The Capeman is a musical play written by Paul Simon and Derek Walcott based on the life of Salvador Agrón. The play opened at the Marquis Theatre in 1998 to poor reviews and had an initial run of only 68 performances.^[1] A blend of doo-wop, gospel, and Latin music, it received Tony award nominations for Best Original Score, Best Orchestrations and Best Scenic Design. Renoly Santiago received a Drama Desk nomination for Outstanding Featured Performer in a Musical. Ednita Nazario won the Theater World Award for her performance.

In 2008, Simon and the Spanish Harlem Orchestra performed The Capeman at the Brooklyn Academy of Music with some of the original cast and other well-known artists. Simon also devoted a section of his two-night performances at the Beacon Theatre to The Capeman. The NY Public Theater presented a concert production of the musical in the Summer of 2010 at Central Park's Delacorte Theater, directed by Diane Paulus.

Production[link]

Paul Simon began working on The Capeman in 1989. The early development was aided by Simon's friend Carlos Ortiz, who helped Simon locate and translate source material. Simon and Ortiz met with people who had known Agron in prison, and visited Esmerelda Agron in Puerto Rico. In the first minutes of their meeting Esmerelda described a dream of her son entering heaven which would become the song "Esmerelda's Dream."^[2] Ortiz also introduced Simon to several Latin musicians, and before long Simon had written "Born in Puerto Rico," one of the show's centerpiece songs.^[2]

Simon enlisted the help of Derek Walcott, a Nobel Prize-winning author and poet from the West Indies. Their working relationship was awkward at first: Simon had become unused to this type of creative collaboration, and Walcott initially disliked the show's main character. Simon insisted that the music be written first, with the lyrics set to the songs.^[2] Eventually the two completed the play, with music composed by Simon and lyrics "about 50-50 Simon-Walcott."^[2]

Simon assembled a band and spent almost five years and $1 million recording the songs. This was an unorthodox approach to constructing a Broadway show. Typically a show's writer would deliver a script and score to a director, who would assemble and create the final production. Simon wanted to retain full artistic control over the show through its entire production.^[2] Simon soon encountered resistance for refusing to play by the usual rules of the Broadway industry.

Simon was often cited as being disdainful of Broadway,^[3] and said in interviews that he hoped to reinvigorate what he saw as a stale musical form.^[4] Broadway music, he said, had "ended up in a weird cul de sac – probably because it was never energized by rock and roll."^[5] The theatre producer Rocco Landesman later responded to Simon's statements: "The idea that you can at a strike rewrite an art form is a little presumptuous. I can't say the people in the theater community were rooting for Paul Simon after all the things he said about Broadway."^[4]

Years later in 2011, Simon admitted that his inexperience had been a problem, saying

"It's not that easy to write for the theater for the first time...You really need a guide. For people coming out of popular music, writing songs that further the plot is different from writing whatever is on your mind. It's a different discipline."^[6]

Simon assembled a team of producers and financiers, including James L. Nederlander and Brad Grey. The team raised and contributed several million dollars, but none had experience producing a Broadway show.^[2]

Eventually, the production cost an estimated $11 million, at the time a very high budget for a Broadway show.^[3] Some of the high budget was due to Simon's insistence that his musicians participate in all rehearsals with the actors, not a typical practice in Broadway productions.^[7]

In another unorthodox move, Simon hired the director as the last member of the creative team. Simon first offered the job to Mark Morris, who agreed to be the show's choreographer instead. Simon hired set designer Bob Crowley (who would be nominated for Tony Award for his sets in The Capeman), and cast Ruben Blades and Marc Anthony in the title roles. Only after these decisions did he hire Susana Tubert as the director.^[2]

During the last 18 months before its opening, three different directors worked on the musical: Tubert, Eric Simonson, and Mark Morris, the choreographer, who was the final credited director.^[4] The show's eventual release date was delayed by last-minute editing and restructuring. Derek Walcott, the show's book writer, effectively walked out of the production after resisting rewrites.^[4] Rubén Blades, in particular, had very strong opinions about Walcott's book:

"I admire him deeply, he is a Nobel Laureate, but there are cultural nuances that are lost in the translation that Walcott was simply unable to catch. I also had my struggles with Simon, telling him that a particular line or two would have never come out of a Latino's mouth if the play is to be believable."

^{[citation needed]}Significant work was done by Jerry Zaks, who said, "I've done about as much as I can with what's there."^[3]

The production gave preview performances in New York while the rewriting was taking place. This put the cast in the difficult position of performing the original version of the show each night, while in the afternoons they learned and rehearsed rewritten versions.^[6]

The show opened at the Marquis Theatre on January 29, 1998, and suffered from very poor reviews from the mainstream press.^[8] Within a week, the show's producers discussed their strategy for saving the production,^[8] and vowed to keep the show open at least until the Tony Award nominations in May.^[9]

The show closed after only 68 performances on March 28.^[10] After the show's closure was announced, Paul Simon issued a statement: "What I enjoyed the most, apart from the creative process, was the intensity with which the audience, in particular the Latino audience, responded to the play."^[10]

Selected personnel for the Broadway Production[link]

• Paul Simon: Music, book and lyrics
• Derek Walcott: Book and lyrics
• Mark Morris: Director and choreographer
• Bob Crowley: Sets and costumes
• Oscar Hernandez: Musical director

Original cast[link]

• Marc Anthony - Young Salvador Agron
• Ruben Blades - Adult Salvador Agron
• Renoly Santiago - Tony Hernandez
• Ednita Nazario - Esmerelda Agron
• Élan Luz Rivera - Cookie
• Lugo - Babu Charlie Cruz
• Sara Ramírez - Wahzinak

Reception[link]

Initial mainstream press reviews of The Capeman were overwhelmingly negative, though most had some praise for Simon's music.^[8]

Ben Brantley, reviewer for the New York Times, gave a very negative review, calling the show a "sad, benumbed spectacle" which was "unparalleled in its wholesale squandering of illustrious talents".^[3] He praised Simon's Songs From The Capeman album, but said that the translation to stage was lacking: "Everything in the music melts together; practically nothing that's said, done and shown on the stage seems to connect with anything else."^[3] Brantley admired Anthony and Blades' talents, but criticized the writing of their character, saying that Anthony "has been given no proper role to play".^[3] He wrote that the historical footage of Agron stole the show, especially young Sal's media statements that his mother could watch him burn. "Nothing that Mr. Anthony or Mr. Blades does in The Capeman begins to approach the disturbing complexity of that image."^[3]

There was a minority that appreciated the play, but these were generally outside the mainstream. An article in The Progressive suggests cultural factors that led to the bad reviews, citing mainstream backlash against Simon's disparagement of the Broadway system, and discomfort with racial and ethnic themes in the Broadway core audience. The article points out that reviews were generally positive among two groups: out of town critics, and non-white New York critics.^[7]

Recordings[link]

In 1997 (before the show's premiere), Simon released a studio album called Songs from The Capeman, featuring 13 songs from the show performed by Simon with appearances from some of the original cast. Compared to Simon's other studio recordings, the album was not a success, peaking at position 42 of the Billboard 200 chart. Soon after, Puerto Rican singer Danny Rivera included a Spanish-language version of "Born in Puerto Rico" as part of his live recording, En Vivo desde Carnegie Hall. In the recording, Rivera can be heard acknowledging Simon's presence in the audience, and thanking him for the song on behalf of all Puerto Ricans.

