A lakh ( /ˈlæk/ LAK or /ˈlɑːk/ LAHK; also lac; abbreviated L; Sinhala: ලක්ෂය, Hindi: लाख, Marathi: लाख, Nepali: लाख, Bengali: লাখ, Urdu: لاکھ) is a unit in the South Asian numbering system equal to one hundred thousand (100,000; 10⁵), written as 1,00,000. It is widely used both in official and other contexts in India, Pakistan, Bangladesh, Nepal, Sri Lanka, Myanmar and is often used in Indian English.

Usage[link]

In English the word is used both as an attributive and non-attributive noun, and with either a marked ("-s") or unmarked plural: "1 lakh people" or "1 lakh of people", "200 lakh rupees, "5 lakh of rupees", "rupees 10 lakhs", "5 lakhs of rupees" are all to be found. In the abbreviated form, usage such as "5L" (for Rupees 5 lakh) is common.

The Indian numbering system also uses separators differently from the Western system besides the three least significant digits of the integer part, a comma divides every two rather than every three digits, thus:

This accords with the Indian numbering system, which has units for thousand, hundred thousand, ten million, etc.

Etymology and regional variants[link]

The root of the word lakh may be Pali lakkha—masculine mark, target, stake in gambling; from the latter derived the numerical meaning, "one hundred thousand".^[1] Or its root may be Sanskrit laksha (Devanagari: लक्ष) which has similar meanings in Sanskrit.

South Asian languages[link]

• Assamese: লাখ lakh
• Bengali: লাখ lakh or লক্ষ lokkho
• Dhivehi: ލައްކަ lakka
• Gujarati: લાખ lākh
• Hindi: लाख lākh
  • Bombay Hindi: पेटी peti (peṭi)
    (Peṭi refers to a briefcase. That is the amount of money in Rs. 100 notes that can fit into a briefcase.)
• Kannada: ಲಕ್ಷ lakṣa
• Kashmiri: lach
• Konkani: लाख lākh or लक्ष lakṣa
• Malayalam: ലക്ഷം lakṣham
• Marathi: लाख lākh or लक्ष lakṣa
• Nepali: लाख lākh
• Oriya: ଲକ୍ଷ lakhya
• Pashto: لک lak
• Persian: لک lak
• Punjabi: ਲੱਖ/لکھ lakkh
• Romani: लाख lakh
• Sanskrit: लक्ष lakṣá
• Sindhi: lakhu
• Sinhalese: ලක්ෂ laksha
• Tamil : லட்சம் latcham
• Telugu: లక్ష lakṣa
• Urdu: لاکھ lākh

Non-South Asian languages[link]

This unreferenced section requires citations to ensure verifiability.

• Arabic:لاك lāk
• Azerbaijiani: lakca
• Greek: lákka
• Kapampangan Language: laksâ
• Malay Languages: laksa
• Maltese: gommalakka
• Swahili: laki or lakhi
• Tagalog: laksa
• Thai: ลักขะ lakkha or ลักษะ laksa (from Pali lakkha and Sanskrit lakśa respectively; obsolete as a numeral, but otherwise retains root meaning in Thai numeral place value, Lak Mueang, and Thai milestones)
• Turkic Languages: laka

See also[link]

• Crore (= 100 lakh)
• Myriad
• Names of large numbers
• Names of numbers in English

References[link]

• IINRG, Ranchi. "Government Organisation". http://ilri.ernet.in. 

Noorjehan^[1][2] or Noorjehan^[3] (Punjabi, Urdu: نور جہاں) was the adopted stage name for Allah Wasai (September 21, 1926 – December 23, 2000) who was a legendary singer and actress in British India and Pakistan. Her career spanned seven decades. She was renowned as one of the greatest and most influential singers of her time in South Asia and was given the honorific title of Malika-e-Tarannum (Urdu: ملکہ ترنم, English: the queen of melody).^[2]

Born in a Punjabi family of musicians, Wasai was pushed by her parents to follow in their musical footsteps and become a singer but she was more interested in acting in films and graced the earliest Pakistani films with her performances. She holds a remarkable record of 10,000 songs to her singing credits in various languages of India and Pakistan including Urdu, Hindi, Punjabi and Sindhi languages.^[4] Along with Ahmed Rushdi, she holds the highest record of film songs in the history of Pakistani cinema. She is also considered to be the first female Pakistani film director.

In 1957, Jehan was awarded the President's Award for her acting and singing capabilities.

Early life[link]

Noor Jehan was born in Kasur, Punjab, British India^[5] and was one of the eleven children of professional musicians Madad Ali and Fateh Bibi.^[4][6]

Career[link]

Wasai began to sing at the age of five or six years old and showed a keen interest in a range of styles, including traditional folk and popular theatre. Realising her potential for singing, her mother sent her to receive early training in classical singing under Ustad Bade Ghulam Ali Khan who was also a native of Kasur. He instructed her in the traditions of the Patiala Gharana of Hindustani classical music and the classical forms of thumri, dhrupad, and khyal.^[7] At the age of nine, Wasai drew the attention of Punjabi musician Ghulam Ahmed Chishti,^[8] who would later introduce her to stage in Lahore. He composed some ghazals, naats and folk songs for her to perform, although she was more keen in breaking into acting or playback singing. Once her vocational training finished, Wasai pursued a career in singing alongside her sisters in Lahore and would usually take part in the live song and dance performances prior to screenings of films in film theatres.

