PAS or Pas may refer to:

Automotive[link]

• Power-assisted steering, or power steering, in automobiles
• Progressive Activity Sedan, a vehicle category/development idea by BMW

Companies[link]

• PanAmSat, a defunct satellite service provider
• Pan Am Southern, a railroad in the northeast United States
• Pan Am Systems, a transportation holding company
• PepsiAmericas
• Port Autonome de Sihanoukville, the French name for Sihanoukville Autonomous Port

Medicine[link]

• Periodic acid-Schiff stain, a staining method used to detect glycogen in tissues.
• Para-aminosalicylic acid, an old treatment for tuberculosis
• Physician-assisted suicide
• Post-abortion syndrome
• PA-S: Physician Assistant Student, abbreviation used by PA students in patient documentation
• Patient Administration System

Organizations[link]

• PAS Giannina, a Greek football club from Ioannina
• PAS Tehran F.C., a defunct Iranian football club from Tehran
• PAS Hamedan F.C., an Iranian football club from Hamedan
• Pakistan Academy of Sciences
• Pennsylvania Abolition Society
• Percussive Arts Society
• Pioneer Academy of Science
• Portsmouth Abbey School
• Polish Academy of Sciences
• Port Auxiliary Service, the successor to the British Admiralty Yard Craft Service
• Portable Antiquities Scheme
• Pregnancy Advisory Service

Places[link]

• Pas (river), in Spain
• Le Pas, commune in France
• The Pas, town in Canada

Politics[link]

• Pan-Malaysian Islamic Party (PAS), a political party in Malaysia
• Partido Alianza Social, a former Mexican political party

Science[link]

• Periodic acid-Schiff reaction, a staining method for carbohydrates in light microscopy
• Photoacoustic spectroscopy
• Positron annihilation spectroscopy, a spectroscopic technique

Technology[link]

• Media Vision Pro AudioSpectrum, a family personal computer sound cards made by Media Vision in the 1990s
• Pascal, a common file extension (.pas) for the Pascal programming language
• Pascal second (Pa⋅s), a unit of viscosity
• Personal Access System, a wireless telephone standard
• Process Automation System, A process control or automation system is used to control, for example, a chemical plant, oil refineries, paper and pulp mills.
• Public address system
• PAS 78, a British specification on commissioning an accessible website from a design agency

Biology[link]

• PAS domain, a protein domain functioning as a signal sensor

Other[link]

• Parental alienation syndrome
• Patient administration system
• Preliminary alcohol screening test, a breath test administered by a police officer after stopping a suspected drunk driver
• Proceedings of the Aristotelian Society, a philosophical journal
• Process automation system
• Publicly Available Specification, a formal British standards document (sometimes inaccurately referred to as Publicly Available Standard)
• Pump action shotgun
• Pas de deux, a ballet duet
• Policy Administration System, in insurance industry an application used to handle policy issuance and management. Example

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Bob Marley
Bob Marley performing in concert, circa 1980.
Background information
Birth name	Robert Nesta Marley
Also known as	Tuff Gong
Born	(1945-02-06)6 February 1945 Nine Mile, Saint Ann, Jamaica
Died	11 May 1981(1981-05-11) (aged 36) Miami, Florida, U.S.
Genres	Reggae, ska, rocksteady
Occupations	Singer-songwriter, musician
Instruments	Vocals, guitar, piano, saxophone, harmonica, percussion
Years active	1962–1981
Labels	Studio One, Upsetter, Tuff Gong
Associated acts	Bob Marley & The Wailers, Wailers Band, The Upsetters, I Threes
Website	bobmarley.com

Robert Nesta "Bob" Marley, OM (6 February 1945 – 11 May 1981) was a Jamaican singer-songwriter and musician. He was the rhythm guitarist and lead singer for the ska, rocksteady and reggae band Bob Marley & The Wailers (1963–1981). Marley remains the most widely known and revered performer of reggae music, and is credited with helping spread both Jamaican music and the Rastafari movement to a worldwide audience.^[1]

Marley's music was heavily influenced by the social issues of his homeland, and he is considered to have given voice to the specific political and cultural nexus of Jamaica.^[2] His best-known hits include "I Shot the Sheriff", "No Woman, No Cry", "Could You Be Loved", "Stir It Up", "Get Up Stand Up", "Jamming", "Redemption Song", "One Love" and, "Three Little Birds",^[3] as well as the posthumous releases "Buffalo Soldier" and "Iron Lion Zion". The compilation album Legend (1984), released three years after his death, is reggae's best-selling album, going ten times Platinum which is also known as one Diamond in the U.S.,^[4] and selling 25 million copies worldwide.^[5][6]

Early life and career[link]

Bob Marley was born in the village of Nine Mile in Saint Ann Parish, Jamaica as Nesta Robert Marley.^[7] A Jamaican passport official would later swap his first and middle names.^[8] His father, Norval Sinclair Marley, was a white Jamaican of mixed and English descent whose family came from Sussex, England. Norval was a captain in the Royal Marines,^{[citation needed]} as well as a plantation overseer, when he married Cedella Booker, an Afro-Jamaican then 18 years old.^[9] Norval provided financial support for his wife and child, but seldom saw them, as he was often away on trips. In 1955, when Bob Marley was 10 years old, his father died of a heart attack at age 70.^[10] Marley faced questions about his own racial identity throughout his life. He once reflected:

I don't have prejudice against meself. My father was a white and my mother was black. Them call me half-caste or whatever. Me don't deh pon nobody's side. Me don't deh pon the black man's side nor the white man's side. Me deh pon God's side, the one who create me and cause me to come from black and white.^[11]

The Bob Marley House in Nine Mile is a home that he shared with his mother during his youth

Although Marley recognised his mixed ancestry, throughout his life and because of his beliefs, he self-identified as a black African, following the ideas of Pan-African leaders. Marley stated that his two biggest influences were the African-centered Marcus Garvey and Haile Selassie. A central theme in Bob Marley's message was the repatriation of black people to Zion, which in his view was Ethiopia, or more generally, Africa.^[12] In songs such as "Black Survivor", "Babylon System", and "Blackman Redemption", Marley sings about the struggles of blacks and Africans against oppression from the West or "Babylon".^[13]

Marley and his step brother Bunny Wailer (Bob's mother had a daughter with Bunny's father, younger sister to both of them) started to play music while he was still at school, which he left at the age of 14 to make music with Joe Higgs, a local singer and devout Rastafari. At a jam session with Higgs and Livingston, Marley met Peter McIntosh (later known as Peter Tosh), who had similar musical ambitions.^[14] In 1962, Marley recorded his first two singles, "Judge Not" and "One Cup of Coffee", with local music producer Leslie Kong. These songs, released on the Beverley's label under the pseudonym of Bobby Martell,^[15] attracted little attention. The songs were later re-released on the box set Songs of Freedom, a posthumous collection of Marley's work. Marley was also known to use an Epiphone guitar for much of his career.

Bob Marley Epiphone guitar at his birthplace in Nine Mile, Jamaica.

