• A. C. Benson
• Abbey Road Studios
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• Adolf Pollitzer
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• Amazon River
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• André Previn
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• Bodleian Library
• Box Hill, Victoria
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• Brompton Oratory
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• Claudio Abbado
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• D. G. Rossetti
• Daniel Gregory Mason
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• Dean (Christianity)
• Denver
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• Donald Tovey
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• Dover
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• Ecce sacerdos magnus
• Edmund Rubbra
• Edward Elgar
• Edward Joseph Dent
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• Enigma Variations
• Eric Blom
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• 
  

• 
  Abbey Road Studios
  Abbey Road Studios is a recording studio located at 3 Abbey Road, St John's Wood, City of Westminster, London, England. It was established in November 1931 by a predecessor of British music company EMI, its present owner. Apart from the facility's use as a recording studio, the premises have also been used to remaster many of the classical music recordings made at Kingsway Hall. It is most notable for being the venue in the 1960s for innovative recording techniques adopted by The Beatles, Pink Floyd, and others.
  http://wn.com/Abbey_Road_Studios
• 
  Birmingham
  Birmingham ( , locally ) is a city and metropolitan borough in the West Midlands county of England. It is the most populous British city outside London with a population of 1,028,700 (2009 estimate), and lies at the heart of the West Midlands conurbation, the United Kingdom's second most populous Urban Area with a population of 2,284,093 (2001 census). Birmingham's metropolitan area, which includes surrounding towns to which it is closely tied through commuting, is also the United Kingdom's second most populous with a population of 3,683,000.
  http://wn.com/Birmingham
• Bodleian Library
  http://wn.com/Bodleian_Library
• 
  Box Hill, Victoria
  Box Hill is a suburb in Melbourne, Victoria, Australia, 14 km east from Melbourne's central business district. Its Local Government Area is the City of Whitehorse. At the 2006 Census, Box Hill had a population of 8,616.
  http://wn.com/Box_Hill_Victoria
• 
  British Library
  The British Library (BL) is the national library of the United Kingdom and the world's largest library in terms of total number of items. The library is one of the world's major research libraries, holding over 150 million items in all known languages and formats: books, journals, newspapers, magazines, sound and music recordings, patents, databases, maps, stamps, prints, drawings and much more. The Library's collections include around 14 million books (second only to the American Library of Congress), along with substantial holdings of manuscripts and historical items dating back as far as 300 BC.
  http://wn.com/British_Library
• 
  Brompton Oratory
  The Church of the Immaculate Heart of Mary, popularly but incorrectly known as Brompton Oratory, is a Roman Catholic church in South Kensington, London. It is situated on Brompton Road, next to the Victoria and Albert Museum, at the junction with Cromwell Gardens.
  http://wn.com/Brompton_Oratory
• Careggi
  http://wn.com/Careggi
• 
  Denver
  The City and County of Denver (pronounced ) is the capital and the most populous city of the U.S. state of Colorado. Denver is a consolidated city-county, located in the South Platte River Valley on the High Plains, just east of the Front Range of the Rocky Mountains. The Denver downtown district is located immediately east of the confluence of Cherry Creek with the South Platte River, approximately east of the foothills of the Rocky Mountains. Denver is nicknamed the "Mile-High City" because its elevation is one mile, or above sea level. The 105th meridian west of Greenwich passes through Union Station and is the temporal reference for the Mountain Time Zone.
  http://wn.com/Denver
• Dover
  http://wn.com/Dover
• 
  Fittleworth
  Fittleworth is a village and civil parish in the District of Chichester in West Sussex, England located seven kilometres (3 miles) west from Pulborough on the A283 road and three miles south east from Petworth. The village has an Anglican church, a primary school and one pub, the Swan. It is within the ancient divisions of the Bury Hundred and the Rape (county subdivision) of Arundel. The village is bounded south by the Rother Navigation .
  http://wn.com/Fittleworth
• 
  Florence
  Florence ( , ; alternative obsolete spelling: Fiorenza, Latin: Florentia) is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with 367,569 inhabitants (1,500,000 in the metropolitan area).
  http://wn.com/Florence
• 
  Gresham College
  Gresham College is an institution of higher learning located at Barnard's Inn Hall off Holborn in central London, England. it enrols no students and grants no degrees; instead, its eight appointed professors—of
  http://wn.com/Gresham_College
• Hampstead
  http://wn.com/Hampstead
• 
  Hereford
  Hereford () is a cathedral city, civil parish and county town of Herefordshire, England. It lies on the River Wye, approximately east of the border with Wales, southwest of Worcester, and northwest of Gloucester. With a population of 55,700 people, it is the largest settlement in the county.
  http://wn.com/Hereford
• 
  Herefordshire
  Herefordshire () is a historic and ceremonial county in the West Midlands region of England. It also forms a unitary district known as the County of Herefordshire. It borders the English ceremonial counties of Shropshire to the north, Worcestershire to the east, Gloucestershire to the south-east, and the Welsh preserved counties of Gwent to the south-west and Powys to the west. Hereford is a cathedral city and is the county town; with a population of approximately 55,700 inhabitants it is also the largest settlement.
  http://wn.com/Herefordshire
• Institut de France
  http://wn.com/Institut_de_France
• Kraków
  http://wn.com/Kraków
• 
  Little Malvern
  Little Malvern is a small village and (with Welland) a civil parish on the lower slopes of the Malvern Hills south of Malvern Wells, near Great Malvern, the major centre of the area often referred to as The Malverns. in Worcestershire, England. It contains a Romanesque church called Little Malvern Priory, after a Benedictine monastery that existed on the site c.1171-1537. Next to the church is the historic house, Little Malvern Court, home to the Berington family for over four centuries. The gardens of Little Malvern court are occasionally open to the public.
  http://wn.com/Little_Malvern
• 
  Powick
  Powick is a Worcestershire village two miles south of the city of Worcester and four miles north of Great Malvern, close to the River Teme. It is a civil parish of the Malvern Hills District, and it includes the village of Callow End and the hamlets of Bastonford, Clevelode, Colletts Green, and Deblins Green.
  http://wn.com/Powick
• Powick Hospital
  Powick Hospital was a psychiatric facility located on outside the village of Powick, Worcestershire. Founded in 1847 as the Worcester County Pauper and Lunatic Asylum, it was designed by architects John R. Hamilton & James Medland of Gloucester and opened in August 1852. Situated between Worcester and Malvern on former farmland known as White Chimneys, the asylum was originally erected for the accommodation of 200 inmates but was later extended and by 1858 had 365 patients. By the 1950s it had around 1,000 patients and major research and experimentation in the treatment of chronic depression and schizophrenia was being carried out. The asylum closed in 1989 leaving Barnsley Hall Hospital in Bromsgrove as the remaining psychiatric hospital in the county. Most of the complex has been demolished to make way for a housing estate. The main building, however, was converted into flats and the Superintendent's Residence was converted to company offices.
  http://wn.com/Powick_Hospital
• 
  Queen's Hall
  The '''Queen's Hall''' was a classical music concert hall in Central London, England, opened in 1893 and was beloved by Londoners until its destruction by an incendiary bomb in 1941. It is best known for being where the Promenade Concerts were founded by Robert Newman, with (Sir) Henry J. Wood, in 1895.
  http://wn.com/Queen's_Hall
• 
  Royal Opera House
  The Royal Opera House is an opera house and major performing arts venue in the London district of Covent Garden. The large building is often referred to as simply "Covent Garden", after a previous use of the site of the opera house's original construction in 1732. It is the home of The Royal Opera, The Royal Ballet and the Orchestra of the Royal Opera House. Originally called the Theatre Royal, it served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later Handel's first season of operas began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there.
  http://wn.com/Royal_Opera_House
• 
  St James's
  '''St James's''' is an area of central London in the City of Westminster. It is bounded to the north by Piccadilly, to the west by Green Park, to the south by The Mall and St James's Park and to the east by The Haymarket.
  http://wn.com/St_James's
• 
  The Crystal Palace
  The Crystal Palace was a cast-iron and glass building originally erected in Hyde Park, London, England, to house the Great Exhibition of 1851. More than 14,000 exhibitors from around the world gathered in the Palace's of exhibition space to display examples of the latest technology developed in the Industrial Revolution. Designed by Joseph Paxton, the Great Exhibition building was long, with an interior height of .
  http://wn.com/The_Crystal_Palace
• University of Durham
  http://wn.com/University_of_Durham
• 
  University of Leeds
  The University of Leeds (informally Leeds University, or simply Leeds) is a British Redbrick university located in the city of Leeds, West Yorkshire, England. Originally named The Yorkshire College, a successor to the Leeds School of Medicine, it became part of the Victoria University alongside Owens College (which eventually became the University of Manchester) and University College Liverpool (which became the University of Liverpool). In 1904, a royal charter was granted to the University of Leeds by King Edward VII.
  http://wn.com/University_of_Leeds
• 
  University of London
  Based primarily in London, England, the University of London is a federal mega university made up of 31 affiliates: 19 separate university institutions, and 12 research institutes. As such, the University of London is the largest university in the UK by number of full-time students, with 135,090 campus-based students and over 45,000 in the University of London International Programmes.
  http://wn.com/University_of_London
• 
  Vancouver
  Vancouver () is a coastal city located in the Lower Mainland of British Columbia, Canada. It is named for British Captain George Vancouver, who explored the area in the 1790s. The name Vancouver itself originates from the Dutch "van Coevorden", denoting somebody from Coevorden, a city in the Netherlands.
  http://wn.com/Vancouver
• 
  Wigmore Hall
  Wigmore Hall is a leading international recital venue that specialises in hosting performances of chamber music and is best known for classical recitals of piano, song and instrumental music. It is located at 36 Wigmore Street, London, UK and was built to provide London with a venue that was both grandly impressive yet intimate enough for recitals of chamber music. With near perfect acoustics, the Hall became quickly celebrated across Europe, acquiring almost legendary attraction for the greatest artists of the 20th century. Today the Hall promotes some 400 concerts a year and broadcasts a weekly concert on BBC Radio 3 attracting an audience of several hundred thousand listeners as well as an extensive worldwide internet audience. The Hall also promotes an extensive education programme throughout London and beyond.
  http://wn.com/Wigmore_Hall
• 
  Worcester
  Worcester (, ), pronounced locally and in most parts of England as , is a city and county town of Worcestershire in the West Midlands of England. Worcester is situated some 30 miles (48 km) southwest of Birmingham and 29 miles (47 km) north of Gloucester, and has an approximate population of 94,000 people. The River Severn runs through the middle of the city, overlooked by the twelfth-century Worcester Cathedral.
  http://wn.com/Worcester
• 
  Worcester Cathedral
  Worcester Cathedral is an Anglican cathedral in Worcester, England; situated on a bank overlooking the River Severn. It is the seat of the Anglican Bishop of Worcester. Its official name is The Cathedral Church of Christ and the Blessed Mary the Virgin of Worcester. Built between 1084 and 1504, Worcester Cathedral represents every style of English architecture from Norman to Perpendicular Gothic. It is famous for its Norman crypt and unique chapter house, its unusual Transitional Gothic bays, its fine woodwork and its "exquisite" central tower which is of particularly fine proportion.
  http://wn.com/Worcester_Cathedral
• 
  Worcestershire
  Worcestershire ( or ; abbreviated Worcs) is a non-metropolitan county, established in antiquity, located in the West Midlands region of central England. In 1974 it was merged with the neighbouring county of Herefordshire to form the county of Hereford and Worcester; which was divided in 1998, re-establishing Worcestershire once more as an independent entity. Following the 1998 reform the crest of the Malvern Hills forms the east–west border between the two counties, with the exception of the parish of West Malvern in Worcestershire.
  http://wn.com/Worcestershire
• 
  Yale University
  Yale University is a private Ivy League university located in New Haven, Connecticut. Founded in 1701 in the Colony of Connecticut, the university is the third-oldest institution of higher education in the United States.
  http://wn.com/Yale_University

