A soprano is a voice type with a vocal range (using scientific pitch notation, where middle C = C₄) from approximately middle C (C₄) to "high A" (A₅) in choral music, or to "soprano C" (C₆, two octaves above middle C) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody.^[1] For other styles of singing see voice classification in non-classical music.

Typically, the term "soprano" refers to female singers but at times the term "male soprano" has been used by men who sing in the soprano vocal range using falsetto vocal production instead of the modal voice. This practice is most commonly found in the context of choral music in England. However, these men are more commonly referred to as countertenors or sopranists. The practice of referring to countertenors as "male sopranos" is somewhat controversial within vocal pedagogical circles as these men do not produce sound in the same physiological way that female sopranos do.^[2] The singer Michael Maniaci is known to refer to himself as a true male soprano because he is able to sing in the soprano vocal range using the modal voice as a woman would. He is able to do this because his larynx never fully developed during puberty.^[3]

In choral music, the term soprano refers to a vocal part or line and not a voice type. Male singers whose voices have not yet changed and are singing the soprano line are technically known as "trebles". The term "boy soprano" is often used as well, but this is just a colloquialism and not the correct term.^[2]

Historically, women were not allowed to sing in the Church so the soprano roles were given to young boys and later to castrati—men whose larynxes had been fixed in a pre-adolescent state through the process of castration.^[4]

The term soprano may also be used to refer to a member of an instrumental family with the highest range such as the soprano saxophone.^[5]

Types and roles in opera[link]

In opera, the tessitura, vocal weight, and timbre of soprano voices, and the roles they sing, are commonly categorized into voice types, often called fächer (sg. fach, from German Fach or Stimmfach, "vocal category").^[6] A singer's tessitura is where the voice has the best timbre, easy volume, and most comfort. For instance a soprano and a mezzo-soprano may have a similar range, but their tessituras will lie in different parts of that range.^[7]

The low extreme for sopranos is roughly B♭₃ or A₃ (just below middle C). Within opera, the lowest demanded note for sopranos is A♭₃ ("Ich Gehe, Doch Rate Ich Dir", from Mozart's Abduction From The Seraglio). Often low notes in higher voices will project less, lack timbre, and tend to "count less" in roles (although some Verdi, Strauss and Wagner roles call for stronger singing below the staff). However, rarely is a soprano simply unable to sing a low note in a song within a soprano role.^[7]

The high extreme, at a minimum, for non-coloratura sopranos is "soprano C" (C₆ two octaves above middle C), and many roles in the standard repertoire call for C♯₆ or D₆. A couple of roles have optional E♭₆’s, as well. In the coloratura repertoire several roles call for E♭₆ on up to F₆. In rare cases, some coloratura roles go as high as G₆ or G♯₆, such as Mozart's concert aria "Popoli di Tessaglia", or the role of Dinorah in Meyerbeer's opera Le pardon de Ploërmel. While not necessarily within the tessitura, a good soprano will be able to sing her top notes full-throated, with timbre and dynamic control.^[6]

The following are the operatic soprano classifications (see individual articles for roles and singers):

Coloratura soprano[link]

• Lyric coloratura soprano—A very agile light voice with a high upper extension, capable of fast vocal coloratura. Light coloraturas have a range of approximately middle C (C₄) to "high F" (F₆) with some coloratura sopranos being able to sing somewhat higher or lower.^[2]

• Dramatic coloratura soprano—A coloratura soprano with great flexibility in high-lying velocity passages, yet with great sustaining power comparable to that of a full spinto or dramatic soprano. Dramatic coloraturas have a range of approximately "low B" (B₃) to "high F" (F₆) with some coloratura sopranos being able to sing somewhat higher or lower.^[6]

Soubrette[link]

In classical music and opera, the term soubrette refers to both a voice type and a particular type of opera role. A soubrette voice is light with a bright, sweet timbre, a tessitura in the mid-range, and with no extensive coloratura. The soubrette voice is not a weak voice for it must carry over an orchestra without a microphone like all voices in opera. The voice however has a lighter vocal weight than other soprano voices with a brighter timbre. Many young singers start out as soubrettes but as they grow older and the voice matures more physically they may be reclassified as another voice type, usually either a light lyric soprano, a lyric coloratura soprano, or a coloratura mezzo-soprano. Rarely does a singer remain a soubrette throughout her entire career.^[1] A soubrette's range extends approximately from middle C (C₄) to "high D" (D₆). The tessitura of the soubrette tends to lie a bit lower than the lyric soprano and spinto soprano.^[7]

Lyric soprano[link]

A warm voice with a bright, full timbre, which can be heard over a big orchestra. It generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera. Lyric sopranos have a range from approximately middle C (C₄) to "high D" (D₆).^[6] There is a tendency to divide lyric sopranos into two groups:^[7]

• Light lyric soprano—A light-lyric soprano has a bigger voice than a soubrette but still possesses a youthful quality.^[7]
• Full lyric soprano —A full-lyric soprano has a more mature sound than a light-lyric soprano and can be heard over a bigger orchestra.^[7]

Spinto soprano[link]

Also lirico-spinto, Italian for "pushed lyric". This voice has the brightness and height of a lyric soprano, but can be "pushed" to dramatic climaxes without strain, and may have a somewhat darker timbre. Spinto sopranos have a range from approximately middle C (C₄) to "high D" (D₆).^[6]

Dramatic soprano[link]

A dramatic soprano (or soprano robusto) has a powerful, rich, emotive voice that can sing over a full orchestra. Usually (but not always) this voice has a lower tessitura than other sopranos, and a darker timbre. Dramatic sopranos have a range from approximately middle C (C₄) to "high D" (D₆).^[6]

Some dramatic sopranos, known as Wagnerian sopranos, have a very big voice that can assert itself over an exceptionally large orchestra (over eighty pieces). These voices are substantial and very powerful and ideally even throughout the registers.^[7]

Intermediate voice types[link]

Two types of soprano especially dear to the French are the Dugazon and the Falcon, which are intermediate voice types between the soprano and the mezzo-soprano: a Dugazon is a darker-colored soubrette, a Falcon a darker-colored soprano drammatico.^[6]

See also[link]

• Bel canto
• List of sopranos in non-classical music

References[link]

Further reading[link]

• Boldrey, Richard; Robert Caldwell, Werner Singer, Joan Wall and Roger Pines (1992). Singer's Edition: Operatic Arias – Light Lyric Soprano. Caldwell Publishing Company. ISBN 978-1-877761-02-7. 
• Boldrey, Richard; Robert Caldwell, Werner Singer, Joan Wall and Roger Pines (1992). Singer's Edition: Operatic Arias – Soubrette. Caldwell Publishing Company. ISBN 978-1-877761-03-4. 

External links[link]

Wikimedia Commons has media related to: Soprano vocalists

• Example of a lyric coloratura soprano on YouTube – Beverly Sills in the title role of Donizetti's Linda di Chamounix
• Example of a dramatic coloratura soprano on YouTube – Dame Joan Sutherland in the title role of Donizetti's Lucrezia Borgia
• Example of a soubrette on YouTube – Dawn Upshaw as Susanna in Mozart's The Marriage of Figaro
• Example of a light lyric soprano on YouTube – Lucia Popp as Pamina in Mozart's The Magic Flute
• Example of a full lyric soprano on YouTube – Dame Kiri Te Kanawa as Marguerite in Gounod's Faust
• Example of a spinto soprano on YouTube – Leontyne Price in the title role of Puccini's Tosca
• Example of a dramatic soprano on YouTube – Jessye Norman in the title role of Strauss' Ariadne auf Naxos
• Example of a Wagnerian soprano on YouTube – Birgit Nilsson as Isolde in Wagner's Tristan und Isolde