Bob Marley & The Wailers[link]

1963–1974[link]

Marley in concert in 1980, Zurich, Switzerland

In 1963, Bob Marley, Bunny Wailer, Peter Tosh, Junior Braithwaite, Beverley Kelso, and Cherry Smith formed a ska and rocksteady group, calling themselves "The Teenagers". They later changed their name to "The Wailing Rudeboys", then to "The Wailing Wailers", at which point they were discovered by record producer Coxsone Dodd, and finally to "The Wailers". By 1966, Braithwaite, Kelso, and Smith had left The Wailers, leaving the core trio of Bob Marley, Bunny Wailer, and Peter Tosh.^[16]

In 1966, Marley married Rita Anderson, and moved near his mother's residence in Wilmington, Delaware in the United States for a short time, during which he worked as a DuPont lab assistant and on the assembly line at a Chrysler plant, under the alias Donald Marley.^[17]

Though raised in the Catholic tradition, Marley became captivated by Rastafarian beliefs in the 1960s, when away from his mother's influence.^[18] Formally converted to Rastafari after returning to Jamaica, Marley began to wear his trademark dreadlocks (see the religion section for more on Marley's religious views). After a conflict with Dodd, Marley and his band teamed up with Lee "Scratch" Perry and his studio band, The Upsetters. Although the alliance lasted less than a year, they recorded what many consider The Wailers' finest work. Marley and Perry split after a dispute regarding the assignment of recording rights, but they would remain friends and work together again.

Bob Marley's flat in 1972 at 34 Ridgmount Gardens, Bloomsbury, London, his first UK address.^[19][20]

Between 1968 and 1972, Bob and Rita Marley, Peter Tosh and Bunny Wailer re-cut some old tracks with JAD Records in Kingston and London in an attempt to commercialise The Wailers' sound. Bunny later asserted that these songs "should never be released on an album ... they were just demos for record companies to listen to". Also in 1968, Bob and Rita visited the Bronx to see Johnny Nash's songwriter Jimmy Norman.^[21] A three-day jam session with Norman and others, including Norman's co-writer Al Pyfrom, resulted in a 24-minute tape of Marley performing several of his own and Norman-Pyfrom's compositions. This tape is, according to Reggae archivist Roger Steffens, rare in that it was influenced by pop rather than reggae, as part of an effort to break Marley into the American charts.^[21] According to an article in The New York Times, Marley experimented on the tape with different sounds, adopting a doo-wop style on "Stay With Me" and "the slow love song style of 1960's artists" on "Splish for My Splash".^[21] An artist yet to establish himself outside his native Jamaica, Marley lived in Ridgmount Gardens, Bloomsbury, London during 1972.^[19][20]

In 1972, the Wailers entered into an ill-fated deal with CBS Records and embarked on a tour with American soul singer Johnny Nash. Broke, the Wailers became stranded in London. Marley turned up at Island Records founder and producer Chris Blackwell's London office, and asked him to advance the cost of a new single. Since Jimmy Cliff, Island's top reggae star, had recently left the label, Blackwell was primed for a replacement. In Marley, Blackwell recognized the elements needed to snare the rock audience: "I was dealing with rock music, which was really rebel music. I felt that would really be the way to break Jamaican music. But you needed someone who could be that image. When Bob walked in he really was that image."^[22] Blackwell told Marley he wanted The Wailers to record a complete album (essentially unheard of at the time). When Marley told him it would take between £3,000 and £4,000, Blackwell trusted him with the greater sum. Despite their "rude boy" reputation, the Wailers returned to Kingston and honored the deal, delivering the album Catch A Fire.

Primarily recorded on eight-track at Harry J's in Kingston, Catch A Fire marked the first time a reggae band had access to a state-of-the-art studio and were accorded the same care as their rock'n'roll peers.^[22] Blackwell desired to create "more of a drifting, hypnotic-type feel than a reggae rhythm",^[23] and restructured Marley's mixes and arrangements. Marley travelled to London to supervise Blackwell's overdubbing of the album, which included tempering the mix from the bass-heavy sound of Jamaican music, and omitting two tracks.^[22]

The Wailers' first major label album, Catch a Fire was released worldwide in April 1973, packaged like a rock record with a unique Zippo lighter lift-top. Initially selling 14,000 units, it didn't make Marley a star, but received a positive critical reception.^[22] It was followed later that year by Burnin', which included the standout songs "Get Up, Stand Up", and "I Shot the Sheriff", which appealed to the ear of Eric Clapton. He recorded a cover of the track in 1974 which became a huge American hit, raising Marley's international profile.^[24] Many Jamaicans were not keen on the new "improved" reggae sound on Catch A Fire, but the Trenchtown style of Burnin' found fans across both reggae and rock audiences.^[22]

During this period, Blackwell gifted his Kingston residence and company headquarters at 56 Hope Road (then known as Island House) to Marley. Housing Tuff Gong Studios, the property became not only Marley's office, but also his home.^[22]

The Wailers were scheduled to open 17 shows for the number one black act in the States, Sly and the Family Stone. After 4 shows, the band was fired because they were more popular than the acts they were opening for.^[25] The Wailers broke up in 1974 with each of the three main members pursuing solo careers. The reason for the breakup is shrouded in conjecture; some believe that there were disagreements amongst Bunny, Peter, and Bob concerning performances, while others claim that Bunny and Peter simply preferred solo work.

1974–1981[link]

Bob Marley & The Wailers live at Crystal Palace Park during the Uprising Tour

Despite the break-up, Marley continued recording as "Bob Marley & The Wailers". His new backing band included brothers Carlton and Aston "Family Man" Barrett on drums and bass respectively, Junior Marvin and Al Anderson on lead guitar, Tyrone Downie and Earl "Wya" Lindo on keyboards, and Alvin "Seeco" Patterson on percussion. The "I Threes", consisting of Judy Mowatt, Marcia Griffiths, and Marley's wife, Rita, provided backing vocals. In 1975, Marley had his international breakthrough with his first hit outside Jamaica, "No Woman, No Cry", from the Natty Dread album. This was followed by his breakthrough album in the United States, Rastaman Vibration (1976), which spent four weeks on the Billboard Hot 100.^[26] On 3 December 1976, two days before "Smile Jamaica", a free concert organised by the Jamaican Prime Minister Michael Manley in an attempt to ease tension between two warring political groups, Marley, his wife, and manager Don Taylor were wounded in an assault by unknown gunmen inside Marley's home. Taylor and Marley's wife sustained serious injuries, but later made full recoveries. Bob Marley received minor wounds in the chest and arm.^[27] The shooting was thought to have been politically motivated, as many felt the concert was really a support rally for Manley. Nonetheless, the concert proceeded, and an injured Marley performed as scheduled, two days after the attempt. When asked why, Marley responded, "The people who are trying to make this world worse aren’t taking a day off. How can I?" The members of the group Zap Pow, which had no radical religious or political beliefs, played as Bob Marley's backup band before a festival crowd of 80,000 while members of The Wailers were still missing or in hiding.^[28][29]

