Treble and bass clefs shown with names of the notes.

A clef (French: clef "key") is a musical symbol used to indicate the pitch of written notes.^[1] Placed on one of the lines at the beginning of the stave, it indicates the name and pitch of the notes on that line. This line serves as a reference point by which the names of the notes on any other line or space of the stave may be determined. Only one clef that references a note in a space rather than on a line has ever been used.

There are three types of clef used in modern music notation: F, C, and G. Each type of clef assigns a different reference note to the line on which it is placed.

Clef	Name	Note	Line
	G-clef	G4	passes through the curl of the clef.
	C-clef	Middle C (C4)	passes through the centre of the clef.
	F-clef	F3	passes between the two dots of the clef.

Once one of these clefs has been placed on one of the lines of the stave, the other lines and spaces can be read in relation to it.

The use of three different clefs makes it possible to write music for all instruments and voices, even though they may have very different tessituras (that is, even though some sound much higher or lower than others). This would be difficult to do with only one clef, since the modern stave has only five lines, and the number of pitches that can be represented on the stave, even with ledger lines, is not nearly equal to the number of notes the orchestra can produce. The use of different clefs for different instruments and voices allows each part to be written comfortably on the stave with a minimum of ledger lines. To this end, the G-clef is used for high parts, the C-clef for middle parts, and the F-clef for low parts—with the important exception of transposing parts, which are written at a different pitch than they sound, often even in a different octave.

Placement on the stave[link]

In order to facilitate writing for different tessituras, any of the clefs may theoretically be placed on any of the lines of the stave. The further down on the stave a clef is placed, the higher the tessitura it is for; conversely, the higher up the clef, the lower the tessitura.

Since there are five lines on the stave, and three clefs, it might seem that there would be fifteen possible clefs. Six of these, however, are redundant clefs (for example, a G-clef on the third line would be exactly the same as a C-clef on the first line). That leaves nine possible distinct clefs, all of which have been used historically: the G-clef on the two bottom lines, the F-clef on the three top lines, and the C-clef on any line of the stave except the topmost, earning the name of "movable C-clef". (The C-clef on the topmost line is redundant because it is exactly equivalent to the F-clef on the third line; both options have been used.)

Each of these clefs has a different name based on the tessitura for which it is best suited.

In modern music, only four clefs are used regularly: the treble clef, the bass clef, the alto clef, and the tenor clef. Of these, the treble and bass clefs are by far the most common.

Individual clefs[link]

Here follows a complete list of the clefs, along with a list of instruments and voice parts notated with them. Each clef is shown in its proper position on the stave, followed by its reference note.

An obelisk (†) after the name of a clef indicates that that clef is no longer in common use.

G-clefs[link]

Treble clef[link]

Diatonic scale on C, treble clef.  Play (help·info)

When the G-clef is placed on the second line of the stave, it is called the treble clef. This is the most common clef used today, and the only G-clef still in use. For this reason, the terms G-clef and treble clef are often seen as synonymous. It was formerly also known as the violin clef.^{[citation needed]} The treble clef was historically used to mark a treble, or pre-pubescent, voice part.

Among the instruments that use treble clef are the violin, flute, oboe, English horn, all clarinets, all saxophones, horn, trumpet, cornet, euphonium (and occasionally baritone), vibraphone, xylophone, Mandolin, recorder and guitar. Treble clef is the upper stave of the grand stave used for harp and keyboard instruments. It is also sometimes used, along with tenor clef, for the highest notes played by bass-clef instruments such as the cello, double bass (which sounds an octave lower), bassoon, and trombone. The viola also sometimes uses treble clef for very high notes. Treble clef is used for the soprano, mezzo-soprano, alto, contralto and tenor voices. The tenor voice sounds an octave lower, and is often written using an octave clef (see below) or double-treble clef.

[edit] French violin clef^†

Diatonic scale on C, French violin clef.  Play (help·info)

When the G-clef is placed on the first line of the stave, it is called the French clef or French violin clef.

This clef is no longer used. Formerly, it was used by the flute and violin, especially in parts published in France in the seventeenth and eighteenth centuries.^{[citation needed]} It is identical to the bass clef transposed up 2 octaves.

F-clefs[link]

Bass clef[link]

Diatonic scale on C, bass clef.  Play (help·info)

When the F-clef is placed on the fourth line, it is called the bass clef. This is the only F-clef used today, so that the terms "F-clef" and "bass clef" are often regarded as synonymous.

