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Pine tree
Japanese Red Pine (Pinus densiflora), North Korea
Scientific classification
Kingdom:	Plantae
Division:	Pinophyta
Class:	Pinopsida
Order:	Pinales
Family:	Pinaceae
Genus:	Pinus L.
Subgenera
Subgenus Strobus Subgenus Ducampopinus Subgenus Pinus See Pinus classification for complete taxonomy to species level. See list of pines by region for list of species by geographical distribution.

Pines are trees in the genus Pinus ( /ˈpaɪnəs/),^[1] in the family Pinaceae. They make up the monotypic subfamily Pinoideae. There are about 115 species of pine, although different authorities accept between 105 and 125 species.

Etymology[link]

The modern English name pine derives from Latin pinus by way of French pin; similar names are used in other Romance languages. In the past (pre-19th century) they were often known as fir, from Old Norse fyrre, by way of Middle English firre. The Old Norse name is still used for pines in some modern north European languages, in Danish, fyr, in Norwegian fura/fure/furu, Swedish, fura/furu, and Föhre in German, but in modern English, fir is now restricted to Fir (Abies) and Douglas-fir (Pseudotsuga).

Taxonomy, nomenclature and codification[link]

Pines are divided into three subgenera, based on cone, seed and leaf characters:

• Pinus subg. Pinus, the yellow or hard pine group
• Pinus subg. Ducampopinus, the foxtail or pinyon group
• Pinus subg. Strobus, the white or soft pine groups

Distribution[link]

Huangshan Pine (Pinus hwangshanensis), Anhui, China

Pines are native to most of the Northern Hemisphere. In Eurasia, they range from the Canary Islands, Iberian Peninsula and Scotland east to the Russian Far East, and in the Philippines, north to just over 70°N in Norway, Finland and Sweden (Scots Pine) and eastern Siberia (Siberian Dwarf Pine), and south to northernmost Africa, the Himalaya and Southeast Asia, with one species (Sumatran Pine) just crossing the Equator in Sumatra to 2°S. In North America, they range from 66°N in Canada (Jack Pine and Red Pine), south to 12°N in Nicaragua (Caribbean Pine). Pines have been introduced in subtropical and temperate portions of the Southern Hemisphere, including Chile, Brazil, South Africa, Tanzania, Australia, Argentina and New Zealand, where they are grown widely as a source of timber. A number of these introduced species have become invasive,^[2] threatening native ecosystems.

Morphology[link]

Ancient Pinus longaeva, Nevada, USA

Pines are evergreen, resinous trees (or rarely shrubs) growing 3–80 m tall, with the majority of species reaching 15–45 m tall. The smallest are Siberian Dwarf Pine and Potosi Pinyon, and the tallest is a 268.35-foot (81.79-meter) tall Ponderosa Pine located in southern Oregon's Rogue River-Siskiyou National Forest.^[3]

The bark of most pines is thick and scaly, but some species have thin, flaking bark. The branches are produced in regular "pseudo whorls", actually a very tight spiral but appearing like a ring of branches arising from the same point. Many pines are uninodal, producing just one such whorl of branches each year, from buds at the tip of the year's new shoot, but others are multinodal, producing two or more whorls of branches per year. The spiral growth of branches, needles, and cone scales are arranged in Fibonacci number ratios.^{[citation needed]} The new spring shoots are sometimes called "candles"; they are covered in brown or whitish bud scales and point upward at first, then later turn green and spread outward. These "candles" offer foresters a means to evaluate fertility of the soil and vigour of the trees.

Pines are long-lived, typically reaching ages of 100–1,000 years, some even more. The longest-lived is the Great Basin Bristlecone Pine, Pinus longaeva. One individual of this species, dubbed Methuselah, is one of the world's oldest living organisms at around 4,600 years old. This tree can be found in the White Mountains of California. An older tree, unfortunately now cut down, was dated at 4,900 years old. It was discovered in a grove beneath Wheeler Peak and it is now known as Prometheus after the Greek immortal.^{[citation needed]}

Foliage[link]

Illustration of needles, cones, and seeds of Scots Pine (Pinus sylvestris)

Pines have four types of leaf:

• Seed leaves (cotyledons) on seedlings, borne in a whorl of 4–24.
• Juvenile leaves, which follow immediately on seedlings and young plants, 2–6 cm long, single, green or often blue-green, and arranged spirally on the shoot. These are produced for six months to five years, rarely longer.
• Scale leaves, similar to bud scales, small, brown and non-photosynthetic, and arranged spirally like the juvenile leaves.
• Needles, the adult leaves, which are green (photosynthetic), bundled in clusters (fascicles) of 1–6, commonly 2–5, needles together, each fascicle produced from a small bud on a dwarf shoot in the axil of a scale leaf. These bud scales often remain on the fascicle as a basal sheath. The needles persist for 1.5–40 years, depending on species. If a shoot is damaged (e.g. eaten by an animal), the needle fascicles just below the damage will generate a bud which can then replace the lost leaves.

