A caricature is a portrait that exaggerates or distorts the essence of a person, animal or object to create an easily identifiable visual likeness. In literature, a caricature is a description of a person using exaggeration of some characteristics and oversimplification of others.^[1]

According to the Indian Cartoonist S. Jithesh, a caricature is the satirical illustration of a person or a thing, but a cartoon is the satirical illustration of an idea.^[2]

Caricatures can be insulting or complimentary and can serve a political purpose or be drawn solely for entertainment. Caricatures of politicians are commonly used in editorial cartoons, while caricatures of movie stars are often found in entertainment magazines.

The term is derived from the Italian caricare—to charge or load. An early definition occurs in the English doctor Thomas Browne's Christian Morals, published posthumously in 1716.

Expose not thy self by four-footed manners unto monstrous draughts, and Caricatura representations.

with the footnote:

When Men's faces are drawn with resemblance to some other Animals, the Italians call it, to be drawn in Caricatura

Thus, the word "caricature" essentially means a "loaded portrait". According to School of Visual Arts caricature instructor Sam Viviano, the term refers only to depictions of real-life people, and not to cartoon fabrications of fictional characters, which do not possess objective sets of physiognomic features to draw upon for reference, or to anthropomorphic depictions of inanimate objects such as automobiles or coffee mugs. Walt Disney, on the other hand, equated his animation to caricature, saying the hardest thing to do was find the caricature of an animal that worked best as a human-like character.

History[link]

Ancient Pompeiian graffiti caricature of a politician.

Some of the earliest caricatures are found in the works of Leonardo da Vinci, who actively sought people with deformities to use as models. The point was to offer an impression of the original which was more striking than a portrait. Diodemmar Casem, one of the great early practitioners, was favored by the members of the papal court for his ability to depict the essence of a person in 'three or four strokes.'^{[citation needed]}

Caricature experienced its first successes in the closed aristocratic circles of France and Italy, where such portraits could be passed about for mutual enjoyment.

James Gillray's The Plumb-pudding in danger (1805), which caricatured Pitt and Napoleon, was voted the most famous of all UK political cartoons.^[3]

While the first book on caricature drawing to be published in England was Mary Darly's A Book of Caricaturas (c. 1762), the first known North American caricatures were drawn in 1759 during the battle for Quebec.^[4] These caricatures were the work of Brig.-Gen. George Townshend whose caricatures of British General James Wolfe, depicted as "Deformed and crass and hideous" (Snell),^[4] were drawn to amuse fellow officers.^[4] Elsewhere, two great practitioners of the art of caricature in 18th-century Britain were Thomas Rowlandson (1756–1827) and James Gillray (1757–1815). Rowlandson was more of an artist and his work took its inspiration mostly from the public at large. Gillray was more concerned with the vicious visual satirisation of political life. They were, however, great friends and caroused together in the pubs of London. See the Tate Gallery's exhibit James Gillray: The Art of Caricature

In a lecture titled The History and Art of Caricature (September 2007, Queen Mary 2 Lecture theatre), the British caricaturist Ted Harrison said that the caricaturist can choose to either mock or wound the subject with an effective caricature. Drawing caricatures can simply be a form of entertainment and amusement – in which case gentle mockery is in order – or the art can be employed to make a serious social or political point. A caricaturist draws on (1) the natural characteristics of the subject (the big ears, long nose, etc.); (2) the acquired characteristics (stoop, scars, facial lines etc.); and (3) the vanities (choice of hair style, spectacles, clothes, expressions and mannerisms).

Notable caricaturists[link]

See list of caricaturists.

Une discussion littéraire à la deuxième Galerie by Honoré Daumier
Lithograph published in Le Charivari newspaper, February 27, 1864

A Group of Vultures Waiting for the Storm to "Blow Over"—"Let Us Prey." by Thomas Nast
Wood engraving published in Harper's Weekly newspaper, September 23, 1871

George Cruikshank (1792–1878, British) created political prints that attacked the royal family and leading politicians (in 1820 he received a royal bribe of £100 for a pledge "not to caricature His Majesty (George III of the United Kingdom) in any immoral situation."^{[citation needed]} He went on to create social caricatures of British life for popular publications such as The Comic Almanack (1835–1853) and Omnibus (1842). He also earned fame as a book illustrator for Charles Dickens and many other authors.

Honoré Daumier (1808–1879, French) is considered by some^[who?] to be the father of caricature.^{[citation needed]} During his life, he created over 4,000 lithographs, most of them caricatures on political, social and everyday themes. They were published in the daily French newspapers (Le Charivari, La Caricature etc.)

Thomas Nast (1840–1902, American) was a famous caricaturist and editorial cartoonist in the 19th century and is considered by some as written in 1908 by the New York Times to be the father of American political cartooning. He is often credited with creating the definitive caricatures of the Democratic Donkey, the Republican Elephant and Santa Claus.^[5]

Sir Max Beerbohm (1872–1956, British), created and published caricatures of the famous men of his own time and earlier. His style of single-figure caricatures in formalized groupings was established by 1896 and flourished until about 1930. His published works include Caricatures of Twenty-five Gentlemen (1896), The Poets' Corner (1904) and Rossetti and His Circle (1922). He published widely in fashionable magazines of the time, and his works were exhibited regularly in London at the Carfax Gallery (1901–18) and Leicester Galleries (1911–57).

Alex Gard (1900–1948, Russian) created more than 700 caricatures of show business celebrities and other notables for the walls of Sardi's Restaurant in the theater district of New York City: the first artist to do so. Today the images are part of the Billy Rose Theatre Collection of The New York Public Library for the Performing Arts.^[6]

Al Hirschfeld (1903–2003, American) was best known for his simple black and white renditions of celebrities and Broadway stars which used flowing contour lines over heavy rendering. He was also known for depicting a variety of other famous people, from politicians, musicians, singers and even television stars like the cast of Star Trek: The Next Generation. He was even commissioned by the United States Postal Service to provide art for U.S. stamps. Permanent collections of Hirschfeld's work appear at the Metropolitan Museum of Art and the Museum of Modern Art in New York, and he boasts a star on the St. Louis Walk of Fame.

Mort Drucker (1929, American) joined Mad in 1957 and became well known for his parodies of movie satires. He combined a comic strip style with caricature likenesses of film actors for Md, and he also contributed covers to Time. He has been recognized for his work with the National Cartoonists Society Special Features Award for 1985, 1986, 1987 and 1988, and their Reuben Award for 1987.

Gogu Neagoe (1976, Romanian) holds a Guinness World Record for the doing 131 caricatures through the phone, without ever seeing the subject.^[7]

Vitaliy Peskov (1944–2002, Russian Виталий Песков) was a famous Russian caricaturist.