An original cast soundtrack recording was produced featuring 21 tracks, but its release was postponed after the show's failure. The record was eventually released in 2006 at the iTunes Store as The Capeman (Original Broadway Cast Recording). All vocals on this release were performed by the original cast, with an appearance by Paul Simon on "Trailways Bus."

[edit] The Capeman after Broadway

The Capeman was not performed in its original form after its 68-show original Broadway run. Shortly after the show's closure there were discussions of a Songs of The Capeman national concert tour, but these plans were abandoned. ^[4]

Just days after the show's Broadway premier, Variety journalist Greg Evans suggested that the doomed show would work well as a concert of songs. He wrote, "Years from now, when some savvy producer is scouting old theater material for a scaled-down concert staging, The Capeman should be first on his list."^[11]

In 2008, Joseph Melillo, director of the Brooklyn Academy of Music produced a stage show called Songs from the Capeman using Paul Simon's Capeman music without the narrative dramatic elements of the show. Melillo said, "I wanted to help Paul, to get this demon out of him and onto the stage, where we could say, 'Look everyone, this is great music.'"^[12]

Melillo's production featured the Spanish Harlem Orchestra led by Oscar Hernandez, original music director for the Broadway Capeman.^[13]

Paul Simon appeared to sing "Trailways Bus," one of the songs from the show, and finished the evening with a performance of his 1980 latin-themed single "Late in the Evening."^[13]

In August 2010 a heavily revised production of The Capeman ran three shows at Central Park's Delacorte Theater, directed by Diane Paulus. The production featured Obie Bermúdez as The Umbrella Man^[14] and a musical number by Danny Rivera. This version was substantially stripped down, with a running time of only about 90 minutes (compared to the original production's three hours). The new version increased the focus on Agron's mother,^[12] dropped some characters and subplots,^[15] used more choreography, and had no sets. The media was instructed not to write reviews of the show which was officially described as a work in progress,^[16] with Public Theater artistic director Oskar Eustis calling it "just a sketch" of full reconception of the show.^[17] Even so, Ben Brantley of the New York Times, who said the original Broadway production was "like watching a mortally wounded animal", gave a positive review, focusing on the organic staging outdoors on a rainy night in Central Park.^[17]

References[link]

External links[link]

• The Capeman at Internet Broadway Database
• "The Story of the Capeman", article by Paul Simon
• The Capeman in Concert 2008

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2012)

Paul Simon
Paul Simon performing March 8, 2007
Background information
Birth name	Paul Frederic Simon
Born	(1941-10-13) October 13, 1941 (age 70) Newark, New Jersey, U.S.
Genres	Folk rock, folk-pop, soft rock, world fusion
Occupations	Musician, singer-songwriter, producer
Instruments	Vocals, guitar, bass, piano, percussion, lute, alto saxophone, piccolo
Years active	1957–present
Labels	Columbia, Warner Bros., Hear Music
Associated acts	Simon & Garfunkel
Website	www.paulsimon.com
Notable instruments
Martin OM42PS (Paul Simon) and PS2 Yamaha PS Signature Models

Paul Frederic Simon (born October 13, 1941) is a grammy award winning American singer-songwriter, poet and guitarist.

Simon's international fame and success began as part of the duo Simon & Garfunkel, launched in 1964 with musical partner Art Garfunkel. Simon wrote most of the pair's songs, including three that reached No. 1 on the U.S. singles charts: "The Sound of Silence", "Mrs. Robinson", and "Bridge Over Troubled Water".^[1] The duo split up in 1970 at the height of their popularity, and Simon began a successful solo career, recording three highly acclaimed albums over the next five years.^[2] In 1986, he released Graceland, an album inspired by South African township music. Simon also wrote and starred in the film One-Trick Pony in 1980 and co-wrote the Broadway musical The Capeman in 1998.^[3]

Simon has earned 12 Grammys for his solo and collaborative work, including the Lifetime Achievement Award.^[4] In 2001, he was inducted into the Rock and Roll Hall of Fame^[5] and in 2006 was selected as one of the "100 People Who Shaped the World" by Time magazine.^[6] Among many other honors, Simon was the first recipient of the Library of Congress' Gershwin Prize for Popular Song in 2007.^[7] In 1986 Simon was awarded an Honorary Doctor of Music degree from Berklee College of Music where he currently serves on the Board of Trustees.^{[8] [9]}

Biography[link]

Early years[link]

Simon was born in Newark, New Jersey. His father, Louis (1916–1995), was a college professor, upright bass player, and dance bandleader who performed under the name "Lee Sims". His mother, Belle (1910–2007), was an elementary school teacher. In 1941, his family moved to Kew Gardens Hills, Queens, in New York City. Donald Fagen has described Simon's childhood as that of "a certain kind of New York Jew, almost a stereotype, really, to whom music and baseball are very important. I think it has to do with the parents. The parents are either immigrants or first-generation Americans who felt like outsiders, and assimilation was the key thought — they gravitated to black music and baseball looking for an alternative culture."^[10] Simon, upon hearing Fagen's description, said it "isn't far from the truth."^[10] Simon says about his childhood, "I was a ballplayer. I'd go on my bike, and I'd hustle kids in stickball." He adds that his father was a Yankee fan:

I used to listen to games with my father. He was a nice guy. Fun. Funny. Smart. He didn't play with me as much as I played with my kids. He was at work until late at night. . . Sometimes [until] two in the morning."^[10]

Simon's musical career began at Forest Hills High School after meeting Art Garfunkel when they were both 11. They performed in a production of Alice in Wonderland for their sixth grade graduation, and began singing together when they were 13,^[11] occasionally performing at school dances. Their idols were the Everly Brothers, whom they imitated in their use of close two-part harmony. Simon also developed an interest in jazz, folk and blues, especially in musical legends Woody Guthrie and Lead Belly.

Simon's first song written for himself and Garfunkel, when he was 12 or 13, was called "The Girl for Me," and according to Simon became the "neighborhood hit." His father wrote out the words and chords on paper by hand for the boys to use. That paper became the first officially copyrighted Paul Simon and Art Garfunkel song, and is now in the Library of Congress. In 1957, still in their mid-teens, they recorded the song "Hey, Schoolgirl" under the name Tom and Jerry, given to them by their label Big Records. The single reached No. 49 on the pop charts.

After graduating from high school, Simon majored in English at Queens College, while Garfunkel studied mathematics at Columbia University in Manhattan.^[10] Simon was a brother in the Alpha Epsilon Pi fraternity, earned a degree in English literature, and briefly attended Brooklyn Law School after graduation, but his real passion was rock and roll.

Early career[link]

Between 1957 and 1964, Simon wrote, recorded, and released more than 30 songs, occasionally reuniting with Garfunkel as Tom & Jerry for some singles, including "Our Song" and "That's My Story". Most of the songs Simon recorded during that time were performed alone or with musicians other than Garfunkel. They were released on several minor record labels, such as Amy, Big, Hunt, King, Tribute, and Madison. He used several pseudonyms for these recordings, including Jerry Landis, Paul Kane and True Taylor. Simon enjoyed some moderate success in recording a few singles as part of a group called Tico and the Triumphs, including a song called "Motorcycle" which reached No. 97 on the Billboard charts in 1962. Tico and the Triumphs released four 45s. Marty Cooper, known as Tico, sang lead on several of these releases. A childhood friend, Bobby Susser, children's songwriter, record producer, and performer, co-produced the Tico 45s with Simon. That year, Simon reached No. 99 on the pop charts as Jerry Landis with the hit "The Lone Teen Ranger." Both chart singles were released on Amy Records.

