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Androgyny is a term derived from the Greek words ανήρ, stem ανδρ- (anér, andr-, meaning man) and γυνή (gyné, meaning woman), referring to the combination of masculine and feminine characteristics. This may be as in fashion, sexual identity, or sexual lifestyle, or it may refer to biologically inter-sexed physicality, especially with regards to plant and human sexuality.^[1]

Gender identity[link]

For humans, an androgyne ( /ˈændrədʒaɪn/ AN-drə-jyn) in terms of gender identity, is a person who does not fit cleanly into the typical masculine and feminine gender roles of their society. They may also use the term ambigender to describe themselves. Many androgynes identify as being mentally "between" woman and man, or as entirely genderless. They may identify as non-gendered, genderneutral, agendered, between genders, genderqueer, multigendered, intergendered, pangender or gender fluid.^{[citation needed]}

The Bem Sex Role Inventory[link]

The Bem Sex Role Inventory is one of the most widely used gender measures and was constructed by the early leading proponent of androgyny, Sandra Bem (1977).^[2] Based on their responses to the items in the Bem Sex-Role Inventory, individuals are classified as having one of four gender-role orientations: masculine, feminine, androgynous, or undifferentiated.

The androgynous person is simply a female or male who has a high degree of both feminine (expressive) and masculine (instrumental) traits. A feminine individual is high on feminine (expressive) traits and low on masculine (instrumental) traits. A masculine individual is high on instrumental traits and low on expressive traits. An undifferentiated person is low on both feminine and masculine traits.^[2]

Gender roles[link]

Louise Brooks exemplified the flapper. Flappers challenged traditional gender roles, had boyish hair cuts and androgynous figures.^[3]

According to Sandra Bem, androgynous men and women are more flexible and more mentally healthy than either masculine or feminine individuals; undifferentiated individuals are less competent.^[2] To some degree though, context influences which gender role is most adaptive. In close relationships, a feminine or androgynous gender role may be more desirable because of the expressive nature of close relationships. However, a masculine or androgynous gender role may be more desirable in academic and work settings because of their demands for action and assertiveness.

One study found that masculine and androgynous individuals had higher expectations for being able to control the outcomes of their academic efforts than feminine or undifferentiated individuals.^[4]

Traits[link]

A statuette of Aphroditus in the anasyromenos pose. The ancient Greeks and Romans believed the pose had apotropaic magical power.

Androgynous traits are those that either have no gender value, or have some aspects generally attributed to the opposite sex. Physical androgyny (compare intersex), which deals with physical traits, is distinct from behavioral androgyny which deals with personal and social anomalies in gender, and from psychological androgyny, which is a matter of gender identity.^{[citation needed]}

To say that a culture or relationship is androgynous is to say that it lacks rigid gender roles and that the people involved display characteristics or partake in activities traditionally associated with the other sex. The term androgynous is often used to refer to a person whose look or build make determining their gender difficult but is generally not used as a synonym for actual intersexuality, transgender or two-spirit people. Occasionally, people who do not actually define themselves as androgynes adapt their physical appearance to look androgynous. This outward androgyny has been used as a fashion statement, and some of the milder forms (women wearing men's trousers/men wearing skirts, for example) are not perceived as transgendered behavior.

Lesbians who do not define themselves as butch or femme may identify with various other labels including androgynous or andro for short. A few other examples include lipstick lesbian, tomboy, and 'tom suay' which is Thai for 'beautiful butch'. Some lesbians reject gender performativity labels altogether and resent their imposition by others. Note that androgynous and butch are often considered equivalent definitions, though less so in the butch/femme scene.

The recently coined word genderqueer is often used to refer to androgynes, but the terms genderqueer and androgyne (or androgynous) are neither equivalent nor interchangeable. Genderqueer is not specific to androgynes, does not denote gender identity, and may refer to any person, cisgender or transgender, whose behavior falls outside conventional gender norms. Furthermore, genderqueer, by virtue of its linkage with queer culture, carries sociopolitical connotations that androgyne does not carry. For these reasons, some androgynes may find the label genderqueer inaccurate, inapplicable, or offensive.