Robert Risko (1946, American) is known for his retro airbrush style. His work has appeared in Rolling Stone, Playboy, Vanity Fair, Esquire, and Interview.

David Levine (1926–2009, American) is noted for his caricatures in The New York Review of Books and Playboy magazine. His first cartoons appeared in 1963. Since then he has drawn hundreds of pen-and-ink caricatures of famous writers and politicians for the newspaper.

Sam Viviano (1953, American) has done much work for corporations and in advertising, having contributed to Rolling Stone, Family Weekly, Reader's Digest, Consumer Reports, and Mad, of which he is currently the art director. Viviano’s caricatures are known for their wide jaws, which Viviano has explained is a result of his incorporation of side views as well as front views into his distortions of the human face. He has also developed a reputation for his ability to do crowd scenes. Explaining his twice-yearly covers for Institutional Investor magazine, Viviano has said that his upper limit is sixty caricatures in nine days.

Sebastian Krüger (1963, German) is known for his grotesque, yet hyper-realistic distortions of the facial features of celebrities, which he renders primarily in acrylic paint, and for which he has won praise from The Times. He is well known for his lifelike depictions of The Rolling Stones, in particular, Keith Richards. Krüger has published three collections of his works, and has a yearly art calendar from Morpheus International. Krüger's art can be seen frequently in Playboy magazine and has also been featured in the likes of Stern, L’Espresso, Penthouse, and Der Spiegel and USA Today. He has recently been working on select motion picture projects.

Hermann Mejia (Venezuelan) is known for his frequent work for MAD Magazine. Mejia uses multiple techniques for his work, sometimes rendering his illustrations in black and white ink and copious amounts of cross-hatching, sometimes using watercolor, and sometimes combinations of both.

S. Jithesh (Indian) is best known for his Super-speedy style of Celebrity Caricaturing Stage Shows.^[8] He belongs to the genre of the odd and rare species of Performing Caricaturists. He is the first one who courageously and successfully experimented with and explored the performance dimensions of the 'Art of Caricaturing' as a perfect 'Stage Art' with consistency.^[9] He evolved and gave fine finish to the Infotainment 'Caricature Stage Show' or 'Caricature Concert' through more than two thousand stages. His 'Caricature Stage Show' is a blend of poetry, anecdotes and socio-political satire with super speedy drawing which explores the performing level possibilities of the 'Art of Caricaturing'.^[10] Sketching of more than thousand celebrity caricatures relentlessly with a lightning pace and satirical commentary is the major attraction of his 'Caricature Stage Shows'. He is widely acclaimed as the 'World's Fastest Cartoonist' since his amazing ability to sketch 50 celebrity caricatures within 5 minutes.^[11]

Computerized caricature[link]

There have been efforts to produce caricatures automatically or semi-automatically using computer graphics techniques. For example, a system proposed by Akleman et al.^[12] provides warping tools specifically designed toward rapidly producing caricatures. There are very few software programs designed specifically for automatically creating caricatures.

Computer graphic systems by necessity require quite different skillsets to caricatures created on paper. Thus using a computer in the digital production of caricatures requires advanced knowledge of the program's functionality. Rather than being a simpler method of caricature creation, it can be a more complex method of creating images that feature finer coloring textures than can be created using more traditional methods.

A milestone in formally defining caricature was Susan Brennan's master's thesis^[13] in 1982. In her system, caricature was formalized as the process of exaggerating differences from an average face. For example, if Prince Charles has more prominent ears than the average person, in his caricature the ears will be much larger than normal. Brennan's system implemented this idea in a partially automated fashion as follows: the operator was required to input a frontal drawing of the desired person having a standardized topology (the number and ordering of lines for every face). She obtained a corresponding drawing of an average male face. Then, the particular face was caricatured simply by subtracting from the particular face the corresponding point on the mean face (the origin being placed in the middle of the face), scaling this difference by a factor larger than one, and adding the scaled difference back on to the mean face.

Though Brennan's formalization was introduced in the 1980s, it remains relevant in recent work. Mo et al.^[14] refined the idea by noting that the population variance of the feature should be taken into account. For example, the distance between the eyes varies less than other features such as the size of the nose. Thus even a small variation in the eye spacing is unusual and should be exaggerated, whereas a correspondingly small change in the nose size relative to the mean would not be unusual enough to be worthy of exaggeration.

On the other hand, Liang et al.^[15] argue that caricature varies depending on the artist and cannot be captured in a single definition. Their system uses machine learning techniques to automatically learn and mimic the style of a particular caricature artist, given training data in the form of a number of face photographs and the corresponding caricatures by that artist. The results produced by computer graphic systems are arguably not yet of the same quality as those produced by human artists. For example, most systems are restricted to exactly frontal poses, whereas many or even most manually produced caricatures (and face portraits in general) choose an off-center "three-quarters" view. Brennan's caricature drawings were frontal-pose line drawings. More recent systems can produce caricatures in a variety of styles, including direct geometric distortion of photographs.

The science of caricature[link]

Leopold et al.^[16] found that individual face-recognizing neurons in the inferotemporal cortex respond more strongly to caricatured faces than to the veridical representations of the same face, and suggest that the visual brain may code faces relative to a prototypical face, consistent with Brennan's formalization.

Ramachandran and Hirstein^[17] suggested that caricature is related to peak shift. In the peak shift effect, animals sometimes respond more strongly to exaggerated versions of the training stimuli. For example, if a rat is trained to respond to a rectangle of a particular aspect ratio, and to avoid a square, when later presented with several rectangles it will prefer the one with the most elongated aspect ratio (this being the one that is most different from the square) rather than the original rectangle used in training. Ramachandran and Hirstein speculated that cells in a monkey brain that respond to particular faces would respond more strongly to caricatured versions of the face. This effect has been confirmed in FMRI experiments by Tsao.^[17]

Modern use of caricature[link]

A modern, street-style caricature at a wedding, with the subject holding the picture for comparison

Beside the political and public-figure satire, most contemporary caricatures are used as gifts or souvenirs, often drawn by street vendors. For a small fee, a caricature can be drawn specifically (and quickly) for a patron. These are popular at street fairs, carnivals, and even weddings, often with humorous results.^[18]

Caricature artists are also popular attractions at many places frequented by tourists, especially oceanfront boardwalks, where vacationers can have a humorous caricature sketched in a few minutes for a small fee. Caricature artists can be a great interactive form of entertainment for parties, where they will draw caricatures of the guests for their entertainment.

