- published: 04 Apr 2018
- views: 5432762
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Mozart’s piano sonatas date from 1773 until 1788 – a period in which his style matured at a truly remarkable rate. The earliest sonatas are very much in the galant style of W.F and CPE Bach, and in places Scarlatti’s influence can be detected. However, the late sonatas, such as K457 are full of surprises, and here the influence of Haydn is to the fore – even predicting Beethoven in passages. The years from 1773 to the late 80s saw the rapid development of the piano from a novelty and experimental instrument, to the stage where it’s power and range provided composers with a hitherto undreamed palate of colours and expression. Mozart exploited the new instruments to maximum effect in his concertos and his sonatas.
Composer: Wolfgang Amadeus Mozart
Artist: Klara Würtz (piano)
00:00:00 Piano Sonata No.1 in C, K279: I. Allegro
00:04:56 Piano Sonata No.1 in C, K279: II. Andante
00:10:09 Piano Sonata No.1 in C, K279: III. Allegro
00:13:31 Piano Sonata No.2 in F, K280: I. Allegro assai
00:18:02 Piano Sonata No.2 in F, K280: II. Adagio
00:24:04 Piano Sonata No.2 in F, K280: III. Presto
00:26:59 Piano Sonata No.3 in B flat, K281: I. Allegro
00:33:47 Piano Sonata No.3 in B flat, K281: II. Andante amoroso
00:39:19 Piano Sonata No.3 in B flat, K281: III. Rondeau: Allegro
00:43:56 Piano Sonata No.4 in E flat, K282: I. Adagio
00:50:57 Piano Sonata No.4 in E flat, K282: II. Menuetto
00:55:02 Piano Sonata No.4 in E flat, K282: III. Allegro
00:58:06 Piano Sonata No.5 in G, K283: I. Allegro
01:03:32 Piano Sonata No.5 in G, K283: II. Andante
01:09:14 Piano Sonata No.5 in G, K283: III. Presto
01:13:02 Piano Sonata No.6 in D, K284: I. Allegro
01:18:32 Piano Sonata No.6 in D, K284: II. Rondeau en polonaise: Andante
01:22:38 Piano Sonata No.6 in D, K284: III. Andante (Tema con variazioni)
01:38:15 Piano Sonata No.7 in C, K309: I. Allegro con spirito
01:44:13 Piano Sonata No.7 in C, K309: II. Andante un poco adagio
01:49:21 Piano Sonata No.7 in C, K309: III. Rondeau: Allegretto grazioso
01:55:23 Piano Sonata No.8 in A Minor, K310: I. Allegro maestoso
02:01:24 Piano Sonata No.8 in A Minor, K310: II. Andante cantabile con espressione
02:08:31 Piano Sonata No.8 in A Minor, K310: III. Presto
02:11:14 Piano Sonata No.9 In D, K311: I. Allegro con spirito
02:15:41 Piano Sonata No.9 In D, K311: II. Andante con espressione
02:20:33 Piano Sonata No.9 In D, K311: III. Rondeau: Allegro
02:26:39 Piano Sonata No.10 In C, KV330: I. Allegro moderato
02:33:20 Piano Sonata No.10 In C, KV330: II. Andante cantabile
02:39:53 Piano Sonata No.10 In C, KV330: III. Allegretto
02:45:36 Piano Sonata No.11 In A, K331: I. Andante grazioso
02:58:30 Piano Sonata No.11 In A, K331: II. Menuetto
03:04:25 Piano Sonata No.11 In A, K331: III. Alla Turca: Allegretto
03:07:50 Piano Sonata No.12 in F, K332: I. Allegro
03:14:24 Piano Sonata No.12 in F, K332: II. Adagio
03:19:07 Piano Sonata No.12 in F, K332:III. Allegro assai
03:25:58 Piano Sonata No.13 in B flat, K333: I. Allegro
03:33:20 Piano Sonata No.13 in B flat, K333: II. Andante cantabile
03:38:53 Piano Sonata No.13 in B flat, K333: III. Allegretto grazioso
03:45:30 Piano Sonata No.14 in C Minor, K457: I. Allegro molto
03:50:59 Piano Sonata No.14 in C Minor, K457: II. Adagio
03:58:42 Piano Sonata No.14 in C Minor, K457: III. Allegro assai
04:03:02 Piano Sonata No.15 in F, K533: Allegro
04:10:39 Piano Sonata No.15 in F, K533: Andante
04:17:14 Piano Sonata No.15 in F, K533: Rondeau: Allegretto
04:23:42 Piano Sonata No.16 in C, K545: I. Allegro
04:27:02 Piano Sonata No.16 in C, K545: II. Andante
04:31:12 Piano Sonata No.16 in C, K545: III. Rondo
04:32:58 Piano Sonata No.17 in B flat, K570: I. Allegro
04:38:32 Piano Sonata No.17 in B flat, K570: II. Adagio
04:46:07 Piano Sonata No.17 in B flat, K570: III. Allegretto
04:49:38 Piano Sonata No.18 in D, K576: I. Allegro
04:54:50 Piano Sonata No.18 in D, K576: II. Adagio
05:00:23 Piano Sonata No.18 in D, K576: III. Allegretto
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Mozart - Piano Sonata No. 16 in C Major, K.545 (1st Mvt)
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Hope you enjoy my performance of the 1st Mvt of Mozart's Piano Sonata No. 16 in C Major, K.545.
Outro: Petzold - Minuet in G
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- published: 24 Jun 2019
- views: 4563071
Beethoven - Moonlight Sonata (FULL) - Piano Sonata No. 14
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The Piano Sonata No. 14 in C♯ minor "Quasi una fantasia", op. 27, No. 2, by Ludwig van Beethoven
The sonata has three movements:
0:00 1 mvt: Adagio sostenuto
6:00 2 mvt: Allegretto
8:05 3 mvt: Presto agitato
Adagio sostenuto
The first movement, in C♯ minor, is written in an approximate truncated sonata form. The movement opens with an octave in the left hand and a triplet figuration in the right. A melody that Hector Berlioz called a "lamentation", mostly by the right hand, is played against an accompanying ostinato triplet rhythm, simultaneously played by the right hand. The movement is played pianissimo or "very quietly", and the loudest it gets is mezzo forte or "moderately loud".
The adagio sostenuto has made a powerful impression on many listeners; for instance, Berlioz said of it that it "is one of those poems that human language does not know how to qualify. The work was very popular in Beethoven's day, to the point of exasperating the composer himself, who remarked to Carl Czerny, "Surely I've written better things.
Allegretto
The second movement is a relatively conventional scherzo and trio, a moment of relative calm written in D-flat major, the enharmonic equivalent of C♯ major, the more easily-notated parallel major of C♯ minor. Franz Liszt described the second movement as "a flower between two chasms."[citation needed] The slight majority of the movement is in piano, but a handful of sforzandos and forte-pianos helps to maintain the movement's cheerful disposition.
Presto agitato
The stormy final movement (C♯ minor), in sonata form, is the weightiest of the three, reflecting an experiment of Beethoven's (also carried out in the companion sonata, Opus 27, No. 1 and later on in Opus 101) placement of the most important movement of the sonata last. The writing has many fast arpeggios and strongly accented notes, and an effective performance demands lively and skillful playing.
It is thought that the C-sharp minor sonata, particularly the third movement, was the inspiration for Frédéric Chopin's Fantaisie-Impromptu, which manifests the key relationships of the sonata's three movements.
Of the final movement, Charles Rosen has written "it is the most unbridled in its representation of emotion. Even today, two hundred years later, its ferocity is astonishing.
Beethoven's heavy use of sforzando notes, together with just a few strategically located fortissimo passages, creates the sense of a very powerful sound in spite of the predominance of piano markings throughout. Within this turbulent sonata-allegro, there are two main themes, with a variety of variation techniques utilized.
Beethoven's pedal mark
See also: Piano history and musical performance, Mute (music), and Piano pedals#Beethoven and pedals
At the opening of the work, Beethoven included a written direction that the sustain pedal should be depressed for the entire duration of the first movement. The Italian reads: "Si deve suonare tutto questo pezzo delicatissimamente e senza sordino". ("One must play this whole piece [meaning "movement"] very delicately and without dampers.") The modern piano has a much longer sustain time than the instruments of Beethoven's day, leaving for a rather blurry and dissonant tone.