Simon & Garfunkel[link]

In early 1964, Simon and Garfunkel got an audition with Columbia Records, whose executive Clive Davis was impressed enough to sign the duo to a contract to produce an album. Columbia decided that the two would be called simply "Simon & Garfunkel", a replacement for the group's previous name "Tom and Jerry". Simon said in 2003 that this renaming as "Simon & Garfunkel" was the first time that artists' ethnic names had been used in pop music.^[12] Simon and Garfunkel's first LP, Wednesday Morning, 3 A.M., was released on October 19, 1964; it consisted of 12 songs in the folk vein, five written by Simon. The album initially flopped.

So Simon moved to England to pursue a solo career by touring folk clubs and coffee houses. At the first club he played, the Railway Inn Folk Club in Brentwood, Essex, he met Kathy Chitty who became his girlfriend and inspiration for "Kathy's Song", "America" and others. He performed at Les Cousins in London and toured provincial folk clubs where he was exposed to a wide range of musical influences. In 1965, he recorded his solo LP The Paul Simon Songbook in England.

During his time in the UK, Simon co-wrote several songs with Bruce Woodley of the Australian pop group The Seekers including "I Wish You Could Be Here," "Cloudy", and "Red Rubber Ball"; Woodley's co-author credit was omitted from "Cloudy" on the Parsley, Sage, Rosemary and Thyme album. The American group The Cyrkle recorded a cover of "Red Rubber Ball", which reached No. 2 in the US. Simon also contributed to The Seekers catalogue with "Someday One Day," which was released in March 1966, charting at around the same time as Simon and Garfunkel's Homeward Bound.

Back on the American East Coast, radio stations began receiving requests for one of the Wednesday Morning tracks, Simon's "The Sounds of Silence". Their producer, Tom Wilson, overdubbed the track with electric guitar, bass, and drums, releasing it as a single that eventually went to No. 1 on the U.S. pop charts.^{[citation needed]}

The song's success drew Simon back to the United States to reunite with Garfunkel. Together they recorded four more influential albums: Sounds of Silence; Parsley, Sage, Rosemary and Thyme; Bookends; and the hugely successful Bridge over Troubled Water. Simon and Garfunkel also contributed extensively to the soundtrack of the Mike Nichols film The Graduate (1967), starring Dustin Hoffman and Anne Bancroft. While writing "Mrs. Robinson", Simon originally toyed with the title "Mrs. Roosevelt". When Garfunkel reported this indecision over the song's name to the director, Nichols replied, "Don't be ridiculous! We're making a movie here! It's Mrs. Robinson!"^[13] Simon and Garfunkel returned to England in the fall of 1968 and did a church concert appearance at Kraft Hall, which was broadcast on the BBC, and which also featured Paul's brother Ed sitting in on a performance of the instrumental "Anji".^[14]

Simon pursued solo projects after Bridge over Troubled Water, reuniting occasionally with Garfunkel for various projects, such as their 1975 Top Ten single "My Little Town". Simon had written it for Garfunkel, whose solo output Simon judged as lacking "bite". The song was included on their respective solo albums: Paul Simon's Still Crazy After All These Years; and Garfunkel's Breakaway. Contrary to popular belief, the song is not autobiographical of Simon's early life in New York City.^[15] In 1981, they got together again for the famous concert in Central Park, followed by a world tour and an aborted reunion album, to have been entitled Think Too Much, which was eventually released (without Garfunkel) as Hearts and Bones. Together, they were inducted into the Rock and Roll Hall of Fame in 1990.^[16]

In 2003, Simon and Garfunkel reunited once again when they received a Grammy Lifetime Achievement Award. This reunion led to a U.S. tour — the acclaimed "Old Friends" concert series — followed by a 2004 international encore, which culminated in a free concert at the Colosseum in Rome that drew 600,000 people.^[17] In 2005, the pair sang "Bridge Over Troubled Water" with Aaron Neville in a benefit for Hurricane Katrina victims.^{[citation needed]}

The pair reunited six years later in New Orleans at the New Orleans Jazz & Heritage Festival.^[18]

1971–76[link]

After Simon and Garfunkel split in 1970, Simon began to write and record solo material. His eponymous album Paul Simon was released in January 1972, preceded by his first experiment with world music, the Jamaican-inspired "Mother and Child Reunion", considered one of the first examples of reggae attempted by a white musician. The single was a hit, reaching both the American and British Top 5. The album received universal acclaim, with critics praising the variety of styles and the confessional lyrics, reaching No. 4 in the US and No. 1 in the UK and Japan. It later spawned another Top 30 hit with "Me and Julio Down by the Schoolyard".

Simon's next project was the pop-folk masterpiece, There Goes Rhymin' Simon, released in May 1973. It contained some of his most popular and polished recordings – the lead single, "Kodachrome", was a No. 2 hit in America, and the follow-up, the gospel-flavored "Loves Me Like a Rock" was even bigger, topping the Cashbox charts. Other songs, like the weary "American Tune" or the melancholic "Something So Right" – a tribute to Simon's first wife, Peggy – became standards in the musician's catalogue. The critical and commercial reception for this second album were even stronger than for his debut. At the time, it was remarked how the songs were very fresh and unworried on the surface while they were exploring socially and politically conscious themes on a deeper level.^{[citation needed]} The album reached No. 1 on the Cashbox album charts. As a souvenir for the tour that came next, in 1974 it was released as a live album, Live Rhymin', which was moderately successful and displayed some changes in Simon's music style, adopting world and religious music.

Highly anticipated, Still Crazy After All These Years was his next album. Released in October 1975 and produced by Simon and Phil Ramone, it marked another departure. The mood of the album was darker, as he wrote and recorded it in the wake of his divorce. Preceded by the feel-good duet with Phoebe Snow, "Gone at Last" (a Top 25 hit) and the Simon & Garfunkel reunion track "My Little Town" (a No. 9 on Billboard), the album managed to be his only No. 1 on the Billboard charts to date. The 18th Grammy Awards named it the Album of the Year and Simon's performance the year's Best Male Pop Vocal. With Simon in the forefront of popular music, the third single from the album, "50 Ways to Leave Your Lover" reached the top spot of the Billboard charts, his only single to reach No. 1 on this list. Also, on May 3, 1976, Simon put together a benefit show at Madison Square Garden to raise money for the New York Public Library. Phoebe Snow, Jimmy Cliff and the Brecker Brothers also performed. The concert produced over $30,000 for the Library.

1977–85[link]

After three back-to-back successful studio albums, Simon became less productive during the second half of the 1970s. He dabbled in various projects, including writing music for the film Shampoo and acting (he was cast as Tony Lacey in Woody Allen's film Annie Hall). He achieved another hit in this decade, with the lead single of his 1977 compilation, Greatest Hits, Etc., "Slip Slidin' Away", reaching No. 5 in the United States.