Cones[link]

Pines are mostly monoecious, having the male and female cones on the same tree, though a few species are sub-dioecious with individuals predominantly, but not wholly, single-sex. The male cones are small, typically 1–5 cm long, and only present for a short period (usually in spring, though autumn in a few pines), falling as soon as they have shed their pollen. The female cones take 1.5–3 years (depending on species) to mature after pollination, with actual fertilization delayed one year. At maturity the female cones are 3–60 cm long. Each cone has numerous spirally arranged scales, with two seeds on each fertile scale; the scales at the base and tip of the cone are small and sterile, without seeds. The seeds are mostly small and winged, and are anemophilous (wind-dispersed), but some are larger and have only a vestigial wing, and are bird-dispersed (see below). At maturity, the cones usually open to release the seeds, but in some of the bird-dispersed species (e.g. Whitebark Pine), the seeds are only released by the bird breaking the cones open. In others, the seeds are stored in closed ("serotinous") cones for many years until an environmental cue triggers the cones to open, releasing the seeds. The most common form of serotiny is pyriscence, in which a resin binds the cones cones shut until melted by a forest fire.

Ecology[link]

A prescribed fire in a European Black Pine (Pinus nigra) woodland, Portugal

Pines grow well in acid soils, some also on calcareous soils; most require good soil drainage, preferring sandy soils, but a few (e.g. Lodgepole Pine) will tolerate poorly drained wet soils. A few are able to sprout after forest fires (e.g. Canary Island Pine). Some species of pines (e.g. Bishop Pine) need fire to regenerate, and their populations slowly decline under fire suppression regimes. Several species are adapted to extreme conditions imposed by elevation and latitude (e.g. Siberian Dwarf Pine, Mountain Pine, Whitebark Pine and the bristlecone pines). The pinyon pines and a number of others, notably Turkish Pine and Gray Pine, are particularly well adapted to growth in hot, dry semi-desert climates.^{[citation needed]}

The seeds are commonly eaten by birds and squirrels. Some birds, notably the Spotted Nutcracker, Clark's Nutcracker and Pinyon Jay, are of importance in distributing pine seeds to new areas. Pine needles are sometimes eaten by some Lepidoptera (butterfly and moth) species (see list of Lepidoptera that feed on pines), the Symphytan species Pine sawfly, and goats.
^{[citation needed]}

Uses[link]

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Logging Pinus ponderosa, Arizona, USA

Pinus sylvestris prepared for transport, Hungary

Pines are among the most commercially important of tree species, valued for their timber and wood pulp throughout the world. In temperate and tropical regions, they are fast-growing softwoods that will grow in relatively dense stands, their acidic decaying needles inhibiting the sprouting of competing hardwoods. Commercial pines are grown in plantations for timber that is denser, more resinous, and therefore more durable than spruce (Picea). Pine wood is widely used in high-value carpentry items such as furniture, window frames, panelling, floors and roofing, and the resin of some species is an important source of turpentine.

Many pine species make attractive ornamental plantings for parks and larger gardens, with a variety of dwarf cultivars being suitable for smaller spaces. Pines are also commercially grown and harvested for Christmas trees. Pine cones, the largest and most durable of all conifer cones, are craft favorites. Pine boughs, appreciated especially in wintertime for their pleasant smell and greenery, are popularly cut for decorations. A number of species are attacked by nematodes, causing pine wilt disease, which can kill some quickly. Pine needles are also used for making decorative articles like baskets, trays, pots, etc. This Native American skill is now being replicated across world. Pine needle handicrafts are made in the US, Canada, Mexico, Nicaragua and India. Pine needles serve as food for various Lepidoptera. See List of Lepidoptera which feed on Pines.

Because pines have no insect or decay resistant qualities after logging, they are generally recommended for construction purposes as indoor use only (ex. indoor drywall framing). This wood left outside can not be expected to last more than 12–18 months depending on the type of climate it is exposed to. It is commonly referred to by several different names which include North American timber, SPF (spruce, pine, fir) and whitewood.

Food uses[link]

Edible seeds of the Korean Pine (Pinus koraiensis)

Some species have large seeds, called pine nuts, that are harvested and sold for cooking and baking.

The soft, moist, white inner bark (cambium) found clinging to the woody outer bark is edible and very high in vitamins A and C. It can be eaten raw in slices as a snack or dried and ground up into a powder for use as a thickener in stews, soups, and other foods, such as Finnish pine bark bread (pettuleipä). Adirondack Indians got their name from the Mohawk Indian word atirú:taks, meaning "tree eaters".