The family moved to Calcutta (now Kolkata) in hope of developing the movie careers of Wasai and her sisters. During their stay in Calcutta, the renowned singer Mukhtar Begum, encouraged Wasai and her two older sisters to join film companies and recommended them to various producers. She also recommended them to her husband, Agha Hashar Kashmiri, who owned a maidan theatre (a tented theatre to accommodate large audiences). It was here that Wasai received the stage name Baby Noor Jehan. Her older sisters were offered jobs with one of the Seth Sukh Karnani companies, Indira Movietone and they went on to be known as the Punjab Mail.^[4] Wasai would later adopt Mukhtar Begum's way of performance and sari attire.

In 1935, K.D. Mehra directed Pind di Kuri in which Jehan acted along with her sisters. She next acted in a film called Missar Ka Sitara (1936) by the same company and sang in it for music composer, Damodar Sharma. Baby Noor Jehan also played the child role of Heer in the film Heer-Sayyal (1937). After a few years in Calcutta, Noor Jehan returned to Lahore in 1938. In 1939, Ghulam Haider composed songs for Jehan which led to her early popularity. She then recorded her first song Shala Jawaniyan Mane for Dalsukh M. Pancholi's movie Gul Bakavli.

In 1942, she played the main lead opposite Pran in Khadaan. It was her first role as an adult, and the film was a major success. Khandaan's success saw her shifting to Bombay, with director Syed Shaukat Hussain Rizvi. She shared melodies with Shanta Apte in Duhai (1943). It was in this film that Noor Jehan lent her voice for the second time, to another actress named Husn Bano. She married Rizvi later the same year.^[9]

In 1945 Jehan played the lead role, alongside Lata Mangeshkar and Asha Bhosle, in the movie Bari Maa.

In 1945, she achieved a milestone, when she sung a Qawwali with Zohrabai Ambalewali and Amirbai Karnataki which was "Aahen Na Bhareen Shikave Na Kiye". This was the first ever Qawwali recorded in female voices in South Asian films.

Noor Jehan's (Deepa govindarajan) last film in India was Mirza Sahibaan (1947) which starred Prithviraj Kapoor's brother Trilok Kapoor. Noor Jehan sang 127 songs in Indian films and the number of talking films she made from 1932 to 1947 was 69. The number of silents was 12. Fifty-five of her films were made in Bombay, eight in Calcutta, five in Lahore and one in Rangoon (now Yangon), Burma.

Acting career in Pakistan[link]

After the creation of Pakistan in 1947, Rizvi and Jehan decided to move to Pakistan. They left Bombay and settled in Karachi with their family.

Three years after settling in Pakistan, Noor Jehan starred in her first film in Pakistan, Chan wey (1951), opposite Santosh Kumar, which was also her first Punjabi film as a heroine. Shaukat and Noor Jehan directed this film together making Noor Jehan Pakistan's first female director. Noor Jehan's second film in Pakistan was Dopatta (1952) which turned out to be an even bigger success than Chan wey (1951).

In 1953-54, Jehan and Rizvi were divorced due to personal differences. She kept custody of the three children from their marriage. News of several affairs followed, including one with cricketer, Nazar Mohammad. In 1959, she married another actor, Ejaz Durrani, nine years her junior.^[9]

Durrani pressured her to give up acting,^[9] and her penultimate film as an actress/singer was Mirza Ghalib (1961). This contributed to the strengthening of her iconic stature. She gained another audience for herself. Her rendition of Faiz Ahmed Faiz's Mujh se pehli si mohabbat mere mehboob naj maang is a unique example of tarranum, reciting poetry as a song. Noor Jehan last acted in Baaji in 1963, though not in a leading role.

Noor Jehan bade farewell to acting in 1963 after a career of 33 years (1930 to 1963). The pressure of being a mother of six children and the demands of being a wife to another actor forced her to give up her career. Noor Jehan made 14 films in Pakistan, ten in Urdu, four in Punjabi.

Noor Jehan as a playback singer[link]

After quitting acting she took up playback singing. She made her debut as a playback singer in 1960 with the film Salma. Her first initial playback for a Pakistani film was for Jan-e-Bahar (1958), in which she sang the song Kaisa Naseeb Layi Thi, picturised on Musarrat Nazir. She received many awards, including the highest Pakistani honour in entertainment, Tamgha-e-Imtiaz (The Pride of Performance) in 1966, Pakistan's top civil award. She sang a large number of duets with Ahmed Rushdi, Mehdi Hassan, Masood Rana and Mujeeb Aalam.

She had a great understanding and friendship with many great singers of Asia, for example with the late great Alam Lohar and many more singers also.

In the 1990s Jehan also sang for then débutante actresses Neeli and Reema. For this very reason, Sabiha Khanum affectionately called her Sadabahar (evergreen). Her popularity was further boosted with her patriotic songs during the 1965 war between Pakistan and India.

Jehan visited India in 1982 to celebrate the Golden Jubilee of the Indian talkie movies, where she met Indian Prime Minister Indira Gandhi in New Delhi and was received by Dilip Kumar and Lata Mangeshkar in Mumbai.