In 1980 he released One-Trick Pony, his debut album with Warner Bros. Records and his first in almost five years. It was paired with the motion picture of the same name, which Simon wrote and starred in. Although it produced his last Top 10 hit with the upbeat "Late in the Evening" (also a No. 1 hit on the Radio & Records American charts), the album did not sell well, in a music market dominated by disco music. Simon recorded Hearts and Bones, a polished and confessional album that was eventually viewed as one of his best works, but that marked a lull in his commercial popularity; both the album and the lead single, "Allergies", missed the American Top 40. Hearts and Bones included "The Late Great Johnny Ace", a song partly about Johnny Ace, an American R&B singer, and partly about slain Beatle John Lennon. A successful US solo tour featured Simon and his guitar, with a recording of the rhythm track and horns for "Late In The Evening."^{[citation needed]} In January 1985, Simon lent his talent to USA for Africa and performed on the relief fundraising single "We Are the World".

1986–92[link]

Graceland (1986) album cover.

As he commented years later, after the disappointing commercial performance of Hearts and Bones, Simon felt he had lost his inspiration to a point of no return, and that his commercial fortunes were unlikely to change. While driving his car in late 1984 in this state of frustration, Simon listened to a cassette of the Boyoyo Boys' instrumental "Gumboots: Accordion Jive Volume II". Interested by the unusual sound, he wrote lyrics to the number which he sang over a re-recording of the song. It was the first composition of a new musical project that became the celebrated album Graceland, an eclectic mixture of musical styles including pop, a cappella, isicathamiya, rock, and mbaqanga. Simon felt that he had nothing to lose. He travelled to South Africa in an attempt to embrace the culture and find the most comfortable environment for recording the album. Sessions in Johannesburg took place in February 1985. Overdubbing and additional recording was done in April, 1986, in New York. The sessions featured many South African musicians and groups, particularly Ladysmith Black Mambazo. Simon also collaborated with several artists of his own culture, singing a memorable duet with Linda Ronstadt in "Under African Skies", and playing with Los Lobos in "All Around the World or The Myth of the Fingerprints". Warner Bros. Records had serious doubts about releasing an album of this eclecticism to the mainstream, but when it did in August 1986, Graceland was praised by critics and the public and became Simon's most successful solo album. Slowly climbing the worldwide charts, it reached #1 in many countries, including the UK, Canada, Australia and New Zealand, and peaked at #3 in the US. It was the second-best-selling album of 1987 in the US, selling five million copies and eventually reaching 5x Platinum certification. Another seven million copies were sold internationally to become his best-selling album. Much of the success of the album was due to the lead single, the upbeat "You Can Call Me Al", whose lyrics describe a man experiencing an identity crisis. The track featured many memorable elements – a catchy synthesizer riff, an easy whistle solo, and an unusual bass run in which the second half was a reversed recording of the first half. "You Can Call Me Al" was accompanied with a humorous video featuring actor Chevy Chase, which introduced Simon to a new audience through MTV. In the end, the track reached UK Top 5 and the US Top 25. Further singles, including the title track, "The Boy in the Bubble" and "Diamonds on the Soles of Her Shoes", were not commercial hits but became radio standards and were highly praised.

At age 45, Simon found himself back at the forefront of popular music. He received the Grammy Award for Album of the Year in 1987 and also Grammy Award for Record of the Year for the title track one year later. He also embarked on the very successful Graceland Tour, which was documented on music video. Simon found himself embracing new sounds, a fact that some critics viewed negatively – however, Simon reportedly felt it as a very natural artistic experiment, considering that "world music" was already present on much of his early work, including such Simon & Garfunkel hits as "El Condor Pasa" and his early solo recording "Mother and Child Reunion", which was recorded in Kingston, Jamaica. One way or another, Warner Bros. Records (who by this time now controlled and reissued all his previous Columbia albums) re-established Simon as one of their most successful artists. In an attempt to capitalize on his renewed success, WB Records released the album Negotiations and Love Songs in November 1988, a mixture of popular hits and personal favorites that covered Simon's entire career and became an enduring seller in his catalog.

After Graceland, Simon decided to extend his roots with the Brazilian music-flavored The Rhythm of the Saints. Sessions for the album began in December 1989, and took place in Rio de Janeiro and New York, featuring guitarist J. J. Cale and many Brazilian and African musicians. The tone of the album was more introspective and relatively low-key compared to the mostly upbeat numbers of Graceland. Released on October 1990, the album received excellent critical reviews and achieved very respectable sales, peaking at #4 in the US and No. 1 in the UK. The lead single, "The Obvious Child", featuring the Grupo Cultural Olodum, was a Top 20 hit in the UK and appeared near the bottom of the Billboard Hot 100. Although not as successful as Graceland, The Rhythm of the Saints was received as a competent successor and consistent complement on Simon's attempts to explore (and popularize) world music, and also received a Grammy nomination for Album of the Year. Here are also more songs about past loves; his ex-wife Carrie Fisher says in her autobiography Wishful Drinking that the song "She Moves On" is about her. It's one of several she claims, followed by the line, "If you can get Paul Simon to write a song about you, do it. Because he is so brilliant at it." ^[19]

The importance of both albums allowed Simon to stage another New York concert, and on August 15, 1991, almost a decade after his concert with Garfunkel, Simon staged another concert in Central Park with both African and South American bands. The success of the concert surpassed all expectations, and reportedly over 750,000 people attended, becoming one of the largest concert audiences in history. He later remembered the concert as the "most memorable moment in my career". The success of the show led to both a live album and an Emmy-winning TV special. In the middle, Simon embarked on the successful Born at the Right Time Tour and promoted the album with further singles, including "Proof" – accompanied with a humorous video featuring, again, Chevy Chase. On March 4, 1992 he appeared on his own MTV Unplugged, offering renditions of many of his most famous compositions. Broadcast in June, the show was a success, though it did not receive an album release.

1993–98[link]

After Unplugged, Simon's place in the forefront of popular music dropped notably. A Simon & Garfunkel reunion took place in 1993, and in another attempt to capitalize on the occasion, Columbia released Paul Simon 1964/1993 in September, a three-disc compilation that received a reduced version on the two-disc album The Paul Simon Anthology one month later. In 1995 he only made news for appearing at The Oprah Winfrey Show, where he performed the song "Ten Years", which he composed specially for the tenth anniversary of the show. Also that year, he was featured on the Annie Lennox version of his 1973 song "Something So Right", which appeared briefly on the UK Top 50 once it was released as a single in November.

Since the early stages of the nineties, Simon was fully involved on The Capeman, a musical that finally opened on January 29, 1998. Simon worked enthusiastically on the project for many years and described it as "a New York Puerto Rican story based on events that happened in 1959—events that I remembered." ^[20] The musical tells the story of real-life Puerto Rican youth Salvador Agron, who wore a cape while committing two murders in 1959 New York, and who went on to become a writer in prison. Featuring Marc Anthony as the young Agron and Ruben Blades as the older Agron, the play received terrible reviews and very poor box office receipts from the very beginning, and ended up closing on March 28 after just 68 performances, becoming a failure from which Simon reportedly lost 11 million dollars. Simon recorded an album of songs from the show, which was released in November 1997. It was received with very mixed reviews, though many critics praised the combination of doo-wop, rockabilly and Caribbean music that the album reflected. In commercial terms, Songs from The Capeman was a failure—it found Simon missing the Top 40 of the Billboard charts for the first time in his career. The cast album was never released on CD but eventually became available online.