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Anthony John "Tony" Soprano, Sr. is an Italian-American fictional character and the protagonist on the HBO television drama series The Sopranos, on which he is portrayed by James Gandolfini. The character was conceived by The Sopranos' creator and show runner David Chase, who was also largely responsible for the character's story arc throughout the show's six seasons. Bobby Boriello portrayed Tony Soprano as a child in one episode and Danny Petrillo played the character as a teenager in three episodes. The character is loosely based on real-life New Jersey mobster Vincent "Vinny Ocean" Palermo (born 1944), who is a former caporegime (capo) and de facto street boss of the DeCavalcante crime family of New Jersey.^[1] The DeCavalante Family is widely considered to be the model for the Soprano family; some incidents that the DeCavalcantes were involved in have been incorporated into Sopranos scripts.^[2]

In the series, Tony begins as a capo in the DiMeo crime family during the first season. Between the first and second seasons, he is promoted to acting boss, a title he retains until the sixth season (his uncle Corrado "Junior" Soprano is the official boss up until early on in season 6, but has little or no actual power). Throughout the series, Tony struggles to balance the conflicting requirements of his "two families": his actual family—wife Carmela, daughter Meadow, son Anthony "A.J." Soprano, Jr., and mother Livia — and the criminal organization he heads. He is shown to be a short-tempered, violent sociopath, but also struggles with depression and is prone to panic attacks. Because of this, he seeks treatment from Dr. Jennifer Melfi in the show's first episode, and remains in therapy on and off up until the penultimate episode of the series.

Plot details[link]

Early life[link]

Tony was born on August 22, 1960, to Livia and "Johnny Boy" Soprano. He grew up living with his mother, father, and two sisters, Janice and Barbara, in the Ironbound neighborhood—known to locals as "Down Neck"—in Newark, New Jersey. His father was involved in crime, and Tony recalls some of his activities in flashbacks on the show. Tony's Grandfather, Corrado Soprano Sr., was a master stonemason who emigrated from Avellino, Italy in 1910. He helped to build a church in Tony's old neighborhood in Newark. Tony takes his children there so he can tell them about their heritage and the value of hard work.

Bobby Boriello played Tony in the episode "Down Neck", in which Tony recalls childhood events relating to his realization that his father was involved in organized crime. He recalls how his father, "Johnny Boy" Soprano, used his older sister, Janice, as a cover for attending meetings with criminal associates at a children's amusement park. At the time, Tony thought Janice was his father's favorite child. In therapy, when asked to remember happy childhood memories about his mother, Tony struggles to come up with any, eventually recalling that he witnessed his father falling down the stairs, causing the whole family to laugh, even his mother; he later describes his mother as a cruel, joyless woman who wore his father down "to a little nub". Tony has a distant relationship with Janice, because she is always asking him for money and once tried to sell Livia's house by herself. Tony had to dispose of the body of Janice's re-acquainted boyfriend Richie Aprile, after Janice killed him.

Tony went to high school (school letters "WOHS", suggesting West Orange High School, were seen in the episode "The Test Dream") with Artie Bucco and Davey Scatino, and remains friends with them into adult life. He played baseball and football, and according to Sal Bonpensiero, he nearly made All-County. He met his future bride, Carmela DeAngelis, in high school. Tony was close to his cousin Tony Blundetto, and neighborhood kids called them Tony Uncle-Al and Tony Uncle-Johnny (after their fathers) to tell them apart.

In their teenage years, the two Tonys spent summers at their Uncle Pat Blundetto's farm—Pat was a soldier in the DiMeo organization. Blundetto was arrested for his part in a hijacking when the two Tonys were young men. Tony was supposed to join Blundetto on the job but failed to appear because of a panic attack; at the time, he told people he had been attacked and injured. Tony attended Seton Hall University for a semester and a half before dropping out to pursue a life of crime.

Tony was part of an unofficial crew of young criminals consisting of Silvio Dante, Ralph Cifaretto, and Jackie Aprile, Sr. Tony gained notoriety in the DiMeo crime family by robbing a card game run by Michele "Feech" La Manna along with Jackie. From then on, he was on a fast track to becoming a made man. He committed his first murder in 1982 at the age of 22, killing a small-time bookie named Willie Overall. In season one Tony states that he knew Mafia boss John Gotti in the 1980s, but he may have been kidding.

His father shepherded Tony through his ascendancy until his death in 1986 from emphysema. When he died, Johnny Boy had risen to the level of captain of his own crew—as had his brother, Junior. Junior took over the paternal role and continued to advise and assist Tony. Tony remembers having to buy expensive dinners for Richie Aprile as a newly made man. Soldiers from Johnny Boy's crew, Salvatore "Big Pussy" Bonpensiero and Paulie "Walnuts" Gualtieri, passed their loyalty on to Tony after Johnny Boy died. Tony then became acting capo of his father's old crew in 1986, making him the youngest capo in the family, at age 26. He was elevated to permanent capo in the late 1980s. His old friend, Silvio Dante, joined him as a soldier in his crew.

By 1995, Tony was a well-respected caporegime in the organization when the boss of the family, Ercole "Eckley" DiMeo, was sent to prison. Tony's longtime friend and fellow captain Jackie Aprile, Sr. took on the role of acting boss in December 1995. With DiMeo in prison, Aprile became the official "Street Boss" of the family.

Under Jackie's rule, the DiMeo Family was peaceful and prosperous until 1998, when Jackie was diagnosed with intestinal cancer; afterward, the family slowly descended into turmoil. With Jackie in and out of the hospital, and as such not able to fully run the family, Tony began to take on many of his duties, much to his Uncle Junior's chagrin.

For a time in early 1999, Jackie seemed cured and was back on the street as boss and the family's woes were eased. By late spring, however, he was back in the hospital and had begun chemotherapy treatments. With Tony's role in the family's operation increasing and disagreements, including Tony thwarting Junior's plot to kill "Little Pussy" Malanga in Artie Bucco's restaurant, tensions between Tony and Uncle Junior rose and reached an all-time high as Jackie's condition turned for the worse.

With Jackie's death in mid-1999, a crisis emerged as to who would run the family, and the soldiers and other captains began to prepare for all-out war within the family. Tony brought a quick end to the conflict by making Junior the official boss of the family. Junior would unknowingly act as the lightning rod for the feds, while Tony would run the family from behind the scenes as a de facto boss starting in 2000.

Narrated killings committed by Tony Soprano[link]

Tony has personally committed eight murders in the show. Furthermore, as a Boss, he is responsible for the deaths of others killed on his orders. The eight known murders, all explicitly presented onscreen, were:

• Willie Overall, shot and killed by Tony to "make his bones", or become a made man (1982).

• Fabian "Febby" Petrulio, strangled by Tony for ratting out members of Paulie and Pussy's crew and joining the witness protection program (1999).

• Chucky Signore, shot and killed by Tony for conspiring to kill him with Junior (1999).

• Matthew Bevilaqua, killed by Tony and Big Pussy for attempting to kill Christopher Moltisanti (his cousin in-law) (2000).

• Salvatore "Big Pussy" Bonpensiero, executed by Tony, Silvio, and Paulie on a yacht, after they discovered that he was an FBI informant (2000).

• Ralph Cifaretto, choked/bludgeoned to death in a fight over Ralph's supposedly killing of their prize-winning race horse "Pie-O-My" for insurance money. (2002).

• Tony Blundetto, shot and killed by Tony with a shotgun for the unauthorized killings of Joe Peeps and Billy Leotardo, in order to spare him from being the subject of torture from Phil Leotardo in revenge for his brother's death (2004).

• Christopher Moltisanti, suffocated by Tony when after a major car accident Christopher revealed he was still using drugs (2007).

It is made clear that some of these murders leave Tony perplexed as to how to cope with the situation; most notably, after murdering Christopher Moltisanti, he feels a rush of relief for finally being rid of an associate whom he feels he can no longer trust. He has to "show the sad face" while the rest of the family grieves, but Tony reassures himself that Moltisanti's murder was necessary, despite the hurt caused to the family.

