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• 
  

• 
  Broadway theatre
  Broadway theatre, commonly called simply Broadway, refers to theatrical performances presented in one of the 40 professional theatres with 500 or more seats located in the Theatre District centered along Broadway, and in Lincoln Center, in Manhattan in New York City. Along with London's West End theatre, Broadway theatre is widely considered to represent the highest level of commercial theatre in the English-speaking world.
  The Broadway theatre district is a popular tourist attraction in New York. According to The Broadway League, Broadway shows sold approximately $1.081 billion worth of tickets in calendar year 2011, compared with $1.037 billion for 2010. Attendance in 2011 was 12.13 million.
  New York did not have a significant theatre presence until about 1750, when actor-managers Walter Murray and Thomas Kean established a resident theatre company at the Theatre on Nassau Street, which held about 280 people. They presented Shakespeare plays and ballad operas such as The Beggar's Opera. In 1752, William Hallam sent a company of twelve actors from Britain to the colonies with his brother Lewis as their manager. They established a theatre in Williamsburg, Virginia and opened with The Merchant of Venice and The Anatomist. The company moved to New York in the summer of 1753, performing ballad operas and ballad-farces like Damon and Phillida. The Revolutionary War suspended theatre in New York, but thereafter theatre resumed in 1798, the year the 2,000-seat Park Theatre was built on Chatham Street (now called Park Row). The Bowery Theatre opened in 1826, followed by others. Blackface minstrel shows, a distinctly American form of entertainment, became popular in the 1830s, and especially so with the arrival of the Virginia Minstrels in the 1840s.
  
  wn.com/Broadway_theatre
• 
  MuchMusic
  MuchMusic (often referred to simply as Much) is a Canadian English language Category A specialty channel owned by Bell Media. MuchMusic is dedicated to music-related programs, pop and youth culture.
  MuchMusic was licensed on April 2, 1984 by the Canadian Radio-television and Telecommunications Commission (CRTC) to CHUM Limited. Shortly thereafter, MuchMusic was launched on August 31, 1984 as one of the first Canadian cable specialty channels on the air. It was headed by John Martin and Moses Znaimer, the channel's founders. On June 22, 2007, CTVglobemedia gained control of MuchMusic as a result of a takeover of CHUM Limited.
  The first video played on MuchMusic was "an early music-to-film synchronization short from the 1920s which featured Eubie Blake performing Snappy Songs." The first video made specifically for television air play was Rush's "The Enemy Within".
  Bell Canada gained control of MuchMusic through its takeover of CTVglobemedia on April 1, 2011, thus renaming the company's name to Bell Media and giving the channel a new look and a new logo, as well as airing television shows, mainly dramas and reality shows.
  
  wn.com/MuchMusic

• 
  Artie Shaw
  Arthur Jacob Arshawsky (May 23, 1910 – December 30, 2004), better known as Artie Shaw, was an American clarinetist, composer, and bandleader. He was also the author of both fiction and non-fiction writings.
  Widely regarded as "one of jazz's finest clarinetists", Shaw led one of America's most popular big bands of the late 1930s and early '40s. Their signature song, a 1938 version of Cole Porter's "Begin the Beguine", was a wildly successful single and one of the era's defining recordings. Musically restless, Shaw was also an early proponent of Third Stream, which blended classical and jazz, and recorded some small-group sessions that flirted with be-bop before retiring from music in 1954.
  Born Arthur Jacob Arshawsky in New York City, Shaw grew up in New Haven, Connecticut, where, according to his autobiography his natural introversion was deepened by local antisemitism. Shaw began learning the saxophone when he was 13 years old, and by the age of 16, he switched to the clarinet and left home to tour with a band. Returning to New York, he became a session musician through the early 1930s. From 1925 until 1936, Shaw performed with many bands and orchestras, including those of Johnny Caverello and Austin Wylie. In 1929 and 1930 he played with Irving Aaronson's Commanders, where he was exposed to symphonic music, which he would later incorporate in his arrangements.
  
  wn.com/Artie_Shaw
• 
  Benny Carter
  Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz alto saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. He was a major figure in jazz from the 1930s to the 1990s, and was recognized as such by other jazz musicians who called him King. In 1958, he performed with Billie Holiday at the legendary Monterey Jazz Festival.
  The National Endowment for the Arts honored Benny Carter with its highest honor in jazz, the NEA Jazz Masters Award for 1986. He was awarded the Grammy Lifetime Achievement Award in 1987, winner of the Grammy Award in 1994 for his solo "Prelude to a Kiss", and also the same year, received a star on the Hollywood Walk of Fame. In 2000 awarded the National Endowment for the Arts, National Medal of Arts, presented by President Bill Clinton.
  Born in New York in 1907, the youngest of three children and the only boy, received his first music lessons on piano from his mother. Largely self-taught, by age fifteen, Carter was already sitting in at Harlem night spots. From 1924 to 1928, Carter gained valuable professional experience as a sideman in some of New York's top bands. As a youth, Carter lived in Harlem around the corner from Bubber Miley who was Duke Ellington's star trumpeter, Carter was inspired by Miley and bought a trumpet, but when he found he couldn't play like Miley he traded the trumpet in for a saxophone. For the next two years he played with such jazz greats as cornetist Rex Stewart, clarinetist-soprano saxophonist Sidney Bechet, pianists Earl Hines, Willie "The Lion" Smith, pianist Fats Waller, pianist James P. Johnson, pianist Duke Ellington and their various groups.
  
  wn.com/Benny_Carter
• 
  Benny Goodman
  Benjamin David “Benny” Goodman (May 30, 1909 – June 13, 1986) was an American jazz and swing musician, clarinetist and bandleader; widely known as the "King of Swing".
  In the mid-1930s, Benny Goodman led one of the most popular musical groups in America. His January 16, 1938 concert at Carnegie Hall in New York City is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music."
  Goodman's bands launched the careers of many major names in jazz, and during an era of segregation, he also led one of the first well-known racially-integrated jazz groups. Goodman continued to perform to nearly the end of his life, including exploring his interest in classical music.
  Goodman was born in Chicago, the ninth of twelve children of poor Jewish immigrants from the Russian Empire, who lived in the Maxwell Street neighborhood. His father was David Goodman, a tailor from Warsaw; his mother was Dora Grisinsky (from Kaunas, Lithuania). His parents met in Baltimore, Maryland, and moved to Chicago before Benny was born.
  
