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• 
  

• 
  Alsergrund
  Alsergrund is the ninth district of Vienna, Austria (German: 9. Bezirk, Alsergrund). It is located just north of the first, central district, Innere Stadt. Alsergrund was incorporated in 1862, with seven suburbs. The area is densely populated, with a lot of government-built housing. According to the census of 2001, there were 37,816 inhabitants over 2.99 square km (1.15 sq. mi).
  Many departments of the University of Vienna (main university) are located in Alsergrund, as well as the University of Economics and Business Administration (Wirtschaftsuniversität Wien). There are also many large hospitals, including the biggest in Vienna, the AKH (Allgemeines Krankenhaus, German for General Hospital).
  19 Berggasse, Alsergrund, is the former residence and office of Sigmund Freud. It was Freud's home from 1891 until his flight to England in 1938, and is currently the site of the Vienna Sigmund Freud Museum. Most of the patients Freud treated during the development of his theories, of psychoanalysis, visited him at his Alsergrund office.
  
  wn.com/Alsergrund
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  Bavaria
  Bavaria, formally the Free State of Bavaria (German: Freistaat Bayern, pronounced [ˈfʁaɪʃtaːt ˈbaɪ.ɐn] ( listen)), is a state of Germany, located in the southeast of Germany. With an area of 70,548 square kilometres (27,200 sq mi), it is the largest state by area, forming almost 20% of the total land area of Germany. Bavaria is Germany's second most populous state (after North Rhine-Westphalia), with 12.5 million inhabitants, more than any of the three sovereign states on its borders. Bavaria's capital is Munich.
  One of the oldest states of Europe, it was established as a duchy in the mid first millennium. In the 17th century, the Duke of Bavaria became a Prince-elector of the Holy Roman Empire. The Kingdom of Bavaria existed from 1806 to 1918, and Bavaria has since been a free state (republic). Modern Bavaria also includes parts of the historical regions of Franconia and Swabia.
  The Bavarians emerged in a region north of the Alps, originally inhabited by the Gauls, which had been part of the Roman provinces of Raetia and Noricum. The Bavarians spoke Old High German but, unlike other Germanic groups, probably did not migrate from elsewhere. Rather, they seem to have coalesced out of other groups left behind by Roman withdrawal late in the 5th century. These peoples may have included the Celtic Boii, some remaining Romans, Marcomanni, Allemanni, Quadi, Thuringians, Goths, Scirians, Rugians, Heruli. The name "Bavarian" ("Baiuvarii") means "Men of Baia" which may indicate Bohemia, the homeland of the Celtic Boii and later of the Marcomanni. They first appear in written sources c. 520. Saint Boniface completed the people's conversion to Christianity in the early-8th century. Bavaria was, for the most part, unaffected by the Protestant Reformation.
  
  wn.com/Bavaria
• 
  British Library
  The British Library is the national library of the United Kingdom, and is the world's largest library in terms of total number of items. The library is a major research library, holding over 150 million items from many countries, in many languages and in many formats, both print and digital: books, manuscripts, journals, newspapers, magazines, sound and music recordings, videos, play-scripts, patents, databases, maps, stamps, prints, drawings. The Library's collections include around 14 million books (second only to the United States' Library of Congress), along with substantial holdings of manuscripts and historical items dating back as far as 2000 BC.
  As a legal deposit library, the British Library receives copies of all books produced in the United Kingdom and the Republic of Ireland, including a significant proportion of overseas titles distributed in the UK. It also has a programme for content acquisitions. The British Library adds some three million items every year occupying 9.6 kilometres (6.0 mi) of new shelf space.
  
  wn.com/British_Library
• 
  Getreidegasse
  Getreidegasse (also known as Grain Lane) is a busy shopping street in the Old-Town section of Salzburg. The house at no. 9 Getreidegasse is the place where Wolfgang Amadeus Mozart was born and where he lived until the age of 17. Originally called Trabegasse (derived from traben "to trot"), its name was changed several times before it became the Grain Lane.
  Every day, one can see the famous 'puppet woman' with her brown basket on this street. She is a lady named Maria and has been selling puppets there since 1987.
  Media related to Getreidegasse (Salzburg) at Wikimedia Commons
  Coordinates: 47°48′00″N 13°02′38″E / 47.8°N 13.04389°E / 47.8; 13.04389
  
  wn.com/Getreidegasse
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  Hofburg Palace
  Coordinates: 48°12′23″N 16°21′55″E / 48.206507°N 16.365262°E / 48.206507; 16.365262
  Hofburg Palace is a palace located in Vienna, Austria, that has housed some of the most powerful people in European and Austrian history, including the Habsburg dynasty, rulers of the Austro-Hungarian empire. It currently serves as the official residence of the President of Austria. It was the Habsburgs' principal winter residence, as the Schönbrunn Palace was their preferred summer residence.
  The Hofburg area has been the documented seat of government since 1279 for various empires and republics. The Hofburg has been expanded over the centuries to include: various residences (with the Amalienburg), the chapel (Hofkapelle or Burgkapelle), museums (the Naturhistorisches Museum & Kunsthistorisches Museum), the Imperial Library (Hofbibliothek now the Prunksaal), the treasury (Schatzkammer), the national theatre (Burgtheater), the riding school (Hofreitschule), the horse stables (the Stallburg and Hofstallungen)and the Hofburg Congress Center.
  
  wn.com/Hofburg_Palace
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  Opera
  Opera (English plural: operas; Italian plural: opere) is an art form in which singers and musicians perform a dramatic work combining text (called a libretto) and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble.
  Opera is part of the Western classical music tradition. It started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence around 1597) and soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. In the 18th century, Italian opera continued to dominate most of Europe, except France, attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro, Don Giovanni, and Così fan tutte, as well as The Magic Flute, a landmark in the German tradition.
  
  wn.com/Opera
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  Prague
  Prague ( /ˈprɑːɡ/; Czech: Praha pronounced [ˈpraɦa] ( listen)) is the capital and largest city of the Czech Republic and fourteenth largest city in European Union. Situated in the north-west of the country on the Vltava river, the city is home to about 1.3 million people, while its metropolitan area is estimated to have a population of nearly 2.0 million. The city has a temperate oceanic climate with warm summers and chilly winters.
  Prague has been a political, cultural, and economic centre of central Europe with waxing and waning fortunes during its 1,100 year existence. Founded during the Romanesque and flourishing by the Gothic and Renaissance eras, Prague was the seat of two Holy Roman Emperors and thus then also the capital of the Holy Roman Empire. It was an important city to the Habsburg Monarchy and its Austro-Hungarian Empire and after World War I became the capital of Czechoslovakia. The city played major roles in the Protestant Reformation, the Thirty Years' War, and in modern history generally as the principal conurbation in Bohemia and Moravia whose second city is Brno.
  
  wn.com/Prague
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  Salzburg Cathedral
  The Salzburg Cathedral (German: Salzburger Dom) is a 17th century baroque cathedral of the Roman Catholic Archdiocese of Salzburg in the city of Salzburg, dedicated to Saint Rupert of Salzburg.
  It is the site of Mozart's baptism. And the composer Anton Diabelli sang in the Salzburg Cathedral boys' choir in the late 1700s.
  The first cathedral was built under Saint Vergilius of Salzburg, who might have used foundations by St. Rupert. The first Dom was recorded in 774. The so-called Virgil Dom was built from 767 to 774 and was 66 metres long and 33 metres wide.
  Archbishop Arno (785 – 821) was the first to arrange renovations of the Dom, which was in place for less than 70 years. In 842, the building burned down after being struck by lightning. Three years later, the re-erection of the building started.
  Under Archbishop Hartwig, a choir with a crypt was built towards West between 1000 and 1020. Under Archbishop Konrad I., the West-towers were built from 1106 to 1147.
  This original church thus experienced at least three extensive building and rebuilding campaigns during the early Middle Ages, the final result of which was a somewhat ad hoc Romanesque basilica. In 1598, the basilica was severely damaged, and after several failed attempts at restoration and reconstruction, the building was finally ordered to be demolished by Prince-Archbishop Wolf Dietrich (Archbishop from 1587–1612). Wolf Dietrich was a patron and supporter of modern Italian baroque architecture, having seen it from its origins in Italy and particularly Rome. Indeed, it was Wolf Dietrich who was also responsible for the building of the nearby Alten Residenz, which is today connected to the cathedral.
  
  wn.com/Salzburg_Cathedral
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  Salzburg University
  The University of Salzburg, or Paris Lodron University (German Universität Salzburg) after its founder, the Prince Archbishop Paris Lodron, is located in the Austrian city of Salzburg, Salzburgerland, home of Mozart. It is divided into 4 faculties: catholic theology, law, humanities and natural science.
  Founded in 1622, it today has c. 18,000 students and c. 1,600 employees. It is the biggest educational institution in the province of Salzburg.
  The Paris Lodron University in Salzburg was founded by Prince Archbishop Paris Lodron in 1622. It was an addition to a "Gymnasium", a secondary school that had been founded in 1617.
  The University was initially set up and maintained by a federation of Benedictine abbeys from Salzburg, Switzerland, Bavaria and Austria. In the early years, the courses taught were theology, divinity, philosophy as well as law and medicine.
  As a result of the Napoleonic Wars, Salzburg was secularised in the early 19th century. Prince Ferdinand, a brother of Emperor Franz I. of Austria, established the first Faculty of Medicine.
  
  wn.com/Salzburg_University
• 
  Sistine Chapel
  Sistine Chapel (Latin: Sacellum Sixtinum; Italian: Cappella Sistina) is the best-known chapel in the Apostolic Palace, the official residence of the Pope in the Vatican City. It is famous for its architecture and its decoration that was frescoed throughout by Renaissance artists including Michelangelo, Sandro Botticelli, Pietro Perugino, Pinturicchio and others. Under the patronage of Pope Julius II, Michelangelo painted 1,100 m² (12,000 sq ft) of the chapel ceiling between 1508 and 1512. The ceiling, and especially The Last Judgment (1535–1541), is widely believed to be Michelangelo's crowning achievement in painting.
  The chapel takes its name from Pope Sixtus IV, who restored the old Cappella Magna between 1477 and 1480. During this period a team of painters that included Pietro Perugino, Sandro Botticelli and Domenico Ghirlandaio created a series of frescoed panels depicting the life of Moses and the life of Christ, offset by papal portraits above and trompe l’oeil drapery below. These paintings were completed in 1482, and on 15 August 1483, Sixtus IV celebrated the first mass in the Sistine Chapel for the Feast of the Assumption, at which ceremony the chapel was consecrated and dedicated to the Virgin Mary.
  
  wn.com/Sistine_Chapel
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  St. Marx Cemetery
  St. Marx Cemetery (Sankt Marxer Friedhof) is a cemetery in the Landstraße district of Vienna, used from 1784 until 1874. It contains the unmarked burial of the famous composer Wolfgang Amadeus Mozart.
  The cemetery was named after a nearby almshouse. It opened in 1784 following a decree by Emperor Joseph II that forbade further burials in cemeteries within the outer walls of the city of Vienna. He also ordered that bodies should be buried in mass graves, without coffins or embalming.
  Thus the common assumption that Mozart's grave was unmarked because he was too poor is false. His burial in 1791 after a funeral in the Stephansdom simply followed the regulations of the day.
  It includes the graves of
  The most famous person to be buried in the St. Marx Cemetery is Wolfgang Amadeus Mozart. Later attempts to locate his mass grave all failed, including a search by his widow, 17 years after Mozart's death, and by Vincent Novello in 1829. In 1855 a gravestone was erected at what was presumed to be the correct spot. Later the stone was transferred to a group of famous musician graves at Zentralfriedhof. At St. Marx Cemetery, a worker replaced the gravestone with a memorial tablet, which was again expanded by several contributors. The memorial known today was refurbished by Viennese sculptor Florian Josephu-Drouot in 1950.
  
