Zee News, the news and current affairs channel, is the oldest channel of Zee News Ltd and was founded in 1999. It was the first 24-hour current affairs and news channel in India. However initially, most of the programs were broadcast in English. Around 2003-04, after the success of Aaj Tak, Zee News was converted into a complete Hindi news channel. There are possibilities of Zee News takeover by Aditya Birla Group subsidiary 25FPS Media Pvt. Ltd which is the majority shareholder in Zee News. The transfer of shares from Charu Trading (owner of Zee News) to 25FPS Media happened from 31st Oct 2011 to 03rd Nov 2011. 25FPS Media is better known for their show Business Baazigar which aired on Zee News and fetched good TRP for Zee News.

Company Profile[link]

Zee News is a part of Zee News Ltd (ZNL) which is a part of Essel Group which operates news and regional entertainment channels and is listed on stock exchange. It was demerged from Zee Entertainment Enterprises ltd in 2006.

See also[link]

• Essel Group
• Zee Entertainment Enterprises

References[link]

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2008)

News is the communication of selected^[1] information on current events which is presented by print, broadcast, Internet, or word of mouth to a third-party or mass audience.

Etymology[link]

One theory claims that the English word "news" developed in the 14th century as a special use of the plural form of "new". In Middle English, the equivalent word was newes, like the French nouvelles and the German neues. Similar developments are found in the Slavic languages – the Czech and Slovak noviny (from nový, "new"), the cognate Polish nowiny and Russian novosti – and in the Celtic languages: the Welsh newyddion (from newydd) and the Cornish nowodhow (from nowydh).

History[link]

Before the invention of newspapers in the early 17th century, official government bulletins and edicts were circulated at times in some centralized empires.^[2]

The first documented use of an organized courier service for the diffusion of written documents is in Egypt, where Pharaohs used couriers for the diffusion of their decrees in the territory of the State (2400 BC).^[3] This practice almost certainly has roots in the much older practice of oral messaging and may have been built on a pre-existing infrastructure.

In Ancient Rome, Acta Diurna, or government announcement bulletins, were made public by Julius Caesar. They were carved in metal or stone and posted in public places.

In China, early government-produced news sheets, called tipao, circulated among court officials during the late Han dynasty (second and third centuries AD). Between 713 and 734, the Kaiyuan Za Bao ("Bulletin of the Court") of the Chinese Tang Dynasty published government news; it was handwritten on silk and read by government officials. In 1582 there was the first reference to privately published newssheets in Beijing, during the late Ming Dynasty.^[4]

In Early modern Europe, increased cross-border interaction created a rising need for information which was met by concise handwritten newssheets. In 1556, the government of Venice first published the monthly Notizie scritte, which cost one gazetta.^[5] These avvisi were handwritten newsletters and used to convey political, military, and economic news quickly and efficiently to Italian cities (1500–1700) — sharing some characteristics of newspapers though usually not considered true newspapers.^[6] Due to low literacy rates, news was at times disseminated by town criers.

Relation aller Fürnemmen und gedenckwürdigen Historien, from 1605, is recognized as the world's first newspaper.^[7]

The oldest news agency is the Agence France-Presse (AFP).^[8] It was founded in 1835 by a Parisian translator and advertising agent, Charles-Louis Havas as Agence Havas.

In modern times, printed news had to be phoned in to a newsroom or brought there by a reporter, where it was typed and either transmitted over wire services or edited and manually set in type along with other news stories for a specific edition. Today, the term "breaking news" has become trite as commercial broadcasting United States cable news services that are available 24-hours a day use live satellite technology to bring current events into consumers' homes as the event occurs. Events that used to take hours or days to become common knowledge in towns or in nations are fed instantaneously to consumers via radio, television, mobile phone, and the Internet.