  wn.com/Benny_Goodman
• Billy Byers
  William Mitchell "Billy" Byers (May 1, 1927 - May 1, 1996) was an American jazz trombonist and arranger.
  Born in Los Angeles, Byers suffered from arthritis from a young age and was unable to continue his plans of a career as a pianist. He picked up trombone and played with Karl Kiffle before serving in the Army in 1944-45. In the second half of the 1940s he arranged and played trombone for Georgie Auld, Buddy Rich, Benny Goodman, Charlie Ventura, and Teddy Powell. Following this he composed for WMGM (AM) radio and television in New York. In the middle of the 1950s he was in Paris arranging for Ray Ventura; he also led a session of his own at this time. Later in the 1950s in Europe he played with Harold Arlen (1959–1960) and with the orchestra of Quincy Jones. He became Jones's assistant at Mercury Records in the 1960s, and arranged for Count Basie and Dan Terry's 1969 album Lonely Place. He also recorded some Duke Ellington standards on his own. He toured Europe and Japan alongside Frank Sinatra in 1974. Byers had extensive credits arranging and conducting for film, and won the Drama Desk Award for Outstanding Orchestrations for City of Angels.
  
  wn.com/Billy_Byers
• Billy May
  William E. "Billy" May (November 10, 1916 – January 22, 2004) was an American composer, arranger and trumpeter. He composed film and television music, for The Green Hornet (1966), Batman (with Batgirl theme, 1967), and Naked City (1960) and collaborated on films, such as Pennies from Heaven (1981), and orchestrated Cocoon, and Cocoon: The Return among others.
  May also wrote arrangements for many top singers, including Frank Sinatra, Nat "King" Cole, Peggy Lee, Vic Damone, Bobby Darin, Johnny Mercer, Ella Fitzgerald, Jack Jones, Bing Crosby, Sandler and Young, Nancy Wilson, Rosemary Clooney and Ella Mae Morse.
  As a trumpet player, during the 1940s big-band era, May recorded such songs as "Measure for Measure", "Long Tall Mama", and "Boom Shot", with Glenn Miller and His Orchestra, and "The Wrong Idea", "Lumby", and "Wings Over Manhattan" with Charlie Barnet and His Orchestra. With his own band, May had a hit single, "Charmaine", in 1952, and he released an album, Sorta-May.
  
  wn.com/Billy_May
• 
  Billy Strayhorn
  William Thomas "Billy" Strayhorn (November 29, 1915 – May 31, 1967) was an American composer, pianist and arranger, best known for his successful collaboration with bandleader and composer Duke Ellington lasting nearly three decades. His compositions include "Chelsea Bridge", "Take the "A" Train" and "Lush Life".
  Strayhorn was born in Dayton, Ohio. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family was from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He first became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player.
  Strayhorn returned to Pittsburgh, and attended Westinghouse High School, later attended by Erroll Garner and Ahmad Jamal. In Pittsburgh, he began his musical career, studying classical music for a time at the Pittsburgh Music Institute, writing a high school musical, forming a musical trio that played daily on a local radio station, and, while still in his teens, composing (with lyrics) the songs "Life Is Lonely" (later renamed "Lush Life"), "My Little Brown Book", and "Something to Live For". While still in grade school, he worked odd jobs to earn enough money to buy his first piano. While in high school, he played in the school band, and studied under the same teacher who had also instructed jazz pianists Erroll Garner and Mary Lou Williams. By age 19, he was writing for a professional musical, Fantastic Rhythm.
  
  wn.com/Billy_Strayhorn
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  Bob Brookmeyer
  Robert Edward Brookmeyer (December 19, 1929 – December 15, 2011) was an American jazz valve trombonist, pianist, arranger, and composer.
  Born in Kansas City, Missouri, Brookmeyer first gained widespread public attention as a member of Gerry Mulligan's quartet from 1954 to 1957. He later worked with Jimmy Giuffre. before rejoining Mulligan's Concert Jazz Band.
  Robert Edward Brookmeyer was born on December 19, 1929, in Kansas City, Missouri, the only child of Elmer Edward Brookmeyer and the former Mayme Seifert. He began playing music professionally as a teenager and attended the Kansas City Conservatory of Music, but left before graduating. He played piano with the big bands of Tex Beneke and Ray McKinley, but switched his focus to valve trombone when he was with the Claude Thornhill orchestra in the early 1950s. While active on the New York jazz scene in the 1950s and 1960s, Brookmeyer was also busy in the city’s television and recording studios. He was in the house band for “The Merv Griffin Show” and wrote arrangements for Ray Charles and others. He abandoned the uncertainties of the jazz life for the financial security of full-time studio work after moving to Los Angeles in 1968. In the 1960s he also worked as a studio musician, co-led a quintet with Clark Terry and worked in and wrote for the Thad Jones/Mel Lewis Orchestra. In 1980 this band recorded an album of his compositions/arrangements on which two tracks featured Clark Terry. During his decade on the West Coast he struggled with a serious drinking problem and, after overcoming it, briefly considered quitting music to become an alcoholism counselor. Instead, in 1978, he returned to jazz, and to New York.
  
  wn.com/Bob_Brookmeyer
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  Count Basie
  William "Count" Basie (August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. His mother first taught him piano and he started performing in his teens. Dropping out of school, he learned to operate lights for vaudeville and improvised to accompany silent films at a local theater in his town of Red Bank, New Jersey. By 16, he increasingly played jazz piano at parties, resorts and other venues. In 1924, he went to Harlem, where his performing career expanded; he toured with groups to the major jazz cities of Chicago, St. Louis and Kansas City. In 1929 he joined Bennie Moten's band in Kansas City, and played with them for years, until Moten's death in 1935.
  That year Basie formed his own jazz orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many notable musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison and singers Jimmy Rushing and Joe Williams. Basie's theme songs were "One O'Clock Jump," developed in 1935 in the early days of his band, and "April In Paris".
  