  wn.com/St._Marx_Cemetery
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  The Hague
  The Hague (Dutch: Den Haag pronounced [dɛnˈɦaˑχ] ( listen), officially 's-Gravenhage pronounced [ˈsχraˑvə(n)ˌɦaˑɣə] ( listen)) is the capital city of the province of South Holland in the Netherlands. With a population of 500,000 inhabitants (as of 1 September 2011), and more than one million inhabitants including the suburbs, it is the third largest city of the Netherlands, after Amsterdam and Rotterdam. Located in the west of the Netherlands, The Hague is in the centre of the Haaglanden conurbation and lies at the southwest corner of the larger Randstad conurbation.
  The Hague is the seat of the Dutch government and parliament, the Supreme Court, and the Council of State, but the city is not the capital of the Netherlands which constitutionally is Amsterdam. Queen Beatrix of the Netherlands lives at Huis ten Bosch and works at Noordeinde Palace in The Hague. Most foreign embassies in the Netherlands and 150 international organisations are located in the city, including the International Court of Justice and the International Criminal Court, which makes The Hague one of the major cities hosting the United Nations, along with New York, Vienna and Geneva.
  
  wn.com/The_Hague
• 
  Versailles
  The Palace of Versailles ( /vɛərˈsaɪ/ vair-SY or /vərˈsaɪ/; French: [vɛʁˈsaj]), or simply Versailles, is a royal château in Versailles in the Île-de-France region of France. In French it is the Château de Versailles.
  When the château was built, Versailles was a country village; today, however, it is a suburb of Paris, some 20 kilometres southwest of the French capital. The court of Versailles was the centre of political power in France from 1682, when Louis XIV moved from Paris, until the royal family was forced to return to the capital in October 1789 after the beginning of the French Revolution. Versailles is therefore famous not only as a building, but as a symbol of the system of absolute monarchy of the Ancien Régime.
  The earliest mention of the name of Versailles is in a document dated 1038, relating to the village of Versailles. In 1575, the seigneury of Versailles was bought by Albert de Gondi, a naturalized Florentine, who invited Louis XIII on several hunting trips in the forests surrounding Versailles. Pleased with the location, Louis ordered the construction of a hunting lodge in 1624. Eight years later, Louis obtained the seigneury of Versailles from the Gondi family and began to make enlargements to the château. This structure would become the core of the new palace. Louis XIII's successor, Louis XIV, had it expanded into one of the largest palaces in the world. Following the Treaties of Nijmegen in 1678, he began to gradually move the court to Versailles. The court was officially established there on 6 May 1682.
  
  wn.com/Versailles
• 
  Vienna
  Vienna ( /viːˈɛnə/; German:  Wien (help·info) [viːn]) is the capital and largest city of Austria and one of the nine states of Austria. Vienna is Austria's primary city, with a population of about 1.723 million (2.4 million within the metropolitan area, more than 25% of Austria's population), and is by far the largest city in Austria, as well as its cultural, economic, and political centre. It is the 9th-largest city by population in the European Union. Until the beginning of the 20th century it was the largest German speaking city in the world, and before the first world war and the splitting of the Austro-Hungarian empire the city had 2 million inhabitants. Vienna is host to many major international organizations, including the United Nations and OPEC. The city lies in the east of Austria and is close to the borders of the Czech Republic, Slovakia, and Hungary. These regions work together in a European Centrope border region. Along with nearby Bratislava, Vienna forms a metropolitan region with 3 million inhabitants. In 2001, the city centre was designated a UNESCO World Heritage Site.
  
  wn.com/Vienna

• Alfred Einstein
  Alfred Einstein (December 30, 1880 – February 13, 1952) was a German-American musicologist and music editor. He is best known for being the editor of the first major revision of the Köchel catalogue, which was published in the year 1936. The Köchel catalogue is the extensive catalogue of the works of Wolfgang Amadeus Mozart. Einstein was known to have had such a depth of familiarity with Mozart that he had something pertinent to say about every piece Mozart wrote.
  Einstein was born in Munich. Though he originally studied law, he quickly realized his principal love was music, and he acquired a doctorate at Munich University, focusing on instrumental music of the late Renaissance and early Baroque eras, in particular music for the viola da gamba. In 1918 he became the first editor of the Zeitschrift für Musikwissenschaft; slightly later he became music critic for the Münchner Post; and in 1927 became music critic for the Berliner Tageblatt. In this period he was also a friend of the composer Heinrich Kaspar Schmid in Munich and Augsburg. In 1933, after Hitler's rise to power, he left Nazi Germany, moving first to London, then to Italy, and finally to the United States in 1939, where he held a succession of teaching posts at universities including Smith College, Columbia University, Princeton University, the University of Michigan, and the Hartt School of Music in Hartford, Connecticut.
  
  wn.com/Alfred_Einstein
• 
  Aloysia Weber
  Maria Aloysia Louise Antonia Weber (c. 1760 – 8 June 1839) was a German soprano, remembered primarily for her association with the composer Wolfgang Amadeus Mozart.
  Born in either Zell im Wiesental or Mannheim, Aloysia Weber was one of the four daughters of the musical Weber family. Her three sisters were soprano Josepha Weber (1758–1819), who premiered the role of the Queen of the Night in Mozart's The Magic Flute; Constanze Weber the wife of Mozart; and Sophie Weber. Her first cousin was the composer Carl Maria von Weber.
  Aloysia grew up in Mannheim and later moved to Munich in 1778, where she made her operatic debut. Her salary at the Court Theater was 1000 florins per year; her father made 600. The following year she was engaged to sing in the National Singspiel in Vienna, a project of the Emperor Joseph II; the family moved together to Vienna in September, where the father worked briefly as a ticket-taker, but he died suddenly only a month after their arrival.
  Aloysia continued in a fairly successful singing career in Vienna over the next two decades.
  
  wn.com/Aloysia_Weber
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  Anton Walter
  (Gabriel) Anton Walter (5 February 1752, Neuhausen auf den Fildern – 11 April 1826, Vienna) was a builder of pianos. The Grove Dictionary of Music and Musicians describes him as "the most famous Viennese piano maker of his time".
  Walter was born in Germany in Neuhausen auf den Fildern. The record of his marriage to a widow named Anna Elisabeth Schöffstoss in 1780 indicates that he had moved to Vienna by that time. His earlier surviving pianos are dated to this year.
  His piano business was evidently successful. In 1790 he was awarded the status of Imperial Royal Chamber Organ Builder and Instrument Maker. By 1800 he was employing about 20 workmen. In that year he was joined in the firm by his stepson Joseph Schöffstoss, and the pianos came to be labeled "Anton Walter und Sohn" ("and son"). The last surviving Walter piano is dated 1825, and he died the following year.
  Walter's instruments are classified within the so-called "Viennese" school of piano design. This school originated with Johann Andreas Stein, who built pianos in Augsburg. In Viennese instruments, the head of the hammer is closer to the player than the hinge, and the hammer is made to rise when its short opposite end is caught on a hook. Like all early pianos, those of the Viennese school were of far lighter construction than modern instruments and had a quite distinct sound; for general discussion, see fortepiano.
  
  wn.com/Anton_Walter
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  Antonio Salieri
  Antonio Salieri (18 August 1750 – 7 May 1825) was a Venetian classical composer, conductor and teacher born in Legnago, south of Verona, in the Republic of Venice, but who spent his adult life and career as a faithful subject of the Habsburg monarchy.
  Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann, and a protege of Gluck, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary and his music was a powerful influence on contemporary composers.
  Appointed the director of the Italian opera by the Hapsburg court, a post he held from 1774 to 1792, Salieri dominated Italian language opera in Vienna. During his career he also spent time writing works for opera houses in Venice, Rome, and Paris. His dramatic works were widely performed throughout Europe during his lifetime. As the Austrian imperial Kapellmeister from 1788 to 1824, he was responsible for music at the court chapel and attached school. Even as his works dropped from performance, and he wrote no new operas after 1804, he still remained one of the most important and sought after teachers of his generation and his influence was felt in every aspect of Vienna's musical life. Franz Schubert, Ludwig van Beethoven and Franz Liszt were among the most famous of his pupils.
  
  wn.com/Antonio_Salieri
• Arthur Mendel
  Arthur Mendel (June 6, 1905 – October 14, 1979) was an American musicologist.
  
  
  
  wn.com/Arthur_Mendel
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  Benedikt Schack
  Benedikt Schack (Czech: Benedikt Žák) (7 February 1758 – December 10, 1826) was a composer and tenor of the Classical era, a close friend of Mozart and the first performer (1791) of the role of Tamino in Mozart's opera The Magic Flute.
  Benedikt Žák/Schack (also spelled as Ziak, Cziak or Schak) was born February 7, 1758 in Mirotice, Bohemia (now the Czech Republic, then part of the Habsburg monarchy). Like Joseph and Michael Haydn, he worked as a chorister as a child, singing from 1773 in the cathedral in Prague, then moved to Vienna (1775) to study medicine, philosophy and singing. His voice teacher in Vienna was Carl Friberth, a tenor who performed under Joseph Haydn. Later, Schack worked for several years as Kapellmeister to Prince Heinrich von Schönaich-Carolath in Silesia.
  In 1786, Schack joined the traveling theatrical troupe of Emanuel Schikaneder, working both as a tenor and as a composer of Singspiele. The troupe settled in Vienna in 1789, performing in the suburban Theater auf der Wieden.
  
  wn.com/Benedikt_Schack
• Charles Rosen
  Charles Rosen (born May 5, 1927) is an American pianist and author on music.
  In his youth he studied piano with Moriz Rosenthal. Rosenthal, born in 1862, had been a student of Franz Liszt. Rosenthal's memories of the 19th century in classical music were communicated to his pupil and appear frequently in Rosen's later writings.
  Rosen has said that the pianist Józef Hofmann, whom he heard every year from age three to twelve, was a greater influence on him than Rosenthal. He recalls having played for Leopold Godowsky at age seven; Godowsky asked Rosen what he would like to be when he grew up, and, to Godowsky's amusement, Rosen answered, "I want to be a pianist like Józef Hofmann." Rosen has also named Arturo Toscanini as a great influence.
  Following his training Rosen pursued a successful career as a concert pianist, appearing in numerous recitals and orchestral engagements around the world. He recorded a number of 20th century works at the invitation of their composers, including music by Stravinsky, Elliott Carter, and Pierre Boulez. His recordings also include earlier literature such as Debussy's Études, Schumann's works for solo piano, Beethoven's late sonatas and Diabelli Variations, and Bach's Art of Fugue and Goldberg Variations.
  
  wn.com/Charles_Rosen
• Cliff Eisen
  Cliff Eisen (born in Toronto, 21 January 1952)^{[citation needed]} is a Canadian musicologist and a Mozart expert. He has been based, since 1997, in the Department of Music at King's College London. As part of the Department's strong connections with the Royal Academy of Music, Eisen also leads courses there. He has studied at the University of Toronto and at Cornell University, and has taught at the University of Western Ontario and New York University.
  Eisen is associate editor of the new Köchel catalogue and received the Alfred Einstein Award of the American Musicological Society in 1992. His research focuses on the Classical period, particularly Mozart and performance practice. He has written extensively on the issues of authenticity surrounding the works of Leopold Mozart and his son, Wolfgang. Other publications of his deal with Mozart's chamber music, life in Salzburg, biography and his life in contemporary documentation.^{[citation needed]}
  Eisen has been an adviser to Robert Levin and Christopher Hogwood for recordings of the complete Mozart piano concertos.^{[citation needed]}
  
  wn.com/Cliff_Eisen
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  Constanze Mozart
  Constanze Mozart (née Weber) (5 January 1762 – 6 March 1842) was the wife of Wolfgang Amadeus Mozart.
  Constanze Weber was born in Zell im Wiesental. Her mother was Cäcilia Weber, née Stamm. Her father Fridolin Weber worked as a "double bass player, prompter and music copyist." Fridolin's half-brother was the father of composer Carl Maria von Weber. Constanze had two older sisters, Josepha and Aloysia and one younger one, Sophie. All were trained as singers, and Josepha and Aloysia both went on to distinguished musical careers, performing later on in the premieres of a number of Mozart's works.
  During most of Constanze's upbringing, the family lived in her mother's hometown of Mannheim, an important musical center of the time. The 21-year-old Mozart visited Mannheim in 1777 on a job-hunting tour with his mother and developed a close relationship with the Weber family. He fell in love, not with the 15-year-old Constanze, but with Aloysia. While Mozart was in Paris, Aloysia obtained a position as a singer in Munich, and the family accompanied her there. She rejected Mozart when he passed through Munich on his way back to Salzburg.
  