• A. C. Benson
  http://wn.com/A_C_Benson
• Adolf Pollitzer
  Adolf Pollitzer, also Adolph Pollitzer (; born July 23, 1832, Pest, Budapest - November 14, 1900, London) was a Hungarian Jewish violinist.
  http://wn.com/Adolf_Pollitzer
• Adrian Boult
  http://wn.com/Adrian_Boult
• Alexander Siloti
  http://wn.com/Alexander_Siloti
• Alexandra of Denmark
  http://wn.com/Alexandra_of_Denmark
• 
  Andrew Lang
  Andrew Lang (31 March 1844 – 20 July 1912) was a Scots poet, novelist, and literary critic, and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales. The Andrew Lang lectures at the University of St Andrews are named for him.
  http://wn.com/Andrew_Lang
• André Previn
  http://wn.com/André_Previn
• Anthony Payne
  Anthony Payne (born August 2, 1936) is an English composer, most famous for the work published as Edward Elgar: The Sketches for Symphony No. 3 Elaborated by Anthony Payne. His career as a composer might be described as a continuous attempt to reconcile his personal affinity with British composers of the early 20th Century (especially Vaughan Williams, Delius, Elgar and Bridge) with the stylistic innovations of post-war contemporary music.
  http://wn.com/Anthony_Payne
• 
  Anton Rubinstein
  Anton Grigorevich Rubinstein () () was a Russian-Jewish pianist, composer and conductor. As a pianist he was regarded as a rival of Franz Liszt, and he ranks amongst the great keyboard virtuosos. He also founded the Saint Petersburg Conservatory, which, together with Moscow Conservatory founded by his brother Nikolai Rubinstein, helped establish a reputation for musical skill among the subjects of the Tsar of Russia.
  http://wn.com/Anton_Rubinstein
• Antonín Dvořák
  http://wn.com/Antonín_Dvořák
• Arthur Bliss
  http://wn.com/Arthur_Bliss
• Arthur Nikisch
  http://wn.com/Arthur_Nikisch
• Arthur Sullivan
  http://wn.com/Arthur_Sullivan
• August Manns
  http://wn.com/August_Manns
• Brian Rust
  http://wn.com/Brian_Rust
• Camille Saint-Saëns
  http://wn.com/Camille_Saint-Saëns
• 
  Caroline Alice Elgar
  Caroline Alice Elgar (9 October 18487 April 1920) was an English author of verse and prose fiction, who married the composer Edward Elgar.
  http://wn.com/Caroline_Alice_Elgar
• 
  Clara Butt
  Dame Clara Ellen Butt DBE (1 February 1872 – 23 January 1936), sometimes called Clara Butt-Rumford after her marriage, was an English contralto with a remarkably imposing voice and a surprisingly agile singing technique. Her main career was as a recitalist and concert singer.
  http://wn.com/Clara_Butt
• Claudio Abbado
  Claudio Abbado, Cavaliere di Gran Croce OMRI (; born June 26, 1933), is an Italian conductor. He has served as music director of the La Scala opera house in Milan, principal conductor of the London Symphony Orchestra, principal guest conductor of the Chicago Symphony Orchestra, music director of the Vienna State Opera, and principal conductor of the Berlin Philharmonic orchestra from 1989 to 2002, when he retired from the position for health reasons.
  http://wn.com/Claudio_Abbado
• 
  Colin Davis
  Sir Colin Rex Davis, CH, CBE (born 25 September 1927) is an English conductor. His repertoire is broad, but among the composers with whom he is particularly associated are Mozart, Berlioz, Elgar, Sibelius, Stravinsky and Tippett.
  http://wn.com/Colin_Davis
• D. G. Rossetti
  http://wn.com/D_G_Rossetti
• Daniel Gregory Mason
  http://wn.com/Daniel_Gregory_Mason
• David Owen Norris
  David Owen Norris (born 1953) is a British pianist and broadcaster.
  http://wn.com/David_Owen_Norris
• David Pownall
  David Pownall FRSL (born 19 May 1938) is a critically acclaimed and prize-winning author of plays, novels and short stories. Some of his plays were adapted as films, for instance, Music to Murder By (1976).
  http://wn.com/David_Pownall
• David Rudkin
  James David Rudkin (born 29 June 1936 in London) is an English playwright of Northern Irish descent. Coming from a family of strict evangelical Christians, Rudkin was educated at King Edward's School, Birmingham and read Mods and Greats at St Catherine's College, Oxford. Having begun writing while doing his national service in the Royal Corps of Signals, Rudkin taught Latin, Greek and music at a county high school in Worcestershire until 1964, while also directing amateur theatre productions.
  http://wn.com/David_Rudkin
• Donald Tovey
  Sir Donald Francis Tovey (17 July 187510 July 1940) was a British musical analyst, musicologist, writer on music, composer and pianist. He is best known for his Essays in Musical Analysis.
  http://wn.com/Donald_Tovey
• Edmund Rubbra
  Edmund Rubbra (23 May 190114 February 1986) was a British composer. He composed both instrumental and vocal works for soloists, chamber groups and full choruses and orchestras. He was greatly esteemed by fellow musicians and was at the peak of his fame in the mid-20th century. The most famous of his pieces are his eleven symphonies. Although he was active at a time when many people wrote twelve-tone music, he decided not to write in this idiom himself. Instead he devised his own distinctive style. His later works were not as popular with the concert-going public as his previous ones had been, although he never lost the respect of his colleagues. Therefore his output as a whole is less celebrated today than would have been expected from its sheer merit and from his early popularity. Yet his compositions are full of drama, with often enough an improvisatory element.
  http://wn.com/Edmund_Rubbra
• 
  Edward Elgar
  Sir Edward William Elgar, 1st Baronet, OM, GCVO (2 June 185723 February 1934) was an English composer, many of whose works have achieved enduring popularity. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed oratorios, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.
  http://wn.com/Edward_Elgar
• Edward Joseph Dent
  http://wn.com/Edward_Joseph_Dent
• Ernest Bullock
  http://wn.com/Ernest_Bullock
• Eugène Ysaÿe
  http://wn.com/Eugène_Ysaÿe
• 
  Felix Mendelssohn
  Jakob Ludwig Felix Mendelssohn Bartholdy, born, and generally known in English-speaking countries, as Felix Mendelssohn (3 February 18094 November 1847) was a German composer, pianist, organist and conductor of the early Romantic period.
  http://wn.com/Felix_Mendelssohn
• 
  Felix Salmond
  Felix Adrian Norman Salmond (19 November 188820 February 1952) was an English cellist and cello teacher who achieved success in both England and the United States of America.
  http://wn.com/Felix_Salmond
• Ferdinand Löwe
  http://wn.com/Ferdinand_Löwe
• 
  Franz Liszt
  Franz Liszt (, from 1859 to 1867 officially Franz Ritter von Liszt) (October 22, 1811July 31, 1886) was a Hungarian composer, virtuoso pianist and teacher.
  http://wn.com/Franz_Liszt
• Frederick Delius
  http://wn.com/Frederick_Delius
• Fritz Kreisler
  http://wn.com/Fritz_Kreisler
• Frédéric Chopin
  http://wn.com/Frédéric_Chopin
• 
  George Bernard Shaw
  George Bernard Shaw (26 July 1856 – 2 November 1950) was an Irish playwright and a co-founder of the London School of Economics. Although his first profitable writing was music and literary criticism, in which capacity he wrote many highly articulate pieces of journalism, his main talent was for drama, and he wrote more than 60 plays. Nearly all his writings deal sternly with prevailing social problems, but have a vein of comedy to make their stark themes more palatable. Shaw examined education, marriage, religion, government, health care, and class privilege.
  http://wn.com/George_Bernard_Shaw
• Gervase Hughes
  http://wn.com/Gervase_Hughes
• Gordon Jacob
  http://wn.com/Gordon_Jacob
• 
  Granville Bantock
  Sir Granville Bantock (7 August 186816 October 1946) was a British composer of classical music.
  http://wn.com/Granville_Bantock
• Gustav Mahler
  http://wn.com/Gustav_Mahler
• Hamilton Harty
  Sir (Herbert) Hamilton Harty (4 December 1879 – 19 February 1941) was an Irish and British composer, conductor and accompanist. In his capacity as a conductor, he was particularly noted as an interpreter of the music of Berlioz and he was much respected as a piano accompanist of exceptional prowess. Harty still stands as one of the most significant musicians that Northern Ireland has ever produced.
  http://wn.com/Hamilton_Harty
• 
  Hector Berlioz
  Hector Berlioz (December 11, 1803 – March 8, 1869) was a French Romantic composer, best known for his compositions Symphonie fantastique and Grande messe des morts (Requiem). Berlioz made significant contributions to the modern orchestra with his Treatise on Instrumentation. He specified huge orchestral forces for some of his works; as a conductor, he performed several concerts with more than 1,000 musicians. He also composed around 50 songs.
  http://wn.com/Hector_Berlioz
• Henry Purcell
  http://wn.com/Henry_Purcell
• Henry Vaughan
  http://wn.com/Henry_Vaughan
• Herbert Howells
  Herbert Norman Howells CH (17 October 1892 – 23 February 1983) was an English composer, organist, and teacher.
  http://wn.com/Herbert_Howells
• Herbert von Karajan
  http://wn.com/Herbert_von_Karajan
• 
  Hubert Parry
  Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 18487 October 1918) was an English composer, teacher and historian of music.
  http://wn.com/Hubert_Parry
• Igor Stravinsky
  http://wn.com/Igor_Stravinsky
• Jack Westrup
  Sir Jack Westrup (26 July 1904 – 21 April 1975) was an English musicologist, writer, teacher and occasional composer.
  http://wn.com/Jack_Westrup
• 
  Jean Sibelius
  Jean Sibelius () (8 December 186520 September 1957) was a Finnish composer of the later Romantic period whose music played an important role in the formation of the Finnish national identity. His mastery of the orchestra has been described as "prodigious".
  http://wn.com/Jean_Sibelius
• Johannes Brahms
  http://wn.com/Johannes_Brahms
• John Barbirolli
  http://wn.com/John_Barbirolli
• John Henry Newman
  http://wn.com/John_Henry_Newman
• John Ruskin
  http://wn.com/John_Ruskin
• 
  Josef Krips
  Josef Alois Krips (8 April 190213 October 1974) was an Austrian conductor and violinist.
  http://wn.com/Josef_Krips
• 
  Joseph Haydn
  Franz Joseph Haydn (31 March 173231 May 1809), known as Joseph Haydn (; ), was an Austrian composer, one of the most prolific and prominent composers of the classical period. He is often called the "Father of the Symphony" and "Father of the String Quartet" because of his important contributions to these genres. He was also instrumental in the development of the piano trio and in the evolution of sonata form.
  http://wn.com/Joseph_Haydn
• Jules Massenet
  http://wn.com/Jules_Massenet
• Julius Buths
  Julius Buths (7 May 185112 March 1920) was a German pianist, conductor and minor composer. He was particularly notable in his early championing of the works of Edward Elgar in Germany. He conducted the continental European premieres of both the Enigma Variations and The Dream of Gerontius. He also had notable associations with Frederick Delius and Gustav Mahler.
  http://wn.com/Julius_Buths
• Julius Harrison
  http://wn.com/Julius_Harrison
• Landon Ronald
  http://wn.com/Landon_Ronald
• Laurence Binyon
  Robert Laurence Binyon (10 August 1869 at Lancaster – 10 March 1943 at Reading, Berkshire) was an English poet, dramatist, and art scholar. His most famous work, For the Fallen, is well known for being used in Remembrance Sunday services.
  http://wn.com/Laurence_Binyon
• Ludwig van Beethoven
  http://wn.com/Ludwig_van_Beethoven
• Luigi Cherubini
  http://wn.com/Luigi_Cherubini
• Malcolm Sargent
  http://wn.com/Malcolm_Sargent
• 
  Michael Drayton
  Michael Drayton (1563 – December 23, 1631) was an English poet who came to prominence in the Elizabethan era.
  http://wn.com/Michael_Drayton
• Patrick Hadley
  Patrick Arthur Sheldon Hadley (5 March 1899–17 December 1973) was a British composer.
  http://wn.com/Patrick_Hadley
• 
  Philip Sidney
  Sir Philip Sidney (30 November 1554 – 17 October 1586) became one of the Elizabethan Age's most prominent figures. Famous in his day in England as a poet, courtier and soldier, he remains to be known as the author of Astrophel and Stella (1581, pub. 1591), The Defence of Poetry (also known as The Defence of Poesy or An Apology for Poetry, 1581, pub. 1595), and ''The Countess of Pembroke's Arcadia'' (1580, pub. 1590).
  http://wn.com/Philip_Sidney
• Rex Vicat Cole
  Reginald Rex Vicat Cole (1870-1940) was an English landscape painter, son of the artist George Vicat Cole. He was educated at Eton and began to exhibit in London in 1890. In 1900 he was elected a member of the Royal Society of British Artists. He taught at King's College, London with Byam Shaw, and together they opened their own establishment, The Byam Shaw and Vicat Cole School of Art, in Kensington in 1910. After Shaw's death in 1919 Vicat Cole was Principal until his retirement in 1926. He collapsed and died in 1940 in Sussex whilst helping to rescue a family whose car had become stranded in flood water. The school of art he founded became part of Central Saint Martins College of Art and Design in 2003.
  http://wn.com/Rex_Vicat_Cole
• 
  Richard Norman Shaw
  Richard Norman Shaw RA (Edinburgh, 7 May 1831 – London, 17 November 1912), was an influential British architect from the 1870s to the 1900s, known for his country houses and for commercial buildings.
  http://wn.com/Richard_Norman_Shaw
• 
  Richard Strauss
  Richard Georg Strauss (11 June 1864 – 8 September 1949) was a leading German composer of the late Romantic and early modern eras. He is known particularly for his operas, Lieder, and tone poems. Strauss, along with Gustav Mahler, represents the extraordinary late flowering of German Romanticism after Richard Wagner, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's music had a profound influence on the development of music in the twentieth century. Strauss was also a prominent conductor.
  http://wn.com/Richard_Strauss
• 
  Richard Wagner
  Wilhelm Richard Wagner (, ; 22 May 1813 13 February 1883) was a German composer, conductor, theatre director and essayist, primarily known for his operas (or "music dramas", as they were later called). Wagner's compositions, particularly those of his later period, are notable for their complex texture, rich harmonies and orchestration, and the elaborate use of leitmotifs: musical themes associated with individual characters, places, ideas or plot elements. Unlike most other opera composers, Wagner wrote both the music and libretto for every one of his stage works. Famous extracts from his operas include the "Ride of the Valkyries" and the Bridal Chorus from Lohengrin, popularly known as the wedding march "Here Comes the Bride".
  http://wn.com/Richard_Wagner
• 
  Robert Schumann
  Robert Schumann, sometimes known as Robert Alexander Schumann, (8 June 181029 July 1856) was a German composer, aesthete and influential music critic.
  http://wn.com/Robert_Schumann
• Rose Garrard
  http://wn.com/Rose_Garrard
• Rudyard Kipling
  http://wn.com/Rudyard_Kipling
• Samuel Sanford
  http://wn.com/Samuel_Sanford
• 
  Simon Rattle
  Sir Simon Denis Rattle, CBE, FRSA, (born 19 January 1955) is an English conductor. He rose to international prominence as conductor of the City of Birmingham Symphony Orchestra and since 2002 has been principal conductor of the Berlin Philharmonic (BPO).
  http://wn.com/Simon_Rattle
• Steuart Wilson
  Sir James Steuart Wilson (born Bristol, England, 21 July 1889, died Petersfield, 18 December 1966) was a singer, famous for tenor roles in oratorios and concerts, and a musical administrator.
  http://wn.com/Steuart_Wilson
• 
  The Times
  The Times is a daily national newspaper published in the United Kingdom since 1785, when it was known as The Daily Universal Register.
  http://wn.com/The_Times
• Thomas Beecham
  http://wn.com/Thomas_Beecham
• Thomas Hardy
  http://wn.com/Thomas_Hardy
• 
  Valery Gergiev
  Valery Abisalovich Gergiev (; ; born 2 May 1953) is a Russian conductor and opera company director. He is general director and artistic director of the Mariinsky Theatre and principal conductor of the London Symphony Orchestra. Valery Gergiev is the artistic director of the White Nights Festival in St. Petersburg.
  http://wn.com/Valery_Gergiev
• Voltaire
  http://wn.com/Voltaire
• W. B. Yeats
  http://wn.com/W_B_Yeats
• 
  W. S. Gilbert
  Sir William Schwenck Gilbert (18 November 1836 – 29 May 1911) was an English dramatist, librettist, poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan, of which the most famous include H.M.S. Pinafore, The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre, The Mikado. These, as well as most of their other Savoy operas, continue to be performed regularly throughout the English-speaking world and beyond by opera companies, repertory companies, schools and community theatre groups. Lines from these works have become part of the English language, such as "short, sharp shock", "What, never? Well, hardly ever!", and "Let the punishment fit the crime".
  http://wn.com/W_S_Gilbert
• 
  Walford Davies
  Sir Henry Walford Davies KCVO OBE (6 September 1869 – 11 March 1941) was a British composer, who held the title Master of the King's Musick from 1934 until 1941.
  http://wn.com/Walford_Davies
• 
  Walter Damrosch
  Walter Johannes Damrosch (January 30, 1862 – December 22, 1950) was a German-born American conductor and composer. He is best remembered today as long-time director of the New York Symphony Orchestra and for conducting the world premiere performances of George Gershwin's Piano Concerto in F (1925), and An American in Paris (1928).
  http://wn.com/Walter_Damrosch
• Walter J. Turner
  http://wn.com/Walter_J_Turner
• Walter Parratt
  Sir Walter Parratt KCVO (10 February 1841 – 27 March 1924) was an English organist and composer.
  http://wn.com/Walter_Parratt
• Willem Mengelberg
  http://wn.com/Willem_Mengelberg
• William Byrd
  http://wn.com/William_Byrd
• William Henry Reed
  http://wn.com/William_Henry_Reed
• 
  William Rothenstein
  Sir William Rothenstein, (29 January 1872 – 14 February 1945), was an English painter, draughtsman and writer on art.
  http://wn.com/William_Rothenstein
• Yehudi Menuhin
  http://wn.com/Yehudi_Menuhin