The murder of "Big Pussy" in "Funhouse" weighs heavily on Tony. He is at first tempted to spare his old friend, but in the end knows what his priorities are. In the years to follow, Tony—along with Silvio and Paulie—have haunting dreams of the murder of their friend.

Tony kills Ralph Cifaretto after their horse, Pie-O-My, dies amid suspicious circumstances in "Whoever Did This". Tony tries to confront Ralph about the situation but, after some heated words, Tony loses control and violently murders Ralph. Though no solid proof was found that the fire killing Pie-O-My was arson, Tony is convinced Ralph did it.

The murder of Matthew Bevilaqua was vengeance, an act that had to be carried out since the fact that Christopher was shot was a direct affront to him as Boss. Tony takes satisfaction in it, as it is revenge for an attempt on the life of one of his relatives.

The murder of his cousin, Tony Blundetto, is solely to save him from a far worse death if he were to fall into Phil's hands, and so that Tony does not lose his reputation as a Boss.

The murder of his nephew, Christopher Moltisanti, is not done out of necessity; while Moltisanti presents a threat to Tony's life and the New Jersey Mob (Christopher has been addicted to heroin, cocaine, and alcohol for many years and could not defeat his addiction in rehab), it is ultimately an emotional reaction. When Tony was about to call 911 for help, he sees that a baby seat in the back seat of the SUV has been destroyed by a tree branch; he closes his phone and suffocates Christopher by holding his nose shut so he chokes to death on his own blood. Tony did not plan to murder Christopher but saw the opportunity after the car accident. After killing Christopher, Tony tries to discover whether other mobsters or family members had similar feelings; it seems that they do not. Tony is never suspected of this murder.

As a father[link]

Tony has two children: Meadow Soprano and Anthony (A.J.) Soprano. He also treats Christopher Moltisanti, his wife's first cousin once removed, as a son in many ways.

Tony is often portrayed as a loving father—he attends his children's sporting events on a regular basis and does all he can to insure they have luxuries and opportunities. He hopes that both his children will escape the life of crime he has led. Tony takes great pride in Meadow's achievements. In Season 1, he is moved to tears by her performance at a choir recital. He often tells people about her aspiration to become a pediatrician.

He also sometimes alienates his children with his behavior. He has always tried to conceal his criminal life from them—something that Meadow saw through early on and A.J. also realized with guidance from his sister.

Tony's over-protectiveness of Meadow led to feuds between them on several occasions. For example, her first boyfriend at college was partly of black ancestry, and Tony's racism led him to try to drive him away. Meadow learned of her father's actions and did not speak to him for several months, eventually reconciling at Christmas in 2001.

Meadow's next boyfriend was Jackie Aprile, Jr., the son of Tony's old friend Jackie Aprile, Sr. Tony had promised Jackie Jr.'s father that he would try to keep his son on the straight path. Tony was initially pleased with the relationship, believing Jackie to be a hard-working pre-med student from a good family.

However, since his Uncle Richie's release from prison and subsequent death, Tony realized that Jackie had become more involved in the Mafia when he saw him at strip clubs and a casino. He eventually beat Jackie up to warn him about abusing his daughter's feelings and confiscated his gun. Jackie was killed by Vito for his involvement in a robbery at Christopher's and Furio's executive card game, and for shooting a made man, Furio. This drove Meadow to drinking and depression, although they'd broken up shortly before his death.

After Jackie's death, Tony accepts Meadow's college friends and gets along well with her fiancé, Finn, before the two separated under unrevealed circumstances.

When Meadow is out for dinner with her "mystery" boyfriend Patrick Parisi, New York mob member Coco walks up to the table and makes drunk remarks about her looks and how "Tony must love tucking you in at night". After taking advice from her mother, Meadow tells Tony, who hides his rage and says Coco is "harmless" and "an idiot". Tony then tracks down Coco and Butch DeConcini at John's Restaurant on East 12th Street in Manhattan. Tony viciously pistol-whips Coco several times with a snubnose revolver and warns Butch at gunpoint to shut up and remain seated at his table. After breaking off some of Coco's teeth with a curb stomp, Tony leaves the restaurant.

Tony's feelings toward his son are mixed; he worries about his future. From the beginning, Tony had doubts that his son could succeed him as Boss. His fears are confirmed as A.J. consistently demonstrates throughout the series that he lacks his father's cunning and dominating persona. Tony tells A.J. numerous times that he is proud that his son is gentle and kind. Tony was especially proud of A.J.'s prowess on the football field, even amid his failing grades in high school, but is frustrated with A.J.'s lack of focus after graduation.

After flunking out of Ramapo State, A.J. loafs around the house, parties, and for a time holds a job at Blockbuster, until his father, hoping to keep A.J. away from a life of crime, gets him a job working construction. There, A.J. meets Blanca, and in Tony's opinion, A.J. was doing well until he and Blanca broke up. Tony worries about A.J.'s depression, a 'rotten putrid gene' that Tony believes he passed down to his son.

Hoping to get A.J. back on track, Tony rekindles A.J.'s friendship with "the Jasons", sons of two of his associates, and A.J. seems to be doing better. With the help of a therapist and medication, A.J. is finally getting back to college, this time at Rutgers University, to take classes and party with girls as Tony believes every college kid should. This later turns sour after A.J. sees his new friends attack a Somalian student on a bike and he regresses into depression. A.J. tries to drown himself in a swimming pool, but decides he wants to live; he is unable to escape the pool, however. Tony hears his cries for help, and rescues him. After A.J. is released from a mental health ward, Tony and Carmela dissuade him from joining the Army, and convince him instead to become involved in a film bankrolled by Carmine Lupertazzi, Jr., with the possibility of opening his own club.

Interests and hobbies[link]

Tony is an avid animal lover, and enjoys feeding the ducks which visit his pool. He has a sentimental attachment towards animals, as he had been traumatized by the loss of his childhood dog (as revealed in the episode "In Camelot"), in which his name was "Skippy". In Christopher Moltisanti's intervention, when Tony hears Christopher accidentally suffocated Adrianna's dog, he went furious saying "I oughta suffocate you, you little prick!" He becomes involved in horse racing through his friend Hesh, who owns a stable, and invests in a racehorse named Pie-O-My. When his horse is killed in a fire – possibly set by Ralph Cifaretto – Tony is deeply upset and saddened and kills Cifaretto, yelling "She was a beautiful innocent creature. What did she ever do to you?" and repeats "You fucking killed her!", while banging Cifaretto's head against the floor. When informed by Carmela that a black bear has been foraging in his home's backyard while they were separated, during Season 5, he reacts with interest, rather than fear. During his stay in the hospital after his shooting, he can be seen reading a book about dinosaurs, given by Carmela.

Tony is seen many times over the course of the show engaging in both freshwater and saltwater angling. His son Anthony Jr. frequently accompanies him on fishing outings. During the second season he presents his son with a Fenwick rod and a Penn International reel, both extremely high quality products. In the sixth season, while in Florida with Paulie, he rents a sport fishing boat. He is sometimes haunted by visions of Pussy Bonpensiero incarnated in the form of a fish – presumably a reference to the disposal of his body in the ocean. A Big Mouth Billy Bass novelty singing fish, brought into the Bada Bing by Georgie and later presented to him as a Christmas present by his daughter Meadow, recalled his nightmare and disturbed him greatly.

Tony enjoys fresh air and looking at sites from a distance by himself throughout the series, as seen in "Nobody Knows Anything", "Cold Cuts", "The Fleshy Part of the Thigh" and "Live Free or Die".

Tony enjoys sports, particularly baseball, football, basketball, golf, and horse racing. He played varsity baseball and football in high school, and is a fan of the New York Yankees and New York Jets. A large portion of his income is derived from illegal sports betting.

Tony is an amateur yachtsman and has owned two motor yachts over the course of the show – Stugots and Stugots II. The name comes from the Southern Italian phrase stu cazz meaning "This dick," or in paraphrase "Fuck it."