  wn.com/Constanze_Mozart
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  Cäcilia Weber
  Cäcilia Cordula Stamm (23 October 1727 – 22 August 1793) was the mother of Constanze Weber, wife of Wolfgang Amadeus Mozart.
  She was born in Mannheim, Germany, the daughter of Johann Otto Stamm, a government secretary and Sophia Elisabeth Wimmer. She married Franz Fridolin Weber (1733-1779) on 14 September 1756, and had four daughters: Josepha, Aloysia, Constanze, and Sophie. Constanze was the only one who did not become a professional singer, but, according to Mozart, she possessed a fine voice and musical ear. The children were born in Zell im Wiesental, but the family moved to Mannheim soon after Sophie was born.
  Cäcilia first met Mozart in 1777, when he came to Mannheim in search of a job. He fell in love with her daughter Aloysia during this stay, and departed for Paris after finding no permanent position. The family later moved to Munich, where both Aloysia and Fridolin had found jobs in the opera. It was here that Mozart encountered them again (and was rejected by Aloysia), during his journey homeward to Salzburg.
  
  wn.com/Cäcilia_Weber
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  Dora Stock
  Dora (Doris, Dorothea) Stock (6 March 1760 – 30 March 1832) was an artist of the 18th and 19th centuries who specialized in portraiture. She was at the center of a highly cultivated household in which a great number of artists, musicians, and writers were guests; and her friends and acquaintances included some of the most eminent figures of her day, including Goethe, Schiller and Mozart.
  She was born in Nürnberg to a copper engraver named Johann Michael Stock (1737–1773). Stock had in 1756 married a widow five years his senior—Maria Helen Endner, née Schwabe (1733–1782)—who already had a son, Georg Gustav, by her previous marriage. Dora was the first of two surviving children born to this marriage; two years later her younger sister Anna Maria Jakobina, called Minna (11 March 1762–1843), was born.
  When Dora was five years old, her father took up a position in Leipzig working as an engraver and illustrator for the Breitkopf printing and publishing firm, and his family followed him to Leipzig a few months later. The Stock family was not well off. They lived in fifth-floor attic rooms in a building whose lower floors were occupied by Breitkopf printing facilities. The father worked in the front room, where there was ample window lighting, surrounded by his family.
  
  wn.com/Dora_Stock
• Edward Greenfield
  Edward Greenfield (born 1928, Westcliff-on-Sea, England) is an English music critic and broadcaster. He joined the Manchester Guardian in 1953, working as a lobby correspondent in the House of Commons. He has been a record critic for the newspaper since 1955, a music critic since 1964, and was chief music critic from 1977 until his retirement in 1993. He has contributed to Gramophone magazine since 1960, and has been joint editor of The Stereo Record Guide since 1960. A regular broadcaster on the BBC, he presented classical music programmes on the World Service, including The Greenfield Collection, and was a regular contributor to the 'Building a Library' feature of Radio 3's Record Review (now CD Review) for many years.
  He is the author of monographs on Puccini (1958), Joan Sutherland (1972) and André Previn (1973). He was awarded the OBE in 1994.
  Extracts from Edward Greenfield’s memoirs can be found here.
  
  wn.com/Edward_Greenfield
• Emily Anderson
  Emily Anderson, OBE (March 1891 – October 1962) was a British Foreign Office official and scholar of German.
  She was born in Galway, Ireland, the daughter of Alexander Anderson, president of Queens College Galway. Ms Anderson was educated privately and won the Browne Scholarship in 1909 at QCG, where she received a B.A. in 1911. She displayed a strong interest in the suffragette movement in Galway. After further study in Berlin and Marburg, she taught for two years at Queen's College, Barbados. She then returned in 1917 to Galway as professor of German at UCG.
  Anderson resigned from her position in 1920. She moved to London and immediately joined the Foreign Office. In 1923 she published a translation of Benedetto Croce's book on Goethe. Between 1940 and 1943 she was seconded to the War office; she later received the OBE for Intelligence resulting from work she carried out in the Middle East. She retired from the foreign office in 1951. Anderson published the Letters of Mozart and his family, which she herself edited and translated. Her Letters of Beethoven were published in 1961. The Federal Republic of Germany awarded her the Order Of Merit first class for her work on Beethoven.
  
  wn.com/Emily_Anderson
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  Fernando Sor
  Josep Ferran Sorts i Muntades (baptized 14 February 1778 – died 10 July 1839) was a Spanish classical guitarist and composer. While he is best known for his guitar compositions, he also composed music for a wide range of genres, including opera, orchestra, string quartet, piano, voice, and ballet. His ballet score Cendrillon (Cinderella) received over one hundred performances. Sor’s works for guitar range from pieces for beginning players to advanced players such as Variations on a Theme of Mozart.
  Sor gave concerts throughout Europe, including in England, Paris, Berlin, and Warsaw. Before the early 19th century, the guitar was little-known in England. Sor seems to have created a market for himself there and then met the demand. Sor’s contemporaries considered him to be the best guitarist in the world, and his works for guitar have been widely played and reprinted since his death.
  As Sor's works were published in various countries, his name was translated, leading to variations in the spelling. Variations have included Joseph Fernando Macari Sors, Fernando Sor, Ferran Sor, Ferdinand Sor, and Ferdinando Sor.
  
  wn.com/Fernando_Sor
• Franz Xaver Gerl
  Franz Xaver Gerl (1764–1827) was a bass singer and composer of the classical era. He sang the role of Sarastro in the premiere of Mozart's opera The Magic Flute.
  Gerl was born on November 30, 1764 in Andorf (then Bavaria, since 1780 part of Austria). He sang as a chorister as a child in Salzburg; the New Grove asserts that he was probably the pupil of Leopold Mozart. He attended the University of Salzburg, studying logic and physics. His career as a bass began 1785 with the theatrical company of Ludwig Schmidt.
  He evidently had an impressively low vocal range; Branscombe (1991) observes that the very low notes that Mozart included in the part of Sarastro have been "the despair of many a bass singer since."
  By 1787 he had joined the theatrical company of Emanuel Schikaneder, for which he sang the demanding role of Osmin in Mozart's opera The Abduction from the Seraglio and other roles. In 1789 the troupe settled at the Theater auf der Wieden in Vienna. Gerl participated in a system of joint composition used by Schikander's troupe, in which Singspiele were produced rapidly by having several composers collaborate. As such, Gerl may have been the composer of the aria "Ein Weib ist das herrlichste Ding", for which Mozart wrote a set of variations for piano, K. 613 (the composer may instead have been another singer-composer in the troupe, Benedikt Schack).
  
  wn.com/Franz_Xaver_Gerl
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  Frédéric Chopin
  Frédéric François Chopin ( /ˈʃoʊpæn/; French pronunciation: [fʁe.de.ʁik ʃɔ.pɛ̃]; Polish: Fryderyk Franciszek Chopin, also phonetically Szopen; 22 February or 1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of French-Polish parentage. He is considered one of the great masters of Romantic music. Chopin was born in Żelazowa Wola, a village in the Duchy of Warsaw. A renowned child-prodigy pianist and composer, Chopin grew up in Warsaw and completed his music education there; he composed many mature works in Warsaw before leaving Poland in 1830 at age 20, shortly before the November 1830 Uprising.
  Following the Russian suppression of the Uprising, he settled in Paris as part of Poland's Great Emigration. During the remaining 19 years of his life, Chopin gave only some 30 public performances, preferring the more intimate atmosphere of the salon; he supported himself by sales of his compositions and as a piano teacher. After some romantic dalliances with Polish women, including an abortive engagement, from 1837 to 1847 he carried on a relationship with the French writer Amantine Dupin (pen name "George Sand"). For most of his life, Chopin suffered from poor health; he died in Paris in 1849 at age 39.
  
  wn.com/Frédéric_Chopin
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  Gregorio Allegri
  Gregorio Allegri (1582 – 17 February 1652) was an Italian composer of the Roman School and brother of Domenico Allegri; he was also a priest and a singer. He lived mainly in Rome, where he would later die.
  He studied music as a puer (boy chorister) at San Luigi dei Francesi, under the maestro di capella Giovanni Bernardino Nanino, brother of Giovanni Maria Nanino. Being intended for the Church, he obtained a benefice in the cathedral of Fermo. Here he composed a large number of motets and other sacred music, which, being brought to the notice of Pope Urban VIII, obtained for him an appointment in the choir of the Sistine Chapel at Rome with the contralto role. He held this from 6 December 1629 until his death. As Andrea Adami wrote, in character, Allegri was regarded as singularly pure and benevolent.
  Among the musical compositions of Allegri were two volumes of concerti for five voices, published in 1618 and 1619; two volumes of motets for six voices, published in 1621; an edition of four-part sinfonia; five masses, two settings of the Lamentations of Jeremiah, as well as numerous motets which were not published in his lifetime. He was one of the earliest composers for stringed instruments, and Athanasius Kircher has given one specimen of this class of his works in his Musurgia. Most of Allegri's published music is in the more progressive early Baroque concertato style, especially the instrumental music. However, his work for the Sistine Chapel is descended from the Palestrina style, and in some cases strips even this refined, simple style of all ornament. He is credited with the earliest string quartet.
  
  wn.com/Gregorio_Allegri
• H. C. Robbins Landon
  Howard Chandler Robbins Landon (March 6, 1926 – November 20, 2009) was an American musicologist.
  He was born in Boston, Massachusetts and studied music at Swarthmore College and Boston University. He subsequently moved to Europe where he worked as a music critic. From 1947 he undertook research in Vienna on Joseph Haydn, a composer on whom he became an authority. His book Symphonies of Joseph Haydn was published in 1955, and the five volume Haydn: Chronicle and Works followed at the end of the 1970s. He also edited a number of Haydn's works.
  Robbins Landon published work on other 18th century composers, including Wolfgang Amadeus Mozart, Ludwig van Beethoven and Antonio Vivaldi. He coined the term barococo.
  In 1994 a controversy erupted over the appearance of various piano sonatas which Robbins Landon at first declared to be newly discovered Haydn works, but then concluded were fakes.
  He received the Ernst von Siemens Music Prize in 1992.
  He was married twice: his first wife Christa died in a plane crash in 1977. His second wife Else Radant, from whom he was separated, survived him. He lived in France in the latter years of his life, where he died aged 83 on November 20, 2009 in Rabastens.
  
  wn.com/H._C._Robbins_Landon
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  Johann Georg Mozart
  Johann Georg Mozart (4 May 1679 – 19 February 1736) was a bookbinder who lived in Augsburg, Germany, in the 17th and 18th centuries. He was the father of Leopold Mozart and the grandfather of Wolfgang Amadeus Mozart.
  Johann Georg's own ancestors were "artisans and masons", but he pursued a different career, becoming a master bookbinder. He evidently advanced his career when he married Anna Maria Banegger, widow of his former master, and thus obtained his old master's guild license. His first wife bore him no children and died in 1718. His second wife was Anna Maria Sulzer (1696–1766), with whom he had 8 children over the years 1719–1735; 3 boys and 2 girls survived to adulthood. Leopold, born 14 November 1719, was the oldest.
  The family were Catholics and after 1722 lived in a house owned by the Jesuits. They sent their two oldest sons to Jesuit schools.
  Neither Johann Georg nor his wife Anna Maria had any direct influence on the life of their celebrated grandson. Johann Georg died 20 years before Wolfgang Amadeus Mozart was born; and Leopold became estranged from his mother following his move in young adulthood to Salzburg (1737); hence there was no contact between grandmother and grandson during the period their lives overlapped.
  
  wn.com/Johann_Georg_Mozart
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  Joseph Haydn
  Franz Joseph Haydn (  /ˈdʒoʊzəf ˈhaɪdən/; German pronunciation: [ˈjoːzɛf ˈhaɪdən] ( listen); 31 March 1732 – 31 May 1809), known as Joseph Haydn, was an Austrian composer, one of the most prolific and prominent composers of the Classical period. He is often called the "Father of the Symphony" and "Father of the String Quartet" because of his important contributions to these forms. He was also instrumental in the development of the piano trio and in the evolution of sonata form.
  A lifelong resident of Austria, Haydn spent much of his career as a court musician for the wealthy Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original". At the time of his death, he was one of the most celebrated composers in Europe.
  Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor. He was also a close friend of Wolfgang Amadeus Mozart and a teacher of Ludwig van Beethoven.
  
