Otto Klemperer
Otto Klemperer about 1930.
Born	(1885-05-14)14 May 1885 Breslau, Silesia Province, Germany
Died	6 July 1973(1973-07-06) (aged 88) Zurich, Switzerland
Occupation	Conductor Composer
Height	6 ft 6 in (1.98 m)
Weight	290 lb (130 kg; 21 st)

Otto Klemperer (14 May 1885 – 6 July 1973) was a German conductor and composer. He is widely regarded as one of the leading conductors of the 20th century.^[1] His son, Werner Klemperer, became famous for his role as Colonel Klink on the CBS television sitcom, Hogan's Heroes.

Biography[link]

Otto Klemperer was born in Breslau, Silesia Province, then in Germany (now Wrocław, Poland), as a son of Nathan Klemperer, a native of Prague, Bohemia (today's Czech Republic). Klemperer studied music first at the Hoch Conservatory in Frankfurt, and later at the Stern Conservatory in Berlin under James Kwast and Hans Pfitzner. He followed Kwast to three institutions and credited him with the whole basis of his musical development.^[2] In 1905 he met Gustav Mahler while conducting the off-stage brass at a performance of Mahler's Symphony No. 2, 'Resurrection'. He also made a piano reduction of the second symphony.^[3] The two men became friends, and Klemperer became conductor at the German Opera in Prague in 1907 on Mahler's recommendation.^[4] Mahler wrote a short testimonial, recommending Klemperer, on a small card which Klemperer kept for the rest of his life. Later, in 1910, Klemperer assisted Mahler in the premiere of his Symphony No. 8, Symphony of a Thousand.

Klemperer went on to hold a number of positions, in Hamburg (1910–1912); in Barmen (1912–1913); the Strasbourg Opera (1914–1917); the Cologne Opera (1917–1924); and the Wiesbaden Opera House (1924–1927). From 1927 to 1931, he was conductor at the Kroll Opera in Berlin. In this post he enhanced his reputation as a champion of new music, playing a number of new works, including Leoš Janáček's From the House of the Dead, Arnold Schönberg's Erwartung, Igor Stravinsky's Oedipus rex, and Paul Hindemith's Cardillac.

In 1933, once the Nazi Party had reached power, Klemperer, who was Jewish, left Germany and moved to the United States. Klemperer had previously converted to Catholicism, but returned to Judaism at the end of his life.^{[citation needed]} In the U.S. he was appointed Music Director of the Los Angeles Philharmonic. He took United States citizenship in 1937. In Los Angeles, he began to concentrate more on the standard works of the Germanic repertoire that would later bring him greatest acclaim, particularly the works of Beethoven, Brahms and Mahler, though he gave the Los Angeles premieres of some of fellow Los Angeles resident Arnold Schoenberg's works with the Philharmonic. He also visited other countries, including England and Australia. While the orchestra responded well to his leadership, Klemperer had a difficult time adjusting to Southern California, a situation exacerbated by repeated manic-depressive episodes, reportedly as a result of severe cyclothymic bipolar disorder.

Then, after completing the 1939 Los Angeles Philharmonic summer season at the Hollywood Bowl, Klemperer was visiting Boston and was diagnosed with a brain tumor; the subsequent brain surgery to remove "a tumour the size of a small orange" left him partially paralyzed. He went into a depressive state and was placed in institution; when he escaped, The New York Times ran a cover story declaring him missing, and after being found in New Jersey, a picture of him behind bars was printed in the Herald Tribune. Though he would occasionally conduct the Philharmonic after that, he lost the post of Music Director.^[5] Furthermore, his erratic behavior during manic episodes made him an undesirable guest to US orchestras, and the late flowering of his career centered in other countries.