1999–2007[link]

After the disaster of The Capeman, Simon's career was again in an unexpected crisis. However, entering the new millennium he maintained a respectable reputation, offering critically acclaimed new material and receiving commercial attention. In 1999, Simon embarked on a North American tour with Bob Dylan where each alternated as headline act with a "middle" section where they performed together, starting on the first of June and ending September 18. The collaboration was generally well-received, with just one critic, Seth Rogovoy, from the Berkshire Eagle, questioning the collaboration.^[21]

In an attempt to return successfully to the music market, Simon wrote and recorded a new album very quickly, with You're the One arriving in October 2000. The album consisted mostly of folk-pop writing combined with foreign musical sounds, particularly grooves from North Africa. While not reaching the commercial heights of previous albums, it managed at least to reach both the British and American Top 20. It received favorable reviews and received a Grammy nomination for Album of the Year. He toured extensively for the album, and one performance in Paris was released to home video.

On September 21, 2001, Simon sang "Bridge Over Troubled Water" on "America: A Tribute to Heroes", a multinetwork broadcast to benefit the September 11 Telethon Fund. In 2002, he wrote and recorded "Father and Daughter", the theme song for the animated children's movie The Wild Thornberrys Movie, The track was nominated for an Academy Award for Best Song. In 2003, he participated on another Simon & Garfunkel reunion. One year later, Simon's studio albums were re-released both individually and together in a limited-edition nine-CD boxed set, Paul Simon: The Studio Recordings 1972–2000.

At the time, Simon was already working on a new album with Brian Eno called Surprise, which was released in May 2006. Most of the album was inspired by the September 11 terrorist attacks, the Iraq invasion and the war that followed. In personal terms, Simon was also inspired by the fact of being over 60 years old, an age that he turned in 2001 and that he humorously referred already on his single "Old" from the You're the One. Simon showed special care about the musical venture he traveled since 1986's Graceland. As he put it, "Once you go away for a bit, you wonder who people think you are. If they don't know what you're up to, they just go by your history. I'm so often described as this person that went to other cultures, which is true, but I never thought of it that way. I suspect people are thinking, 'What culture did you go to?' But this record is straight-ahead American." Surprise was a commercial hit, reaching #14 in the Billboard 200 and #4 in the UK. Most critics also praised the album, and many of them called it a real "comeback" for the artist. Stephen Thomas Erlewine from Allmusic paid attention to the attempts of Simon in embracing his classic folk sound with Eno's electronic textures, and wrote that "Simon doesn't achieve his comeback by reconnecting with the sound and spirit of his classic work; he has achieved it by being as restless and ambitious as he was at his popular and creative peak, which makes Surprise all the more remarkable." The album was supported with the successful Surprise Tour.

On March 1, 2007, Simon made headlines again when he was announced as the first recipient of the recently-created Gershwin Prize for Popular Song. The Prize, created by the Library of Congress, was awarded to Simon during a Concert Gala featuring his music at the Warner Theatre in Washington, D.C., on the evening of May 23. The event was nationally broadcast on PBS on the evening of June 27, 2007.^[22] Performers at the concert included Shawn Colvin, Philip Glass, Alison Krauss, Jerry Douglas, Ladysmith Black Mambazo, Lyle Lovett, James Taylor, and Stevie Wonder as well as Simon's former collaborator Art Garfunkel.^[23] On June 26, Warner Bros. released the definitive Paul Simon greatest-hits collection. The Essential Paul Simon consisted of two discs that reviewed 36 songs from his ten studio albums, and was also released on a special edition featuring a DVD of music videos and memorable live performances. The album was a commercial hit, reaching #12 in the UK.

2008–12[link]

Simon performing live in Germany, in 2008.

Paul Simon resides in New Canaan, Connecticut.^[24] He is one of a small number of performers who are named as the copyright owner on their recordings (most records have the recording company as the named owner of the recording). This noteworthy development was spearheaded by the Bee Gees after their successful $200 million lawsuit against RSO Records, which remains to this day the largest successful lawsuit against a record company by an artist or group.

All of Simon's solo recordings, even the ones originally issued by Columbia Records, are currently distributed by Sony Records' Legacy Recordings unit. His records were issued by Warner Music until mid-2010.^[25]

In February 2009, Simon performed back-to-back shows in his native New York City at the Beacon Theatre, which had recently been renovated. Simon was reunited with Art Garfunkel at the first show as well as with the cast of The Capeman; also playing in the band was Graceland bassist Bakithi Kumalo.

In May 2009, Simon toured with Art Garfunkel in Australia, New Zealand and Japan.

In October 2009, Simon appeared alongside Art Garfunkel at the 25th Anniversary of The Rock & Roll Hall of Fame concert at Madison Square Garden in New York City. The pair performed four of their most popular songs, "The Sound of Silence", "The Boxer", "Cecilia", and "Bridge Over Troubled Water".

Simon paying tribute to musician Chuck Berry and Leonard Cohen who were the recipients of the first annual PEN Awards for songwriting excellence, at the JFK Presidential Library, on February 26, 2012.

In mid-2010, Simon moved his catalogue of solo work from Warner Bros. Records to Sony/Columbia Records ^[25] where Simon and Garfunkel's catalogue is. Simon's back catalogue of solo recordings would be marketed by Sony Music's Legacy Recordings unit.

Simon's latest album entitled So Beautiful or So What,^[26] was released on the Concord Music Group label on April 12, 2011.^[27] The album received high marks from the artist, "It's the best work I've done in 20 years."^[25] It was reported that Paul Simon attempted to have Bob Dylan guest on the album.^[25]

On November 10, 2010, Simon released a new song called "Getting Ready for Christmas Day". It premiered on National Public Radio,^[28] and was included on the album So Beautiful Or So What. The song samples a 1941 sermon by the Rev. J.M. Gates, also entitled "Getting Ready for Christmas Day".^[29] Simon performed the song live on The Colbert Report on December 16, 2010.^[30] The first video featured J.M. Gates' giving the sermon and his church in 2010 with its display board showing many of Simon's lyrics; the second video illustrates the song with cartoon images.

In the premiere show of the final season of The Oprah Winfrey Show on September 10, 2010, Simon surprised Oprah and the audience with a song dedicated to Oprah and her show lasting 25 years (an update of a song he did for her show's 10th anniversary).^[31]

Rounding off his 2011 World Tour, which included United States, England, the Netherlands, Switzerland and Germany, Simon appeared at Ramat Gan Stadium in Israel in July 2011, making his first concert appearance in Israel since 1983.^[32] On September 11, 2011, Paul Simon performed "The Sound of Silence" at the National September 11 Memorial & Museum, site of the World Trade Center, on the 10th Anniversary of the September 11th attacks. ^[33]

On February 26, 2012, Simon paid tribute to fellow musicians Chuck Berry and Leonard Cohen who were the recipients of the first annual PEN Awards for songwriting excellence at the JFK Presidential Library in Boston, Massachusetts.^[34] In 1986 Simon was awarded an Honorary Doctor of Music degree from Berklee College of Music where he currently serves on the Board of Trustees.^{[35] [36]}

Songwriting[link]

In an indepth interview with American Songwriter, Simon discusses the craft of songwriting with music Journalist, Tom Moon. In the interview, Simon explains the basic themes in his songwriting: love, family, social commentary etc. as well as the overarching messages of religion, spirituality, and God in his lyrics. Simon goes on in the interview to explain the process of how he goes about writing songs, "The music always precedes the words. The words often come from the sound of the music and eventually evolve into coherent thoughts. Or incoherent thoughts. Rhythm plays a crucial part in the lyric-making as well. It’s like a puzzle to find the right words to express what the music is saying."^[37]