Patriotic songs[link]

During the 1965 India-Pakistan war. Noor Jehan sung many patriotic songs enthusiastically, which became tremendously popular. Some of these songs are listed below:

• Ae watan kay sajeelay jawano, Mere naghmay tumharay leeyay hain
• Aeh putr hataan tay nahin wikday, Tu lubni ain wich bazar kuray
• Mereya dhol sipahia, Tenun Rub dyaan rakhhan
• O mahi chhail chhabilah, Haey neen kernail neen jarnail neen
• Yeh hawaoun kay musafir, Yeh samandaroun kay rahi, Meray sir bakaf mujahid, Meray suf shikan sipahe
• Rung laey ga shaheedoun ka lahoo, Yeh lahoo surkhee hay aazadi kay afsanay ki
• Mera sohnan shehr Qasoor neen, Hoya dunya wich mashhoor neen

Last years and death[link]

In 1986, on a tour of North America, Jehan suffered from chest pains and was diagnosed with angina pectoris after which she underwent a surgery to install a pacemaker. In 2000, Jehan was hospitalised in Karachi and suffered a heart attack. On December 23, 2000 Jehan died as a result of heart failure. Her funeral took place at Jamia Masjid Sultan, Karachi and she was buried at the Gizri Graveyard near the Saudi Consulate in Karachi.

Filmography[link]

References[link]

External links[link]

• Noor Jehan at the Internet Movie Database
• Noor Jehan Audio Collection - Bingo.com.pk
• Rich tributes paid to Noor Jehan - DAWN.com
• Noor Jehan's immortal melodies - DAWN.com
• The unforgettable queen - DAWN.com
• The Melody Queen lives on - DAWN.com
• ^ Songs by Noor Jehan. Retrieved 2005-04-02. Includes a photograph of Noor Jehan.
• Few hits of Noor Jehan
• Madam Noorjehan on Pakistan Film Magazine

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (January 2012)

Gurdas Maan ਗੁਰਦਾਸ ਮਾਨ
Gurdas Mann at Divya Dutta's mom Nalini's book launch
Background information
Born	(1957-01-04) 4 January 1957 (age 55) Giddarbaha, Sri Muktsar Sahib, East Punjab (India)
Genres	Folk Bhangra
Occupations	Singer-songwriter Actor Musician
Years active	1980 – present
Website	http://www.gurdasmaan.com

Gurdas Maan (Punjabi: ਗੁਰਦਾਸ ਮਾਨ) is an Punjabi singer, songwriter, choreographer, and actor. He is considered one of the most notable figures in the world of Punjabi music. He was born in Giddarbaha village of Indian Punjab and gained national attention in 1980 with the song "Dil Da Mamla Hai." Since then, he has gone on to record over 34 albums and has written over 300 songs.

Early life[link]

Maan was formally educated in D.A.V College Malout Punjab.^{[citation needed]} After completing his education there, his parents enrolled him in a further education institute in Patiala.^{[citation needed]} As a keen sports enthusiast Maan was fascinated by the National Institute of Sports in the city; this prompted him to join the N.I.S. and gain a Masters degree in physical education.^{[citation needed]}

He took part in youth festivals organized by universities and won several awards for his singing and acting, always supported by his friends. He competed in many athletic events and won medals including a bronze at the National Championship as well as achieving a black belt in judo.^[1]

Career[link]

1980s[link]

In one of his stage plays, he performed a song he had written called "Dil Da Mamla Hai." The play was seen by a producer for Doordarshan Kendra Jalandhar, the producer who thought the song to have potential approached Maan with a proposition for a TV performance of the song to which Maan agreed. When the song was aired on 31 December 1980 it gained national attention and Gurdas Maan became a national figure. The success of the song attracted the attention of HMV who wanted to record and release it. With HMV Maan eventually released his debut album a year later in 1981. When Maan began his career as a solo performer in India, the music industry was dominated by duet artists and he reportedly declined many offers to become part of a duet as he wished to perform and become a successful solo artist. The film that Gurdas Mann starred in "Mamla Garbar Hai" was directed by Hari Dutt.

During his early career he also wrote and directed TV programs such as POP Time for the Doordarshan Network in Delhi.

1990s and 2000s[link]

Gurdas Maan is often credited with raising Punjabi folk music from a regional level mostly in the Punjab to gain international recognition. His album Apna Punjab won Best Album at the 1998 Asian Pop and Media Awards held in Birmingham. Maan won Best Song for the title track and Best International Artist the same year. In addition to these awards, Maan more recently won three music awards of Best Lyrics ("Kudiye")Best Song ("Heer"), as well as Best Singer of the Year at the ETC Channel Punjabi Music Awards on 6 March 2005.(Ravinder)

Awards and honours[link]

Gurdas Maan received an honorary degree of Doctor of Music from the University of Wolverhampton on 7 Sept 2010.^[2] Maan performed at the Royal Albert Hall for two nights in April 2011 as part of his UK tour. This was the first time Maan performed at the Royal Albert Hall, an opportunity that very few artists come across.

On other fronts, Maan has starred in blockbuster Bollywood films and has received numerous awards, including the Jury’s Award, presented to him by the president of India in 2005.

In 2009 he won "Best International Album" at the UK Asian Music Awards for Boot Polishan.^[3]

In 2007 he won the National Film Award for Best Male Playback Singer for his song titled "Couplets of Heer" for the movie Waris Shah: Ishq Daa Waaris.

In 2011 PTC Punjabi Film Awards, He won Critics Award for Best Actor in a Movie - Sukhmani.^[4] In 2012 he was honored by a special prize Kohinoor of Punjab by PTC network.

Film[link]

Gurdas Maan is best known as an actor for his performances in two films: Waris Shah-Ishq Da Waaris (2006), which was nominated as India's selection for the Academy Awards, and Shaheed-E-Mohabbat (1999), the film which tells the real-life story of Boota Singh.