Marley left Jamaica at the end of 1976, and after a month-long "recovery and writing" sojourn at the site of Chris Blackwell's Compass Point Studios in Nassau, Bahamas, arrived in England, where he spent two years in self-imposed exile. Whilst there he recorded the albums Exodus and Kaya. Exodus stayed on the British album charts for 56 consecutive weeks. It included four UK hit singles: "Exodus", "Waiting in Vain", "Jamming", and "One Love" (a rendition of Curtis Mayfield's hit, "People Get Ready"). During his time in London, he was arrested and received a conviction for possession of a small quantity of cannabis.^[30] In 1978, Marley returned to Jamaica and performed at another political concert, the One Love Peace Concert, again in an effort to calm warring parties. Near the end of the performance, by Marley's request, Michael Manley (leader of then-ruling People's National Party) and his political rival Edward Seaga (leader of the opposing Jamaica Labour Party), joined each other on stage and shook hands.^[31]

Under the name Bob Marley and the Wailers eleven albums were released, four live albums and seven studio albums. The releases included Babylon by Bus, a double live album with thirteen tracks, were released in 1978 and received critical acclaim. This album, and specifically the final track "Jamming" with the audience in a frenzy, captured the intensity of Marley's live performances.^[32]

Survival, a defiant and politically charged album, was released in 1979. Tracks such as "Zimbabwe", "Africa Unite", "Wake Up and Live", and "Survival" reflected Marley's support for the struggles of Africans. His appearance at the Amandla Festival in Boston in July 1979 showed his strong opposition to South African apartheid, which he already had shown in his song "War" in 1976. In early 1980, he was invited to perform at the 17 April celebration of Zimbabwe's Independence Day. Uprising (1980) was Bob Marley's final studio album, and is one of his most religious productions; it includes "Redemption Song" and "Forever Loving Jah".^[34] Confrontation, released posthumously in 1983, contained unreleased material recorded during Marley's lifetime, including the hit "Buffalo Soldier" and new mixes of singles previously only available in Jamaica.^[35]

Personal life[link]

Religion[link]

Bob Marley was a member of the Rastafari movement, whose culture was a key element in the development of reggae. Bob Marley became an ardent proponent of Rastafari, taking their music out of the socially deprived areas of Jamaica and onto the international music scene. He once gave the following response, which was typical, to a question put to him during a recorded interview:

• Interviewer: "Can you tell the people what it means being a Rastafarian?"
• Bob: "I would say to the people, Be still, and know that His Imperial Majesty, Emperor Haile Selassie of Ethiopia is the Almighty. Now, the Bible seh so, Babylon newspaper seh so, and I and I the children seh so. Yunno? So I don't see how much more reveal our people want. Wha' dem want? a white God, well God come black. True true."^[36]

Observant of the Rastafari practice Ital, a diet that shuns meat, Marley was a vegetarian.^[37] According to his biographers, he affiliated with the Twelve Tribes Mansion. He was in the denomination known as "Tribe of Joseph", because he was born in February (each of the twelve sects being composed of members born in a different month). He signified this in his album liner notes, quoting the portion from Genesis that includes Jacob's blessing to his son Joseph. Marley was baptised by the Archbishop of the Ethiopian Orthodox Church in Kingston, Jamaica, on 4 November 1980.^[38][39]

Family[link]

Bob Marley had a number of children: three with his wife Rita, two adopted from Rita's previous relationships, and several others with different women. The Bob Marley official website acknowledges eleven children.

Those listed on the official site are:

1. Sharon, born 23 November 1964, to Rita in previous relationship
2. Cedella born 23 August 1967, to Rita
3. David "Ziggy", born 17 October 1968, to Rita
4. Stephen, born 20 April 1972, to Rita
5. Robert "Robbie", born 16 May 1972, to Pat Williams
6. Rohan, born 19 May 1972, to Janet Hunt
7. Karen, born 1973 to Janet Bowen
8. Stephanie, born 17 August 1974; according to Cedella Booker she was the daughter of Rita and a man called Ital with whom Rita had an affair; nonetheless she was acknowledged as Bob's daughter
9. Julian, born 4 June 1975, to Lucy Pounder
10. Ky-Mani, born 26 February 1976, to Anita Belnavis
11. Damian, born 21 July 1978, to Cindy Breakspeare

Makeda was born on 30 May 1981, to Yvette Crichton, after Marley's death.^[40] Meredith Dixon's book lists her as Marley's child, but she is not listed as such on the Bob Marley official website.

Various websites, for example,^[41] also list Imani Carole, born 22 May 1963 to Cheryl Murray; but she does not appear on the official Bob Marley website.^[40]

Final years and death[link]

Marley performing in Dalymount Park in the late 1970s

In July 1977, Marley was found to have a type of malignant melanoma under the nail of one of his toes. Contrary to urban legend, this lesion was not primarily caused by an injury during a football match in that year, but was instead a symptom of the already existing cancer. Marley turned down doctors' advice to have his toe amputated, citing his religious beliefs.^[42] Despite his illness, he continued touring and was in the process of scheduling a world tour in 1980. The intention was for Inner Circle to be his opening act on the tour but after their lead singer Jacob Miller died in Jamaica in March 1980 after returning from a scouting mission in Brazil this was no longer mentioned.^[43]

The album Uprising was released in May 1980 (produced by Chris Blackwell), on which "Redemption Song" is particularly considered to be about Marley coming to terms with his mortality.^{[citation needed]} The band completed a major tour of Europe, where they played their biggest concert, to a hundred thousand people in Milan. After the tour Marley went to America, where he performed two shows at Madison Square Garden as part of the Uprising Tour.

The final concert of Bob Marley's career was held 23 September 1980 at the Stanley Theater (now called The Benedum Center For The Performing Arts) in Pittsburgh, Pennsylvania. The audio recording of that concert is now available on CD, vinyl, and digital music services.

Shortly after, Marley's health deteriorated and he became very ill; the cancer had spread throughout his body. The rest of the tour was cancelled and Marley sought treatment at the Bavarian clinic of Josef Issels, where he received a controversial type of cancer therapy (Issels treatment) partly based on avoidance of certain foods, drinks, and other substances. After fighting the cancer without success for eight months, Marley boarded a plane for his home in Jamaica.^[44]

While flying home from Germany to Jamaica, Marley's vital functions worsened. After landing in Miami, Florida, he was taken to the hospital for immediate medical attention. He died at Cedars of Lebanon Hospital in Miami (now University of Miami Hospital) on the morning of 11 May 1981, at the age of 36. The spread of melanoma to his lungs and brain caused his death. His final words to his son Ziggy were "Money can't buy life".^[45] Marley received a state funeral in Jamaica on 21 May 1981, which combined elements of Ethiopian Orthodoxy and Rastafari tradition.^[46] He was buried in a chapel near his birthplace with his red Gibson Les Paul (some accounts say it was a Fender Stratocaster).^[47]

On 21 May 1981, Jamaican Prime Minister Edward Seaga delivered the final funeral eulogy to Marley, declaring:

His voice was an omnipresent cry in our electronic world. His sharp features, majestic looks, and prancing style a vivid etching on the landscape of our minds. Bob Marley was never seen. He was an experience which left an indelible imprint with each encounter. Such a man cannot be erased from the mind. He is part of the collective consciousness of the nation.^[48]

Legacy[link]

Marley has remained popular for decades after his death—one of many memorials to him is this representation at Madame Tussaud Wax Museum in Amsterdam

Bob Marley was the Third World's first pop superstar. He was the man who introduced the world to the mystic power of reggae. He was a true rocker at heart, and as a songwriter, he brought the lyrical force of Bob Dylan, the personal charisma of John Lennon, and the essential vocal stylings of Smokey Robinson into one voice.