See also[link]

• Cartoon
• Controversial newspaper caricatures
• Jyllands-Posten Muhammad cartoons controversy
• Persona
• Physiognomy
• Satire
• Zoomorphism

References[link]

External links[link]

Wikimedia Commons has media related to: Caricatures

Look up caricature in Wiktionary, the free dictionary.

• International Society of Caricature Artists (ISCA) Official site of the International Society of Caricature Artists – a non-profit association devoted to the art of caricature (Formerly the National Caricaturist Network (NCN))
• Wittygraphy a social network dedicated to the art of caricature
• Bogotá's Caricaturists Caricaturists' street in Bogota, Colombia

John Cleese
Cleese in 2008
Born	John Marwood Cleese (1939-10-27) 27 October 1939 (age 72) Weston-super-Mare, Somerset, England, UK
Residence	Los Angeles, California
Nationality	British
Alma mater	Downing College, Cambridge, Clifton College
Occupation	Actor, comedian
Years active	1961–present
Influenced by	Spike Milligan, the Goons, Dick Emery, William Shakespeare
Home town	London, England
Height	6'5" (1.96 m)
Political party	Liberal Democrat
Spouse	Connie Booth (m. 1968–1978) «start: (1968-02-20)–end+1: (1978-09)»"Marriage: Connie Booth to John Cleese" Location: (linkback:http://en-wiki.pop.wn.com/index.php/John_Cleese) (divorced) Barbara Trentham (m. 1981–1990) «start: (1981-02-15)–end+1: (1990-10-11)»"Marriage: Barbara Trentham to John Cleese" Location: (linkback:http://en-wiki.pop.wn.com/index.php/John_Cleese) (divorced) Alyce Eichelberger (m. 1992–2008) «start: (1992-12-28)–end+1: (2008-02)»"Marriage: Alyce Eichelberger to John Cleese" Location: (linkback:http://en-wiki.pop.wn.com/index.php/John_Cleese) (divorced)
Partner	Barbie Orr (2008–2009) Jennifer Wade (2010–present)
Children	Cynthia Cleese (b. 1971) with Connie Booth Camilla Cleese (b. 1984) with Barbara Trentham
Website
TheJohnCleese.com

John Marwood Cleese (/ˈkliːz/; born 27 October 1939) is an English actor, comedian, writer and film producer. He achieved success at the Edinburgh Festival Fringe and as a scriptwriter and performer on The Frost Report. In the late 1960s he became a member of Monty Python, the comedy troupe responsible for the sketch show Monty Python's Flying Circus and the four Monty Python films: And Now for Something Completely Different, The Holy Grail, Life of Brian and The Meaning of Life.

In the mid 1970s, Cleese and his first wife, Connie Booth, co-wrote and starred in the British sitcom Fawlty Towers. Later, he co-starred with Kevin Kline, Jamie Lee Curtis and former Python colleague Michael Palin in A Fish Called Wanda and Fierce Creatures. He also starred in Clockwise, and has appeared in many other films, including two James Bond films as R/Q, two Harry Potter films and three Shrek films.

With Yes Minister writer Antony Jay he co-founded Video Arts, a production company making entertaining training films.

Early life[link]

Cleese was born in Weston-super-Mare, Somerset, the only child of Muriel Evelyn (née Cross) (b.1899), and Reginald Francis Cleese (b. 1893), who worked in insurance sales.^[1] His family's surname was previously "Cheese", but his father changed it to "Cleese" in 1915 upon joining the Army.

Cleese was educated at St Peter's Preparatory School, where he was a star pupil, receiving a prize for English studies and doing well at sports, including cricket and boxing. At 13 he received an exhibition to Clifton College, an English public school in Bristol. He was tall as a child and was well over 6 ft when he arrived there. While at the school he is said to have defaced the school grounds for a prank by painting footprints to suggest that the school's statue of Field Marshal Earl Haig had got down from his plinth and gone to the toilet.^[2] Cleese played cricket for the first team, and after initial indifference he did well academically, passing 8 O-Levels and 3 A-Levels in mathematics, physics and chemistry.^[3][4]

After leaving school, he went back to his prep school to teach science, English, geography, history and Latin^[5] (he drew on his Latin teaching experience later for a scene in Life of Brian in which he corrects Brian's badly written Latin graffiti^[6]) before taking up a place he had won at Downing College, Cambridge, where he studied Law and joined the Cambridge Footlights. There he met his future writing partner Graham Chapman. Cleese wrote extra material for the 1961 Footlights Revue I Thought I Saw It Move,^[7][8] and was Registrar for the Footlights Club during 1962, as well as being one of the cast members for the 1962 Footlights Revue Double Take!^[7][8] He graduated from Cambridge in 1963 with a 2:1. Despite his successes on The Frost Report, his father would send him cuttings from the Daily Telegraph offering management jobs in places like Marks and Spencer.^[9]

Career[link]

Pre-Python[link]

Cleese was one of the script writers, as well as being a member of the cast, for the 1963 Footlights Revue A Clump of Plinths,^[7][8] which was so successful during the Edinburgh Festival Fringe that it was renamed Cambridge Circus and taken to the West End in London and then on a tour of New Zealand and Broadway, with the cast also appearing in some of the revue's sketches on The Ed Sullivan Show in September 1964.^[8]

After Cambridge Circus, Cleese briefly stayed in America, performing on and Off-Broadway. While performing in the musical Half a Sixpence,^[8] Cleese met future Python Terry Gilliam, as well as American actress Connie Booth, whom he married on 20 February 1968.^[8]

He was soon offered work as a writer with BBC Radio, where he worked on several programmes, most notably as a sketch writer for The Dick Emery Show. The success of the Footlights Revue led to the recording of a short series of half-hour radio programmes, called I'm Sorry, I'll Read That Again, that were so popular that the BBC commissioned a regular series with the same title that ran from 1965 to 1974. Cleese returned to Britain and joined the cast.^[8] In many episodes, he is credited as "John Otto Cleese".

Also in 1965, Cleese and Chapman began writing on The Frost Report. The writing staff chosen for The Frost Report consisted of a number of writers and performers who would go on to make names for themselves in comedy. They included co-performers from I'm Sorry, I'll Read That Again and future Goodies Bill Oddie and Tim Brooke-Taylor, and also Frank Muir, Barry Cryer, Marty Feldman, Ronnie Barker, Ronnie Corbett, Dick Vosburgh and future Python members Eric Idle, Terry Jones and Michael Palin. It was while working on The Frost Report, in fact, that the future Pythons developed the writing styles that would make their collaboration significant. Cleese and Chapman's sketches often involved authority figures, some of which were performed by Cleese, while Jones and Palin were both infatuated with filmed scenes that open with idyllic countryside panoramas. Idle was one of those charged with writing David Frost's monologue. It was during this period that Cleese met and befriended influential British comedian Peter Cook.