  wn.com/Joseph_Haydn
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  Joseph Lange
  Joseph Lange (Würzburg, 1 April 1751 – Vienna, 17 September 1831) was an actor and amateur painter of the 18th century. Through his marriage to Aloysia Weber, he was the brother-in-law of Wolfgang Amadeus Mozart.
  His first marriage, in 1775, was to Maria Anna Elisabeth Schindler, daughter of Philipp Ernst Schindler, a miniature painter and director of painting at the Viennese porcelain factory. Maria Anna died on 14 March 1779 of pneumonia.
  He married Aloysia in Vienna on 31 October 1780. In that year he also agreed to support Aloysia's widowed mother Cäcilia with an annual payment of 700 florins.
  Mozart married Aloysia's younger sister Constanze in Vienna in 1782, and thus became Lange's brother-in-law. The Mozarts and the Langes seem to have been friends, as the written record preserves various occasions that they socialized together, as did Wolfgang and Joseph individually. Both Lange and Mozart were Masons; see Mozart and Freemasonry.
  In 1783, Lange performed in one of Mozart's works, a "Masquerade" (pantomime with music) composed for Carnival. The characters were traditional figures of the Commedia dell'arte, and the music was composed by Mozart (K. 446). Lange played Pierrot, and Mozart himself took the role of Harlequin.
  
  wn.com/Joseph_Lange
• Joseph Leutgeb
  Joseph Leutgeb (or Leitgeb) (October 8, 1732, Neulerchenfeld – February 27, 1811, Vienna) was an outstanding horn player of the classical era, a friend and musical inspiration for Wolfgang Amadeus Mozart.
  Little is known of his early years. The composer Carl Ditters von Dittersdorf stated that Leutgeb performed in Vienna in the early 1750s for Prince Hildburghausen. During the early 1760s, Leutgeb's career flourished; according to Daniel Heartz, he "was the most prominent horn soloist in Vienna, and evidently one of the best received players on any solo instrument.". It is recorded that during the period 21 November 1761 to 28 January 1763 he performed horn concertos by Leopold Hofmann, Michael Haydn and Dittersdorf at the Burgtheater.
  Heartz suggests that at this time (1762) Joseph Haydn wrote his Concerto in D, Hob. VIId/3D, for Leutgeb. The two likely were friends, as on 3 July 1763 Haydn's wife served as godmother for Leutgeb's child Maria Anna Apollonia. In February 1763 Leutgeb was briefly a part of the musical establishment of the Esterházy family, directed at the time by Haydn. He was paid a "high yearly salary" but departed, for reasons unknown, after only one month.
  
  wn.com/Joseph_Leutgeb
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  Josepha Weber
  (Maria) Josepha Weber (later Josepha Hofer, Josepha Mayer; 1758 – December 29, 1819) was a German soprano of the classical era. She was a sister-in-law of Wolfgang Amadeus Mozart, and the first to perform the role of The Queen of the Night in Mozart's opera The Magic Flute (1791).
  She was born in Zell im Wiesental, in present-day Baden-Württemberg, Germany, the daughter of Fridolin Weber. She had three younger sisters (in descending order of age): Aloysia, who was an early love interest of Mozart and sang in his later operas; Constanze, who married Mozart in 1782; and Sophie. The composer Carl Maria von Weber was the son of her father's half brother.
  Josepha grew up mostly in Mannheim, and moved with her family first to Munich then to Vienna, following the singing career of her sister Aloysia. By 1789 she was the prima donna in the theatrical troupe run by Johann Friedel at the suburban Theater auf der Wieden. Following Friedel's death in that year, the theater was taken over by Emanuel Schikaneder, who retained her in the new company he formed. She appears to have been an important member of the troupe: the collaborative opera Der Stein der Weisen, a sort of ancestor to The Magic Flute, includes no arias for coloratura soprano because at the time it was written Hofer was on maternity leave.
  
  wn.com/Josepha_Weber
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  Leopold Mozart
  Johann Georg Leopold Mozart (November 14, 1719 – May 28, 1787) was a German composer, conductor, teacher, and violinist. Mozart is best known today as the father and teacher of Wolfgang Amadeus Mozart, and for his violin textbook Versuch einer gründlichen Violinschule.
  He was born in Augsburg, son of Johann Georg Mozart (1679–1736), a bookbinder, and his second wife Anna Maria Sulzer (1696–1766). From an early age he sang as a choirboy. He attended a local Jesuit school, the St. Salvator Gymnasium, where he studied logic, science, theology, graduating magna cum laude in 1735. He then moved on to a more advanced school, the St. Salvator Lyceum.
  While a student in Augsburg, he appeared in student theatrical productions as an actor and singer, and became a skilled violinist and organist. He also developed an interest, which he retained, in microscopes and telescopes. Although his parents had planned a career for Leopold as a Catholic priest, this apparently was not Leopold's own wish. An old school friend told Wolfgang Amadeus Mozart in 1777, "Ah he [Leopold] was a great fellow. My father thought the world of him. And how he hoodwinked the clerics about becoming a priest!"
  
  wn.com/Leopold_Mozart
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  Lorenzo Da Ponte
  Lorenzo Da Ponte (10 March 1749 – 17 August 1838) was a Venetian opera librettist and poet. He wrote the librettos for 28 operas by 11 composers, including three of Mozart's greatest operas, Don Giovanni, The Marriage of Figaro and Così fan tutte.
  Lorenzo Da Ponte was born Emanuele Conegliano in Ceneda, in the Republic of Venice (now Vittorio Veneto, Italy). He was Jewish by birth, the eldest of three sons. In 1764, his father, the widower Geronimo Conegliano, converted himself and his family to Roman Catholicism in order to remarry. Emanuele, as was the custom, took the name of Lorenzo Da Ponte from the Bishop of Ceneda who baptised him. Thanks to the bishop, the three brothers studied at the Ceneda seminary. The bishop died in 1768, after which Lorenzo moved to the seminary at Portogruaro, where he took the Minor Orders in 1770 and became Professor of Literature, and was ordained a priest in 1773. He began at this period writing poetry in Italian and Latin, including an ode to wine, Ditirambo sopra gli odori.
  
  wn.com/Lorenzo_Da_Ponte
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  Ludwig van Beethoven
  Ludwig van Beethoven (ⁱ/ˈlʊdvɪɡ væn ˈbeɪt.hoʊvən/; German pronunciation: [ˈluːtvɪç fan ˈbeːt.hoːfən] ( listen); baptized 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers.
  Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven moved to Vienna in his early 20s, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. His hearing began to deteriorate in his late twenties, yet he continued to compose, conduct, and perform, even after becoming completely deaf.
  Beethoven was the grandson of a musician of Flemish origin named Lodewijk van Beethoven (1712–73) who moved at the age of twenty to Bonn. Lodewijk (Ludwig is the German cognate of Dutch Lodewijk) was employed as a bass singer at the court of the Elector of Cologne, eventually rising to become Kapellmeister (music director). Lodewijk had one son, Johann (1740–1792), who worked as a tenor in the same musical establishment, and gave lessons on piano and violin to supplement his income. Johann married Maria Magdalena Keverich in 1767; she was the daughter of Johann Heinrich Keverich, who had been the head chef at the court of the Archbishopric of Trier.
  
  wn.com/Ludwig_van_Beethoven
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  Maria Anna Mozart
  Maria Anna Walburga Ignatia Mozart (30 July 1751 – 29 October 1829), nicknamed "Nannerl", was a musician, the older sister of Wolfgang Amadeus Mozart and daughter of Leopold and Anna Maria Mozart.
  Maria Anna (Marianne) Mozart was born in Salzburg. When she was seven years old, her father Leopold Mozart started teaching her to play the harpsichord. Leopold took her and Wolfgang on tours of many cities, such as Vienna and Paris, to showcase their talents. In the early days she sometimes received top billing and she was noted as an excellent harpsichord player and fortepianist.
  However, given the views of her parents, prevalent in her society at the time, it became impossible as she grew older for Marianne to continue her career any further. According to New Grove, "from 1769 onwards she was no longer permitted to show her artistic talent on travels with her brother, as she had reached a marriageable age." Wolfgang went on during the 1770s to many artistic triumphs while traveling in Italy with Leopold, but Marianne had to stay home in Salzburg with her mother. She likewise stayed home with Leopold when Wolfgang visited Paris and other cities (1777–1779) accompanied by his mother.
  
  wn.com/Maria_Anna_Mozart
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  Max Reger
  Johann Baptist Joseph Maximilian Reger (19 March 1873 – 11 May 1916) was a German composer, conductor, pianist, organist, and academic teacher.
  Born in Brand, Bavaria, Reger studied music in Munich and Wiesbaden with Hugo Riemann. From September 1901 he settled in Munich, where he obtained concert offers and where his rapid rise to fame began. During his first Munich season, Reger appeared in ten concerts as an organist, chamber pianist and accompanist. He continued to compose without interruption. From 1907 he worked in Leipzig, where he was music director of the university until 1908 and professor of composition at the conservatory until his death. In 1911 he moved to Meiningen where he got the position of Hofkapellmeister at the court of Georg II, Duke of Saxe-Meiningen. In 1915 he moved to Jena, commuting once a week to teach in Leipzig. He died in May 1916 on one of these trips of a heart attack at age 43.
  He had also been active internationally as a conductor and pianist. Among his students were Joseph Haas, Sándor Jemnitz, Jaroslav Kvapil, Ruben Liljefors, George Szell and Cristòfor Taltabull.
  
  wn.com/Max_Reger
• Maynard Solomon
  Maynard Solomon (born January 5, 1930) has carried out a multiple career: he was a co-founder of Vanguard Records as well as a music producer, and later became a writer on music.
  Maynard Solomon founded Vanguard Records together with his brother Seymour Solomon in 1950. The label was one of the prime movers in the folk and blues boom for the next fifteen years. As well as producing many albums, he was a prolific writer of liner notes.
  Vanguard's first signing was The Weavers. They generated the first major commercial success for the label with The Weavers' 1955 concert at Carnegie Hall. Solomon also acquired the rights to record and release material from the Newport Folk Festival, which meant he could issue recordings by artists who were not actually signed with Vanguard. For this period Elektra was the main competitor for folk artists. Their singers Phil Ochs and Judy Collins were recorded at Newport, as was Bob Dylan from the Columbia label.
  Solomon insisted on a clean appearance on stage, and clear diction, a view that reflected a large segment of public opinion at the time. More bravely, Solomon's label signed Paul Robeson at the height of the McCarthy era.
  
  wn.com/Maynard_Solomon
• Michael von Puchberg
  Johann Michael von Puchberg (September 21, 1741, Zwettl, Lower Austria - January 21, 1822, Vienna) was a textile merchant who lived in Vienna in the 18th and early 19th centuries. He is remembered as a friend of Wolfgang Amadeus Mozart whom he lent considerable sums of money during a difficult period in the composer's life.
  Around 1788, Mozart's financial situation had worsened; it was in general a bad time for musicians in Vienna, owing to the war with Turkey that began the previous year; Mozart biographers also often blame imprudent financial lifestyle decisions made by the Mozart family. Mozart wrote to Puchberg a series of "begging letters," of increasing desperate tone. Puchberg responded with a series of loans, ranging in size from 30 to 300 florins, and totaling about 1400 florins.
  Andrew Steptoe (1984) has discussed the series of 21 letters Mozart wrote to Puchberg asking for loans. He notes that "Mozart's early requests stress the bond of mutual aid and comfort," giving the following example:
  
  wn.com/Michael_von_Puchberg
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  Mikhail Glinka
  Mikhail Ivanovich Glinka (Russian: Михаи́л Ива́нович Гли́нка) (June 1 [O.S. May 20] 1804 – February 15 [O.S. February 3] 1857), was the first Russian composer to gain wide recognition within his own country, and is often regarded as the father of Russian classical music. Glinka's compositions were an important influence on future Russian composers, notably the members of The Five, who took Glinka's lead and produced a distinctive Russian style of music.
  