— Jann Wenner, at Marley’s 1994 posthumous introduction into the Rock and Roll Hall of Fame^[49]

In 1999 Time magazine chose Bob Marley & The Wailers' Exodus as the greatest album of the 20th century.^[50] In 2001, he was posthumously awarded the Grammy Lifetime Achievement Award, and a feature-length documentary about his life, Rebel Music, won various awards at the Grammys. With contributions from Rita, The Wailers, and Marley's lovers and children, it also tells much of the story in his own words.^[51] A statue was inaugurated, next to the national stadium on Arthur Wint Drive in Kingston to commemorate him. In 2006, the State of New York renamed a portion of Church Avenue from Remsen Avenue to East 98th Street in the East Flatbush section of Brooklyn "Bob Marley Boulevard".^[52] In 2008, a statue of Marley was inaugurated in Banatski Sokolac, Serbia.^[53]

Internationally, Marley’s message also continues to reverberate amongst various indigenous communities. For instance, the Aboriginal people of Australia continue to burn a sacred flame to honor his memory in Sydney’s Victoria Park, while members of the Native American Hopi and Havasupai tribe revere his work.^[54] There are also many tributes to Bob Marley throughout India, including restaurants, hotels, and cultural festivals.^[55][56]

Marley has also evolved into a global symbol, which has been endlessly merchandised through a variety of mediums. In light of this, author Dave Thompson in his book Reggae and Caribbean Music, laments what he perceives to be the commercialized pacification of Marley's more militant edge, stating:

Bob Marley ranks among both the most popular and the most misunderstood figures in modern culture ... That the machine has utterly emasculated Marley is beyond doubt. Gone from the public record is the ghetto kid who dreamed of Che Guevara and the Black Panthers, and pinned their posters up in the Wailers Soul Shack record store; who believed in freedom; and the fighting which it necessitated, and dressed the part on an early album sleeve; whose heroes were James Brown and Muhammad Ali; whose God was Ras Tafari and whose sacrament was marijuana. Instead, the Bob Marley who surveys his kingdom today is smiling benevolence, a shining sun, a waving palm tree, and a string of hits which tumble out of polite radio like candy from a gumball machine. Of course it has assured his immortality. But it has also demeaned him beyond recognition. Bob Marley was worth far more.^[57]

Film adaptations[link]

In February 2008, director Martin Scorsese announced his intention to produce a documentary movie on Marley. The film was set to be released on 6 February 2010, on what would have been Marley's 65th birthday.^[58] However, Scorsese dropped out due to scheduling problems. He was replaced by Jonathan Demme,^[59] who dropped out due to creative differences with producer Steve Bing during the beginning of editing. Kevin Macdonald replaced Demme^[60] and the film, Marley, was released on 20 April 2012.

In March 2008, The Weinstein Company announced its plans to produce a biopic of Bob Marley, based on the book No Woman No Cry: My Life With Bob Marley by Rita Marley. Rudy Langlais will produce the script by Lizzie Borden and Rita Marley will be executive producer.^[61]

Ex-girlfriend and filmmaker Esther Anderson, along with Gian Godoy, made the documentary Bob Marley: The Making of a Legend, which premiered at the Edinburgh International Film Festival in 2011.^[62]

Discography[link]

• The Wailing Wailers (1965)
• The Best of The Wailers (1970)
• Soul Rebels (1970)
• Soul Revolution (1971)
• Catch a Fire (1973)
• Burnin' (1973)
• Natty Dread (1974)
• Rastaman Vibration (1976)
• Exodus (1977)
• Kaya (1978)
• Survival (1979)
• Uprising (1980)
• Confrontation (1983)

Awards and honors[link]

Marley's star on the Hollywood Walk of Fame

• 1976: Band of the Year (Rolling Stone).
• June 1978: Awarded the Peace Medal of the Third World from the United Nations.^[54]
• February 1981: Awarded Jamaica's third highest honour, the Jamaican Order of Merit.
• March 1994: Inducted into the Rock and Roll Hall of Fame.
• 1999: Album of the Century for Exodus by Time Magazine.
• February 2001: A star on the Hollywood Walk of Fame.

• February 2001: Awarded Grammy Lifetime Achievement Award.
• 2004: Rolling Stone ranked him No.11 on their list of the 100 Greatest Artists of All Time.^[63]
• "One Love" named song of the millennium by BBC.
• Voted as one of the greatest lyricists of all time by a BBC poll.^[64]
• 2006: A blue plaque was unveiled at his first UK residence in Ridgmount Gardens, London, dedicated to him by Nubian Jak community trust and supported by Her Majesty's Foreign Office.^[65]
• 2010: "Catch a Fire" inducted into the Grammy Hall of Fame (Reggae Album).^[66]

References[link]

Further reading[link]

External links[link]

Biography portal

Wikimedia Commons has media related to: Bob Marley

Wikiquote has a collection of quotations related to: Bob Marley

• Official website
• Bob Marley at the Internet Movie Database
• The Bob Marley Foundation
• Online Home of the Marleys
• Bob Marley at Rolling Stone
• Marley Elected one of the Greatest Songwriters BBC News, 23 May 2001
• Showcase: Bob Marley by James Estrin, The New York Times, 18 May 2009
• Interview with Heather Marley in Bob Marley Magazine
• Extensive discography

v t e Pan-Africanism Proponents Politicians Nnamdi Azikiwe Amílcar Cabral Muammar Gaddafi Marcus Garvey David Comissiong Kenneth Kaunda Jomo Kenyatta Patrice Lumumba Thabo Mbeki Abdias do Nascimento Gamal Abdel Nasser Kwame Nkrumah Julius Nyerere John Nyathi Pokela Thomas Sankara Haile Selassie Robert Mangaliso Sobukwe Ahmed Sékou Touré I. T. A. Wallace-Johnson Others Marimba Ani Molefi Kete Asante Steve Biko Edward Wilmot Blyden John Henrik Clarke Cheikh Anta Diop W. E. B. Du Bois Frantz Fanon John G. Jackson Leonard Jeffries Yosef Ben-Jochannan Maulana Karenga Fela Kuti Bob Marley Malcolm X Zephania Mothopeng George Padmore Motsoko Pheko Runoko Rashidi Paul Robeson Walter Rodney Burning Spear Henry Sylvester-Williams Stokely Carmichael Omali Yeshitela Concepts United States of Africa Afrocentrism Kwanzaa Pan-African colours Pan-African flag Négritude African nationalism African socialism African Century Africanization Kawaida Ujamaa Harambee Ubuntu Zikism Black nationalism Organizations African Union Organization of African Unity Uhuru Movement UNIA-ACL African Unification Front International African Service Bureau