Newspapers[link]

Most large cities in the United States historically had morning and afternoon newspapers. As the media evolved and news outlets increased to the point of near over-saturation, most afternoon newspapers were shut down. Morning newspapers have been gradually losing circulation, according to reports advanced by the papers themselves. Commonly, news content should contain the "Five Ws" (who, what, when, where, why, and also how) of an event. There should be no questions remaining. Newspapers normally place hard news stories on the first pages, so the most important information is at the beginning. Busy readers can read as little or as much as they desire. Local stations and networks with a set format must take news stories and break them down into the most important aspects due to time constraints. Cable news channels such as BBC News, Fox News, MSNBC, and CNN, are able to take advantage of a story, sacrificing other, decidedly less important stories, and giving as much detail about breaking news as possible.

News organizations are often expected to aim for objectivity; reporters claim to try to cover all sides of an issue without bias, as compared to commentators or analysts, who provide opinion or personal point-of-view. The result is a laying out of facts in a sterile, noncommittal manner, and then standing back to "let the reader decide" which view is true.^[9] Several governments impose certain constraints or police news organizations against bias. In the United Kingdom, for example, limits are set by the government agency Ofcom, the Office of Communications. Both newspapers and broadcast news programs in the United States are generally expected to remain neutral and avoid bias except for clearly indicated editorial articles or segments. Many single-party governments have operated state-run news organizations, which may present the government's views.

Even in those situations where objectivity is expected, it is difficult to achieve, and individual journalists may fall foul of their own personal bias, or succumb to commercial or political pressure. Similarly, the objectivity of news organizations owned by conglomerated corporations fairly may be questioned, in light of the natural incentive for such groups to report news in a manner intended to advance the conglomerate's financial interests. Individuals and organizations who are the subject of news reports may use news management techniques to try to make a favourable impression.^[10] Because each individual has a particular point of view, it is recognized that there can be no absolute objectivity in news reporting.^[11]

Newsworthiness[link]

Newsworthiness is defined as a subject having sufficient relevance to the public or a special audience to warrant press attention or coverage.^[12]

In some countries and at some points in history, what news media and the public have considered "newsworthy" has met different definitions, such as the notion of news values.^[13] For example, mid-twentieth-century news reporting in the United States focused on political and local issues with important socio-economic impacts, such as the landing of a living person on the moon or the cold war. More recently, the focus similarly remains on political and local issues; however, the news mass media now comes under criticism for over-emphasis on "non-news" and "gossip" such as celebrities' personal social issues, local issues of little merit, as well as biased sensationalism of political topics such as terrorism and the economy. The dominance of celebrity and social news, the blurring of the boundary between news and reality shows and other popular culture, and the advent of citizen journalism may suggest that the nature of ‘news’ and news values are evolving and that traditional models of the news process are now only partially relevant.^[14] Newsworthiness does not only depend on the topic, but also the presentation of the topic and the selection of information from that topic.

New ecology of news[link]

“Everything we thought we once knew about journalism needs to be rethought in the Digital Age”,^[15] professor of Sociology and Communication Michael Schudson points out. Today the work of journalism can be done from anywhere and done well. It requires no more than a reporter and a laptop. In that way, journalistic authority seems to have become more individual- and less institution-based. But does the individual reporter always have to be an actual journalist? Or can journalistic work be done from anywhere and by anyone? These are questions that refers to the core of journalistic practice and the definition of “news” itself. As Schudson has given emphasis to, the answer is not easily found; “the ground journalists walk upon is shaking, and the experience for both those who work in the field and those on the outside studying it is dizzying”.^[15]

Schudson has identified the following six specific areas where the ecology of news in his opinion has changed: 1. The line between the reader and writer has blurred 2. The distinction among tweet, blog post, newspaper story, magazine article, and book has blurred 3. The line between professionals and amateurs has blurred, and a variety of “pro-am” relationships has emerged 4. The boundaries delineating for-profit, public, and non-profit media have blurred, and the cooperation across these models of financing has developed 5. Within commercial news organizations, the line between the news room and the business office has blurred 6. The line between old media and new media has blurred, practically beyond recognition ^[16]

These alterations inevitably has fundamental ramifications for the contemporary ecology of news. “The boundaries of journalism, which just a few years ago seemed relatively clear, and permanent, have become less distinct, and this blurring, while potentially the foundation of progress even as it is the source of risk, has given rise to a new set of journalistic principles and practices”,^[17] Schudson puts it. It is indeed complex, but it seems to be the future.