One option for dealing with this problem is to perform the work on a restored or replicated piano of the kind Beethoven knew. Proponents of historically informed performance using such pianos have found it feasible to perform the work respecting Beethoven's original direction.
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- published: 15 Dec 2010
- views: 176609257
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Wolfram Schmitt-Leonardy has gradually built a distinguished catalogue of recordings over the years on Brilliant Classics, and each new release from this German pianist tends to be welcomed in effusive terms by the international press. His accounts of Chopin have met with particular praise. A 2CD set of the Ballades, Impromptus and Preludes (BC95210) was celebrated by Classics Today as achieving ‘a fusion of impassioned ardour and classical textual rigour… the best of Schmitt‐Leonardy’s Chopin adds up to a stimulating and compelling listening journey well worth travelling, even if you’ve heard these works hundreds of times.’
Individual discs of Mendelssohn (BC93975), Schumann (BC93136) and Brahms (BC92512) have likewise attracted admiring comments. According to Gramophone, ‘Wolfram Schmitt-Leonardy’s superb technical and musical command holds unflagging interest throughout the [Brahms] variation sets, which easily hold their own among the top versions available.’
With these new recordings, made in 2011 and 2015, Schmitt-Leonardy returns to Chopin, and to ‘his wildest children’ according to Schumann: a comment which has been much parsed for its implications of structural incoherence as well as indomitable passion. In truth, Chopin’s struggle with the larger, multi-movement form has by no means failed, but rather resulted in a more accurate and elaborated mosaic of interrelations, coherencies and references, which cannot be discerned by casual listening or glancing at the scores. Chopin’s ability to balance these elements comes from neatly hidden formal concessions and the use of several compositional tools found in the music of Bach; combined, these aspects award Chopin’s sonatas continuity.
Even if the First Sonata is the work of a student, it nonetheless demonstrates some of those Bachian connections and a lyric poise which would come to full bloom in the Second. This work is centred around the grave Funeral March which has become perhaps Chopin’s best-known individual piece. Bachian principles of counterpoint and polyphony are even more richly satisfied by the final sonata of the trilogy, at least until the grand and sweeping passion of its concluding Rondo.
00:00:00 Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso
00:09:52 Piano Sonata No. 1 in C Minor, Op. 4: II. Menuetto
00:14:35 Piano Sonata No. 1 in C Minor, Op. 4: III. Larghetto
00:18:23 Piano Sonata No. 1 in C Minor, Op. 4: IV. Finale. Presto
00:25:04 Piano Sonata No. 2 in B-Flat Minor, Op. 35: I. Grave - Doppio movimento
00:33:22 Piano Sonata No. 2 in B-Flat Minor, Op. 35: II. Scherzo
00:40:39 Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre. Lento
00:50:03 Piano Sonata No. 2 in B-Flat Minor, Op. 35: IV. Finale. Presto
00:51:40 Piano Sonata No. 3 in B Minor, Op. 58: I. Allegro maestoso
01:01:05 Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo. Molto vivace
01:03:59 Piano Sonata No. 3 in B Minor, Op. 58: III. Largo
01:13:25 Piano Sonata No. 3 in B Minor, Op. 58: IV. Finale. Presto non tanto
- published: 20 Jul 2018
- views: 22128
Fanny Mendelssohn (14 November 1805 – 14 May 1847), later Fanny Mendelssohn Bartholdy and, after her marriage, Fanny Hensel, was a German pianist and composer. She composed over 460 pieces of music. Her compositions include a piano trio and several books of solo piano pieces and songs. A number of her songs were originally published under Felix's name in his opus 8 and 9 collections. Her piano works are often in the manner of songs, and many carry the name Lied ohne Worte (Song without Words).
Fanny Mendelssohn composed over 460 pieces of music. Her compositions include a piano trio and several books of solo piano pieces and songs. A number of her songs were originally published under Felix's name in his opus 8 and 9 collections. Her piano works are often in the manner of songs, and many carry the name Lied ohne Worte (Song without Words). This style (and title) of piano music was most successfully developed by Felix Mendelssohn, though some modern scholars assert that Fanny may have preceded him in the genre.
(Wikipedia)
Please take note that the audio AND the sheet music ARE NOT mine. Change the quality to a minimum of 480p if the video is blurry.
Original audio:
Part 1: https://www.youtube.com/watch?v=csn4j3XtVDQ
Part 2: https://www.youtube.com/watch?v=C4xZB5NgwOk
Part 3: https://www.youtube.com/watch?v=nx0_oGD1gMg
Original sheet music: en.scorser.com
- published: 13 Mar 2016
- views: 72970
Beethoven - Moonlight Sonata (1st Movement)
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Outro: Satie - Gymnopedie No. 1
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- published: 23 Jul 2018
- views: 24232188
Jean Sibelius (1865 - 1957), Piano Sonata in F Major, Op. 12 (1893)
Performed by Håvard Gimse
00:00 - No. 1 Allegro molto
06:02 - No. 2 Andantino-Presto
13:51 - No. 3 Vivacissimo
Sibelius was not a pianist by training, and never truly mastered the art of composing for the instrument. He nevertheless produced a great deal of keyboard music, of which the Op.12 Piano Sonata in F major is the earliest successful effort.
Cast in three movements, the first, not surprisingly, is in standard sonata-allegro form. While it is abundantly clear that Sibelius is not entirely comfortable with the piano -- witness the extended use of tremolo filling and the predominance of octaves in the left-hand, both idiomatic defects which a true pianist would have shunned -- the development section does contain passages which herald methods he embraced in the later Symphonies. The recapitulation contains no surprises, and the movement ends with an inventive coda.
Formally, the second movement is the most inventive of the three, fusing together elements of slow movement and scherzo. This technique grows increasingly dear to Sibelius as years go by, ultimately culminating in the single-movement structure of the Seventh Symphony. The scherzo is basically a two-voice dance in the Phrygian mode, while the much more expansive slow section is rich in melancholy, if embarrassingly poor in pianistic writing.
Despite its numerous textural flaws -- of the type already encountered in the first movement, the finale best represents the composer's typical work of the 1890s. It has the same kind of energetic thrust found in his orchestral work of the period, exemplified by En Saga, and is perhaps best viewed as a symphonic work condensed into pianistic proportions.
- published: 09 Mar 2016
- views: 111685
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30 MOST FAMOUS CLASSICAL PIANO PIECES
01. Beethoven - Piano Sonata No. 14 "Moonlight Sonata": I. Adagio sostenuto 00:00
02. Chopin - Nocturnes, Op. 9: No. 2 in E-flat major 04:53
03. Debussy - Suite Bergamasque, L. 75: III. Clair de Lune 09:11
04. Satie - Trois Gymnopédies: No. 1, Lent et doloreux 13:55
05. Grieg - Lyric Pieces, Book I, Op. 12: No. 1, Arietta 16:43
06. Chopin - Nocturne in C sharp minor, Op. Posth. 18:13
07. Schumann - Kinderszenen, Op. 15: No. 7, Träumerei (Live Recording) 22:01
08. Bach/Gonoud - Ave Maria 25:01
09. Beethoven - Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" 26:44
10. Mozart - Piano Sonata No. 11 in A Major, K 331: III. Alla Turca 30:30
11. Chopin - Preludes, Op. 28: No. 15 "Raindrop" 34:11
12. Debussy - 2 Arabesques: No. 1, Andantino con moto 39:30
13. Liszt - Consolations, S. 172: No. 3, Lento placido 43:38
14. Liszt/Schumann - Liebeslied "Widmung", S. 566 47:39
15. Mozart/Liszt - Ave Verum Corpus, S. 44 51:14
16. Debussy - Rêverie, L. 68 53:34
17. Rachmaninoff - Rhapsody on a Theme by Paganini: Var. XVIII 57:47
18. Tchaikovsky - The Seasons, Op. 37a: No. 6, June. Barcarolle (Live Recording) 01:00:45
19. Schubert - Four Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major (Live Recording) 01:06:01
20. Mendelssohn - Songs Without Words, Book 1, Op. 19b: No. 1, Andante con moto 01:12:10
21. Schubert/Liszt - Ständchen (Serenade), S. 560, No. 7 01:16:01
22. Tchaikovsky - 18 Morceaux, Op. 72: No. 5 in D Major, Andante mosso (Méditation) 01:21:44
23. Scriabin - Étude in C-Sharp Minor, Op. 2 No. 1 (Live Recording) 01:27:24
24. Rachmaninoff - Six Moments Musicaux, Op. 16: No. 3 in B Minor, Andante cantabile 01:30:34
25. Chopin - Fantaisie-Impromptu in C-Sharp Minor, Op. 66 01:35:55
26. Beethoven - 2 Rondos, Op. 51: No. 1 in C Major, Moderato e grazioso 01:40:03
27. Liszt - Liebesträume, S. 541: No. 3 in A-Flat Major 01:46:28
28. Debussy - Préludes, Premier livre, L. 117: No. 8, La fille aux cheveux de lin 01:52:05
29. Ravel - Pavane pour une infante défunte in G Major, M. 19 01:54:58
30. Chopin - Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre. Lento 02:01:59
Tracks: 1-3, 6, 11-14, 16, 17, performed by Luke Faulkner
Tracks: 5, 7, 18-24, performed by Vadim Chaimovich
Tracks: 4, 8, 15, 25, 26, performed by Carlo Balzaretti
Tracks: 9, 10, 27-30, performed by Giovanni Umberto Battel
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- published: 29 Aug 2018
- views: 10169498
Frederic Chopin's piano sonatas.