A tea made by steeping young, green pine needles in boiling water (known as "tallstrunt" in Sweden) is high in vitamins A and C.

See also[link]

• Pine barrens
• Pine-cypress forest
• Christmas tree
• Three Friends of Winter

Notes[link]

References[link]

Bibliography[link]

Philips, Roger. Trees of North America and Europe, Random House, Inc., New York ISBN 0-394-50259-0, 1979.

External links[link]

Wikimedia Commons has media related to: Pinus

Loreena McKennitt
Background information
Birth name	Loreena Isabel Irene McKennitt
Born	(1957-02-17) 17 February 1957 (age 55) Morden, Manitoba, Canada
Origin	Stratford, Ontario, Canada
Genres	Celtic, world, New Age
Occupations	Musician, songwriter, producer
Instruments	Voice, piano, harp, accordion
Years active	1985–present
Labels	Quinlan Road, Warner Bros., Verve Forecast/Universal
Website	quinlanroad.com

Loreena Isabel Irene McKennitt, CM, OM (born February 17, 1957) is a Canadian singer, composer, harpist, accordionist and pianist who writes, records and performs world music with Celtic and Middle Eastern themes. McKennitt is known for her refined, clear soprano vocals.^[1] She has sold more than 14 million records worldwide.^[2]

Early life[link]

McKennitt was born in Morden, Manitoba of Irish and Scottish descent to parents Jack (died 1992; a livestock dealer) and Irene McKennitt (1931-2011; a nurse). She moved to Stratford, Ontario in 1981, where she still resides.

When Loreena was young she wanted to become a veterinarian but she found that music chose her rather than she it.^[3] Developing a passion for Celtic music, she learned to play the Celtic harp and began busking at various places, including St. Lawrence Market in Toronto in order to earn money to record her first album.^[4]

Career[link]

McKennitt's first album, Elemental, was released in 1985, followed by To Drive the Cold Winter Away (1987), Parallel Dreams (1989), The Visit (1991), The Mask and Mirror (1994), A Winter Garden (1995), The Book of Secrets (1997), An Ancient Muse (2006), A Midwinter Night’s Dream (2008), and The Wind That Shakes the Barley (2010). All of her work is released under her own label, Quinlan Road.

In 1990, McKennitt provided the music for the National Film Board of Canada documentary The Burning Times, a feminist revisionist account of the Early Modern European witchcraft trials. The main theme would later be rerecorded by her and her band and called "Tango to Evora", a track that appears on her album The Visit.

In 1993, she toured Europe supporting Mike Oldfield. In 1995, her version of the traditional Irish song "Bonny Portmore" was featured in the Highlander series. McKennitt's single "The Mummers' Dance" received airplay in North American markets during the spring of 1997, and was used as the theme song for the short-lived TV series Legacy. It also saw use in the trailer for a wide-release 1998 Drew Barrymore film Ever After.^[5]

Her music appeared in the movies The Santa Clause, Soldier, Jade, Holy Man, The Mists of Avalon and Tinkerbell; and in the television series Roar, Due South, and Full Circle (Women and Spirituality).

Personal life[link]

In 1998, McKennitt's fiancé Ronald Rees, his brother Richard and their close friend Gregory Cook drowned during a boating accident on Georgian Bay. She was deeply affected by the event and subsequently founded the Cook-Rees Memorial Fund for Water Search and Safety in the same year.

At the time of the incident, she was working on a live album of two performances called Live in Paris and Toronto. The proceeds from this album were donated to the newly created memorial fund, totaling some three million dollars.^[6] After the release of the live album, McKennitt decided to substantially reduce the number of her public performances and did not release any new recordings until the studio album An Ancient Muse in 2006.

Honours[link]

• Juno Award, Best Roots/Traditional Album 1992, for The Visit.
• Juno Award, Best Roots/Traditional Album 1994, for The Mask and Mirror.
• Billboard Music Award for International Achievement, 1997.
• Headline performer for Queen Elizabeth II and Prince Philip at The Golden Jubilee Celebrations, Province of Manitoba, 2002.
• Honorary Doctor of Letters, Wilfrid Laurier University, 2002.
• Member of the Order of Manitoba, July 2003.
• Member of the Order of Canada, July 2004.
• Honorary Doctor of Laws, University of Manitoba, June 2005
• Canadian Ambassador, Hans Christian Andersen Bicentennary, June 2005
• Honorary Doctor of Laws, Queen's University, October 2005
• Investiture as Honorary Colonel, 435 Transport and Rescue Squadron, Royal Canadian Air Force, December 2006
• Nominated for a Grammy award, Best Contemporary World Music Album, in 2007
• Western Canadian Music Awards Lifetime Achievement Award, September 2009
• Performed at Vancouver 2010 Winter Olympics, Opening Ceremonies, February 12, 2010
• Honorary Bachelor of Applied Business, George Brown College, June 2010