Klemperer (l.) with members of the Cologne Radio Symphony Orchestra, 1954

Following the end of World War II, Klemperer returned to Continental Europe to work at the Budapest Opera (1947–1950). Finding Communist rule in Hungary increasingly irksome, he became an itinerant conductor, guest conducting the Royal Danish Orchestra, Montreal Symphony Orchestra, Cologne Radio Symphony Orchestra, Concertgebouw Orchestra, and the Philharmonia of London. His career was turned around in 1954 by the London-based producer Walter Legge, who recorded Klemperer in Beethoven, Brahms and much else with his hand-picked orchestra, the Philharmonia, for the EMI label. He became the first principal conductor of the Philharmonia in 1959. He settled in Switzerland. Klemperer also worked at the Royal Opera House Covent Garden, sometimes stage-directing as well as conducting, as in a 1963 production of Richard Wagner's Lohengrin. He also conducted Mozart's The Magic Flute there in 1963.

A severe fall during a visit to Montreal forced Klemperer subsequently to conduct seated in a chair. A severe burning accident further paralyzed him, which resulted from his smoking in bed and trying to douse the flames with the contents of a bottle of spirits of camphor nearby. Through Klemperer's problems with his health, the tireless and unwavering support and assistance of Klemperer's daughter Lotte was crucial to his success.

One of his last concert tours was to Jerusalem. Klemperer had performed in Palestine before the state of Israel declared its independence, and returned to Jerusalem only in 1970 to conduct the Israeli Broadcasting Authority Symphonic Orchestra in two concerts, performing the six Brandenburg Concerti and Mozart's symphonies 39, 40 and 41. During this tour he took Israeli citizenship. He retired from conducting in 1971. Klemperer died in Zurich, Switzerland in 1973, aged 88, and was buried in Zurich's Israelitischer Friedhof-Oberer Friesenberg.

He was an Honorary Member (HonRAM) of the Royal Academy of Music.

His son, Werner Klemperer, was an actor and became known for his portrayal of Colonel Klink on the US television show Hogan's Heroes. The diarist Victor Klemperer was a cousin; so were Georg Klemperer and Felix Klemperer, who were famous physicians.

Composer[link]

Klemperer is less well known as a composer, but he wrote a number of pieces, including six symphonies, a Mass, nine string quartets, many lieder and the opera Das Ziel. He seldom performed any of these himself and they have generally fallen into neglect since his death, although his works have received the occasional commercial recording.^[6]

Klemperer's recordings[link]

Klemperer around 1920.

Many listeners associate Klemperer with slow tempos, but recorded evidence now available on compact disc shows that in earlier years his tempi could be quite a bit faster; the late recordings give a misleading impression. For example, one of Klemperer's most noted performances was of Beethoven's Symphony No. 3, the Eroica. Eric Grunin's Eroica Project contains tempo data on 363 recordings of the work from 1924–2007, and includes 10 by Klemperer - some recorded in the studio, most from broadcasts of live concerts. The earliest Klemperer performance on tape was recorded in concert in Köln in 1954 (when he was 69 years old); the last was in London with the New Philharmonia Orchestra in 1970 (when he was 85). The passing years show a clear trend with respect to tempo: as Klemperer aged, he took slower tempi. In 1954, his first movement lasts 15:18 from beginning to end; in 1970 it lasts 18:41. In 1954 the main tempo of the first movement was about 135 beats per minute, in 1970 it had slowed to about 110 beats per minute. In 1954, the Eroica second movement, "Funeral March", had a timing of 14:35; in 1970, it had slowed to 18:51. Similar slowings took place in the other movements. Around 1954, Herbert von Karajan flew especially to hear Klemperer conduct a performance of the Eroica, and later he said to him: "I have come only to thank you, and say that I hope I shall live to conduct the Funeral March as well as you have done".

Similar, if less extreme, reductions in tempi can be noted in many other works for which Klemperer left multiple recordings, at least in recordings from when he was in his late 70s and his 80s. For example:

(a) the Symphony No. 38 ("Prague") of Mozart, another Klemperer specialty. In his concert recording from December 1950 (when he was 65 years old) with the RIAS Berlin Orchestra the timings are I. 9:45 (with repeat timing omitted; the performance actually does take the repeat); II. 7:45; and III. 5.24. In his studio March, 1962 recording of the same work with the Philharmonia (recorded when he was 77 years old), the timings are notably slower: I. 10:53 (no repeat was taken); II. 8.58; III. 6:01. Unlike the late Eroica, the 1962 Prague is not notably slow; rather, the 1950 recording is much faster than most recordings of the work, even by "historically informed" conductors.