Piano sonata no 1 in c minor OP4
01. Allegro maestoso 00:00
02. Menuetto 07:18
03. Larghetto 11:46
04. Finale 16:03
Piano sonata no 2 in b-flat minor OP35
05. Grave - Doppio movimento 23:10
06. Scherzo 29:20
07. Marche funebre 36:23
08. Finale - Presto 45:36
Piano sonata no 3 in b minor OP58
09. Allegro maestoso 47:18
10. Scherzo - Molto vivace 57:28
11. Largo 01:00:31
12. Presto non tanto 01:09:41
- published: 11 Jan 2018
- views: 20387
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Composer: Ludwig van Beethoven
Artist: Alfred Brendel (piano)
For many collectors in the 1960s, the budget priced Vox Turnabout LPs of the Beethoven Sonatas and Concertos were a revelation, and introduced an amazing young talent to the public.
Alfred Brendel was born in 1931 in Wiesenberg, and won the Concorso Busoni in 1949. He studied with Edwin Fischer, Paul Baumgartner and Edward Steuermann. The Vox Beethoven recordings won the Grand Prix du Disque in 1965, and were praised by critics world-wide.
These early recordings illustrate clearly all the characteristics that would become a hallmark of Brendel’s playing. A refusal to fall back on ‘flashy’ bravura, and the intellectual rigour he brings to the Beethoven sonatas marked him out even in these early recordings as one of the very great pianists of the 20th century. Brendel retired from the musical scene in 2009 at the height of his powers, leaving a recorded legacy without parallel in the music of Beethoven, Mozart and Schubert.
Tracklist can be found in the description!
- published: 12 Apr 2018
- views: 1077526
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Artists:
Misha Goldstein
Klára Würtz
Håkon astbø
Tracklist:
00:00:00 Liebesträume, S. 541: III. Oh Lieb, so lang du lieben kannst - Franz Liszt
00:04:36 Lieder ohne Worte, Op. 19b: I. Andante con moto - Felix Mendelssohn
00:08:29 Nocturne in B-Flat Minor, Op. 9 No. 1 - Frédéric Chopin
00:13:54 4 Impromptus, D. 935, Op. 142: III. Impromptu in B-Flat Major "Rosamunde" - Franz Schubert
00:25:49 Klavierstücke, Op. 76: IV. Intermezzo. Allegretto grazioso - Johannes Brahms
00:28:22 4 Impromptus, D. 935: II. Impromptu in A-Flat Major - Franz Schubert
00:34:54 6 Lieder, Op. 57: V. Venetianisches Gondellied - Felix Mendelssohn
00:37:59 Intermezzo in E-Flat Major, Op. 117 No. 1 - Johannes Brahms
00:43:20 Intermezzo in B-Flat Minor, Op. 117 No. 2 - Johannes Brahms
00:48:12 Consolation in E-Flat Major, S. 172 - Franz Liszt
00:51:33 Piano Sonata No. 14, Op. 27 No. 2: II. Allegretto - Ludwig van Beethoven
00:57:13 Lieder ohne Worte, Op. 62: VI. Allegretto grazioso "Frühlingslied" - Felix Mendelssohn
00:59:33 Deux Arabesques, L. 66: I. Première Arabesque - Claude Debussy
01:03:43 Moments musicaux, D. 780, Op. 90: IV. Moderato - Franz Schubert
01:05:23 Sonate Pathetique, Op. 13: II. Adagio - Ludwig van Beethoven
01:10:07 Für Elise, WoO 59 - Ludwig van Beethoven
01:12:58 Klavierstück in E-Flat Major, D. 946, No. 2 - Franz Schubert
01:24:07 Intermezzo in A Major, Op. 118, No. 2 - Johannes Brahms
01:30:29 Deux Arabesques, L. 66: Deuxième Arabesque - Claude Debussy
01:33:35 Fantasiestücke, Op. 12: I. Des Abends - Robert Schumann
01:36:59 4 Impromptus, D. 899, Op. 90: III. Impromptu in G-Flat Major - Franz Schubert
01:42:15 Rêverie, L. 68 - Claude Debussy
01:45:59 3 Romances, Op. 28: II. Romanze in F-Sharp Major - Robert Schumann
01:49:21 Sonate in B Minor, Kk. 27 - Domenico Scarlatti
01:54:49 Consolation in D-Flat Major, S. 172 - Franz Liszt
01:57:14 Clair de Lune, L. 32 - Claude Debussy
02:02:13 Träumerei, Op. 15 No. 7 - Robert Schumann
02:05:25 Prelude in D-Flat Major, Op. 28 No. 15, "Regentropfen" - Frédéric Chopin
02:10:12 Nocturne in E-Flat Major, Op. 9 No. 2 - Frédéric Chopin
02:14:30 16 Waltzes, Op. 39: No. 15, Waltz in A-Flat Major "Lullaby" - Johannes Brahms
02:16:08 Piano Sonata No. 11 in A Major, K. 331: III. Alla Turca. Allegretto - Wolfgang Amadeus Mozart
02:19:35 Lieder ohne Worte, Op.67: IV. Spinnerlied in A Major. Presto - Felix Mendelssohn
02:21:38 Lyric Pieces, Op. 12: IV. Dance of the Fairies - Edvard Hagerup Grieg
02:22:33 Lyric Pieces, Op. 38: I. Berceuse - Edvard Hagerup Grieg
02:24:50 Lyric Pieces, Op. 43: I. Butterfly -Edvard Hagerup Grieg
02:26:27 Lyric Pieces, Op. 54: III. March of the Dwarfs - Edvard Hagerup Grieg
02:29:22 Waltzes, Op. 64: No. 1, Waltz in D-Flat Major "Minute Waltz" - Frédéric Chopin
02:31:06 Sonate facile in C Major, K. 545: I. Allegro - Wolfgang Amadeus Mozart
02:34:28 3 Gymnopédies: No. 1, Lent et douloureux - Erik Satie
02:38:07 Gnossiennes Nos. 4-6: Gnossienne No. 5 - Erik Satie
02:40:59 Nocturne in C-Sharp Minor Op. Posth. - Frédéric Chopin
02:45:02 Etudes in E Major Op. 10: III. “Tristesse” - Frédéric Chopin
02:49:32 2 Konzertetüden, S.145: No. 1 in A-Flat Major “Waldesrauschen“ - Franz Liszt
02:53:39 Impromptu No. 1 in A-Flat Major, Op. 29 - Frédéric Chopin
02:57:26 The Seasons, Op. 37a: No. 10, October. Autumn Song in D Minor. Andante doloroso e molto cantabile - Piotr Ilyich Tchaikovsky
03:00:50 Pavane pour une infante défunte in G Major, M. 19 - Maurice Ravel
03:07:15 Waldszenen, Op. 82: No. 7, Vogel als Prophet - Robert Schumann
03:10:06 Ballade No. 3 in A-Flat Major, Op. 47 - Frédéric Chopin
03:17:29 8 Klavierstücke, Op. 76: No. 2, Capriccio in B Minor. Allegretto non troppo - Johannes Brahms
03:21:11 Fantasie Impromptu No. 4 in C-Sharp Minor, Op. 66 - Frédéric Chopin
Artist:
Misha Goldstein
Klára Würtz
Håkon astbø
- published: 17 May 2017
- views: 5721861
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Piano Sonata (Bartók)
The Piano Sonata BB 88 (Sz. 80) is a piano sonata by Hungarian composer Béla Bartók, composed in June 1926. 1926 is known to musicologists as Bartók's "piano year", when he underwent a creative shift in part from Beethovenian intensity to a more Bachian craftsmanship.