• Pomp and Circumstance Marches, Op. 39: No. 1 in D Major
• Pomp and Circumstance Marches, Op. 39: No. 2 in A minor
• Pomp and Circumstance Marches, Op. 39: No. 3 in C minor
• Pomp and Circumstance Marches, Op. 39: No. 4 in G major
• Pomp and Circumstance Marches, Op. 39: No. 5 in C major
• Pomp and Circumstance Marches, Op. 39: No. 6 in G minor
• Serenade for Strings in E minor, Op. 20: I. Allegro Piacevole
• Serenade for Strings in E minor, Op. 20: II. Larghetto
• Serenade for Strings in E minor, Op. 20: III. Allegretto

• The Kingdom, Op. 51: Prelude
• The Kingdom, Op. 51: I. In the Upper Room. ''Seek First the Kingdom of God''
• The Kingdom, Op. 51: I. In the Upper Room. ''Men and Brethren''
• The Kingdom, Op. 51: I. In the Upper Room. ''O Ye Priests!''
• The Kingdom, Op. 51: II. At the Beautiful Gate. ''The Singers Are Before the Altar''
• The Kingdom, Op. 51: III. Pentecost. ''And When the Day of Pentecost''
• The Kingdom, Op. 51: III. Pentecost. ''And Suddenly There Came From Heaven''
• The Kingdom, Op. 51: III. Pentecost. ''I Have Prayed for Thee''
• The Kingdom, Op. 51: III. Pentecost. ''Repent and be Baptized''

• Variations on an Original Theme, Op. 36 „Enigma-Variationen“: Andante
• Variations on an Original Theme, Op. 36 „Enigma-Variationen“: I. (C.A.E.) L'istesso tempo
• Variations on an Original Theme, Op. 36 „Enigma-Variationen“: II. (H.D.S-P.) Allegro
• Variations on an Original Theme, Op. 36 „Enigma-Variationen“: III. (R.B.T.) Allegretto
• Variations on an Original Theme, Op. 36 „Enigma-Variationen“: IV. (W.M.B.) Allegro di molto
• Variations on an Original Theme, Op. 36 „Enigma-Variationen“: V. (R.P.A.) Moderato
• Variations on an Original Theme, Op. 36 „Enigma-Variationen“: VI. (Ysobel) Andantino
• Variations on an Original Theme, Op. 36 „Enigma-Variationen“: VII. (Tryte) Presto
• Variations on an Original Theme, Op. 36 „Enigma-Variationen“: VIII. (W.N.) Allegretto
• Variations on an Original Theme, Op. 36 „Enigma-Variationen“: IX. (Nimrod) Adagio
• Variations on an Original Theme, Op. 36 „Enigma-Variationen“: X. (Dorabella) Allegretto
• Variations on an Original Theme, Op. 36 „Enigma-Variationen“: XI. (G.R.S.) Allegro di molto
• Variations on an Original Theme, Op. 36 „Enigma-Variationen“: XII. (B.G.N.) Andante
• Variations on an Original Theme, Op. 36 „Enigma-Variationen“: XIII. (***) Romanza: Moderato
• Variations on an Original Theme, Op. 36 „Enigma-Variationen“: XIV. (E.D.U.) Finale: Allegro
• Symphonie Nr. 6 E-moll: I. Allegro
• Symphonie Nr. 6 E-moll: II. Moderato
• Symphonie Nr. 6 E-moll: III. Scherzo: Allegro vivace
• Symphonie Nr. 6 E-moll: IV. Epilogue: Moderato

• Tema e variações para orquestra, Op. 36 "Enigma": I. Introdução e variação 1 (L'istesso tempo) "C.A.E."
• Tema e variações para orquestra, Op. 36 "Enigma": II. Variação 2 (Allegro) "H.D.S.-P."
• Tema e variações para orquestra, Op. 36 "Enigma": III. Variação 3 (Allegretto) "R.B.T."
• Tema e variações para orquestra, Op. 36 "Enigma": IV. Variação 4 (Allegro di molto) "W.M.B."
• Tema e variações para orquestra, Op. 36 "Enigma": V. Variação 5 (Moderato) "R.P.A."
• Tema e variações para orquestra, Op. 36 "Enigma": VI. Variação 6 (Andantino) "Ysobel"
• Tema e variações para orquestra, Op. 36 "Enigma": VII. Variação 7 (Presto) "Troyte"
• Tema e variações para orquestra, Op. 36 "Enigma": VIII. Variação 8 (Allegretto) "W.N."
• Tema e variações para orquestra, Op. 36 "Enigma": IX. Variação 9 (Adagio) "Nimrod"
• Tema e variações para orquestra, Op. 36 "Enigma": X. Variação 10 (Intermezzo: Allegretto) "Dorabella"
• Tema e variações para orquestra, Op. 36 "Enigma": XI. Variação 11 (Allegro di molto) "G.R.S."
• Tema e variações para orquestra, Op. 36 "Enigma": XII. Variação 12 (Andante) "B.G.N."
• Tema e variações para orquestra, Op. 36 "Enigma": XIII. Variação 13 (Romanza: Moderato) "* * *"
• Tema e variações para orquestra, Op. 36 "Enigma": XIV. Variação 14 (Finale: Allegro Presto) "E.D.U."
• Concerto para violoncelo e orquestra em mi menor, Op. 85: I. Adagio - Moderato
• Concerto para violoncelo e orquestra em mi menor, Op. 85: II. Lento - Allegro molto
• Concerto para violoncelo e orquestra em mi menor, Op. 85: III. Adagio
• Concerto para violoncelo e orquestra em mi menor, Op. 85: IV. Allegro, ma non troppo
• Marcha militar No. 1 em ré maior, Op. 39 "Pompa e circunstância"

• Nursery Suite (1931) - Aubade (Awake)
• Nursery Suite (1931) - The Serious Doll
• Nursery Suite (1931) - Busy-ness!
• Nursery Suite (1931) - The Sad Doll
• Nursery Suite (1931) - The Wagon Passes
• Nursery Suite (1931) - The Merry Doll
• Nursery Suite (1931) - Dreaming, Envoy
• Dream Children Op. 43 (1892) - 1
• Dream Children Op. 43 (1892) - 2
• In Moonlight (Canto Popolare) Op. 50 (1903-1904)
• Romance for Basoon & Orchestra Op. 62 (1909-1910)
• Sospiri Op. 70 (1914)
• Serenade for Strings Op. 20 (1892) - 1
• Serenade for Strings Op. 20 (1892) - 2
• Serenade for Strings Op. 20 (1892) - 3
• Elegy Op. 58 (1909)