(b) The Anton Bruckner Symphony no. 4 (Haas edition with emendations). A 1947 concert recording with Concertgebouw Orchestra has timings of I. 14:03; II. 12:58; III. 10:11; and IV. 17.48. The studio recording with the Philharmonia from 1963 has timings of I. 16:09; II; 14:00; III. 11.48; IV. 19:01. Again, the 1963 is not a notably slow performance, but the 1947 was quick. The March 1951 recording with the Vienna Symphony Orchestra was even quicker: I. 13:26; II. 11:56; III. 9:22; IV. 16:30.

(c) The Mahler Symphony No. 7, recorded by Angel Records."Thus, as you listen to this performance, it seems... to enclose you within its own world of evocative sound, a world that echoes... the world we may know, but remains a world transformed by imagination, remote, and complete within itself." ^[7]

Regardless of tempo, Klemperer's performances often maintain great intensity. Eric Grunin, in a commentary on the "opinions" page of his Eroica Project, notes: "....The massiveness of the first movement of the Eroica is real, but is not its main claim on our attention. That honor goes to its astonishing story (structure), and what is to me most unique about Klemperer is that his understanding of the structure remains unchanged no matter what his tempo... "

Discography[link]

Klemperer made many recordings, and many have become classics. Among those worthy of note are:

• Bach: St Matthew Passion with Dietrich Fischer-Dieskau, Peter Pears, Elisabeth Schwarzkopf, Christa Ludwig, and Walter Berry
• Bach: Mass in B Minor
• Bach: Brandenburg Concertos with the Philharmonia Orchestra on ΕΜΙ
• Beethoven: Symphony cycles (notably the one from the mid-1950s on EMI)
• Beethoven: Symphony No. 9 (recorded live, November 1957, 1961)
• Beethoven: Fidelio (both the live recording from Covent Garden on Testament, and the studio EMI recording)
• Beethoven: Missa Solemnis
• Beethoven: Piano Concertos Nos. 3-5 (with Claudio Arrau, live versions issued on Testament)
• Brahms: Symphony cycles
• Brahms: Violin concerto with David Oistrakh
• Brahms: Ein deutsches Requiem with Dame Elisabeth Schwarzkopf and Dietrich Fischer-Dieskau
• Bruckner: Symphony No. 4 in E-flat Major
• Bruckner: Symphony No. 6 in A Major
• Chopin: Piano Concerto No. 1 with Claudio Arrau, live version issued on Music & Arts
• Handel: Messiah with Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, and Jerome Hines)
• Haydn: Symphonies 88, 92, 95, 98, 100, 101, 102, 104
• Mahler: Das Lied von der Erde with Christa Ludwig and Fritz Wunderlich
• Mahler: Symphony No. 2 in C Minor, "Resurrection", (1)- 1951 with Kathleen Ferrier & Jo Vincent; (2) - 1963 with Elisabeth Schwarzkopf & Hilde Rössl-Majdan
• Mahler: Symphony No. 4 with Elisabeth Schwarzkopf
• Mahler: Symphony No. 7, 1968
• Mahler: Symphony No. 9
• Mendelssohn: Symphonies Nos.3-4
• Mozart: Piano Concerto no. 25 (with Daniel Barenboim)
• Mozart: Symphonies Nos. 25, 29, 31, 34, 38, 39, 40 and 41
• Mozart: Don Giovanni (live version issued on Testament)
• Mozart: Die Zauberflöte (The Magic Flute), with Nicolai Gedda, Walter Berry, Gundula Janowitz, Lucia Popp, Elisabeth Schwarzkopf as the First Lady
• Stravinsky: Petrushka
• Stravinsky: Pulcinella
• Tchaikovsky: Symphony No. 5 with the Philharmonia Orchestra on EMI
• Wagner: Der fliegende Holländer (The Flying Dutchman) (with Anja Silja)
• Wagner: Siegfried Idyll in the original chamber version with members of the Philharmonia Orchestra
• Weill: Kleine Dreigroschenmusik, 1931, 1967