References[link]

Further reading[link]

• Stephens, Mitchell. "The History of News - 3rd Ed" Oxford University Press, New York, 2007.

External links[link]

• News media by country at the Open Directory Project

Sri Sri Ravi Shankar
Sri Sri Ravishankar at Art Of Living International Center, Bengaluru
Born	(1956-05-13) 13 May 1956 (age 56) Papanasam, Tamil Nadu, India
Birth name	Ravishankar
Philosophy	Advaita Vedanta
Quotation	My Vision is a violence free, stress free world.[1]

Ravi Shankar (Kannada: ರವಿ ಶಂಕರ್ ), usually known as Sri Sri Ravi Shankar, was born Ravi Shankar Ratnam on 13 May 1956. He is also frequently referred to simply as "Sri Sri" (honorific) or as Guruji or Gurudev.^[2] He is a spiritual leader and founder of the Art of Living Foundation (founded 1982), which aims to relieve individual stress, societal problems and violence. It is an NGO with UNESCO consultative status. In 1997 he established a Geneva-based charity, the International Association for Human Values, an NGO that engages in relief work and rural development and aims to foster shared global values. In 2010 Shankar was named by Forbes Magazine as the fifth most influential person in India.^[3]

Life[link]

Ravi Shankar was born to Smt. Vishalakshi Ratnam and R. S. Venkat Ratnam, who was then active in the automobile business. He was named "Ravi" (a common Indian name meaning "sun") because his birth was on a Sunday and "Shankar" after the 8th century Hindu saint Adi Shankara, with whom he shares the birthday. He received a Bachelor of Science degree at the age of 21 from St. Joseph’s College, Bangalore University.

After graduation, Sri Sri Ravi Shankar traveled with Maharishi Mahesh Yogi, and was invited by Maharishi to give talks on Vedic science, arrange conferences on the Vedas and science, and set up Ayurveda centers.^[4] He was with the Maharishi at the inauguration of the first of the Golden Domes at Maharishi International University.^[5] He was earlier addressed as "Pandit Ravi Shankar" (or "Punditji") but in the early 1990s changed his name to "Sri Sri Ravi Shankar" (literally "Mister Mister Ravi Shankar") after the renowned sitarist Ravi Shankar objected that the guru was using the name he had made famous.

The 1980s saw Shankar initiate a series of practical and experiential courses in spirituality around the globe. Shankar says that his rhythmic breathing exercise sudarśana-kriyā (Hindi: सुदर्शन क्रिया) came to him in 1982 "like a poem, an inspiration", after a ten-day period of silence on the banks of the Bhadra River in Shimoga, state of Karnataka, adding, "I learned it and started teaching it".^[6]

Shankar says that every emotion has a corresponding rhythm in the breath and regulating breath could help relieve personal suffering.^[7] After realizing Sudarshan Kriya, Shankar started sharing it with others through the Art of Living course, first held in Shimoga.

Shankar inspired his father and several other prominent citizens of Bangalore to found Ved Vignan Maha Vidya Peeth, an educational and charitable trust, in 1981. Under the auspices of this trust, he opened a school south of Bangalore for local rural children. The school now provides free education for 2,000 such children.^[8]

In 1983 Shankar held the first Art of Living course in Europe in Switzerland. In 1986 he travelled to Apple Valley, California in the USA to conduct the first course to be held in North America.^[9]

In 2010 Shankar appeared on MTV's "Rob Dyrdek's Fantasy Factory" in which he and Rob's manager, Jeremy Larner, attempt to help Rob find true happiness in life.^[10]

Ravi Shankar (center of the photo)

Spirituality[link]

Shankar teaches that spirituality is that which enhances human values such as love, compassion and enthusiasm. It is not limited to any one religion or culture. Hence it is open to all people. He feels the spiritual bond we share as part of the human family is more prominent than nationality, gender, religion, profession, or other identities that separate us.^[11]