An androgyne may be attracted to people of any sex or gender, though many identify as pansexual or asexual. Terms such as bisexual, heterosexual, and homosexual have less meaning for androgynes who do not identify as men or women to begin with. Infrequently the words gynephilia and androphilia are used, which refer to the gender of the person someone is attracted to, and do not imply any particular gender on the part of the person who is feeling the attraction.

Alternatives[link]

This section requires expansion.

An alternative to androgyny is gender-role transcendence, the view that when an individual's competence is at issue, it should be conceptualized on a personal basis rather than on the basis of masculinity, femininity, or androgyny.^[5]

In agenderism the division of people into women and men, in the physical sense, is erroneous and artificial. It negates the biological sex (or lack thereof) as a carrier of specific features and tendencies of personality, and as a yardstick to determine human inside "I" (Ego). In the category of transgenderism (literally, being "beyond gender identity") a person like agender can be included in a sense which rejects functioning under of any psycho-cultural gender.^{[clarification needed]}

Contemporary trends[link]

The rise of androgyny in popular culture has also been on the increase in the 21st century and beyond,^[6] with an increasing rise in both fashion industries,^[7] as well as pop culture for acceptance and even popularity of the "androgynous" look, with several trends set by current pop stars, being hailed as creative trendsetters.

The rise of the metrosexual in the 2000s has also been described as a related phenomenon associated with this trend, and traditional gender stereotypes have been challenged as well as reset in recent years dating back to the 1960s and the hippie movement and flower power. Artists in film like Leonardo DiCaprio sported the "skinny" look in the 1990s- a departure from traditional masculinity which resulted in a fad known as "Leo Mania",^[8] and this came long after musical superstars like David Bowie, Boy George, Prince, Annie Lennox challenged the norms in the 1970s and had elaborate cross gender wardrobes by the 1980s. Musical stars such as the band Placebo and Marilyn Manson have created an androgyny culture throughout the 1990's and 2000's, sporting female clothing and even wearing a PVC suit in the album cover for Mechanical Animals making him appear genderless, showing breasts and no reproductive organs. These entertainers were known to have started trends of becoming increasingly conscious of their fashion and looks, and inadvertently raised trends as celebrities in the limelight that males were now increasingly interested in traditional female interests like clothing, fashion accessories, hairstyles, manicures, spa treatments and so on, which have seen the societal redefinition of traditional gender fashion norms, due to the popularity of these artistes with many people in the world today. These trends have arguably then gone on to reshape fashion, and clothing houses like Top Man, and designer labels have then seen an increase in sales in relevant "androgynous" merchandise.^[9][10]

While the 1990s developed and fashion developed an affinity for unisex clothes and the rise of designers who favoured that look like Helmut Lang, Giorgio Armani and Pierre Cardin, the trends in fashion only hit the public mainstream in the 2000s, which saw men sporting longer hair, hairdyes, hair highlights, wearing jewellery, make up, visual kei, designer stubble, or the like, all of which been a significant mainstream trend of the 21st century, both in the western world, and in Asia.^[11] Japanese and Korean cultures have been featuring the androgynous look as an ideal in society, as depicted in both K-pop, J-pop^[12] and in Anime and Manga,^[13] as well as the fashion industry.^[14]

See also[link]

References[link]

External links[link]

Look up androgyny in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: Androgyny

• Androgyny: study and collection of articles
• Androgyne Online
• Neutrois people who identify as being non-gendered
• Sandra Bem and androgyny
• The Two-Spirit Tradition
• Description of androgynes as a gender identity from the Gender Wiki at Wikia.