Regina Spektor
Regina Spektor playing an electronic piano in 2006
Background information
Native name	Реги́нa Ильи́нична Спе́ктор
Born	(1980-02-18) February 18, 1980 (age 32) Moscow, Russian SFSR, Soviet Union
Origin	New York, U.S.
Genres	Anti-folk, indie rock, baroque pop, blues, pop
Occupations	Singer, songwriter, record producer
Instruments	Piano, vocals, guitar, bass guitar
Years active	1999–present
Labels	Sire/Warner Bros. Records
Associated acts	Sondre Lerche, Ben Folds, Kill Kenada, the Strokes, Dufus
Website	http://www.reginaspektor.com
Notable instruments
Steinway & Sons piano Epiphone Wildkat guitar Regina Spektor's Autograph

Regina Ilyinichna Spektor (Russian: Реги́нa Ильи́нична Спе́ктор, IPA: [rʲɪˈɡʲinə ˈspʲɛktər], English: /rɨˈdʒiːnə ˈspɛktər/; born February 18, 1980) is an American singer-songwriter and pianist. Her music is associated with the anti-folk scene centered in New York City's East Village.

Early life[link]

Spektor was born in Moscow, Soviet Union in 1980 to a musical Russian Jewish family. Her father, Ilya Spektor, is a photographer and amateur violinist. Her mother, Bella Spektor, was a music professor in a Soviet college of music and now teaches at a public elementary school in Mount Vernon, New York.^[1] She has a brother Barry (Bear), who was featured in track 7, "* * *", or "Whisper", of her 2004 album, Soviet Kitsch.

She learned how to play piano by practising on a Petrof upright that was given to her mother by her grandfather.^[2] She was also exposed to the music of rock and roll bands such as The Beatles, Queen, and The Moody Blues by her father, who obtained such recordings in Eastern Europe and traded cassettes with friends in the Soviet Union.^[1] The family left the Soviet Union in 1989, when Regina was nine and a half, during the period of Perestroika, when Soviet citizens were permitted to emigrate. Regina had to leave her piano behind.^[3] The seriousness of her piano studies led her parents to consider not leaving the USSR, but they finally decided to emigrate, due to the ethnic and political discrimination that Jews faced.^[4] Spektor is fluent in Russian and reads Hebrew, and has since paid tribute to her Russian heritage, quoting the poem February by the Russian poet Boris Pasternak in her song Après Moi, and stating “I’m very connected to the language and the culture.”^[5]

Traveling first to Austria and then Italy, the family was admitted to the United States as refugees with the assistance of HIAS (the Hebrew Immigrant Aid Society) and settled in The Bronx, where Spektor graduated from the SAR Academy, a Jewish day middle school in the Riverdale section of the Bronx. She then attended high school for two years at the Frisch School, a yeshiva in Paramus, New Jersey, but transferred to a public school, Fair Lawn High School, in Fair Lawn, New Jersey, where she finished the last two years of her high school education.^[6]

Career[link]

In New York, Spektor studied classical piano with Sonia Vargas, a professor at the Manhattan School of Music, until she was 17; Spektor's father had met Vargas through her husband, violinist Samuel Marder.^[7] Although the family had been unable to bring their piano from Russia, Spektor found a piano on which to play in the basement of her synagogue, and also practiced on tabletops and other hard surfaces.

Spektor was originally interested only in classical music, but later became interested in hip hop, rock and punk as well.^[1] Although she had always made up songs around the house, Spektor first became interested in more formal songwriting during a visit to Israel with the Nesiya Institute in her teenage years when she attracted attention from the other children on the trip for the songs she made up while hiking and realized she had an aptitude for songwriting.^[4]

Following this trip, she was exposed to the work of Joni Mitchell, Ani DiFranco, and other singer-songwriters, which encouraged her belief that she could create her own songs.^[4] She wrote her first a cappella songs around the age of 16 and her first songs for voice and piano when she was nearly 18.^[1]

Spektor completed the four-year studio composition program of the Conservatory of Music at Purchase College within three years, graduating with honors in 2001. Around this time, she also worked briefly at a butterfly farm in Luck, Wisconsin,^[8] and studied in Tottenham, ( a suburb of London) for one semester ^[9].

She gradually achieved recognition through performances in the anti-folk scene in downtown New York City, often as a duo with drummer Anders Griffen, and most importantly at the East Village's Sidewalk Cafe, but also at the Living Room, Tonic, Fez, the Knitting Factory, and CB's Gallery.^{[citation needed]} She also performed at local colleges (such as Sarah Lawrence College) with other musicians, including the Trachtenburg Family Slideshow Players. She sold self-published CDs at her performances during this period: 11:11 (2001) and Songs (2002). In 2004, she signed a contract with Warner Brothers' record label Sire Records to publish and distribute her third album Soviet Kitsch, originally self-released in 2003.

Spektor is married to Jack Dishel, guitarist with the band The Moldy Peaches.^[9]

Style[link]

Regina Spektor in concert, April 2007.

Spektor has said that she has created a great number of songs,^[10] but that she rarely writes any of them down. She has also stated that she never aspired to write songs herself, but songs seem to just flow to her.^[11] Spektor's songs are not usually autobiographical, but rather are based on scenarios and characters drawn from her imagination.^[4][12] Her songs show influences from folk,^[13][14] punk, rock, Jewish,^[12][15] Russian,^[12] hip hop,^[13][16][17] jazz,^[13][16] and classical music.^[12][16] Spektor has said that she works hard to ensure that each of her songs has its own musical style, rather than trying to develop a distinctive style for her music as a whole.^[11]

It doesn't feel natural for me to write some diary type song. I want to write a classic like Yesterday but weird songs about meatballs in refrigerators come into my head - I can't help it.^[18]

Spektor has a broad vocal range and uses the full extent of it. She also explores a variety of different and somewhat unorthodox vocal techniques, such as verses composed entirely of buzzing noises made with the lips and beatbox-style flourishes in the middle of ballads, and also makes use of such unusual musical techniques as using a drum stick to tap rhythms on the body of the piano or chair.^[4][19] Part of her style also results from the exaggeration of certain aspects of vocalization, most notably the glottal stop, which is prominent in the single "Fidelity". She also uses a strong New York accent on some words, which she has said is due to her love of New York and its culture.^[1]

Her lyrics are equally eclectic, often taking the form of abstract narratives or first-person character studies, similar to short stories or vignettes put to song.^[1][19] Spektor usually sings in English, though she sometimes includes a few words or verses of Latin, Russian, French, and other languages in her songs. She also plays with pronunciations, which she said on a NPR interview to be a remnant of her early years when she listened to pop in English without understanding the lyrics. Some of Spektor's lyrics include literary allusions,^[4] such as to F. Scott Fitzgerald and Ernest Hemingway in "Poor Little Rich Boy", The Little Prince in "Baobabs", Virginia Woolf and Margaret Atwood in "Paris", Ezra Pound and William Shakespeare in "Pound of Flesh", Shakespeare's Hamlet in "The Virgin Queen", Boris Pasternak in "Après Moi", Samson and Delilah in "Samson", and Oedipus the King in "Oedipus", Billie Holiday in "Lady" and Edith Wharton's Ethan Frome in "2.99 cent blues". She alludes to The Beatles and Paul McCartney in the song "Edit". She also used a line from Joni Mitchell's California in her song "The Devil Came to Bethlehem". Recurring themes and topics in Spektor's lyrics include love, death, religion (particularly Biblical and Jewish references), city life (particularly New York references), and certain key phrases have been known to recur in different songs by Spektor, such as references to gravediggers, the Tree of Knowledge of Good and Evil and the name "Mary Ann". Spektor's use of satire is evident in "Wasteside," which refers to The Twelve Chairs, the classic satirical novel by the Soviet authors Ilf and Petrov, and describes the town in which people are born, get their hair cut, and then are sent to the cemetery.

