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Kana (From Chinese Character) 8 c. CE
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Hangul (partly from Brahmic) 1443
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Yi Script (Origin not known) after the 1970s became syllabic
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The Arabic alphabet (Arabic: أَبْجَدِيَّة عَرَبِيَّة ’abjadiyyah ‘arabiyyah) or Arabic abjad is the Arabic script as it is codified for writing the Arabic language. It is written from right to left, in a cursive style, and includes 28 letters. Because letters usually[1] stand for consonants, it is classified as an abjad.
The Arabic alphabet has 28 basic letters. Adaptations of the Arabic script for other languages, such as Persian, Ottoman, Sindhi, Urdu, Malay or Pashto, Arabi Malayalam, have additional letters, shown below. There are no distinct upper and lower case letter forms.
Many letters look similar but are distinguished from one another by dots (’i‘jām) above or below their central part, called rasm. These dots are an integral part of a letter, since they distinguish between letters that represent different sounds. For example, the Arabic letters transliterated as b and t have the same basic shape, but b has one dot below, ب, and t has two dots above, ت.
Both printed and written Arabic are cursive, with most of the letters within a word directly connected to the adjacent letters.
There are two main collating sequences for the Arabic alphabet:
- The original ’abjadī order (أَبْجَدِي), used for lettering, derives from the order of the Phoenician alphabet, and is therefore similar to the order of other Phoenician-derived alphabets, such as the Hebrew alphabet. In this order letters are also used as numbers.
- The hijā’ī (هِجَائِي) or ’alifbā’ī (أَلِفْبَائِي) order shown in the table below, used where lists of names and words are sorted, as in phonebooks, classroom lists, and dictionaries, groups letters by similarity of shape.
The ’abjadī order is not a simple historical continuation of the earlier north Semitic alphabetic order, since it has a position corresponding to the Aramaic letter sameḵ/semkat ס, yet no letter of the Arabic alphabet historically derives from that letter. Loss of sameḵ was compensated for by the split of shin ש into two independent Arabic letters, ش (shīn) and ﺱ (sīn) which moved up to take the place of sameḵ.
The most common ’abjadī sequence is:
-
غ |
ظ |
ض |
ذ |
خ |
ث |
ت |
ش |
ر |
ق |
ص |
ف |
ع |
س |
ن |
م |
ل |
ك |
ي |
ط |
ح |
ز |
و |
ه |
د |
ج |
ب |
أ |
gh |
ẓ |
ḍ |
dh |
kh |
th |
t |
sh |
r |
q |
ṣ |
f |
‘ |
s |
n |
m |
l |
k |
y |
ṭ |
ḥ |
z |
w |
h |
d |
j |
b |
’ |
Note: In this sequence, and all those that follow, the letters are presented in Arabic writing order, i.e., right to left. The Latin script transliterations are also in this order, with each placed under its corresponding letter. Thus, the first letter of the sequence is "أ"(’) at the right, and the last letter in the sequence is "غ"(gh), at the left.
This is commonly vocalized as follows:
- ’abjad hawwaz ḥuṭṭī kalaman sa‘faṣ qarashat thakhadh ḍaẓagh.
Another vocalization is:
- ’abujadin hawazin ḥuṭiya kalman sa‘faṣ qurishat thakhudh ḍaẓugh
Another ’abjadī sequence (probably older, now mainly confined to the Maghreb), is:[2]
-
ش |
غ |
ظ |
ذ |
خ |
ث |
ت |
س |
ر |
ق |
ض |
ف |
ع |
ص |
ن |
م |
ل |
ك |
ي |
ط |
ح |
ز |
و |
ه |
د |
ج |
ب |
أ |
sh |
gh |
ẓ |
dh |
kh |
th |
t |
s |
r |
q |
ḍ |
f |
‘ |
ṣ |
n |
m |
l |
k |
y |
ṭ |
ḥ |
z |
w |
h |
d |
j |
b |
’ |
which can be vocalized as:
- ’abujadin hawazin ḥuṭiya kalman ṣa‘faḍ qurisat thakhudh ẓaghush
Modern dictionaries and other reference books do not use the ’abjadī order to sort alphabetically; instead, the newer hijā’ī order (with letters partially grouped together by similarity of shape) is used:
-
ي |
و |
ه |
ن |
م |
ل |
ك |
ق |
ف |
غ |
ع |
ظ |
ط |
ض |
ص |
ش |
س |
ز |
ر |
ذ |
د |
خ |
ح |
ج |
ث |
ت |
ب |
أ |
y |
w |
h |
n |
m |
l |
k |
q |
f |
gh |
‘ |
ẓ |
ṭ |
ḍ |
ṣ |
sh |
s |
z |
r |
dh |
d |
kh |
ḥ |
j |
th |
t |
b |
’ |
Another kind of hijā’ī order used to be widely used in the Maghreb until recently when it was replaced by the Mashriqi order:[2]
-
ي |
و |
ه |
ش |
س |
ق |
ف |
غ |
ع |
ض |
ص |
ن |
م |
ل |
ك |
ظ |
ط |
ز |
ر |
ذ |
د |
خ |
ح |
ج |
ث |
ت |
ب |
أ |
y |
w |
h |
sh |
s |
q |
f |
gh |
‘ |
ḍ |
ṣ |
n |
m |
l |
k |
ẓ |
ṭ |
z |
r |
dh |
d |
kh |
ḥ |
j |
th |
t |
b |
’ |
Also another new sequence of the Arabic alphabet was put forward by a Saudi Arabian citizen, named Waleed Ahmad J. Addas who managed to combine all the Arabic letters of the alphabet into one single meaningful couplet and without repeating a single letter. This invention was endorsed by a number of local, regional and international language complexes. It reads as follows:
- ثق تعش ظل هدف حكَمٌ ذو صبرٍ سخيٍ ضَغطَ أَنجز
Unlike cursive writing based on the Latin alphabet, the standard Arabic style is to have a substantially different shape depending on whether it will be connecting with a preceding and/or a succeeding letter, thus all primary letters have conditional forms (allographs), depending on whether they are at the beginning, middle or end of a word, so they may exhibit four distinct forms (initial, medial, final or isolated). However, six letters (و ز ر ذ د ا) have only an isolated or final form, and so force the following letter (if any) to take an initial or isolated form, as if there were a word break. For example, أرارات (Ararat) has only isolated forms, because each letter cannot be connected to its adjacent one.
Some letters look almost the same in all four forms, while others show considerable variation. Generally, the initial and middle forms look similar except that in some letters the middle form starts with a short horizontal line on the right to ensure that it will connect with its preceding letter. The final and isolated forms, are also similar in appearance but the final form will also have a horizontal stroke on the right and, for some letters, a loop or longer line on the left with which to finish the word with a subtle ornamental flourish. In addition, some letter combinations are written as ligatures (special shapes), including lām-’alif.[3]
Notes
- See the article Romanization of Arabic for details on various transliteration schemes; however, Arabic language speakers don't follow a standardized scheme when transcribing names. Also names are regularly transcribed as pronounced locally, not as pronounced in Literary Arabic (if they were of Arabic origin).
- Regarding pronunciation, the phonemic values given are those of the pronunciation of Literary Arabic, the standard which is taught in universities. In practice, pronunciation may vary considerably from region to region, because Literary Arabic isn't anyone's native language. For more details concerning the pronunciation of Arabic, consult the articles Arabic phonology and varieties of Arabic.
- The names of the Arabic letters can be thought of as abstractions of an older version where they were meaningful words in the Proto-Semitic language. Names of Arabic letters may have quite different names popularly, but they are not provided in the article.
- For example: ح ḥā’ is most commonly known in Egypt as: IPA: [ħɑ]; in Lebanon: IPA: [ħe]. ز has two Literary Arabic names: zayn/zāy and called by Egyptians: IPA: [zeːn].
- Six letters (و ز ر ذ د ا) don't have a distinct medial form and have to be written with their final form without being connected to the next letter. Their initial form matches the isolated form.