This clef is used for the cello, euphonium, double bass, bass guitar, bassoon, contrabassoon, trombone, baritone, tuba, and timpani. It is also used for the lowest notes of the horn, and for the baritone and bass voices. Tenor voice is notated in bass clef when the tenor and bass are written on the same stave. Bass clef is the bottom clef in the grand stave for harp and keyboard instruments. The contrabassoon, double bass, and electric bass sound an octave lower than the written pitch.

[edit] Baritone clef^†

Diatonic scale on C, baritone F-clef.  Play (help·info)

When the F-clef is placed on the third line, it is called the baritone clef.

This clef was used for the left hand of keyboard music (particularly in France; see Bauyn manuscript) as well as the baritone part in vocal music.

[edit] Sub-bass clef^†

When the F-clef is placed on the fifth line, it is called the sub-bass clef. It is identical to the treble clef transposed down 2 octaves.

This clef was used by Ockeghem and Heinrich Schütz to write low bass parts, making a late appearance in Bach's Musical Offering.

C-clefs[link]

Alto clef[link]

Diatonic scale on C, alto clef.  Play (help·info)

When the C-clef is placed on the third line of the stave, it is called the alto clef. As with all C-clefs, this line indicates the position of middle C.

This clef (sometimes called the viola clef) is currently used for the viola, the viola da gamba, the alto trombone, and the mandola.^[2] It is also associated with the countertenor voice and therefore called the counter-tenor (or countertenor) clef,^[3] and is used also for the alto voice and for instruments playing a middle part (such as oboes and recorders).^{[citation needed]} A vestige of this survives in Sergei Prokofiev's use of the clef for the English horn, as in his symphonies. It occasionally turns up in keyboard music to the present day (Brahms's Organ chorales, John Cage's Dream for piano).

Tenor clef[link]

Diatonic scale on C, tenor clef.  Play (help·info)

When the C-clef is placed on the fourth line of the stave, it is called the tenor clef.

This clef is used for the upper ranges of the bassoon, cello, euphonium, double bass, and trombone (which all use the bass clef in their lower and middle ranges, and in their extreme high ranges, the treble clef as well). Formerly, it was used by the tenor part in vocal music but its use has been largely supplanted either with an octave version of the treble clef when written alone or the bass clef when combined on one stave with the bass part. The double bass sounds an octave lower than the written pitch.

[edit] Baritone clef^†

Diatonic scale on C, baritone C-clef.  Play (help·info)

Because it is equivalent to the F-clef on the third line, the C-clef on the fifth line version of the baritone clef is a rarity.^{[citation needed]}

[edit] Mezzo-soprano clef^†

Diatonic scale on C, mezzo-soprano clef.  Play (help·info)

When the C-clef is placed on the second line of the stave, it is called the mezzo-soprano clef.

This clef was used in vocal music to write mezzo-soprano parts.^{[citation needed]}

[edit] Soprano clef^†

Diatonic scale on C, soprano clef.  Play (help·info)

When the C-clef occurs on the first line of the stave, it is called the soprano clef.

This clef was used for the right hand of keyboard music (particularly in France; see Bauyn manuscript) as well as in vocal music for sopranos; it is useful for reading concert-pitch scores actually notated in treble clef, when playing transposing instruments like the clarinet in A.

Other clefs[link]

Octave clefs[link]

Three types of suboctave treble clef showing middle C

File:Diatonic scale on C transposing clef.png

Diatonic scale on C, suboctave clef.  Play (help·info)

Diatonic scale on C, "sopranino" clef.  Play (help·info) (this is one octave higher than the treble clef without an 8)

Starting in the 18th Century treble clef has been used for transposing instruments that sound an octave lower, such as the guitar; it has also been used for the tenor voice. To avoid ambiguity, modified clefs are sometimes used, especially in the context of choral writing; of those shown, the C clef on the third space, easily confused with the tenor clef, is the rarest.

This is most often found in tenor parts in SATB settings, in which a treble clef is written with an eight below it, indicating that the pitches sound an octave below the written value. As the true tenor clef has generally fallen into disuse in vocal writings, this "octave-dropped" treble clef is often called the tenor clef. The same clef is sometimes used for the baritone horn. In some scores, the same concept is construed by using a double clef—two G-clefs overlapping one another.