  wn.com/Count_Basie
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  Duke Ellington
  Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American composer, pianist, and big-band leader. Ellington wrote over 1,000 compositions. In the opinion of Bob Blumenthal of The Boston Globe "In the century since his birth, there has been no greater composer, American or otherwise, than Edward Kennedy Ellington." A major figure in the history of jazz, Ellington's music stretched into various other genres, including blues, gospel, film scores, popular, and classical. His career spanned more than 50 years and included leading his orchestra, composing an inexhaustible songbook, scoring for movies, composing stage musicals, and world tours. Several of his instrumental works were adapted into songs that became standards. Due to his inventive use of the orchestra, or big band, and thanks to his eloquence and extraordinary charisma, he is generally considered to have elevated the perception of jazz to an art form on a par with other traditional genres of music. His reputation increased after his death and the Pulitzer Prize Board bestowed on him a special posthumous honor in 1999.
  
  wn.com/Duke_Ellington
• 
  Eddie Sauter
  Edward Ernest Sauter (December 2, 1914 in Brooklyn – April 21, 1981 in New York City) was a composer and jazz arranger who achieved renown among musicians during the swing era.
  Sauter studied music at Columbia University and the Juilliard School. He began as a drummer and then played trumpet professionally, most notably with Red Norvo's orchestra. Eventually he became a full-time arranger for Norvo. He went on to arrange and compose for Artie Shaw, Tommy Dorsey, Woody Herman, and especially Benny Goodman, earning a reputation for intricate, complex, and carefully crafted works such as "Benny Rides Again," "Moonlight on the Ganges," and "Clarinet a la King".
  From 1952 to 1958 Sauter was co-leader of the Sauter-Finegan Orchestra. Between 1957 and 1959 he was Kurt Edelhagen's successor as leader of the SWF orchestra in Baden-Baden, Germany. In 1961, he worked with tenor saxophonist Stan Getz on Focus, a unique collaboration for which Sauter---at Getz's commission---wrote a suite of string compositions (Roy Haynes, the jazz drummer, appeared on "I'm Late, I'm Late," the only selection to feature a non-string instrument other than Getz) without primary melodies, the idea being for Getz to improvise them in his customary lyric style.
  
  wn.com/Eddie_Sauter
• 
  Ferde Grofé
  Ferde (Ferdie) Grofé (27 March 1892 – 3 April 1972) was an American composer, arranger and pianist. During the 1920s and 1930s, he went by the name Ferdie Grofé.
  Born Ferdinand Rudolph von Grofé, in New York City, Grofe came by his extensive musical interests naturally. Of French Huguenot extraction, his family had four generations of classical musicians. His father, Emil von Grofé, was a baritone who sang mainly light opera; his mother, Elsa Johanna Bierlich von Grofé, a professional cellist, was also a versatile music teacher who taught Ferde to play the violin and piano. Elsa's father, Bernardt Bierlich, was a cellist in the Metropolitan Opera Orchestra in New York and Elsa's brother, Julius Bierlich, was first violinist and concertmaster of the Los Angeles Symphony.
  Ferde's father died in 1899, after which his mother took Ferde abroad to study piano, viola and composition in Leipzig, Germany. Ferde became proficient on a wide range of instruments including piano (his favored instrument), violin, viola (he became a violist in the LA Symphony), baritone horn, alto horn and cornet. This command of musical instruments and composition gave Ferde the foundation to become first an arranger of other composers' music and then a composer in his own right.
  
  wn.com/Ferde_Grofé
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  George Gershwin
  George Gershwin (September 26, 1898 – July 11, 1937) was an American composer and pianist. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are widely known. Among his best known works are the orchestral compositions Rhapsody in Blue and An American in Paris, as well as the opera Porgy and Bess.
  Born in Brooklyn to a Ukrainian father of Jewish descent and a Russian mother, Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark and Henry Cowell. He began his career as a song plugger, but soon thereafter started composing Broadway theatre works with his brother Ira Gershwin and Buddy DeSylva. He moved to Paris in an attempt to study with Nadia Boulanger, where he began to compose An American in Paris. After returning to New York City, he wrote Porgy and Bess with Ira and author DuBose Heyward. Initially a commercial failure, Porgy and Bess is now considered one of the most important American operas of the Twentieth Century. Gershwin moved to Hollywood and composed numerous film scores until his death in 1937 from a brain tumor.
  
  wn.com/George_Gershwin
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  George Martin
  Sir George Henry Martin CBE (born 3 January 1926) is an English record producer, arranger, composer, conductor, audio engineer and musician. He is sometimes referred to as "the Fifth Beatle"—a title that he has described as "nonsense"—in reference to his extensive involvement on each of The Beatles' original albums. He is considered one of the greatest record producers of all time, with 30 number one hit singles in the UK and 23 number one hits in the USA.
  Influenced by a range of musical styles, encompassing Cole Porter and Johnny Dankworth, he attended the Guildhall School of Music and Drama from 1947 to 1950, studying piano and oboe. Following his graduation, he worked for the BBC's classical music department, then joined EMI in 1950. Martin produced comedy and novelty records in the early 1950s, working with the likes of Peter Sellers and Spike Milligan.
  In a career spanning over six decades, Martin has worked in music, film, television and live performance. He has also held a number of senior executive roles at media companies and contributes to a wide range of charitable causes, including his work for the Prince's Trust and the Caribbean island of Montserrat.
  