Arabic letters usage in Literary Arabic
Name |
Translit. |
Value (IPA) |
Contextual forms |
Isolated |
End |
Middle |
Beginning |
’alif |
’ / ā |
various,
including /aː/ [a] |
ـا |
ـا |
ا |
ا |
bā’ |
b |
/b/
(sometimes /p/ in loanwords)[b] |
ـب |
ـبـ |
بـ |
ب |
tā’ |
t |
/t/ |
ـت |
ـتـ |
تـ |
ت |
thā’ |
th (also ṯ) |
/θ/ |
ـث |
ـثـ |
ثـ |
ث |
jīm |
j (also ǧ, g) |
[d͡ʒ] ~ [ʒ] ~ [ɡ] [c] |
ـج |
ـجـ |
جـ |
ج |
ḥā’ |
ḥ |
/ħ/ |
ـح |
ـحـ |
حـ |
ح |
khā’ |
kh (also ḫ, ḵ) |
/x/ |
ـخ |
ـخـ |
خـ |
خ |
dāl |
d |
/d/ |
ـد |
ـد |
د |
د |
dhāl |
dh (also ḏ) |
/ð/ |
ـذ |
ـذ |
ذ |
ذ |
rā’ |
r |
/r/ |
ـر |
ـر |
ر |
ر |
zayn / zāy |
z |
/z/ |
ـز |
ـز |
ز |
ز |
sīn |
s |
/s/ |
ـس |
ـسـ |
سـ |
س |
shīn |
sh (also š) |
/ʃ/ |
ـش |
ـشـ |
شـ |
ش |
ṣād |
ṣ |
/sˤ/ |
ـص |
ـصـ |
صـ |
ص |
ḍād |
ḍ |
/dˤ/ |
ـض |
ـضـ |
ضـ |
ض |
ṭā’ |
ṭ |
/tˤ/ |
ـط |
ـطـ |
طـ |
ط |
ẓā’ |
ẓ |
[ðˤ] ~ [zˤ] |
ـظ |
ـظـ |
ظـ |
ظ |
‘ayn |
‘ |
/ʕ/ |
ـع |
ـعـ |
عـ |
ع |
ghayn |
gh (also ġ, ḡ) |
/ɣ/
(sometimes /ɡ/ in loanwords)[c] |
ـغ |
ـغـ |
غـ |
غ |
fā’ |
f |
/f/
(sometimes /v/ in loanwords)[b] |
ـف |
ـفـ |
فـ |
ف [d] |
qāf |
q |
/q/
(sometimes /ɡ/ in loanwords)[c] |
ـق |
ـقـ |
قـ |
ق [d] |
kāf |
k |
/k/
(sometimes /ɡ/ in loanwords)[c] |
ـك |
ـكـ |
كـ |
ك |
lām |
l |
/l/ |
ـل |
ـلـ |
لـ |
ل |
mīm |
m |
/m/ |
ـم |
ـمـ |
مـ |
م |
nūn |
n |
/n/ |
ـن |
ـنـ |
نـ |
ن |
hā’ |
h |
/h/ |
ـه |
ـهـ |
هـ |
ه |
wāw |
w / ū / aw |
/w/, /uː/, /aw/,
sometimes /u/, /o/, and /oː/ in loanwords |
ـو |
ـو |
و |
و |
yā’ |
y / ī / ay |
/j/, /iː/, /aj/,
sometimes /i/, /e/, and /eː/ in loanwords |
ـي |
ـيـ |
يـ |
ي [e] |
- ^a ’Alif can represent many phonemes in Literary Arabic:
- Without diacritics: ا
- initially: a, i /a, i/ or sometimes silent in the definite article ال (a)l-
- medially or finally: ā /aː/.
- ’Alif with hamzah above: أ
- initially: ’a, ’u /ʔa, ʔu/
- medially or finally: ’a /ʔa/.
- ’Alif with hamzah under: إ
- initially: ’i /ʔi/; doesn't appear medially or finally (see hamza).
- ’Alif with maddah:آ
- initially, medially or finally: ’ā /ʔaː/.
- ^b /p/ and /v/ can be represented by پ and ڤ/ڥ or if unavailable, ب and ف/ڢ are used, respectively.
- ^c For Arabic language speakers, the phoneme /ɡ/ can be represented using different letters, depending on local dialects. ج is normally used in Egypt, also sometimes Yemen and Oman. ق is used where it represents the [ɡ] in local dialects. ك or غ are used where /ɡ/ doesn't exist in local dialects. Other letters such as گ, ݣ or ڨ may also be used, but are not regarded as standard Arabic letters. Likewise, where ج represents [ɡ], it can be also used for /ʒ/~/d͡ʒ/, or the letter چ can be used in Egypt.
- ^d Fā’ and qāf are traditionally written in northwestern Africa as ڢ and ڧـ ـڧـ ـٯ, respectively, while the latter's dot is only added initially or medially.
- ^e Yā’ in the isolated and the final forms in handwriting and print in Egypt, Sudan and sometimes other places, is always undotted ى, making it only contextually distinguishable from ’alif maqṣūrah.
See also Additional letters below.
- The letter ’alif originated in the Phoenician alphabet as a consonant-sign indicating a glottal stop. Today it has lost its function as a consonant, and, together with ya’ and wāw, is a mater lectionis, a consonant sign standing in for a long vowel (see below), or as support for certain diacritics (maddah and hamzah).
- Arabic currently uses a diacritic sign, ﺀ, called hamzah, to denote the glottal stop [ʔ], written alone or with a carrier:
- alone: ء ;
- with a carrier: إ أ (above or under a ’alif), ؤ (above a wāw), ئ (above a dotless yā’ or yā’ hamzah).