• Sea Pictures, Op. 37: I. Sea Slumber-Song
• Sea Pictures, Op. 37: II. In Haven (Capri)
• Sea Pictures, Op. 37: III. Sabbath Morning at Sea
• Sea Pictures, Op. 37: IV. Where Corals Lie
• Sea Pictures, Op. 37: V. The Swimmer
• Cello Concerto in E minor, Op. 85: I. Adagio - Moderato
• Cello Concerto in E minor, Op. 85: II. Lento - Allegro molto
• Cello Concerto in E minor, Op. 85: III. Adagio -
• Cello Concerto in E minor, Op. 85: IV. Allegro - Moderato - Allegro ma non troppo

• Symphony No. 1 in A-flat major, Op. 55: I. Andante. Nobilmente e semplice - Allegro
• Symphony No. 1 in A-flat major, Op. 55: II. Allegro molto
• Symphony No. 1 in A-flat major, Op. 55: III. Adagio
• Symphony No. 1 in A-flat major, Op. 55: IV. Lento - Allegro
• Symphony No. 2 in E-flat major, Op. 63: I. Allegro vivace e Nobilmente
• Symphony No. 2 in E-flat major, Op. 63: II. Larghetto
• Symphony No. 2 in E-flat major, Op. 63: III. Rondo (Presto)
• Symphony No. 2 in E-flat major, Op. 63: IV. Moderato e maestoso

• The Planets, Op. 32: Mars, the Bringer of War
• The Planets, Op. 32: Venus, the Bringer of Peace
• The Planets, Op. 32: Mercury, the Winged Messenger
• The Planets, op. 32, Jupiter, the Bringer of Jollity
• The Planets, Op. 32: Saturn, the Bringer of Old Age
• The Planets, Op. 32: Uranus, the Magician
• The Planets, Op. 32: Neptune, the Mystic
• Nimrod - Variations on an Original Theme (Enigma), Op. 3
• Allegro Piacevole - Serenade for String Orchestra in E Minor, Op. 20
• Pomp and Circumstance: No.1 in D Major, Op.39
• Pomp and Circumstance: No.4 in G Major, Op.39

• Coronation Ode, Op. 44: I. Introduction: Crown the King
• Coronation Ode, Op. 44: II (a). The Queen
• Coronation Ode, Op. 44: II (b). Daughter of Ancient Kings
• Coronation Ode, Op. 44: III. Britain, Ask of Thyself
• Coronation Ode, Op. 44: IV (a). Hark, Upon the Hallowed Air / IV (b). Only Let the Heart Be Pure
• Coronation Ode, Op. 44: V. Peace, Gentle Peace
• Coronation Ode, Op. 44: VI. Finale: Land of Hope and Glory
• The Spirit of England, Op. 80: I. The Fourth of August
• The Spirit of England, Op. 80: II. To Women
• The Spirit of England, Op. 80: III. For the Fallen

• Military March No. 1 in D major, Op. 39 "Pomp and Circumstance"
• Salut d'amour, Op. 12
• Cockaigne, Op. 40 "In London Town"
• Cello Concerto in E minor, Op. 85: I. Adagio - Moderato
• Piano Quintet in A minor, Op. 84: III. Andante - Allegro
• Sospiri, Op. 70
• Violin Sonata in E minor, Op. 82: I. Allegro
• Ave, verum corpus, Op. 2 No. 1
• Violin Concerto in B minor, Op. 61: II. Andante
• The Wand of Youth - Suite No. 2, Op. 1b: VI. The Wild Bears

• Symphony No.1 in A-flat major Op.55: I. Andante. Nobilmente E Semplice
• Symphony No.1 in A-flat major Op.55: II. Allegro Molto
• Symphony No.1 in A-flat major Op.55: III. Adagio
• Symphony No.1 in A-flat major Op.55: IV. Lento
• In the South (Alassio) Op. 50

• Introduction and Allegro, Op. 47: I. Moderato
• Introduction and Allegro, Op. 47: II. Allegro
• Introduction and Allegro, Op. 47: III. Allegro (Fugue)
• Violin Concerto in B minor, Op. 61: I. Allegro
• Violin Concerto in B minor, Op. 61: II. Andante
• Violin Concerto in B minor, Op. 61: III. Allegro molto - Cadenza (accompagnata. Lento) - Allegro molto

• Coronation March, Op. 65
• Grania and Diarmid, Op. 42: II. Funeral March
• Pomp and Circumstance March No. 1 in D minor, Op. 39
• Pomp and Circumstance March No. 2 in A minor, Op. 39
• Pomp and Circumstance March No. 3 in C minor, Op. 39
• Pomp and Circumstance March No. 4 in G major, Op. 39
• Pomp and Circumstance March No. 5 in C major, Op. 39
• Caractacus, Op. 35: Triumphal March
• The Crown of India, Op. 66: IV. March of the Mogul Emperors
• Empire March
• Polonia, Op. 76

• Pomp and Circumstance March No. 1 in D major, Op. 39
• Pomp and Circumstance March No. 4 in G major, Op. 39
• Concerto for Cello and Orchestra in E minor, Op. 85: I. Adagio moderato
• Concerto for Cello and Orchestra in E minor, Op. 85: II. Lento allegro molto
• Concerto for Cello and Orchestra in E minor, Op. 85: III. Adagio
• Concerto for Cello and Orchestra in E minor, Op. 85: IV. Allegro moderato - Allegro ma non troppo
• Variations on an Original Theme, Op. 36 "Enigma": Theme. Andante
• Variations on an Original Theme, Op. 36 "Enigma": I. C.A.E. L'istesso tempo
• Variations on an Original Theme, Op. 36 "Enigma": II. H.D.S.-P. Allegro
• Variations on an Original Theme, Op. 36 "Enigma": III. R.B.T. Allegretto
• Variations on an Original Theme, Op. 36 "Enigma": IV. W.M.B. Allegro di molto
• Variations on an Original Theme, Op. 36 "Enigma": V. R.P.A. Moderato
• Variations on an Original Theme, Op. 36 "Enigma": VI. Ysobel. Andantino
• Variations on an Original Theme, Op. 36 "Enigma": VII. Troyte. Presto
• Variations on an Original Theme, Op. 36 "Enigma": VIII. W.N. Allegretto
• Variations on an Original Theme, Op. 36 "Enigma": IX. Nimrod. Adagio
• Variations on an Original Theme, Op. 36 "Enigma": X. Dorabella. Intermezzo. Allegretto
• Variations on an Original Theme, Op. 36 "Enigma": XI. G.R.S. Allegro di molto
• Variations on an Original Theme, Op. 36 "Enigma": XII. B.G.N. Andante
• Variations on an Original Theme, Op. 36 "Enigma": XIII. ***. Romanza. Moderato
• Variations on an Original Theme, Op. 36 "Enigma": XIV. Finale. E.D.U. Allegro

• Serenade for strings E minor, Op. 20: I. Allegro piacevole
• Serenade for strings E minor, Op. 20: II. Larghetto
• Serenade for strings E minor, Op. 20: III. Allegretto
• Symphony No. 1 in A-flat major, Op. 55: I. Andante. Nobilmente e semplice
• Symphony No. 1 in A-flat major, Op. 55: II. Allegro molto
• Symphony No. 1 in A-flat major, Op. 55: III. Adagio
• Symphony No. 1 in A-flat major, Op. 55: IV. Lento — Allegro

• In the South (Alassio), Op. 50
• Symphony No. 2 in E-flat major, Op. 63: I. Allegro vivace e nobilmente
• Symphony No. 2 in E-flat major, Op. 63: II. Larghetto
• Symphony No. 2 in E-flat major, Op. 63: III. Rondo - Presto
• Symphony No. 2 in E-flat major, Op. 63: IV. Moderato e maestoso

• Cello Concerto in E minor: Adagio - Moderato
• Cello Concerto in E minor: Lento - Allegro molto
• Cello Concerto in E minor: Adagio
• Cello Concerto in E minor: Allegro
• Cello concerto, Op. 22: Allegro moderato
• Cello concerto, Op. 22: Andante sostenuto
• Cello concerto, Op. 22: Molto allegro e appassionato

• Introduction and Allegro, Op. 47
• Symphony No. 1 in A-flat major, Op. 55: I. Andante. Nobilmente e semplice - Allegro
• Symphony No. 1 in A-flat major, Op. 55: II. Allegro molto
• Symphony No. 1 in A-flat major, Op. 55: III. Adagio
• Symphony No. 1 in A-flat major, Op. 55: IV. Lento - Allegro

• Cello Concerto in B minor, Op. 104: I. Allegro
• Cello Concerto in B minor, Op. 104: II. Adagio ma non troppo
• Cello Concerto in B minor, Op. 104: III. Finale (Allegro moderato)
• Cello Concerto in E minor, Op. 85: I. Adagio - Moderato
• Cello Concerto in E minor, Op. 85: II. Lento - Allegro molto
• Cello Concerto in E minor, Op. 85: III. Adagio
• Cello Concerto in E minor, Op. 85: IV. Allegro - Moderato - Allegro, ma non troppo - Poco piu lento - Adagio, come prima - Allegro molto