Tony maintains an avid interest in history, particularly World War II. Throughout seasons 4 and 5, Tony is seen watching Vietnam War documentaries. He is a big fan of President John F. Kennedy, Tony even owns one his captain sailor hats, in which he won at an auction. He is often shown watching programs on the History Channel about great leaders such as George Patton, Erwin Rommel, and Winston Churchill. He reads The Art of War by Sun Tzu, a work which is quoted by several other characters on the show, particularly Paulie Gualtieri.

Tony is often seen watching classic black and white films. Tony listens to classic rock and pop music, particularly of the 1960s and 70s. Over the course of the show he is seen to enjoy Jefferson Airplane, Eric Clapton, The Clash, The Chi-Lites, Pink Floyd, Steely Dan, AC/DC, Rush, Eagles, The Lost Boys, Jethro Tull, Deep Purple and Tom Petty and The Heartbreakers, Lynyrd Skynyrd, Van Morrison, Journey .

Like most of the mobsters in the series, Tony is shown to be partial to Cadillac and Lincoln vehicles. When discussing with Dr. Melfi a bizarre dream in which his penis fell off, he mentions that he went to the guy who used to "work on my Lincoln, when I drove Lincolns." For the first four seasons, Tony drives a burgundy 1999 Chevrolet Suburban LT 4x4, but in season 5, this has been replaced with a black Cadillac Escalade ESV. This black Escalade is totaled in an accident, and quickly replaced with a white Escalade ESV. Tony has this Escalade until the end of the series.

Extramarital affairs[link]

Throughout the series Tony is shown to be a serial adulterer. His wife Carmela is tacitly aware of his many infidelities and usually turns a blind eye, though sometimes the bottled-up tensions explode in domestic arguments. At the end of Season 4, Irina telephoned Carmela in a jealous rage at Tony cheating on her with her cousin Svetlana, which caused Carmela to finally snap. She threw Tony out of the house and began divorce proceedings. He typically has mistresses whom he consistently sees for long periods of time, though he also has a number of brief one-night stands with strippers from the Bada Bing.

Tony has a strong preference for women of European, particularly Italian descent, with dark hair and eyes and exotic features. His mistresses have been, in chronological order, of Russian, Italian, Italian/Cuban, and Jewish descent. He favors dark features but also had a few brief flings with blond European women, including a Russian housekeeper and a stewardess from Icelandic Airways. He had one very short encounter with an Asian-American escort during "The Test Dream".

Mistresses:

• Irina Peltsin – a young Russian woman whom he sees consistently throughout the first two seasons. She is a severe alcoholic and frequently calls Tony's house when drunk, and when Janice hints that she knows that he is seeing her, he breaks off the relationship.

• Gloria Trillo – an Italian-American Mercedes-Benz saleswoman with stylish tastes and exotic looks. Tony dates her throughout Season 3 after meeting her at Dr. Melfi's office. He eventually stops seeing her when she begins stalking him and calling his house. She commits suicide after the breakup.

• Valentina La Paz – a beautiful art dealer of Italian and Cuban descent. Initially the mistress of Ralph Cifaretto, Tony dates her throughout Season 4. They share a love of horses, and she visits Pie-O-My at the stable with Tony. She accidentally sets her robe on fire in Season 5 while cooking eggs for Tony. Shortly thereafter he decides to get back together with Carmela, and he breaks up with Valentina while she is in the hospital recovering from second degree burns to her head, face, and arm. Their relationship ends on bad terms.

• Julianna Skiff – a real estate developer of Jewish descent. She meets Tony in Season 6 when offering to buy a building that he owns, to be converted into a Jamba Juice. They later begin an affair, along with a business relationship, but never consummate their relationship sexually; Tony backs off and decides to be faithful to Carmela, who stuck with him after the shooting and seemed re-devoted to him. Julianna eventually dates Christopher Moltisanti and the two begin a very destructive, co-dependent drug habit; she is last seen attending Christopher's funeral service, where she mentions that they had split up.

Therapy[link]

Tony has suffered from panic attacks that sometimes cause him to lose consciousness since his childhood. He has his first on-screen panic attack while cooking sausages at his son's birthday party—this occurs in a flashback in the pilot episode. Tony loses consciousness and causes a small explosion when he drops a bottle of lighter fluid onto the coals. Tony describes the experience of the panic attack as feeling like he had "ginger ale in his skull". This prompts him to seek help for the attacks. After extensive testing that includes an MRI scan and blood work no physical cause can be found, so Dr. Cusamano referred Tony to psychiatrist Dr. Jennifer Melfi.

Tony's therapy allows a discussion of his thoughts and feelings away from both aspects of his life—this forum for reaching into the character's thoughts has been described as a Greek chorus, and as a key for viewers to understand the character.^[3]

Tony was initially very resistant to the idea that there was a psychiatric cause for his symptoms. He resented being in therapy, and refused to accept the diagnosis of panic attacks given him by the neurologists who had investigated his illness. Tony begins to open up once Dr. Melfi explains the doctor-patient confidentiality rules. He tells her about the stress of his business life—he has a feeling that he has come in at the end of something, and describes a reverence for the glorified "old days" of the Mafia. Tony leaves out the violence associated with his criminal career. Tony tells Dr. Melfi a story about ducks landing in his pool. He describes his mother Livia, a cold, mean-spirited woman with whom he has an openly hostile relationship. By the end of the first session Tony has admitted that he feels depressed, but storms out when Dr. Melfi presses him further about the relationship between his symptoms and the ducks.

When the family visits Green Grove, a retirement community where Tony is trying to place his mother, Livia's derisive outburst prompts a second panic attack. Melfi prescribes Prozac as an anti-depressant, telling him that no one needs to suffer from depression with the wonders of modern pharmacology. Tony fails to attend their next scheduled session.

At their next session, Tony is still reluctant to face his own psychological weaknesses. Tony is quick to credit the medication for his improved mood, but Dr. Melfi tells him it cannot be that, as it takes six weeks to work—she credits their therapy sessions. Tony describes a dream where a bird steals his penis. Melfi extrapolates that Tony has projected his love for his family onto the family of ducks living in his pool. This brings him to tears, to his consternation. She tells him that their flight from the pool sparked his panic attack through the overwhelming fear of somehow losing his own family.

In the episode "46 Long", they continue discussing Tony's mother and her difficulties living alone. Tony admits that he feels guilty because his mother could not be allowed to live with his family. We learn that he has been left to care for his mother alone by his sisters. When Dr. Melfi asks him to remember good experiences from his childhood, he has difficulty. He blames Carmela for preventing his mother from living with them. Later they discuss Livia's car accident, and Melfi suggests depression may have contributed to the accident – Tony misunderstands her and becomes angry. Tony has a panic attack while visiting his mother's home after she moves to Green Grove. In a later session, Dr. Melfi pushes Tony to admit he has feelings of anger towards his mother, and he again storms out. During this episode Tony introduces the concept of him acting like the sad clown – happy on the outside but sad on the inside.

In "Denial, Anger, Acceptance", Tony discusses Jackie's cancer with Dr. Melfi. She tries to use it as an example of Tony's negative thinking contributing to his depression. Tony becomes angry and storms out. He feels she is trying to trick him and manipulate his thoughts using the pictures that decorate her office. After Jackie worsens and Tony is called a Frankenstein by a business associate, he returns to therapy to discuss these things with Dr. Melfi. She asks him if he feels like a monster.

In "Fortunate Son", Tony discusses a childhood memory of an early panic attack. He saw his father and uncle mutilate Mr. Satriale, the local butcher, and later fainted at a family dinner made with free meat from Satriale's shop. Dr. Melfi makes a connection between meat and Tony's panic attacks. She explores his mother's attitude to the fruits of his father's labor.