Projects[link]

Music for Broadway[link]

In the late 1990s, Simon wrote and produced a Broadway musical called The Capeman, which lost $11 million during its 1998 run. In April 2008, the Brooklyn Academy of Music celebrated Paul Simon's works, and dedicated a week to Songs From the Capeman with a good portion of the show's songs performed by a cast of singers and the Spanish Harlem Orchestra. Simon himself appeared during the BAM shows, performing "Trailways Bus" and "Late In the Evening". In August 2010, The Capeman was staged for three nights in the Delacorte Theatre in New York's Central Park. The production was directed by Diane Paulus and produced in conjunction with The Public Theatre.^[38]

Film and television[link]

Simon has also dabbled in acting. He played music producer Tony Lacey in the 1977 Woody Allen film Annie Hall, and wrote and starred in 1980's One Trick Pony as Jonah Levin, a journeyman rock and roller. Simon also wrote all the songs in the film. Paul Simon also appeared on The Muppet Show (the only episode to use only the songs of one songwriter, Simon). In 1990, he played the character of—appropriately enough—Simple Simon on the Disney channel TV movie, Mother Goose Rock 'n' Rhyme.

Simon has also appeared on Saturday Night Live (SNL) either as host or musical guest for a total of 13 times. On one appearance in the late 1980s, he worked with his political namesake, Illinois Senator Paul Simon.^[39] Simon's most recent SNL appearance was on the February 18, 2012 episode hosted by Maya Rudolph.

In one SNL skit from 1986 (when he was promoting Graceland), Simon plays himself, waiting in line with a friend to get into a movie. He amazes his friend by remembering intricate details about prior meetings with passers-by, but draws a complete blank when approached by Art Garfunkel, despite the latter's numerous memory prompts.

Simon also appeared alongside George Harrison as musical guest on the Thanksgiving Day episode of SNL (November 20, 1976). The two performed "Here Comes the Sun" and "Homeward Bound"" together, while Simon performed "50 Ways to Leave Your Lover" solo earlier in the show. On that episode, Simon opened the show performing "Still Crazy After All These Years" in a turkey outfit, since Thanksgiving was the following week. About halfway through the song, Simon tells the band to stop playing because of his embarrassment. After giving a frustrating speech to the audience, he leaves the stage, backed by applause. Lorne Michaels positively greets him backstage, but Simon is still upset, yelling at him because of the humiliating turkey outfit. This is one of SNL's most played sketches.

On September 29, 2001, Simon made a special appearance on the first SNL to air after the September 11, 2001 attacks. On that show, he performed "The Boxer" to the audience and the NYC firefighters and police officers. He is also friends with former SNL star Chevy Chase, who appeared in his video for "You Can Call Me Al" lip synching the song while Simon looks disgruntled and mimes backing vocals and the playing of various instruments beside him. He is a close friend of SNL producer Lorne Michaels, who produced the 1977 TV show The Paul Simon Special, as well as the Simon and Garfunkel concert in Central Park four years later. Simon and Lorne Michaels were the subjects of a 2006 episode of the Sundance channel documentary series, Iconoclasts.

He has been the subject of two films by Jeremy Marre, the first on Graceland, the second on The Capeman.

On November 18, 2008, Simon was a guest on The Colbert Report promoting his book Lyrics 1964–2008. He did an interview with Stephen Colbert and then performed "American Tune".

Simon performed a Stevie Wonder song at the White House in 2009, at an event honoring Wonder's musical career and contributions.

In May 2009, The Library of Congress: Paul Simon and Friends Live Concert was released on DVD, via Shout! Factory. The PBS concert was recorded in 2007.

In April 2011 Simon was confirmed to appear at the Glastonbury music festival in England.

Awards and honors[link]

Simon won 12 Grammy Awards (one of them a Lifetime Achievement Award) and five Grammy nominations, the most recent for his album You're the One in 2001. In 1998 he received a Grammy Hall of Fame Award for the Simon & Garfunkel album Bridge over Troubled Water. He received an Oscar nomination for the song "Father and Daughter" in 2002. He is also a two-time inductee into the Rock and Roll Hall of Fame; as a solo artist in 2001, and in 1990 as half of Simon & Garfunkel.

In 2001, Simon was honored as MusiCares Person Of The Year. The following year, he was one of the five recipients of the annual Kennedy Center Honors, the nation's highest tribute to performing and cultural artists.

In 2005, Simon was saluted as a BMI Icon at the 53rd Annual BMI Pop Awards. Simon's songwriting catalog has earned 39 BMI Awards including multiple citations for "Bridge Over Troubled Water," "Mrs. Robinson," "Scarborough Fair" and "The Sound of Silence". As of 2005, he has amassed nearly 75 million broadcast airplays, according to BMI surveys.^[40]

In 2006, Simon was selected by Time Magazine as one of the "100 People Who Shaped the World."

In 2007, Simon received the first annual Library of Congress Gershwin Prize for Popular Song in 2007. Stevie Wonder and Paul McCartney were to follow in 2009 and 2010. Named in honor of George and Ira Gershwin, this newly created award recognizes the profound and positive effect of popular music on the world’s culture. Upon being notified of receiving this honor, Simon said, “I am grateful to be the recipient of the Gershwin Prize and doubly honored to be the first. I look forward to spending an evening in the company of artists I admire at the award ceremony in May. I can think of a few who have expressed my words and music far better than I. I’m excited at the prospect of that happening again. It’s a songwriter’s dream come true." Among the performers who paid tribute to Simon were Stevie Wonder, Alison Krauss, Jerry Douglas, Lyle Lovett, James Taylor, Dianne Reeves, Marc Anthony, Yolanda Adams, and Ladysmith Black Mambazo. The event was professionally filmed and broadcast and is now available as Paul Simon and Friends.

In 2010, Simon received an honorary degree from Brandeis University, where he performed "The Boxer" at the main commencement ceremony.

In October 2011, Simon was inducted into the American Academy of Arts and Science. At the induction ceremony, he performed "American Tune".

Personal life[link]

When Simon moved to England in 1964 he met Kathleen Mary "Kathy" Chitty (born 1947) on 12 April 1964 at the very first English folk club he played, the Railway Inn Folk Club in Brentwood, Essex, where Chitty was working part-time selling tickets. She was 17, he was 22 and they fell in love. Later that year they visited the US together, touring around mainly by bus.^[41] Kathy returned to England on her own with Simon returning to her some weeks later. When Simon returned to the US with the growing success of "The Sound of Silence" Kathy (who was quite shy^[42]) wanted no part of the success and fame that awaited Simon and they split up.^[43] She is mentioned by name in at least two of his songs: "Kathy's Song" and "America," and is referred to in "Homeward Bound" and "The Late Great Johnny Ace." There is a photo of Simon and Kathy on the cover of The Paul Simon Song Book.

Simon has been married three times, first to Peggy Harper in late autumn 1969. They had a son, Harper Simon, in 1972 and divorced in 1975. The song "Train in the Distance," from Simon's 1983 album, is about this relationship.^[44] Simon's 1972 song "Run That Body Down," from his debut solo album, casually mentions both himself and his then-wife ("Peg") by name.