It was as an actual performer on the Frost Report that Cleese achieved his breakthrough on British television as a comedy actor, appearing as the tall, patrician figure on the classic class sketch, contrasting comically in a line-up with the shorter, middle class Ronnie Barker and the even-shorter, working class Ronnie Corbett. Such was the popularity of the series that in 1966 Cleese and Chapman were invited to work as writers and performers with Brooke-Taylor and Feldman on At Last the 1948 Show,^[8] during which time the Four Yorkshiremen sketch was written by all four writers/performers (the Four Yorkshiremen sketch is now better known as a Monty Python sketch).^[10] Cleese and Chapman also wrote episodes for the first series of Doctor in the House (and later Cleese wrote six episodes of Doctor at Large on his own in 1971). These series were successful, and in 1969 Cleese and Chapman were offered their very own series. However, owing to Chapman's alcoholism, Cleese found himself bearing an increasing workload in the partnership and was therefore unenthusiastic about doing a series with just the two of them. He had found working with Palin on The Frost Report an enjoyable experience and invited him to join the series. Palin had previously been working on Do Not Adjust Your Set with Idle and Jones, with Terry Gilliam creating the animations. The four of them had, on the back of the success of Do Not Adjust Your Set, been offered a series for Thames Television, which they were waiting to begin when Cleese's offer arrived. Palin agreed to work with Cleese and Chapman in the meantime, bringing with him Gilliam, Jones, and Idle.

Monty Python[link]

Monty Python's Flying Circus ran for four seasons from October 1969 to December 1974 on BBC Television, though with only limited participation of Cleese in the last six shows. Cleese's two primary characterisations were as a sophisticate and a stressed-out loony. He portrayed the former as a series of announcers, TV show hosts, and government officials (for example, "The Ministry of Silly Walks"). The latter is perhaps best represented in the "Cheese Shop" and by Cleese's Mr Praline character, the man with a dead Norwegian Blue parrot and a menagerie of other animals all named "Eric". He was also known for his working class "Sergeant Major" character, who worked as a Police Sergeant, Roman Centurion, etc. He is also seen as the opening announcer with the now famous line "And now for something completely different", although in its premiere in the sketch "Man with Three Buttocks", the phrase was spoken by Eric Idle.

Partnership with Graham Chapman[link]

	The Dead Parrot sketch performed on Monty Python's Flying Circus in 1969 noicon listen to a clip from the sketch.
Problems listening to this file? See media help.

Along with Gilliam's animations, Cleese's work with Graham Chapman provided Python with its darkest and angriest moments, and many of his characters display the seething suppressed rage that later characterised his portrayal of Basil Fawlty.

Unlike Palin and Jones, Cleese and Chapman actually wrote together—in the same room; Cleese claims that their writing partnership involved his sitting with pen and paper, doing most of the work, while Chapman sat back, not speaking for long periods, then suddenly coming out with an idea that often elevated the sketch to a different level. A classic example of this is the "Dead Parrot" sketch, envisaged by Cleese as a satire on poor customer service, which was originally to have involved a broken toaster and later a broken car (this version was actually performed and broadcast on the pre-Python special How To Irritate People). It was Chapman's suggestion to change the faulty item into a dead parrot, and he also suggested that the parrot be specifically a Norwegian Blue, giving the sketch a surreal air which made it far more memorable.

Their humour often involved ordinary people in ordinary situations behaving absurdly for no obvious reason. Like Chapman, Cleese's poker face, clipped middle class accent, and imposing height allowed him to appear convincingly as a variety of authority figures, such as policemen, detectives, Nazi officers or government officials—which he would then proceed to undermine. Most famously, in the "Ministry of Silly Walks" sketch (actually written by Palin and Jones), Cleese exploits his stature as the crane-legged civil servant performing a grotesquely elaborate walk to his office.

Chapman and Cleese also specialised in sketches where two characters would conduct highly articulate arguments over completely arbitrary subjects, such as in the "cheese shop", the "dead parrot" sketch and "The Argument Sketch", where Cleese plays a stone-faced bureaucrat employed to sit behind a desk and engage people in pointless, trivial bickering. All of these roles were opposite Palin (who Cleese often claims is his favourite Python to work with)—the comic contrast between the towering Cleese's crazed aggression and the shorter Palin's shuffling inoffensiveness is a common feature in the series. Occasionally, the typical Cleese-Palin dynamic is reversed, as in "Fish Licence", wherein Palin plays the bureaucrat with whom Cleese is trying to work.

Though the programme lasted four series, by the start of series 3, Cleese was growing tired of dealing with Chapman's alcoholism. He felt, too, that the show's scripts had declined in quality. For these reasons, he became restless and decided to move on. Though he stayed for the third series, he officially left the group before the fourth season. Despite this, he remained friendly with the group, and all six began writing Monty Python and the Holy Grail; Cleese received a credit on episodes of the fourth series which used material from these sessions, and even makes a brief appearance in one episode as the voice of a cartoon in the "Hamlet" episode, though he was officially unconnected with the fourth series. Cleese returned to the troupe to co-write and co-star in the Monty Python films Monty Python and the Holy Grail, Monty Python's Life of Brian and Monty Python's The Meaning of Life, and participated in various live performances over the years.

Post-Python[link]

From 1970 to 1973, Cleese served as rector of the University of St Andrews.^[11] His election proved a milestone for the university, revolutionising and modernising the post. For instance, the rector was traditionally entitled to appoint an "Assessor", a deputy to sit in his place at important meetings in his absence. Cleese changed this into a position for a student, elected across campus by the student body, resulting in direct access and representation for the student body.^[12]

Around this time, Cleese worked with comedian Les Dawson on his sketch/stand-up show Sez Les. The differences between the two physically (the tall, lean Cleese and the short, stout Dawson) and socially (the public school, and then Cambridge-educated Cleese and the working class, self-educated Mancunian Dawson) were marked, but both worked well together from series 8 onwards until the series ended in 1976.^[13][14]

Cleese achieved greater prominence in the United Kingdom as the neurotic hotel manager Basil Fawlty in Fawlty Towers, which he co-wrote with his wife Connie Booth. The series won three BAFTA awards when produced and in 2000, it topped the British Film Institute's list of the 100 Greatest British Television Programmes. The series also featured Prunella Scales as Basil's acerbic wife Sybil, Andrew Sachs as the much abused Spanish waiter Manuel ("...he's from Barcelona"), and Booth as waitress Polly, the series' voice of sanity. Cleese based Basil Fawlty on a real person, Donald Sinclair, whom he had encountered in 1970 while the Monty Python team were staying at the Gleneagles Hotel in Torquay while filming inserts for their television series. Reportedly, Cleese was inspired by Sinclair's mantra, "I could run this hotel just fine, if it weren't for the guests." He later described Sinclair as "the most wonderfully rude man I have ever met," although Sinclair's widow has said her husband was totally misrepresented in the series. During the Pythons' stay, Sinclair allegedly threw Idle's briefcase out of the hotel "in case it contained a bomb," complained about Gilliam's "American" table manners, and threw a bus timetable at another guest after they dared to ask the time of the next bus to town.