Later Dr. Melfi tries prescribing Lithium as a mood stabilizer. In the episode "Isabella", Tony sinks into a severe depressive episode and experiences hallucinations—he sees a beautiful Italian woman named Isabella in his neighbor's garden. Tony sees Isabella several times during the episode, and later learns that she never existed. Melfi theorizes that Isabella was an idealized maternal figure that Tony's subconscious produced because of he was deeply upset about his own mother's actions at the time.

In "I Dream of Jeannie Cusamano", Tony abruptly ends his therapy and persuades Dr. Melfi to go into hiding when he discovers that Uncle Junior has found out about their sessions.

The relationship between Tony and Dr. Melfi is up-and-down, with Tony reaching a level of comfort with Dr. Melfi that he has never experienced with anyone else before, not even his wife. This closeness leads Tony to have something of a "crush" on Dr. Melfi, something that is unattainable. However, the "prying" from Dr. Melfi is uncomfortable for Tony and he often turns sarcastic and antagonistic towards her, leading to an ongoing strain in their relationship. In the episode when Tony's sister, Janice, goes back to Seattle, it is revealed during a rushed conversation between Janice and Tony that their mother suffers from narcissistic personality disorder.

During the episode "The Second Coming", aired in part II of season six, Melfi's own therapist suggests to her that her work with Tony could be considered enabling toward Tony's sociopathic tendencies. Finally, in the penultimate episode of the series, "The Blue Comet", Melfi severs her relationship with Tony after reading research recommended by her own therapist that indicates sociopaths can use talk therapy to improve their skills in manipulating others, and use what is learned in therapy to become more capable criminals.

Shootings[link]

In the first season, Tony is attacked by William Johnson "Petite" Clayborn and Rasheen Ray, two thugs sent by Donnie Paduana to execute Tony. Tony sustains an injury to his ear, which is partially shot off, and minor bruises and cuts from crashing his vehicle. One of the two assailants, Clayborn, is shot dead by Ray in an attempt to kill Tony, and Ray is left bruised, but runs off.

In the premiere of the sixth season, "Members Only", Junior Soprano, suffering from dementia, believes Tony to be "Little Pussy" Malanga, and shoots him in the abdomen. Tony dials 911 but loses consciousness before being able to tell the operator what happened.

The second episode of the sixth season, "Join the Club", Tony is in a medically-induced coma in the hospital. In the second and third episode the viewer sees Tony in a dream-like state, eventually arriving at what could be purgatory, where he is greeted by a man who takes the physical form of his late cousin Tony Blundetto. The shadowy figure in the doorway of the house has the profile of his mother, who is dead. The voice of a younger version of his daughter calls him back. At the end of the third episode, he awakes from his coma in a confused but stable state.

By the fourth episode, Tony is mobile and fully aware, and has regained his voice. Tony's attitude to life has changed by his near death experience. He has yet to discuss his experiences while unconscious with anyone close to him. However, in the Season 6 episode "Kaisha", he admits to Phil Leotardo (who had just suffered a heart attack), that while he was in a coma, he went to a place where he never wants to go again. While talking philosophy with John Schwinn, another patient at the hospital, he mentions that while in the coma he had the experience of being drawn towards somewhere he did not want to go and narrowly avoided it.

In the sixth episode of season 6, part 2, "Kennedy and Heidi", Tony sustains minor injuries in a car accident that seriously injures his nephew, Christopher Moltisanti. Tony suffocates Christopher after this accident. Tony was on bed rest for a few days and quickly recovered. Nonetheless, this gave his family quite a scare and a painful memory of his nearly fatal shooting the previous year.

Dreams[link]

Tony sometimes has vivid dreams that are shown to the viewer. Episodes with dream sequences include "Pax Soprana", "Isabella", "Funhouse", "Everybody Hurts", "Calling All Cars", and "The Test Dream".

In the pilot, Tony tells Dr. Melfi about a dream he had wherein a screw in his belly button, when removed, causes his penis to fall off. He tries to find a car mechanic (who had worked on his Lincoln when Tony drove Lincolns) to put it back on, but a duck swoops down and snatches it from his hand.

In "Meadowlands", Tony has a dream that several people in his life are present in Dr. Melfi's office: Herman "Hesh" Rabkin scrolling by the window, A.J. behind the door, Silvio Dante having sex with a woman in the waiting room, and Paulie Walnuts and Big Pussy reading Chinese newspapers. This causes him to worry that people will find out he is seeing a psychiatrist. The dream ends with Tony confronting Melfi, seeing Jackie Aprile, Sr. in his death bed smoking a cigarette, asking Tony, "You smell that? That's rain.", and only to find out that Melfi is his mother, Livia.

In "Pax Soprana", Tony has several dreams and fantasies about Dr. Melfi. He becomes convinced that he is in love with her, but she turns him down when he makes advances towards her.

In "Isabella", Tony, suffering from depression after Big Pussy disappears, acquaints himself with a dental student named Isabella who is staying in the Cusamano home while they are on vacation. He later discovers that he'd hallucinated Isabella due to taking too much lithium, and that Isabella represented the mother he never had.

In "Funhouse", an extended dream sequence exposes many of Tony's subconscious thoughts and feelings through symbolic and sometimes bizarre events: he attempts suicide to preempt a doctor's diagnosis of early death by dousing himself in gasoline and lighting himself on fire; he witnesses himself shooting Paulie "Walnuts" Gaultieri to death during a card game; he has an innuendo-laden conversation with his therapist Dr. Melfi while sporting a prominent erection; and a fish that speaks with the voice of Sal "Big Pussy" Bonpensiero confirms his suspicions that the longtime friend and soldier is a federal informant.

In "Everybody Hurts", Tony dreams of his ex-comaré Gloria Trillo shortly after learning of her suicide by hanging. He visits her apartment and finds her in a black dress with a black scarf around her neck. She is cooking dinner, and when she goes over to the oven the scarf drapes across Tony. Plaster falls down in front of Tony and when he looks up, he sees that the chandelier is almost pulled out of the ceiling. Gloria is suddenly back at the table and offers Tony a choice between seeing what she has under her dress or under her scarf. As she begins to peel away the scarf, Tony wakes up and makes his way to the bathroom for some medication.

In "Calling All Cars", Tony has two dreams featuring Ralph Cifaretto. In the first, he is being driven by Carmela in the back of his father's old car while Ralph sits in the passenger seat. There is a caterpillar crawling on the back of Ralph's head. Tony's fellow passenger in the back seat changes—Gloria Trillo and Svetlana Kirilenko are both seen. The caterpillar turns into a butterfly. Dr. Melfi later tells him that the dream signifies a change for Ralphie (recently killed by Tony) and Carmela being in control, which Tony doesn't like.

In the second dream, Tony follows Ralph to an old house, which Ralph enters. Tony is dressed in trousers, suspenders, and an undershirt. He knocks on the door and a female figure descends slowly in shadow; the door creaks ominously. Tony says he is there for the stonemason job but does not speak English well (Tony's grandfather was an immigrant stonemason). Just as Tony is about to enter the house, he wakes up.

In "The Test Dream", Tony comes to terms with having to kill his cousin Tony Blundetto. The episode reflects on his inner demons and fears, including his children's future, his relationship with his wife, his infidelities, deceased acquaintances—including some who have died by his hand or by his orders—his fate, and his relationship with his father. He is again shown in his father's old car, accompanied by a range of past associates.

In "Join the Club", a comatose Tony finds himself in an alternate universe where he is a law-abiding salesman on a business trip. Among other differences, his accent has changed and his hotel's bartender condescends him (in sharp contrast to the bartender at The Bing, who is a recurring punching bag for Tony). Tony has mistakenly taken another man's briefcase – Kevin Finnerty's – along with all of his identification and work. The episode follows his attempts to discern his identity, recover his briefcase, and get back to his family.

In "Kennedy and Heidi", a stressed Tony Soprano has a dream following the death of Christopher Moltisanti. In this dream, he tells his therapist that Christopher was a burden and that he is relieved that he was dead. After that he also tells her that he murdered Big Pussy and his cousin Tony Blundetto. Following the dream, he acts differently to his friends and family, trying to see if they also feel relieved now that Christopher is dead.

