Part of a series on
Fertile Crescent mythology
Mesopotamian religion
Primordial beings Apsû & Tiamat Lahmu & Lahamu Anshar & Kishar Mummu
Seven gods who decree Four primary Anu Enlil Ki Enki Three sky Ishtar Sin Sama
The great gods Adad Annunaki Asaruludu Ashnan Enbilulu Enkimdu Ereshkigal Inanna Lahar Nanshe Nergal Nidaba Ningal Ninkasi Ninlil Ninsun Ninurta & his heroic mace Nusku Uttu
Demigods & heroes Adapa Enkidu Enmerkar Geshtinanna Gilgamesh Lugalbanda Shamhat Siduri Tammuz Utnapishtim
Spirits & monsters Good beings Humbaba Kingu Kishar Mamitu Siris Zu Evil beings Asag Edimmu Hanbi Kur Lamashtu Namtar Pazuzu Rabisu
Tales from Babylon Enûma Eliš Atra-Hasis Marduk & Sarpanit Agasaya Bel Kingu Mami Nabu
Other traditions
Arabian Levantine Near Eastern religions
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Enki^{[pronunciation?]} (or Enkil, Sumerian: ^dEN.KI(G)𒂗𒆠) is a god in Sumerian mythology, later known as Ea in Akkadian and Babylonian mythology. He was originally patron god of the city of Eridu, but later the influence of his cult spread throughout Mesopotamia and to the Canaanites, Hittites and Hurrians. He was the deity of crafts (gašam); mischief; water, seawater, lakewater (a, aba, ab), intelligence (gestú, literally "ear") and creation (Nudimmud: nu, likeness, dim mud, make bear). He was associated with the southern band of constellations called stars of Ea, but also with the constellation AŠ-IKU, the Field (Square of Pegasus).^[1] Beginning around the second millennium BCE, he was sometimes referred to in writing by the numeric ideogram for "40," occasionally referred to as his "sacred number."^[2][3][4]

A large number of myths about Enki have been collected from many sites, stretching from Southern Iraq to the Levantine coast. He figures in the earliest extant cuneiform inscriptions throughout the region and was prominent from the third millennium down to Hellenistic times.

The exact meaning of his name is uncertain: the common translation is "Lord of the Earth": the Sumerian en is translated as a title equivalent to "lord"; it was originally a title given to the High Priest; ki means "earth"; but there are theories that ki in this name has another origin, possibly kig of unknown meaning, or kur meaning "mound". The name Ea is allegedly Hurrian in origin while others ^[5][6] claim that it is possibly of Semitic origin and may be a derivation from the West-Semitic root *hyy meaning "life" in this case used for "spring", "running water." In Sumerian E-A means "the house of water", and it has been suggested that this was originally the name for the shrine to the God at Eridu.

Attributes[link]

The main temple to Enki is called E-abzu, meaning "abzu temple" (also E-en-gur-a, meaning "house of the subterranean waters""), a ziggurat temple surrounded by Euphratean marshlands near the ancient Persian Gulf coastline at Eridu. He was the keeper of the divine powers called Me, the gifts of civilization. His image is a double-helix snake, or the Caduceus, very similar to the Rod of Asclepius used to symbolize medicine. He is often shown with the horned crown of divinity dressed in the skin of a carp.

Considered the master shaper of the world, god of wisdom and of all magic, Enki was characterized as the lord of the Abzu (Apsu in Akkadian), the freshwater sea or groundwater located within the earth. In the later Babylonian epic Enûma Eliš, Abzu, the "begetter of the gods", is inert and sleepy but finds his peace disturbed by the younger gods, so sets out to destroy them. His grandson Enki, chosen to represent the younger gods, puts a spell on Abzu "casting him into a deep sleep", thereby confining him deep underground. Enki subsequently sets up his home "in the depths of the Abzu." Enki thus takes on all of the functions of the Abzu, including his fertilising powers as lord of the waters and lord of semen.^[7]

Early royal inscriptions from the third millennium BCE mention "the reeds of Enki". Reeds were an important local building material, used for baskets and containers, and collected outside the city walls, where the dead or sick were often carried. This links Enki to the Kur or underworld of Sumerian mythology. In another even older tradition, Nammu, the goddess of the primeval creative matter and the mother-goddess portrayed as having "given birth to the great gods," was the mother of Enki, and as the watery creative force, was said to preexist Ea-Enki.^[8] Benito states "With Enki it is an interesting change of gender symbolism, the fertilising agent is also water, Sumerian "a" or "Ab" which also means "semen". In one evocative passage in a Sumerian hymn, Enki stands at the empty riverbeds and fills them with his 'water'".^[9] This may be a reference to Enki's hieros gamos or sacred marriage with Ki/Ninhursag (the Earth) (see below).

His symbols included a goat and a fish, which later combined into a single beast, the goat Capricorn, recognised as the Zodiacal constellation Capricornus. He was accompanied by an attendant Isimud.