The first series was screened from 19 September 1975 on BBC 2, initially to poor reviews,^[15] but gained momentum when repeated on BBC 1 the following year. Despite this, a second series did not air until 1979, by which time Cleese's marriage to Booth had ended, but they revived their collaboration for the second series. Fawlty Towers consisted of only twelve episodes; Cleese and Booth both maintain that this was to avoid compromising the quality of the series.

Muppet Show[link]

In December 1977, Cleese appeared as a guest star on The Muppet Show. Cleese was a fan of the show, and co-wrote much of the episode. He appears in a "Pigs in Space" segment as a pirate trying to hijack the spaceship Swinetrek, and also helps Gonzo restore his arms to "normal" size after Gonzo's cannonball catching act goes wrong. During the show's closing number, Cleese refuses to sing the famous show tune from Man of La Mancha, "The Impossible Dream". Kermit the Frog apologises and the curtain re-opens with Cleese now costumed as a Viking trying some Wagnerian opera as part of a duet with Sweetums. Once again, Cleese protests to Kermit, and gives the frog one more chance. This time, he is costumed as a Mexican maraca soloist. He has finally had enough and protests that he is leaving the show, saying "You were supposed to be my host. How can you do this to me? Kermit – I am your guest!". The cast joins in with their parody of "The Impossible Dream", singing "This is your guest, to follow that star...". During the crowd's applause that follows the song, he pretends to strangle Kermit until he realises the crowd loves him and accepts the accolades. During the show's finale, as Kermit thanks him, he shows up with a fictional album, his own new vocal record John Cleese: A Man & His Music, and encourages everyone to buy a copy.^[16]

This would not be Cleese's final appearance with the Muppets. In their 1981 film The Great Muppet Caper, Cleese does a cameo appearance as Neville, a local homeowner. As part of the appearance, Miss Piggy borrows his house as a way to impress Kermit the Frog.

Awards[link]

Cleese won the TV Times award for Funniest Man On TV – 1978-79.^[17]

1980s and 1990s[link]

During the 1980s and 1990s, Cleese focused on film, though he did work with Peter Cook in his one-off TV special Peter Cook and Co. in 1980. In the same year Cleese played Petruchio, in Shakespeare's The Taming of the Shrew in the BBC Television Shakespeare series. In 1981 he starred with Sean Connery and Michael Palin in the Terry Gilliam-directed Time Bandits as Robin Hood. He also participated in Monty Python Live at the Hollywood Bowl (1982), and starred in The Secret Policeman's Ball for Amnesty International. In 1985, Cleese had a small dramatic role as a sheriff in Silverado, which had an all-star cast that included Kevin Kline, with whom he would star with in A Fish Called Wanda three years later. In 1986, he starred in Clockwise as an uptight school headmaster obsessed with punctuality and constantly getting in to trouble during a journey to a headmasters' conference.

Cleese at the 1989 Academy Awards

Timed with the 1987 UK elections, he appeared in a video promoting proportional representation.^[18]

In 1988, he wrote and starred in A Fish Called Wanda, as the lead, Archie Leach, along with Jamie Lee Curtis, Kevin Kline and Michael Palin. Wanda was a commercial and critical success, and Cleese was nominated for an Academy Award for his script. Cynthia Cleese starred as Leach's daughter.

Graham Chapman was diagnosed with throat cancer in 1989; Cleese, Michael Palin, Peter Cook and Chapman's partner David Sherlock, witnessed Chapman's death. Chapman's death occurred a day before the 20th anniversary of the first broadcast of Flying Circus, with Jones commenting, "the worst case of party-pooping in all history." Cleese's eulogy at Chapman's memorial service—in which he "became the first person ever at a British memorial service to say 'fuck'"—has since become legendary.^[19]

Cleese would later play a supporting role in Kenneth Branagh's adaptation of Mary Shelley's Frankenstein alongside Branagh himself and Robert De Niro. He also produced and acted in a number of successful business training films, including Meetings, Bloody Meetings and More Bloody Meetings. These were produced by his company Video Arts.

With Robin Skynner, the group analyst and family therapist, Cleese wrote two books on relationships: Families and How to Survive Them, and Life and How to Survive It. The books are presented as a dialogue between Skynner and Cleese.

In 1996, Cleese declined the British honour of Commander of the Order of the British Empire (CBE). The follow-up to A Fish Called Wanda, Fierce Creatures—which again starred Cleese alongside Kevin Kline, Jamie Lee Curtis and Michael Palin—was also released that year, but was greeted with mixed reception by critics and audiences. Cleese has since often stated that making the second film had been a mistake. When asked by his friend, director and restaurant critic Michael Winner, what he would do differently if he could live his life again, Cleese responded, "I wouldn’t have married Alyce Faye Eichelberger and I wouldn’t have made Fierce Creatures."^[20]

In 1999, Cleese appeared in the James Bond film, The World Is Not Enough as Q's assistant, referred to by Bond as "R". In 2002, when Cleese reprised his role in Die Another Day, the character was promoted, making Cleese the new quartermaster (Q) of MI6. In 2004, Cleese was featured as Q in the video game James Bond 007: Everything or Nothing, featuring his likeness and voice. Cleese did not appear in the subsequent Bond films, Casino Royale and Quantum of Solace.