  wn.com/Mikhail_Glinka
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  Muzio Clementi
  Muzio Clementi (24 January 1752 – 10 March 1832) was a celebrated composer, pianist, pedagogue, conductor, music publisher, editor, and piano manufacturer. Born in Italy, he spent most of his life in England. He is best known for his collection of piano studies, Gradus ad Parnassum. Nineteenth century enthusiasts lauded Clementi as "the father of the pianoforte," "father of modern piano technique", and "father of Romantic pianistic virtuosity."
  Clementi was born in Rome. Encouraged to study music by his father, he was sponsored as a young composer by Sir Peter Beckford, a wealthy Englishman who took him to England to advance his studies. He soon became known as one of the great piano virtuosi, touring Europe numerous times from his long time base in London. It was on one of these occasions in 1781 that he famously engaged in a piano competition with Wolfgang Amadeus Mozart.
  Influenced by Domenico Scarlatti's harpsichord school and Haydn's classical school and by the stile galante of Johann Christian Bach and Ignazio Cirri, Clementi developed a fluent, technical legato style which he passed on to an entire generation of pianists, including John Field, Johann Baptist Cramer, Ignaz Moscheles, Giacomo Meyerbeer, Friedrich Kalkbrenner, Johann Nepomuk Hummel and Carl Czerny. He was a notable influence on Ludwig van Beethoven.
  
  wn.com/Muzio_Clementi
• Otto Erich Deutsch
  Otto Erich Deutsch (5 September 1883, Vienna – 23 November 1967, Vienna) was an Austrian musicologist. He is known for compiling the first comprehensive catalogue of the works of Franz Schubert, first published in 1951 in English, new edition in 1978 in German. It is from this that the D numbers used to identify Schubert's pieces are drawn.
  Following his studies of art history and literature in Vienna and Graz, he worked as a lecturer at the Department of Art History of the University of Vienna. His specialization was the Biedermeier period, which led naturally to his interest in Schubert, whose life took place during this cultural era. His scholarly career was interrupted by the First World War, when he served in the Austrian army. Following the war Deutsch worked for a time as a bookseller. He also shifted his scholarly interests to historical musicology, eventually becoming music librarian, working in the archives of Anthony van Hoboken. In 1938, when Austrian was taken over by Nazi Germany in the Anschluss, Deutsch was forced to flee the country, as he was of Jewish origin. He lived in Cambridge, England, from 1939 to 1951, thereafter in Vienna again.
  
  wn.com/Otto_Erich_Deutsch
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  Pope Clement XIV
  Pope Clement XIV (31 October 1705 – 22 September 1774), born Giovanni Vincenzo Antonio Ganganelli, was Pope from 1769 to 1774. At the time of his election, he was the only Franciscan friar in the College of Cardinals.
  Ganganelli was born in Santarcangelo di Romagna. He received his education from the Jesuits at Rimini and the Piarists of Urbino, and in 1724, at the age of nineteen, entered the Order of Friars Minor Conventual of St. Francis with the Franciscan name of Lorenzo Francesco. In 1741 he was made definitor generalis of the order (Catholic Encyclopedia). Ganganelli became a friend of Pope Benedict XIV (1740–58). In 1758 he was appointed by that Pope to investigate the issue of the traditional blood libel regarding the Jews, which he found to be untrue [1]. Pope Clement XIII (1758–69) appointed him Cardinal-Priest of San Lorenzo in Panisperna in 1759, at the insistence of Lorenzo Ricci, the General of the Jesuits.
  Ganganelli was elected Pope Clement XIV on 19 May 1769 and was installed on 4 June 1769, after a conclave that had been sitting since 15 February 1769, heavily influenced by the political manoeuvres of the ambassadors of Catholic sovereigns who were opposed to the Jesuits. Some of the pressure was subtle: for an unprecedented impromptu visit to the conclave by Emperor Joseph II (1765–90) and his brother Leopold, Grand Duke of Tuscany, officially incognito, the seals were broken, the Austrians inspected the proceedings with great interest and brought with them a festive banquet. During the previous pontificate the Jesuits had been expelled from Portugal and from all the Bourbon courts: France, Spain, Naples, and Parma; now the general suppression of the order was urged by the faction called the "court cardinals", who were opposed by the diminished pro-Jesuit faction, the Zelanti ("zealous"), who were generally opposed to the encroaching secularism of the Enlightenment.
  
  wn.com/Pope_Clement_XIV
• 
  Robert Schumann
  Robert Schumann, sometimes known as Robert Alexander Schumann, (8 June 1810 – 29 July 1856) was a German composer, aesthete and influential music critic. He is regarded as one of the greatest and most representative composers of the Romantic era. Schumann left the study of law to return to music, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
  Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works. Works such as Kinderszenen, Album für die Jugend, Blumenstück and Albumblätter are among his most famous. His writings about music appeared mostly in the Neue Zeitschrift für Musik (New Journal for Music), a Leipzig-based publication which he jointly founded.
  
  wn.com/Robert_Schumann
• 
  Sophie Weber
  Maria Sophie Weber (1763? – 1846) was a singer of the 18th and 19th centuries. She was the younger sister of Wolfgang Amadeus Mozart's wife Constanze, and is remembered primarily for the testimony she left concerning the life and death of her brother-in-law.
  She was born into a musical family, the youngest of four sisters all of whom became trained singers; two achieved professional fame: the oldest sister Josepha Weber and the second oldest Aloysia Weber. Her mother was Cäcilia Weber. She moved with the family, first to Munich, then to Vienna, following the burgeoning career of Aloysia. Sophie herself sang at the Burgtheater in the 1780–1781 season, but apparently did not make any kind of long-term success as a singer.
  When Mozart moved to Vienna in 1781, and lodged for a time with the Weber family, he seems to have flirted with both Sophie and Constanze (whom he eventually courted and married). The incomplete Allegro in B-flat K. 400, written by Mozart at this time, contains (in W. Dean Sutcliffe]'s words) "a self-contained melodic episode in G minor, with the names of Sophie and Co[n]stanze Weber inscribed above a pair of prolonged sigh figures." In a letter of 15 December, 1781, Mozart described Sophie as "good-natured but feather-brained." In 1782, when Mozart and Constanze were married, she was the only Weber sister who was present at the ceremony.
  
  wn.com/Sophie_Weber
• Stanley Sadie
  Stanley Sadie CBE (30 October 1930 – 21 March 2005) was a leading British musicologist, music critic, and editor. He was editor of the sixth edition of the Grove Dictionary of Music and Musicians (1980), which was published as the first edition of the New Grove Dictionary of Music and Musicians.
  Sadie was educated at St Paul's School, London, and Gonville and Caius College, Cambridge, where he read music under Thurston Dart (BA, MusB 1953, MA 1957, PhD 1958). His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957-1965).
  Sadie then turned to music journalism, becoming music critic for The Times (1964-1981), and contributing reviews to the Financial Times after 1981, when he had to leave his position and The Times because of his commitments to the Grove and other scholarly work. He was editor of The Musical Times 1967-1987.
  From 1970 Sadie was editor of what was planned to be the sixth edition of the Grove Dictionary of Music and Musicians (1980). Sadie oversaw major changes to the Dictionary, which grew from nine volumes to 20, and was published as the New Grove Dictionary of Music and Musicians (New Grove), and is now referred to as the first edition under that name. He was also an important force behind the second edition of New Grove (2001), which grew further to 29 volumes. Sadie also oversaw a major expansion of the Grove franchise, editing the one-volume Grove Concise Dictionary of Music (1988), and several spinoff dictionaries, such as the New Grove Dictionary of Musical Instruments (three volumes, 1984), the New Grove Dictionary of American Music, (with H. Wiley Hitchcock, four volumes, 1986), and the New Grove Dictionary of Opera (four volumes, 1992). He also edited composer biographies based on the entries in Grove.
  
  wn.com/Stanley_Sadie

• Mass in C minor, K427 (417a): I. Kyrie
• Mass in C minor, K427 (417a): II. Gloria - Gloria in Excelsis
• Mass in C minor, K427 (417a): Laudamus te
• Mass in C minor, K427 (417a): Gratias
• Mass in C minor, K427 (417a): Domine Deus
• Mass in C minor, K427 (417a): Qui tollis
• Mass in C minor, K427 (417a): Quoniam tu solus Sanctus
• Mass in C minor, K427 (417a): Jesu Christe
• Mass in C minor, K427 (417a): Cum sancto spiritu
• Mass in C minor, K427 (417a): III. Credo
• Mass in C minor, K427 (417a): Et incarnatus est
• Mass in C minor, K427 (417a): IV. Sanctus
• Mass in C minor, K427 (417a): V. Benedictus
• Symphony No. 40 in G minor, K550: I. Molto allegro
• Symphony No. 40 in G minor, K550: II. Andante
• Symphony No. 40 in G minor, K550: III. Menuetto Allegretto
• Symphony No. 40 in G minor, K550: IV. Finale: Allegro assai

• Symphony, No. 2 in, D major, Op. 73: I. Allegro non troppo
• Symphony, No. 2 in, D major, Op. 73: II. Adagio non troppo
• Symphony, No. 2 in, D major, Op. 73: III. Allegretto grazioso (Quasi andantino)
• Symphony, No. 2 in, D major, Op. 73: IV. Allegro con spirito
• Maurerische trauermusik (Masonic funeral music), for orchestra in C minor, KV 477 (K. 479a)
• Metamorphosen, study for 23 solo strings, o.Op. 142 (Trv 290, AV 142)

• Sinfonia Concertante for Violin and Viola in E-flat major, K. 364: I. Allegro maestoso
• Sinfonia Concertante for Violin and Viola in E-flat major, K. 364: II. Andante
• Sinfonia Concertante for Violin and Viola in E-flat major, K. 364: III. Presto
• Violin Concerto No. 1 in B-flat major, K. 207: I. Allegro moderato
• Violin Concerto No. 1 in B-flat major, K. 207: II. Adagio
• Violin Concerto No. 1 in B-flat major, K. 207: III. Presto
• Violin Concerto No. 3 in G major, K. 216: I. Allegro
• Violin Concerto No. 3 in G major, K. 216: II. Adagio
• Violin Concerto No. 3 in G major, K. 216: III. Rondeau (Allegro)

• Le Nozze di Figaro, K. 492: Overture
• Le Nozze di Figaro, K. 492: Act I. "Cinque...dieci...venti...trenta" (Figaro, Susanna)
• Le Nozze di Figaro, K. 492: Act I. "Cosa stai misurando (Susanna, Figaro)
• Le Nozze di Figaro, K. 492: Act I. "Se a caso madama" (Figaro, Susanna)
• Le Nozze di Figaro, K. 492: Act I. "Or bene, ascolta e taci" (Susanna, Figaro)
• Le Nozze di Figaro, K. 492: Act I. "Se vuol ballare (Figaro)
• Le Nozze di Figaro, K. 492: Act I. "Ed aspettaste il giorno" (Bartolo, Marcellina)
• Le Nozze di Figaro, K. 492: Act I. "La vendetta, oh la vendetta" (Bartolo)
• Le Nozze di Figaro, K. 492: Act I. "Tutto ancor non ho perso" (Marcellina, Susanna)
• Le Nozze di Figaro, K. 492: Act I. "Via resti servita" (Marcellina, Susanna)
• Le Nozze di Figaro, K. 492: Act I. "Va là, vecchia pedante" (Susanna, Cherubino)
• Le Nozze di Figaro, K. 492: Act I. "Non so più cosa son cosa faccio" (Cherubino)
• Le Nozze di Figaro, K. 492: Act I. "Taci, vien gente" (Susanna, Count, Basilio)
• Le Nozze di Figaro, K. 492: Act I. "Cosa sento!" (Count, Basilio, Susanna)
• Le Nozze di Figaro, K. 492: Act I. "Basilio, in traccia tosto di Figaro volate" (Count, Susanna, Cherubino, Basilio)
• Le Nozze di Figaro, K. 492: Act I. "Giovani liete, fiori spargete" (Peasants)
• Le Nozze di Figaro, K. 492: Act I. "Cos'è questa commedia?" (Count, Figaro, Susanna)
• Le Nozze di Figaro, K. 492: Act I. "Giovani liete, fiori spargete" (Peasants)
• Le Nozze di Figaro, K. 492: Act I. "Evviva! Evviva!" (Figaro, Susanna, Basilio, Cherubino, Count)
• Le Nozze di Figaro, K. 492: Act I. "Non più andrai" (Figaro)
• Symphony No. 38 in D 'Prague': I. Adagio - Allegro
• Symphony No. 38 in D 'Prague': II. Andante
• Symphony No. 38 in D 'Prague': III. Presto