In Spektor's early albums, many of her tracks had a very dry vocal production, with very little reverb or delay added. However, Spektor's more recent albums, particularly Begin to Hope, have put more emphasis into song production and have relied more on traditional pop and rock instruments.^[3] Spektor says the records that most impact her are those of "bands whose music is really involved",^[20] specifically naming The Beatles, Bob Dylan, Billie Holiday, Radiohead, Tom Waits, and Frédéric Chopin as primary influences.^[20][21]

In her songs, "Eet", "Us" and "Après Moi" the titular sounds are used as the focal point throughout. (In "Dance Anthem of the 80's", the sound "eet" is also used often, on words such as "meat", "street", and "eat").

Performances[link]

Regina Spektor at her first performance in Tel Aviv, Israel on March 3, 2007

Spektor's first nationwide tour was accompanying The Strokes as the opening act on their 2003–2004 Room on Fire tour, during which she and the band performed and recorded "Modern Girls & Old Fashion Men". Kings of Leon were the second opening act on that tour, and they invited Regina to open for them on their own European tour right after The Strokes tour. In June 2005, Spektor was the opening act for the English piano rock band Keane on their North American tour, during which she performed at Radio City Music Hall on June 7, 2005.^[22] During her 2006 headlining tour in support of the Begin to Hope album, Spektor sold out a performance at Messiah College in Grantham, Pennsylvania, and two shows at Town Hall Theater in New York City on September 27 and September 28, 2006.^[23]

Spektor has appeared on The Tonight Show with Conan O'Brien (once), Late Night with Conan O'Brien (three times), The Tonight Show with Jay Leno (twice), Jimmy Kimmel Live (twice), Last Call with Carson Daly (five times), Late Show with David Letterman (twice), Late Night with Jimmy Fallon (twice), CBS News Sunday Morning, Good Morning America (twice), Australia's Rove Live, and The Late Late Show with Craig Ferguson (twice).^[24] On October 10, 2009 she performed on Saturday Night Live.

Since January 2005, Spektor has performed on a bright red Baldwin baby grand piano.^[25] At the present time she uses exclusively Steinway & Sons pianos. She plays a seafoam Epiphone Wildkat archtop hollow-body electric guitar.^[26]

Although she generally only performs original material, Spektor occasionally performs covers. Most famous of these covers were her performances of songs by Leonard Cohen and Madonna, for the 2nd Annual Jewish Music & Heritage Festival at the 92nd Street Y in New York City.^[4] In 2006 and 2007, Spektor embarked on a headlining tour of the U.S. and Europe, selling out numerous clubs and theaters. She covered John Lennon's "Real Love" at the performance arts center of her alma mater, State University of New York at Purchase, on March 28, 2007, at a benefit concert for the Conservatory of Music.^[27] In 2007, Spektor recorded "Real Love" for the Instant Karma: The Amnesty International Campaign to Save Darfur CD, which was released in June of that year. She recorded a version of the song for Triple J's Like a Version radio segment which was shown on jTV.

Regina Spektor performing in Brighton on October 26, 2006.

On March 8, 2007, Spektor appeared on the British ITV network's Loose Women, promoting and performing "Fidelity" live, and on April 20, 2007, she performed on the Late Show with David Letterman. On Saturday, April 28, 2007, she appeared at the Coachella Valley Music and Arts Festival. On Friday, May 18, 2007, she appeared on BBC1's Friday Night with Jonathan Ross. On June 16, 2007, she performed at the Bonnaroo Music Festival and later performed at the 2007 Lollapalooza on August 4, 2007 and Virgin Festival on August 5, 2007 in Baltimore, Maryland. On September 16, 2007, she performed at the Austin City Limits Music Festival and recorded a set for the Austin City Limits TV show the following day. She performed acoustic at the Bridge School Benefit at Shoreline Amphitheatre on October 27 and October 28, 2007.

On November 14, 2007, at her concert at Ryman Auditorium, in Nashville, it was announced that Spektor collapsed during the sound check and was taken to a local emergency room. According to the statement given to the audience, Spektor was fine, but doctors said that she could not perform that night. It was later reported that the cause of the collapse was an inner ear infection which caused intense vertigo. The show was initially rescheduled for December 6, 2007,^[28] but the date was once again rescheduled, and the concert finally occurred on February 29, 2008.^[29] After her initial collapse in Nashville, she was able to perform in concerts at Mountain Stage on November 18, 2007,^{[30][citation needed]} and at Duke University on November 19, 2007.^[31]

In conjunction with the release of her 2009 album Far, Spektor was headlining at Serpentine Sessions, a series of concerts London's Hyde Park on June 29, 2009. Other European performances in 2009 include Glastonbury Festival, Hultsfred Festival, Oxegen 2009, T in the Park, Paradiso (Amsterdam), Latitude Festival, and Rock Werchter. Spektor has invited Brooklyn-based rock band Jupiter One to open concerts on her 2009 North American tour. As a part of that tour, on October 14, 2009 Spektor headlined a concert at the Radio City Music Hall in NYC.

On July 7, 2010, Regina performed at the Montreux Jazz Festival in Montreux, Switzerland.^[32] Her cellist, Dan Cho, drowned the day before while swimming in Lake Geneva near the Chillon Castle.^[33][34] She was described as distraught, shaken, and in tears and took several breaks to regain her composure.^[35]

Media coverage[link]

Spektor performing at the Hammerstein Ballroom on October 16, 2007

Regina Spektor performing in the West London Synagogue, February 2007.