  wn.com/George_Martin
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  Gil Evans
  Gil Evans (13 May 1912, Toronto, Canada – 20 March 1988, Cuernavaca, Mexico) was a jazz pianist, arranger, composer and bandleader, active in the United States. He played an important role in the development of cool jazz, modal jazz, free jazz and jazz fusion, and collaborated extensively with Miles Davis.
  Born Ian Ernest Gilmore Green, his name was changed early on to Evans, the name of his stepfather. His family moved to Stockton, California where he spent most of his youth. After 1946, he lived and worked primarily in New York City, living for many years at Westbeth Artists Community.
  Between 1941 and 1948, he worked as an arranger for the Claude Thornhill Orchestra. Evans' modest basement apartment behind a New York City Chinese laundry soon became a meeting place for musicians looking to develop new musical styles outside of the dominant bebop style of the day. Those present included the leading bebop performer Charlie Parker himself, as well as Gerry Mulligan and John Carisi. In 1948, Evans, with Miles Davis, Gerry Mulligan, and others, collaborated on a band book for a nonet. These ensembles, larger than the trio-to-quintet "combos", but smaller than the "big bands" which were on the brink of becoming economically unviable, allowed the arrangers to have a larger pallette of colors by using French horns and tuba. Claude Thornhill had employed hornist John Graas in 1942,and composer-arranger Bob Graettinger had scored for horns and tubas with the Stan Kenton orchestra, but the "Kenton sound" was in the context of a dense orchestral wall of sound that Evans avoided.
  
  wn.com/Gil_Evans
• Gordon Goodwin
  Gordon L. Goodwin (born 1954) is an American studio pianist, saxophonist, composer, arranger and conductor. He now lives in Southern California with his wife Lisa, daughter Madison and two sons, Trevor and Garrison.
  Gordon Goodwin was born in Wichita, Kansas.
  Gordon Goodwin began his musical education at Cal State Northridge with Joel Leach and Bill Calkins. He wrote his first big band chart when he was in the 7th grade, called "Hang Loose". After graduation he was recruited to Louie Bellson's big band, where he played with the likes of Pete Christlieb and Don Menza. He went on to play under Les Hooper and Grant Geissman.
  Since then, Goodwin has risen to prominence in the American studio music scene with his big band, The Big Phat Band. In the band, Goodwin plays piano and occasionally both the soprano and tenor saxophone. This band brings together the talents of such players as Wayne Bergeron, Eric Marienthal and Andy Martin. These detailed music charts are all written or adapted by Gordon Goodwin. Several of his songs are plays on old jazz tunes: a prime example is "Sing, Sang, Sung" which mimics the famous Louis Prima song "Sing, Sing, Sing". Under Goodwin's direction, the band has released five albums: "Swingin' For the Fences", which received two Grammy nominations, and "XXL", which received three. "The Phat Pack" was released on June 13, 2006, and "Bah, Humduck! a Looney Tunes Christmas (Music from and Inspired by the Motion Picture)" was also released in 2006. "Act Your Age", was released on September 30, 2008. Their most recent album, "That's How We Roll", was released on April 12, 2011. Goodwin won the 2012 Grammy for Best Instrumental Arrangement for his Arrangement of George Gershwin's Rhapsody In Blue.
  
  wn.com/Gordon_Goodwin
• Gordon Jenkins
  Gordon Hill Jenkins (May 12, 1910 – May 1, 1984) was an American arranger, composer and pianist who was an influential figure in popular music in the 1940s and 1950s, renowned for his lush string arrangements. Jenkins worked with the Andrews Sisters, Johnny Cash, The Weavers, Frank Sinatra, Louis Armstrong, Judy Garland, Nat King Cole, Billie Holiday, and Ella Fitzgerald, among other singers.
  Jenkins was born in Webster Groves, Missouri. He began his career doing arrangements for a St. Louis radio station.^[specify] He was then hired by Isham Jones, the director of a dance band known for its ensemble playing, and this gave Jenkins the opportunity to develop his skills in melodic scoring. He also conducted The Show Is On on Broadway. Jenkins married high school sweetheart Nancy Harkey in 1931 and had three children: Gordon Jr., Susan, and Page. In 1946, he divorced Harkey and married Beverly Mahr, one of the singers in his band. They had a son, Bruce.
  After the Jones band broke up in 1936, Jenkins worked as a freelance arranger and songwriter, contributing to sessions by Isham Jones, Paul Whiteman, Benny Goodman, Andre Kostelanetz, Lennie Hayton, and others. In 1938, Jenkins moved to Hollywood and worked for Paramount Pictures and NBC, and then became Dick Haymes' arranger for four years. In 1944, Jenkins had a hit song with "San Fernando Valley".
  
  wn.com/Gordon_Jenkins
• Henry Mancini
  Enrico Nicola "Henry" Mancini (April 16, 1924 – June 14, 1994) was an American composer, conductor and arranger, best remembered for his film and television scores. He won a record number of Grammy Awards (20), plus a Grammy Lifetime Achievement Award posthumously in 1995. His best-known works include the jazz-idiom theme to The Pink Panther film series ("The Pink Panther Theme"), the Peter Gunn Theme from the television series, and back-to-back Academy Awards for the songs "Moon River" from the Blake Edwards film Breakfast at Tiffany's and "Days of Wine and Roses" from Edwards' film Days of Wine and Roses. He also composed the score of famous films such as Charade, The Great Race, Wait Until Dark or Silver Streak.
  Mancini was born in the Little Italy neighborhood of Cleveland, and grew up near Pittsburgh, in the steel town of West Aliquippa, Pennsylvania. His parents emigrated from the Abruzzo region of Italy. Mancini's father, Quinto, (born March 13, 1893, Scanno, Italy) was a steelworker, who made his only child begin piccolo lessons at the age of eight. When Mancini was 12 years old, he began piano lessons. Quinto and Henry played flute together in the Aliquippa Italian immigrant band, "Sons of Italy". After graduating from Aliquippa High School in 1942, Mancini attended the renowned Juilliard School of Music in New York. In 1943, after roughly one year at Juilliard, his studies were interrupted when he was drafted into the United States Army. In 1945, he participated in the liberation of a concentration camp in southern Germany.
  