Gurdas appeared in the hit film Shaheed Udham Singh (2000), in which he played the role of Bhagat Singh, a revolutionary, with no prejudices based on religion, caste or creed. As a singer Maan has worked with music directors such as Laxmikant Pyarelal, Bappi Lahiri, Anu Malik, Nadeem Sharvan, Amar Haidipur, Charanjeet Ahuja, and Jaswant Bhanyra.

He starred alongside Juhi Chawla in the epic Des Hoyaa Pardes (2004), an emotional film illustrating the tragedies faced by the people of Punjab in the 1980s. He adopted the role of a son of a well-respected Jatt (bilingual separatist) Gurdev Singh Somal. He falls in love with a high-ranking police officer’s daughter. Before the wedding, the father is murdered by separatists. This tale soon twists in to the inevitable demise of Gurshaan (Gurdas Maan). This movie was based on actual events.

Aside from singing in Punjabi, he is fluent in Hindi, Bengali, Tamil, Haryanvi and Rajasthani. As an actor he has performed in Punjabi, Hindi and Tamil movies, but he is best known for his starring role in Waris Shah-Ishq Da Waaris, a depiction of the Punjabi poet Waris Shah during the creation of his epic poem Heer Ranjha, again co-starring Juhi Chawla and Divya Dutta.Waris Shah-Ishq Da Waaris was also the first Punjabi movie which was nominated for OSCAR Awards 2006. He made a special appearance in Veer-Zaara with Shahrukh Khan and Preity Zinta.

He has appeared in Ucha Dar Babe Nanak Da (1982), Mamla Garbar Hai (1984), Long Da Lishkara (1986), Qurbani Jatt Di (1990), Pratigya (1990), Roohani Taaqat (1991), Saali Adhi Ghar Waali (1992), Wanted: Gurdas Maan Dead or Alive (1994), Kachehri (1994), and Zindagi Khoobsoorat Hai (2002).

Personal life[link]

Maan is married to Manjit and has one son Gurikk who has done his schooling at Yadavindra Public School and Mayo College. He also studied at Eton College. His brothers name is Paramjit Bahia^[1]

In Kundli, Sonepat, Haryana, India on 20 January 2007 Maan was involved in a car accident in which his Range Rover was hit and severely damaged by a truck. Maan escaped with minor injuries on his face, hands and chest. His driver Ganesh was injured seriously but recovered soon after.

This was the second car accident of two that Gurdas Maan was involved in. The first accident was a head-on collision between Maan's vehicle and a truck on 9 January 2001 at a village near Rupnagar, Punjab. In this accident Maan's driver Tejpal was killed. Maan later admitted that his driver asked him to wear his seat belt minutes before the accident. Maan believes that if it had not been for his driver's advice, he would have been dead as well. Later he wrote and performed a song "Baithi sade naal savari utter gayi" dedicated to his driver, who was also his good friend.

During a radio interview Maan revealed to the host, Gagan Grewal, that he is an avid supporter of Liverpool football club.^[5]

Gurdas Maan Started his career as a Employee of Punjab State Electricity Board.

Discography[link]

• 2011: Jogiya (Sai Productions/T-Series/UK BOX OFFICE)
• 2008: Boot Polishan (Sai Creations/UK BOX OFFICE)
• 2005: Vilayatan (T-Series/MovieBox)
• 2004: Heer (T-Series)
• 2003: Punjeeri (T-Series/MovieBox/Music Waves)
• 2001: Pyar Kar Lai (Tips)
• 1999: Jaadugarian (Venus)
• 1998: Dil Hona Chahida Jawaan (Venus)
• 1997: Yaar Mera Pyar (T-Series)
• 1996: Chaklo Chaklo (T-Series)
• 1995: Ishq Na Dekhe Zaat
• 1994: Aaja Sajna
• 1994: Ishq Da Giddha (Tips)
• 1993: Ghar Bhulgi Morh Te Ake
• 1993: Than Than Gopal (RMI)
• 1993: Aakarh Aa Hi Jaandi-E'(Music Bank)
• 1992: Larh Geya Pecha
• 1991: Dil Da Badshah
• 1990: Mohabbat Zindabad
• 1989: Akhiyaan Udeek Dian
• 1988* Raat Suhani'
• 1988: Chugliyaan
• 1988: Wah Ni Jawaniye
• 1987: Geetan Bhari Patari
• 1986: Nacho Babeyo
• 1985: Kurian Ne Judo Sikh Lai
• 1984: Chakkar'
• 1984: Peer Tere Jaan Di
• 1983: Masti
• 1982: Dil Saaf Hona Chahida
• 1982: Disco Vichari
• 1981: Dil Da Mamla Hai

Filmography[link]

• 2013: Punjabiye Zubaney
• 2012: Mitro - Mitro
• 2010: Jaat Haryana ka, Chak Jawana
• 2010: Sukhmani Hope for life (Best Actor - Critic Award PTC Punjabi film Awards 2011.^[4])
• 2009: Mini Punjab (Speed OXL Films)
• 2008: Yaariyan (Universal)
• 2007: Mummy-Ji (special appearance) (Universal)
• 2006: Waris Shah-Ishq Da Waaris (MovieBox)
• 2004: Des Hoyaa Pardes (Universal)
• 2004: Veer Zaara (special appearance)(Yash Raj Films)
• 2002: Zindagi Khoobsoorat Hai
• 2000: Shaheed Udham Singh (MovieBox) ...Shaheed Bhagat Singh
• 1999: Shaheed-E-Mohabbat ...Boota Singh
• 1999 Sirf Tum (special appearance)
• 1995: Subedaar
• 1995: Bagawat ...Gurjeet
• 1994: Kachehri..Gurdas/Ajit
• 1994: Wanted: Gurdas Maan Dead or Alive
• 1992: Saali Adhi Ghar Waali
• 1991: Roohani Taaqat
• 1990: Pratigya ...Billa
• 1990: Qurbani Jatt Di ...Karma
• 1990: Dushmani Di Aag
• 1988: Baghavaat
• 1987: Chhora Haryana Da
• 1986: Ki Banu Duniyan Da
• 1986: Gabhroo Punjab Da ...Shera
• 1986: Laung Da Lashkara
• 1985: Patthar Dil
• 1985: Ucha Dar Babe Nanak Da
• 1984: Mamla Garbar Hai