The work is in three movements, with the following tempo indications:
It is tonal, but highly dissonant, using the piano in a percussive fashion. Underneath clusters of repeated notes, the melody is folk-like. Each movement has a classical structure overall, in character with Bartók's frequent use of classical forms as vehicles for his most advanced thinking. Musicologist Halsey Stevens finds in the work early forms of many stylistic traits that became more fully developed in Bartók's "golden age", 1934-1940.
Bartók wrote Dittának, Budapesten, 1926, jun. at the end of the score. Ditta is the name of his second wife. A performance generally lasts around fifteen minutes. Bartók wrote the duration as ca. 12' 30" on the score.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Piano_Sonata_(Bartók)
Piano sonata
A piano sonata is a sonata written for a solo piano. Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement (Scarlatti, Scriabin, Medtner), two movements (Haydn), five (Brahms' Third Piano Sonata) or even more movements. The first movement is generally composed in sonata form.
The Baroque keyboard sonata
In the Baroque era, the use of the term "sonata" generally referred to either the sonata da chiesa (church sonata) or sonata da camera (chamber sonata), both of which were sonatas for various instruments (usually one or more violins plus basso continuo). The keyboard sonata was relatively neglected by most composers.
The sonatas of Domenico Scarlatti (of which there are over 500) were the hallmark of the Baroque keyboard sonata, though they were for the most part unpublished during Scarlatti's lifetime. The majority of these sonatas are in one-movement binary form, both sections being in the same tempo and utilizing the same thematic material. These sonatas are prized for both their technical difficulty and their musical and formal ingenuity. The influence of Spanish folk music is evident in Scarlatti's sonatas.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Piano_sonata
Piano Sonata (Berg)
Alban Berg's Piano Sonata (German: Klaviersonate), Op. 1, was published in 1910, but the exact date of composition is unknown; sources suggest that it was written in 1909. The Sonata is Berg's only piano work to which he gave an opus number.
History
Berg first studied under Arnold Schoenberg in the autumn of 1904, taking lessons in harmony and counterpoint. Later, in autumn 1907, he returned to begin studies in composition, which ended with the study of sonata movements. Several draft sketches of sonata movements date from this period and it is thought that Op. 1 followed from these drafts. The exact date of composition is unknown; although the second reissue of the score bears the date 1908, sources suggest that the Sonata was not composed until the spring or summer of 1909 (Scheideler, 2006). The premiere of the Piano Sonata, Op. 1 was given in Vienna on 24 April 1911 by Etta Werndorff. Other works by Berg and Anton Webern were also played at that concert. Pianist Léo-Pol Morin notably performed the work for its Parisian premiere in 1922.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Piano_Sonata_(Berg)
Piano Sonata in G major (Tchaikovsky)
The Grand Piano Sonata in G major, Op. 37, was written by Russian composer Pyotr Ilyich Tchaikovsky in 1878. Though initially received with critical acclaim, the sonata has struggled to maintain a solid position in the modern repertoire. Nevertheless, the sonata has been recorded numerous times and is recognized as one of the composer's masterworks. It is dedicated to Karl Klindworth.
History
The sonata was composed at Clarens and Kamenka between March and April 1878, around the same time as the famous Violin Concerto in D. In a letter to his younger brother Anatolii, Tchaikovsky complains about the difficulties he faced in writing his sonata:
When Tchaikovsky's violinist friend Iosif Kotek arrived at Clarens, the composer's efforts quickly became focused on his Violin Concerto, and work on the sonata was discontinued. He resumed work on the sonata in mid-April and completed it before the month's end. It was premiered in a concert of the Russian Musical Society by pianist Nikolai Rubinstein, much to the composer's delight:
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Piano_Sonata_in_G_major_(Tchaikovsky)
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Mozart: Complete Piano Sonatas
Download & Streams (Spotify, iTunes, Amazon Music, Deezer and more): https://brilliant-classics.lnk.to/MozartCompleteSonatasID More information: https://www.brilliantclassics.com/articles/m/mozart-complete-sonatas/ Mozart’s piano sonatas date from 1773 until 1788 – a period in which his style matured at a truly remarkable rate. The earliest sonatas are very much in the galant style of W.F and CPE Bach, and in places Scarlatti’s influence can be detected. However, the late sonatas, such as K457 are full of surprises, and here the influence of Haydn is to the fore – even predicting Beethoven in passages. The years from 1773 to the late 80s saw the rapid development of the piano from a novelty and experimental instrument, to the stage where it’s power and range provided composers with a hit...
published: 04 Apr 2018 -
Mozart - Piano Sonata No. 16 in C Major, K.545 (1st Mvt)
Mozart - Piano Sonata No. 16 in C Major, K.545 (1st Mvt) Click the 🔔bell to always be notified on new uploads! ♫ Listen on Spotify: http://spoti.fi/2LdpqK7 ♫ Instagram: http://bit.ly/rousseauig ♫ Twitter: http://bit.ly/rousseautw ♫ Sheet Music on nkoda: http://bit.ly/nkodaMozartK454 ♫ MIDI: https://patreon.com/rousseau ♫ Facebook: http://bit.ly/rousseaufb ♫ Buy me a coffee: http://buymeacoff.ee/rousseau ♫ Join me on discord: http://bit.ly/RousseauDiscord Hope you enjoy my performance of the 1st Mvt of Mozart's Piano Sonata No. 16 in C Major, K.545. Outro: Petzold - Minuet in G Hello, I'm Rousseau, I make piano covers of classical and pop songs with a reactive visualizer. New videos every Monday and Thursday! #Rousseau #Piano #PianoCover
published: 24 Jun 2019 -
Beethoven - Moonlight Sonata (FULL)
Beethoven - Moonlight Sonata (FULL) - Piano Sonata No. 14 http://www.facebook.com/9Beethoven Instagram: https://www.instagram.com/andrearomanoandrea The Piano Sonata No. 14 in C♯ minor "Quasi una fantasia", op. 27, No. 2, by Ludwig van Beethoven The sonata has three movements: 0:00 1 mvt: Adagio sostenuto 6:00 2 mvt: Allegretto 8:05 3 mvt: Presto agitato Adagio sostenuto The first movement, in C♯ minor, is written in an approximate truncated sonata form. The movement opens with an octave in the left hand and a triplet figuration in the right. A melody that Hector Berlioz called a "lamentation", mostly by the right hand, is played against an accompanying ostinato triplet rhythm, simultaneously played by the right hand. The movement is played pianissimo or "very quietly", and the loude...
published: 15 Dec 2010 -
Chopin: Complete Piano Sonatas Nos. 1-3
Streaming & Download: https://brilliant-classics.lnk.to/ChopinCompletePianoSonatas Physical sale: https://www.brilliantclassics.com/articles/c/chopin-complete-piano-sonatas-nos-1-3/ Brilliant classics Spotify: https://brilliant-classics.lnk.to/Spotify Brilliant classics Facebook: https://www.facebook.com/brilliantclassics Wolfram Schmitt-Leonardy has gradually built a distinguished catalogue of recordings over the years on Brilliant Classics, and each new release from this German pianist tends to be welcomed in effusive terms by the international press. His accounts of Chopin have met with particular praise. A 2CD set of the Ballades, Impromptus and Preludes (BC95210) was celebrated by Classics Today as achieving ‘a fusion of impassioned ardour and classical textual rigour… the best of Sc...
published: 20 Jul 2018 -
Fanny Mendelssohn - Piano Sonata in C minor (audio + sheet music)
Fanny Mendelssohn (14 November 1805 – 14 May 1847), later Fanny Mendelssohn Bartholdy and, after her marriage, Fanny Hensel, was a German pianist and composer. She composed over 460 pieces of music. Her compositions include a piano trio and several books of solo piano pieces and songs. A number of her songs were originally published under Felix's name in his opus 8 and 9 collections. Her piano works are often in the manner of songs, and many carry the name Lied ohne Worte (Song without Words). Fanny Mendelssohn composed over 460 pieces of music. Her compositions include a piano trio and several books of solo piano pieces and songs. A number of her songs were originally published under Felix's name in his opus 8 and 9 collections. Her piano works are often in the manner of songs, and many...