• Concerto for violoncello and orchestra in B minor, Op. 104: I. Allegro
• Concerto for violoncello and orchestra in B minor, Op. 104: II. Adagio ma non troppo
• Concerto for violoncello and orchestra in B minor, Op. 104: III. Finale. Allegro moderato
• Concerto for violoncello and orchestra in E minor, Op. 85: I. Adagio - Moderato (attacca)
• Concerto for violoncello and orchestra in E minor, Op. 85: II. Allegro molto
• Concerto for violoncello and orchestra in E minor, Op. 85: III. Adagio
• Concerto for violoncello and orchestra in E minor, Op. 85: IV. Allegro - Moderato - Allegro, ma non troppo

• Falstaff: Allegro
• Falstaff: Dream Interlude
• Falstaff: 2nd. Interlude - Allegretto
• The Wand of Youth, Suite No, 1, Op. 1a: Overture
• The Wand of Youth, Suite No, 1, Op. 1a: Serenade
• The Wand of Youth, Suite No, 1, Op. 1a: Minuet (Old Style)
• The Wand of Youth, Suite No, 1, Op. 1a: Sun Dance
• The Wand of Youth, Suite No, 1, Op. 1a: Fairy Pipers
• The Wand of Youth, Suite No, 1, Op. 1a: Slumber Scene
• The Wand of Youth, Suite No, 1, Op. 1a: Fairies and Giants
• The Wand of Youth, Suite No, 2, Op. 1b: March - Alla marcia
• The Wand of Youth, Suite No, 2, Op. 1b: The Little Bells (Scherzino)
• The Wand of Youth, Suite No, 2, Op. 1b: Moths and Butterflies (Dance)
• The Wand of Youth, Suite No, 2, Op. 1b: Fountain Dance (Allegretto comodo)
• The Wand of Youth, Suite No, 2, Op. 1b: The Tame Bear (Allegro moderato)
• The Wand of Youth, Suite No, 2, Op. 1b: The Wild Bears (Presto)

• The Dream of Gerontius, Op. 38: Part I (a) Prelude (Lento, mistico - Moderato - Andantino - Come prima)
• The Dream of Gerontius, Op. 38: Part I (b) (Gerontius) Jesu, Maria - I am near to death
• The Dream of Gerontius, Op. 38: Part I (c) (Gerontius, semi-chorus, chorus) So pray for me...Kyrie eleison...Holy Mary, pray for him
• The Dream of Gerontius, Op. 38: Part I (d) (Gerontius, chorus) Rouse thee, my fainting soul...Be merciful
• The Dream of Gerontius, Op. 38: Part I (e) (Gerontius) Sanctus fortis, Sanctus Deus
• The Dream of Gerontius, Op. 38: Part I (f) (Gerontius, chorus) I can no more...Rescue him, O Lord
• The Dream of Gerontius, Op. 38: Part I (g) (semi-chorus, chorus, Gerontius) Noe from the waters...Novissima hora est
• The Dream of Gerontius, Op. 38: Part I (h) (Priest) Proficiscere, anima Christiana
• The Dream of Gerontius, Op. 38: Part I (i) (chorus, Priest, semi-chorus) Go in the name of Angels

• Variations on an original theme, Op. 36 "Enigma": Enigma: Andante
• Variations on an original theme, Op. 36 "Enigma": I. (C.A.E.): L'istesso tempo
• Variations on an original theme, Op. 36 "Enigma": II. (H.D.S.-P.): Allegro
• Variations on an original theme, Op. 36 "Enigma": III. (R.B.T.): Allegretto
• Variations on an original theme, Op. 36 "Enigma": IV. (W.M.B.): Allegro di molto
• Variations on an original theme, Op. 36 "Enigma": V. (R.P.A.): Moderato
• Variations on an original theme, Op. 36 "Enigma": VI. (Ysobel): Andantino
• Variations on an original theme, Op. 36 "Enigma": VII. (Troyte): Presto
• Variations on an original theme, Op. 36 "Enigma": VIII. (W.N.): Allegretto
• Variations on an original theme, Op. 36 "Enigma": IX. (Nimrod): Adagio
• Variations on an original theme, Op. 36 "Enigma": X. Intermezzo (Dorabella): Allegretto
• Variations on an original theme, Op. 36 "Enigma": XI. (G.R.S.):Allegro di molto
• Variations on an original theme, Op. 36 "Enigma": XII. (B.G.N.): Andante
• Variations on an original theme, Op. 36 "Enigma": XIII. Romanza (***): Moderato
• Variations on an original theme, Op. 36 "Enigma": XIV. Finale (E.D.U.): Allegro - Presto
• Military Marches, Op. 39 "Pomp and Circumstance": No. 1 in D major: Allegro, con molto fuoco - Trio (Largamente - Molto maestoso) - Tempo primo - Più mosso
• Military Marches, Op. 39 "Pomp and Circumstance": No. 4 in G major: Allegro marziale - Nobilmente (L'istesso tempo) - Grandioso
• In the South (Alassio), Op. 50: Concert Overture

• Chanson de matin, Op. 15 No. 2
• Chanson de nuit, Op. 15 No. 1
• Sérénade lyrique
• Salut d'amour, Op. 12
• Dream children, Op. 43: 1. Andante
• Dream children, Op. 43: 2. Allegro
• Contrasts, Op. 10 No. 3
• Soliloquy for Oboe and Orchestra
• Woodland Interlude from "Caractacus"
• Two Interludes from "Falstaff": 1. Jack Falstaff, Page to the Duke of Norfolk
• Two Interludes from "Falstaff": 2. Gloucestershire, Shallow's Orchard
• Three Bavarian Dances: 1. Allegretto giocoso
• Three Bavarian Dances: 2. Moderato
• Three Bavarian Dances: 3. Allegro vivace
• Sospiri, Op. 70
• Minuet from "Beau Brummel"
• Burlesco from "The Spanish Lady"
• Adieu
• Waltz from "The Starlight Express"
• Sursum corda, Op. 11

• Symphony No.1 - I - Andante. Nobilmente e semplice - Allegro
• Symphony No.1 - II - Allegro molto
• Symphony No.1: III. Adagio
• Symphony No.1 - IV - Lento - Allegro
• Pomp and Circumstance March No.1 - Allegro con molto fuoco
• Pomp and Circumstance March No.2 - Allegro molto
• Pomp and Circumstance March No.3 - Con fuoco
• Pomp and Circumstance March No.4 - Allegro marziale
• Pomp and Circumstance March No.5 - Vivace

• Pomp and Circumstance op. 39: Military Marches No. 1: Allegro, con molto fuoco
• Pomp and Circumstance op. 39: Military Marches No. 2: Allegro molto
• Pomp and Circumstance op. 39: Military Marches No. 3: Con fuoco
• Pomp and Circumstance op. 39: Military Marches No. 4: Allegro marziale
• Pomp and Circumstance op. 39: Military Marches No. 5: Vivace
• Violin Concerto b minor op. 61: I. Allegro
• Violin Concerto b minor op. 61: II. Andante
• Violin Concerto b minor op. 61: III. Allegro

• Cello Concerto in E minor, Op. 85: I. Adagio - Moderato
• Cello Concerto in E minor, Op. 85: II. Allegro molto
• Cello Concerto in E minor, Op. 85: III. Adagio
• Cello Concerto in E minor, Op. 85: IV. Allegro - Moderato - Allegro ma non troppo
• In the South. Overture, Op. 50
• Introduction and Allegro for strings, Op. 47
• Froissart. Overture, Op. 19

• Three Part-songs, Op. 18: 1. O Happy Eyes
• Three Part-songs, Op. 18: 2. Love
• Three Part-songs, Op. 18: 3. My Love dwelt in a Northern Land
• Five Part-songs from The Greek Anthology, Op. 45: 1. Yea, cast me from Heights of the Mountains
• Five Part-songs from The Greek Anthology, Op. 45: 2. Whether I Find Thee
• Five Part-songs from The Greek Anthology, Op. 45: 3. After many a Dusty Mile
• Five Part-songs from The Greek Anthology, Op. 45: 4. It's oh! to be a Wild Wind
• Five Part-songs from The Greek Anthology, Op. 45: 5. Feasting I Watch
• Four Part-songs, Op. 53: 1. There is Sweet Music
• Four Part-songs, Op. 53: 2. Deep in my Soul
• Four Part-songs, Op. 53: 3. O wild West Wind!
• Four Part-songs, Op. 53: 4. Owls (An Epitaph)
• Two Part-songs, Op. 71: 1. The Shower
• Two Part-songs, Op. 71: 2. The Fountain
• Death on the Hills, Op. 72
• Two Part-songs, Op. 73: Love's Tempest
• Two Part-songs, Op. 73: Serenade
• How Calmly the Evening
• Weary Wind of the West
• Evening Scene
• The Prince of Sleep
• Go, Song of Mine, Op. 57