• Rondo C-Dur KV 373 I. Allegretto grazioso
• Vier Arien aus der „Zauberflöte“: Der Vogelfänger bin ich ja
• Vier Arien aus der „Zauberflöte“: Dies Bildnis ist bezaubernd schön
• Vier Arien aus der „Zauberflöte“: Alles fühlt der Liebe Freuden
• Vier Arien aus der „Zauberflöte“: Ein Mädchen oder Weibchen
• Flötenkonzert G-Dur KV 313: Allegro maestoso
• Flötenkonzert G-Dur KV 313: Adagia ma non troppo
• Flötenkonzert G-Dur KV 313: Rondo. Tempo di Menuetto
• Vier Arien aus „Don Giovanni“: Là ci darem la mano
• Vier Arien aus „Don Giovanni“: Non mi dir, bell'idol mio
• Vier Arien aus „Don Giovanni“: Canzonetta: Deh, vieni alla finestra
• Vier Arien aus „Don Giovanni“: Fin ch'han dal vino
• Oboenkonzert C-Dur KV 314: Allegro aperto
• Oboenkonzert C-Dur KV 314: Adagio non troppo
• Oboenkonzert C-Dur KV 314: Rondo. Allegretto

• Concerto for Violin and Orchestra No. 1 in B-flat major, K. 207: I. Allegro moderato
• Concerto for Violin and Orchestra No. 1 in B-flat major, K. 207: II. Adagio
• Concerto for Violin and Orchestra No. 1 in B-flat major, K. 207: III. Presto
• Concerto for Violin and Orchestra No. 2 in D major, K. 211: I. Allegro moderato
• Concerto for Violin and Orchestra No. 2 in D major, K. 211: II. Andante
• Concerto for Violin and Orchestra No. 2 in D major, K. 211: III. Rondeau. Allegro
• Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Strassburg": I. Allegro aperto
• Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Strassburg": II. Adagio
• Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Strassburg": III. Rondeau. Allegro - andante - allegretto

• Concerto for Violin and Orchestra No. 1 in B-flat major, K. 207: I. Allegro moderato
• Concerto for Violin and Orchestra No. 1 in B-flat major, K. 207: II. Adagio
• Concerto for Violin and Orchestra No. 1 in B-flat major, K. 207: III. Presto
• Concerto for Violin and Orchestra No. 2 in D major, K. 211: I. Allegro moderato
• Concerto for Violin and Orchestra No. 2 in D major, K. 211: II. Andante
• Concerto for Violin and Orchestra No. 2 in D major, K. 211: III. Rondeau. Allegro
• Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Strassburg": I. Allegro aperto
• Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Strassburg": II. Adagio
• Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Strassburg": III. Rondeau. Allegro - andante - allegretto

• Symphony No. 28 in C major, K. 200: I. Allegro spiritoso
• Symphony No. 28 in C major, K. 200: II. Andante
• Symphony No. 28 in C major, K. 200: III. Menuetto (Allegretto)
• Symphony No. 28 in C major, K. 200: IV. Presto
• Symphony No. 29 in A major, K. 201: I. Allegro moderato
• Symphony No. 29 in A major, K. 201: II. Andante
• Symphony No. 29 in A major, K. 201: III. Menuetto
• Symphony No. 29 in A major, K. 201: IV. Allegro con spirito
• Symphony No. 34 in C major, K. 338: I. Allegro vivace
• Symphony No. 34 in C major, K. 338: II. Andante di molto
• Symphony No. 34 in C major, K. 338: III. Finale. Allegro vivace

• Divertimento for Violin, Viola & Cello in E-flat major. K. 563: 1. Allegro
• Divertimento for Violin, Viola & Cello in E-flat major. K. 563: 2. Adagio
• Divertimento for Violin, Viola & Cello in E-flat major. K. 563: 3. Menuetto (Allegretto)
• Divertimento for Violin, Viola & Cello in E-flat major. K. 563: 4. Andante
• Divertimento for Violin, Viola & Cello in E-flat major. K. 563: 5. Menuetto (Allegretto)
• Divertimento for Violin, Viola & Cello in E-flat major. K. 563: 6. Allegro
• Quartet for Oboe, Violin, Viola & Cello in F major K.370: 1. Allegro
• Quartet for Oboe, Violin, Viola & Cello in F major K.370: 2. Adagio
• Quartet for Oboe, Violin, Viola & Cello in F major K.370: 3. Rondeau: Allegro

• String Quartet in C K465 "Dissonance": I. Adagio - Allegro
• String Quartet in C K465 "Dissonance": II. Andante cantabile
• String Quartet in C K465 "Dissonance": III. Menuetto. Allegro - Trio
• String Quartet in C K465 "Dissonance": IV. Allegro molto
• String Quartet in D K499 "Hoffmeister": I. Allegretto
• String Quartet in D K499 "Hoffmeister": II. Menuetto. Allegro - Trio
• String Quartet in D K499 "Hoffmeister": III. Adagio
• String Quartet in D K499 "Hoffmeister": IV. Allegro

• Symphony No.40 in G Minor, K550: I. Molto Allegro
• Symphony No.40 in G Minor, K550: II. Andante
• Symphony No.40 in G Minor, K550: III. Menuetto: Allegretto
• Symphony No.40 in G Minor, K550: IV. Allegro Assai
• Symphony No.41 in C Major, K.551 Jupiter: I. Allegro Vivace
• Symphony No.41 in C Major, K.551 Jupiter: II. Andante Cantabile
• Symphony No.41 in C Major, K.551 Jupiter: III. Menuetto: Allegretto
• Symphony No.41 in C Major, K.551 Jupiter: IV. Molto Allegro

• Great Mass in C minor, K.427 - I. Kyrie - Andante moderato
• Great Mass in C minor, K.427 - II. Gloria - Gloria in excelsis Deo - Allegro vivace
• Great Mass in C minor, K.427 - II. Gloria - Laudamus te - Allegro aperto
• Great Mass in C minor, K.427 - II. Gloria - Gratias agimus tibi - Adagio
• Great Mass in C minor, K.427 - II. Gloria - Domine Deus - Allegro moderator
• Great Mass in C minor, K.427 - II. Gloria - Qui tollis peccato mundi - Largo
• Great Mass in C minor, K.427 - II. Gloria - Quoniam tu solus Sanctus - Allegro
• Great Mass in C minor, K.427 - II. Gloria - Jesu Christe - Adagio
• Great Mass in C minor, K.427 - II. Gloria - Cum Sancto spiritu
• Greta Mass in C minor, K.427 - III. Credo - Credo in unum - Allegro maestoso
• Great Nass in C minor, K.427 - III. Credo - Et incarnatus est - Andante
• Great Mass in C minor, K.427 - IV. Sanctus - Largo
• Great Mass in C minor, K.427 - V. Benedictus - Allegro comodo
• Adagio and Fugue for Strings, K.546

• Concerto for Piano and Orchestra Nº 9 in E flat Major "Jeunehomme" "Jenamy", KV 271, I. Allegro
• Concerto for Piano and Orchestra Nº 9 in E flat Major "Jeunehomme" "Jenamy", KV 271, II. Andantino
• Concerto for Piano and Orchestra Nº 9 in E flat Major "Jeunehomme" "Jenamy", KV 271, II. Rondeau: Presto
• Concerto for Piano and Orchestra Nº 25 in C Major, KV 503, I. Allegro maestoso
• Concerto for Piano and Orchestra Nº 25 in C Major, KV 503, II. Andante
• Concerto for Piano and Orchestra Nº 25 in C Major, KV 503, III. Allegro vivace assai

• Piano Concerto No. 21 In C Major, K. 467, "Elvira Madigan": II. Andante
• Piano Concerto No. 21 In C Major, K. 467, "Elvira Madigan": III. Allegro Vivace Assai
• Concerto For 3 Pianos In F Major, K. 242, "Lodron": I. Allegro
• Concerto For 3 Pianos In F Major, K. 242, "Lodron": II. Adagio
• Concerto For 3 Pianos In F Major, K. 242, "Lodron": III. Rondo: Tempo Di Menuetto
• Concerto For 2 Pianos In E Flat Major, K. 365: I. Allegro
• Concerto For 2 Pianos In E Flat Major, K. 365: II. Andante
• Concerto For 2 Pianos In E Flat Major, K. 365: III. Rondo: Allegro

• Concerto for Flute, Harp, and Orchestra in C, K.299 - 1. Allegro
• Concerto for Flute, Harp, and Orchestra in C, K.299 - 2. Andantino
• Concerto for Flute, Harp, and Orchestra in C, K.299 - 3. Rondo (Allegro)
• Flute Concerto No.1 in G, K.313 - 1. Allegro maestoso
• Flute Concerto No.1 in G, K.313 - 2. Adagio non troppo
• Flute Concerto No.1 in G, K.313 - 3. Rondo (Tempo di Menuetto)
• Bassoon Concerto in B flat, K.191 - 1. Allegro
• Bassoon Concerto in B flat, K.191 - 2. Andante ma adagio - Cadenza: Dietmar Zeman
• Bassoon Concerto in B flat, K.191 - 3. Rondo (Tempo di menuetto)

• Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): I. Introitus: Requiem
• Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): II. Kyrie
• Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): III. Sequentia: Dies irae
• Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): III. Sequentia: Tuba mirum
• Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): III. Sequentia: Rex tremendae
• Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): III. Sequentia: Recordare
• Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): III. Sequentia: Confutatis
• Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): III. Sequentia: Lacrimosa
• Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): IV. Offertorium: Domine Jesu
• Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): IV. Offertorium: Hostias
• Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): V. Sanctus
• Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): VI. Benedictus
• Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): VII. Agnus Dei
• Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): VIII.Communio: Lux aeterna
• Symphony No. 26 in E-flat major, K. 184: I. Molto presto
• Symphony No. 26 in E-flat major, K. 184: II. Andante
• Symphony No. 26 in E-flat major, K. 184: III. Allegro
• Symphony No. 32 in G major, K. 318 (Overture in G): I. Allegro spiritoso
• Symphony No. 32 in G major, K. 318 (Overture in G): II. Andante
• Symphony No. 32 in G major, K. 318 (Overture in G): III. Tempo I

• Symphony No. 29 in A major, K201 (186a): I. Allegro moderato
• Symphony No. 29 in A major, K201 (186a): II. Andante
• Symphony No. 29 in A major, K201 (186a): III. Menuetto - Trio
• Symphony No. 29 in A major, K201 (186a): IV. Allegro con spirito
• Symphony No. 33 in B-flat major, K319: I. Allegro assai
• Symphony No. 33 in B-flat major, K319: II. Andante moderato
• Symphony No. 33 in B-flat major, K319: III. Menuetto-Trio
• Symphony No. 33 in B-flat major, K319: IV. Allegro assai
• Symphony No. 25 in G minor, K183: I. Allegro con brio
• Symphony No. 25 in G minor, K183: II. Andante
• Symphony No. 25 in G minor, K183: III. Menuetto - Trio
• Symphony No. 25 in G minor, K183: IV. Allegro

• Flute Concerto No. 2 in D major, KV 314: I. Allegro aperto
• Flute Concerto No. 2 in D major, KV 314: II. Adagio ma non troppo
• Flute Concerto No. 2 in D major, KV 314: III. Rondeau (Allegro)
• Concerto for Flute, Harp and Orchestra, KV 299: I. Allegro
• Concerto for Flute, Harp and Orchestra, KV 299: II. Andantino
• Concerto for Flute, Harp and Orchestra, KV 299: III. Rondeau (Allegro)
• Flute Concerto No. 1 in G major, KV 313: I. Allegro maestoso
• Flute Concerto No. 1 in G major, KV 313: II. Adagio ma non troppo
• Flute Concerto No. 1 in G major, KV 313: III. Rondo (Tempo di menuetto)

• Introitus: Requiem aeternam
• Kyrie Eleison
• Dies Irae
• Tuba mirum
• Rex tremendae
• Recordare
• Confutatis
• Lacrimosa
• Domine Jesu
• Hostias
• Sanctus
• Benedictus
• Agnus Dei
• Lux aeternam