published: 13 Mar 2016 -
Beethoven - Moonlight Sonata (1st Movement)
Beethoven - Moonlight Sonata (1st Movement) Click the 🔔bell to always be notified on new uploads! ♫ Listen on Spotify: http://spoti.fi/2LdpqK7 ♫ Sheet Music on nkoda: http://bit.ly/nkodaBeethovenMoonlightSonata ♫ MIDI: https://patreon.com/rousseau ♫ Facebook: http://bit.ly/rousseaufb ♫ Instagram: http://bit.ly/rousseauig ♫ Twitter: http://bit.ly/rousseautw ♫ Buy me a coffee: http://buymeacoff.ee/rousseau Hope you enjoy my performance of the 1st Movement from Beethoven's Moonlight Sonata. Sheet music: https://www.patreon.com/posts/sheet-music-mvt-20261120 Outro: Satie - Gymnopedie No. 1 Hello, I'm Rousseau, I make piano covers of classical and pop songs with a reactive visualizer. New videos every Monday! #Rousseau #Piano #PianoCover
published: 23 Jul 2018 -
Jean Sibelius ‒ Piano Sonata in F Major, Op. 12
Jean Sibelius (1865 - 1957), Piano Sonata in F Major, Op. 12 (1893) Performed by Håvard Gimse 00:00 - No. 1 Allegro molto 06:02 - No. 2 Andantino-Presto 13:51 - No. 3 Vivacissimo Sibelius was not a pianist by training, and never truly mastered the art of composing for the instrument. He nevertheless produced a great deal of keyboard music, of which the Op.12 Piano Sonata in F major is the earliest successful effort. Cast in three movements, the first, not surprisingly, is in standard sonata-allegro form. While it is abundantly clear that Sibelius is not entirely comfortable with the piano -- witness the extended use of tremolo filling and the predominance of octaves in the left-hand, both idiomatic defects which a true pianist would have shunned -- the development section does contain...
published: 09 Mar 2016 -
30 Most Famous Classical Piano Pieces
📧 Subscribe to our newsletter and get a 50% discount on the Halidon Music Store: http://bit.ly/HalidonNewsletter 🎵 Buy the MP3 album on the Official Halidon Music Store: http://bit.ly/2yK3oY6 🎧 Listen to our playlist on Spotify: http://bit.ly/PeacefulClassicalPiano 💿 Order the 4-CD box set on Amazon: IT: https://amzn.to/3uC698Y DE: https://amzn.to/3bJTiJt FR: https://amzn.to/37PKiRU ES: https://amzn.to/3bGShSj These tracks are available for sync licensing in web video productions, corporate videos, films, ads and music compilations. For further information and licensing please contact info@halidononline.com. 👉 The HalidonMusic Sync Licensing platform is now live at https://licensing.halidonmusic.com 30 MOST FAMOUS CLASSICAL PIANO PIECES 01. Beethoven - Piano Sonata No. 14 "Moonlig...
published: 29 Aug 2018 -
Chopin: Piano sonatas (Complete)
Frederic Chopin's piano sonatas. Piano sonata no 1 in c minor OP4 01. Allegro maestoso 00:00 02. Menuetto 07:18 03. Larghetto 11:46 04. Finale 16:03 Piano sonata no 2 in b-flat minor OP35 05. Grave - Doppio movimento 23:10 06. Scherzo 29:20 07. Marche funebre 36:23 08. Finale - Presto 45:36 Piano sonata no 3 in b minor OP58 09. Allegro maestoso 47:18 10. Scherzo - Molto vivace 57:28 11. Largo 01:00:31 12. Presto non tanto 01:09:41
published: 11 Jan 2018 -
Beethoven: Complete Piano Sonatas
More Information: https://www.brilliantclassics.com/articles/b/beethoven-complete-piano-sonatas/ Social Media: Facebook: https://brilliant-classics.lnk.to/Facebook Instagram: https://brilliant-classics.lnk.to/Instagram Spotify Playlists: Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify Classical Piano Music: https://brilliant-classics.lnk.to/ClassicalPianoMusic The best of Liszt: https://brilliant-classics.lnk.to/Playliszt The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies Classical music for dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime Composer: ...
published: 12 Apr 2018 -
Top 50 Best Classical Piano Music
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play): https://brilliant-classics.lnk.to/Top50BestPianoClassics Social Media: Facebook: https://brilliant-classics.lnk.to/Facebook Instagram: https://brilliant-classics.lnk.to/Instagram YouTube: https://brilliant-classics.lnk.to/YouTube Spotify Playlists: Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify Classical Piano Music: https://brilliant-classics.lnk.to/ClassicalPianoMusic The best of Liszt: https://brilliant-classics.lnk.to/Playliszt The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies Cla...
published: 17 May 2017
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5:04:48
Mozart: Complete Piano Sonatas
- Order: Reorder
- Duration: 5:04:48
- Uploaded Date: 04 Apr 2018
- views: 5432762
Download & Streams (Spotify, iTunes, Amazon Music, Deezer and more): https://brilliant-classics.lnk.to/MozartCompleteSonatasID
More information: https://www.bri...
Download & Streams (Spotify, iTunes, Amazon Music, Deezer and more): https://brilliant-classics.lnk.to/MozartCompleteSonatasID
More information: https://www.brilliantclassics.com/articles/m/mozart-complete-sonatas/
Mozart’s piano sonatas date from 1773 until 1788 – a period in which his style matured at a truly remarkable rate. The earliest sonatas are very much in the galant style of W.F and CPE Bach, and in places Scarlatti’s influence can be detected. However, the late sonatas, such as K457 are full of surprises, and here the influence of Haydn is to the fore – even predicting Beethoven in passages. The years from 1773 to the late 80s saw the rapid development of the piano from a novelty and experimental instrument, to the stage where it’s power and range provided composers with a hitherto undreamed palate of colours and expression. Mozart exploited the new instruments to maximum effect in his concertos and his sonatas.
Composer: Wolfgang Amadeus Mozart
Artist: Klara Würtz (piano)
00:00:00 Piano Sonata No.1 in C, K279: I. Allegro
00:04:56 Piano Sonata No.1 in C, K279: II. Andante
00:10:09 Piano Sonata No.1 in C, K279: III. Allegro
00:13:31 Piano Sonata No.2 in F, K280: I. Allegro assai
00:18:02 Piano Sonata No.2 in F, K280: II. Adagio
00:24:04 Piano Sonata No.2 in F, K280: III. Presto
00:26:59 Piano Sonata No.3 in B flat, K281: I. Allegro
00:33:47 Piano Sonata No.3 in B flat, K281: II. Andante amoroso
00:39:19 Piano Sonata No.3 in B flat, K281: III. Rondeau: Allegro
00:43:56 Piano Sonata No.4 in E flat, K282: I. Adagio
00:50:57 Piano Sonata No.4 in E flat, K282: II. Menuetto
00:55:02 Piano Sonata No.4 in E flat, K282: III. Allegro
00:58:06 Piano Sonata No.5 in G, K283: I. Allegro
01:03:32 Piano Sonata No.5 in G, K283: II. Andante
01:09:14 Piano Sonata No.5 in G, K283: III. Presto
01:13:02 Piano Sonata No.6 in D, K284: I. Allegro
01:18:32 Piano Sonata No.6 in D, K284: II. Rondeau en polonaise: Andante
01:22:38 Piano Sonata No.6 in D, K284: III. Andante (Tema con variazioni)
01:38:15 Piano Sonata No.7 in C, K309: I. Allegro con spirito
01:44:13 Piano Sonata No.7 in C, K309: II. Andante un poco adagio
01:49:21 Piano Sonata No.7 in C, K309: III. Rondeau: Allegretto grazioso
01:55:23 Piano Sonata No.8 in A Minor, K310: I. Allegro maestoso
02:01:24 Piano Sonata No.8 in A Minor, K310: II. Andante cantabile con espressione
02:08:31 Piano Sonata No.8 in A Minor, K310: III. Presto
02:11:14 Piano Sonata No.9 In D, K311: I. Allegro con spirito