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Joan Jett
Joan Jett, with The Blackhearts, performing at the "Tribute to Our Heroes" celebration at Fort Hood, Texas in May 2005
Background information
Birth name	Joan Marie Larkin
Also known as	Joan Jett
Born	(1958-09-22) September 22, 1958 (age 53)
Origin	Wynnewood, Pennsylvania, United States
Genres	Rock, hard rock, punk rock
Occupations	Singer-songwriter, musician
Instruments	Vocals, guitar, bass guitar
Years active	1975–present
Labels	Blackheart, Epic, Boardwalk, MCA, CBS/Sony, Warner Bros.
Associated acts	The Runaways, Joan Jett & the Blackhearts
Website	www.joanjett.com
Notable instruments
Gibson Melody Maker[1]

Joan Jett (born September 22, 1958) is an American rock guitarist, singer, songwriter, producer and occasional actress., best known for her work with Joan Jett & the Blackhearts, including their hit cover "I Love Rock 'n' Roll", which was No. 1 on the Billboard Hot 100 from March 20 to May 1, 1982,^[2] as well as for their other popular recordings including "Crimson and Clover", "I Hate Myself for Loving You", "Do You Want to Touch Me", "Light of Day", "Love Is All Around", "Bad Reputation".

Her musical and songwriting approach is heavily influenced by the hard-edged, hard beat-driven rhythms common to many rock bands of her native Philadelphia,^{[citation needed]} often featuring lyrics surrounding themes of lost love, criticisms of insincerity, the quest for authenticity, as well as the struggles and resolutions of the American middle class. She has three albums that have been certified Platinum or Gold, and she has been referred to as the "Queen of Rock 'n' Roll" many times during her career.^[3]

Biography[link]

Early life[link]

Joan Marie Larkin was born September 22, 1958^[4][5] at Lankenau Hospital in Wynnewood, a suburb of Philadelphia, Pennsylvania. She moved to Rockville, Maryland, in 1967 where she attended Randolph Junior High and Wheaton High School.^{[citation needed]} Jett got her first guitar at the age of 13. Joan took some guitar lessons, but quit soon after when the instructor kept trying to teach her folk songs.^{[citation needed]} She also became involved with a bartender at a club from the town,^{[citation needed]} at which point her family then relocated to the city of West Covina, California, in Los Angeles County, providing Jett the opportunity to pursue her musical endeavors.

In Los Angeles, Joan interacted with some of her idols, including Suzi Quatro, one of the first female rock musicians who played an instrument on stage.^{[citation needed]} Quatro was vital to Joan's career,^{[citation needed]} and Joan adopted many of Suzi's qualities including her shag haircut and style. Jett would quietly wait in the lobby of various hotels that Suzi was staying in during her US tours, just to catch a glimpse of her.^[6] She wore wooden platform shoes with "Suzi Quatro" carved into the side. Her favorite night spot was Rodney Bingenheimer's English Disco.^[7] Joan was introduced to the glam-rock style she so adored^[2] as this genre was explosive in the UK and Europe, but never quite took off in the US. Rodney's was the only place Jett could hear this style of music, and it certainly helped develop her image.^{[citation needed]}

The Runaways[link]

Jett became a founding member of The Runaways, alongside drummer Sandy West. Micki Steele, Jackie Fox, Lita Ford, and Cherie Currie completed the line-up. While Currie initially fronted the band, Jett shared some lead vocals, played rhythm guitar and wrote or co-wrote a lot of the band's material along with Ford, West and Currie. The band recorded five LPs, with Live In Japan becoming one of the biggest-selling imports in U.S. and U.K. history. The band toured around the world and some of their opening acts included Cheap Trick, Van Halen and Tom Petty and the Heartbreakers. They found success abroad, especially in Japan. In 2010, The Runaways, a movie about Joan Jett's band, was made, starring Kristen Stewart as Jett and Dakota Fanning as Cherie Currie.^[2][8]

While The Runaways were popular in Europe, Asia, Australia, Canada and South America, they could not garner the same level of success in the U.S.^[2][9] After Currie, the lead singer, left the band, the band released two more albums with Jett handling the lead vocals: Waitin' for the Night and And Now... The Runaways. Altogether they produced five albums from 1975 until they disbanded in spring of 1979.^[10]

Soon after, Jett produced The Germs' first and only album (GI).^[2]

Solo[link]

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In the spring of 1979, Jett was in England pursuing a solo career. She recorded three songs there with Sex Pistols' Paul Cook and Steve Jones, one of which was an early version of The Arrows' "I Love Rock 'n' Roll".^{[citation needed]}