Genre and work[link]

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McKennitt's music has generally been classified as World / Celtic music even though it contains aspects and characteristics of music from around the globe and is sometimes classified as Folk music in record stores.^{[citation needed]}

Before McKennitt composes any music, she engages in considerable research on a specific subject which then forms the general concept of the album.^{[citation needed]} Before creating Elemental and Parallel Dreams, she traveled to Ireland for inspiration from the country's history, folklore, geography and culture. The album The Mask and Mirror was preceded by research in Spain where she engaged in studying Galicia, a Celtic section of Spain, along with its abundant Arabic roots.^{[citation needed]} The result was an album that included elements of Celtic and Arabic music. According to the jacket notes, her album An Ancient Muse was inspired by travels among and reading about the various cultures along the Silk Road.

McKennitt is compared to Enya,^{[citation needed]} but McKennitt's music is more grounded in traditional and classical invocations,^{[citation needed]} using literary works as sources of lyrics and springboards for interpretation such as "The Lady of Shalott" by Lord Tennyson, "Prospero's Speech" (the final soliloquy in William Shakespeare's The Tempest), "Snow" by Archibald Lampman, "Dark Night of the Soul" by St. John of the Cross, Dante's Inferno, William Blake's "Lullaby", Yeats' "The Stolen Child", "The English Ladye and the Knight" by Sir Walter Scott and "The Highwayman" by Alfred Noyes.

Court case[link]

In 2005, McKennitt was involved in an acrimonious court case in Britain when her former friend and employee, Niema Ash, published a book that contained intimate details of their friendship. McKennitt argued that much of the book contained confidential personal information that Ash had no right to publish. The British courts found that there had indeed been a breach of confidence and a misuse of McKennitt's private information, and the case is likely to set important precedents in British law on the privacy of celebrities.^[7] The House of Lords affirmed the lower court's decisions in 2007.

2006 and later[link]

In September 2006, McKennitt performed live at the Alhambra. The performance premiered on PBS and in August 2007 was released on a three-disc DVD/CD set titled Nights from the Alhambra.

In 2008, McKennitt wrote and composed a song she titled "To The Fairies They Draw Near" as the theme song for Disney's direct-to-video animated film Tinker Bell. She also provided the narration for the film.^[8]

In early 2008, she returned to Peter Gabriel's Real World Studios to record A Midwinter Night’s Dream, an extended version of her 1995 mini-album A Winter Garden: Five Songs for the Season. The album was released on October 28, 2008.^[9]

Since the release of An Ancient Muse, Loreena has toured consistently, with a European and North American tour in the spring of 2007, an extensive cross Canada and United States tour in the fall of 2007, a summer tour of Europe in 2008 and a Mediterranean tour in the summer of 2009 with stops in Greece,^[10] Turkey, Cyprus, Lebanon, Hungary and Italy.

On September 17, 2009, McKennitt announced that she planned to release a two-disc album titled "A Mediterranean Odyssey" in the fall of 2009. The first CD, "From Istanbul to Athens," consisted of ten new live recordings made during McKennitt’s 2009 Mediterranean Tour, including songs she had never before recorded in concert. The second CD, "The Olive and the Cedar," had a Mediterranean theme which McKennitt herself curated. It contained previously released studio recordings created between the years of 1994 and 2006.

November 16, 2010 saw the US release (November 12 for Europe) of McKennitt's latest studio album, "The Wind That Shakes the Barley." Recorded at the Sharon Temple, Ontario, it consists of nine traditional Celtic songs. "Every once and again there is a pull to return to one's own roots or beginnings, with the perspective of time and experience, to feel the familiar things you once loved and love still," says Loreena.

Documentaries[link]

Late in the 1990s, McKennitt created No Journey's End, a half-hour documentary, for American television. In it, she discussed the influences behind her music. No Journey's End contained excerpts from several songs from the albums Parallel Dreams, The Visit, and The Mask and Mirror. It also shows live performances of the songs "The Lady of Shalott," "Santiago," and "The Dark Night of the Soul." It was later released on DVD and VHS, the former also containing music videos for "The Mummers' Dance" and "The Bonny Swans." A bonus copy of the DVD was included with the 2004 remastered versions of McKennitt's CDs.

In 2008, Loreena released A Moveable Musical Feast, based on her 2007 An Ancient Muse tour. The DVD included interviews with Loreena, her band, crew, fans and professional colleagues from the Canadian music industry.

Discography[link]

Studio albums[link]

Live albums[link]

Compilations[link]

EPs[link]

Boxed sets[link]

• The Journey Begins (2008)

Singles[link]