At the other end of the spectrum, treble clefs with an 8 positioned above the clef may be used in piccolo, penny whistle, soprano recorder, and other high woodwind parts and is sometimes known (informally) as the "sopranino clef".^{[citation needed]}

The F clef can also be notated with an octave marker. The F clef notated an octave down is sometimes used for contrabass instruments such as the double bass and contrabassoon and, as the traditional subbass clef has fallen into disuse, that term is sometimes^{[citation needed]} used to describe this clef. The F clef notated an octave up is used for bass recorder and sometimes, though seldom, used for countertenor parts and called the countertenor clef,^{[citation needed]} as it is easy for a bass or baritone to read while singing the part in falsetto. However, both of these are extremely rare (and in fact the countertenor clef is largely intended to be humorous as with the works of P.D.Q. Bach). The unmodified bass clef is so common that performers of instruments and voice parts whose ranges lie below the stave simply learn the number of ledger lines for each note through common use, and if a line's true notes lie significantly above the bass clef the composer or publisher will often simply write the part in either the true treble clef or notated an octave down.

Neutral clef[link]

Simple quadruple drum pattern on a rock drum kit.  Play (help·info)

The neutral or percussion clef is not a clef in the same sense that the F, C, and G clefs are. It is simply a convention that indicates that the lines and spaces of the stave are each assigned to a percussion instrument with no precise pitch. With the exception of some common drum-kit and marching percussion layouts, the keying of lines and spaces to instruments is not standardized, so a legend or indications above the stave are necessary to indicate what is to be played. Percussion instruments with identifiable pitches do not use the neutral clef, and timpani (notated in bass clef) and mallet percussion (noted in treble clef or on a grand stave) are usually notated on different staves than unpitched percussion.

Staves with a neutral clef do not always have five lines. Commonly, percussion staves only have one line, although other configurations can be used.

The neutral clef is sometimes used when non-percussion instruments play non-pitched extended techniques, such as hitting the body of a violin, violoncello or acoustic guitar, or when a vocal choir is instructed to clap, stomp, or snap, but more often the rhythms are written with X marks in the instrument's normal stave with a comment placed above as to the appropriate rhythmic action.

Tablature[link]

Diatonic scale on C, guitar tablature and staff notation (suboctave is assumed).  Play (help·info)

For guitars and other fretted instruments, it is possible to notate tablature in place of ordinary notes. In this case, a TAB-sign is often written instead of a clef. The number of lines of the stave is not necessarily five: one line is used for each string of the instrument (so, for standard six-stringed guitars, six lines would be used, four lines for the traditional bass guitar). Numbers on the lines show on which fret the string should be played. This Tab-sign, like the Percussion clef, is not a clef in the true sense, but rather a symbol employed instead of a clef.

History[link]

The clefs developed at the same time as the stave, in the 10th century.^{[citation needed]} Originally, instead of a special clef symbol, the reference line of the stave was simply labeled with the name of the note it was intended to bear: F and c (written as a small letter, since the capital C represented a note an octave lower) and, more rarely, g. These were the most often-used 'clefs', or litteræ-clavis (key-letters), in Gregorian chant notation. Over time the shapes of these letters became stylized, leading to their current versions.

Many other clefs were used, particularly in the early period of chant notation, including most of the notes from the low Γ (gamma, the note written today on the bottom line of the bass clef) up to the G above middle C, written with a small letter g, and including two forms of lowercase b (for the note just below middle C): round for B♭, and square for B♮. In order of frequency of use, these clefs were: F, c, f, C, D, a, g, e, Γ, B, and the round/square b.^[4]

Early forms of the G clef—the third combines the G and D clefs vertically

In the polyphonic period up to 1600, unusual clefs were used occasionally for parts with extremely high or low written tessituras. For very low bass parts, the Γ clef is found on the middle, fourth, or fifth lines of the stave (e.g., in Pierre de La Rue’s Requiem and in a mid-16th-century dance book published by the Hessen brothers); for very high parts, the high-D clef (d), and the even higher ff clef (e.g., in the Mulliner Book) were used to represent the notes written on the fourth and top lines of the treble clef, respectively.^[5]

Varying shapes of different clefs persisted until very recent times. The F-clef was, until as late as the 1970s in some cases (such as hymnals), written like this: .