Later that year, she returned to Los Angeles, where she began fulfilling an obligation of the Runaways' to complete a film—loosely based on the band's career—called We're All Crazee Now! Three actresses required to stand in for her departed band members included Rainbeaux Smith, who was also a rock drummer. While working on the project, Jett met songwriter and producer Kenny Laguna, who was hired by Toby Mamis to help Jett with writing some tracks for the film.^{[citation needed]} They became friends and decided to work together and she relocated to Long Beach, New York where Kenny Laguna was based. The plug was pulled on the project halfway through shooting with Jett being ill, but in 1984, after Jett had become a star, producers looked for a way to make use of the footage from the incomplete film.^{[citation needed]} Bits of the original footage of Jett were used in a completely different project, an underground movie called DuBeat-Eo, never commercially released, produced by Alan Sacks.^{[citation needed]}

Jett and Laguna entered The Who's Ramport Studios with the latter at the helm. Jett's self-titled solo debut was released in Europe on May 17, 1980. In the US, after the album was rejected by 23 major labels,^[11] Jett and Laguna released it independently on their new Blackheart Records label, which they started with Laguna's daughter's college savings. Laguna remembers, "We couldn't think of anything else to do, but print up records ourselves", and that's how Blackheart Records started.

Joan Jett and the Blackhearts[link]

Joan Jett, performing in Norway, 1980s.

With Laguna's assistance, Jett formed the Blackhearts. She placed an ad in the L.A. Weekly "looking for three good men."^[12] John Doe of X sat in on bass for the auditions held at S.I.R. studios in Los Angeles. He mentioned a local bass player, Gary Ryan, who had recently been crashing on his couch. Ryan was part of the L.A. punk scene and had played bass with local artists Top Jimmy and Rik L. Rik. He had been a fan of the Runaways and Jett for years. Jett recognized him at the audition and he was in. Ryan in turn recommended guitarist Eric Ambel, who was also at the time part of Rik L. Rik. The final addition to the original Blackhearts was drummer Danny "Furious" O'Brien, formerly of the infamous San Francisco band The Avengers. This line-up played several gigs at the Golden Bear and Whisky a Go Go in Hollywood before embarking on their first European tour which consisted of an extensive tour of the Netherlands, and a few key shows in England including the Marquee in London.^[13]

Upon returning to the States, Jett, Ryan, and Ambel moved to Long Beach, New York. O'Brien stayed behind in England to pursue other interests. Auditions were set up and Lee Crystal, formerly of The Boyfriends and Sylvain Sylvain, became the new drummer.^[13] Joan Jett and the Blackhearts then toured throughout the US and built quite a following in New York. Jett and Laguna used their personal savings to press copies of the Joan Jett album and set up their own system of distribution, sometimes selling the albums out of the trunk of Laguna's Cadillac at the end of each concert.^[14] Laguna was unable to keep up with demand for her album. Eventually, old friend and founder of Casablanca Records, Neil Bogart, made a joint venture with Laguna and signed Jett to his new label, Boardwalk Records and re-released the Joan Jett album as Bad Reputation. After a year of touring and recording, The Blackhearts recorded a new album entitled I Love Rock 'n' Roll for the label. Ambel was replaced by local guitarist Ricky Byrd during the recording.^[13]

With Byrd on guitar, Joan Jett and the Blackhearts recorded their hit album. The new single was a re-recording of the title track, "I Love Rock 'n' Roll", which in the first half of 1982 was number one on the Billboard Hot 100 for seven weeks in a row.^[15] It is Billboard’s No. 56 song of all time.^[16]

A string of Top 40 hits followed, as well as sellout tours with The Police, Queen, and Aerosmith, among others. She was among the first English-speaking rock acts to appear in Panama and the Dominican Republic.^[17]

After receiving her own MTV New Year's Eve special, Jett beat out a number of contenders to appear in the movie Light of Day with Michael J. Fox. Bruce Springsteen wrote the song "Light of Day" especially for the movie,^[18] and her performance was critically acclaimed.^[19] It was about this time that Ryan and Crystal left the Blackhearts. They were soon replaced by the powerful rhythm section of Thommy Price and Kasim Sulton. Later that year, Jett released Good Music, which featured appearances by The Beach Boys, The Sugarhill Gang and singer Darlene Love.