In academic work, the hamzah (ء) is transliterated with the modifier letter right half ring (ʾ), while the modifier letter left half ring (ʿ) transliterates the letter ‘ayn (ع), which represents a different sound, not found in English.
- Letters lacking an initial or medial version are never linked to the letter that follows, even within a word. The hamzah has a single form, since it is never linked to a preceding or following letter. However, it is sometimes combined with a wāw, yā’, or ’alif, and in that case the carrier behaves like an ordinary wāw, yā’, or ’alif.
- The shape of the final yā’ is always undotted ى in both print and handwriting in Egypt and Sudan, mainly.
The following are not individual letters, but rather different contextual variants of some of the Arabic letters.
Conditional forms |
Name |
Translit. |
Phonemic Value (IPA) |
Isolated |
Final |
Medial |
Initial |
آ |
ـآ |
ـآ |
آ |
’alif maddah |
’ā |
/ʔaː/ |
ة |
ـة |
|
|
tā’ marbūṭah |
h or
t / h / ẗ |
/a/, /at/ |
ى |
ـى |
|
|
’alif maqṣūrah[4] |
ā / ỳ |
/aː/ |
|
This section requires expansion with:
further examples and context. |
The use of ligature in Arabic is common. There is one compulsory ligature, that for lām + ’alif, which exists in two forms. All other ligatures (yā’ + mīm, etc.) are optional.
Contextual forms |
Name |
Final |
Medial |
Initial |
Isolated |
ﻼ |
ﻻ |
lām + ’alif |
A more complex ligature that combines as many as seven distinct components is commonly used to represent the word Allāh.
Gemination is the doubling of a consonant. Instead of writing the letter twice, Arabic places a W-shaped sign called shaddah, above it. Note that if a vowel occurs between the two consonants the letter will simply be written twice. The diacritic only appears where the consonant at the end of one syllable is identical to the initial consonant of the following syllable. (The generic term for such diacritical signs is ḥarakāt).
General
Unicode |
Name |
Transliteration |
0651
ّ ّ |
shaddah |
(consonant doubled) |
Nunation (Arabic: تنوين tanwīn) is the addition of a final -n to a noun or adjective. The vowel before it indicates grammatical case. In written Arabic nunation is indicated by doubling the vowel diacritic at the end of the word.
Users of Arabic usually write long vowels but omit short ones, so readers must utilize their knowledge of the language in order to supply the missing vowels. However, in the education system and particularly in classes on Arabic grammar these vowels are used since they are crucial to the grammar. An Arabic sentence can have a completely different meaning by a subtle change of the vowels. This is why in an important text such as the Qur’ān the three basic vowel signs (see below) are mandated, like the ḥarakāt and all the other diacritics or other types of marks, for example the cantillation signs.
In the Arabic handwriting of everyday use, in general publications, and on street signs, short vowels are typically not written. On the other hand, copies of the Qur’ān cannot be endorsed by the religious institutes that review them unless the diacritics are included. Children's books, elementary-school texts, and Arabic-language grammars in general will include diacritics to some degree. These are known as "vocalized" texts.
Short vowels may be written with diacritics placed above or below the consonant that precedes them in the syllable, called ḥarakāt. All Arabic vowels, long and short, follow a consonant; in Arabic, words like "Ali" or "alif", for example, start with a consonant: ‘Aliyy, ’alif.
Short vowels
(fully vocalized text) |
Name |
Trans. |
Value |
064E
َ ◌ |
fatḥah |
a |
/a/ |
064F
ُ ◌ |
ḍammah |
u |
/u/ |
0650
ِ ◌ |
kasrah |
i |
/i/ |
In the fully vocalized Arabic text found in texts such as Koran, a long ā following a consonant other than a hamzah is written with a short a sign (fatḥah) on the consonant plus an ’alif after it; long ī is written as a sign for short i (kasrah) plus a yā’ ; and long ū as a sign for short u (ḍammah) plus a wāw. Briefly, ᵃa = ā, ⁱy = ī and ᵘw = ū. Long ā following a hamzah may be represented by an ’alif maddah or by a free hamzah followed by an ’alif.
The table below shows vowels placed above or below a dotted circle replacing a primary consonant letter or a shaddah sign. For clarity in the table, the primary letters on the left used to mark these long vowels are shown only in their isolated form. Please note that most consonants do connect to the left with ’alif, wāw and yā’ written then with their medial or final form. Additionally, the letter yā’ in the last row may connect to the letter on its left, and then will use a medial or initial form. Use the table of primary letters to look at their actual glyph and joining types.