  wn.com/Henry_Mancini
• 
  Ike Turner
  Ike Wister Turner (November 5, 1931 – December 12, 2007) was an American musician, bandleader, songwriter, arranger, talent scout, and record producer. In a career that lasted more than half a century, his repertoire included blues, soul, rock, and funk. He is most popularly known for his 1960s work with his then wife Tina Turner in the Ike & Tina Turner revue. Growing up in Clarksdale, Mississippi, he began playing piano and guitar when he was eight, forming his group, the Kings of Rhythm as a teenager at high school. He employed the group as his backing band for the rest of his life. His first recording, "Rocket 88" with the Kings of Rhythm credited as "Jackie Brenston and his Delta Cats", in 1951, is considered a possible contender for "first rock and roll song". Relocating to St. Louis, Missouri in 1954, he built the Kings into one of the most renowned acts on the local club circuit. It was there he met singer Anna Mae Bullock, whom he married and renamed Tina Turner, forming the Ike & Tina Turner Revue, which over the course of the sixties became a soul/rock crossover success.
  
  wn.com/Ike_Turner
• 
  Jelly Roll Morton
  Ferdinand Joseph LaMothe (October 20, 1885 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and early jazz pianist, bandleader and composer.
  Widely recognized as a pivotal figure in early jazz, Morton is perhaps most notable as jazz's first arranger, proving that a genre rooted in improvisation could retain its essential spirit and characteristics when notated. His composition "Jelly Roll Blues" was the first published jazz composition, in 1915. Morton is also notable for naming and popularizing the "Spanish tinge" (habanera rhythm and tresillo), and for penning such standards as "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the latter a tribute to turn of the 19th to 20th century New Orleans personalities.
  Reputed for his arrogance and self-promotion as often as recognized in his day for his musical talents, Morton claimed to have invented jazz outright in 1902 — much to the derision of later musicians and critics. However, jazz historian, musician, and composer Gunther Schuller writes about Morton's "hyperbolic assertions" that there is "no proof to the contrary" and that Morton's "considerable accomplishments in themselves provide reasonable substantiation".
  
  wn.com/Jelly_Roll_Morton
• 
  Joe Cocker
  John Robert "Joe" Cocker, OBE (born 20 May 1944) is an English rock and blues singer, who came to popularity in the 1960s, and is most known for his gritty voice, his idiosyncratic arm movements while performing, and his cover versions of popular songs, particularly those of the Beatles.
  He is the recipient of several awards, including a 1983 Grammy Award for his #1 hit "Up Where We Belong", a duet he performed with Jennifer Warnes. He was ranked #97 on Rolling Stone's 100 greatest singers list.
  Cocker was born on 20 May 1944 at 38 Tasker Road, Crookes, Sheffield, West Riding of Yorkshire. He is the youngest son of a civil servant, Harold Cocker, and Madge Cocker. According to differing family stories, Cocker received his nickname of Joe either from playing a childhood game called "Cowboy Joe" or from a local window cleaner named Joe.
  Cocker's main musical influences growing up were Ray Charles and Lonnie Donegan. Cocker's first experience singing in public was at age 12 when his elder brother Victor invited him on stage to sing during a gig of his skiffle group. In 1960, along with three friends, Cocker formed his first group, the Cavaliers. For the group's first performance at a youth club, they were required to pay the price of admission before entering. The Cavaliers eventually broke up after a year and Cocker left school to become an apprentice gasfitter while he pursued a career in music.
  
  wn.com/Joe_Cocker
• 
  Johnny Richards
  Johnny Richards (November 2, 1911 – October 7, 1968) was a jazz arranger and composer in the mid-20th century United States. He was a pivotal arranger for some of the more adventurous, boisterous Stan Kenton big band performances on recordings in the 1950s: the Cuban Fire! suite being the most know of those compositions.
  Richards was born in Toluca, Mexico, as Juan Manuel Cascales, to a Spanish father (Juan Cascales y Valero) and a Mexican mother (Maria Celia Arrue AKA Marie Cascales), whose parents were Spanish immigrants to Mexico. He entered the United States at Laredo, Texas, along with his mother, three brothers (also professional musicians) and sister: Jose Luis Cascales (Joe), Carlos Guillermo Cascales (known in the music world as Chuck Cabot), Maria de los Angeles Cascales (Angeles/Anne Beaufait), and Juan Adolfo Cascales (Jack) on August 4, 1919 (reference: U. S. Department of Labor, Immigration Service, Laredo, Texas, receipt #106831/14989 and United States of America Declaration of Intention #11261, certification No. 23 103364, dated November 21, 1941, Los Angeles, California. Copies of these documents are owned by Richards' niece, daughter of his brother Chuck, and are also part of public record).
  
  wn.com/Johnny_Richards
• Jonathan Tunick
  Jonathan Tunick (born April 19, 1938, New York City, New York) is an American orchestrator, musical director, and composer, one of eleven people to have won all four major American show business awards: the Tony Awards, Academy Awards, Emmy Awards and Grammy Awards. He has worked on most of the musicals of Stephen Sondheim, starting in 1970 with Company and ending with the 2010-11 revival of Follies.
  He graduated from the LaGuardia Performing Arts High School, and holds degrees from Bard College and the Juilliard School. Tunick's principal instrument is the clarinet.
  Much of his work has arisen from his involvement in theatre, and he is associated especially with the musicals of Stephen Sondheim. Sondheim said of Tunick's work: " 'I think he's tops'..." and further noted that "Tunick is a standout in his field not only because of his musicianship and imagination, but primarily because of 'his great sensitivity to theatrical atmosphere.' "
  Tunick also has a band, the "Broadway Moonlighters", which played at Birdland in March 2012 and in 2008 with Barbara Cook as his special guest. He has worked as an arranger and/or con­ductor on recordings with Judy Collins, Cleo Laine, Kiri Te Kanawa, Itzhak Perlman, Placido Domingo, Johnny Mathis, Barbra Streisand, Paul McCartney and Bernadette Peters. In his review of the Bernadette Peters recording Bernadette Peters Loves Rodgers and Hammerstein (Angel Records, 2002), John Kenrick wrote: "Jonathan Tunick provides the brilliant arrangements." Tunick won the Grammy Award as "Best Instrumental Arrangement Accompanying Vocalist(s)/Best Background Arrangement" for his work on the song "No One Is Alone" from the Cleo Laine album Cleo Laine Sings Sondheim (RCA Victor, 1987).
  