Joan Jett and the Blackhearts became the first rock band to perform a series of shows at the Lunt-Fontanne Theatre on Broadway, breaking the record at the time for the fastest ticket sell-out.^[17] Her next release, Up Your Alley, went multi-platinum and was followed by The Hit List, which was an album consisting of cover songs. During this time, Jett co-wrote the song "House of Fire", which appeared on Alice Cooper's 1989 album Trash.

Her 1991 release Notorious, which featured The Replacements' Paul Westerberg and former Billy Idol bassist Phil Feit, was the last with Sony/CBS as Jett switched to Warner Brothers. A CD single of "Let's Do It" featuring Jett and Westerberg was also released during this time and appeared in the song credits for the movie Tank Girl. In 1993, Jett and Laguna released Flashback, a compilation of various songs on their own Blackheart Records.

Jett produced several bands prior to releasing her debut and her label Blackheart Records released recordings from varied artists such as thrash metal band Metal Church and rapper Big Daddy Kane.

The press touted Jett as the "Godmother of Punk"^[20] and the "Original Riot Grrrl." In 1994, the Blackhearts released the well-received Pure and Simple, which featured tracks written with Babes in Toyland's Kat Bjelland, L7's Donita Sparks and Bikini Kill's Kathleen Hanna.

Later years[link]

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Joan Jett performing on May 2, 2008.

Jett returned to producing for the band Circus Lupus in 1992 and again, in 1994, for Bikini Kill. This recording was the New Radio EP for which she also played and sang back-up vocals. The Riot Grrrl movement started in the 1990s, with Bikini Kill as a representative band, and many of these women credited Jett as a role model and inspiration.

In 1997 Joan Jett was featured on the We Will Fall: The Iggy Pop Tribute record. She performed a cover of the Johnny O'Keefe song "Wild One" (or "Real Wild Child"). Jett worked with members of the punk band The Gits, whose lead singer and lyricist, Mia Zapata, had been raped and murdered in 1993.^[2] The results of their collaboration was a live LP, Evil Stig and a single, "Bob", whose earnings were contributed to the investigation of Zapata's murder. To this end, the band and Jett appeared on the TV show America's Most Wanted, appealing to the public for information. The case was solved in 2004, when Zapata's murderer, Jesus Mezquia, was brought to trial and convicted.

Jett is a guest artist on Marky Ramone's solo album Start of the Century on the track "Don't Blame Me". She is a guest vocalist on Peaches' album Impeach My Bush on the tracks "Boys Want to Be Her" and "You Love It".

At an October 2001 9/11 benefit in Red Bank, New Jersey,^[21] Jett and Springsteen appeared together on stage for the first time and played "Light Of Day".

In 2004, Jett and Laguna produced "No Apologies" by Warped Tour favorite The Eyeliners, after signing them. Jett also guested on the track "Destroy" and made a cameo appearance in the music video.

In 2005, Jett and Laguna signed punk rockers The Vacancies and produced their second album, A Beat Missing or a Silence Added (reaching the top 20 in CMJ Music Charts) and their third album in 2007, Tantrum. That same year she was recruited by Steven Van Zandt to host her own radio show on Van Zandt's Underground Garage radio channel on Sirius Satellite Radio. She hosted a four-hour show titled Joan Jett's Radio Revolution, broadcast every Saturday and Sunday. The program moved from Sirius 25 to Sirius 28 shortly before being canceled in June 2008.^{[citation needed]}

In 2005, Jett and Laguna celebrated the 25th anniversary of Blackheart Records with a sellout show at Manhattan's Webster Hall.^{[citation needed]}

In June 2006, Joan Jett released her album, Sinner, on her own label, Blackheart Records. To support the album, the band appeared on the 2006 Warped Tour and on a fall 2006 tour with Eagles of Death Metal. Various other bands like Antigone Rising, Valient Thorr, The Vacancies, Throw Rag and Riverboat Gamblers were to have joined the tour for a handful of dates each.

Jett sang a duet with Chase Noles on "Tearstained Letters", a song on the Heart Attacks' 2006 album, Hellbound and Heartless.