Long vowels
(fully vocalised text) |
Name |
Trans. |
Value |
064E 0627
َا ◌ |
fatḥah ’alif |
ā |
/aː/ |
064E 0649
َى ◌ |
fatḥah ’alif maqṣūrah |
ā / á |
/aː/ |
064F 0648
ُو ◌ |
ḍammah wāw |
ū |
/uː/ |
0650 064A
ِي ◌ |
kasrah yā’ |
ī |
/iː/ |
In unvocalized text (one in which the short vowels are not marked), the long vowels are represented by the vowel in question: ’alif, ’alif maqṣūrah (or ya’), wāw, or yā’. Long vowels written in the middle of a word of unvocalized text are treated like consonants with a sukūn (see below) in a text that has full diacritics. Here also, the table shows long vowel letters only in isolated form for clarity.
Combinations وا and يا are always pronounced wā and yā respectively, the exception is when وا is the verb ending, where ’alif is silent, resulting in ū.
Long vowels
(unvocalized text) |
Name |
Trans. |
Value |
0627
ا |
(implied fatḥah) ’alif |
ā |
/aː/ |
0649
ى |
(implied fatḥah) ’alif maqṣūrah |
ā / aỳ |
/aː/ |
0648
و |
(implied ḍammah) wāw |
ū / uw |
/uː/ |
064A
ي |
(implied kasrah) yā’ |
ī / iy |
/iː/ |
In addition, when transliterating names and loanwords, Arabic language speakers write out most or all the vowels as long (ā with ا ’alif, ē and ī with ي ya’, and ō and ū with و wāw), meaning it approaches a true alphabet.
The diphthongs /aj/ and /aw/ are represented in vocalized text as follows:
Diphthongs
(fully vocalized text) |
Name |
Trans. |
Value |
064E 064A
َي ◌ |
fatḥah yā’ |
ay |
/aj/ |
064E 0648
َو ◌ |
fatḥah wāw |
aw |
/aw/ |
An Arabic syllable can be open (ending with a vowel) or closed (ending with a consonant):
- open: CV [consonant-vowel] (long or short vowel)
- closed: CVC (short vowel only)
In closed syllables, we can indicate that the closing consonant does not carry a vowel by marking it with a diacritic called sukūn ( ْ ) to remove any ambiguity, especially when the text is not vocalized. A normal text is composed only of series of consonants; thus, the word qalb, "heart", is written qlb. The sukūn indicates where not to place a vowel: qlb could, in effect, be read qalab (meaning "he turned around"), but written with a sukūn over the l and the b (قلْبْ), it can only have the form qVlb. This is one step down from full vocalization, where the vowel a would also be indicated by a fatḥah: قَلْبْ.
The Qur’ān is traditionally written in full vocalization. Outside of the Qur’ān, putting a sukūn above a yā’ (representing /iː/), or above a wāw (representing /uː/) is extremely rare, to the point that yā’ with sukūn will be unambiguously read as the diphthong /aj/, and wāw with sukūn will be read /aw/. For example, the letters m-w-s-y-q-ā (موسيقى with an ’alif maqṣūrah at the end of the word) will be read most naturally as the word mūsīqā ("music"). If one were to write a sukūn above the wāw, the yā’ and the ’alif, one would get موْسيْقىْ, which would be read as *mawsayqāy (note however that the final ’alif maqṣūrah, because it is an ’alif, never takes a sukūn). The word, entirely vocalized, would be written as مُوسِيقَى. The Koranic spelling would have no sukūn sign above the final ’alif maqṣūrah, but instead a miniature ’alif above the preceding qāf consonant, which is a valid Unicode character but most Arabic computer fonts cannot in fact display this miniature ’alif as of 2006.
No sukūn is placed on word-final consonants, even if no vowel is pronounced, because fully vocalized texts are always written as if the ’I‘rāb vowels were in fact pronounced. For example, ’Aḥmad zawj sharrīr, meaning “Ahmed is a wicked husband”, for the purposes of Arabic grammar and orthography, is treated as if still pronounced with full ’I‘rāb, i.e. ’Aḥmadu zawjun sharrirun with the complete desinences.
General
Unicode |
Name |
Translit. |
Phonemic Value (IPA) |
0652
ْ ◌ |
sukūn |
(no vowel with this consonant letter or
diphthong with this long vowel letter) |
∅ |
0670
ٰ ◌ |
’alif above |
ā |
/aː/ |
The sukūn is also used for transliterating words into the Arabic script. The Persian word ماسک (mâsk, from the English word "mask"), for example, might be written with a sukūn above the ﺱ to signify that there is no vowel sound between that letter and the ک.
- ڢ – a Maghrebi variation of the letter ف (fā’) .