Myths of Enki[link]

Enki and Ninhursag and the Creation of Life and Sickness[link]

The cosmogenic myth common in Sumeria was that of the hieros gamos, a sacred marriage where divine principles in the form of dualistic opposites came together as male and female to give birth to the cosmos. In the epic Enki and Ninhursag, Enki, as lord of Ab or fresh water (also the Sumerian word for semen), is living with his wife in the paradise of Dilmun where

"The land of Dilmun is a pure place, the land of Dilmun is a clean place,

The land of Dilmun is a clean place, the land of Dilmun is a bright place;

He who is alone laid himself down in Dilmun,

The place, after Enki is clean, that place is bright"

Despite being a place where "the raven uttered no cries" and "the lion killed not, the wolf snatched not the lamb, unknown was the kid-killing dog, unknown was the grain devouring boar". Nevertheless Dilmun had no water and Enki heard the cries of its Goddess, Ninsikil, and orders the sun-God Utu to bring fresh water from the Earth for Dilmun. As a result

"Her City Drinks the Water of Abundance,

Dilmun Drinks the Water of Abundance,

Her wells of bitter water, behold they are become wells of good water,

Her fields and farms produced crops and grain,

Her city, behold it has become the house of the banks and quays of the land."

The subsequent tale, with similarities to the Biblical story of the forbidden fruit, repeats the story of how fresh water brings life to a barren land. Enki, the Water-Lord then "caused to flow the 'water of the heart" and having fertilised his consort Ninhursag, also known as Ki or Earth, after "Nine days being her nine months, the months of 'womanhood'... like good butter, Nintu, the mother of the land, ...like good butter, gave birth to Ninsar, (Lady Greenery)". When Ninhursag left him, as Water-Lord he came upon Ninsar (Lady Greenery). Not knowing her to be his daughter, and because she reminds him of his absent consort, Enki then seduces and has intercourse with her. Ninsar then gave birth to Ninkurra (Lady Fruitfulness or Lady Pasture), and leaves Enki alone again. A second time, Enki, in his loneliness finds and seduces Ninkurra, and from the union Ninkurra gave birth to Uttu (weaver or spider, the weaver of the web of life).

A third time Enki succumbs to temptation, and attempts seduction of Uttu. Upset about Enki's reputation, Uttu consults Ninhursag, who, upset at the promiscuous wayward nature of her spouse, advises Uttu to avoid the riverbanks, the places likely to be affected by flooding, the home of Enki. In another version of this myth Ninhursag takes Enki's semen from Uttu's womb and plants it in the earth where eight plants rapidly germinate. With his two-faced servant and steward Isimud, "Enki, in the swampland, in the swampland lies stretched out, 'What is this (plant), what is this (plant). His messenger Isimud, answers him; 'My king, this is the tree-plant', he says to him. He cuts it off for him and he (Enki) eats it". And so, despite warnings, Enki consumes the other seven fruit. Consuming his own semen, he falls pregnant (ill with swellings) in his jaw, his teeth, his mouth, his hip, his throat, his limbs, his side and his rib. The gods are at a loss to know what to do, chagrinned they "sit in the dust". As Enki lacks a womb with which to give birth, he seems to be dying with swellings. The fox then asks Enlil King of the Gods, "If i bring Ninhursag before thee, what shall be my reward?" Ninhursag's sacred fox then fetches the goddess.

Ninhursag relents and takes Enki's Ab (water, or semen) into her body, and gives birth to gods of healing of each part of the body. Abu for the Jaw, Nintul for the Hip, Ninsutu for the tooth, Ninkasi for the mouth, Dazimua for the side, Enshagag for the Limbs. The last one, Ninti (Lady Rib), is also a pun on Lady Life, a title of Ninhursag herself. The story thus symbolically reflects the way in which life is brought forth through the addition of water to the land, and once it grows, water is required to bring plants to fruit. It also counsels balance and responsibility, nothing to excess.

Ninti, the title of Ninhursag, also means "the mother of all living", and was a title given to the later Hurrian goddess Kheba. This is also the title given in the Bible to Eve, the Hebrew Khavvah (חוה), the Aramaic Hawwah, who was made from the rib of Adam, in a strange reflection of the Sumerian myth, in which Adam — not Enki — walks in the Garden of Paradise.^[10]

Enki and the Making of Man[link]

After six generations of Gods, in the Babylonian "Enuma Elish", in the seventh generation, (Akkadian "shapattu" or sabath), the younger Igigi Gods, the sons and daughters of Enlil and Ninlil, go on strike and refuse their duties of keeping the creation working. Abzu God of fresh water, co-creator of the cosmos, threatens to destroy the world with his waters, and the Gods gather in terror. Enki promises to help and confines Abzu in irrigation canals and places him in the Kur, beneath his city of Eridu. But then, with the universe still threatened, Tiamat, with the imprisonment of her husand and consort Abzu and at the prompting of her son and vizier Kingu, decides to take back the creation herself. The Gods gather again in terror and turn to Enki for help, but Enki who harnessed Abzu, Tiamat's consort, for irrigation refuses to get involved. The gods then seek help elsewhere, and the patriarchal Enlil, their father, God of Nippur, promises to solve the problem if they make him King of the Gods. In the Babylonian tale, Enlil's role is taken by Marduk, Enki's son, and in the Assyrian version it is Asshur. After dispatching Tiamat with the "arrows of his winds" down her throat (similar in some respects to how Elohim moves his breath (ruach) over the "face of the deep" or "Tehom", in Genesis 1:2) and reconstructing the heavens with the arch of her ribs, Enlil places her tail in the sky as the Milky Way, and her crying eyes become the source of the Tigris and Euphrates. But there is still the problem of "who will keep the cosmos working". Enki, who might have otherwise come to their aid, is lying in a deep sleep and fails to hear their cries. His mother Nammu (creatrix also of Abzu and Tiamat) "brings the tears of the gods" before Enki and says

Oh my son, arise from thy bed, from thy (slumber), work what is wise,

Fashion servants for the Gods, may they produce their (bread?).