See also[link]

Television portal

• The Sopranos
• The Soprano family tree
• Vincent Palermo
• Michael Taccetta
• Fat Tony

References[link]

External links[link]

• HBO Character Profile: Tony Soprano

This article may be too long to read and navigate comfortably. Please consider splitting content into sub-articles and summarizing the key points of the subject. (September 2010)

Peter Paul "Paulie Walnuts" Gualtieri played by Tony Sirico, is a fictional character on the HBO TV series The Sopranos. Gualtieri begins the series as a caporegime, but later becomes an underboss^[3] in the Soprano crime family.

Plot details[link]

According to The Sopranos, A Family History, Peter Paul Gualtieri, son of Gennaro Gualtieri (although Paulie's biological father was later revealed to be a World War II era soldier named "Russ"), has been a troubled street kid from the age of nine. He dropped out of school after the 9th grade^[4] and spent time in and out of juvenile correctional facilities during his early youth. When he was 17 he officially became an enforcer/bodyguard for "Johnny Boy" Soprano, Tony's father and captain in the DiMeo crime family. His mother, later discovered to be his aunt, worked at a Krispy Kreme doughnut shop during Paulie's childhood and early adulthood, but has since retired. Paulie's grandfather, who immigrated to the United States in 1910, is from Ariano Irpino, a municipality in the province of Avellino, in the Campania region of Italy.^[5] Paulie's grandfather and Tony's paternal grandparents were from the same province in Italy. Paulie spent four years in the US Army Signal Corps, where he was eventually drummed out through Section 8 (discharged because of psychiatric reasons). Although Paulie did not have a long military career, he still is proud of it, and few of the other Sopranos characters had military experience. Afterwards, he spent more time in and out of prison on various criminal charges. Eventually, he worked his way up through the DiMeo crime family, reaching the rank of Captain in 2000, shortly after Anthony "Tony" Soprano became Boss of New Jersey. In 2006, Paulie was promoted to Underboss, and Christopher Moltisanti was put in charge of Paulie's crew, which earlier was Tony's crew. Paulie got his nickname "Paulie Walnuts" due to hijacking a truck in the early 1990s which he believed to be filled with television-sets, but only contained walnuts. His surname is taken from real life DeCavalcante crime family mobster Frank Gualtieri, who served under Vincent Palermo.

Paulie is one of the most colorful characters on the show. Portrayed as a psychopath with little empathy, Paulie is highly paranoid and often refers to the supernatural things he experiences, like déjà vu, seeing the Virgin Mary, and especially his constant fear of death, either natural or probable. Paulie has displayed kindness and loyalty, and usually cracks jokes. However, despite his seniority, Paulie is one of the more eccentric of Tony's associates and is arguably one of the most ruthless, as expressed by his paranoia, mysophobia, competitiveness, miserly nature, impulsive violence and often childlike dependence on Tony's approval. In the season one finale, "I Dream of Jeannie Cusamano," Tony told his crew that he had been in therapy for almost a year, when Paulie revealed that he too had seen a therapist, from whom he "learned some coping skills." Nevertheless, Paulie is recognized throughout the series as one of the top earners and one of Tony's most trustworthy friends in his "inner circle" of Paulie, Silvio Dante, and Christopher Moltisanti.

Uniquely among his colleagues, Paulie remains single and has no children outside marriage. Unlike most of the other Mafiosi, he shuns the married life.^[6] A girlfriend of Paulie's, played by Judy Reyes, is briefly seen in episode 2.9 ("From Where to Eternity.") In a rare moment, Paulie shows compassion for her two children, putting them back to bed, sadly citing he shouldn't keep everyone up, (as he is suffering from nightmares after hearing Christopher talk about his trip to Hell after being shot). She recommends a psychic, but the session ends with Paulie calling the group a bunch of "fucking queers" after the psychic sees the spirit of Charles "Sonny" Pagano - the first guy Paulie ever whacked - together with other spirits, including Mikey Palmice, who supposedly tells the psychic to ask Paulie if the poison ivy, which he caught on his face while chasing (Palmice) to execute him, still itches.

Season 1[link]

In Season One, Paulie was a central member of Tony's crew. He executed a Colombian drug dealer and stole a large quantity of drugs and cash from his hotel room. Other tasks he did were retrieving a car, with Salvatore "Big Pussy" Bonpensiero's help, for a teacher of Tony's son, torturing a hotel co-owner so the crew can own 25% of the business, and extorting a soccer coach by giving him an unwanted free TV. When suspicions that Big Pussy was an informant first surfaced, Paulie volunteered to investigate (and murder if necessary). His method of taking Pussy to a bath house and trying to get him to undress for a steambath lacked subtlety and drove Pussy into hiding. In Tony's brief and bloody war with the Corrado "Junior" Soprano crew, following Junior's attempt on Tony's life, Paulie was assigned the hit on Junior's consigliere Mikey Palmice, with assistance from Christopher Moltisanti.

Season 2[link]

In Season Two, when Tony becomes the street boss of the family, while Junior only remains boss in name, Paulie is promoted to capo of his old crew. This meant that Pussy, Christopher, and Furio Giunta amongst others, reported to him. To help set up the crew's stolen car distribution operation in the country, Paulie traveled with Tony and Christopher to Italy. Paulie also helped run the "executive game"; a high stakes poker game. In the episode From Where to Eternity, while Christopher is in the hospital slowly recovering from the bullet wounds caused by Matthew Bevilaqua and Sean Gismonte's failed assassination attempt (which was engaged in to gain recognition in the DiMeo Crime Family, particularly with Richie Aprile), when Christopher becomes clinically dead for a few minutes after his heart stops while in his comatose state, he has what may have just been a morphine induced dream in which he visits purgatory and sees his deceased father "Dickie" Moltisanti along with his deceased, former best friend Brendan Filone and Mikey Palmice who had slain Brendan earlier on in Season One. Ironically, Brendan and Mikey are good friends in the afterlife and even gamble together with Roman soldiers against Irish gangsters whom they constantly lose to according to Christopher's description of what was going on in his ephemeral visit to the realm between Heaven and Hell. Christopher informs Tony and Paulie that Mikey had a message for them: Three o' clock is what Mikey told Christopher to tell them. It is never actually revealed what this esoteric message is supposed to mean, although Paulie thinks it could have been around the time Mikey was executed. Christopher's spiritual experience, which Tony remains skeptical of and deems just a dream, spooks Paulie intensely. Paulie subsequently begins to have disturbing nightmares of being dragged to Hell. Paulie, at the recommendation of his comare (mistress), goes to see a medium but to confirm for sure the guy is real, Paulie gives a pseudo-name when he calls and makes his appointment. Much to Paulie's chagrin, the authenticity of the medium is confirmed when he begins communicating with Charles "Sonny" Pagano who was the first person Paulie ever whacked back in the 1960s and also Mikey Palmice. It becomes abundantly clear that Mikey's spirit is present when the medium informs Paulie that "he" wants to know if the poison ivy still itches (Paulie had inadvertently ran into a batch of poison ivy whilst he and Christopher chased Mikey through the woods on the day they murdered him). Paulie abruptly flips out, grabs the medium, and asks who he's been talking to, as he feels he somehow got some very clandestine information on Paulie through an actually still living person. Paulie continues to remain spooked and paranoid, as he also feels he's being haunted by Mikey Palmice accompanied by others he had murdered throughout his criminal life. However, a skeptical Tony informs him that it means nothing. Later in the season, when it was confirmed that Pussy was an FBI informant, Paulie accompanied Tony and Silvio Dante on their trip out on a boat to execute Pussy. Paulie, right before execution is carried out, tells Pussy "you were like a brother to me," at which point Tony adds, "to all of us." Paulie has clearly stated the hurtful impact Pussy's betrayal has had on him but seems to have put the experience behind him. Paulie will also be later haunted by the memory of his deceased friend.