- ٯ and ڧ – a Maghrebi variation of standard letter ق (as a rule, dotless in isolated and final positions and dotted in the initial and medial forms ڧـ ـڧـ ـٯ).
Additional modified letters, used in non-Arabic languages, or in Arabic for transliterating names, loanwords, spoken dialects only, include:
- ڤ – (not to be confused with ڨ) used in Kurdish language when written in Arabic script and sometimes used in Arabic language to represent the sound /v/ when transliterating names and loanwords in Arabic. Also used in writing dialects with that sound.[5] Usually the letter ف (fā’) is used to transliterate /v/. Also used as pa in the Jawi script. The phoneme /v/ in Tunisia and some other regions of Maghreb is rendered using ڥ.
- پ – used to represent the phoneme /p/ in Persian, Urdu, and Kurdish; sometimes used in Arabic language when transliterating names and loanwords, although Arabic mostly substitutes /b/ for /p/ in the transliteration of names and loanwords. So, "7up" can be transcribed as سفن أب or سڤن أﭖ.
- چ – used to represent /t͡ʃ/ ("ch"). It is used in Persian, Urdu, and Kurdish and sometimes used when transliterating names and loanwords in Arabic. In the Iraqi spoken dialect it may be used, especially when referring in the feminine, although it is rarely written, as well as rarely used in the Maghrebi spelling. Nevertheless, Arabic usually substitutes other letters in the transliteration of names and loanwords: normally the combination تش (tā’-shīn) is used to transliterate the /t͡ʃ/, as in "Chad". In Egypt چ is used for /ʒ/ (or /d͡ʒ/, which is approximated to [ʒ]). In Israel, it's used to render /ɡ/ in Arabic language, for example on roadsigns.
- گ – used to represent /ɡ/. Normally used in Persian, Kurdish, and Urdu.[5] Often names and loanwords with /ɡ/ are transliterated in Arabic with ك (kāf), ق (qāf), غ (ghayn) or ج (jīm), which may or may not change the original sound. In Egypt ج is normally pronounced [ɡ].
- ڨ – a Maghrebi letter, sometimes used for [ɡ] (not to be confused with ڤ). In Tunisia it is sometimes used to represent the phoneme /ɡ/. In final and isolate form it has the form which resembles the letter ق qāf whence it is derived.
- ڜ – a Maghrebi letter for [t͡ʃ].
Main article:
Arabic script
Western
(Maghreb, Europe) |
Central
(Mideast) |
Eastern/Indian
(Persian, Urdu) |
0 |
٠ |
۰ |
1 |
١ |
۱ |
2 |
٢ |
۲ |
3 |
٣ |
۳ |
4 |
٤ |
۴ |
5 |
٥ |
۵ |
6 |
٦ |
۶ |
7 |
٧ |
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٨ |
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۹ |
There are two main kinds of numerals used along with Arabic text; Western Arabic numerals and Eastern Arabic numerals. In most of present-day North Africa, the usual Western Arabic numerals are used. Like Western Arabic numerals, in Eastern Arabic numerals, the units are always right-most, and the highest value left-most.
Main article:
Abjad numerals
In addition, the Arabic alphabet can be used to represent numbers (Abjad numerals). This usage is based on the ’’abjadī order of the alphabet. أ ’alif is 1, ب bā’ is 2, ج jīm is 3, and so on until ي yā’ = 10, ك kāf = 20, ل lām = 30, …, ر rā’ = 200, …, غ ghayn = 1000. This is sometimes used to produce chronograms.
Evolution of early Arabic calligraphy (9th–11th century). The
Basmala is taken as an example, from
Kufic Qur’ān manuscripts. (1) Early 9th century script used no dots or
diacritic marks;
[6] (2) and (3) in the 9th–10th century during the Abbasid dynasty,
Abu al-Aswad's system used red dots with each arrangement or position indicating a different short vowel. Later, a second system of black dots was used to differentiate between letters like
fā’ and
qāf;
[7][7] (4) in the 11th century,
al-Farāhīdī's system) dots were changed into shapes resembling the letters to transcribe the corresponding long vowels. This system is the one used today.
