Screen

Screen or Screens may refer to:

Arts

Filtration / selection processes

Media and music

Screen (magazine)

Screen is a leading weekly film magazine, published in India. Established in 1951, it is owned by The Indian Express publishing group. The content focuses on India's Hindi film industry, a.k.a. Bollywood, located mainly in Mumbai. It also has an e-magazine version.

History

Screen was first published on 26 September 1951 with Manorama Katju as its managing editor. She was succeeded in 1959 by S.S. Pillai who died in office in 1977. The magazines was started by the Indian Express newspaper group.

B. K. Karanjia who was previously editor of Filmfare, stayed Screen editor for 10 years.Udaya Tara Nayar, rose the ranks within Screen Magazine and became the editor between 1988-1996 and 1998-2000. Veteran film journalist, Bhawana Somaaya was the editor of the magazine (2000-2007). In 2007 she was replaced by Ex- Society Magazine and HT Style/Saturday editor Priyanka Sinha Jha who remains the editor till date.

Screen Awards

Screen organizes and sponsors the Screen Awards for movies in Hindi cinema, established in 1995. It also sponsors Screen Gold Medal for excellence in direction at the Film and Television Institute, established in 1967.

Blend modes

Blend modes (or Mixing modes) in digital image editing are used to determine how two layers are blended into each other. The default blend mode in most applications is simply to hide the lower layer with whatever is present in the top layer. However, as each pixel has a numerical representation, a large number of ways to blend two layers is possible. Note that the top layer is not necessarily called a "layer" in the application. It may be applied with a painting or editing tool.

Most graphics editing programs, like Adobe Photoshop and GIMP, allow the user to modify the basic blend modes - for example by applying different levels of opacity to the top picture.

Normal blend mode

This is the standard blend mode which uses the top layer alone, without mixing its colors with the layer beneath it.

Where a is the value of a color channel in the underlying layer, and b is that of the corresponding channel of the upper layer. The result is most typically merged into the bottom layer using "simple" (b over a) alpha compositing, but other Porter-Duff operations are possible. The compositing step results in the top layer's shape, as defined by its alpha channel, appearing over the bottom layer.

Print

Print may refer to:

Prints (album)

Prints: Snapshots, Postcards, Messages and Miniatures, 1987–2001 is a 2002 album by English guitarist, composer and improvisor Fred Frith, and his first album of songs since Cheap at Half the Price (1983). It comprises four tracks taken from previously released compilations that Frith had contributed to between 1987 and 1997, seven tracks that were "created spontaneously" in the studio in 1997 and 2001, and one live guitar improvisation in 2001. The album was released on CD in 2002 on Fred Records and was the second release in Frith's archival release program on the record label.

Content

Compilation tracks

"Trains & Boats & Planes" and "The Ballad of Melody Nelson" are two cover songs Frith recorded for the Tzadik tribute CDs, Great Jewish Music: Burt Bacharach (1997) and Great Jewish Music: Serge Gainsbourg (1997) respectively. "The Ballad of Melody Nelson (La Ballade de Melody Nelson)" is about Gainsbourg's fictional character, Melody Nelson, and is sung by Frith in the original French. "Life of a Detective" was recorded with the 5uu's in 1990 and appeared on Place of General Happiness (1993). "True Love" was recorded in 1987 and was released on a Shimmy Disc compilation, The 20th Anniversary of the Summer of Love (1987).

PRINTS

In molecular biology, the PRINTS database is a collection of so-called "fingerprints": it provides both a detailed annotation resource for protein families, and a diagnostic tool for newly determined sequences. A fingerprint is a group of conserved motifs taken from a multiple sequence alignment - together, the motifs form a characteristic signature for the aligned protein family. The motifs themselves are not necessarily contiguous in sequence, but may come together in 3D space to define molecular binding sites or interaction surfaces. The particular diagnostic strength of fingerprints lies in their ability to distinguish sequence differences at the clan, superfamily, family and subfamily levels. This allows fine-grained functional diagnoses of uncharacterised sequences, allowing, for example, discrimination between family members on the basis of the ligands they bind or the proteins with which they interact, and highlighting potential oligomerisation or allosteric sites.

PRINTS is a founding partner of the integrated resource, InterPro, a widely used database of protein families, domains and functional sites.