Enki then advises that they create a servant of the Gods, humankind, out of clay and blood. This is similar to the creation of Adam in the Qu'ran where it tells how humankind was made from clay and "a clot of (menstrual?) blood". Against Enki's wish the Gods decide to slay Kingu, and Enki finally consents to use Kingu's blood to make the first human, with whom Enki always later has a close relationship, the first of the seven sages, seven wise men or "Abgallu" (*Ab = water, *Gal = great, *Lu = Man), also known as Adapa. Enki assembles a team of divinities to help him, creating a host of "good and princely fashioners". He tells his mother

Oh my mother, the creature whose name thou has uttered, it exists,

Bind upon it the (will?) of the Gods;

Mix the heart of clay that is over the Abyss,

The good and princely fashioners will thicken the clay

Thou, do thou bring the limbs into existence;

Ninmah (the Earth-mother goddess (Ninhursag, his wife and consort) will work above thee

(Nintu?) (goddess of birth) will stand by thy fashioning;

Oh my mother, decree thou its (the new born's) fate.

Adapa, the first man fashioned, later goes and acts as the advisor to the King of Eridu, when in the Sumerian Kinglist, the "Me" of "kingship descends on Eridu".

Samuel Noah Kramer, believes that behind this myth of Enki's confinement of Abzu lies an older one of the struggle between Enki and the Dragon Kur (the underworld)^[10]

Confuser of languages[link]

In the Sumerian epic entitled Enmerkar and the Lord of Aratta, in a speech of Enmerkar, an incantation is pronounced that has a mythical introduction. Kramer's translation is as follows:^[11]

Once upon a time there was no snake, there was no scorpion,

There was no hyena, there was no lion,
There was no wild dog, no wolf,
There was no fear, no terror,
Man had no rival.

In those days, the lands of Subur (and) Hamazi,
Harmony-tongued Sumer, the great land of the decrees of princeship,
Uri, the land having all that is appropriate,
The land Martu, resting in security,
The whole universe, the people in unison
To Enlil in one tongue [spoke].

(Then) Enki, the lord of abundance (whose) commands are trustworthy,
The lord of wisdom, who understands the land,
The leader of the gods,
Endowed with wisdom, the lord of Eridu
Changed the speech in their mouths, [brought] contention into it,

Into the speech of man that (until then) had been one.

Enki and the Deluge[link]

According to Sumerian mythology, Enki also assisted humanity to survive the Deluge designed to kill them. In the later Legend of Atrahasis, Enlil, the king of the gods, sets out to eliminate humanity, whose noise is disturbing his rest. He successively sends drought, famine and plague to eliminate humanity, but Enki thwarts his half-brother's plans by teaching Atrahasis how to counter these threats. Each time, Atrahasis asks the population to abandon worship of all gods, except the one responsible for the calamity, and this seems to shame them into relenting. Humans, however, proliferate a fourth time. Enraged, Enlil convenes a Council of Deities and gets them to promise not to tell humankind that he plans their total annihilation. Enki does not tell Atrahasis directly, but speaks to him in secret via a reed wall. He instructs Atrahasis to build a boat in order to rescue his family and other living creatures from the coming deluge. After the seven day Deluge, the flood hero frees a swallow, a raven and a dove in an effort to find if the flood waters have receded. Upon landing, a sacrifice is made to the gods. Enlil is angry his will has been thwarted yet again, and Enki is named as the culprit. Enki explains that Enlil is unfair to punish the guiltless, and the gods institute measures to ensure that humanity does not become too populous in the future. This is one of the oldest of the surviving Middle Eastern Deluge myths.

Enki and Inanna[link]

In his connections with Inanna, Enki shows other aspects of his non-Patriarchal nature. The myth Enki and Inanna^[12][13] tells the story of the young goddess of the É-anna temple of Uruk, who visits the senior god of Eridu, and is entertained by him in a feast. The seductive god plies her with beer, and the young goddess maintains her virtue, whilst Enki proceeds to get drunk. In generosity he gives her all the gifts of his Me, the gifts of civilized life. Next morning, with a hangover, he asks his servant Isimud for his Me, only to be informed that he has given them to Inanna. Upset at his actions, he sends Galla demons to recover them. Inanna escapes her pursuers and arrives safely back at the quay at Uruk. Enki realises that he has been tricked in his hubris and accepts a peace treaty forever with Uruk.

Politically, this myth would seem to indicate events of an early period when political authority passed from Enki's city of Eridu to Inanna's city of Uruk.