Season 3[link]

In Season Three, Christopher often chafed under Paulie's leadership, particularly after Chris became a made man in Paulie's crew. Paulie began to demand regular payments and subjected Chris to humiliating random strip searches for wires. One night, Paulie and Patsy Parisi show up unexpectedly at Christopher's apartment and search his apartment for wires; they also confiscate some stolen shoes Christopher got for Adriana to give to their comares. While meddling through a dresser drawer, Chris observes Paulie sniffing Adriana's panties, about which he later complains to Tony who informs Paulie he must apologize. Paulie grows angry at Christopher's tattle-telling and informs him, "If you ever go to the big man [Tony] again about stuff between you and me, we're gonna have a problem my friend." The tensions between Paulie and Chris culminated in the episode "Pine Barrens." when Tony assigns Paulie and Christopher the task of collecting a payment owed to Silvio by Russian mobster named Valery. They botched the simple assignment after they got into a fight with Valery at his apartment, which Paulie had instigated. Believing Valery is dead after Paulie chokes him with a lamp, they took Valery out into the Pine Barrens to dispose of him. Valery, who was later revealed to be a former commando in the Chechen military, was still alive, and knocked both Paulie and Christopher to the ground with a shovel. He escaped and led Paulie and Christopher on a brief chase in the woods. Paulie shoots Valery in the head, however, Chris and Paulie they can not find Valery, and the two are dumbfounded as to what happened to him. Afterwards, Paulie and Chris decide to get in the car and look for him, but they lose their way. The two try continuously to communicate with Tony on the cell phone to get him to come pick them up but as they are deep in the woods, the signal is weak, and every conversation becomes incomplete by static and disconnection. Paulie and Chris feud throughout the night. They become hungry, extremely cold, tired, and frustrated with each other. Later, a heated exchange even promts Christopher to pull his gun and threaten to kill him. The next morning, they are rescued by Tony and Bobby Baccalieri, but Tony is very disappointed at Paulie's failure to complete such an easy task.

In the season finale "Army of One," Paulie grew upset after Tony ruled against him in a sit down with Ralph Cifaretto. Paulie, who had provided Ralphie with the security codes he needed to execute a $100,000 robbery, demanded 50% of the take. Ralphie countered by offering only $5,000, claiming Paulie had not done any of the leg work. Ultimately, Tony ruled that Paulie was entitled to $12,000. Paulie, who had just put his mother in the expensive "Green Grove" retirement community, was especially angered by the ruling, as he had been depending on the $50,000 to cover his expenses. Paulie also grew jealous of Ralphie's earning ability, which outpaced Paulie's because of Ralphie's labor union ties, which helped bring in the highly lucrative Newark Esplanade project, and Ralphie's consequently rising stock in Tony's eyes.

Season 4[link]

Between Seasons 3 and 4, Paulie was arrested in Youngstown, Ohio on a gun possession charge. Albeit no censure was rendered upon him, Paulie's separation from the family, incorporated with Ralphie's continued earning abilities, continued to erode his reputation and credibility in Tony's eyes. During his four months in jail, he communicated with John "Johnny Sack" Sacramoni, the Underboss of New York's Lupertazzi crime family, while under the false impression that he could earn a place with them. It was Paulie who told Johnny Sack that Ralph Cifaretto made a very insensitive joke regarding Ginny Sack's being overweight to the family which compels an infuriated Johnny to sanction a hit on Ralph that was called off at the last minute. A party was thrown at the Bada Bing when he was released, but his wavering loyalty only served to accelerate his marginalization under Tony. Paulie however, by the end of season four (in 12th episode of the season) , realized he had been duped by Johnny Sack and that Carmine Lupertazzi had never even heard of him, much less offered him a place in his New York family. Following this ascertainment, Paulie once again devoted himself fully to Tony and the Soprano family, reclaiming his status as a top earner and his place within Tony's inner circle.

Paulie has always been devoted to his mother, Marianucci "Nucci" Gualtieri, (it's disclosed in the Season Six episode The Fleshy Part of the Thigh that she is actually his aunt, however) whom he has watched over constantly. She was delighted when he first placed her at "Green Grove" (in stark contrast to Livia Soprano's reaction), and Paulie also interceded in her social problems with the other residents, going so far as to attack their relatives to ensure civility for his mother. He later learned that one of the women Nucci had trouble with, Minni Matrone, kept all her cash in her home. Paulie broke into Minn's home to try to steal this money, but she caught him in the act. When he failed to talk his way out of it, he suffocated her with a pillow. He gave the money to Tony to rejuvenate Tony's confidence in Paulie.

Season 5[link]

In Season Five, Christopher and Paulie's bad blood resurfaces when Christopher reiterates the story of the Pine Barrens incident to Vito Spatafore, Patsy Parisi, and Benny Fazio. The story starts out friendly, but after Chris embarrasses him in front of the guys, Paulie calls Chris "Tony's little favorite." This leads to Chris and Paulie almost starting a fight and later, Paulie tells the rest of the guys that it's over between the two of them. This is one of many fights in the weird relationship that Paulie and Christopher have. At comare night, Christopher refuses to pay for the dinner, forcing Paulie to pay. At Satriale's the following morning, Paulie demanded the money back, else Christopher would begin paying points. At another dinner in Atlantic City, Paulie tells everyone to choose whatever they want in order to inflate Christopher's bill. Tapped out, Chris left a small tip and argued with Paulie in the parking lot until the waiter came out to confront them. Chris responded violently and threw a brick at him. The waiter collapsed and went into convulsions. Panicked, Paulie shot the waiter and grabbed the $1200 tab before running away. Paulie later called Christopher and they agreed to "bury the hatchet," and split the $1200 bill.

Paulie also got into a dispute with Michele "Feech" La Manna over their rival landscaping companies. Paulie and Feech both resorted to violence, assaulting the other's gardeners. Paulie's competition with and antagonism of Feech served to highlight Feech's insubordinate tendencies, which caused Tony to "set up" Feech for a return to prison, making it easier for everyone.

Season 6[link]

Part I[link]

Between seasons 5 and 6, Christopher Moltisanti was made Capo of Paulie's crew, with Paulie being elevated to underboss of the family. Paulie's reputation for withholding money from his payments "up the ladder" were observed in the episode "Mayham." While Tony was in a coma, Paulie took part in a heist with associate Cary De Bartolo that led to an immense score of $1,000,000 in Colombian drug money, which was to be divided up fairly in terms of percentage amongst Tony, Paulie, and Vito. The heist resulted from a tip by Vito Spatafore. Although they had agreed to split the acquisition, Paulie later tried to withhold some of Vito's share due to an injury he had received during the heist; Silvio had to mediate as acting boss, informing them that under the circumstances Tony's share would be given to Carmela. Vito and Paulie were strongly reluctant to give Tony's share to Carmela, as they speculated Tony could potentially die at any moment but in the end accepted their obligation. When Vito's homosexuality was later revealed, Paulie was outspoken in his condemnation of homosexuality and desire to see Vito killed. When Vito returned after months in hiding, Tony considered letting his proposal of setting up business in Atlantic City with Silvio in front of Paulie; Paulie remained quiet, but left the room in apparent protest. Tony largely decided to have Vito killed because Paulie's attitude mirrored the lack of respect his underlings would feel for him letting Vito live free, although Phil Leotardo made it a moot point when he had members of his family beat Vito to death.

In the episode "The Fleshy Part of the Thigh," it was disclosed to Paulie that his dying Aunt Dotty, a nun, was actually his mother. She had become pregnant with him by a soldier identified only as "Russ" during World War II. Nucci, the woman Paulie had thought of as his mother, was really his aunt who took him in to hide the scandal. This flabbergasting news sent Paulie into an emotional tailspin, in the grips of which he severed his ties to his Nucci and did not attend Dotty's funeral. The episode ended with Paulie extorting $4,000 per month (the sum of Nucci's retirement home costs) from the son of the late owner of the Barone Sanitation company, unbeknown to Tony. Earlier, Paulie had witnessed Helen Barone meet with Tony to intercede on her son's behalf, and Tony promised that he would not be harmed; hearing this conversation led Paulie to break down emotionally. This means that Little Paulie Germani is not his nephew, but his first cousin once removed, although he still referred to Little Paulie as his nephew.