02:15:41 Piano Sonata No.9 In D, K311: II. Andante con espressione
02:20:33 Piano Sonata No.9 In D, K311: III. Rondeau: Allegro
02:26:39 Piano Sonata No.10 In C, KV330: I. Allegro moderato
02:33:20 Piano Sonata No.10 In C, KV330: II. Andante cantabile
02:39:53 Piano Sonata No.10 In C, KV330: III. Allegretto
02:45:36 Piano Sonata No.11 In A, K331: I. Andante grazioso
02:58:30 Piano Sonata No.11 In A, K331: II. Menuetto
03:04:25 Piano Sonata No.11 In A, K331: III. Alla Turca: Allegretto
03:07:50 Piano Sonata No.12 in F, K332: I. Allegro
03:14:24 Piano Sonata No.12 in F, K332: II. Adagio
03:19:07 Piano Sonata No.12 in F, K332:III. Allegro assai
03:25:58 Piano Sonata No.13 in B flat, K333: I. Allegro
03:33:20 Piano Sonata No.13 in B flat, K333: II. Andante cantabile
03:38:53 Piano Sonata No.13 in B flat, K333: III. Allegretto grazioso
03:45:30 Piano Sonata No.14 in C Minor, K457: I. Allegro molto
03:50:59 Piano Sonata No.14 in C Minor, K457: II. Adagio
03:58:42 Piano Sonata No.14 in C Minor, K457: III. Allegro assai
04:03:02 Piano Sonata No.15 in F, K533: Allegro
04:10:39 Piano Sonata No.15 in F, K533: Andante
04:17:14 Piano Sonata No.15 in F, K533: Rondeau: Allegretto
04:23:42 Piano Sonata No.16 in C, K545: I. Allegro
04:27:02 Piano Sonata No.16 in C, K545: II. Andante
04:31:12 Piano Sonata No.16 in C, K545: III. Rondo
04:32:58 Piano Sonata No.17 in B flat, K570: I. Allegro
04:38:32 Piano Sonata No.17 in B flat, K570: II. Adagio
04:46:07 Piano Sonata No.17 in B flat, K570: III. Allegretto
04:49:38 Piano Sonata No.18 in D, K576: I. Allegro
04:54:50 Piano Sonata No.18 in D, K576: II. Adagio
05:00:23 Piano Sonata No.18 in D, K576: III. Allegretto
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More information: https://www.brilliantclassics.com/articles/m/mozart-complete-sonatas/
Mozart’s piano sonatas date from 1773 until 1788 – a period in which his style matured at a truly remarkable rate. The earliest sonatas are very much in the galant style of W.F and CPE Bach, and in places Scarlatti’s influence can be detected. However, the late sonatas, such as K457 are full of surprises, and here the influence of Haydn is to the fore – even predicting Beethoven in passages. The years from 1773 to the late 80s saw the rapid development of the piano from a novelty and experimental instrument, to the stage where it’s power and range provided composers with a hitherto undreamed palate of colours and expression. Mozart exploited the new instruments to maximum effect in his concertos and his sonatas.
Composer: Wolfgang Amadeus Mozart
Artist: Klara Würtz (piano)
00:00:00 Piano Sonata No.1 in C, K279: I. Allegro
00:04:56 Piano Sonata No.1 in C, K279: II. Andante
00:10:09 Piano Sonata No.1 in C, K279: III. Allegro
00:13:31 Piano Sonata No.2 in F, K280: I. Allegro assai
00:18:02 Piano Sonata No.2 in F, K280: II. Adagio
00:24:04 Piano Sonata No.2 in F, K280: III. Presto
00:26:59 Piano Sonata No.3 in B flat, K281: I. Allegro
00:33:47 Piano Sonata No.3 in B flat, K281: II. Andante amoroso
00:39:19 Piano Sonata No.3 in B flat, K281: III. Rondeau: Allegro
00:43:56 Piano Sonata No.4 in E flat, K282: I. Adagio
00:50:57 Piano Sonata No.4 in E flat, K282: II. Menuetto
00:55:02 Piano Sonata No.4 in E flat, K282: III. Allegro
00:58:06 Piano Sonata No.5 in G, K283: I. Allegro
01:03:32 Piano Sonata No.5 in G, K283: II. Andante
01:09:14 Piano Sonata No.5 in G, K283: III. Presto
01:13:02 Piano Sonata No.6 in D, K284: I. Allegro
01:18:32 Piano Sonata No.6 in D, K284: II. Rondeau en polonaise: Andante
01:22:38 Piano Sonata No.6 in D, K284: III. Andante (Tema con variazioni)
01:38:15 Piano Sonata No.7 in C, K309: I. Allegro con spirito
01:44:13 Piano Sonata No.7 in C, K309: II. Andante un poco adagio
01:49:21 Piano Sonata No.7 in C, K309: III. Rondeau: Allegretto grazioso
01:55:23 Piano Sonata No.8 in A Minor, K310: I. Allegro maestoso
02:01:24 Piano Sonata No.8 in A Minor, K310: II. Andante cantabile con espressione
02:08:31 Piano Sonata No.8 in A Minor, K310: III. Presto
02:11:14 Piano Sonata No.9 In D, K311: I. Allegro con spirito
02:15:41 Piano Sonata No.9 In D, K311: II. Andante con espressione
02:20:33 Piano Sonata No.9 In D, K311: III. Rondeau: Allegro
02:26:39 Piano Sonata No.10 In C, KV330: I. Allegro moderato
02:33:20 Piano Sonata No.10 In C, KV330: II. Andante cantabile
02:39:53 Piano Sonata No.10 In C, KV330: III. Allegretto
02:45:36 Piano Sonata No.11 In A, K331: I. Andante grazioso
02:58:30 Piano Sonata No.11 In A, K331: II. Menuetto
03:04:25 Piano Sonata No.11 In A, K331: III. Alla Turca: Allegretto
03:07:50 Piano Sonata No.12 in F, K332: I. Allegro
03:14:24 Piano Sonata No.12 in F, K332: II. Adagio
03:19:07 Piano Sonata No.12 in F, K332:III. Allegro assai
03:25:58 Piano Sonata No.13 in B flat, K333: I. Allegro
03:33:20 Piano Sonata No.13 in B flat, K333: II. Andante cantabile
03:38:53 Piano Sonata No.13 in B flat, K333: III. Allegretto grazioso
03:45:30 Piano Sonata No.14 in C Minor, K457: I. Allegro molto
03:50:59 Piano Sonata No.14 in C Minor, K457: II. Adagio
03:58:42 Piano Sonata No.14 in C Minor, K457: III. Allegro assai
04:03:02 Piano Sonata No.15 in F, K533: Allegro
04:10:39 Piano Sonata No.15 in F, K533: Andante
04:17:14 Piano Sonata No.15 in F, K533: Rondeau: Allegretto
04:23:42 Piano Sonata No.16 in C, K545: I. Allegro
04:27:02 Piano Sonata No.16 in C, K545: II. Andante
04:31:12 Piano Sonata No.16 in C, K545: III. Rondo
04:32:58 Piano Sonata No.17 in B flat, K570: I. Allegro
04:38:32 Piano Sonata No.17 in B flat, K570: II. Adagio
04:46:07 Piano Sonata No.17 in B flat, K570: III. Allegretto
04:49:38 Piano Sonata No.18 in D, K576: I. Allegro
04:54:50 Piano Sonata No.18 in D, K576: II. Adagio
05:00:23 Piano Sonata No.18 in D, K576: III. Allegretto
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- published: 04 Apr 2018
- views: 5432762
5:20
Mozart - Piano Sonata No. 16 in C Major, K.545 (1st Mvt)
- Order: Reorder
- Duration: 5:20
- Uploaded Date: 24 Jun 2019
- views: 4563071
Mozart - Piano Sonata No. 16 in C Major, K.545 (1st Mvt)
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Mozart - Piano Sonata No. 16 in C Major, K.545 (1st Mvt)
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Outro: Petzold - Minuet in G
Hello, I'm Rousseau, I make piano covers of classical and pop songs with a reactive visualizer. New videos every Monday and Thursday!
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https://wn.com/Mozart_Piano_Sonata_No._16_In_C_Major,_K.545_(1St_Mvt)
Mozart - Piano Sonata No. 16 in C Major, K.545 (1st Mvt)
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Hope you enjoy my performance of the 1st Mvt of Mozart's Piano Sonata No. 16 in C Major, K.545.
Outro: Petzold - Minuet in G
Hello, I'm Rousseau, I make piano covers of classical and pop songs with a reactive visualizer. New videos every Monday and Thursday!
#Rousseau #Piano #PianoCover
- published: 24 Jun 2019
- views: 4563071
15:00
Beethoven - Moonlight Sonata (FULL)
- Order: Reorder
- Duration: 15:00
- Uploaded Date: 15 Dec 2010
- views: 176609257
Beethoven - Moonlight Sonata (FULL) - Piano Sonata No. 14
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The Piano...