In the myth of Inanna's descent,^[13] Inanna, in order to console her grieving sister Ereshkigal, who is mourning the death of her husband Gugalana (gu, bull, gal, big, ana, sky/heaven), slain by Gilgamesh and Enkidu, sets out to visit her sister. She tells her servant Ninshubur (Lady Evening), a reference to Inanna's role as the evening star, that if she does not return in three days, to get help from her father Anu, Enlil, king of the gods, or Enki. When she does not return, Ninshubur approaches Anu only to be told that he understands that his daughter is strong and can take care of herself. Enlil tells Ninshubur he is much too busy running the cosmos. Enki immediately expresses concern and dispatches his Galla demons, Galaturra or Kurgarra, sexless beings created from the dirt from beneath the god's finger-nails, to recover the young goddess. These beings may be the origin of the Greco-Roman Galli, androgynous beings of the third sex, similar to the American Indian berdache, who played an important part in early religious ritual.^[14]

In the story Inanna and Shukaletuda,^[15] Shukaletuda, the gardener, set by Enki to care for the date palm he had created, finds Inanna sleeping under the palm tree and rapes the goddess in her sleep. Awaking, she discovers that she has been violated and seeks to punish the miscreant. Shukaletuda seeks protection from Enki, whom Bottero^[16] believes to be his father. In classic Enkian fashion, the father advises Shukaletuda to hide in the city where Inanna will not be able to find him. Enki, as the protector of whomever comes to seek his help, and as the empowerer of Inanna, here challenges the young impetuous goddess to control her anger so as to be better able to function as a great judge.

Eventually, after cooling her anger, she too seeks the help of Enki, as spokesperson of the "assembly of the gods", the Igigi and the Anunnaki. After she presents her case, Enki sees that justice needs to be done and promises help, delivering knowledge of where the miscreant is hiding.

Portrayal[link]

Enki

Enki was considered a god of life and replenishment, and was often depicted with two streams of water emanating from his shoulders, one the Tigris, the other the Euphrates. Alongside him were trees symbolising the female and male aspects of nature, each holding the female and male aspects of the 'Life Essence', which he, as apparent alchemist of the gods, would masterfully mix to create several beings that would live upon the face of the earth.

Influence[link]

Enki and later Ea were apparently depicted, sometimes, like Adapa, as a man covered with the skin of a fish, and this representation, as likewise the name of his temple E-apsu, "house of the watery deep", points decidedly to his original character as a god of the waters (see Oannes). Around the excavation of the 18 shrines found on the spot, thousands of carp bones were found, consumed possibly in feasts to the God. Of his cult at Eridu, which goes back to the oldest period of Mesopotamian history, nothing definite is known except that his temple was also associated with Ninhursag's temple which was called Esaggila, "the lofty head house" (E, house, sag, head, ila, high; or Akkadian goddess = Ila), a name shared with Marduk's temple in Babylon, pointing to a staged tower or ziggurat (as with the temple of Enlil at Nippur, which was known as E-kur (kur, hill)), and that incantations, involving ceremonial rites in which water as a sacred element played a prominent part, formed a feature of his worship. This seems also implicated in the epic of the hieros gamos or sacred marriage of Enki and Ninhursag (above), which seems an etiological myth of the fertilisation of the dry ground by the coming of irrigation water (from Sumerian a, ab, water or semen). The early inscriptions of Urukagina in fact go so far as to suggest that the divine pair, Enki and Ninki, were the progenators of seven pairs of gods, including Enki as god of Eridu, Enlil of Nippur, and Su'en (or Sin) of Ur, and were themselves the children of An (sky, heaven) and Ki (earth).^[17] The pool of the Abzu at the front of his temple was adopted also at the temple to Nanna (Akkadian Sin) the Moon, at Ur, and spread from there throughout the Middle East. It is believed to remain today as the sacred pool at Mosques, or as the holy water font in Catholic or Eastern Orthodox churches.^[18]

Whether Eridu at one time also played an important political role in Sumerian affairs is not certain, though not improbable. At all events the prominence of "Ea" led, as in the case of Nippur, to the survival of Eridu as a sacred city, long after it had ceased to have any significance as a political center. Myths in which Ea figures prominently have been found in Assurbanipal's library, and in the Hattusas archive in Hittite Anatolia. As Ea, Enki had a wide influence outside of Sumer, being equated with El (at Ugarit) and possibly Yah (at Ebla) in the Canaanite 'ilhm pantheon, he is also found in Hurrian and Hittite mythology, as a god of contracts, and is particularly favourable to humankind. Amongst the Western Semites, it is thought that Ea was equated to the term *hyy (life),^[17] referring to Enki's waters as life giving. Enki/Ea is essentially a god of civilization, wisdom, and culture. He was also the creator and protector of man, and of the world in general. Traces of this view appear in the Marduk epic celebrating the achievements of this god and the close connection between the Ea cult at Eridu and that of Marduk. The correlation between the two rises from two other important connections: (1) that the name of Marduk's sanctuary at Babylon bears the same name, Esaggila, as that of a temple in Eridu, and (2) that Marduk is generally termed the son of Ea, who derives his powers from the voluntary abdication of the father in favour of his son. Accordingly, the incantations originally composed for the Ea cult were re-edited by the priests of Babylon and adapted to the worship of Marduk, and, similarly, the hymns to Marduk betray traces of the transfer to Marduk of attributes which originally belonged to Ea.