According to him, science and spirituality are linked and compatible, both springing from the urge to know. The question, "Who am I?" leads to spirituality. The question, "What is this?" leads to science. Emphasizing that joy is only available in the present moment, his stated vision is to create a world free of stress and violence. His programs are said to offer practical tools to help accomplish this. He sees breath as the link between body and mind, and a tool to relax the mind, emphasizing the importance of both meditation/spiritual practice and service to others. In his view, "Truth is spherical rather than linear; so it has to be contradictory."^[12]

Peace and humanitarian work[link]

In the 1990s, Shankar initiated a number of humanitarian projects, which continue to this date under the auspices of the Art of Living Foundation and its numerous national organizations. In 1992 he started prison programs to rehabilitate prison inmates and help them reintegrate into the mainstream.^[13] 1997 saw the beginning of the International Association for Human Values, a humanitarian organization, and its 5H program, which aims to bring sustainable development to rural areas and revive human values.^[14] After the 2001 attack on the World Trade Center towers in New York City, the Art of Living Foundation offered free courses in stress reduction to New Yorkers.^[7] The group ran a relief program in Kosovo for the war-ravaged population and for public health, university and UN personnel. The organization started an operation in occupied Iraq in 2003 aimed at relieving the stress of the Iraqi population, particularly the rising population of traumatized widows.^[15] A similar program was implemented in Afghanistan from 2003 to 2006 teaching war victims as well as UN and NGO personnel. In 2007, Sri Sri Ravi Shankar visited Iraq at the invitation of Prime Minister Nouri al Maliki and also met with Sunni, Shia and Kurdish leaders.^[16] He visited Pakistan in 2004 and met with political and religious leaders there as a part of his efforts to promote global peace.^[17] He is involved in interfaith dialogue and currently sits on the Board of World Religious Leaders for the Elijah Interfaith Institute.^[18] Many volunteers assisted the 2004 tsunami victims and Hurricane Katrina victims, in Haiti and many other regions of conflict and natural disaster.^{[citation needed]} There is a prison stress management and rehabilitation techniques program, known as Prison SMART (Stress Management and Rehabilitation Training), which assists many prisoners and prison staff worldwide.^{[citation needed]}

Sudarshan Kriya[link]

Sudarshan Kriya is a "breathing-based technique"^[19] that is a core component of the Art of Living courses and "the cornerstone of ... Art of Living Foundation's trauma relief programs".^[19]

A number of medical studies on its preparatory practices have been published in international peer-reviewed journals.^[20] A range of mental and physical benefits are reported in these studies, including reduced levels of stress (reduced cortisol—the "stress" hormone), improved immune system, relief from anxiety & depression (mild, moderate & severe),^[21] increased antioxidant protection, and enhanced brain function (increased mental focus, calmness and recovery from stressful stimuli), among other findings.^[22]

Persons enrolling for the courses sign a non-disclosure agreement with an undertaking not to teach the learned techniques (including Sudarshan Kriya) to other people without taking Teacher's Training.

According to Bharti Verma, M.D., in The Way of Grace, by David Lucas Burge and Gary Boucherle, "Sudarshan Kriya is not hyperventilation.... The process is unlike hyperventilation and seems much more complex in its nature. A person hyperventilating will often experience lightheadedness, blurred vision, muscle spasms of hands and feet, a general feeling of being unwell, fainting and loss of consciousness. In contrast, course participants learning Sudarshan Kriya report a state of deep relaxation while feeling rejuvenated and re-energized. Clearly the experiences of persons practicing Sudarshan Kriya are exactly the opposite of what a hyperventilating exercise would be expected to produce."