Beethoven - Moonlight Sonata (FULL) - Piano Sonata No. 14
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The Piano Sonata No. 14 in C♯ minor "Quasi una fantasia", op. 27, No. 2, by Ludwig van Beethoven
The sonata has three movements:
0:00 1 mvt: Adagio sostenuto
6:00 2 mvt: Allegretto
8:05 3 mvt: Presto agitato
Adagio sostenuto
The first movement, in C♯ minor, is written in an approximate truncated sonata form. The movement opens with an octave in the left hand and a triplet figuration in the right. A melody that Hector Berlioz called a "lamentation", mostly by the right hand, is played against an accompanying ostinato triplet rhythm, simultaneously played by the right hand. The movement is played pianissimo or "very quietly", and the loudest it gets is mezzo forte or "moderately loud".
The adagio sostenuto has made a powerful impression on many listeners; for instance, Berlioz said of it that it "is one of those poems that human language does not know how to qualify. The work was very popular in Beethoven's day, to the point of exasperating the composer himself, who remarked to Carl Czerny, "Surely I've written better things.
Allegretto
The second movement is a relatively conventional scherzo and trio, a moment of relative calm written in D-flat major, the enharmonic equivalent of C♯ major, the more easily-notated parallel major of C♯ minor. Franz Liszt described the second movement as "a flower between two chasms."[citation needed] The slight majority of the movement is in piano, but a handful of sforzandos and forte-pianos helps to maintain the movement's cheerful disposition.
Presto agitato
The stormy final movement (C♯ minor), in sonata form, is the weightiest of the three, reflecting an experiment of Beethoven's (also carried out in the companion sonata, Opus 27, No. 1 and later on in Opus 101) placement of the most important movement of the sonata last. The writing has many fast arpeggios and strongly accented notes, and an effective performance demands lively and skillful playing.
It is thought that the C-sharp minor sonata, particularly the third movement, was the inspiration for Frédéric Chopin's Fantaisie-Impromptu, which manifests the key relationships of the sonata's three movements.
Of the final movement, Charles Rosen has written "it is the most unbridled in its representation of emotion. Even today, two hundred years later, its ferocity is astonishing.
Beethoven's heavy use of sforzando notes, together with just a few strategically located fortissimo passages, creates the sense of a very powerful sound in spite of the predominance of piano markings throughout. Within this turbulent sonata-allegro, there are two main themes, with a variety of variation techniques utilized.
Beethoven's pedal mark
See also: Piano history and musical performance, Mute (music), and Piano pedals#Beethoven and pedals
At the opening of the work, Beethoven included a written direction that the sustain pedal should be depressed for the entire duration of the first movement. The Italian reads: "Si deve suonare tutto questo pezzo delicatissimamente e senza sordino". ("One must play this whole piece [meaning "movement"] very delicately and without dampers.") The modern piano has a much longer sustain time than the instruments of Beethoven's day, leaving for a rather blurry and dissonant tone.
One option for dealing with this problem is to perform the work on a restored or replicated piano of the kind Beethoven knew. Proponents of historically informed performance using such pianos have found it feasible to perform the work respecting Beethoven's original direction.
#Beethoven #Piano #ClassicalMusic
https://wn.com/Beethoven_Moonlight_Sonata_(Full)
Beethoven - Moonlight Sonata (FULL) - Piano Sonata No. 14
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The Piano Sonata No. 14 in C♯ minor "Quasi una fantasia", op. 27, No. 2, by Ludwig van Beethoven
The sonata has three movements:
0:00 1 mvt: Adagio sostenuto
6:00 2 mvt: Allegretto
8:05 3 mvt: Presto agitato
Adagio sostenuto
The first movement, in C♯ minor, is written in an approximate truncated sonata form. The movement opens with an octave in the left hand and a triplet figuration in the right. A melody that Hector Berlioz called a "lamentation", mostly by the right hand, is played against an accompanying ostinato triplet rhythm, simultaneously played by the right hand. The movement is played pianissimo or "very quietly", and the loudest it gets is mezzo forte or "moderately loud".
The adagio sostenuto has made a powerful impression on many listeners; for instance, Berlioz said of it that it "is one of those poems that human language does not know how to qualify. The work was very popular in Beethoven's day, to the point of exasperating the composer himself, who remarked to Carl Czerny, "Surely I've written better things.
Allegretto
The second movement is a relatively conventional scherzo and trio, a moment of relative calm written in D-flat major, the enharmonic equivalent of C♯ major, the more easily-notated parallel major of C♯ minor. Franz Liszt described the second movement as "a flower between two chasms."[citation needed] The slight majority of the movement is in piano, but a handful of sforzandos and forte-pianos helps to maintain the movement's cheerful disposition.
Presto agitato
The stormy final movement (C♯ minor), in sonata form, is the weightiest of the three, reflecting an experiment of Beethoven's (also carried out in the companion sonata, Opus 27, No. 1 and later on in Opus 101) placement of the most important movement of the sonata last. The writing has many fast arpeggios and strongly accented notes, and an effective performance demands lively and skillful playing.
It is thought that the C-sharp minor sonata, particularly the third movement, was the inspiration for Frédéric Chopin's Fantaisie-Impromptu, which manifests the key relationships of the sonata's three movements.
Of the final movement, Charles Rosen has written "it is the most unbridled in its representation of emotion. Even today, two hundred years later, its ferocity is astonishing.
Beethoven's heavy use of sforzando notes, together with just a few strategically located fortissimo passages, creates the sense of a very powerful sound in spite of the predominance of piano markings throughout. Within this turbulent sonata-allegro, there are two main themes, with a variety of variation techniques utilized.
Beethoven's pedal mark
See also: Piano history and musical performance, Mute (music), and Piano pedals#Beethoven and pedals
At the opening of the work, Beethoven included a written direction that the sustain pedal should be depressed for the entire duration of the first movement. The Italian reads: "Si deve suonare tutto questo pezzo delicatissimamente e senza sordino". ("One must play this whole piece [meaning "movement"] very delicately and without dampers.") The modern piano has a much longer sustain time than the instruments of Beethoven's day, leaving for a rather blurry and dissonant tone.
One option for dealing with this problem is to perform the work on a restored or replicated piano of the kind Beethoven knew. Proponents of historically informed performance using such pianos have found it feasible to perform the work respecting Beethoven's original direction.
#Beethoven #Piano #ClassicalMusic
- published: 15 Dec 2010
- views: 176609257
1:18:51
Chopin: Complete Piano Sonatas Nos. 1-3
- Order: Reorder
- Duration: 1:18:51
- Uploaded Date: 20 Jul 2018
- views: 22128
Streaming & Download: https://brilliant-classics.lnk.to/ChopinCompletePianoSonatas
Physical sale: https://www.brilliantclassics.com/articles/c/chopin-complete-p...
Streaming & Download: https://brilliant-classics.lnk.to/ChopinCompletePianoSonatas
Physical sale: https://www.brilliantclassics.com/articles/c/chopin-complete-piano-sonatas-nos-1-3/
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Wolfram Schmitt-Leonardy has gradually built a distinguished catalogue of recordings over the years on Brilliant Classics, and each new release from this German pianist tends to be welcomed in effusive terms by the international press. His accounts of Chopin have met with particular praise. A 2CD set of the Ballades, Impromptus and Preludes (BC95210) was celebrated by Classics Today as achieving ‘a fusion of impassioned ardour and classical textual rigour… the best of Schmitt‐Leonardy’s Chopin adds up to a stimulating and compelling listening journey well worth travelling, even if you’ve heard these works hundreds of times.’
Individual discs of Mendelssohn (BC93975), Schumann (BC93136) and Brahms (BC92512) have likewise attracted admiring comments. According to Gramophone, ‘Wolfram Schmitt-Leonardy’s superb technical and musical command holds unflagging interest throughout the [Brahms] variation sets, which easily hold their own among the top versions available.’
With these new recordings, made in 2011 and 2015, Schmitt-Leonardy returns to Chopin, and to ‘his wildest children’ according to Schumann: a comment which has been much parsed for its implications of structural incoherence as well as indomitable passion. In truth, Chopin’s struggle with the larger, multi-movement form has by no means failed, but rather resulted in a more accurate and elaborated mosaic of interrelations, coherencies and references, which cannot be discerned by casual listening or glancing at the scores. Chopin’s ability to balance these elements comes from neatly hidden formal concessions and the use of several compositional tools found in the music of Bach; combined, these aspects award Chopin’s sonatas continuity.