His second marriage, from 1983 to 1984, was to actress and author Carrie Fisher to whom he proposed after a New York Yankees game.^[44] The song "Hearts and Bones" was written about this relationship. The song "Graceland" is also thought to be about seeking solace from the end of this relationship by taking a road trip.^[45] A year after divorcing, Simon and Fisher resumed their relationship for several years.

He married folk singer Edie Brickell on May 30, 1992. They have three children together, Adrian, Lulu, and Gabriel.^[46]

Philanthropy[link]

Simon is a proponent of music education for children. In 1970, after recording his "Bridge Over Troubled Water," at the invitation of the NYU School of the Arts, Simon held auditions for a young songwriter's workshop. Advertised in the Village Voice, the auditions brought hundreds of hopefuls to perform for Simon. Among the six teenage songwriters Simon selected for tutelage were Melissa Manchester, Tommy Mandel and rock/beat poet Joe Linus, with Maggie and Terre Roche (the Roche Sisters), who later sang back-up for Simon, joining the workshop in progress through an impromptu appearance.

Simon invited the six teens to experience recording at Columbia studios with engineer Roy Halee at the board. During these sessions, Bob Dylan was downstairs recording the album Self-Portrait, which included a version of Simon's "The Boxer". Violinist Isaac Stern also visited the group with a CBS film crew, speaking to the young musicians about lyrics and music after Joe Linus performed his song "Circus Lion" for Stern.

Manchester later paid homage to Simon, on her recorded song, "Ode to Paul." Other younger musicians Simon has mentored include Nick Laird-Clowes, who later co-founded the band The Dream Academy. Laird-Clowes has credited Simon with helping to shape the band's biggest hit, "Life In A Northern Town".^[47]

In 2003, Simon signed on as an official supporter of Little Kids Rock, a nonprofit organization that provides free musical instruments and free lessons to children in public schools throughout the US. He sits on the organization's board of directors as an honorary member.

Simon is also a major benefactor and one of the co-founders, with Dr. Irwin Redlener, of the Children's Health Project and The Children's Health Fund^[48][49] which started by creating specially equipped "buses" to take medical care to children in medically underserved areas, urban and rural. Their first bus was in the impoverished South Bronx of New York City, but they now operate in 12 states, including on the Gulf Coast. It has expanded greatly, partnering with major hospitals, local public schools and medical schools and advocating policy for children's health and medical care.

In May 2012, Paul Simon performed at a benefit dinner for the Turkana Basin Institute in New York City, raising more than $2 million for Richard Leakey's research institute in Africa.^[50]

Controversy[link]

In 1971, as a jury-member of the Rio de Janeiro song contest, Simon gave no points to the 15-year-old Marianne Rosenberg, an ethnic Sinti (Gypsy) and child of an Auschwitz survivor (which Simon may not have known), because she represented Germany.^[51]

Guitars[link]

• Martin Paul Simon Signature PS2
• Martin Paul Simon Signature OM42
• Martin D-28 Acoustic
• Martin D-42 6/12 String Acoustics
• Ovation Custom Legend^[52]
• Yamaha Paul Simon Signature Model Acoustic
• Yamaha FG700S
• Yamaha FG730S
• Yamaha FX300C
• Yamaha F30BL
• Yamaha F40BL
• Yamaha GCX31C
• Taylor PS10
• Taylor 114
• Taylor 210
• Taylor 214
• Takamine TC132SC Classical
• Fender Stratocaster
• Fender Jaguar
• Fender Acoustic Guitars

Gear[link]

• Dunlop Paul Simon Picks Accessories
• Dunlop String Accessories
• Fender String Accessories

Discography[link]

Number-one albums

• 1972 – Paul Simon (UK, Japan, Norway)
• 1973 – There Goes Rhymin' Simon (US Cashbox)
• 1975 – Still Crazy After All These Years (US)
• 1986 – Graceland (UK, Australia, Canada, Switzerland)
• 1990 – The Rhythm of the Saints (UK)

Work on Broadway[link]

• Rock 'N Roll! The First 5,000 Years (1982) – revue – featured songwriter for Mrs. Robinson
• Asinamali! (1987) – play – co-producer
• Mike Nichols and Elaine May: Together Again on Broadway (1992) – concert – performer
• The Capeman (1998) – composer, co-lyricist and music arranger – Tony Nomination for Best Original Score
• The Graduate (2002) – play – featured songwriter

See also[link]

• List of songs written by Paul Simon
• Bronson, Fred (2003). The Billboard Book of Number 1 Hits. Billboard Books. ISBN 0-8230-7677-6. http://books.google.com/books?id=PgGqNrqfrsoC&pg=PT12&dq=billboard#v=onepage&q=&f=false. 

References[link]

External links[link]

Wikimedia Commons has media related to: Paul Simon

• Official website for Paul Simon

Renoly Santiago
Born	(1974-03-15) March 15, 1974 (age 38) Lajas, Puerto Rico
Years active	1993 - present

Renoly Santiago (born March 15, 1974) is a Puerto Rican actor, singer and writer who has appeared in a number of high-profile Hollywood productions.

Santiago first became known in the United States when he participated in the 1993 television series CityKids, as "Tito". He co-wrote the Emmy nominated pilot episode of the show. From his participation in CityKids, Santiago graduated to film, acting as "Raúl Sanchero" in 1995's Dangerous Minds.^[1] By 1996, he was co-starring alongside some other well-known Hollywood actors in his role as "Ramόn Sánchez", a.k.a. the "Phantom Phreak" in Hackers.^[2] He also plays "Mikey" in Daylight.

Santiago starred as "Ramón Martínez" (a gay cross-dressing criminal nicknamed "Sally-Can't Dance")^[3] in the 1997 film Con Air.^[4] Santiago then took three years off acting on screen and starred on Broadway in Paul Simon's The Capeman as "Tony Hernandez - Umbrella Man", leader of the gang "The Vampires", a role for which he was a 1998 Drama Desk Nominee for Outstanding Featured Performer in a Musical.

As a singer, Santiago has recorded with award-winning, legendary performers Marc Anthony, Paul Simon, Danny Rivera and La India.

In 2000, he returned to the screen in the low-budget film Punks, shown at the Sundance Film Festival, where he plays "Dante".^[5][6] By 2001, Santiago was back on television, playing "Miguel Acosta" in the January 7 episode of Touched by an Angel, making a small appearance at the March 29 episode of Big Apple and as "Chiggy Rios" on the October 17 episode of Law & Order: Criminal Intent.

In 2002, Santiago made another film called The Street King, where he played "Cesar Rojas". It was not a major hit, and Santiago took another three year sabbatical from screen acting. Santiago returned to film in 2005, as "Scorpio" in Just Another Romantic Wrestling Comedy. Released in early 2011^{[dated info]}, he stars in the salsa biopic about Hector Lavoe The King^{[disambiguation needed ]} as "Johnny Pacheco" and filmed in Spring 2011, Renoly will appear in Grand Street in which he stars with Kelly McGillis.