• Variations on an Original Theme "Enigma", Op. 36: I. Introduction. C.A.E.
• Variations on an Original Theme "Enigma", Op. 36: II. H.D.S.-P.
• Variations on an Original Theme "Enigma", Op. 36: III. R.B.T.
• Variations on an Original Theme "Enigma", Op. 36: IV. W.M.B.
• Variations on an Original Theme "Enigma", Op. 36: V. R.P.A.
• Variations on an Original Theme "Enigma", Op. 36: VI. Ysobel
• Variations on an Original Theme "Enigma", Op. 36: VII. Troyte
• Variations on an Original Theme "Enigma", Op. 36: VIII. W.N.
• Variations on an Original Theme "Enigma", Op. 36: IX. Nimrod
• Variations on an Original Theme "Enigma", Op. 36: X. Dorabella
• Variations on an Original Theme "Enigma", Op. 36: XI. G.R.S.
• Variations on an Original Theme "Enigma", Op. 36: XII. B.G.N.
• Variations on an Original Theme "Enigma", Op. 36: XIII. *** (Romanza)
• Variations on an Original Theme "Enigma", Op. 36: XIV. E.D.U.
• Pomp and Circumstance Marches Nos. 1-5, Op. 39: I. No. 1 in D major
• Pomp and Circumstance Marches Nos. 1-5, Op. 39: II. No. 2 in A minor
• Pomp and Circumstance Marches Nos. 1-5, Op. 39: III. No. 3 in C minor
• Pomp and Circumstance Marches Nos. 1-5, Op. 39: IV. No. 4 in G major
• Pomp and Circumstance Marches Nos. 1-5, Op. 39: V. No. 5 in C major

• String Quartet in E minor, Op. 83: I. Allegro moderato
• String Quartet in E minor, Op. 83: II. Piacevole (poco andante)
• String Quartet in E minor, Op. 83: III. Finale: Allegro molto
• Piano Quintet in A minor, Op. 84: I. Moderato - Allegro
• Piano Quintet in A minor, Op. 84: II. Adagio
• Piano Quintet in A minor, Op. 84: III. Andante - Allegro

• Symphony No.1 in A flat, Op. 55: I. Andante-Allegro
• Symphony No.1 in A flat, Op. 55: II. Allegro molto
• Symphony No.1 in A flat, Op. 55: III. Adagio
• Symphony No.1 in A flat, Op. 55: IV. Lento-Allegro

• Pomp and Circumstance March No. 1 in D major
• Serenade in E minor for strings Op. 20 - i Allegro piacevole
• Serenade in E minor for strings Op. 20 - ii Larghetto
• Serenade in E minor for strings Op. 20 - iii Allegretto
• There is Sweet Music
• Salut d'amour Op. 12
• Introduction and Allegro Op. 47
• Pomp and Circumstance March No. 4 in G major
• The Engigma Variations, Op. 36: IX "Nimrod"
• Give Unto The Lord
• The Dream of Gerontius, Op. 38: 'But Hark! a grand mysterious harmony...Praise to the Holiest in the Height'

• The Lark Ascending
• Fantasia on a Theme by Thomas Tallis
• First Movement: Allegro Piacevole
• Second Movement: Larghetto
• Third Movement: Allegretto
• Fantasia Concertante on a Theme of Corelli

• Variations on an Original Theme ("Enigma") Op. 36: C.A.E
• Variations on an Original Theme ("Enigma") Op. 36: H.D.S-P.
• Variations on an Original Theme ("Enigma") Op. 36: R.B.T.
• Variations on an Original Theme ("Enigma") Op. 36: W.M.B.
• Variations on an Original Theme ("Enigma") Op. 36: R.P.A.
• Variations on an Original Theme ("Enigma") Op. 36: Ysobel
• Variations on an Original Theme ("Enigma") Op. 36: Troyte
• Variations on an Original Theme ("Enigma") Op. 36: W.N.
• Variations on an Original Theme ("Enigma") Op. 36: Nimrod
• Variations on an Original Theme ("Enigma") Op. 36: Dorabella
• Variations on an Original Theme ("Enigma") Op. 36: G.R.S.
• Variations on an Original Theme ("Enigma") Op. 36: B.G.N.
• Variations on an Original Theme ("Enigma") Op. 36: * * *
• Variations on an Original Theme ("Enigma") Op. 36: E.D.U.
• Introduction and Allegro for Strings and Orchestra, Op. 47: Introduction
• Introduction and Allegro for Strings and Orchestra, Op. 47: Allegro

• Variations on an Original Theme "Enigma", Op. 36: Theme (Andante)
• Variations on an Original Theme "Enigma", Op. 36: 1. C.A.E. (L'istesso tempo)
• Variations on an Original Theme "Enigma", Op. 36: 2. H.D.S.-P. (Allegro)
• Variations on an Original Theme "Enigma", Op. 36: 3. R.B.T. (Allegretto)
• Variations on an Original Theme "Enigma", Op. 36: 4. W.M.B. (Allegro di molto)
• Variations on an Original Theme "Enigma", Op. 36: 5. R.P.A. (Moderato)
• Variations on an Original Theme "Enigma", Op. 36: 6. Ysobel (Andantino)
• Variations on an Original Theme "Enigma", Op. 36: 7. Troyte (Presto)
• Variations on an Original Theme "Enigma", Op. 36: 8. W.N. (Allegretto)
• Variations on an Original Theme "Enigma", Op. 36: 9. Nimrod (Adagio)
• Variations on an Original Theme "Enigma", Op. 36: 10. Intermezzo: Dorabella (Allegretto)
• Variations on an Original Theme "Enigma", Op. 36: 11. G.R.S. (Allegro di molto)
• Variations on an Original Theme "Enigma", Op. 36: 12. B.G.N. (Andante)
• Variations on an Original Theme "Enigma", Op. 36: 13. Romanza: *** (Moderato)
• Variations on an Original Theme "Enigma", Op. 36: 14. Finale: E.D.U. (Allegro - Presto)
• Pomp and Circumstance Marches Nos. 1-5, Op. 39: I. No. 1 in D major
• Pomp and Circumstance Marches Nos. 1-5, Op. 39: II. No. 2 in A minor
• Pomp and Circumstance Marches Nos. 1-5, Op. 39: III. No. 3 in C minor
• Pomp and Circumstance Marches Nos. 1-5, Op. 39: IV. No. 4 in G major
• Pomp and Circumstance Marches Nos. 1-5, Op. 39: V. No. 5 in C major

• Enigma Variations, Op. 36: I. Andante
• Enigma Variations, Op. 36: II. Allegro
• Enigma Variations, Op. 36: III. Allegretto
• Enigma Variations, Op. 36: IV. Allegro di molto
• Enigma Variations, Op. 36: V. Moderato
• Enigma Variations, Op. 36: VI. Andantino
• Enigma Variations, Op. 36: VII. Presto
• Enigma Variations, Op. 36: VIII. Allegretto
• Enigma Variations, Op. 36: IX. Adagio
• Enigma Variations, Op. 36: X. Allegretto
• Enigma Variations, Op. 36: XI. Allegro di molto
• Enigma Variations, Op. 36: XII. Andante
• Enigma Variations, Op. 36: XIII. Moderato
• Enigma Variations, Op. 36: XIV. Allegro
• Pomp and Circumstance marche No. 1, Op. 39
• Pomp and Circumstance marche No. 4, Op. 39
• Salut d'Amour, Op. 12
• Brigg Fair
• In a Summer Garden

• Symphony No.2 in E flat, Op. 63: I. Allegro vivace e nobilmente
• Symphony No.2 in E flat, Op. 63: II. Larghetto
• Symphony No.2 in E flat, Op. 63: III. Rondo (Presto)
• Symphony No.2 in E flat, Op. 63: IV. Moderato e maestoso
• Serenade in E minor, Op. 20: I. Allegro piacevole
• Serenade in E minor, Op. 20: II. Larghetto
• Serenade in E minor, Op. 20: III. Allegretto

• Variations on an Original Theme `Enigma', Op. 36: I. Theme: Andante, CAE: L'istesso tempo
• Variations on an Original Theme `Enigma', Op. 36: II. HDS-P: Allegro
• Variations on an Original Theme `Enigma', Op. 36: III. RBT: Allegretto
• Variations on an Original Theme `Enigma', Op. 36: IV. WMB: Allegro di molto
• Variations on an Original Theme `Enigma', Op. 36: V. RPA: Moderato
• Variations on an Original Theme `Enigma', Op. 36: VI. Ysobel: Andantino
• Variations on an Original Theme `Enigma', Op. 36: VII. Troyte: Presto
• Variations on an Original Theme `Enigma', Op. 36: VIII. WN: Allegretto
• Variations on an Original Theme `Enigma', Op. 36: IX. Nimrod: Adagio
• Variations on an Original Theme `Enigma', Op. 36: X. Intermezzo: Dorabella: Allegretto
• Variations on an Original Theme `Enigma', Op. 36: XI. GRS: Allegro di molto
• Variations on an Original Theme `Enigma', Op. 36: XII. BGN: Andante
• Variations on an Original Theme `Enigma', Op. 36: XIII. Romanza: ***: Moderato
• Variations on an Original Theme `Enigma', Op. 36: XIV. Finale: EDU: Allegro-Presto
• Coronation March, Op. 65
• Imperial March, Op. 65
• `Pomp and Circumstance' Marches, Op. 39: I. March No. 1 in D
• `Pomp and Circumstance' Marches, Op. 39: II. March No. 2 in A minor
• `Pomp and Circumstance' Marches, Op. 39: III. March No. 3 in C minor
• `Pomp and Circumstance' Marches, Op. 39: IV. March No. 4 in G
• `Pomp and Circumstance' Marches, Op. 39: V. March No. 5 in C