References[link]

Kavya Madhavan
Native name	കാവ്യ മാധവൻ
Born	Kavya Madhavan (1984-09-19) September 19, 1984 (age 27) Nileshwaram, Kasargod, Kerala, India
Residence	Thammanam, Kochi, Kerala, India
Nationality	Indian
Other names	Minu, Karthika
Ethnicity	Malayali
Citizenship	India
Occupation	Film actress
Years active	1991 - present
Notable work(s)	Oomappenninu Uriyadappayyan, Perumazhakkalam, Mizhi Randilum, Khaddama, Bhaktha Janangalude Sradhakku
Spouse	Nischal Chandra (2009-2011)
Parents	P. Madhavan Shyamala
Relatives	Midhun (brother)

Kavya Madhavan (Malayalam: കാവ്യ മാധവന്‍) is an Indian film actress who works in Malayalam cinema. She made her debut in Pookkalam Varavayi (1991) as a child artist. As a heroine Kavya's debut film was Lal Jose's Chandranudikkunna Dikhil(1999) while she was in the ninth standard. It was a super hit and from then on there was no looking back. She won the Kerala State Film Award for Best Actress twice, for her performances in the films Perumazhakkalam (2004) and Khaddama (2010).

Background[link]

Kavya was born on September 19, 1984 in the village of Nileshwaram in Kasargod district, Kerala, India, to P. Madhavan and Shyamala. She attended Nileswaram GLP School and entered the film industry as a child artist. She learned dancing during her school days and participated in competitions. She was a Kalathilakam in a Sub District Schools Youth Festival.^[1]

Movie career[link]

She first appeared as a child in Kamal's film Pookkalam Varavayi (1991). Her talent was soon recognized, and she was offered other projects such as Pavam IA Ivachan (1994) and Azhakiya Ravanan (1996). When she was in ninth standard, she got an offer to play as a heroine in Lal Jose's film Chandranudikkunna Dikhil, which became a super hit. After her leading role, she became popular in the Malayalam film industry. It has been claimed that she was the busiest female actress in Malayalam. She and Dileep are sometimes referred to as the Golden pair. The Dileep-Kavya pairing has produced several big hits, including Chandranudikkunna Dikhil (1999) and Meesa Madhavan (2002). In 2010 the pair acted in the film Pappy Appacha. Kavya’s films include Mizhi Randilum, Dhosth, Madhuranombarakattu, Sadanandante Samayam and Meesa Madhavan, of which the last movie earned record collections in the Malayalam film industry. Her other films include Chakkara Muthu, Iruvattam Manavatti, Annorikkal, Kochi Rajavu, Aparichithan, Perumazhakkalam, Gowrisankaram, Runway, Athisayan, Thilakkam and many more. She has acted in a few Tamil films; Kasi was her first film in Tamil that performed well at the box office. She has also acted in some more Tamil films, En Mana Vaanil and Sadhu Miranda. She has acted with various superstars in the Malayalam industry including Mohanlal, Mammootty, Jayaram, Suresh Gopi and Dileep. She also wrote lyric for the song 'En Khalbillulloru Pennaanu' for the film One Way Ticket.^[2]

Personal life[link]

She was married to Nishal Chandra on February 5, 2009 at Kollur Mookambika Temple.^[3] After the marriage she went to Kuwait to stay with her husband.^[4] However, she returned home in June the same year and did not go back thereafter. She filed a divorce petition with the Family Court at Ernakulam on July 24, 2010.^[3][5] Kavya and Nishal had appeared before the Ernakulam Family Court on May 25, 2011 and expressed their willingness, for a mutual divorce. She was granted divorce by court on May 30, 2011.

Awards and achievements[link]

Kerala State Film Awards

• 2004: Best Actress - Perumazhakkalam
• 2010: Best Actress - Khaddama

Kerala Film Critics Awards

• 2000: Second Best Actress - Chandranudikkunna Dikhil
• 2001: Second Best Actress - Kochu Kochu Santhoshangal
• 2003: Second Best Actress - Mizhi Randilum
• 2005: Best Actress - Anandabhadram
• 2010: Best Actress - Khaddama

Asianet Film Awards

• 2000: Special Jury Award - Kochu Kochu Santhoshangal, Madhuranombarakattu
• 2002: Best Star Pair - Meesa Madhavan
• 2002: Best Actress - Oomappenninu Uriyadappayyan
• 2004: Special Jury Award Actress - Perumazhakkalam
• 2009: Best Actress - Banaras
• 2011: Best Actress - Khaddama

Vanitha-Surya TV Film Awards

• 2004: Best Actress - Mizhi Randilum
• 2006: Best Actress - Anandabhadram
• 2011: Best Actress - Khaddama