Local Art of Living organizations exist in 152 countries.^{[citation needed]}

Books[link]

Books based on Shankar's discourses and teachings include the following:

• An Intimate Note to the Sincere Seeker; Vol. 1: ISBN 1-885289-29-4, Vol. 2: ISBN 1-885289-30-8, Vol. 3: ISBN 1-885289-33-2, Vol. 4: ISBN 1-885289-36-7, Vol. 5: ISBN 1-885289-38-3, Vol. 6: ISBN 1-885289-40-5, Vol. 7: ISBN 1-885289-41-3
• Buddha: manifestation of silence ISBN 81-89291-91-2
• 1999 – Be A Witness: The Wisdom of the Upanishads, 106 pp. ISBN 81-7621-063-3
• 2000 – God Loves Fun, 138 pp. ISBN 1-885289-05-7
• 2001 – Celebrating Silence: Excerpts from Five Years of Weekly Knowledge 1995–2000, 206 pp. ISBN 1-885289-39-1
• Celebrating Love ISBN 1-885289-42-1
• 2005 – Narada Bhakti Sutra, 129 pp. ISBN 81-7811-029-6

Notes[link]

See also[link]

Art of Living Foundation

References[link]

• Gautier, François, The Guru of Joy. Sri Sri Ravi Shankar & the Art of Living, Carlsbad, California, Hay House, Inc., 2008. ISBN 978-1-4019-1761-6 (First edition: India, Books Today, 2002. ISBN 81-87478-42-X)

External links[link]

• Official website

Ravi Shankar
Shankar performs in Delhi in March 2009
Background information
Birth name	Robindro Shaunkor Chowdhury
Born	(1920-04-07) 7 April 1920 (age 92) Varanasi, United Provinces, Indian Empire
Genres	Hindustani classical music
Occupations	composer, musician
Instruments	sitar
Years active	1939–present
Associated acts	Uday Shankar, Allauddin Khan, Ali Akbar Khan, Lakshmi Shankar, Yehudi Menuhin, Chatur Lal, Alla Rakha, George Harrison, Anoushka Shankar, Beatles
Website	RaviShankar.org

Ravi Shankar (Bengali: রবি শংকর; born Robindro Shaunkor Chowdhury on 7 April 1920), often referred to with the title Pandit, is an Indian musician and composer who plays the plucked string instrument sitar. He has been described as the most known contemporary Indian musician by Hans Neuhoff in Musik in Geschichte und Gegenwart.^[1]

Shankar was born in Varanasi and spent his youth touring Europe and India with the dance group of his brother Uday Shankar. He gave up dancing in 1938 to study sitar playing under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the Apu Trilogy by Satyajit Ray, and was music director of All India Radio, New Delhi, from 1949 to 1956.

In 1956, he began to tour Europe and America playing Indian classical music and increased its popularity there in the 1960s through teaching, performance, and his association with violinist Yehudi Menuhin and George Harrison of The Beatles. Shankar engaged Western music by writing concerti for sitar and orchestra and toured the world in the 1970s and 1980s. From 1986 to 1992 he served as a nominated member of the upper chamber of the Parliament of India. Shankar was awarded India's highest civilian honor, the Bharat Ratna, in 1999, and received three Grammy Awards. He continues to perform in the 2000s, often with his daughter Anoushka.

Early life[link]

Shankar was born 7 April 1920 in Varanasi to a Bengali Brahmin family as the youngest of seven brothers.^[2][3][4] Shankar's Bengali birth name was Robindro Shaunkor Chowdhury.^[2] His father, Shyam Shankar, an administrator for the Maharaja of Jhalawar, used the Sanskrit spelling of the family name and removed its last part.^[2][5] Shyam was married to Shankar's mother Hemangini Devi, but later worked as a lawyer in London.^[2] There he married a second time while Devi raised Shankar in Varanasi, and did not meet his son until he was eight years old.^[2] Shankar shortened the Sanskrit version of his first name, Ravindra, to Ravi, for "sun".^[2]