  wn.com/Jonathan_Tunick
• 
  Leonard Bernstein
  Leonard Bernstein ( /ˈbɜrnstaɪn/ US dict: bûrn′·stīn; August 25, 1918 – October 14, 1990) was an American composer, conductor, author, music lecturer and pianist. He was among the first conductors born and educated in the United States of America to receive worldwide acclaim. According to The New York Times, he was "one of the most prodigiously talented and successful musicians in American history."
  His fame derived from his long tenure as the music director of the New York Philharmonic, from his conducting of concerts with most of the world's leading orchestras, and from his music for West Side Story, as well as Candide, Wonderful Town, On the Town and his own Mass.
  Bernstein was also the first conductor to give numerous television lectures on classical music, starting in 1954 and continuing until his death. In addition, he was a skilled pianist, often conducting piano concertos from the keyboard.
  As a composer he wrote in many styles encompassing symphonic and orchestral music, ballet, film and theatre music, choral works, opera, chamber music and pieces for the piano. Many of his works are regularly performed around the world, although none has matched the tremendous popular and commercial success of West Side Story.
  
  wn.com/Leonard_Bernstein
• 
  Lou Marini
  Lou Marini, Jr. (also known as Blue Lou) (born May 13, 1945) is an American saxophonist, arranger and composer. He is noted for his work in the jazz, rock, blues and soul music traditions.
  Marini graduated from Fairless High School in Navarre, Ohio. His father, Lou Marini, Sr., was the head band director at Fairless and created the school's "Alma Mater" (official song). Each year, Fairless High still bestows the Lou Marini Award in honor of his father's work. Lou Marini, Sr. died in May 2008. Both Lou Marini Sr. and Lou Marini Jr. were inducted into the Fairless Alumni Association Hall of Honor in May 2010. In June 2010, he was named Artistic Director at the first Brianza Blues Festival, in Villa Reale (Monza, Italy)[1].
  Lou Jr. attended the University of North Texas, where he played in the famed One O'Clock Lab Band. Following graduation, he gigged as a professional musician and eventually became a member of Blood, Sweat and Tears. He was a member of the Saturday Night Live house band from 1975 to 1983 and appeared in the movie The Blues Brothers and in the sequel, Blues Brothers 2000, playing the part of "Blue Lou" (a name given to him by Dan Aykroyd). He also played on Frank Zappa's 1977 album Zappa in New York, and has worked with a diverse range of artists such as Dionne Warwick, Maureen McGovern, Deodato, Steely Dan, James Taylor, Aerosmith, the Buddy Rich Big Band, and the Woody Herman Orchestra.
  
  wn.com/Lou_Marini
• 
  Maurice Ravel
  Joseph-Maurice Ravel (March 7, 1875 – December 28, 1937) was a French composer known especially for his melodies, orchestral and instrumental textures and effects. Much of his piano music, chamber music, vocal music and orchestral music has entered the standard concert repertoire.
  Ravel's piano compositions, such as Jeux d'eau, Miroirs, Le tombeau de Couperin and Gaspard de la nuit, demand considerable virtuosity from the performer, and his orchestral music, including Daphnis et Chloé and his arrangement of Modest Mussorgsky's Pictures at an Exhibition, uses a variety of sound and instrumentation.
  Ravel is perhaps known best for his orchestral work Boléro (1928), which he considered trivial and once described as "a piece for orchestra without music".
  According to SACEM, Ravel's estate earns more royalties than that of any other French composer. According to the law of most countries (including all members of the World Trade Organization), Ravel's works have been in the public domain since January 1, 2008, in most countries.
  
  wn.com/Maurice_Ravel
• 
  Modest Mussorgsky
  Modest Petrovich Mussorgsky (Russian: Моде́ст Петро́вич Мýсoргский; IPA: [mɐˈdʲest ˈmusərkskʲɪj]; 21 March [O.S. 9 March] 1839 – 28 March [O.S. 16 March] 1881) was a Russian composer, one of the group known as "The Five". He was an innovator of Russian music in the romantic period. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music.
  Many of his works were inspired by Russian history, Russian folklore, and other nationalist themes. Such works include the opera Boris Godunov, the orchestral tone poem Night on Bald Mountain, and the piano suite Pictures at an Exhibition.
  For many years Mussorgsky's works were mainly known in versions revised or completed by other composers. Many of his most important compositions have recently come into their own in their original forms, and some of the original scores are now also available.
  The spelling and pronunciation of the composer's name has been a matter of some controversy.
  
  wn.com/Modest_Mussorgsky
• 
  Music of Burma
  The music of Burma (or Myanmar) has similarities with and is related to many other musical traditions in the region, including Chinese music and Thai music.
  Traditional music from Burma is melodious, generally without harmony, and usually in 4/4 time (na-yi-se) or 2/4 (wa-let-se) or 8/16 (wa-let-a-myan). There are "the segments combined into patterns, combined into verses, combined into songs [that] make Burmese music a multileveled hierarchical system...The Burmese musician manipulates the various levels of the hierarchy to create the song..." (Becker 1969, p. 272)
  Orthodox Theravada Buddhism frowns upon music as being decadent, but the Burmese monarchy as well as infusion of different regional music styles, created several classical traditions of Burmese music. The oldest influences may perhaps come from China, which shares a similar pentatonic musical scale as classical Burmese music. Other influences include Mon music (called Talaing than or "sounds of the Talaing [Mon]"), particularly in the Mahagita (မဟာဂိတ), the complete body of classical Burmese music. A prevailing one is called yodaya (ယိုးဒယား), which is essentially a class of Burmese adaptations to songs accompanied with the saung gauk and come from the Ayutthaya kingdom (modern-day Thailand) during the reigns of Bayinnaung (1551–1581) and Hsinbyushin (1753–1776), which brought back a variety of cultural traditions including the Ramayana. The primary indigenous form is called thachin (သချင်း).
  