Joan Jett and the Blackhearts headlined the Albuquerque, New Mexico Freedom Fourth celebration on July 4, 2007, with an estimated crowd of 65,000 in attendance at the annual outdoor event.

In November 2007, Jett and the Blackhearts appeared with Motörhead and Alice Cooper in a UK arena tour; Jett opened eight American shows on Aerosmith's 2007 World Tour.

Following The Dave Clark Five's induction to the Rock and Roll Hall of Fame, on March 10, 2008, Jett, as part of the ceremony, closed the program with a performance of the DC5's 1964 hit "Bits and Pieces." She was introduced by actor Tom Hanks, who said, "Ladies and gentlemen – at one time, if I had been lucky, one of the most beautiful 'Mrs. Tom Hanks' you can imagine, but I'm not complainin' — Joan Jett!"

Jett and the Blackhearts appeared on several dates of the True Colors Tour 2008.^[22] in the summer of 2008. She opened for Def Leppard in August.

In June 2010, Joan Jett and The Blackhearts opened for Green Day on their UK tour alongside acts such as Frank Turner and Paramore.

The group was the opening act for Aerosmith's September 2010 Canadian tour.^{[citation needed]}

Joan Jett and The Blackhearts were part of the lineup for Australia's The Falls Music & Arts Festival, December 29 through January 1, 2010, in Australia.^[23]

Jett was an executive producer for the film The Runaways, which chronicled the Runaways' career. Floria Sigismondi, who directed videos for Marilyn Manson, the White Stripes and David Bowie, wrote and directed. Production of the movie began filming around Twilight's Kristen Stewart's filming schedule, (i.e. of the sequels New Moon and Eclipse). Stewart played Joan Jett in the film. In order to prepare for the role, Stewart met Jett around the 08/09 New Year. In an interview, Stewart revealed that she hoped to be able to sing some of the songs in the film.^[24] The film explores the friendship between Jett and Runaways' lead singer, Cherie Currie, played by Dakota Fanning, and premiered at the 2010 Sundance Film Festival on Jan 24, 2010. Joan Jett and the Blackhearts appeared at the 2010 Sundance Film Festival, at Harry-O's, for The Runaways promotion, which was also attended by Kristen Stewart and Dakota Fanning.

March 2010 saw the release of a 2-CD Greatest Hits album with four newly re-recorded songs. March 2010 also saw the release of a hardcover biography and picture book, spanning her career from the Runaways to the present day.

Other work[link]

Jett, a sports fan, has remained actively involved in the sports world. Her cover of "Love is All Around" (the theme song of The Mary Tyler Moore Show) was used by the NCAA to promote the Women's Final Four, as well as the song "Unfinished Business" which was never commercially released. "Love Is All Around" went into radio play and became the number one requested song without an existing (support) CD. Jett supplied theme songs for the ESPN X-Games premiere and has contributed music to all their games since. At Cal Ripken Jr.'s request, she sang the national anthem, at the Baltimore Orioles game in which he tied^[25] Lou Gehrig's record for consecutive games played. The melody for her song "I Hate Myself For Loving You" is used as the theme music for NBC Sunday Night Football with re-worked lyrics and retitled "Waiting All Day For Sunday Night". Jett has also been a consistent supporter of the US Armed Forces, has toured for the USO^[26] for over 20 years, and even played West Point.

Satire and tributes[link]

In 1983, musical satirist "Weird Al" Yankovic released a parody of "I Love Rock 'n' Roll" entitled "I Love Rocky Road," changing the singer's passion for rock music with that for ice cream.

The comic strip Bloom County included a character named Tess Turbo; her band was The Blackheads.^{[citation needed]}

Film, stage and television appearances[link]

Jett's first appearance on film is in the 1981 live concert film Urgh! A Music War, performing "Bad Reputation" with the Blackhearts at The Ritz in New York City. She made her acting debut in 1987, co-starring with Gena Rowlands and Michael J. Fox in the Paul Schrader film Light of Day.^[2] She appeared in independent films, including The Sweet Life and Boogie Boy.