At the age of ten, after spending his first decade in Varanasi, Shankar went to Paris with the dance group of his brother, choreographer Uday Shankar.^[6][7] By the age of 13 he had become a member of the group, accompanied its members on tour and learned to dance and play various Indian instruments.^[3][4] Uday's dance group toured Europe and America in the early to mid-1930s and Shankar learned French, discovered Western classical music, jazz, and cinema, and became acquainted with Western customs.^[8] Shankar heard the lead musician for the Maihar court, Allauddin Khan, in December 1934 at a music conference in Kolkata and Uday convinced the Maharaja of Maihar in 1935 to allow Khan to become his group's soloist for a tour of Europe.^[8] Shankar was sporadically trained by Khan on tour, and Khan offered Shankar training to become a serious musician under the condition that he abandon touring and come to Maihar.^[8]

Career[link]

Training and work in India[link]

Shankar's parents had died by the time he returned from the European tour, and touring the West had become difficult due to political conflicts that would lead to World War II.^[9] Shankar gave up his dancing career in 1938 to go to Maihar and study Indian classical music as Khan's pupil, living with his family in the traditional gurukul system.^[6] Khan was a rigorous teacher and Shankar had training on sitar and surbahar, learned ragas and the musical styles dhrupad, dhamar, and khyal, and was taught the techniques of the instruments rudra veena, rubab, and sursingar.^[6][10] He often studied with Khan's children Ali Akbar Khan and Annapurna Devi.^[9] Shankar began to perform publicly on sitar in December 1939 and his debut performance was a jugalbandi (duet) with Ali Akbar Khan, who played the string instrument sarod.^[11]

Shankar completed his training in 1944.^[3] Following his training, he moved to Mumbai and joined the Indian People's Theatre Association, for whom he composed music for ballets in 1945 and 1946.^[3][12] Shankar recomposed the music for the popular song "Sare Jahan Se Achcha" at the age of 25.^[13][14] He began to record music for HMV India and worked as a music director for All India Radio (AIR), New Delhi, from February 1949 to January 1956.^[3] Shankar founded the Indian National Orchestra at AIR and composed for it; his compositions experimented with a combination of Western instruments and classical Indian instrumentation.^[15] Beginning in the mid-1950s he composed the music for the Apu Trilogy by Satyajit Ray, which became internationally acclaimed.^[4][16]

International career 1956–1969[link]

Tabla player Alla Rakha, who was a frequent accompanist of Shankar, in 1988

V. K. Narayana Menon, director of AIR Delhi, introduced the Western violinist Yehudi Menuhin to Shankar during Menuhin's first visit to India in 1952.^[17] Shankar had performed as part of a cultural delegation in the Soviet Union in 1954 and Menuhin invited Shankar in 1955 to perform in New York City for a demonstration of Indian classical music, sponsored by the Ford Foundation.^[18][19] Shankar declined to attend due to problems in his marriage, but recommended Ali Akbar Khan to play instead.^[19] Khan reluctantly accepted and performed with tabla (percussion) player Chatur Lal in the Museum of Modern Art, and he later became the first Indian classical musician to perform on American television and record a full raga performance, for Angel Records.^[20]

Shankar heard about the positive response Khan received and resigned from AIR in 1956 to tour the United Kingdom, Germany, and the United States.^[21] He played for smaller audiences and educated them about Indian music, incorporating ragas from the South Indian Carnatic music in his performances, and recorded his first LP album Three Ragas in London, released in 1956.^[21] In 1958, Shankar participated in the celebrations of the tenth anniversary of the United Nations and UNESCO music festival in Paris.^[12] From 1961, he toured Europe, the United States, and Australia, and became the first Indian to compose music for non-Indian films.^[12] Chatur Lal accompanied Shankar on tabla until 1962, when Alla Rakha assumed the role.^[21] Shankar founded the Kinnara School of Music in Mumbai in 1962.^[22]

Shankar befriended Richard Bock, founder of World Pacific Records, on his first American tour and recorded most of his albums in the 1950s and 1960s for Bock's label.^[21] The Byrds recorded at the same studio and heard Shankar's music, which led them to incorporate some of its elements in theirs, introducing the genre to their friend George Harrison of The Beatles.^[23] Harrison became interested in Indian classical music, bought a sitar and used it to record the song "Norwegian Wood (This Bird Has Flown)".^[24] This led to Indian music being used by other musicians and created the raga rock trend.^[24]