In printed music from the 16th and 17th centuries, the C clef often assumed a square form, like this 1639 tenor clef (the written note is a low E): .

The C-clef was formerly written in a more angular way, sometimes still used, or an even more simplified K-shape, when writing the clef by hand.

In modern Gregorian chant notation, the C clef is written (on a four-line stave) in the form and the F clef as .

The flourish at the top of the G-clef probably derives from a cursive S for "sol", the name for "G" in solfege.^[6]

Vocal music can be contracted into two staves, using the treble and bass clefs.  Play (help·info)

C-clefs were formerly used to notate vocal music, a practice that dwindled away in the late 19th century.^{[citation needed]} The soprano voice was written in first-line C clef (soprano clef), the alto voice in third-line C clef (alto clef), the tenor voice in fourth-line C clef (tenor clef) and the bass voice in fourth-line F clef (bass clef).

In more modern publications, four-part harmony on parallel staves is usually written more simply as:

• Soprano = treble clef (second-line G clef)
• Alto = treble clef
• Tenor = treble clef with an "8" below or a double treble clef
• Bass = bass clef (fourth-line F clef)

This may be reduced to two staves, the soprano/alto stave with a treble clef, and tenor/bass stave marked with the bass clef.

Further uses[link]

Clef combinations played a role in the modal system toward the end of the 16th century, and it has been suggested certain clef combinations in the polyphonic music of 16th-century vocal polyphony are reserved for authentic (odd-numbered) modes, and others for plagal (even-numbered) modes,^[7][8] but the precise implications have been the subject of much scholarly debate.^{[9][10][11][12]}

Music can be transposed at sight if a different clef is mentally substituted for the written one. For example, to play an A-clarinet part, a B♭-clarinet player may mentally substitute tenor clef for the written treble clef. Concert-pitch music in bass clef can be read on a E♭ instrument as if it were in treble clef. (Notes will not always sound in the correct octave). The written key signature must always be adjusted to the correct key for the instrument being played.

See also[link]

• chiavette
• sight transposition

Notes[link]

References[link]

Wikimedia Commons has media related to: Clefs

• Dandelot, Georges. 1999. Manuel pratique pour l'étude des clefs, revised by Bruno Giner and Armelle Choquard. Paris: Max Eschig, 1999.
• Dolmetsch Organisation. 2011. "Counter-tenor clef". In Music Dictionary Online Dolmetsch Online (Accessed 23 March 2012).
• Hessen, Paul, and Bartholomeus Hessen. 1555. Viel feiner lieblicher Stucklein, spanischer, welscher, englischer, frantzösischer Composition und Tentz, uber drey hundert, mit sechsen, fünffen, und vieren, auff alle Instrument … zusamen bracht. Breslau: Crispin Scharffenberg.
• Hiley, David. 2001. "Clef (i)". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
• Kidson, Frank. 1908. The Evolution of Clef Signatures. The Musical Times 49, no. 785 (1 July), pp. 443–44.
• Kidson, Frank. 1909. The Evolution of Clef Signatures (Second Article). In The Musical Times 50, no. 793 (1 March), pp. 159–60.
• Moore, John Weeks. 1876. A Dictionary of Musical Information: Containing also a Vocabulary of Musical Terms, and a List of Modern Musical Works Published in the United States From 1640 To 1875. Boston: Oliver Ditson.
• Morris, R. O., and Howard Ferguson. 1931. Preparatory Exercises in Score-Reading. London: Oxford University Press.
• Smits van Waesberghe, Jos. 1951. "The Musical Notation of Guido of Arezzo". Musica Disciplina 5:15–53.

Further reading[link]

• Read, Gardner. 1964. Music Notation: A Manual of Modern Practice. Boston: Alleyn and Bacon, Inc. Second edition, Boston: Alleyn and Bacon, Inc., 1969., reprinted as A Crescendo Book, New York: Taplinger Pub. Co., 1979. ISBN 0-8008-5459-4 (cloth), ISBN 0-8008-5453-5 (pbk).