It is, however, as the third figure in the triad (the two other members of which were Anu and Enlil) that Ea acquires his permanent place in the pantheon. To him was assigned the control of the watery element, and in this capacity he becomes the shar apsi; i.e. king of the Apsu or "the deep". The Apsu was figured as the abyss of water beneath the earth, and since the gathering place of the dead, known as Aralu, was situated near the confines of the Apsu, he was also designated as En-Ki; i.e. "lord of that which is below", in contrast to Anu, who was the lord of the "above" or the heavens. The cult of Ea extended throughout Babylonia and Assyria. We find temples and shrines erected in his honour, e.g. at Nippur, Girsu, Ur, Babylon, Sippar, and Nineveh, and the numerous epithets given to him, as well as the various forms under which the god appears, alike bear witness to the popularity which he enjoyed from the earliest to the latest period of Babylonian-Assyrian history. The consort of Ea, known as Ninhursag, Ki, Uriash Damkina, "lady of that which is below", or Damgalnunna, "big lady of the waters", originally was fully equal with Ea, but in more patriarchal Assyrian and Neo-Babylonian times plays a part merely in association with her lord. Generally, however, Enki seems to be a reflection of pre-patriarchal times, in which relations between the sexes were characterised by a situation of greater gender equality. In his character, he prefers persuasion to conflict, which he seeks to avoid if possible.

Ea and West Semitic deities[link]

In 1964, a team of Italian archaeologists under the direction of Paolo Matthiae of the University of Rome La Sapienza performed a series of excavations of material from the third-millennium BCE city of Ebla. Much of the written material found in these digs was later translated by Giovanni Pettinato.

Among other conclusions, he found a tendency among the inhabitants of Ebla to replace the name of El, king of the gods of the Canaanite pantheon (found in names such as Mikael), with Ia. 

Jean Bottero (1952)^[19] and others^[20] suggested that Ia in this case is a West Semitic (Canaanite) way of saying Ea, Enki's Akkadian name, associating the Canaanite theonym Yahu, and ultimately Hebrew YHWH. This hypothesis is dismissed by pious scholars as erroneous, based on a mistaken cuneiform reading,^[21] but academic debate continues. Ia has also been compared^{[by whom?]} with the Ugaritic Yamm (sea), (also called Judge Nahar, or Judge River) whose earlier name in at least one ancient source was Yaw, or Ya'a.

See also[link]

• Ancient Near East
• Barbar Temple, a Dilmun-era temple in Bahrain devoted to the worship of Enki
• Capricornus
• Me (mythology)
• Mesopotamia
• Mesopotamian mythology

Notes[link]

References[link]

• Jacobsen, Thorkild (1976), Treasures of Darkness; A History of Mesopotamian Religion (Yale University Press, London, New Heaven) ISBN 0-300-02291-3.
• Bottero, Jean (2004), Religion in Ancient Mesopotamia (University of Chicago Press) ISBN 0-226-06718-1.
• Kramer, Samuel Noah (1998), Sumerian Mythology: A Study of Spiritual and Literary Achievement in the Third Millennium B.C.(University of Pennsylvania Press; Revised edition) ISBN 0-8122-1047-6.
• Kramer, S.N. and Maier, J.R. (1989), Myths of Enki, the Crafty God (Oxford).
• Galter, H.D. (1981), Der Gott Ea/Enki in der akkadischen Überlieferung (Graz).
•  This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. 

External links[link]

• Enki and Ninhursag
• Creation of Man
• Enki and Inannaee.Enki

us.EN.KI

Zecharia Sitchin
Born	July 11, 1920 Baku, Azerbaijan SSR
Died	October 9, 2010( 2010-10-09) (aged 90) New York, New York
Citizenship	United States
Alma mater	London School of Economics, University of London
Known for	Ancient astronauts
Website
http://www.sitchin.com/

Zecharia Sitchin (July 11, 1920 – October 9, 2010^[1]) was an Azerbaijani-born American author of books proposing an explanation for human origins involving ancient astronauts. Sitchin attributes the creation of the ancient Sumerian culture to the Anunnaki, which he states was a race of extra-terrestrials from a planet beyond Neptune called Nibiru. He believed this hypothetical planet of Nibiru to be in an elongated, elliptical orbit in the Earth's own Solar System, asserting that Sumerian mythology reflects this view. Sitchin's books have sold millions of copies worldwide and have been translated into more than 25 languages.

Sitchin's ideas were rejected by scientists and academics, who dismiss his work as pseudoscience and pseudohistory. Sitchin's work has been criticized for flawed methodology and mistranslations of ancient texts as well as for incorrect astronomical and scientific claims.^[2]

Early life[link]

Sitchin was born in the then Azerbaijan SSR of the Soviet Union, but was raised in Palestine. He received a degree in economics from the University of London, and was an editor and journalist in Israel, before moving to New York in 1952. While working as an executive for a shipping company, he taught himself Sumerian cuneiform and visited several archaeological sites.^[3][4]

Ideas and works[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2010)

Similarly to earlier authors such as Immanuel Velikovsky and Erich von Däniken, Sitchin advocated hypotheses in which extraterrestrial events supposedly played a significant role in ancient human history.