References[link]

See Also[link]

List of Puerto Ricans

External links[link]

• Renoly Santiago at the Internet Movie Database
• Myspace profile
• Official Website

Charlie Rose
Rose in May 2010
Born	Charles Peete Rose, Jr. (1942-01-05) January 5, 1942 (age 70) Henderson, North Carolina, U.S.
Education	Duke University B.A. (1964) Duke University J.D. (1968)
Occupation	Talk show host Journalist
Years active	1972–present
Notable credit(s)	Charlie Rose, 60 Minutes II, 60 Minutes, CBS News Nightwatch, CBS This Morning
Website
http://www.charlierose.com/

Charles Peete "Charlie" Rose, Jr. (born January 5, 1942)^[1] is an American television talk show host and journalist. Since 1991 he has hosted Charlie Rose, an interview show distributed nationally by PBS since 1993. He has also co-anchored CBS This Morning since January 2012. Rose, along with Lara Logan, has hosted the revived CBS classic Person to Person, a news program during which celebrities are interviewed in their homes, originally hosted from 1953 to 1961 by Edward R. Murrow.^[2]

Early life[link]

Rose was born in Henderson, North Carolina, the only child^[3] of Margaret Frazier and Charles Peete Rose, Sr., tobacco farmers who owned a country store.^[4][5] As a child, Rose lived above his parents' store in Henderson and helped out with the family business from age seven.^[6] Rose admitted in a Fresh Dialogues interview that as a child his insatiable curiosity was constantly getting him in trouble.^[7] A high school basketball star, Rose entered Duke University intending to pursue a degree with a pre-med track, but an internship in the office of Democratic North Carolina Senator B. Everett Jordan got him interested in politics.^[8] Rose graduated in 1964 with a bachelor's degree in history. At Duke, he was a member of the Kappa Alpha Order fraternity. He earned a Juris Doctor from the Duke University School of Law in 1968.^[6] He met his wife, Mary (née King), while attending Duke.^[3][4]

Career[link]

After his wife was hired by the BBC (in New York), Rose handled some assignments for the BBC on a freelance basis. In 1972, while continuing to work at Bankers Trust, he landed a job as a weekend reporter for WPIX-TV. His break came in 1974, after Bill Moyers hired Rose as managing editor for the PBS series Bill Moyers' International Report. In 1975, Moyers named Rose executive producer of Bill Moyers Journal. Rose soon began appearing on camera. "A Conversation with Jimmy Carter," one installment of Moyers's series U.S.A.: People and Politics, won a 1976 Peabody Award. Rose worked at several networks honing his interview skills until KXAS-TV in Dallas-Fort Worth hired him as program manager and gave him the late-night time slot that would become the Charlie Rose show.

Rose worked for CBS News (1984–1990) as the anchor of CBS News Nightwatch, the network's first late-night news broadcast. The Nightwatch broadcast of Rose's interview with Charles Manson won an Emmy Award in 1987.^[4] In 1990, Rose left CBS to serve as anchor of Personalities, a syndicated program produced by Fox Broadcasting Company, but he got out of his contract after six weeks because of the tabloid-style content of the show. Charlie Rose premiered on PBS station Thirteen/WNET on September 30, 1991, and has been nationally syndicated since January 1993. In 1994, Rose moved the show to a studio owned by Bloomberg Television, which allowed for improved satellite interviewing.^[9]

Rose was a correspondent for 60 Minutes II^[10] from its inception in January 1999 until its cancellation in September 2005, and was later named a correspondent on 60 Minutes.^[11]

Rose was a member of the board of directors of Citadel Broadcasting Corporation from 2003 to 2009.^[3] In May 2010, Charlie Rose delivered the commencement address at North Carolina State University.

On November 15, 2011, it was announced that Rose would return to CBS to help anchor CBS This Morning, replacing The Early Show, commencing January 9, 2012, along with co-anchors Erica Hill and Gayle King.

Cameo appearances[link]

Rose has appeared as himself in the 1998 film Primary Colors,^[12] in a 2000 episode of The Simpsons^[13] and in the 2008 movie Elegy.^[14] He and his show were also used in the Wes Anderson film The Royal Tenenbaums. He also appears as himself in the 2011 George Clooney directed film, The Ides of March.

[edit] Accusations of conflict of interest

While hosting the 2002 Coca-Cola Company shareholders' meeting, Rose said "few companies are able to connect as completely with consumers in the way that Coca-Cola is. It is a privilege to be associated with [The Coca-Cola family] ... This is the business of Coca-Cola: being part of a family, being worldwide, doing well and doing good at the same time."^[15] Afterward, Coca-Cola agreed to become what Rose called "a leading underwriter" of The Charlie Rose Show, paying "six or possibly seven figures."^[16] Even the Charlie Rose mugs used on his PBS show feature a Coca-Cola logo on one side.^[17][18] Although CBS News policy bars correspondents from doing commercials and product endorsements, the Washington Post reported CBS was "comfortable" with Rose's actions. Rose insists he "would never do a story on 60 Minutes II about anybody who underwrites my PBS show."^[16]

[edit] Quiet influence

The New York Times reported that Rose encouraged a discussion between the leaders of NBC and Fox, that led eventually to a mutual reduction in ad hominem attacks between Keith Olbermann and Bill O'Reilly on their respective news programs.^[19]

Rose has attended several Bilderberg Group conference meetings, including meetings held in the United States in 2008;^[20] Spain in 2010;^[21] and Switzerland in 2011.^[22] These unofficial conferences hold guests from North America and Western Europe, most of whom are political leaders and businessmen. Details of meetings are closed off to the public and strictly invitation-only, and critics^[who?] speculate the controversial nature of these meetings of highly influential people. Accusations from conspiracy theorists against The Charlie Rose show claim that it has become the US media outlet for Bilderberg.^{[23][unreliable source?]}

Personal life[link]

Rose's twelve-year marriage to Mary Rose (née King) ended in divorce in 1980. Mary is the sister-in-law of Morgan Stanley Chairman John J. Mack. Since 1993, his companion has been socialite and chairman of the New York City Planning Commission and director of the city department of planning Amanda Burden, a stepdaughter of CBS founder William S. Paley.^[24]

On March 29, 2006, after experiencing shortness of breath in Syria, Rose was flown to Paris and underwent surgery for mitral valve repair in the Georges-Pompidou European Hospital. His surgery was performed under the supervision of Alain F. Carpentier, a pioneer of the procedure.^[25] Rose returned to the air on June 12, 2006, with Bill Moyers and Yvette Vega (the show's executive producer), to discuss his surgery and recuperation.

In a 2009 Fresh Dialogues interview, Rose described his life as "great and glorious."^[7] He added, '"I get up every morning with a new adventure. The adventure is fueled by interesting people. I get a chance to control my own destiny. I do something that is immediately either appreciated or not. I get feedback."

Rose owns a 575-acre (2.33 km²) farm in Oxford, North Carolina, an apartment overlooking Central Park in New York City, a beach house in Bellport, New York, an apartment in Washington D.C.^[3] and an apartment in Paris, France.

References[link]

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (March 2012)

• Charlie Rose Official website of his eponymous show
• Charlie Rose official channel on YouTube
• Appearances on C-SPAN
• Charlie Rose at the Internet Movie Database
• Charlie Rose collected news and commentary at the Los Angeles Times
• Charlie Rose collected news and commentary at The New York Times
• Charlie Rose at the Notable Names Database
• Charlie Rose shows on Hulu
• celebritynetworth.com, Celebrity Net Worth, Charlie Rose
• Why Business Loves Charlie Rose David A. Kaplan, Fortune, September 28, 2009