oldfield

Wikimedia Commons has media related to: Mike Oldfield

Official sites

• MikeOldfieldOfficial.com – The official Mike Oldfield website
  • Mike Oldfield official Universal store
• MikeOldfield.org – The official Mike Oldfield information service

Fan-based sites

• Tubular.net – The largest and most well-established Mike Oldfield website, for news and information.

Other sites

• Mike Oldfield at the Internet Movie Database
• Mike Oldfield at Allmusic
• Mike Oldfield on Myspace