  wn.com/Music_of_Burma
• 
  Neal Hefti
  Neal Hefti (October 29, 1922 – October 11, 2008) was an American jazz trumpeter, composer, tune writer, and arranger. He was perhaps best known for composing the theme music for the Batman television series of the 1960s, and for scoring the 1968 film The Odd Couple and the subsequent TV series of the same name.
  He began arranging professionally in his teens, when he wrote charts for Nat Towles. He became a prominent composer and arranger while playing trumpet for Woody Herman; while working for Herman he provided new arrangements for "Woodchopper's Ball" and "Blowin' Up a Storm," and composed "The Good Earth" and "Wild Root." After leaving Herman's band in 1946, Hefti concentrated on arranging and composing, although he occasionally led his own bands. He is especially known for his charts for Count Basie such as "Li'l Darlin'" and "Cute".
  Neal Paul Hefti was born October 29, 1922 to an impoverished family in Hastings, Nebraska. As a young child, he remembers his family relying on charity during the holidays. He started playing the trumpet in school at the age of eleven, and by high school was spending his summer vacations playing in local territory bands to help his family make ends meet.
  
  wn.com/Neal_Hefti
• Nelson Riddle
  Nelson Smock Riddle, Jr. (June 1, 1921 – October 6, 1985) was an American arranger, composer, bandleader and orchestrator whose career stretched from the late 1940s to the mid 1980s. His work for Capitol Records kept such vocalists as Ella Fitzgerald, Frank Sinatra, Dean Martin, Nat King Cole, Judy Garland, Peggy Lee, Johnny Mathis, Rosemary Clooney and Keely Smith household names. He found commercial and critical success again in the 1980s with a trio of Platinum albums with vocalist Linda Ronstadt.
  Riddle was born in Oradell, New Jersey, the only child of Marie Albertine Riddle and Nelson Smock Riddle, Sr., and later moved to nearby Ridgewood. Following his father's interest in music, he began taking piano lessons at age eight and trombone lessons at age fourteen. Riddle and his family had a summer house in Rumson, New Jersey. He enjoyed Rumson so much that he convinced his parents to allow him to attend high school there for his senior year. After his graduation from Rumson High School, Riddle spent his late teens and early 20s playing trombone in and occasionally arranging for various local dance bands, culminating in his association with the Charlie Spivak Orchestra.
  
  wn.com/Nelson_Riddle
• Oliver Nelson
  Oliver Edward Nelson (June 4, 1932 in St. Louis, Missouri – October 28, 1975) was an American jazz saxophonist, clarinetist, arranger and composer.
  Oliver Nelson's family was musical: his brother was also a saxophonist who played with Cootie Williams in the 1940s, and his sister sang and played piano. Nelson began learning to play the piano when he was six, and started on the saxophone at eleven. From 1947 he played in "territory" bands around Saint Louis, before joining the Louis Jordan big band from 1950 to 1951, playing alto saxophone and arranging.
  After military service in the Marines, Nelson returned to Missouri to study music composition and theory at Washington and Lincoln Universities, graduating in 1958. While back in his hometown of St. Louis, he met and married Eileen Mitchell; the couple had a son, Oliver Nelson Jr., but soon divorced. After graduation, Nelson married Audrey McEwen, a union which lasted until his death; they had a son, Nyles. Audrey was a native of St. Louis, Missouri.
  
  wn.com/Oliver_Nelson
• 
  Pete Rugolo
  Pietro "Pete" Rugolo (December 25, 1915 – October 16, 2011) was an Italian-born jazz composer and arranger.
  Rugolo was born in San Piero Patti, Sicily, Italy. His family emigrated to the United States in 1920 and settled in Santa Rosa, California. He began his career in music playing the baritone horn, like his father, but he quickly branched out into other instruments, notably the French horn and the piano. He received a bachelor's degree from San Francisco State College, and then went on to study composition with Darius Milhaud at Mills College in Oakland, California and earn his master's degree.
  After he graduated, he was hired as an arranger and composer by guitarist and bandleader Johnny Richards. He spent World War II playing with altoist Paul Desmond in an army band.
  After WWII, Rugolo worked for Stan Kenton, who headed one of the most musically 'progressive' big bands of the era. Rugolo provided arrangements and original compositions that drew on his knowledge of 20th century music, sometimes blurring the boundaries between jazz and classical music.
  
  wn.com/Pete_Rugolo
• 
  Ralph Burns
  Ralph Burns (June 29, 1922 – November 21, 2001) was an American songwriter, bandleader, composer, conductor, arranger and bebop pianist.
  Burns was born in Newton, Massachusetts where he began playing the piano as a child. In 1938, he attended the New England Conservatory of Music. He admitted that he learned the most about jazz by transcribing the works of Count Basie, Benny Goodman and Duke Ellington. While a student, Burns lived in Frances Wayne’s home. Wayne was already a well-known big band singer and her brother Nick Jerret was a bandleader who began working with Burns. He found himself in the company of such famous performers as Nat King Cole and Art Tatum.
  After Burns moved to New York in the early 1940s, he met Charlie Barnet and the two began working together. In 1944, he joined the Woody Herman band with members Neal Hefti, Bill Harris, Flip Phillips, Chubby Jackson and Dave Tough. Together, the group developed a powerful and distinctive sound. For 15 years, Burns wrote or arranged many of the band's major hits including "Bijou", "Northwest Passage" and "Apple Honey", and on the longer work "Lady McGowan’s Dream" and the three-part Summer Sequence.
  