Harrison met Shankar in London in 1966 and visited India for six weeks to study sitar under Shankar in Srinagar.^[14][25][26] During the visit, a documentary film about Shankar named Raga was shot by Howard Worth, and released in 1971.^[27] Shankar's association with Harrison greatly increased Shankar's popularity and Ken Hunt of Allmusic would state that Shankar had become "the most famous Indian musician on the planet" by 1966.^[3][25] In 1967, he performed at the Monterey Pop Festival and won a Grammy Award for Best Chamber Music Performance for West Meets East, a collaboration with Yehudi Menuhin.^[25][28] The same year, the Beatles won the Grammy Award for Album of the Year for Sgt. Pepper's Lonely Hearts Club Band which included "Within You Without You" by Harrison, a song that was influenced by Indian classical music.^[26][28] Shankar opened a Western branch of the Kinnara School of Music in Los Angeles, California, in May 1967, and published an autobiography, My Music, My Life, in 1968.^[12][22] He performed at the Woodstock Festival in August 1969, and found he disliked the venue.^[25] In the 1970s Shankar distanced himself from the hippie movement.^[29]

International career 1970–present[link]

George Harrison, U.S. President Gerald Ford, and Ravi Shankar in the Oval Office in December 1974

In October 1970 Shankar became chair of the department of Indian music of the California Institute of the Arts after previously teaching at the City College of New York, the University of California, Los Angeles, and being guest lecturer at other colleges and universities, including the Ali Akbar College of Music.^[12][30][31] In late 1970, the London Symphony Orchestra invited Shankar to compose a concerto with sitar; Concerto for Sitar and Orchestra was performed with André Previn as conductor and Shankar playing the sitar.^[4][32] Hans Neuhoff of Musik in Geschichte und Gegenwart has criticized the usage of the orchestra in this concert as "amateurish".^[1] George Harrison organized the charity Concert for Bangladesh in August 1971, in which Shankar participated.^[25] Interest in Indian music had decreased in the early 1970s, but the concert album became one of the best-selling recordings featuring it and won Shankar a second Grammy Award.^[28][31]

During the 1970s, Shankar and Harrison worked together again, recording Shankar Family & Friends in 1973 and touring North America the following year to a mixed response after Shankar had toured Europe with the Harrison-sponsored Music Festival from India.^[33] The demanding schedule weakened Shankar, and he suffered a heart attack in Chicago in November 1974, causing him to miss a portion of the tour.^[34] In his absence, Shankar's sister-in-law, singer Lakshmi Shankar, conducted the touring orchestra.^[34] The touring band visited the White House on invitation of John Gardner Ford, son of U.S. President Gerald Ford.^[34] Shankar toured and taught for the remainder of the 1970s and the 1980s and released his second concerto, Raga Mala, conducted by Zubin Mehta, in 1981.^[35][36] Shankar was nominated for an Academy Award for Best Original Music Score for his work on the 1982 movie Gandhi, but lost to John Williams' E.T.^[37] He served as a member of the Rajya Sabha, the upper chamber of the Parliament of India, from 12 May 1986 to 11 May 1992, after being nominated by Indian Prime Minister Rajiv Gandhi.^[14][38] Shankar composed the dance drama Ghanashyam in 1989.^[22] His liberal views on musical cooperation led him to collaboration with contemporary composer Philip Glass, with whom he released an album, Passages, in 1990.^[6]