In 1997 she appeared on the sitcom Ellen^[27], in the episode Hello Muddah, Hello Faddah, performing the title song. In 1992, she was a guest star in "Free Fall", a first season episode of TV's Highlander: The Series.^{[citation needed]}

The 1999 show Freaks and Geeks used the song "Bad Reputation" as the opening theme.^{[citation needed]}

In 2000, Jett appeared in the Broadway production of The Rocky Horror Show in the role of Columbia. That same year, Jett appeared on Walker, Texas Ranger as an ex-CIA agent turned assassin hired to kill Walker and Alex.

In 2002, Jett appeared in the film By Hook or by Crook in the role of News Interviewee.

From 2000 to 2003, Jett hosted a showcase of new film and video shorts, Independent Eye,^[28] for Maryland Public Television.

In 2008, Jett made a cameo appearance in Darren Lynn Bousman's rock opera/file Repo! The Genetic Opera as the guitarist in Shilo's room during the piece "Seventeen".^[29] In 2008, she appeared in the Law & Order: Criminal Intent episode "Reunion" as a rock and roll talk show host who is murdered.

Politics[link]

Joan Jett promoting PETA in 2010.

Jett supported Howard Dean in the 2004 election because of his position on the War in Iraq.^[30] She has also been a vegetarian for over 20 years^[31] and supports the farm animal welfare group Farm Sanctuary.^[32]

Accolades and awards[link]

• Jett was inducted into the Long Island Music Hall of Fame in October 2006.^[33]
• In 2003, Jett was named in the Rolling Stone greatest 100 guitarists of all time at number 87.^[34] She was one of only two women in this list, the other being Joni Mitchell at number 72.
• Jett is listed as one of Blender's "hottest women of rock" 21 years after she started The Runaways".^[35]
• Gibson manufactured a signature model of her Melody Maker, a white double cutaway with a zebra humbucker and "kill" toggle switch.^[1] Jett bought her guitar from Eric Carmen, following the breakup of the Raspberries.^[36]
• On September 27, 2011, it was announced that Jett was a nominee for the Rock and Roll Hall of Fame's class of 2012; she was ultimately passed over.^[37]

Discography[link]

References[link]

External links[link]

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Wikimedia Commons has media related to: Joan Jett

• Joan Jett and the Blackhearts
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Interviews

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This article may be written from a fan's point of view, rather than a neutral point of view. Please clean it up to conform to a higher standard of quality, and to make it neutral in tone. (October 2009)

Amanda Moore (born in Idaho on September 10, 1979) is an American model.

Early life[link]

Brought up in a military family, Moore grew up in many different parts of the world, alongside her father and older brother. She attended high school in DeFuniak Springs, Florida.

"I never wanted to be a model—I was a basketball player", Moore told Tim Blanks in a 2003 interview for Fashion File. She started college at 15 and originally thought of a career as a veterinarian, but a chance occurrence changed her course: she took a friend to a local scouting event and found herself exciting the interest of the scouts instead. They convinced her to attend a larger event in Orlando, where, Models.com reported in its December 2000 profile of Moore, "that face, when it walked into the room...made jaws, pencils, and all reserve simply drop. Agencies by the dozen clamored to sign her." Moore initially signed with NEXT Model Management. She is represented today by IMG Models.

Accomplishments[link]

Moore has worked with photographers such as Steven Meisel, Bruce Weber, Steven Klein, Nathaniel Goldberg, Nicolas Moore, Michael Sanders, Regan Cameron, Robert Wyatt, Hans Fourer, Terry Richardson, and Peter Lindbergh. She is featured regularly in fashion magazines such as Vogue Italia, Vogue Paris, British Vogue, Harper's Bazaar, Allure, i-D, Numéro, 10, and V. She has also appeared on the covers of Vogue Italia, Vogue España, Australian Vogue, Italian Marie Claire, Italian Glamour, Numéro, Mix(te), and Flare. She was photographed by Nick Knight for the 2004 Pirelli Calendar.

Moore has starred in campaigns for Carolina Herrera, D&G, Giorgio Armani, H&M, John Varvatos, Lanvin, Nicole Farhi, Oscar de la Renta, Plein Sud, Tommy Hilfiger, and Yves Saint Laurent, among others. She has also appeared in television commercials for Armani, Calvin Klein, and Montblanc.