  wn.com/Ralph_Burns
• 
  Ray Conniff
  Joseph Raymond Conniff (November 6, 1916 – October 12, 2002) was an American bandleader and arranger best known for his Ray Conniff Singers during the 1960s.
  Conniff was born in Attleboro, Massachusetts, and learned to play the trombone from his father. He studied music arranging from a course book. After serving in the U.S. Army in World War II (where he worked under Walter Schumann), he joined the Artie Shaw big band and wrote many arrangements for him. After his stint with Shaw he was then hired by Mitch Miller, then head of A&R at Columbia Records, as their home arranger, working with several artists including Rosemary Clooney, Marty Robbins, Frankie Laine, Johnny Mathis, Guy Mitchell and Johnnie Ray. He wrote a top 10 arrangement for Don Cherry's "Band of Gold" in 1955, a single that sold more than a million copies.
  Among the hit singles he backed with his orchestra (and eventually with a male chorus) were "Yes Tonight Josephine" and "Just Walkin' in the Rain" by Johnnie Ray; "Chances Are" and "It's Not for Me to Say" by Johnny Mathis; "A White Sport Coat" and "The Hanging Tree" by Marty Robbins; "Moonlight Gambler" by Frankie Laine; "Up Above My Head," a duet by Frankie Laine and Johnnie Ray; and "Pet Me, Poppa" by Rosemary Clooney. He also backed up the albums Tony by Tony Bennett, Blue Swing by Eileen Rodgers, Swingin' for Two by Don Cherry, and half the tracks of The Big Beat by Johnnie Ray.
  
  wn.com/Ray_Conniff
• 
  Ray Reach
  Raymond Everett Reach, Jr. (born August 3, 1948) is an American pianist, vocalist and educator residing in Birmingham, Alabama, now serving as Director of Student Jazz Programs for the Alabama Jazz Hall of Fame, director of the Alabama Jazz Hall of Fame All-Stars and President and CEO of Ray Reach Music and Magic City Music Productions. In addition, he is an accomplished guitarist, arranger, composer, conductor and music producer. Although he has composed, arranged and performed in a variety of genre (including classical, pop, R & B, gospel, contemporary Christian and jazz), he is perhaps best known for his work in the jazz idiom, combining straight-ahead jazz piano stylings with Sinatra-style vocals. Like many male jazz vocalists, such as Frank Sinatra, Tony Bennett, Vic Damone, Mel Torme, Harry Connick, Jr. and Michael Bublé, Ray's repertoire centers around the classic popular standards and jazz standards of the Great American Songbook. However, Ray differs from many of his jazz vocal colleagues in the fact that he does most of his own arrangements and accompanies himself on the piano.
  
  wn.com/Ray_Reach
• 
  Sammy Nestico
  Samuel "Sammy" Louis Nestico (born February 6, 1924 in Pittsburgh, Pennsylvania) is a prolific and well known composer and arranger of big band music. Nestico is most known for his arrangements for the Count Basie orchestra.
  Sammy Nestico received a Bachelors degree in music education from Duquesne University in 1950, and has since then received an honorary Doctor of Music degree there, as well as numerous awards.
  He has been a professional music arranger since 1941, when he became a staff arranger for ABC radio station WCAE in Pittsburgh at age 17. During his career, he arranged music for the Count Basie Orchestra (1967–1984), the US Air Force Band (15 yrs) and the US Marine Band (5 years) both in Washington, DC. In addition, he played the trombone in the big bands of Tommy Dorsey, Woody Herman, Gene Krupa, and Charlie Barnet.
  In 1998-1999 Nestico was a professor at the University of Georgia, teaching commercial orchestration and conducting the Studio Orchestra, but was unable to find the necessary administrative support to remain there. He also directed music programs at Los Angeles Pierce College, Los Angeles, CA, Westinghouse Memorial High School, and Wilmerding, PA.
  
  wn.com/Sammy_Nestico
• Thad Jones
  Thaddeus Joseph Jones (March 28, 1923 – August 21, 1986) was an American jazz trumpeter, composer, and bandleader.
  Thad Jones was born in Pontiac, Michigan to a musical family of ten (an older brother was pianist Hank Jones and a younger brother was drummer Elvin Jones). Thad Jones was a self taught musician, performing professionally by the age of sixteen. He served in U.S. Army bands during World War II (1943–46).
  After Army service including an association with the U.S. Military School of Music and working with area bands in Des Moines and Oklahoma City, Thad became a member of the Count Basie Orchestra in May 1954. He was featured as a soloist on such well-known tunes as April in Paris, Shiny Stockings and Corner Pocket. However, his main contribution was his nearly two dozen arrangements and compositions for the Basie Orchestra, including The Deacon, H.R.H. (Her Royal Highness, in honor of the band’s command performance in London), Counter Block, and lesser known gems such as Speaking of Sounds. His hymn-like ballad To You was performed by the Basie band combined with the Duke Ellington Orchestra in their only recording together, and the recording Dance Along With Basie contains nearly an entire album of Jones’ uncredited arrangements of standard tunes.
  
  wn.com/Thad_Jones
• Vic Schoen
  Victor "Vic" Schoen (March 26, 1916 – January 5, 2000) was an American bandleader, arranger, and composer whose career spanned from the 1930s until his death in 2000. He furnished music for some of the greatest names in show business including Benny Goodman, Glenn Miller, Count Basie, Tommy Dorsey, Harry James, Les Brown, Woody Herman, Gene Krupa, George Shearing, Jimmie Lunceford, Ray McKinley, Benny Carter, Louis Prima, Russ Morgan, Guy Lombardo, Carmen Cavallaro, Carmen Miranda, Gordon Jenkins, Joe Venuti, Victor Young, Arthur Fiedler and the Boston Pops, and his own The Vic Schoen Orchestra.
  Schoen arranged and recorded with such luminaries as The Andrews Sisters, Bing Crosby, Bob Hope, Danny Kaye, Rosemary Clooney, Irving Berlin, Marion Hutton, Betty Hutton, Perry Como, Dick Haymes, Ella Fitzgerald, Al Jolson, Maurice Chevalier, Enzo Stuarti, Lauritz Melchior, Mary Martin, Bob Crosby, The Weavers, Burl Ives, Eddie Fisher, Mildred Bailey, Peggy Lee, Patti Page, the McGuire Sisters, the Sherman Brothers, and Kay Starr.
  
  wn.com/Vic_Schoen

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