• Symphony No. 2 in E-flat major, Op. 63: I. Allegro vivace e nobilmente
• Symphony No. 2 in E-flat major, Op. 63: II. Larghetto
• Symphony No. 2 in E-flat major, Op. 63: III. Rondo. Presto
• Symphony No. 2 in E-flat major, Op. 63: IV. Moderato e maestoso

• Cello Concerto in E minor, Op. 85: I. Adagio – moderato
• Cello Concerto in E minor, Op. 85: II. Lento – Allegro molto
• Cello Concerto in E minor, Op. 85: III. Adagio
• Cello Concerto in E minor, Op. 85: IV. Allegro, ma non troppo
• “In the South” – Concert Overture, Op. 50
• Elegy for Strings, Op. 58

• Enigma Variations, Op. 36 (I-IV) C.A.E. - H.D.S.P. - R.B.T. - W.M.B.
• Enigma Variations, Op. 36 (V-VII) R.P.A. - Ysobel - Troyte
• Enigma Variations, Op. 36 (VIII-IX) W.N. - Nimrod
• Enigma Variations, Op. 36 (X-XI) Dorabella - G.R.S.
• Enigma Variations, Op. 36 (XII-XIII) B.G.N. - ***Romanza
• Enigma Variations, Op. 36 (XIV) E.D.U.
• Introduction and Allegro for Strings, Op.47
• Serenade, E minor, Op. 20: I. Allegro Piacevole
• Serenade, E minor, Op. 20: II. Larghetto
• Serenade, E minor, Op. 20: III. Allegretto - Come prima

• Symphony No.2 in E flat, Op. 63, First movement: Allegro vivace e nobilmente
• Symphony No.2 in E flat, Op. 63, Second movement: Larghetto
• Symphony No.2 in E flat, Op. 63, Third movement: Rondo
• Symphony No.2 in E flat, Op. 63, Fourth movement: Moderato e maestoso

• Symphony No. 1 in A-flat major, Op. 55: Ia. Andante, nobilmente e semplice
• Symphony No. 1 in A-flat major, Op. 55: Ib. Allegro
• Symphony No. 1 in A-flat major, Op. 55: II. Allegro molto
• Symphony No. 1 in A-flat major, Op. 55: III. Adagio
• Symphony No. 1 in A-flat major, Op. 55: IVa. Lento
• Symphony No. 1 in A-flat major, Op. 55: IVb. Allegro

• Variations on an Original Theme ("Enigma"), Op. 36 - Enigma: Andante
• Variations on an Original Theme ("Enigma"), Op. 36 - I. (C. A. E.): L'istesso tempo
• Variations on an Original Theme ("Enigma"), Op. 36 - II. (H. D. S.-P.): Allegro
• Variations on an Original Theme ("Enigma"), Op. 36 - III. (R. B. T.):Allegretto
• Variations on an Original Theme ("Enigma"), Op. 36 - IV. (W. M. B.): Allegro di molto
• Variations on an Original Theme ("Enigma"), Op. 36 - V. (R. P. A.): Moderato
• Variations on an Original Theme ("Enigma"), Op. 36 - VI. (Ysobel): Andantino
• Variations on an Original Theme ("Enigma"), Op. 36 - VII. (Troyte): Presto
• Variations on an Original Theme ("Enigma"), Op. 36 - VIII. (W. N.): Allegretto
• Variations on an Original Theme ("Enigma"), Op. 36 - IX. (Nimrod): Adagio
• Variations on an Original Theme ("Enigma"), Op.36 - X. Intermezzo (Dorabella.): Allegretto
• Variations on an Original Theme ("Enigma"), Op. 36 - XI. (G. R. S.):Allegro di molto
• Variations on an Original Theme ("Enigma"), Op. 36 - XII. (B. G. N.): Andante
• Variations on an Original Theme ("Enigma"), Op. 36 - XIII. Romanza (***): Moderato
• Variations on an Original Theme ("Enigma"), Op. 36 - XIV. Finale (E. D. U.):Allegro - Presto
• Pomp and Circumstance, Op. 39 - No.1 in D major
• Pomp and Circumstance, Op. 39 - No.2 in A minor
• Pomp and Circumstance, Op. 39 - No.3 in C minor
• Pomp and Circumstance, Op. 39 - No.4 in G major
• Pomp and Circumstance, Op. 39 - No.5 in C major

• Piano Concerto: I. (Andante picaevole) - Nobilemente e semplice
• Piano Concerto: II. Poco Andante con rubato
• Piano Concerto: III. (Solenn quasi recitativo) - Allegro ma non troppo
• Suite of Four Edward Elgar Songs: I. Rondel
• Suite of Four Edward Elgar Songs: II. Queen Mary's Song
• Suite of Four Edward Elgar Songs: III. The Shepherd's Song
• Suite of Four Edward Elgar Songs: IV. Like to the Damask Rose
• Adieu
• So Many True Princesses
• Spanish Serenade, Op. 23
• The Immortal Legions (from "Pageant of Empire")
• Elegy in Memory of Edward Elgar

• Violin Concerto in B minor, Op. 61: I. Allegro
• Violin Concerto in B minor, Op. 61: II. Andante
• Violin Concerto in B minor, Op. 61: III. Allegro molto
• Overture: Cockaigne "In London Town", Op. 40

• Chanson de Matin, Op. 15 No. 2
• Chanson de Nuit, Op. 15 No. 1
• Sérénade Lyrique: Mélodie
• Salut d'amour, Op. 12: Liebesgrüss
• Dream Children, Op. 43: I. Andante
• Dream Children, Op. 43: II. Allegretto
• Contrasts, Op. 10 No. 3: The Gavotte
• Soliloquy for Oboe and Orchestra
• Woodland Interlude from "Caractacus": Scene 3: The forest near the Severn; Morning
• Two Interludes from "Falstaff": I. Jack Falstaff, Page to the Duke of Norfolk
• Two Interludes from "Falstaff": II. Gloucestershire, Shallow's Orchard
• Three Bavarian Dances, Op. 27: I. Allegretto giocoso
• Three Bavarian Dances, Op. 27: II. Moderato
• Three Bavarian Dances, Op. 27: III. Allegro vivace
• Sospiri, Op. 70
• Minuet from "Beau Brummel"
• Burlesco from "The Spanish Lady"
• Adieu
• Waltz from "The Starlight Express"
• Sursum Corda, Op. 11

• Cockaigne Overture (In London Town), Op. 40
• Imperial March, Op. 32
• Symphony No. 2 in E flat major, Op. 63: I. Allegro vivace e nobilmente
• Symphony No. 2 in E flat major, Op. 63: II. Larghetto
• Symphony No. 2 in E flat major, Op. 63: III. Rondo - Presto
• Symphony No. 2 in E flat major, Op. 63: IV. Moderato e maestoso

• The Music Makers, Op. 69: I. Introduction. Moderato
• The Music Makers, Op. 69: II. We Are the Music Makers
• The Music Makers, Op. 69: III. With Wonderful Deathless Ditties
• The Music Makers, Op. 69: IV. We, In the Ages Lying
• The Music Makers, Op. 69: V. A Breath of Our Inspiration
• The Music Makers, Op. 69: VI. They Had No Vision Amazing
• The Music Makers, Op. 69: VII. And Therefore Today Is Thrilling
• The Music Makers, Op. 69: VIII. But We, With Our Dreaming and Singing
• The Music Makers, Op. 69: IX. For We Are Afar With the Dawning
• The Music Makers, Op. 69: X. Great Hail! We Cry to the Corners
• Sea Pictures, Op. 37: I. Sea Slumber-Song
• Sea Pictures, Op. 37: II. In Haven (Capri)
• Sea Pictures, Op. 37: III. Sabbath Morning at Sea
• Sea Pictures, Op. 37: IV. Where Corals Lie
• Sea Pictures, Op. 37: V. The Swimmer

• The Music Makers Op69 01 Introduction
• The Music Makers Op69 02 We are the music makers
• The Music Makers Op69 03 With wonderful deathless ditties
• The Music Makers Op69 04 We, in the ages lying
• The Music Makers Op69 05 A breath of our inspiration
• The Music Makers Op69 06 They had no vision amazing
• The Music Makers Op69 07 And therefore today is thrilling
• The Music Makers Op69 08 But we, with our dreaming and singing
• The Music Makers Op69 09 For we are afar with the dawning
• The Music Makers Op69 10 Great hail! We cry to the comers
• Dream of Gerontius Op38 01 Prelude
• Dream of Gerontius Op38 02 Gerontius - Jesu, Maria - I am near to death
• Dream of Gerontius Op38 03 Chorus - Kyrie eleison
• Dream of Gerontius Op38 04 Gerontius - Rouse thee, my fainting soul
• Dream of Gerontius Op38 05 Chorus - Be merciful - be gracious
• Dream of Gerontius Op38 06 Gerontius - Sanctus fortis, Sanctus Deus
• Dream of Gerontius Op38 07 Gerontius - I can no more, for now it comes again
• Dream of Gerontius Op38 08 Chorus - Rescue him, O Lord
• Dream of Gerontius Op38 09 Gerontius - Novissima hora est

Born: ['1857-06-02']

Died: ['1934-02-23']