According to Sitchin's interpretation of Mesopotamian iconography and symbology, outlined in his 1976 book The 12th Planet and its sequels, there is an undiscovered planet beyond Neptune that follows a long, elliptical orbit, reaching the inner solar system roughly every 3,600 years. This planet is called Nibiru (although Jupiter was the planet associated with the god Marduk in Babylonian cosmology).^[5] According to Sitchin, Nibiru (whose name was replaced with MARDUK in original legends by the Babylonian ruler of the same name in an attempt to co-opt the creation for himself, leading to some confusion among readers) collided catastrophically with Tiamat (a goddess in the Babylonian creation myth the Enûma Eliš), which he considers to be another planet once located between Mars and Jupiter. This collision supposedly formed the planet Earth, the asteroid belt, and the comets. Sitchin states that when struck by one of planet Nibiru's moons, Tiamat split in two, and then on a second pass Nibiru itself struck the broken fragments and one half of Tiamat became the asteroid belt. The second half, struck again by one of Nibiru's moons, was pushed into a new orbit and became today's planet Earth.

According to Sitchin, Nibiru (called "the twelfth planet" because, Sitchin claimed, the Sumerians' gods-given conception of the Solar System counted all eight planets, plus Pluto, the Sun and the Moon) was the home of a technologically advanced human-like extraterrestrial race called the Anunnaki in Sumerian myth, who Sitchin states are called the Nephilim in Genesis. He wrote that they evolved after Nibiru entered the solar system and first arrived on Earth probably 450,000 years ago, looking for minerals, especially gold, which they found and mined in Africa. Sitchin states that these "gods" were the rank-and-file workers of the colonial expedition to Earth from planet Nibiru.

Sitchin wrote that Enki suggested that to relieve the Anunnaki, who had mutinied over their dissatisfaction with their working conditions, that primitive workers (Homo sapiens) be created by genetic engineering as slaves to replace them in the gold mines by crossing extraterrestrial genes with those of Homo erectus.^[6][7] According to Sitchin, ancient inscriptions report that the human civilization in Sumer, Mesopotamia, was set up under the guidance of these "gods", and human kingship was inaugurated to provide intermediaries between mankind and the Anunnaki (creating the "divine right of kings" doctrine). Sitchin believes that fallout from nuclear weapons, used during a war between factions of the extraterrestrials, is the "evil wind" described in the Lament for Ur that destroyed Ur around 2000 BC. Sitchin states the exact year is 2024 BC.^[8] Sitchin says that his research coincides with many biblical texts, and that biblical texts come originally from Sumerian writings.

Popularity[link]

Since the release of his first book The 12th Planet in 1976, now in its 45th printing, Zecharia Sitchin has written seven other books as part of his Earth Chronicles series, as well as six other companion books, all of which are still in print as of 2010^[update]. Sitchin's books have sold millions of copies worldwide and been published in more than 25 languages, as well as in braille.^[9] New York Times reporter Corey Kilgannon noted that despite academic dismissal of his work, Sitchin has "a devoted following of readers".^[3]

Critic Michael Heiser called Sitchin "arguably the most important proponent of the ancient astronaut hypothesis over the last several decades".^[10] Sitchin was a frequent guest on the Coast to Coast AM radio show, which in 2010 presented Sitchin with a life-time achievement award.^[11] Gods of the New Millennium author Alan F. Alford admits he initially became "infatuated" with Sitchin's hypotheses but later became a critic of Sitchin's interpretations of myth.^[12]

According to some writers, Sitchin's ideas along with those of Erich von Däniken may have influenced the beliefs of the religious sect of Raëlism,^[13][14] and writer Mark Pilkington sees the mythology of Japan's Pana Wave religious group as rooted in Sitchins The 12th Planet and its sequels.^[15]

The 1994 movie Stargate, directed by Roland Emmerich, and the 2009 video game The Conduit drew some conceptual inspiration from Sitchin's ideas,^[16][17] while screenwriter Roberto Orci says the villains of the film Cowboys and Aliens were inspired by Sitchin's conceptualization of the Anunnaki as gold-mining aliens.^[18]

Criticisms[link]

Criticism of Sitchin's work falls primarily into three categories: translations and interpretations of ancient texts; astronomical and scientific observations; and literalism of myth.