2000 to present[link]

Cleese is Provost's Visiting Professor at Cornell University, after having been Andrew D. White Professor-at-Large from 1999–2006. He makes occasional, well-received appearances on the Cornell campus. He sold his home in the town of Montecito, California in 2008^[21][22] and planned on moving to Bath in the UK where he has a home on the Royal Crescent. In 2011 Cleese was quoted as saying that for tax purposes he might have to live in Switzerland or Monaco.^[23][24][25]

In 2001, Cleese was cast in the comedy Rat Race as the eccentric hotel owner Donald P. Sinclair, the name of the Torquay hotel owner on who he had based the character of Basil Fawlty.^[26] In 2002, Cleese made a cameo appearance in the film The Adventures of Pluto Nash in which he played "James", a computerised chauffeur of a hover car stolen by the title character (played by Eddie Murphy). The vehicle is subsequently destroyed in a chase, leaving the chauffeur stranded in a remote place on the moon. In 2003, Cleese appeared as Lyle Finster on the US sitcom Will & Grace. His character's daughter, Lorraine, was played by Minnie Driver. In the series, Lyle Finster briefly marries Karen Walker (Megan Mullally). In 2004, Cleese was credited as co-writer of a DC Comics graphic novel titled Superman: True Brit.^[27] Part of DC's "Elseworlds" line of imaginary stories, True Brit, mostly written by Kim Howard Johnson, suggests what might have happened had Superman's rocket ship landed in Britain, not America.

From 10 November to 9 December 2005, Cleese toured New Zealand with his stage show, John Cleese—His Life, Times and Current Medical Problems. Cleese described it as "a one-man show with several people in it, which pushes the envelope of acceptable behaviour in new and disgusting ways." The show was developed in New York with William Goldman and includes Cleese's daughter Camilla as a writer and actor (the shows were directed by Australian Bille Brown). His assistant of many years, Garry Scott-Irvine, also appeared, and was listed as a co-producer. It then played in universities in California and Arizona from 10 January to 25 March 2006 under the title "Seven Ways to Skin an Ocelot".^[28] His voice can be downloaded for directional guidance purposes as a downloadable option on some personal GPS-navigation device models by company TomTom.

In a 2005 poll of comedians and comedy insiders, The Comedians' Comedian, Cleese was voted second only to Peter Cook. Also in 2005, a long-standing piece of Internet humour, "The Revocation of Independence of the United States", was wrongly attributed to Cleese. In 2006, Cleese hosted a television special of football’s greatest kicks, goals, saves, bloopers, plays and penalties, as well as football’s influence on culture (including the famous Monty Python sketch “Philosophy Football”), featuring interviews with pop culture icons Dave Stewart, Dennis Hopper and Henry Kissinger, as well as football greats including Pelé, Mia Hamm and Thierry Henry. The Art of Soccer with John Cleese^[29] was released in North America on DVD in January 2009 by BFS Entertainment & Multimedia.

Cleese lent his voice to the BioWare video game Jade Empire. His role was that of an "outlander" named Sir Roderick Ponce von Fontlebottom the Magnificent Bastard, stranded in the Imperial City of the Jade Empire. His character is essentially a British colonialist stereotype who refers to the people of the Jade Empire as "savages in need of enlightenment". His armour has the design of a fork stuck in a piece of cheese. He also had a cameo appearance in the computer game Starship Titanic as "The Bomb" (credited as "Kim Bread"), designed by Douglas Adams.^[30]

In 2007, Cleese appeared in ads for Titleist as a golf course designer named "Ian MacCallister", who represents "Golf Designers Against Distance". Also in 2007, he started filming the sequel to The Pink Panther, titled The Pink Panther 2, with Steve Martin and Aishwarya Rai. On 27 September 2007, The Podcast Network announced it had signed a deal with Cleese to produce a series of video podcasts called HEADCAST to be published on TPN's website. Cleese released the first episode of this series in April 2008 on his own website, headcast.co.uk.

Cleese collaborated with Los Angeles Guitar Quartet member William Kanengiser in 2008, on the text to the performance piece "The Ingenious Gentleman of La Mancha". Cleese, as narrator, and the LAGQ premiered the work in Santa Barbara. 2008 also saw reports of Cleese working on a musical version of A Fish Called Wanda with his daughter Camilla. He also said that he is working on a new film screenplay for the first time since 1996's Fierce Creatures. Cleese collaborates on it with writer Lisa Hogan, under the current working title "A Taxing Time". According to him, it is "about the lengths to which people will go to avoid tax. [...] It's based on what happened to me when I cashed in my UK pension and moved to Santa Barbara."^[31]

At the end of March 2009, Cleese published his first article as 'Contributing Editor' to The Spectator: "The real reason I had to join The Spectator".^[32] Cleese has also hosted comedy galas at the Montreal Just for Laughs comedy festival in 2006, and again in 2009. He had to cancel the 2009 appearance due to prostatitis, but hosted it a few days later.^[33] Towards the end of 2009 and into 2010, Cleese appeared in a series of television adverts for the Norwegian electric goods shop chain, Elkjøp.^[34] In March 2010 it was announced that Cleese would be playing Jasper in the video game "Fable III".^[35]

In 2009 and 2010, Cleese toured Scandinavia and the US with his Alimony Tour Year One and Year Two. In May 2010, it was announced that this tour would extend to the UK (his first tour in UK), set for May 2011 – The show is dubbed the "Alimony Tour" in reference to the financial implications of Cleese's divorce. The UK tour started in Cambridge on 3 May, visiting Birmingham, Salford, Liverpool, Oxford, Leeds, Edinburgh and finishing in Palmerston North, New Zealand.^[36]

In October 2010, Cleese was featured in the launch of an advertising campaign by The Automobile Association for a new home emergency response product.^[37] He appeared as a man who believed the AA could not help him during a series of disasters, including water pouring through his ceiling, with the line "The AA? For faulty showers?" During 2010, Cleese appeared in a series of radio advertisements for the Canadian insurance company Pacific Blue Cross, in which he plays a character called "Dr. Nigel Bilkington, Chief of Medicine for American General Hospital".^[38][39]

In 2012, Cleese was cast in Hunting Elephants, an upcoming heist comedy by Israeli filmmaker Reshef Levi.^[40][41]

Admiration for black humour[link]

In his Alimony Tour Cleese explained the origin of his fondness for black humour, the only thing that he inherited from his mother. Examples of it are the Dead Parrot sketch, his clip for the 1992 BBC2 mockumentary "A Question of Taste", the Undertakers sketch, the Vomit episode in The Meaning of Life and his eulogy at Graham Chapman's memorial service.