Mathrubhumi Film Awards

• 2002: Best Popular Actress
• 2002: Best Star Pair - (Dileep and Kavya)
• 2003: Second Best Actress - Mizhi Randilum
• 2004: Special Jury Award Actress - Perumazhakkalam
• 2007: Best Popular Actress
• 2009: Best Actress - Banaras
• 2011: Best Actress - Khaddama

Amrita TV FEFKA Film Awards

• 2010: Best Actress - Khaddama
• 2011: Best Popular Actress - All Films (2011)

Kerala Film Audience Awards

• 2001: Monisha Award
• 2003: Best Actress – Oomappenninu Uriyadappayyan

Other Awards

• 2000: Bharathan Award - Navagatha Prathibha Chandranudikkunna Dikhil
• 2003: Fourth Raju Pilakkad Chalachithra Award - Oomappenninu Uriyadappayyan
• 2007: Sathyan Memorial Award for Best Actress - Nadiya Kollappetta Rathri
• 2010: Jaihind TV Film Award for Best Actress - Khaddama
• 2011: Bharath Murali Award - Khaddama
• 2011: Sathyan Award ^[6]
• 2011: Lalitha-Padmini-Ragini Memorial Award^[7]
• 2011 Viewers Choice Award for Best Actress - Khaddama^[8]
• 2011: Reporter TV Film Award for Best Actress - Khaddama
• 2011: Surya TV Film Awards for Best Actress - Khaddama
• 2011: Ramu Kariat Film Awards for Best Actress - Khaddama
• 2011: Manappuram Kanyaka Minnale Film Awards for Young Megastar Female
• 2011: Thikkurissy Foundation Film Awards for Best Actress - Khaddama

Notable films[link]

Upcoming films[link]

References[link]

External links[link]

• Kavya Madhavan at the Internet Movie Database

Nusrat Fateh Ali Khan (Punjabi: نصرت فتح علی خان (Shahmukhī)) (October 13, 1948 – August 16, 1997), a world-renowned Pakistani musician, was primarily a singer of Qawwali, the devotional music of the Sufis (a mystical tradition within Islam). Considered one of the greatest singers ever recorded, he possessed a six-octave vocal range^{[citation needed]} and could perform at a high level of intensity for several hours.^[1] Extending the 600-year old Qawwali tradition of his family, Khan is widely credited with introducing Sufi music to international audiences.^[2][3] He was popularly known as "Shahenshah-e-Qawwali", meaning "The King of Kings of Qawwali".^[4]

Born in Faisalabad, Pakistan, Khan had his first public performance at age of 16, at his father's chelum. He officially became the head of the family qawwali party in 1971, and was signed by Oriental Star Agencies (OSA), Birmingham, U.K., in the early 1980s. In subsequent years, Khan released movie scores and albums for various labels in Pakistan, Europe, Japan and the U.S. He engaged in collaborations and experiments with Western artists, becoming a well-known world music artist in the process. He toured extensively, performing in over 40 countries.^[5]

Biography[link]

Early life and career[link]

Khan was born on October 13, 1948 in the city of Lyallpur (now Faisalabad), Pakistan. He was the fifth child and first son of Fateh Ali Khan, a musicologist, vocalist, instrumentalist, and Qawwal. Khan's family, which included four older sisters and a younger brother, Farrukh Fateh Ali Khan, grew up in central Lyallpur. Initially, his father did not want Khan to follow the family's vocation. He had his heart set on Khan choosing a much more respectable career path and becoming a doctor, because he felt Qawwali artists had low social status. However, Khan showed such an aptitude for, and interest in, Qawwali that his father finally relented.^[6] Khan began by learning to play tabla alongside his father before progressing to learn Raag Vidya and Bol Bandish. He then went on to learn to sing within the classical framework of khayal. Khan's training with his father was cut short when his father died in 1964, leaving Khan's paternal uncles, Mubarak Ali Khan and Salamat Ali Khan, to complete his training. His first performance was at a traditional graveside ceremony for his father, known as chehlum, which took place forty days after his father's death.

In 1971, after the death of Mubarak Ali Khan, Khan became the official leader of the family Qawwali party and the party became known as Nusrat Fateh Ali Khan, Mujahid Mubarak Ali Khan & Party. Khan's first public performance as the leader of the Qawwali party was at a studio recording broadcast as part of an annual music festival organised by Radio Pakistan, known as Jashn-e-Baharan. Khan sang mainly in Urdu and Punjabi and occasionally in Persian, Braj Bhasha and Hindi. His first major hit in Pakistan was the song Haq Ali Ali, which was performed in a traditional style and with traditional instrumentation. The song featured restrained use of Khan's sargam improvisations.

In 1979, Khan married his first cousin, Naheed (the daughter of Fateh Ali Khan's brother, Salamat Ali Khan); they had one daughter, Nida.^[7]

Early in his career, Khan was signed up by Oriental Star Agencies in the U.K. to their Star Cassette Label. OSA sponsored regular concert tours by Khan to the U.K. from the early '80s onwards, and released much of this live material on cassette, CD, videotape and DVD.G

Later career[link]

In the 1992–93 academic year, Khan was a Visiting Artist in the Ethnomusicology department at the University of Washington, Seattle.^[8]

Khan teamed with Peter Gabriel on the soundtrack to The Last Temptation of Christ in 1985, with Canadian musician Michael Brook on the albums Mustt Mustt (1990) and Night Song (1996),^[9] and with Pearl Jam lead singer Eddie Vedder in 1995 on two songs for the soundtrack to Dead Man Walking. One of these songs ("The Long Road") was re-used on the soundtrack for Eat Pray Love in 2010. Khan also contributed to the soundtrack of Natural Born Killers. He composed the music for the 1994 film Bandit Queen in collaboration with Roger White.