In "The Ride" Paulie was responsible for organizing the annual festivities at the Feast of St. Elzear. Paulie had taken over running the festival from Johnny Boy Soprano upon his death, and continued to try to run it for profit. In 2006, it proved a burden—the replacement priest, Father José, tried to renegotiate the payment the church would receive from the proceeds of the feast. Paulie refused to pay, and Father José retaliated by refusing to allow St. Elzear's gold hat to be used in the festival. The hat's absence was noticed and complained about by elder residents. Ride maintenance was another area where Paulie decided to save money, which resulted in a malfunction while Bobby Baccalieri's family was on a ride. Janice received minor neck injuries. Subsequently, this resulted in temporary bad blood between Paulie and Bobby which Tony ordered to be resolved.

During the festival, Paulie was tested for prostate cancer because of an elevated PSA. With his uncertain parentage, there was no way of knowing if he was genetically predisposed to the disease or not. During a restless night awaiting his biopsy results, Paulie awoke at 3 a.m. and went to the Bada Bing club. There he had a striking vision of the Virgin Mary hovering above the stage. Paulie later visited Nucci at Green Grove, and they had a silent reconciliation. In the episode "Moe N' Joe," Paulie told Tony that he has been diagnosed with prostate cancer. The disease was apparently caught in an early stage, and Paulie underwent a course of radiation therapy. Paulie suggested that his luck at having been diagnosed early was a reward for good deeds in his life, and Tony agreed with him. He stated in the episode "Stage 5," that he beat the cancer, after learning of Johnny Sack's death from lung cancer.

Part II[link]

In the episode, "Remember When," Paulie and Tony went to Miami to lie low when the FBI investigated the old murder case of Willie Overall, who was Tony's first murder victim. On the trip and in Miami, Paulie begins to reminisce about the old days at which point he brings up Pussy Bonpensiero and Ralph Cifaretto and how they all four went out to dinner the night Tony whacked Willie Overall. Tony begins to grow somewhat suspicious of Paulie's idiosyncracies and inclination to divulge information to other people, and Tony questioned him several times about the joke Ralph Cifaretto made about Ginny Sacrimoni's weight. Eventually, the Overall's murder was blamed on the deceased Jackie Aprile, Sr., so Tony took Paulie on a fishing trip to celebrate. Paulie had serious misgivings about going to sea with Tony due to the boat trip that was used to lure informant Pussy Bonpensiero to his death. On the boat, Paulie continues to deny informing Johnny Sack of Ralph's joke about his wife. While Tony seriously considered murdering Paulie, he ultimately decided to spare his life. Seemingly out of "gratitude," Paulie sent Carmela a $2,000 espresso machine to replace her broken one. The overly expensive gift gave the impression of Paulie to Carmela that "there is something seriously wrong with that man," but Tony defends him, saying it was people like Paulie who allowed Tony and Carmela to live the way they did.

In the episode "Walk like a Man," Paulie's nephew, Little Paulie, was beaten by Christopher over a dispute and thrown out a second-story window, suffering six broken vertebrae. A furious Paulie tore up Christopher's lawn with his car, leaving Chris's wife shaken. Later in the episode, they seemed to have made up, and drank together at the Bada Bing. However, Paulie made off-color remarks about Christopher's daughter, which caused an inebriated Chris to storm out and later kill his A.A. friend J.T. Dolan. In the episode, "Kennedy and Heidi," Paulie was left surprisingly grief-stricken when Christopher was killed, reflecting that their argument over money and respect was trivial and that he should have been nicer to him, in life. Paulie was later "upstaged" when his aunt/adopted mother Nucci's wake was under-attended because his friends were at Christopher Moltisanti's wake instead. In the final episode "Made in America," Tony asked Paulie to step in and take over the old Aprile/Cifaretto/Spatafore/Gervasi crew. At first, Paulie was hesitant because all the bad luck that had befallen previous capos of that crew but immediately changes his mind after clever persuasion.

Gualtieri crew[link]

When given control of the Soprano crew Paulie oversaw all of Tony’s old business dealing, which included amongst others, the Paving Union, extorting drug dealers, the pump and dump scams, charging HMOs for fake MRI expenditures, fencing stolen cars, a phone card scam, gambling, loan sharking and the crew’s front businesses: Barone Sanitation and Massarone Construction. Throughout the shows run other aspects of the crew's criminal activities developed or were revealed. These include control of the Joint Fitters Union, credit card hijacking (run by Benny Fazio), betting shop, cigarette smuggling (both run by Christopher), and protection racketing (run by Patsy). Legit businesses include Pussy’s old auto body shop (now run by his wife Angie), silent partner in a lawn care business, and the Feast of St. Elisario. Paulie soon became Tony's biggest earner. However, by season four Paulie's business hit a low point, especially in comparison to the Cifaretto and Barese crew. By season 5 Paulie's crew regained its position as one of the best earners in the family. When Paulie was promoted to Underboss between seasons 5 and 6, Christopher took over as Capo of his old crew.

Murders committed by Paulie[link]

The following is a list of murders committed by or referenced to on the show by Paulie. With nine murders, he holds the record of having killed the most people in the show.

*First mentioned. Happened before events of first The Sopranos episode.

Family tree[link]

• In "Commendatori," when Paulie still believes that Nucci is his mother, he mentions having two brothers and a sister. Only Gerry and Rose are mentioned by name in the series; one of the brothers is a doctor.
• In the series finale, Tony mentions a niece of Paulie's who has MS. Because it now is known that Paulie has no siblings, he is referring to one of his cousin's/"siblings'" children.

Vehicles[link]

Like many other gangsters, Paulie is partial to Cadillacs - favoring beige colored Cadillacs. During seasons 1 and 2 he drove a green 1996 Cadillac Seville SLS. He drives a beige 1998 Cadillac DeVille in season 3 (which was stolen in "Pine Barrens." ) He drives a beige Cadillac Eldorado until the end of season 5 and a beige Cadillac CTS in season 6. One of his Cadillacs plays the "Speak Softly Love" ("Love Theme from The Godfather") as the melody for the car horn ("Nobody Knows Anything").

Appearances in other media[link]

Since his appearance on The Sopranos, Tony Sirico has appeared in several TV commercials. Although it is never explicitly stated that he is "Paulie Walnuts," his performances in all of them have been consistent with that character.

• Denny's commercials:
  • In the first one, he is in a fast food restaurant trying to pay with Monopoly-like money for a breakfast meal. When the cashier says he can't accept the money because it is not real, Sirico responds, "That's not a real breakfast!" The commercial ends when Sirico throws down a wad of Monopoly money and says to the cashier, "Go buy yourself something nice."^[7]
  • In the second one, he plays a police detective standing with a victim behind a one-way mirror in a police line-up. The victim points to a suspect and says, "That's the one who sold me the fake breakfast." Sirico responds, "Calm down, chief. He can't harm you no more."^[8]
  • The third one shows Sirico tying a rope to the bumper of his Cadillac DeVille, and connecting the other end to a billboard advertising breakfast. When someone asks what he is doing he responds, "Is that the Grand Slam?" The next shot shows him driving away and pulling the billboard down.

• In addition, Sirico appeared in a Netflix commercial in 2003.

• He appears in a commercial for Aftonbladet, advertising the tabloid's being shipped with a free Sopranos DVD weekly in the 2009 period.^[9]

References[link]

External links[link]

• http://www.hbo.com/sopranos/cast/character/paulie_walnuts.shtml
• http://www.hbo.com/sopranos/fbifiles/paulie_walnuts.shtml