[8]
The Arabic alphabet can be traced back to the Nabataean alphabet used to write the Nabataean dialect of Aramaic. The first known text in the Arabic alphabet is a late fourth-century inscription from Jabal Ramm (50 km east of ‘Aqabah) in Jordan, but the first dated one is a trilingual inscription at Zebed in Syria from 512. However, the epigraphic record is extremely sparse, with only five certainly pre-Islamic Arabic inscriptions surviving, though some others may be pre-Islamic. Later, dots were added above and below the letters to differentiate them. (The Aramaic language had fewer phonemes than the Arabic, and some originally distinct Aramaic letters had become indistinguishable in shape, so that in the early writings 15 distinct letter-shapes had to do duty for 28 sounds; cf. the similarly ambiguous Pahlavi alphabet.) The first surviving document that definitely uses these dots is also the first surviving Arabic papyrus (PERF 558), dated April 643, although they did not become obligatory until much later. Important texts like the Qur’ān were and still are frequently memorized, especially in Qur'an memorization, a practice which probably arose partially from a desire to avoid the great ambiguity of the script.
Later still, vowel marks and the hamzah were introduced, beginning some time in the latter half of the seventh century, preceding the first invention of Syriac and Hebrew vocalization. Initially, this was done by a system of red dots, said to have been commissioned by an Umayyad governor of Iraq, Ḥajjaj ibn Yūsuf: a dot above = a, a dot below = i, a dot on the line = u, and doubled dots indicated nunation. However, this was cumbersome and easily confusable with the letter-distinguishing dots, so about 100 years later, the modern system was adopted. The system was finalized around 786 by al-Farāhīdī.
Although Napoleon Bonaparte generally is given the credit with introducing the printing press to Egypt, upon invading it in 1798, and he did indeed bring printing presses and Arabic script presses, to print the French occupation's official newspaper Al-Tanbiyyah (The Courier), the process was started several centuries earlier.
Gutenberg's invention of the printing press in 1450 was followed up by Gregorio de Gregorii, a Venetian, who in 1514 published an entire prayer book in Arabic script entitled Kitab Salat al-Sawa'i intended for the eastern Christian communities. The script was said to be crude and almost unreadable.[citation needed]
Famed type designer Robert Granjon working for Cardinal Ferdinando de Medici succeeded in designing elegant Arabic typefaces and the Medici press published many Christian prayer and scholarly Arabic texts in the late sixteenth century.
The first Arabic books published using movable type in the Middle East were by the Maronite monks at the Maar Quzhayy Monastery in Mount Lebanon. They transliterated the Arabic language using Syriac script. It took a fellow goldsmith like Gutenberg to design and implement the first true Arabic script movable type printing press in the Middle East. The Greek Orthodox monk Abd Allah Zakhir set up an Arabic language printing press using movable type at the monastery of Saint John at the town of Dhour El Shuwayr in Mount Lebanon, the first homemade press in Lebanon using true Arabic script. He personally cut the type molds and did the founding of the elegant typeface. He created the first true Arabic script type in the Middle East. The first book off the press was in 1734; this press continued to be used until 1899.[9]
The Arabic alphabet can be encoded using several character sets, including ISO-8859-6, Windows-1256 and Unicode (see links in Infobox, above), in the latter thanks to the "Arabic segment", entries U+0600 to U+06FF. However, neither of these sets indicate the form each character should take in context. It is left to the rendering engine to select the proper glyph to display for each character.
For compatibility with previous standards, initial, medial, final and isolated forms can be encoded separately in Unicode; however, they can also be inferred from their joining context, using the same encoding. The following table shows this common encoding, in addition to the compatibility encodings for their normally contextual forms (Arabic texts should be encoded today using only the common encoding, but the rendering must then infer the joining types to determine the correct glyph forms, with or without ligation).
As of Unicode 6.1, the following ranges encode Arabic characters:
The basic Arabic range encodes the standard letters and diacritics, but does not encode contextual forms (U+0621-U+0652 being directly based on ISO 8859-6); and also includes the most common diacritics and Arabic-Indic digits. U+06D6 to U+06ED encode Qur'anic annotation signs such as "end of ayah" ۖ and "start of rub el hizb" ۞. The Arabic Supplement range encodes letter variants mostly used for writing African (non-Arabic) languages. The Arabic Extended-A range encodes additional Qur'anic annotations and letter variants used for various non-Arabic languages. The Arabic Presentation Forms-A range encodes contextual forms and ligatures of letter variants needed for Persian, Urdu, Sindhi and Central Asian languages. The Arabic Presentation Forms-B range encodes spacing forms of Arabic diacritics, and more contextual letter forms. The Arabic Mathematical Alphabetical Symbols block encodes characters used in Arabic mathematical expressions.
See also the notes of the section on modified letters.
Unicode primary range for basic Arabic language alphabet is the U+06xx range. Other ranges are for compatibility to older standards and do contain some ligatures. The only compulsory ligature for fonts and text processing in the basic Arabic language alphabet range U+06xx are ones for lām + ’alif. All other ligatures (yā’ + mīm, etc.) are optional. Example to illustrate it is below. The exact outcome may depend on your browser and font configuration.