Peter Gabriel's Real World label later released five albums of Khan's traditional Qawwali, together with some of his experimental work which included the albums Mustt Mustt and Star Rise. Khan provided vocals for The Prayer Cycle, which was put together by Jonathan Elias, but died before the vocals could be completed. Alanis Morissette was brought in to sing with his unfinished vocals. Khan also collabrated with Michael Brook to create music for the song "Sweet Pain" used in the movie Any Given Sunday. He also performed traditional Qawwali before international audiences at several WOMAD world music festivals and the single "Dam Mast Qalandar" was remixed by electronic trip hop group Massive Attack in 1998.

His album Intoxicated Spirit was nominated for a Grammy award in 1997 for best traditional folk album.

Khan contributed songs to, and performed in, several Pakistani films. Shortly before his death, he recorded a song each for two Bollywood films, Aur Pyaar Ho Gaya (in which he also sang the song onscreen) and Kachche Dhaage. He sang the title song of the film Dhadkan. He also sang "Saya bhi saath jab chhod jaye" for Sunny Deol's movie Dillagi. The song was released in 1999, two years after Khan's death.

Khan contributed the song "Gurus of Peace" to the album Vande Mataram, composed by A. R. Rahman, and released to celebrate the 50th anniversary of India's independence. Rahman, who was a big fan of Khan could not do further songs with him. As a tribute, Rahman later released an album titled Gurus of Peace, which featured "Allah Hoo" by Khan. Rahman's 2007 song "Tere Bina" was also done as a tribute to Khan.^[10]

After his death, the song "Solemn Prayer", on which Khan provided vocals, was used on the Peter Gabriel song "Signal to Noise" (on the album Up), and on the soundtrack to the Martin Scorsese film Gangs of New York.

According to the Guinness Book of World Records, Khan Fateh Ali Khan holds the world record for the largest recorded output by a Qawwali artist—a total of 125 albums as of 2001.

Death[link]

Khan was taken ill with kidney and liver failure on August 11, 1997 in London, England, while on the way to Los Angeles in order to receive a kidney transplant. He died of a sudden cardiac arrest at Cromwell Hospital, London, on Saturday, August 16, 1997, aged 48.^[11] His body was returned to Faisalabad, Pakistan, and his funeral was attended by the public.

Composition of Nusrat's qawwali party[link]

The composition of Khan's ensemble, called a "party" (or "Humnawa" in Urdu), changed over its 26 years. Listed below is a snapshot of the party, circa 1983:

1. Mujahid Mubarak Ali Khan: Khan's first cousin, vocals
2. Farrukh Fateh Ali Khan: Khan's brother, vocals and lead harmonium
3. Rehmat Ali: vocals and second harmonium
4. Maqsood Hussain: vocals
5. Rahat Nusrat Fateh Ali Khan: Khan's nephew and pupil, vocals
6. Dildar Hussain: percussion
7. Majawar Abbas: mandolin and guitar/chorus, handclapping
8. Mohammed Iqbal Naqvi: secretary of the party, chorus, handclapping
9. Asad Ali: chorus, handclapping. Khan's cousin
10. Ghulam Farid: chorus, handclapping
11. Kaukab Ali: chorus, handclapping

The one significant member of the party who does not appear on this list is Atta Fareed. For many years, he alternated with Rehmat Ali on vocals and second harmonium. He is easily identifiable in videos since he plays the harmonium left-handed.

This snapshot is non-representative in one respect: harmoniums were usually the only instruments. Only rarely were instruments like mandolin or guitar used.

Awards and titles[link]

Khan is widely considered to be the most important qawwal in history.^[12][13] In 1987, Khan received the President of Pakistan’s Award for Pride of Performance for his contribution to Pakistani music.^[8][14] In 1995 he received the UNESCO Music Prize.^[15][16] In 1996 he was awarded Grand Prix des Amériques at Montreal World Film Festival for exceptional contribution to the art of cinema.^[17] In 2005, Khan was awarded the "Legends" award at the UK Asian Music Awards.^[18] Time magazine's issue of November 6, 2006, "60 Years of Asian Heroes", lists him as one of the top 12 artists and thinkers in the last 60 years.^[19] He also appeared on NPR's 50 Great Voices list in 2010.^[20] In August 2010 he was included in CNN's list of the twenty most iconic musicians from the past fifty years.^[21]

Many honorary titles were bestowed upon Khan during his 25-year music career. He was given the title of Ustad after performing classical music at a function in Lahore on his father's death anniversary.^[22]

Tributes, legacy and influence[link]

Alexandra A. Seno of Asiaweek wrote:^[23]

Nusrat Fateh Ali Khan's voice was otherworldly. For 25 years, his mystical songs transfixed millions. It was not long enough ... He performed qawali, which means wise or philosophical utterance, as nobody else of his generation did. His vocal range, talent for improvisation and sheer intensity were unsurpassed.