Moore has walked the runways for Alexander McQueen, Badgley Mischka, Balenciaga, Behnaz Sarafpour, Burberry, Carolina Herrera, Calvin Klein, Celine, Chanel, Chloé, Christian Dior, Dolce & Gabbana, Donna Karan, Dries van Noten, Emanuel Ungaro, Fendi, Giles Deacon, Givenchy, Gucci, Helmut Lang, Hermès, Jean Paul Gaultier, John Galliano, Lanvin, Louis Vuitton, Marc Jacobs, Michael Kors, Missoni, Paco Rabanne, Peter Som, Prada, Proenza Schouler, Oscar de la Renta, Pucci, Ralph Lauren, Roberto Cavalli, Valentino, Vera Wang, Yohji Yamamoto, and Yves Saint Laurent, among others.

Most recently, Moore walked for Hermès and Lanvin (opening the Lanvin show) at the spring 2007 Paris Fashion Week. She starred in the fall/winter 2006-2007 campaigns for Lanvin and Lanvin Rumeur.

References[link]

This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations. (February 2009)

• Greene, Joshua (2003-06-17). "Herrera Stays Home in Ad Push for Fall". Women's Wear Daily. 
• Trebay, Guy (2004-06-27). "The Subtle Power of Lesbian Style". The New York Times. 
• "From Nothing, to Gucci, to 'Got Milk'?". Fashion Wire Daily. 2001-02-06. 
• "The New Queens of the Catwalk". Fashion Wire Daily. 2001-02-09. 
• "Amanda Moore" (PDF). IMGModels.com. http://66.165.119.245/images/9121/19053/bio/Amanda%20Moore%20Bio.pdf. Retrieved 2006-07-24. 
• "Amanda's Back!". Models.com. March 2006. http://models.com/oftheminute/?p=954. Retrieved 2007-07-01. 
• "Maximum Amanda!". Models.com. December 2000. http://www.models.com/model_culture/tales_model/amanda_moore/index.html. Retrieved 2006-07-24. 
• "More Amanda!". Models.com. June 2000. http://models.com/model_culture/oftheminute/oftheminute_june2000.html. Retrieved 2007-07-01. 
• "Model Moments: Amanda Moore - Spring/Summer 2003" (RM - RealMedia Streaming Media). FashionFile.com. 2003. http://www.fashionfile.com/videoplayer.html?source=s03vid/MM_Amanada_Moore.rm. Retrieved 2006-07-24. 
• "Very Inevitable". Models.com. August 2006. http://models.com/oftheminute/?p=1160. Retrieved 2007-07-01. 

External links[link]

• Amanda Moore at the Fashion Model Directory
• Amanda Moore at IMG Models — official portfolio and biography
• Style.com Amanda Moore gallery — runway and backstage photos

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (March 2012)

Tasha Tilberg (born July 23, 1979 in Chilliwack, British Columbia) is a Canadian fashion model.

Modeling[link]

Tilberg has appeared in advertisements for Alberta Ferretti, Bloomingdale's, Comma, Fendi, Esprit, Gucci, Mango, Missoni, Moschino, Versace and Versus and she has walked in fashion shows for, among others, Alessandro Dell'Acqua, Anna Molinari, Balenciaga, Blumarine, Dolce & Gabbana, DKNY, Fendi, Versace, Genny, Iceberg, Jil Sander, Les Copains, Marc by Marc Jacobs, Missoni, Moschino, Narciso Rodriguez, Rifat Ozbek, Richard Tyler, Sportmax, Victor Alfaro, Versus, Isabel Marant, Miu Miu and Yohji Yamamoto. She has appeared on Mademoiselle, Vogue, W, ELLE, Harper's Bazaar, Marie Claire and Flare and was a spokesmodel for CoverGirl.

Personal life[link]

Tilberg is an out lesbian^[1] and is married to longtime partner Laura Wilson.

References[link]

External links[link]

• Tasha Tilberg at the Fashion Model Directory
• Tasha Tilberg at AskMen.com