Since 2005, Spektor's music has been used in various television programs and commercials. In late 2005 "Us" (from Soviet Kitsch) was used in a commercial as part of the What Do You Want To Watch? series for the United Kingdom's British Sky Broadcasting. The advert features a clip from a documentary on skateboarder Danny Way. In the summer of 2006, a clip from "Us" was used for the teaser website for Microsoft's Zune project at ComingZune.com, as well as for a promotional campaign for MtvU. The same track is used by Dutch telecom company KPN in a commercial. "Somedays" was used in a 2005 episode of CSI: NY and "Samson" was used in a 2006 episode of the same series. "On the Radio" was used in an episode of ABC's Grey's Anatomy. "Field Below" was used in a 2006 episode titled "The Last Word" of CBS's Criminal Minds. "Fidelity" has also been used in an episode of Grey's Anatomy titled "Six Days, Part 2", Veronica Mars titled "Wichita Linebacker", Brothers & Sisters titled "Sexual Politics", during the end credits of Love and Other Drugs, and in the Brazilian telenovela A Favorita. "Better" is currently being used in a commercial for XM Satellite Radio, an episode of "How I Met Your Mother", and the popular film My Sister's Keeper. Her song "Music Box" is currently being used in a commercial for JC Penney. Spektor also sang the title song "Little Boxes" of Showtime's television series Weeds in the episode "Mile Deep and a Foot Wide" (2006) and her "Ghost of Corporate Future" was used both at the beginning and end of the episode.^[36] On January 21, 2007, she was featured on CBS News Sunday Morning.^[11]

Spektor received increased attention in 2006 when her video for "Fidelity" was viewed over 200,000 times in two days on YouTube. On Sirius Radio's Left of Center channel, her single "Fidelity" was voted by listeners as the #1 song of 2006. Towards the end of 2006, VH1 showcased her as part of their "You Oughta Know: Artists on the Rise" featurettes: they played clips from the "Fidelity" music video and showed parts of an interview with Spektor during commercial breaks on the channel.^[37] Spektor's video for "Fidelity" reached #3 on VH1's Top 20 Countdown.^{[citation needed]}

Peter Gabriel recorded a version of "Après Moi" on his 2010 release Scratch My Back.

In Australia, Spektor's music has rapidly gained popularity in mainstream culture primarily due to Begin to Hope being played on the nation-wide radio station Triple J, where it eventually became a feature album. Prior to Begin to Hope, Spektor had only a small following in Australia in comparison to the US and Europe.

Spektor reached #33 on Blender magazine's top 100 of 2006 and was also listed as one of the "Hottest Women of...Rock!".^[38] "Fidelity" was also used in a 2007 television commercial in New Zealand advertising Yahoo!Xtra, a new partnership between Yahoo! and Telecom's Xtra ISP. Also in 2007, the mobile phone company Vodafone used her lyric, "Come into my world..." from the track, "Hotel Song" on Begin to Hope, in an extensive TV advertising campaign in the UK and Ireland.

On October 1, 2007, Spektor's new video for "Better" was released on VH1 and YouTube, where it was viewed more than 100,000 times within the first 24 hours. "Fidelity" was used in the trailer for the film 27 Dresses, released on October 3, 2007.^[39]

Her song "The Call" appeared prominently in The Chronicles of Narnia: Prince Caspian,^[40] as part of the film's finale sequence. Spektor's song "Better" was used in the movie My Sister's Keeper, loosely based on the novel of the same name by Jodi Picoult. A section of "That Time" was featured in the film In Bruges. Additionally, "Us" and "Hero" are both featured on the soundtrack for the film (500) Days of Summer. Spin magazine profiled Spektor in their July 2009 issue, where she discussed her just-released album Far. The story was released in their digital edition that month, as well.^[41] In August 2009, the song "Two Birds" was used in the 2009 Fall Campaign of the Polish TV station TVN. Also Regina's song "Eet" debuted on the show 90210 in April 2010.

On September 16, 2009, it was announced that Spektor would write the music for the musical Beauty, a modern adaptation of the fairy tale Sleeping Beauty, which is set to open during the 2011–12 Broadway season.^[42]

In May 2010, Spektor performed for President Obama and his wife Michelle along with hundreds of other guests at the White House reception in honor of Jewish Heritage Month. She sang "Us" and "The Sword & the Pen", receiving a standing ovation begun by Michelle Obama.

The song "Human of the Year" featured prominently in the trailer and first episode of the 2011 HBO series Enlightened.

The song "All the Rowboats" was featured on The CW's Ringer in March 2012.

The Song "Hotel Song" was featured in the opening of the movie Friends with Kids.

Philanthropy[link]

In 2007, she covered John Lennon's "Real Love" for Instant Karma: The Amnesty International Campaign to Save Darfur. The following year, she participated in Songs for Tibet, an initiative to support the human rights situation in Tibet and the 14th Dalai Lama. The album was issued on August 5, 2008, via iTunes and on August 19 in music stores around the world.^[43] On January 22, 2009, Spektor performed at the third annual Roe On The Rocks gig at the Bowery Ballroom to raise money for Planned Parenthood New York City.^[44] Also, continuing with her support for Tibet, Regina Spektor played for Tibet House's annual concert at Carnegie Hall on February 26, 2010. Less than one month later, on March 23, 2010, Spektor gave a concert at the Fillmore at Irving Plaza in New York City to raise funds for the work of Doctors Without Borders in Haiti. Also, on April 27, she released a cover of Radiohead's song "No Surprises" with all proceeds going to Doctors Without Borders to help the earthquake victims in Haiti and Chile.

Discography[link]

Albums[link]

• 2001: 11:11
• 2002: Songs
• 2004: Soviet Kitsch
• 2006: Begin to Hope
• 2009: Far
• 2012: What We Saw from the Cheap Seats

Singles[link]

Awards[link]

• Begin to Hope – Shortlist Music Prize (nominated)
• Studio8's Female Voice of August 2009 (won)

References[link]

External links[link]

Wikimedia Commons has media related to: Regina Spektor

• Official site
• Regina Spektor at the Internet Movie Database
• Regina Spektor at the Open Directory Project
• "Regina Spektor" interview by Noel Murray (from The A.V. Club, 21 June 2006)
• Interview from Soundcheck, WNYC, 13 September 2005
• Interview from All Things Considered, National Public Radio, 28 June 2006
• Strangers Almanac Column on Regina Spektor from Glide Magazine
• NPR - All Songs Considered 7/22/2009 - Regina Spektor: When Every Sound Sings
• NPR All Things Considered 5/24/2012 - Regina Spektor Still Doesn't Write Anything Down

This article is outdated. Please update this article to reflect recent events or newly available information. Please see the talk page for more information. (November 2010)

Tokio Hotel
Tokio Hotel, 2010. L-R: Georg Listing, Bill Kaulitz, Tom Kaulitz, and Gustav Schäfer
Background information
Origin	Magdeburg, Germany
Genres	Pop rock,[1][2] alternative rock,[3] emo,[4] glam rock,[5] power pop,[6][7][8][9]
Years active	2001–present
Labels	Universal Music Germany, Cherrytree, Interscope
Website	www.tokiohotel.com
Members
Bill Kaulitz Tom Kaulitz Georg Listing Gustav Schäfer