Personal life[link]

1960s to 1980s[link]

Cleese met Connie Booth in the US during the late 1960s and the couple married in 1968.^[15] In 1971, Booth gave birth to Cynthia Cleese, their only child. With Booth, Cleese wrote the scripts for and co-starred in both series of the TV series Fawlty Towers, even though the two were actually divorced before the second series was finished and aired. Cleese and Booth are said to have remained close friends since.^[42]

Cleese married American actress Barbara Trentham in 1981.^[43] Their daughter Camilla, Cleese's second child, was born in 1984. He and Trentham divorced in 1990. During this time, Cleese moved from the United Kingdom to Los Angeles.^[44]

1990s on[link]

On 28 December 1992 he married American psychotherapist Alyce Faye Eichelberger. In January 2008 the couple announced they had split. The divorce was settled in December 2008. The divorce settlement left Eichelberger with £12 million in finance and assets, including £600,000 a year for seven years. Cleese stated that "What I find so unfair is that if we both died today, her children would get much more than mine".^[45]

In April 2010, Cleese revealed on The Graham Norton Show on BBC One that he had started a new relationship with a woman 31 years his junior, Jennifer Wade.^[46][47][48]

Cleese has a passion for lemurs.^[49][50] Following the 1997 comedy film Fierce Creatures, in which the ring-tailed lemur played a key role, he hosted the 1998 BBC documentary In the Wild: Operation Lemur with John Cleese, which tracked the progress of a reintroduction of Black-and-white Ruffed Lemurs back into the Betampona Reserve in Madagascar. The project had been partly funded by Cleese's donation of the proceeds from the London premier of Fierce Creatures.^[50][51] Cleese is quoted as saying, "I adore lemurs. They're extremely gentle, well-mannered, pretty and yet great fun... I should have married one."^[49]

Political views[link]

Currently a member of the Liberal Democrats after previously being a Labour party voter, Cleese switched to the SDP after their formation in 1981, and during the 1987 general election, Cleese recorded a nine minute party political broadcast for the SDP-Liberal Alliance, which spoke about the similarities and failures of the other two parties in a more humorous tone than standard political broadcasts. Cleese has since appeared in broadcasts for the Liberal Democrats, in the 1997 general election and narrating a radio election broadcast for the party during the 2001 general election.^[52] In April 2010, Cleese tweeted his support for the Lib Dems after Nick Clegg performed strongly in the first leaders' debate on ITV1, stating: "Well, well, well. First leaders debate, and LibDems do so well. Good luck to them."^[53]

In 2011, Cleese declared his admiration for Britain's coalition government between the Conservatives and Liberal Democrats, saying: "I think what’s happening at the moment is rather interesting. The Coalition has made everything a little more courteous and a little more flexible. I think it was quite good that the Liberal Democrats had to compromise a bit with the Tories." He also criticised the previous Labour government, commenting: "Although my inclinations are slightly left-of-centre, I was terribly disappointed with the last Labour government. Gordon Brown lacked emotional intelligence and was never a leader." Cleese also declared his support for proportional representation.^[54]

In April 2011, Cleese revealed that he had declined a life peerage for political services in 1999. Outgoing leader of the Liberal Democrats, Paddy Ashdown, had put forward the suggestion shortly before he stepped down, with the idea that Cleese would take the party whip and sit as a working peer, but the actor quipped that he "realised this involved being in England in the winter and I thought that was too much of a price to pay."^[55]

Cleese expressed support for Barack Obama's presidential candidacy, donating US$2,300 to his campaign and offering his services as a speech writer.^[56] He also criticised Republican Vice-Presidential candidate Sarah Palin—saying that "Michael Palin is no longer the funniest Palin"^[57]— and wrote a satirical poem about Fox News commentator Sean Hannity for Countdown with Keith Olbermann.^[58]

Radio credits[link]

• I'm Sorry, I'll Read That Again
• I'm Sorry I Haven't a Clue (1972–73)

Television credits[link]

Major roles[link]

• The Frost Report (1966)
• Frost on Sunday
• At Last the 1948 Show
• How to Irritate People (1968) with Michael Palin, Graham Chapman, Connie Booth and Tim Brooke-Taylor
• Monty Python's Flying Circus (1969–74)
• Sez Les (1971, 1974)
• Fawlty Towers (1975, 1979)
• Cheers (episode "Simon Says") (1987), he won an Emmy Award for best actor in a guest starring role
• The Taming of the Shrew (1980) as Petruchio
• True Stories: Peace in our Time? as Neville Chamberlain

As host[link]

• The Human Face
• Wine for the Confused
• We Are Most Amused: Master of Ceremonies for a stand-up comedy show celebrating Prince Charles's 60th birthday.

Guest appearances[link]

• The Avengers (1968), guest appearance as Marcus Rugman (egg clown-face collector) in the episode Look (Stop Me if You've Heard this One)...
• The Goodies (1973), guest cameo appearance as a Genie in the episode The Goodies and the Beanstalk
• Ripping Yarns (1979), guest cameo appearance as "Passer-by" in the episode Golden Gordon^[59]
• Doctor Who (1979), guest cameo appearance as an Art Lover in the episode City of Death as a favour to writer/script editor Douglas Adams
• The Muppet Show (1977)
• Cheers (Season 5, Episode 21, Simon Says) as Dr. Simon Finch-Royce, an acquaintance of Kelsey Grammer's character Frasier Crane and fellow psychiatrist, who offers pre-marriage advice to Sam and Diane, much to his later chagrin.
• Last of the Summer Wine (1993), guest cameo appearance in the episode Welcome to Earth.
• 25 Years of Last of the Summer Wine (1997).
• 3rd Rock from the Sun (1998–2001) as recurring character Dr. Liam Neesam.
• Casper & Mandrilaftalen (1999) both as the repairman of the purple Gunrack, and as the Danish soccer coach Bosse Bo Johansson.
• Wednesday 9:30 (8:30 Central) (2002) as Red
• Will & Grace (2003–2004) as recurring character Lyle Finster.
• Numerous commercials, including for supermarket chain Sainsbury's, snack firm Planters and a British government Stop Smoking campaign.
• Party political broadcasts for the Liberal Democrats and predecessor, the SDP-Liberal Alliance.
• In November 2009 commercials, in which he appears for Swedish electrical appliance chain "Elgiganten", began broadcasting in Sweden, as well as broadcasting in Denmark in late 2010.
• Song "Don't Mention The World Cup" animated video played on ITV, BBC and Channel 4 News, June 2006.
• Batteries Not Included—gadget show on UKTV channel Dave (2008).
• Entourage as himself, season 7 finale (2010).
• Ronnie Corbett's Comedy Britain as Himself.