• Symphony no. 40 in g minor, k. 550: I. molto allegro
• Symphony no. 40 in g minor, k. 550: II. andante
• Symphony no. 40 in g minor, k. 550: III. menuetto. allegretto - trio
• Symphony no. 40 in g minor, k. 550: IV. allegro assai
• Symphony no. 39 in e-flat major, k. 543: I. adagio - allegro
• Symphony no. 39 in e-flat major, k. 543: II. andante con moto
• Symphony no. 39 in e-flat major, k. 543: III. menuetto. allegretto - trio
• Symphony no. 39 in e-flat major: IV. finale. allegro

• Piano Concerto No. 21 in C major, KV 467: I. (Allegro)
• Piano Concerto No. 21 in C major, KV 467: II. Andante
• Piano Concerto No. 21 in C major, KV 467: III. Allegro vivace assai
• Piano Concerto No. 15 in B-flat major, KV 450: I. Allegro
• Piano Concerto No. 15 in B-flat major, KV 450: II. (Andante)
• Piano Concerto No. 15 in B-flat major, KV 450: III. Allegro
• Piano Concerto No. 23 in A major, KV 488: I. Allegro
• Piano Concerto No. 23 in A major, KV 488: II. Adagio
• Piano Concerto No. 23 in A major, KV 488: III. Allegro assai

• Adagio and fugue for string quartet (Or string orchestra) in C minor, KV 546
• Divertimento, No. 17 for 2 horns & Strings in, D major, KV 334 (K.320b): Adagio
• Symphony, No. 5 in C minor ("Fate"), op. 67: I. Allegro con brio
• Symphony, No. 5 in C minor ("Fate"), op. 67: II. Andante con moto
• Symphony, No. 5 in C minor ("Fate"), op. 67: III. Allegro
• Symphony, No. 5 in C minor ("Fate"), op. 67: IV. Allegro
• Symphony, No. 8 in F major, Op. 93: I. Allegro vivace e con brio
• Symphony, No. 8 in F major, Op. 93: II. Allegretto scherzando
• Symphony, No. 8 in F major, Op. 93: III. Tempo di menuetto
• Symphony, No. 8 in F major, Op. 93: IV. Allegro vivace

• Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Overture
• Piano Sonata No. 15 in C major ("Sonata semplice") K. 545: Allegro
• German dances (3) for orchestra, K. 605: Sleigh Ride
• Horn Concerto No. 4 in E flat major, K. 495: Rondo
• Variations (12) on "Ah, vous dirai-je maman," for piano in C major, K. 265 (K. 300e)
• Violin Concerto No. 4 in D major, K. 218: Rondeau
• Piano Sonata No. 11 in A major ("Alla Turca") K. 331 (K. 300i): Rondo alla Turca
• Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467: Andante (theme from Elvira Madigan)
• Serenade No. 13 for strings in G major ("Eine kleine Nachtmusik"), K. 525: Romance
• Serenade No. 11 for winds in E flat major, K. 375: Adagio
• Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Cavatina (Se vuol ballare, Signor Contin
• Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Aria (Non piu andrai)
• Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Terzetto (Susanna or via sortite)
• Symphony No. 38 in D major ("Prague"), K. 504: Andante
• Ave verum Corpus, motet for chorus, strings & organ, K. 618

• Requiem, K. 626: I. Introitus: Requiem
• Requiem, K. 626: II. Kyrie
• Requiem, K. 626: III. Sequenz No. 1 Dies irae
• Requiem, K. 626: III. Sequenz No. 2 Tuba mirum
• Requiem, K. 626: III. Sequenz No. 3 Rex tremendae
• Requiem, K. 626: III. Sequenz No. 4 Recordare
• Requiem, K. 626: III. Sequenz No. 5 Confutatis
• Requiem, K. 626: III. Sequenz No. 6 Lacrimosa
• Requiem, K. 626: IV. Offertorium No. Domine Jesu
• Requiem, K. 626: IV. Offertorium No. 2 Hostias
• Requiem, K. 626: V. Sanctus
• Requiem, K. 626: VI. Benedictus
• Requiem, K. 626: VII. Agnus Dei
• Requiem, K. 626: VIII. Communio: Lux aeterna
• Exsultate, jubilate, K. 165 (158a): Allegro - (Andante) - (Vivace)

• Piano Concerto No. 20 in D minor, KV 466: I. Allegro
• Piano Concerto No. 20 in D minor, KV 466: II. Romance
• Piano Concerto No. 20 in D minor, KV 466: III. Allegro assai
• Piano Concerto No. 24 in C minor, KV 491: I. (Allegro)
• Piano Concerto No. 24 in C minor, KV 491: II. Larghetto
• Piano Concerto No. 24 in C minor, KV 491: III. (Allegretto)

• Piano Sonata No. 2 in F major, KV 280 (189e): I. Allegro assai
• Piano Sonata No. 2 in F major, KV 280 (189e): II. Adagio
• Piano Sonata No. 2 in F major, KV 280 (189e): III. Presto
• Piano Sonata No. 11 in A major, KV 331 (300i): I. Thema und Variationen. Andante grazioso - Adagio - Allegretto
• Piano Sonata No. 11 in A major, KV 331 (300i): II. Menuetto. Trio
• Piano Sonata No. 11 in A major, KV 331 (300i): III. Alla turca. Allegretto
• Piano Sonata No. 14 in C minor, KV 457: I. Allegro
• Piano Sonata No. 14 in C minor, KV 457: II. Adagio
• Piano Sonata No. 14 in C minor, KV 457: III. Molto allegro
• Rondo in A minor, KV 511 (Andante)

• Concerto for Piano and Orchestra No. 25 in C major, K. 503: I. Allegro maestoso
• Concerto for Piano and Orchestra No. 25 in C major, K. 503: II. Andante
• Concerto for Piano and Orchestra No. 25 in C major, K. 503: III. Allegretto
• Concerto for Piano and Orchestra No. 18 in B flat major, K. 456: I. Allegro vivace
• Concerto for Piano and Orchestra No. 18 in B flat major, K. 456: II. Andante un poco sostenuto
• Concerto for Piano and Orchestra No. 18 in B flat major, K. 456: III. Allegro vivace

• Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": I. Allegro
• Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": II. Andante
• Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto
• Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": I. Allegro
• Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": II. Andante
• Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai

• Eine kleine Nachtmusik in G major, K.525: I. Allegro
• Eine kleine Nachtmusik in G major, K.525: II. Romance: Andante
• Eine kleine Nachtmusik in G major, K.525: III. Menuetto: Allegretto - Trio
• Eine kleine Nachtmusik in G major, K.525: IV. Rondo: Allegro
• Divertimento in D major, K.251, "Nannerl-Septett": I. Molto allegro
• Divertimento in D major, K.251, "Nannerl-Septett": II. Menuetto - Trio
• Divertimento in D major, K.251, "Nannerl-Septett": III. Andantino
• Divertimento in D major, K.251, "Nannerl-Septett": IV. Menuetto (Tema con variazioni)
• Divertimento in D major, K.251, "Nannerl-Septett": V. Rondo: Allegro assai
• Divertimento in D major, K.251, "Nannerl-Septett": VI. Marcia alla francese
• Ein musikalischer Spaß in F major, K.522, "Dorfmusikanten-Sextett": I. Allegro
• Ein musikalischer Spaß in F major, K.522, "Dorfmusikanten-Sextett": II. Menuetto: Maestoso - Trio
• Ein musikalischer Spaß in F major, K.522, "Dorfmusikanten-Sextett": III. Adagio cantabile
• Ein musikalischer Spaß in F major, K.522, "Dorfmusikanten-Sextett": IV. Presto

• Symphony No. 35 in D major, K. 385 "Haffner": I. Allegro con spirito
• Symphony No. 35 in D major, K. 385 "Haffner": II. Andante
• Symphony No. 35 in D major, K. 385 "Haffner": III. Minuetto
• Symphony No. 35 in D major, K. 385 "Haffner": IV. Finale. Presto
• Symphony No. 31 in D major, K. 300a/297 "Paris": I. Allegro assai
• Symphony No. 31 in D major, K. 300a/297 "Paris": II. Andante
• Symphony No. 31 in D major, K. 300a/297 "Paris": III. Allegro
• Concerto for Clarinet in A major, K. 622: I. Allegro
• Concerto for Clarinet in A major, K. 622: II. Adagio
• Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro
• Così fan tutte, K. 588: Ouverture

• Symphonie n°40 en sol mineur K550 - I. Allegro Molto
• Symphonie n°40 en sol mineur K550 - II. Andante
• Symphonie n°40 en sol mineur K550 - III. Minuetto Allegretto
• Symphonie n°40 en sol mineur K550 - IV. Finale Alegro Assai
• Concerto pour piano n°25 en do majeur K503 - I. Allegro Maestoso
• Concerto pour piano n°25 en do majeur K503 - II. Andante
• Concerto pour piano n°25 en do majeur K503 - III. Allegretto

• Piano Concerto No. 17 in G, K. 453 - Mvt. 1 Allegro
• Piano Concerto No. 17 in G, K. 453 - Mvt. 2 Andante
• Piano Concerto No. 17 in G, K. 453 - Mvt. 3 Allegretto - Presto
• Piano Concerto No. 26 in D, K. 537 - Mvt. 1 Allegro
• Piano Concerto No. 26 in D, K. 537 - Mvt. 2 Larghetto
• Piano Concerto No. 26 in D, K. 537 - Mvt. 3 Allegretto

• Symphonie Nr. 10 G-dur, KV 74: I. Allegro
• Symphonie Nr. 10 G-dur, KV 74: II. Andante
• Symphonie Nr. 10 G-dur, KV 74: III. Rondeau. Allegro
• Symphonie Nr. 11 D-dur, KV 84: I. Allegro
• Symphonie Nr. 11 D-dur, KV 84: II. Andante
• Symphonie Nr. 11 D-dur, KV 84: II. Allegro
• Symphonie Nr. 12 G-dur, KV 110: I. Allegro
• Symphonie Nr. 12 G-dur, KV 110: II. Andante
• Symphonie Nr. 12 G-dur, KV 110: III. Menuetto - Trio
• Symphonie Nr. 12 G-dur, KV 110: IV. Allegro
• Symphonie Nr. 13 F-dur, KV 112: I. Allegro
• Symphonie Nr. 13 F-dur, KV 112: II. Andante
• Symphonie Nr. 13 F-dur, KV 112: III. Menuetto - Trio
• Symphonie Nr. 13 F-dur, KV 112: IV. Molto allegro

• Violin Sonata in C major, K 6: I. Allegro
• Violin Sonata in C major, K 6: II. Andante
• Violin Sonata in C major, K 6: III. Menuetto I & II
• Violin Sonata in C major, K 6: IV. Allegro molto
• Violin Sonata in G major, K 27: I. Andante poco adagio
• Violin Sonata in G major, K 27: II. Allegro
• Violin Sonata in F major, K 55: I. Vivace
• Violin Sonata in F major, K 55: II. Adagio
• Violin Sonata in F major, K 55: III. Tempo di menuetto
• Violin Sonata in C major, K 56: I. Vivace
• Violin Sonata in C major, K 56: II. Adagio con moto
• Violin Sonata in C major, K 56: III. Rondo (Allegro)
• Violin Sonata in F major, K 57: I. Largo
• Violin Sonata in F major, K 57: II. Menuetto
• Violin Sonata in F major, K 57: III. Allegro
• Violin Sonata in E-flat major, K 58: I. Adagio - Menuetto (Moderato)
• Violin Sonata in E-flat major, K 58: II. Allegro assai
• Violin Sonata in C minor, K 59: I. Andante
• Violin Sonata in C minor, K 59: II. Menuetto
• Violin Sonata in C minor, K 59: III. Allegro