Tokio Hotel is a rock band from Germany, founded in 2001 by singer Bill Kaulitz, guitarist Tom Kaulitz, drummer Gustav Schäfer and bassist Georg Listing.^[10] The quartet have scored four number one singles and have released three number one albums in their native country, selling nearly 5 million CDs and DVDs there.^[11] After recording an unreleased demo-CD under the name "Devilish" and having their contract with Sony BMG Germany terminated, the band released their first German-language album, Schrei, as Tokio Hotel on Universal Music Germany in 2005. Schrei sold more than half a million copies worldwide^[12] and spawned four top five singles in both Germany and Austria. In 2007, the band released their second German album Zimmer 483 and their first English album Scream which have combined album sales of over one million copies worldwide and helped win the band their first MTV Europe Music Award for Best InterAct. The former, Zimmer 483, spawned three top five singles in Germany while the latter, Scream, spawned two singles that reached the top twenty in new territories such as France, Portugal, Spain and Italy. In September 2008, they won in the US their first MTV Video Music Award (VMA) for Best New Artist. In October 2008, they won four awards including Best International Artist and Song of the year at Los Premios MTV Latinoamérica (MTV Video Music Awards Latin America) held in Mexico. Tokio Hotel became the first German band ever to win an award at the MTV VMAs and also at the MTV Latin America Awards. They also picked up the Headliner award at the MTV Europe Music Awards 2008 held in Liverpool on November 6, 2008 and the Award for Best Group on November 5, 2009 at the MTV Europe Music Award (EMA) held in Berlin. They won an Award for Best World Stage Performance on November 7, 2010 at the MTV Europe Music Awards in Madrid. In July 2011, they became the first German band to win an MTV Video Music Awards Japan (VMAJ). And won MTV's 2012 Musical March Madness.

History[link]

[edit] Formation (2001 - 2004)

Tokio Hotel by vocalist Bill Kaulitz and guitarist Tom Kaulitz, who are identical twin brothers, drummer Gustav Schäfer and bass-guitarist Georg Listing. The four met in 2001 after a live show in a Magdeburg-Club, where Listing and Schäfer, who knew each other from music school, watched from the audience while Bill and Tom Kaulitz played on the stage.^[13][14] Under the name Devilish, the band soon began playing in talent shows and small concerts.^[15] After Bill Kaulitz's participation in a children's Star Search in 2003 at age thirteen (which he lost in the quarter-final), he was discovered by music producer Peter Hoffmann. Devilish changed their name to Tokio Hotel: "Tokio", the German spelling of the Japanese city Tokyo, due to a love of the city, and "Hotel" due to their constant touring and living in hotels.^[13] Soon after Sony BMG took them under contract, Hoffmann hired David Jost and Pat Benzner into the team of creators and authors, and had them give the teens instruction on songwriting and instrument playing; most of the songs of the first album were written by Hoffmann, Jost and Benzer (including the singles "Scream" and "Rescue me" which were completely written by them), only the single "Unendlichkeit" was written completely by Tokio Hotel themselves. Shortly before release of their first album, Sony terminated their contract. The band is now one of the biggest modern acts from Germany and the biggest in 20 years.

[edit] Schrei (2005 - 2006)

Bill Kaulitz performing in Hessisch-Lichtenau, Germany in 2006.

In 2005, Universal Music Group took Tokio Hotel under contract and developed a marketing plan. Their first single, "Durch den Monsun" ("Through the Monsoon"), quickly rose in the charts, appearing on the German official Media Control single chart at #15 on August 20, 2005 and eventually reaching #1 on August 26, 2005; it also reached #1 on the Austrian singles chart. Their second single, "Schrei" ("Scream"), climbed to the #5 position in the German charts. These two songs were written by singer Bill Kaulitz together with their group of producers Peter Hoffmann, David Jost, Pat Benzer and Dave Roth. Their debut album, Schrei, was released on September 19, 2005, and was certified triple gold by the BVMI in 2006 for selling over 300,000 copies in Germany.^[16] In 2006, a third and fourth single, "Rette mich" ("Rescue Me") and "Der letzte Tag" ("The Final Day"), were released; both reached #1 as well. "Der letzte Tag" contained a B-side called "Wir schließen uns ein", which was also accompanied by a music video.

[edit] Zimmer 483 (2007 - 2008)

The first single off their second album Zimmer 483 (Room 483), called "Übers Ende der Welt" (later re-released in English under the name "Ready, Set, Go!"), was released on January 26, 2007 and quickly reached #1 in Germany and Austria, and #2 in France. Zimmer 483 was released in Germany on February 23, 2007, along with a deluxe edition of the album containing a DVD. The album's second single, "Spring nicht" ("Don't Jump") was released on April 7. The tour accompanying the release of the album, The Zimmer 483 Tour, was scheduled to start in March 2007, but was delayed by two weeks because the band members wished to have a different stage design. A third single, "An deiner Seite (Ich bin da)" ("By Your Side"), was released on November 16. The single contains the B-side "1000 Meere" ("1000 Oceans"), for which a music video was also produced. On April 28, 2008 Tokio Hotel released their single "Heilig" but no music video for the single was released, because of the tight schedule they had.

[edit] Scream (2007 - 2008)

Tokio Hotel's first English language album, Scream, was released on June 4, 2007 throughout Europe. In Germany, the album was released as Room 483 in order to emphasize the continuity with their last German album Zimmer 483. Scream contains English versions of a selection of songs from their German-language albums Scream and Zimmer 483. "Monsoon", the English-language version of "Durch den Monsun", was the first single from the album. "Ready, Set, Go!" (the translation of "Übers Ende der Welt") was released as the album's second single and "Don't Jump" (the translation of "Spring nicht") as the third single. A video for "Scream", the English-language version of their 2005 hit "Schrei", was also recorded, and was released to the iTunes Store in early March 2008.

Tokio Hotel gave their first concert in the United Kingdom on June 19, 2007. "Ready, Set, Go!" was released in the UK as the band's first single on August 27, 2007. The song reached #77 in the UK Singles Chart.

Tokio Hotel won an MTV Europe Music Award for Best InterAct on November 1, 2007 and were also nominated for Best Band. They performed "Monsoon" at the event.

Tokio Hotel released their first US single, simply called "Tokio Hotel", in late 2007. The single contains the tracks "Scream" and "Ready, Set, Go!", and was available exclusively at Hot Topic stores. Their second US single, "Scream America", was released on December 11, 2007. The single contains the track "Scream" and a remix of "Ready, Set, Go!" by AFI's Jade Puget. In February 2008, the band toured North America for five dates starting in Canada and finishing up in New York.^[17] After appearing and performing live on MuchMusic, while touring in Canada, "Ready, Set, Go!" entered the MuchOnDemand Daily 10, a countdown of videos chosen by viewers. It remained there for over a week, then returned to the top of the MOD Daily 10 chart on April 8. "Scream" was released in Canada on March 25 and in the US on May 6. The "1000 Hotels" European Tour began on March 3, 2008 in Brussels and continued to locations including The Netherlands, Luxembourg, France, Spain, Portugal, Italy, and Scandinavia, and was scheduled to finish on April 9; during the concert in Marseille, France on March 14, Bill started to experience vocal problems.^[18] He let the audience sing more frequently than normal and instead of the original 21 songs that were on the set list, they only played 16 songs. Bill apologized, in German, for his bad singing and explained that he was sick. Two days later, the band canceled Lisbon, Portugal concert minutes before it was supposed to commence. The rest of the "1000 Hotels" Tour and a scheduled North American Tour were cancelled following an announcement in Bild by the band's manager that Bill Kaulitz had to undergo surgery to remove a cyst on his vocal cords.^[19][20]