Translations and interpretations[link]

When Sitchin wrote his books, only specialists could read the Sumerian language. However, sources such as the 2006 book Sumerian Lexicon^[19] have made the language more accessible to non-experts. Ancient language scholar Michael S. Heiser^[20] states he has found many inaccuracies in Sitchin's translations and challenges interested parties to use this book to check their validity.^[15][21] Prof. Ronald H. Fritze,^[22] author of the book Invented Knowledge: False History, Fake Science and Pseudo-religions,^[22] mentions the example of Sitchin's claim that the Sumerian sign Din-Gir means "pure ones of the blazing rockets", adding that "Sitchin's assignment of meanings to ancient words is tendentious and frequently strained."^[23] Fritze also commented on Sitchin's methodology, writing that "When critics have checked Sitchin's references, they have found that he frequently quotes out of context or truncates his quotes in a way that distorts evidence in order to prove his contentions. Evidence is presented selectively and contradictory evidence is ignored."^[23]

Sitchin bases his arguments on his personal interpretations of pre-Nubian and Sumerian texts, and the seal VA 243. Sitchin wrote that these ancient civilizations knew of a twelfth planet, when in fact they only knew five.^[24] Hundreds of Sumerian astronomical seals and calendars have been decoded and recorded, and the total count of planets on each seal has been five. Seal VA 243 has 12 dots that Sitchin identifies as planets. When translated, seal VA 243 reads "You're his Servant" which is now thought to be a message from a nobleman to a servant. According to semitologist Michael S. Heiser, the so-called sun on Seal VA 243 is not the Sumerian symbol for the sun but is a star, and the dots are also stars.^[24][25] The symbol on seal VA 243 has no resemblance to the hundreds of documented Sumerian sun symbols.

In a 1979 review of The Twelfth Planet, Roger W. Wescott,^[26] Prof. of Anthropology and Linguistics at Drew University, Madison, New Jersey, noted Sitchin's amateurishness with respect to the primacy of the Sumerian language:

Sitchin's linguistics seems at least as amateurish as his anthropology, biology, and astronomy. On p. 370, for example, he maintains that "all the ancient languages . . . including early Chinese . . . stemmed from one primeval source -- Sumerian". Sumerian, of course, is the virtual archetype of what linguistic taxonomists call a language-isolate, meaning a language that does not fall into any of the well-known language-families or exhibit clear cognation with any known language. Even if Sitchin is referring to written rather than to spoken language, it is unlikely that his contention can be persuasively defended, since Sumerian ideograms were preceded by the Azilian and Tartarian signaries of Europe as well as by a variety of script-like notational systems between the Nile and Indus rivers.^[27]

Astronomical and scientific observations[link]

Sitchin's "planetary collision" view does superficially resemble a theory by modern astronomers—the giant impact theory of the Moon's formation about 4.5 billion years ago by a body impacting with the newly-formed Earth. However, Sitchin's proposed series of rogue planetary collisions differ in both details and timing. As with Immanuel Velikovsky's earlier Worlds in Collision thesis, Sitchin states that he has found evidence of ancient human knowledge of rogue celestial motions in a variety of mythological accounts. In Velikovsky's case, these interplanetary collisions were supposed to have taken place within the span of human existence, whereas for Sitchin these occurred during the early stages of planetary formation, but entered the mythological account passed down via the alien race which purportedly evolved on Nibiru after these encounters.

While Sitchin's scenario for the creation of the Solar System is hard to reconcile with the Earth's current small orbital eccentricity of only 0.0167, Sitchin's supporters maintain that it would explain much of Earth's peculiar early geography due to cleaving from the celestial collision, i.e., solid continents on one side and a giant ocean on the other.^{[citation needed]}

According to former Immanuel Velikovsky assistant turned prolific critic,^[28] C. Leroy Ellenberger,^[28] "[Sitchin states that] from an equal start, the Nefilim evolved on Nibiru 45 million years ahead of comparable development on Earth with its decidedly more favorable environment. Such an outcome is unlikely, to say the least, since Nibiru would spend over 99% of its time beyond Pluto. Sitchin's explanation that heat from radioactive decay and a thick atmosphere keep Nibiru warm is absurd and does not address the problem of darkness in deep space. Also unexplained is how the Nefilim, who evolved long after Nibiru arrived, knew what happened when Nibiru first entered the solar system."^[29]

The scenario outlined by Sitchin, with Nibiru returning to the inner solar system regularly every 3,600 years,

. . . implies an orbit with a semi-major axis of 235 astronomical units, extending from the asteroid belt to twelve times farther beyond the sun than Pluto. Elementary perturbation theory indicates that, under the most favorable circumstances of avoiding close encounters with other planets, no body with such an eccentric orbit would keep the same period for two consecutive passages. Within twelve orbits the object would be either ejected or converted to a short period object. Thus, the failed search for a trans-Plutonian planet by T.C. Van Flandern, of the U.S. Naval Observatory, which Sitchin uses to bolster his thesis, is no support at all.^[29]

Sitchin in “the case of Adam’s alien genes”^[30] states that 223 unique genes found by the Human Genome Sequencing Consortium are without the required predecessors on the genomic evolutionary tree. Later researchers have argued that the conclusion from the Human Genome Sequencing Consortium cannot be drawn due to a lack of a comprehensive gene database for comparison. An analysis by Salzberg identified 40 potential genes laterally transferred into the genome from prokaryotic organisms. Salzberg also argues that gene loss combined with sample size effects and evolutionary rate variation provide an alternative, more biologically plausible explanation.^[31]

Literalism of myth[link]

Peter James, co-author of the controversial book Centuries of Darkness,^[32] has criticized Sitchin both for ignoring the world outside of Mesopotamia and more specifically for misunderstanding Babylonian literature:

He uses the Epic of Creation Enuma Elish as the foundation for his cosmogony, identifying the young god Marduk, who overthrows the older regime of gods and creates the Earth, as the unknown "Twelfth Planet". In order to do as he interprets the Babylonian theogony as a factual account of the birth of the other "eleven" planets. The Babylonian names for the planets are established beyond a shadow of a doubt—Ishtar was the deity of Venus, Nergal of Mars, and Marduk of Jupiter—and confirmed by hundreds of astronomical/astrological tables and treatises on clay tablets and papyri from the Hellenistic period. Sitchin merrily ignores all this and assigns unwarranted planetary identities to the gods mentioned in the theogony. For example, Apsu, attested as god of the primeval waters, becomes, of all things, the Sun! Ea, as it suits Sitchin, is sometimes planet Neptune and sometimes a spaceman. And the identity of Ishtar as the planet Venus, a central feature of Mesopotamian religion, is nowhere mentioned in the book—instead Sitchin arbitrarily assigns to Venus another deity from Enuma Elish, and reserves Ishtar for a role as a female astronaut.^[33]

William Irwin Thompson comments on what he calls Sitchin's 'literalism':

What Sitchin sees is what he needs for his hypothesis. So figure 15 on page 40 is radiation therapy, and figure 71 on page 136 is a god inside a rocket-shaped chamber. If these are gods, why are they stuck with our cheap B movie technology of rockets, microphones, space-suits, and radiation therapy? If they are gods, then why can't they have some really divine technology such as intradimensional worm-hole travel, antigravity, starlight propulsion, or black hole bounce rematerializations? Sitchin has constructed what appears to be a convincing argument, but when he gets close to single images on ancient tablets, he falls back into the literalism of "Here is an image of the gods in rockets." Suddenly, ancient Sumer is made to look like the movie set for Destination Moon. Erich Von Däniken's potboiler Chariots of the Gods has the same problem. The plain of Nazca in Peru is turned into a World War II landing strip. The gods can cross galactic distances, but by the time they get to Peru, their spaceships are imagined as World War II prop jobs that need an enormous landing strip. This literalization of the imagination doesn't make any sense, but every time it doesn't, you hear Sitchin say "There can be no doubt, but..."^[34]

Bibliography[link]

Earth Chronicles volumes[link]

1. The 12th Planet, New York: Stein and Day, 1976
2. The Stairway to Heaven, 1980, Avon Books (Bear & Company, 1992, ISBN 0-939680-89-0; Harper, 2007, ISBN 0-06-137920-4)
3. The Wars of Gods and Men, 1985, Avon Books (Bear & Company, 1992, ISBN 0-939680-90-4)
4. The Lost Realms, Avon Books, 1990, ISBN 0-380-75890-3
5. When Time Began, 1993, (Harper, 2007, ISBN 0-06-137928-X, ISBN 978-0-06-137928-4)
6. The Cosmic Code, Avon Books, 1998, ISBN 0-380-80157-4
7. The End of Days: Armageddon and Prophecies of the Return, William Morrow, 2007, ISBN 978-0-06-123823-9

Companion volumes[link]

• Genesis Revisited: Is Modern Science Catching Up With Ancient Knowledge?, (Avon Books, 1990, ISBN 0-380-76159-9)
• Divine Encounters: A Guide to Visions, Angels and Other Emissaries, Avon Books, 1995, ISBN 0-380-78076-3)
• The Lost Book of Enki: Memoirs and Prophecies of an Extraterrestrial god, Bear & Company, 2001, ISBN 1-59143-037-2
• The Earth Chronicles Expeditions, Bear & Company, 2004, ISBN 978-1-59143-076-6
• Journeys to the Mythical Past, Bear and Company, 2007 ISBN 978-1-59143-080-3
• The Earth Chronicles Handbook, Bear & Company, 2009, ISBN 978-1-59143-101-5
• There Were Giants Upon the Earth: Gods, Demigods, and Human Ancestry: The Evidence of Alien DNA, (Bear & Company), 2010, ISBN 978-1-59143-121-3

DVDs[link]

• Are We Alone in the Universe? (based on Genesis Revisited), documentary, 1978 (2003 DVD release)^[35]
• An Evening with Zecharia Sitchin, lecture and slide presentation, 1997
• A Talk From The Heart!, lecture and slide presentation, 2006
• Signs of the Return, lecture and slide presentation, 2009
• 2012 - The End of Days?, lecture and slide presentation, 2010
• Zecharia at 90 - Farewell Address, lecture, 2010

See also[link]

References[link]

External links[link]

Wikiversity has learning materials about Zecharia Sitchin

• Official Website
• Kilgannon, Corey. "Origin of Species, From an Alien View", The New York Times, January 10, 2010. p. MB4.
• Zecharia Sitchin Audio Tribute on Coast to Coast AM

Criticisms[link]

• Ian Lawton's Mesopotamia Papers
• An Astronomer's View of the Akkadian Seal by Tom van Flandern
• SitchinIsWrong.com: A Polemical Website against the Theories of Zechariah Sitchin