"A Whiter Shade of Pale" is the debut song by the British band Procol Harum, released 12 May 1967. The single reached number one in the UK Singles Chart on 8 June 1967, and stayed there for six weeks. Without much promotion, it reached #5 on the US charts, as well. It is one of the fewer than 30 all-time singles to have sold 10 million (or more) copies worldwide.^{[citation needed]}

With its haunting Bach-flavoured instrumental melody, soulful vocals, and unusual lyrics—by the song's co-authors Gary Brooker, Keith Reid, and Matthew Fisher-- "A Whiter Shade of Pale" reached #1 in several countries when released in 1967. In the years since, it has become an enduring classic. It was the most played song in the last 75 years in public places in the UK (as of 2009), and the United Kingdom performing rights group Phonographic Performance Limited in 2004 recognised it as the most-played record by British broadcasting of the past 70 years. Also in 2004, Rolling Stone placed "A Whiter Shade of Pale" #57 on its list of the 500 Greatest Songs of All Time.

Ann "Annie" Lennox, OBE (born 25 December 1954), is a Scottish singer-songwriter, political activist and philanthropist. After achieving minor success in the late 1970s as part of the New Wave band The Tourists, she and fellow musician David A. Stewart went on to achieve major international success in the 1980s as Eurythmics. Lennox is the most recognized female artist at the Brit Awards, winning a total of eight awards. She has also been named the "Brits Champion of Champions".

Lennox embarked on a solo career in the 1990s with her debut album, Diva (1992), which produced several hit singles including "Why" and "Walking on Broken Glass". To date, she has released five solo studio albums and a compilation album, The Annie Lennox Collection (2009). She is the recipient of eight Brit Awards, four Grammy Awards and an MTV Video Music Award. In 2002, Lennox received a Billboard Century Award; the highest accolade from Billboard Magazine. In 2004, she won both the Golden Globe and the Academy Award for Best Original Song for "Into the West", written for the soundtrack to the feature film The Lord of the Rings: The Return of the King.

Tom Moulton (born November 29, 1940) is an American record producer, and originator of the remix, the breakdown section, and the 12-inch single vinyl format.

Thomas Jerome Moulton was born in Schenectady, New York, United States.

Moulton worked as a model at the Bookings and Ford agencies, before beginning his production career. Before that, he had worked in the music industry, holding a sales and promotion job at King Records (from 1959 to 1961), and similar positions at RCA and United Artists. He eventually left due to his disgust at the industry's dishonesty. His music career re-started in the late 1960s, with a self-made tape of overlapping songs created for the Fire Island bar and restaurant, The Sandpiper.

He was responsible for the first continuous-mix album side, on Gloria Gaynor's disco album, Never Can Say Goodbye, earning him the title the "father of the disco mix". Among some of his other success in mixing songs are The Three Degrees' "Dirty Ol' Man", MFSB featuring The Three Degrees "Love Is The Message", B.T. Express' "Do It ('Til You're Satisfied)", The Trammps' "Disco Inferno", The People's Choice's "Do It Any Way You Wanna", Andrea True's "More, More, More", plus First Choice's "Doctor Love" and Claudja Barry's album, The Girl Most Likely.

John Robert "Joe" Cocker, OBE (born 20 May 1944) is an English rock and blues singer, who came to popularity in the 1960s, and is most known for his gritty voice, his idiosyncratic arm movements while performing, and his cover versions of popular songs, particularly those of the Beatles.

He is the recipient of several awards, including a 1983 Grammy Award for his #1 hit "Up Where We Belong", a duet he performed with Jennifer Warnes. He was ranked #97 on Rolling Stone's 100 greatest singers list.

Cocker was born on 20 May 1944 at 38 Tasker Road, Crookes, Sheffield, West Riding of Yorkshire. He is the youngest son of a civil servant, Harold Cocker, and Madge Cocker. According to differing family stories, Cocker received his nickname of Joe either from playing a childhood game called "Cowboy Joe" or from a local window cleaner named Joe.

Cocker's main musical influences growing up were Ray Charles and Lonnie Donegan. Cocker's first experience singing in public was at age 12 when his elder brother Victor invited him on stage to sing during a gig of his skiffle group. In 1960, along with three friends, Cocker formed his first group, the Cavaliers. For the group's first performance at a youth club, they were required to pay the price of admission before entering. The Cavaliers eventually broke up after a year and Cocker left school to become an apprentice gasfitter while he pursued a career in music.

The Organ was a Canadian indie pop band formed in 2001 in Vancouver, British Columbia. They officially broke up on December 7, 2006, due to illness and personal conflicts in the band.

The Organ were conceived in 2001 by frontwoman Katie Sketch, born Katie Ritchie, in Vancouver, BC. Sketch's musical training started at the age of three, when she began classical training on the violin. Her childhood was spent largely in ignorance of the underground sounds of The Smiths, The Cure, and Joy Division, whom The Organ would later often be favorably compared to. "Tiffany and Bon Jovi - that was my take on ’80s music."

Sketch has said of the time of the formation of the band, when she and the band members were in their early to mid-twenties. "I was in a musical lull, I couldn’t stand what I was listening to," naming Sleater-Kinney as one example. “The local scene was also pretty shitty, and of course the radio was brutal. Then, by total fluke, my mom’s friend’s husband, Ron Obvious, hired me to help with the audio wiring for a studio he was building for Bryan Adams.” Obvious introduced Katie to the world of independent music, and what she calls "that ’80s sound." He created mix-tapes of bands he thought she’d appreciate as a violinist (Roxy Music, Ultravox) and singers with an "amazing natural vocal pitch" (Siouxsie and the Banshees, Nina Hagen, Kate Bush)). This job also led Sketch to Tara Nelson, the engineer who would later record the Organ’s first EP.