v t e Musical notation and development Staff Bar & bar line Clef Da capo Dal segno Key signature Ledger line Musical mode Musical scale Rehearsal letter Repeat sign Time signature Transposition Transposing instrument Notes Accidental Flat Natural Sharp Dotted note Grace note Note value Beam Note head Stem Pitch Rest Tuplet Interval Helmholtz pitch notation Letter notation Scientific pitch notation Articulation Dynamics Ornament Trill Mordent Grace note Portato Accent Legato Tenuto Marcato Staccato Staccatissimo Tie Slur Fermata Tonguing Development Cell Coda Exposition Figure Harmony Hook Lick Melody Motif Ossia Ostinato Period Phrase Recapitulation Repetition Rhythm Beat Meter Tempo Theme Tonality Atonality Related Braille music Chord chart Figured bass Graphic notation Lead sheet Eye music Neume Tablature List of musical symbols

Wyclef Jean
Wyclef Jean in 2008
Background information
Birth name	Wyclef Jeanelle Jean
Also known as	Wyclef, Nel, Clef
Born	(1969-10-17) October 17, 1969 (age 42) Croix-des-Bouquets, Haiti
Genres	Hip hop, dancehall, R&B, reggae, pop rap
Occupations	Musician, songwriter, producer, actor
Instruments	Vocals, guitar, piano, drums
Years active	1992–present
Labels	Ruffhouse, Columbia, Clef Recording
Associated acts	Fugees, Akon, Lil Wayne, R. Kelly, Niia, The Rock, Mary J Blige, Doug E. Fresh, Flo Rida, Shakira
Website	wyclef.com

Wyclef Jeanelle Jean (/ˈwaɪklɪf ˈʒɑːn/; Haitian Creole pronunciation: [wajklɛf ʒã]; born October 17, 1969)^[1] is a Haitian American musician, record producer, and politician. At age nine, Jean moved to the United States with his family and has spent much of his life in the country. He first received fame as a member of the acclaimed New Jersey hip hop group the Fugees.

On August 5, 2010, Jean filed for candidacy in the 2010 Haitian presidential election,^[2] although the Electoral Commission subsequently ruled him ineligible to stand as he had not met the requirement to have been resident in Haiti for five years.^[1][3]

Early life[link]

Although his birth date was widely given as October 17, 1972, papers filed for his run as a candidate for the presidency of Haiti, disclosed that he was, in fact, born in 1969.^[1] Born in Croix-des-Bouquets, Haiti, the son of a Nazarene pastor,^[4] Wyclef moved with his family to Brooklyn, New York, when he was nine^[5] before moving again to northern New Jersey. Jean has cited reggae artist Bigga Haitian as one of his early influences, as well as neighborhood heroes MC Tiger Paw Raw and producer Lobster v. Crab.^[6] Jean graduated from Vailsburg High School in Newark, briefly attended Eastern Nazarene College in Massachusetts, and finished one semester at Five Towns College in New York.^[7][8] Jean has been a resident of Saddle River, South Orange, and North Caldwell, New Jersey.^[9][10] In 2009, Jean enrolled in the Berklee College of Music.^[11]

Music career[link]

Fugees era[link]

Jean's musical breakthrough was as part of The Refugee Camp (The Fugees), a three-member group that included Lauryn Hill and Prakazrel "Pras" Michel. Jean is Pras's cousin and a fellow Haitian immigrant. The Fugees signed to Ruffhouse Records, which released the group's debut album, Blunted on Reality. It sold fairly well, peaking at #49 on the U.S. Hot 100 and selling over 2 million copies worldwide. The follow-up album – The Score – sold over 18 million copies worldwide, eventually becoming a multi-platinum, Grammy-winning album.

Jean announced plans to begin a solo career with 1997's Wyclef Jean Presents the Carnival Featuring the Refugee All-Stars (generally called The Carnival). The album's guests included Lauryn Hill and Pras along with Jean's siblings' group Melky Sedeck;^[12] the I Threes (back-up vocals for Bob Marley); The Neville Brothers and Celia Cruz. The album was a hit, as were two singles: "We Trying to Stay Alive" (adapted from The Bee Gees' "Stayin' Alive") and "Gone Till November" (recorded with the New York Philharmonic Orchestra).

Solo career[link]

Released in 2000, Jean's second solo album The Ecleftic: 2 Sides II a Book was recorded with guests including Youssou N'Dour; Earth, Wind & Fire; Kenny Rogers; The Rock; and Mary J. Blige. With Blige he released "911" as a single. He was nominated for Best Hip-Hop Act at the 2000 MTV Europe Music Awards.^[13][14]

Following the terrorist attacks of September 11, 2001, Jean participated in the benefit concert America: A Tribute to Heroes contributing a cover of the Bob Marley song "Redemption Song". Jean has produced hits and been featured in hit simgles for Destiny's Child, Beyonce, Mary J. Blige to name a few.