• Don Giovanni, opera, K. 527: Ouvertura
• Don Giovanni, opera, K. 527: Act 1. Notte e giorno faticar
• Don Giovanni, opera, K. 527: Act 1. Leporello, ove sei?
• Don Giovanni, opera, K. 527: Act 1. Ma qual mai s'offre, o dei
• Don Giovanni, opera, K. 527: Act 1. Fuggi, crudele, fuggi!
• Don Giovanni, opera, K. 527: Act 1. Orsù, spicciati presto
• Don Giovanni, opera, K. 527: Act 1. Ah! chi mi dice mai
• Don Giovanni, opera, K. 527: Act 1. Chi è la?
• Don Giovanni, opera, K. 527: Act 1. Madamina! il catalogo è questo
• Don Giovanni, opera, K. 527: Act 1. In questa forma dunque
• Don Giovanni, opera, K. 527: Act 1. Giovinette che fate all'amore
• Don Giovanni, opera, K. 527: Act 1. Manco male, è partita
• Don Giovanni, opera, K. 527: Act 1. Ho capito, signor, si!
• Don Giovanni, opera, K. 527: Act 1. Alfin siam liberati
• Don Giovanni, opera, K. 527: Act 1. LÃ ci darem la mano
• Don Giovanni, opera, K. 527: Act 1. Fermati, scellerato!
• Don Giovanni, opera, K. 527: Act 1. Ah! fuggi il traditor!
• Don Giovanni, opera, K. 527: Act 1. Mi par ch'oggi il demonio si diverta
• Don Giovanni, opera, K. 527: Act 1. Non ti fidar, o misera
• Don Giovanni, opera, K. 527: Act 1. Povera sventurata!
• Don Giovanni, opera, K. 527: Act 1. Don Ottavio, son morta!
• Don Giovanni, opera, K. 527: Act 1. Or sai chi l'onore
• Don Giovanni, opera, K. 527: Act 1. Come mai creder deggio
• Don Giovanni, opera, K. 527: Act 1. Io deggio, ad ogni patto
• Don Giovanni, opera, K. 527: Act 1. Finch'han dal vino
• Don Giovanni, opera, K. 527: Act 1. Masetto, senti un po'!
• Don Giovanni, opera, K. 527: Act 1. Batti, batti, o bel Masetto
• Don Giovanni, opera, K. 527: Act 1. (Guarda un po'...)
• Don Giovanni, opera, K. 527: Act 1. (Presto, presto, pria ch'ei venga...)
• Don Giovanni, opera, K. 527: Act 1. Protegga il giusto cielo
• Don Giovanni, opera, K. 527: Act 1. Riposate, vezzose ragazze!
• Don Giovanni, opera, K. 527: Act 1. Venite pur avanti

• Sonata in C, K. 545: I. Allegro
• Sonata in C, K. 545: II. Andante
• Sonata in C, K. 545: III Rondo
• Sonata in E flat, K. 282: I. Adagio
• Sonata in E flat, K. 282: II. Minuetto I & II
• Sonata in E flat, K. 282: III. Allegro
• Divermento in C, from K. 439b: I. Allegro
• Divermento in C, from K. 439b: II. Minuetto & Trio
• Divermento in C, from K. 439b: III. Larghetto
• Divermento in C, from K. 439b: IV: Minuetto & Trio
• Divermento in C, from K. 439b: V: Rondo (Allegro)
• Sonata in D, K. 576: I. Allegro
• Sonata in D, K. 576: II. Adagio
• Sonata in D, K. 576: III. Alegretto

• Sonate en la majeur, K.305: I. Allegro di molto
• Sonate en la majeur, K.305: II. Thème (andante grazioso) et variations
• Sonate en mi bémol majeur, K.380: I. Allegro
• Sonate en mi bémol majeur, K.380: II. Andante con moto
• Sonate en mi bémol majeur, K.380: III. Rondo
• Sonate en mi mineur, K.454: I. Largo. Allegro
• Sonate en mi mineur, K.454: II. Andante
• Sonate en mi mineur, K.454: III. Allegretto
• Sonate en si bémol majeur, K.378: I. Allegro moderato
• Sonate en si bémol majeur, K.378: II. Andantino sostenuto cantabile
• Sonate en si bémol majeur, K.378: III. Allegro

• Concerto for Piano No. 20 in D minor, K. 466: I. Allegro
• Concerto for Piano No. 20 in D minor, K. 466: II. Romanze
• Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai
• Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": I. Allegro
• Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": II. Andante
• Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai

• Piano Concerto No. 13 in C Major K. 387b (K415): 1. Allegro
• Piano Concerto No. 13 in C Major K. 387b (K415): 2. Andante
• Piano Concerto No. 13 in C Major K. 387b (K415): 3. Allegro
• Overture to "Lucia Silla" K. 135: 1st Movement
• Overture to "Lucia Silla" K. 135: 2nd Movement
• Overture to "Lucia Silla" K. 135: 3rd Movement

• Sonata in G, KV 283: Allegro
• Sonata in G, KV 283: Andante
• Sonata in G, KV 283: Presto
• Sonata in E flat, KV 282: Adagio
• Sonata in E flat, KV 282: Menuetto I & II
• Sonata in E flat, KV 282: Allegro
• Sonata in C, KV 545: Allegro
• Sonata in C, KV 545: Andante
• Sonata in C, KV 545: Rondo (Allegretto)

• Symphony No. 39 in E-flat major, K.543: I. Adagio - Allegro
• Symphony No. 39 in E-flat major, K.543: II. Andante con moto
• Symphony No. 39 in E-flat major, K.543: III. Menuetto (Alegretto)
• Symphony No. 39 in E-flat major, K.543: IV. Finale (Allegro)
• Symphony No. 41 in C major, K.551 «Jupiter»: I. Allegro vivace
• Symphony No. 41 in C major, K.551 «Jupiter»: II. Andante cantabile
• Symphony No. 41 in C major, K.551 «Jupiter»: III. Menuetto (Alegretto)
• Symphony No. 41 in C major, K.551 «Jupiter»: IV. Molto allegro

• Eine kleine Nachtmusik: I. Allegro
• Eine kleine Nachtmusik: II. Romance. Andante
• Eine kleine Nachtmusik: III. Minuetto. Allegretto & Trio
• Eine kleine Nachtmusik: IV. Rondo. Allegro
• 6 German Dances for Orchestra, K. 600 No. 1 in C major: German Dance & Trio
• 6 German Dances for Orchestra, K. 600 No. 2 in F major: German Dance & Trio
• 6 German Dances for Orchestra, K. 600 No. 3 in B-flat major: German Dance & Trio
• 6 German Dances for Orchestra, K. 600 No. 4 in E-flat major: German Dance & Trio
• 6 German Dances for Orchestra, K. 600 No. 5 in G major: German Dance & Trio
• 6 German Dances for Orchestra, K. 600 No. 6 in D major: German Dance & Trio
• A Musical Joke, K.522: I. Allegro
• A Musical Joke, K.522: II. Minuetto. Maestoso & Trio
• A Musical Joke, K.522: III. Adagio cantabile
• A Musical Joke, K.522: IV. Presto

• Piano Concerto No. 25 in C major, K. 503: I. Allegro maestoso
• Piano Concerto No. 25 in C major, K. 503: II. Andante
• Piano Concerto No. 25 in C major, K. 503: III. Allegretto
• Piano Concerto No. 27 in B flat major, K. 595: I. Allegro
• Piano Concerto No. 27 in B flat major, K. 595: II. Larghetto
• Piano Concerto No. 27 in B flat major, K. 595: III. Allegro

• Quartet in F major for oboe, violin, viola & cello, K. 370: I. Allegro
• Quartet in F major for oboe, violin, viola & cello, K. 370: II. Adagio
• Quartet in F major for oboe, violin, viola & cello, K. 370: III. Rondeau: Allegro
• Quintet in E flat major for horn, violin, two violas and cell, K. 407: I. Allegro
• Quintet in E flat major for horn, violin, two violas and cell, K. 407: II. Andante
• Quintet in E flat major for horn, violin, two violas and cell, K. 407: III. Rondeau: Allegro
• Ein musikalischer Spass (A Musical Joke), K. 522: I. Allegro
• Ein musikalischer Spass (A Musical Joke), K. 522: II. Menuetto: Maestoso
• Ein musikalischer Spass (A Musical Joke), K. 522: III. Adagio cantabile
• Ein musikalischer Spass (A Musical Joke), K. 522: IV. Presto

• Symphony No. 6 Op. 74, "Pathétique": Adagio - Allegro ma non troppo
• Symphony No. 6 Op. 74, "Pathétique": Allegro con grazia
• Symphony No. 6 Op. 74, "Pathétique": Allegro molto vivace
• Symphony No. 6 Op. 74, "Pathétique": Finale. Adagio lamentoso - Andante
• Symphony No. 41, KV 551, "Jupiter": Allegro vivace
• Symphony No. 41, KV 551, "Jupiter": Andante cantabile
• Symphony No. 41, KV 551, "Jupiter": Menuetto. Allegretto
• Symphony No. 41, KV 551, "Jupiter": Molto allegro

• Overture from "The Marriage of Figaro"
• Country Dance No.1 in C Major
• Country Dance No.2 in E-flat Mojor
• Allegro Molto from 'Serenade No.10 in B flat Major' 'Gran Partita'
• Andante from 'Piano Concerto No.21 in C Major' 'Elvira Madigan'
• Allegro con Brio from 'Symphony No.25 in G Minor'
• German Dance No.1 in B flat Major
• German Dance No.3 in G Major
• German Dance No.5 in A Major
• Menuetto from Serenade No.13 in G Major "Eine kleine Nachtmusik"
• Overture to 'Cosi Fan Tutte'
• Adagio from 'Piano Concerto No.23 in A Major'
• Alla Turca -- Allegretto from Piano Sonata No.11 in A Major
• Allegro from 'Horn Concerto No.1 in D Major'
• Molto Allegro from 'Symphony No.40 in G Minor'

• Concerto pour Cor et Orchestre No. 1 en ré majeur, K. 412 (386 b) : I. Allegro
• Concerto pour Cor et Orchestre No. 1 en ré majeur, K. 412 (386 b) : II. Rondo . Allegro
• Concerto pour Cor et Orchestre No. 4 en mi bémol majeur, K. 495 : I. Allegro maestoso
• Concerto pour Cor et Orchestre No. 4 en mi bémol majeur, K. 495 : II. Romance . Andante cantabile
• Concerto pour Cor et Orchestre No. 4 en mi bémol majeur, K. 495 : III. Rondo . Allegro vivace
• Concerto pour Cor et Orchestre No. 2 en mi bémol majeur, K. 417 : I. Allegro
• Concerto pour Cor et Orchestre No. 2 en mi bémol majeur, K. 417 : II. Andante
• Concerto pour Cor et Orchestre No. 2 en mi bémol majeur, K. 417 : III. Rondo . Allegro
• Concerto pour Cor et Orchestre No. 3 en mi bémol majeur, K. 447 : I. Allegro
• Concerto pour Cor et Orchestre No. 3 en mi bémol majeur, K. 447 : II. Romance . Larghetto
• Concerto pour Cor et Orchestre No. 3 en mi bémol majeur, K. 447 : III. Allegro

• Piano concerto No.2 in A major, K414 - I. Allegro
• Piano concerto No.2 in A major, K414 - II. Andante
• Piano concerto No.2 in A major, K414 - III. Rondeau: Allegretto
• Piano Concerto No.17 in G Major, K.453 - I. Allegro
• Piano Concerto No.17 in G major, K.453 - II. Andante
• Piano concerto No.17 in G major, K453 - III. Finale: Allegretto

• Cor sincerum (mit obligater Klarinette)
• Jesu, amor meus (mit obligater Violine)
• Mens Sancta Deo (mit obligater Klarinette)
• Mens Sancta Deo (mit obligater Fagott)
• Jesu dulcis memoria (mit obligater Klarinette)
• Offertorium "Salve Regina" (mit obligater Violine)
• Domine Deus salutis meae (mit obligater Klarinette)
• Plasmator Deus (mit obligater Fagott)
• Die Hoffnung dient zum Stabe (mit obligater Klarinette)

• Piano Sonata No. 1 in C Major, KV 279 (KV 189d), I. Allegro
• Piano Sonata No. 1 in C Major, KV 279 (KV 189d), II. Andante
• Piano Sonata No. 1 in C Major, KV 279 (KV 189d), III. Allegro
• Piano Sonata No. 2 in F Major, KV 280 (KV 189e), I. Allegro Assai
• Piano Sonata No. 2 in F Major, KV 280 (KV 189e), II. Adagio
• Piano Sonata No. 2 in F Major, KV 280 (KV 189e), III. Presto
• Piano Sonata No. 3 in B Flat Major, KV 281 (Kv189f), I. Allegro
• Piano Sonata No. 3 in B Flat Major, KV 281 (Kv189f), II. Andante Amoroso
• Piano Sonata No. 3 in B Flat Major, KV 281 (Kv189f), III. Allegro

Born: 1756-01-27

Died: 1791-12-05