Jeff Buckley cited Khan as a major influence, saying of him "He's my Elvis", and performing the first few minutes of Khan's hit "Yeh Jo Halka Halka Suroor Hai" (including vocals) at live concerts.^[24][25] Many other artists have also cited Khan as an influence, such as A. R. Rahman,^[26] Sheila Chandra,^[27] and Alim Qasimov.^[28]

Paul Williams picked a concert performance by Khan for inclusion in his 2000 book The 20th Century's Greatest Hits: a 'top-40' list, in which he devotes a chapter each to what he considers the top 40 artistic achievements of the 20th century in any field (including art, movies, music, fiction, non-fiction, science-fiction).^[29]

In 2008, Khan was listed in 14th position in UGO's list of the best singers of all time.^[30]

In 2004, a tribute band called (Brooklyn Qawwali Party) (formerly Brook's Qawwali Party) was formed in New York City by percussionist Brook Martinez to perform the music of Khan. The 13-piece group still performs mostly instrumental jazz versions of Khan's qawwalis, using the instruments conventionally associated with jazz rather than those associated with qawwali.^[31]

Films[link]

Documentaries[link]

• Nusrat Fateh Ali Khan: le dernier prophète (1996). Directed by Jérôme de Missolz.
• Nusrat has Left the Building... But When? (1997). Directed by Farjad Nabi. (This 20-minute docudrama focuses on Khan's early career.)
• A Voice from Heaven (1999). Directed by Giuseppe Asaro. New York, NY: Winstar TV & Video. (This 75-minute documentary, available on VHS and DVD, provides an introduction to Khan's life and work.)
• Samandar Main Samandar (2007). A documentary aired on Geo TV detailing Khan's career.
• The King of Qawalli (2009). A short film aired on Dawn News about Khan's life and career.

Concert films[link]

• The JVC Video Anthology of World Music and Dance (1990). Video 14 (of 30) (South Asia IV). Produced by Ichikawa Katsumori; directed by Nakagawa Kunikiko and Ichihashi Yuji; in collaboration with the National Museum of Ethnology, Osaka. [Tokyo]: JVC, Victor Company of Japan; Cambridge, Massachusetts: distributed by Rounder Records. Features a studio performance by Khan and Party (two Urdu-language songs: a Hamd, and a Manqabat for Khwaja Mu`inuddin Chishti. Filmed in Tokyo, Japan, September 20, 1987, for Asian Traditional Performing Arts).
• Nusrat! Live at Meany (1998). Produced by the University of Washington. (87-minute recording of a January 23, 1993 concert at Meany Hall, University of Washington in Seattle, during Khan's residency at the Ethnomusicology Program there.)
• Live in Concert in the U.K. (DVD, vols. 1–17) [OSA]; recorded between 1983 and 1993; first thirteen listed below:
  • Live in Concert in UK (DVD vol. 1)
  • Live in Concert (DVD vol. 2)
  • Live in Concert (DVD vol. 3)
  • Live in UK (DVD vol. 4)
  • Live in UK (DVD vol. 5)
  • Live in Concert (DVD vol. 6)
  • Live in UK (DVD vol. 7)
  • Live in UK (DVD vol. 8)
  • Live in UK (DVD vol. 9)
  • Live in UK (DVD vol. 10)
  • Live in UK (DVD vol. 11)
  • Digbeth Birmingham 12 November 1983 (DVD vol. 12)
  • Digbeth 30 October 1983 (DVD vol. 13)
• Akhiyan Udeek Diyan (DVD) [Nupur Audio]
• Je Tun Rab Nu Manauna (DVD) [Nupur Audio]
• Yaadan Vicchre Sajan Diyan Aayiyan (DVD) [Nupur Audio]
• Rang-e-Nusrat (DVD, vols. 1–11) [Music Today]; recorded between 1983 and 1993 (same material as the OSA DVDs)
• VHS videotapes, vols. 1–21 [OSA]; recorded between 1983 and 1993 (same material as the OSA DVDs)
  • Luxor Cinema Birmingham (VHS vol. 1, 1979)
  • Digbeth Birmingham (VHS vol. 2, 1983)
  • St. Francis Hall Birmingham (VHS vol. 3, 1983)
  • Royal Oak Birmingham (VHS vol. 4, 1983)
  • Private Mehfil (Wallace Lawley Centre, Lozells Birmingham, November 1983) (VHS vol. 5)
  • Private Mehfil (VHS vol. 6, 1983)
  • Natraj Cinema Leicester (VHS vol. 7, 1983)
  • Live In Southall (VHS vol. 8)
  • Live In Bradford (VHS vol. 9, 1983)
  • Live In Birmingham (VHS vol. 10, 1985)
  • Allah Ditta Hall (VHS vol. 11, 1985)
  • Harrow Leisure Centre (VHS vol. 12)
  • University Of Aston (VHS vol. 13, 1988)
  • Aston University (VHS vol. 14, 1988)
  • WOMAD Festival Bracknell (VHS vol. 15, 1988)
  • Live In Paris (VHS vol. 16, 1988)
  • Poplar Civic Centre London (VHS vol. 17)
  • Imperial Hotel Birmingham (VHS vol. 18, 1985)
  • Slough Gurdawara (SHABADS) (VHS vol. 19)
  • Imran Khan Cancer Appeal (VHS vol. 20)
  • Town Hall Birmingham (VHS vol. 21, 1993)

See also[link]

• List of Pakistani musicians
• Nusrat Fateh Ali Khan albums

References[link]

Additional reading[link]

• Baud, Pierre-Alain. Nusrat Fateh Ali Khan, The Messenger of Qawwali. Editions Demi-Lune, 2008. (A biography of Nusrat)

External links[link]

Wikiquote has a collection of quotations related to: Nusrat Fateh Ali Khan

• Article with brief 1993 interview (edwebproject.org)
• King of Qawali documentary on YouTube
• NPR Audio Report: Nusrat Fateh Ali Khan: The Voice Of Pakistan
• Nusrat Fateh Ali Khan at the Internet Movie Database