Filmography[link]

Video game credits[link]

• Monty Python's Complete Waste of Time (1994) 7th Level
• Monty Python & the Quest for the Holy Grail (1996) 7th Level
• Monty Python's The Meaning of Life (1997) Panasonic
• Starship Titanic (1998) Simon & Schuster Interactive (voice of the Bomb) — (Credited as Kim Bread)
• 007 Racing (2000) Electronic Arts
• The World Is Not Enough (2000) Electronic Arts
• James Bond 007: Everything or Nothing (2004) Electronic Arts
• Trivial Pursuit: Unhinged (2004) Atari
• Jade Empire (2005) BioWare (as Sir Roderick Ponce von Fontlebottom the Magnificent Bastard)
• Shrek the Third (2007) King Harold, Narrator
• Fable III (2010) Jasper

Awards[link]

• Academy Awards
  • (1988) Nominated—Academy Award for Best Original Screenplay / A Fish Called Wanda (shared with Charles Crichton)
• Golden Globe Awards
  • (1988) Nominated—Golden Globe Award for Best Actor - Motion Picture Musical or Comedy / A Fish Called Wanda
• BAFTA Awards
  • (1970) Nominated—BAFTA Television Award for "Best Light Entertainment Performance" / Monty Python's Flying Circus
  • (1971) Nominated—BAFTA Television Award for "Best Light Entertainment Performance" / Monty Python's Flying Circus
  • (1976) Nominated—BAFTA Television Award for "Best Light Entertainment Performance" / Fawlty Towers
  • (1980) Won—BAFTA Television Award for "Best Light Entertainment Performance" / Fawlty Towers
  • (1989) Nominated—BAFTA Award for Best Original Screenplay / A Fish Called Wanda
  • (also 1989) Won—BAFTA Award for Best Actor in a Leading Role
• Primetime Emmy Awards
  • (1987) Won—Primetime Emmy Award for Outstanding Guest Actor - Comedy Series / Cheers (as Dr. Simon Finch-Royce)
  • (1998) Nominated—Primetime Emmy Award for Outstanding Guest Actor – Comedy Series / 3rd Rock from the Sun (as Dr. Liam Neesam)
  • (2002) Nominated—Primetime Emmy Award for "Outstanding Nonfiction Special" / The Human Face
  • (2004) Nominated—Primetime Emmy Award for Outstanding Guest Actor – Comedy Series / Will & Grace (as Lyle Finster)
• Writers Guild of America
  • (1989) Nominated—Writers Guild of America Award for Best Original Screenplay / A Fish Called Wanda (shared with Charles Crichton)

Other credits[link]

• In 2003, John Cleese took part in Mike Oldfield's re-recording of the 1973 hit Tubular Bells, Tubular Bells 2003. He took over the "Master of Ceremonies" duties in the ‘Finale’ part, in which he announced the various instruments eccentrically, from the late Vivian Stanshall.^[60]
• Cleese recorded the voice of God for Spamalot, the musical based on Monty Python and the Holy Grail.
• Cleese narrated the audio version of C.S. Lewis's The Screwtape Letters.
• In the mid 1980s, Cleese starred in British advertisements for Compaq computers and Schweppes beverages.
• In the late-1990s, Cleese appeared in a set of poorly-received commercials for the UK supermarket chain Sainsbury's. Around the same time, his Fawlty Towers co-star, Prunella Scales, appeared in more well-received commercials for rival chain Tesco.
• He has enunciated a set of directions for the TomTom in-car navigation system. This allows itself humorous notes at non-critical moments, for instance when asking for a U-turn and when signing off: "I'm not going to carry your baggage—from now on, you're on your own" and "Bear right..Beaver left."
• He plays the voice of Samuel the Sheep in the 2006 adaptation of Charlotte's Web. Samuel repeatedly tells the other sheep to be individuals, not sheep. This is a reference to Monty Python's Life of Brian.
• He has a speaking part at the end of the Alan Parsons song "Chomolungma" from the album A Valid Path.
• In 2008, John Cleese appeared in a humorous TV commercial in Poland advertising a bank loan.
• From 2006 to 2008 John Cleese has appeared in humorous TV commercials in Iceland advertising Kaupþing.

Honours and tributes[link]

• A species of lemur, the Bemaraha woolly lemur (Avahi cleesei), has been named in his honour. John Cleese has mentioned this in television interviews. Also there is mention of this honour in "New Scientist"^[61]—and John Cleese's response to the honour.^[62]
• An asteroid, 9618 Johncleese, is named in his honour.
• Cleese declined a CBE (Commander of the British Empire) in 1996.
• There is a municipal rubbish heap of 45 metres (148 ft) in altitude that has been named Mt Cleese at the Awapuni landfill just outside Palmerston North after he dubbed the city "suicide capital of New Zealand".^[63]
• "The Universal Language" skit from All in the Timing, a collection of short plays by David Ives, centres around a fictional language (Unamunda) in which the word for the English language is "johncleese".
• The post-hardcore rock band I Set My Friends On Fire has a song on their You Can't Spell Slaughter Without Laughter album titled "Reese's Pieces, I Don't Know Who John Cleese Is?".

Bibliography[link]

• The Rectorial Address of John Cleese, Epam, 1971, 8 pages
• Foreword for Time and the Soul, Jacob Needleman, 2003  ISBN 1-57675-251-8 (paperback)
• The Human Face (with Brian Bates) (DK Publishing Inc., 2001, ISBN 978-0-7894-7836-8)
• Cleese Encounters: The Unauthorized Biography of Monty Python Veteran John Cleese, Jonathan Margolis, St. Martin's Press, 1992, ISBN 0-312-08162-6

Scripts[link]

• The Strange Case of the End of Civilisation As We Know It, w/Jack Hobbs & Joseph McGrath, 1977  ISBN 0-352-30109-0
• Fawlty Towers, w/Connie Booth, 1977 (The Builders, The Hotel Inspectors, Gourmet Night)   ISBN 0-86007-598-2
• Fawlty Towers: Book 2, w/Connie Booth, 1979 (The Wedding Party, A Touch of Class, The Germans)
• The Golden Skits of Wing Commander Muriel Volestrangler FRHS & Bar, 1984  ISBN 0-413-41560-0
• The Complete Fawlty Towers, w/Connie Booth, 1988  ISBN 0-413-18390-4 (hardcover), ISBN 0-679-72127-4 (paperback)
• A Fish Called Wanda: The Screenplay, w/Charles Crichton, 1988  ISBN 1-55783-033-9
• Fawlty's Hotel: Sämtliche Stücke, w/Connie Booth, (The Complete Fawlty Towers in German), Haffmans Verlag AG Zürich, 1995

Dialogues[link]

• Families and How to Survive Them, w/A.Robin Skynner, 1983  ISBN 0-413-52640-2 (hardc.), ISBN 0-19-520466-2 (p/back)
• Life and How to Survive It, w/A.Robin Skynner 1993  ISBN 0-413-66030-3 (hardcover), ISBN 0-393-31472-3 (paperback)

See also[link]

• Declining a British honour

References[link]