Jean's third album, Masquerade, was released in 2002. His fourth album, The Preacher's Son, was released in November 2003 as the follow-up to his first solo album, The Carnival.

In 2004, he released his fifth album, entitled Sak Pasé Presents: Welcome to Haïti (Creole 101) (released in the United States by Koch Records). Most of its songs are in his native language of Haitian Creole like "Fanm Kreyol" with the French Caribbean Admiral T. He also figured on the album Mozaik Kreyol of this one in the song "Secret Lover". Then he covered Creedence Clearwater Revival's song "Fortunate Son" for the soundtrack of the 2004 film remake of The Manchurian Candidate and wrote the song "Million Voices" for the film Hotel Rwanda.

Jean also produced and wrote songs for the soundtrack to Jonathan Demme's 2003 documentary The Agronomist, about the Haitian activist and radio personality Jean Dominique. With Jerry 'Wonder' Duplessis, Jean also composed the score of the documentary Ghosts of Cité Soleil,^[15] He also helped produce the film and he appears briefly onscreen speaking by telephone in 2004 to a "chimere" gang-leader and aspiring rapper, Winston "2Pac" Jean.^[16]

Wyclef Jean performing at a UNAIDS concert in 2006

During a period between 2004 and 2006 and fueled by a reunion performance in Dave Chappelle's "Block Party", it appeared that the Fugees were on track to record a new album, however Fugees member Pras claimed to Billboard, "To put it nicely, it's dead." He said the root of this animosity was the third member of the group, Lauryn Hill, and was quoted in Billboard as saying; "Me and Clef, we on the same page, but Lauryn Hill is in her zone, and I'm fed up with that shit. Here she is, blessed with a gift, with the opportunity to rock and give and she's running on some bulls**t? I'm a fan of Lauryn's but I can't respect that."^[17]

In 2006, Jean was featured in Shakira's smash hit Hips Don't Lie. The song went on to become the highest selling single of the 21st century, in addition to reaching number one in over fifty-five countries. Jean and Shakira went on to perform the song at the 2006 Grammys and the 2006 MTV Video Music Awards.

Jean released an album in September 2007 that he recorded in Atlanta, Georgia, with the help of T.I., who also collaborated with Jean on the songs "You Know What it is" and "My Swag" on T.I.'s 2007 album, T.I. vs. T.I.P. Recently, Wyclef released a new song called "Sweetest Girl (Dollar Bill)" featuring Lil' Wayne, Niia and Akon, which references the song "C.R.E.A.M." by the Wu-Tang Clan. The album also features a single, "Fast Car", whose video was made with the assistance of video game Burnout Paradise. During this period, he was featured in a mix version of the Cartel song "Wasted" that was released with their self-titled album. In November 2008, an upbeat single 'Let Me Touch Your Button' featuring will.i.am (of The Black Eyed Peas) was released in the UK in conjunction with Wyclef's invovlement with UK MOTOROKRSTAR (which sees Motorola UK on the search to discover British talent).^[18]. Jean released a song with Serj Tankian "Riot".

In 2009, he featured in a song called "Spanish Fly" with Ludacris and Bachata group Aventura in Aventura's upcoming album "The Last" which came out in June.

On June 17, 2009, Wyclef announced via Twitter that his new album will be called wyclefjean and is to be released sometime in February 2010.^{[citation needed]} The first single off of wyclefjean is to be titled "Seventeen" and will feature Lil' Wayne.^[19]

In November 2009, a track titled "Suicide Love" featuring rapper Eve leaked online prior to the release of his EP.