Note: Unicode also has in its Presentation Form B FExx range a code for this ligature. If your browser and font are configured correctly for Arabic, the ligature displayed above should be identical to this one, U+FEFB
ARABIC LIGATURE LAM WITH ALEF ISOLATED FORM:
-
- ﻻ
U+0640
ARABIC TATWEEL + lām + ’alif
- ـلا
Note: Unicode also has in its Presentation Form B U+FExx range a code for this ligature. If your browser and font are configured correctly for Arabic, the ligature displayed above should be identical to this one:
U+FEFC
ARABIC LIGATURE LAM WITH ALEF FINAL FORM
- ﻼ
Another ligature in the Unicode Presentation Form A range U+FB50 to U+FDxx is the special code for glyph for the ligature Allāh (“God”), U+FDF2
ARABIC LIGATURE ALLAH ISOLATED FORM:
-
- ﷲ
This latter ligature code again is a work-around for the shortcomings of most text processors, which are incapable of displaying the correct vowel marks for the word Allāh in Koran. Because Arabic script is used to write other texts rather than Koran only, rendering lām + lām + hā’ as the previous ligature is considered faulty:[10] If one of those fonts are installed on a computer (mry_KacstQurn, KacstOne, DejaVu Sans, Scheherazade, Lateef) the right will appear without automatically adding gemination mark and superscript Alef.
- lām + lām + hā’
- لله or لله
- ’alif + lām + lām + hā’
- الله or الله
- ’alif + lām +
U+0651
ARABIC SHADDA + U+0670
ARABIC LETTER SUPERSCRIPT ALEF + hā’
- اللّٰه (DejaVu Sans and KacstOne don't show the added superscript Alef)
An attempt to show them on the faulty fonts without automatically adding the gemination mark and the superscript Alef, is by adding the U+200d
(Zero width joiner) after the first or second lām
- (’alif +) lām + lām +
U+200d
ZERO WIDTH JOINER + hā’
- الله لله
Arabic Mac keyboard layout
Arabic Windows keyboard layout
Intellark imposed on a QWERTY keyboard layout.
Keyboards designed for different nations have different layouts, so that proficiency in one style of keyboard such as Iraq's does not transfer to proficiency in another keyboard such as Saudi Arabia's. Differences can include the location of non-alphabetic characters.
All Arabic keyboards allow typing Roman characters, e.g., for the URL in a web browser. Thus, each Arabic keyboard has both Arabic and Roman characters marked on the keys. Usually the Roman characters of an Arabic keyboard conform to the QWERTY layout, but in North Africa, where French is the most common language typed using the Roman characters, the Arabic keyboards are AZERTY.
When one wants to encode a particular written form of a character, there are extra code points provided in Unicode which can be used to express the exact written form desired. The range Arabic presentation forms A (U+FB50 to U+FDFF) contain ligatures while the range Arabic presentation forms B (U+FE70 to U+FEFF) contains the positional variants. These effects are better achieved in Unicode by using the zero-width joiner and non-joiner, as these presentation forms are deprecated in Unicode, and should generally only be used within the internals of text-rendering software, when using Unicode as an intermediate form for conversion between character encodings, or for backwards compatibility with implementations that rely on the hard-coding of glyph forms.
Finally, the Unicode encoding of Arabic is in logical order, that is, the characters are entered, and stored in computer memory, in the order that they are written and pronounced without worrying about the direction in which they will be displayed on paper or on the screen. Again, it is left to the rendering engine to present the characters in the correct direction, using Unicode's bi-directional text features. In this regard, if the Arabic words on this page are written left to right, it is an indication that the Unicode rendering engine used to display them is out-of-date.[11][12]
There are competing online tools, e.g. Yamli editor, allowing to enter Arabic letters without having Arabic support installed on a PC and without the knowledge of the layout of the Arabic keyboard.[13]
The first software program of its kind in the world that identifies Arabic handwriting in real time has been developed by researchers at Ben-Gurion University.
The prototype enables the user to write Arabic words by hand on an electronic screen, which then analyzes the text and translates it into printed Arabic letters in a thousandth of a second. The error rate is less than three percent, according to Dr. Jihad El-Sana, from BGU's department of computer sciences, who developed the system along with master's degree student Fadi Biadsy.[14]
Arabic alphabet coloring pages for kids, find the letters and color.
This article contains major sections of text from the very detailed article Arabic alphabet from the French Wikipedia, which has been partially translated into English. Further translation of that page, and its incorporation into the text here, are welcomed.
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lez:Араб алфавит