The bodhrán (/ˈbɔːrɑːn/ or /ˈbaʊrɑːn/; plural bodhráns) is an Irish frame drum ranging from 25 to 65 cm (10 to 26 in) in diameter, with most drums measuring 35 to 45 cm (14 to 18 in). The sides of the drum are 9 to 20 cm (3 1⁄2 to 8 in) deep. A goatskin head is tacked to one side (synthetic heads or other animal skins are sometimes used). The other side is open-ended for one hand to be placed against the inside of the drum head to control the pitch and timbre.
One or two crossbars, sometimes removable, may be inside the frame, but this is increasingly rare on modern instruments. Some professional modern bodhráns integrate mechanical tuning systems similar to those used on drums found in drum kits. It is usually with a hex key that the bodhrán skins are tightened or loosened depending on the atmospheric conditions.
According to musician Ronan Nolan, former editor of Irish Music magazine, the bodhrán evolved in the mid-19th century from the tambourine, which can be heard on some Irish music recordings dating back to the 1920s and viewed in a pre-Famine painting. However, in remote parts of the south-west, the "poor man's tambourine" – made from farm implements and without the cymbals – was in popular use among mummers, or wren boys. A large oil painting on canvas by Daniel Maclise (1806–1870) depicts a large Halloween house party in which a bodhrán features clearly. That painting, produced c. 1842, shows a flautist accompanied by a tambourine player who, in an Arabic style in contrast to standard bodhrán technique, used his fingers rather than a tipper. It is known that by the early 20th century, home-made frame drums were constructed using willow branches as frames, leather as drumheads, and pennies as jingles. In photographs from the 1940s and videos from the 1950s, jingles remained part of the bodhrán construction like a tambourine, yet were played with cipín, also known in English as "tipper".
Say the talk, and I won't mind
The days are caused, you know I never try
And I love you like the one I used to know
And if you never had the time
To last an ordinary problem
And I said I'd like to have a place to go
And you live, and you try
I could never find another
If you walk me to the car park, I won't go
To I live this all time
Flashing for that sees be saw you
I could love you like a sister,
But never had
Drawing circles in your concrete
I will know your every move
And I'll send ya, I'll send ya
And you live, and you try
I could never find another
If you walk me to the car park, I won't go
And we live, and we try
Live was hard on us between us
I will love you, I won't let go
We are one inside these walls, undercover
We are one inside these walls, undercover
We are one inside these walls, undercover
We are one in
We are one in
We are one
And you live, and you try
I could never find another
If you walk me to the car park, I won't go
And we live, and we try
Live was hard on us between us
I will love you, I won't let go
We are one
We are one
We are one
The bodhrán (/ˈbɔːrɑːn/ or /ˈbaʊrɑːn/; plural bodhráns) is an Irish frame drum ranging from 25 to 65 cm (10 to 26 in) in diameter, with most drums measuring 35 to 45 cm (14 to 18 in). The sides of the drum are 9 to 20 cm (3 1⁄2 to 8 in) deep. A goatskin head is tacked to one side (synthetic heads or other animal skins are sometimes used). The other side is open-ended for one hand to be placed against the inside of the drum head to control the pitch and timbre.
One or two crossbars, sometimes removable, may be inside the frame, but this is increasingly rare on modern instruments. Some professional modern bodhráns integrate mechanical tuning systems similar to those used on drums found in drum kits. It is usually with a hex key that the bodhrán skins are tightened or loosened depending on the atmospheric conditions.
According to musician Ronan Nolan, former editor of Irish Music magazine, the bodhrán evolved in the mid-19th century from the tambourine, which can be heard on some Irish music recordings dating back to the 1920s and viewed in a pre-Famine painting. However, in remote parts of the south-west, the "poor man's tambourine" – made from farm implements and without the cymbals – was in popular use among mummers, or wren boys. A large oil painting on canvas by Daniel Maclise (1806–1870) depicts a large Halloween house party in which a bodhrán features clearly. That painting, produced c. 1842, shows a flautist accompanied by a tambourine player who, in an Arabic style in contrast to standard bodhrán technique, used his fingers rather than a tipper. It is known that by the early 20th century, home-made frame drums were constructed using willow branches as frames, leather as drumheads, and pennies as jingles. In photographs from the 1940s and videos from the 1950s, jingles remained part of the bodhrán construction like a tambourine, yet were played with cipín, also known in English as "tipper".
The Independent | 25 Nov 2020
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