Wyclef Jean's EP named From the Hut, to the Projects, to the Mansion was released on November 10, 2009. It includes 17 tracks, featuring Cyndi Lauper, Timbaland, Eve, and Lil' Kim.^[20] In this album, Wyclef uses the alias Toussaint St. Jean, his alter ego, when he raps.^[21]

Wyclef Jean's upcoming self-entitled studio album was due to be released in 2011, has still yet to be released. "Hold On," the lead single from the project, will feature Dancehall artist Mavado.^[20]

Personal life[link]

In 1994, he married Fusha designer Marie Claudinette.^[22] In 2005, they adopted their daughter, Angelina Claudinelle Jean. The couple renewed their vows in August 2009.^[23]

His uncle – political activist, journalist and diplomat Raymond Alcide Joseph – has been the Haitian ambassador to the United States since 2005, and came to prominence as a spokesman for his country after the devastating 2010 Haiti earthquake. Together with Wyclef, he issued an appeal for international aid.^[24][25][26]

On March 19, 2011, Jean claimed that he was shot in the palm of his right hand in Port-au-Prince, Haiti. The police reported otherwise saying that Wyclef was not wounded by a bullet but was cut by glass. Police Chief Vanel Lacroix said "we met with the doctor who saw him and he confirmed Wyclef was cut by glass."^[27][28]

Yéle Haiti[link]

In 2005, Jean established the Yéle Haiti Foundation. In its first year of operation, the foundation, with funding by Comcel, provided scholarships to 3,600 children in Gonaïves, Haiti, after the devastation by Hurricane Jeanne. In its second year of operation, it is almost doubling the amount of the scholarships and spreading them throughout Haiti, providing tuition in 5 regions. The foundation aims to provide 6,800 scholarships to children in Port-au-Prince, Gonaïves, Les Cayes, Port-de-Paix, and Cap-Haïtien.^{[citation needed]}

After the earthquake on January 12, 2010 in Haiti, Jean called on others to donate to his foundation's Yéle Haiti Earthquake Fund, imploring "We must act now."^[29][30]

Jean has been active in his support of his native country and created the foundation Yéle Haiti^[31] to provide humanitarian aid and assistance to Haiti. He describes Yéle as a non-political organization intended to empower the people of Haiti and the Haitian diaspora to rebuild their nation, saying, "The objective of Yéle Haiti is to restore pride and a reason to hope, and for the whole country to regain the deep spirit and strength that is part of our heritage".^{[citation needed]}. Yéle Haiti was created in October 2004 with Wyclef's cousin Jerry 'Wonder' Duplessis. Projects were launched in January 2005. Angelina Jolie and Brad Pitt were present for the first anniversary of the launch in 2006.^[32][33]

In January 2007, Jean became a roving ambassador for Haiti, to help improve its image abroad.^[34]

May 20, 2008 – Yéle Haiti partnered with WFP (World Food Programme) of the United Nations to launch www.togetherforhaiti.org

September, 2008 – Wyclef in conjunction with Yéle Haiti Charity delivered food to Hurricane Ike victims in Haiti. Matt Damon provided assistance in the food lines serving food.

Oct 23, 2008 – Wyclef Jean performed on stage with Carlos Santana in San Francisco on behalf of Yéle Haiti, OneXOne, and WaterPartners International to raise funds for clean water, education, health, environment, and community development in the USA and in the developing world.

In 2009, Wyclef Jean and The Timberland Company joined forces to help raise environmental awareness in Haiti. This duo "will be a multi-platform effort incorporating Timberland products, digital and social media, service events, music, and concerts that will promote environmental awareness." The campaign will push to support and educate the country as well as helping to improve health care and the environment, and the community. Wyclef Jean also plans to spread information about the joint efforts through social media outlets such as "Twitter, YouTube, Myspace, Facebook, imeem, and Social Vibe."^[35] He also aims to use social networking websites to help raise money to build the Yéle Center.^[20]

In January 2010, along with his uncle Raymond Joseph, Haitian ambassador to the US, Wyclef issued an appeal for international aid following the devastating 2010 Haiti earthquake.

Today, Yele's mission, headed by CEO Derek Johnson, is to provide aid and assistance to the communities in Haiti in greatest need, where severe poverty, widespread unemployment, rampant malnutrition and crippling illiteracy are most pervasive. In doing so, we strive to balance emergency relief with support for long term sustainable initiatives that together are giving both hope and practical assistance to the people of Haiti. Yele's programs focus on emergency relief, employment, youth development and education, and tree planting and agriculture.