A list of historical recordings of the Los Angeles Philharmonic with Klemperer conducting (including parts of the George Gershwin Memorial Concert at the Hollywood Bowl can be found here: Otto Klemperer conducting the Los Angeles Philharmonic

Klemperer's last recording was Mozart's Serenade in E-Flat, K.375, recorded September 28, 1971. That recording session was the last time he ever led an orchestra.

References[link]

Bibliography[link]

• Heyworth, Peter (1996). Otto Klemperer: His Life and Times. Cambridge: Cambridge University Press. ISBN 0-521-56538-3. 
• Holden, Raymond (2005). The Virtuoso Conductors: The Central European Tradition from Wagner to Karajan. New Haven, Connecticut: Yale University Press. ISBN 0-300-09326-8. 
• Cosman, Milein (1957). Musical Sketchbook. Oxford: Bruno Cassirer. OCLC 3225493. 

External links[link]

• Otto Klemperer at Allmusic
• Beating Time: a play by Jim Grover about Klemperer
• The Stanford Collection. A comprehensive film archive, collected by Dr Charles Barber
• Otto Klemperer - Behind every great conductor

• portrait of Otto Klemperer and Johanna Geisler by Nickolas Muray
• František Sláma (musician) Archive. More on the history of the Czech Philharmonic between the 1940s and the 1980s: Conductors

This article may be expanded with text translated from the corresponding article in the German Wikipedia. (July 2010) Don't speak German? Click here to read a machine-translated version of the German article. Click [show] on the right to review important translation instructions before translating. Google's machine translation is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. After translating, {{Translated|de|Klemperer}} must be added to the talk page to ensure copyright compliance. For more guidance, see Wikipedia:Translation.

Klemperer is a surname and may refer to the following people:

• Members of the prominent German family:
  • Otto Klemperer (1885, Breslau - 1973, Zürich), a Jewish German-born conductor, composer, and father of Werner Klemperer
    • Werner Klemperer (1920, Köln - 2000, New York), a Jewish German-American actor, best-known for playing Colonel Klink in Hogan's Heroes, and musician
  • Victor Klemperer (1881, Landsberg/Warthe - 1960), Jewish German businessman, journalist, author and literary critic (Professor of Literature)
    • Das Haus Klemperer, Kirschberg, Dresden^[1]
    • Der Victor-Klemperer-Jugendwettbewerb^[2]

• David Klemperer (born 1980, Kiel), a German beach volleyball player
• Felix Klemperer (1866, Landsberg/Warthe - 1932, Berlin), German internist^[3]
• Georg Klemperer (1865, Landsberg/Warthe - 1946)^[4]
• Gustav Klemperer von Klemenau (Gustav von Klemperer) (1852–1926), German banker
• James von Klemperer (born 1957), American architect
• Klemens von Klemperer (born 1916), German-US historian
• Paul David Klemperer, FBA, an English economist, the Edgeworth Professor of Economics at Oxford University
• Ralph von Klemperer, German banker
• Viktor Klemperer von Klemenau (1876–1943), German banker
• Wilhelm Klemperer (1839–1912), rabbi
• William A. Klemperer, American chemist, Harvard University chemist
• Wolfgang B(enjamin). Klemperer (1893, Dresden - 1965), German-American physicist, aerospace engineer
  • Klemperer rosette, a gravitational system first described by Wolfgang Klemperer

See also[link]

• 134348 Klemperer (1992 UX9), a main-belt asteroid discovered on 1992 by F. Borngen

References[link]

This page or section lists people with the surname Klemperer, Klemperer von Klemenau (Klemenau), von Klemperer. If an internal link intending to refer to a specific person led you to this page, you may wish to change that link by adding the person's given name(s) to the link.

This article related to Jewish history is a stub. You can help Wikipedia by expanding it. v t e