Shankar underwent an angioplasty in 1992 due to heart problems, after which George Harrison involved himself in several of Shankar's projects.^[39] Because of the positive response to Shankar's 1996 career compilation In Celebration, Shankar wrote a second autobiography, Raga Mala, with Harrison as editor.^[39] He performed in between 25 and 40 concerts every year during the late 1990s.^[6] Shankar taught his daughter Anoushka Shankar to play sitar and in 1997 became a Regent's Lecturer at University of California, San Diego.^[40] In the 2000s, he won a Grammy Award for Best World Music Album for Full Circle: Carnegie Hall 2000 and toured with Anoushka, who released a book about her father, Bapi: Love of My Life, in 2002.^[28][41] Anoushka performed a composition by Shankar for the 2002 Harrison memorial Concert for George and Shankar wrote a third concerto for sitar and orchestra for Anoushka and the Orpheus Chamber Orchestra.^[42][43] In June 2008, Shankar played what was billed as his last European concert,^[29] but his 2011 tour includes dates in the United Kingdom.^[44]

Style and contributions[link]

Shankar plays the raga Madhuvanti at the Shiraz Arts Festival in Iran in the 1970s

Shankar developed a style distinct from that of his contemporaries and incorporated influences from rhythm practices of Carnatic music.^[6] His performances begin with solo alap, jor, and jhala (introduction and performances with pulse and rapid pulse) influenced by the slow and serious dhrupad genre, followed by a section with tabla accompaniment featuring compositions associated with the prevalent khyal style.^[6] Shankar often closes his performances with a piece inspired by the light-classical thumri genre.^[6]

Shankar has been considered one of the top sitar players of the second half of the 20th century.^[1] He popularized performing on the bass octave of the sitar for the alap section and became known for a distinctive playing style in the middle and high registers that uses quick and short deviations of the playing string and his sound creation through stops and strikes on the main playing string.^[1][6] Narayana Menon of The New Grove Dictionary noted Shankar's liking for rhythmic novelties, among them the use of unconventional rhythmic cycles.^[45] Hans Neuhoff of Musik in Geschichte und Gegenwart has argued that Shankar's playing style was not widely adopted and that he was surpassed by other sitar players in the performance of melodic passages.^[1] Shankar's interplay with Alla Rakha improved appreciation for tabla playing in Hindustani classical music.^[1] Shankar promoted the jugalbandi duet concert style and introduced new ragas, including Tilak Shyam, Nat Bhairav and Bairagi.^[6]

Recognition[link]

Shankar won the Silver Bear Extraordinary Prize of the Jury at the 1957 Berlin International Film Festival for composing the music for the movie Kabuliwala.^[46] He was awarded the Sangeet Natak Akademi Award for 1962,^[47] and was named a Fellow of the academy for 1975.^[48] Shankar was awarded the three highest national civil honors of India: Padma Bhushan, in 1967, Padma Vibhushan, in 1981, and Bharat Ratna, in 1999.^[49] He received the music award of the UNESCO International Music Council in 1975, three Grammy Awards, and was nominated for an Academy Award.^[12][28][37] Shankar was awarded honorary degrees from universities in India and the United States.^[12] He received the Kalidas Samman from the Government of Madhya Pradesh for 1987–88, the Fukuoka Asian Culture Prize in 1991, the Ramon Magsaysay Award in 1992, and the Polar Music Prize in 1998.^{[50][51][52][53]} In 2001, Shankar was made an Honorary Knight Commander of the Order of the British Empire by Elizabeth II for his "services to music".^[54] Shankar is an honorary member of the American Academy of Arts and Letters and in 1997 received the Praemium Imperiale for music from the Japan Art Association.^[6] The American jazz saxophonist John Coltrane named his son Ravi Coltrane after Shankar.^[55]

Personal life and family[link]

Shankar in 1988

Shankar married Allauddin Khan's daughter Annapurna Devi in 1941 and a son, Shubhendra Shankar, was born in 1942.^[10] Shankar separated from Devi during the 1940s and had a relationship with Kamala Shastri, a dancer, beginning in the late 1940s.^[56] An affair with Sue Jones, a New York concert producer, led to the birth of Norah Jones in 1979.^[56] In 1981, Anoushka Shankar was born to Shankar and Sukanya Rajan, whom Shankar had known since the 1970s.^[56] After separating from Kamala Shastri in 1981, Shankar lived with Sue Jones until 1986. He married Sukanya Rajan in 1989.^[56]