In a November 27, 2011 New York Post article entitled "Questions Dog Wyclef's Haiti Fund", the Post asserted that less than one third of the over $16 million raised after the Haiti earthquake in January 2010 has been spent effectively for the victims of the catastrophe. The Post does not allege any dishonest embezzlement of funds on Wyclef's part, but rather asserts that there was gross mismanagement and negligence with regards to the distribution of the funds the charity raised. Required Federal tax returns were not filed, and $1 million was given to a Florida firm that does not seem to exist. Wyclef and most of the board left the charity in the summer of 2010. It is now under new management. Wyclef stated, "It's a clean slate now." Due to the controversial nature of Jean's former charity, he has kept a relatively low profile.

Politics[link]

Although Wyclef Jean has only been active in Haitan politics, he told Womens Wear Daily in 2011 that quote "I am a huge fan of Sarah Palin" ^[36].

2010 Haitian presidential campaign[link]

Wikinews has related news: Wyclef Jean considering standing for president of Haiti

On August 5, 2010, Wyclef confirmed the rumors that he was running for office by telling CNN's Wolf Blitzer that he was running, though Blitzer had questions about Jean's actual citizenship and passport. In an article written by Exclaim! Magazine it was mentioned that Jean will be stepping down as the chairman of Yéle Haiti. On August 5, Jean formally filed papers as a candidate for the 2010 Haitian presidential election, following media speculation that he would make his announcement that evening on Larry King Live.^{[37][38][39][40]} Wyclef would have run as a candidate for the Viv Ansanm (Live Together) political party.^[41] On the topic of his candidacy, Jean has stated, "I am being drafted to serve my country."^{[citation needed]}

Besides opposition from Sean Penn in regards to Jean's Haitian presidential plans, Arcade Fire's Win Butler stated in a radio interview:

"Technically, [Wyclef Jean] shouldn't be eligible because he hasn't been a resident of Haiti. And I think him not speaking French and not being fluent in Creole would be a really major issue in trying to run a really complex government, like the government in Haiti. It would kind of be like Arnold Schwarzenegger only speaking Austrian German and being elected president of the United States after New York City and LA had burned to the ground... I think he is a great musician and he really passionately cares about Haiti. I really hope he throws his support behind someone who is really competent and really eligible."^[42]

On August 20, 2010, his bid for candidacy was rejected by Haiti's Provisional Electoral Council. He was turned down because he did not meet the residency requirement of having lived in Haiti for five years before the November 28 election.^[3][43] Afterwards, Wyclef stated:

Appearances in television and film[link]

Jean at the 2008 Toronto International Film Festival

• On a 2004 episode of Chappelle's Show, he appeared as the musical guest.
• He starred in Virgin Mobile commercials as himself.^[45]
• In 2005, he appeared in the film One Last Thing.... His character is a cab driver named Emmett Ducasse. It is implied he is an angel due to being in the main character's "Heaven". Wyclef also has an original track that is the closing credits first song. The song is "Heaven's in New York".
• Also in 2005, Wyclef appeared in 4 episodes of the hit NBC prime time television drama "Third Watch" as the recurring character, Marcel Hollis, a gang leader responsible for blowing up the police precinct house in the final episode of the series.
• In December 2007, starred in the four-part MTV exclusive online short-film Americlef^[46]
• May 20, 2008: At the Gansevoort Hotel, Wyclef Jean in partnership with the WFP and PADF launched "Together for Haiti" to address the hunger crisis in Haiti^[47] members of the American and international television and print media were invited to cover the news.

• October 17, 2011: The Apprentice (U.S. season 12) Episode 1: Hero Worship

Discography[link]

• 1997: The Carnival (Columbia)
• 2000: The Ecleftic: 2 Sides II a Book (Columbia)
• 2002: Masquerade (Columbia)
• 2003: Greatest Hits (Columbia)
• 2003: The Preacher's Son (J)
• 2004: Welcome to Haiti: Creole 101 (Koch)
• 2006: Ghosts of Cité Soleil^[48]
• 2007: Carnival Vol. II: Memoirs of an Immigrant (Columbia)
• 2009: From the Hut, To the Projects, To the Mansion (Columbia)
• 2010: If I Were President: The Haitian Experience (Columbia)

References[link]

External links[link]

Wikimedia Commons has media related to: Wyclef Jean

• Official website
• Wyclef Jean at the Internet Movie Database
• Yéle Haiti Foundation
• Sak Pasé Records (a record label founded by Wyclef)
• Haiti: Working Together at Last by Wyclef Jean, September 23, 2010
• New York Post article on mismanagement at Yéle Haiti Foundation
• Wyclef talking about Nation19.com / APDTA