Even if the First Sonata is the work of a student, it nonetheless demonstrates some of those Bachian connections and a lyric poise which would come to full bloom in the Second. This work is centred around the grave Funeral March which has become perhaps Chopin’s best-known individual piece. Bachian principles of counterpoint and polyphony are even more richly satisfied by the final sonata of the trilogy, at least until the grand and sweeping passion of its concluding Rondo.
00:00:00 Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso
00:09:52 Piano Sonata No. 1 in C Minor, Op. 4: II. Menuetto
00:14:35 Piano Sonata No. 1 in C Minor, Op. 4: III. Larghetto
00:18:23 Piano Sonata No. 1 in C Minor, Op. 4: IV. Finale. Presto
00:25:04 Piano Sonata No. 2 in B-Flat Minor, Op. 35: I. Grave - Doppio movimento
00:33:22 Piano Sonata No. 2 in B-Flat Minor, Op. 35: II. Scherzo
00:40:39 Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre. Lento
00:50:03 Piano Sonata No. 2 in B-Flat Minor, Op. 35: IV. Finale. Presto
00:51:40 Piano Sonata No. 3 in B Minor, Op. 58: I. Allegro maestoso
01:01:05 Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo. Molto vivace
01:03:59 Piano Sonata No. 3 in B Minor, Op. 58: III. Largo
01:13:25 Piano Sonata No. 3 in B Minor, Op. 58: IV. Finale. Presto non tanto
https://wn.com/Chopin_Complete_Piano_Sonatas_Nos._1_3
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Wolfram Schmitt-Leonardy has gradually built a distinguished catalogue of recordings over the years on Brilliant Classics, and each new release from this German pianist tends to be welcomed in effusive terms by the international press. His accounts of Chopin have met with particular praise. A 2CD set of the Ballades, Impromptus and Preludes (BC95210) was celebrated by Classics Today as achieving ‘a fusion of impassioned ardour and classical textual rigour… the best of Schmitt‐Leonardy’s Chopin adds up to a stimulating and compelling listening journey well worth travelling, even if you’ve heard these works hundreds of times.’
Individual discs of Mendelssohn (BC93975), Schumann (BC93136) and Brahms (BC92512) have likewise attracted admiring comments. According to Gramophone, ‘Wolfram Schmitt-Leonardy’s superb technical and musical command holds unflagging interest throughout the [Brahms] variation sets, which easily hold their own among the top versions available.’
With these new recordings, made in 2011 and 2015, Schmitt-Leonardy returns to Chopin, and to ‘his wildest children’ according to Schumann: a comment which has been much parsed for its implications of structural incoherence as well as indomitable passion. In truth, Chopin’s struggle with the larger, multi-movement form has by no means failed, but rather resulted in a more accurate and elaborated mosaic of interrelations, coherencies and references, which cannot be discerned by casual listening or glancing at the scores. Chopin’s ability to balance these elements comes from neatly hidden formal concessions and the use of several compositional tools found in the music of Bach; combined, these aspects award Chopin’s sonatas continuity.
Even if the First Sonata is the work of a student, it nonetheless demonstrates some of those Bachian connections and a lyric poise which would come to full bloom in the Second. This work is centred around the grave Funeral March which has become perhaps Chopin’s best-known individual piece. Bachian principles of counterpoint and polyphony are even more richly satisfied by the final sonata of the trilogy, at least until the grand and sweeping passion of its concluding Rondo.
00:00:00 Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso
00:09:52 Piano Sonata No. 1 in C Minor, Op. 4: II. Menuetto
00:14:35 Piano Sonata No. 1 in C Minor, Op. 4: III. Larghetto
00:18:23 Piano Sonata No. 1 in C Minor, Op. 4: IV. Finale. Presto
00:25:04 Piano Sonata No. 2 in B-Flat Minor, Op. 35: I. Grave - Doppio movimento
00:33:22 Piano Sonata No. 2 in B-Flat Minor, Op. 35: II. Scherzo
00:40:39 Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre. Lento
00:50:03 Piano Sonata No. 2 in B-Flat Minor, Op. 35: IV. Finale. Presto
00:51:40 Piano Sonata No. 3 in B Minor, Op. 58: I. Allegro maestoso
01:01:05 Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo. Molto vivace
01:03:59 Piano Sonata No. 3 in B Minor, Op. 58: III. Largo
01:13:25 Piano Sonata No. 3 in B Minor, Op. 58: IV. Finale. Presto non tanto
- published: 20 Jul 2018
- views: 22128
14:17
Fanny Mendelssohn - Piano Sonata in C minor (audio + sheet music)
- Order: Reorder
- Duration: 14:17
- Uploaded Date: 13 Mar 2016
- views: 72970
Fanny Mendelssohn (14 November 1805 – 14 May 1847), later Fanny Mendelssohn Bartholdy and, after her marriage, Fanny Hensel, was a German pianist and composer. ...
Fanny Mendelssohn (14 November 1805 – 14 May 1847), later Fanny Mendelssohn Bartholdy and, after her marriage, Fanny Hensel, was a German pianist and composer. She composed over 460 pieces of music. Her compositions include a piano trio and several books of solo piano pieces and songs. A number of her songs were originally published under Felix's name in his opus 8 and 9 collections. Her piano works are often in the manner of songs, and many carry the name Lied ohne Worte (Song without Words).
Fanny Mendelssohn composed over 460 pieces of music. Her compositions include a piano trio and several books of solo piano pieces and songs. A number of her songs were originally published under Felix's name in his opus 8 and 9 collections. Her piano works are often in the manner of songs, and many carry the name Lied ohne Worte (Song without Words). This style (and title) of piano music was most successfully developed by Felix Mendelssohn, though some modern scholars assert that Fanny may have preceded him in the genre.
(Wikipedia)
Please take note that the audio AND the sheet music ARE NOT mine. Change the quality to a minimum of 480p if the video is blurry.
Original audio:
Part 1: https://www.youtube.com/watch?v=csn4j3XtVDQ
Part 2: https://www.youtube.com/watch?v=C4xZB5NgwOk
Part 3: https://www.youtube.com/watch?v=nx0_oGD1gMg
Original sheet music: en.scorser.com
https://wn.com/Fanny_Mendelssohn_Piano_Sonata_In_C_Minor_(Audio_Sheet_Music)
Fanny Mendelssohn (14 November 1805 – 14 May 1847), later Fanny Mendelssohn Bartholdy and, after her marriage, Fanny Hensel, was a German pianist and composer. She composed over 460 pieces of music. Her compositions include a piano trio and several books of solo piano pieces and songs. A number of her songs were originally published under Felix's name in his opus 8 and 9 collections. Her piano works are often in the manner of songs, and many carry the name Lied ohne Worte (Song without Words).
Fanny Mendelssohn composed over 460 pieces of music. Her compositions include a piano trio and several books of solo piano pieces and songs. A number of her songs were originally published under Felix's name in his opus 8 and 9 collections. Her piano works are often in the manner of songs, and many carry the name Lied ohne Worte (Song without Words). This style (and title) of piano music was most successfully developed by Felix Mendelssohn, though some modern scholars assert that Fanny may have preceded him in the genre.
(Wikipedia)
Please take note that the audio AND the sheet music ARE NOT mine. Change the quality to a minimum of 480p if the video is blurry.
Original audio:
Part 1: https://www.youtube.com/watch?v=csn4j3XtVDQ
Part 2: https://www.youtube.com/watch?v=C4xZB5NgwOk
Part 3: https://www.youtube.com/watch?v=nx0_oGD1gMg
Original sheet music: en.scorser.com
- published: 13 Mar 2016
- views: 72970
7:25
Beethoven - Moonlight Sonata (1st Movement)
- Order: Reorder
- Duration: 7:25
- Uploaded Date: 23 Jul 2018
- views: 24232188
Beethoven - Moonlight Sonata (1st Movement)
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Beethoven - Moonlight Sonata (1st Movement)
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Hope you enjoy my performance of the 1st Movement from Beethoven's Moonlight Sonata.
Sheet music: https://www.patreon.com/posts/sheet-music-mvt-20261120
Outro: Satie - Gymnopedie No. 1
Hello, I'm Rousseau, I make piano covers of classical and pop songs with a reactive visualizer. New videos every Monday!
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https://wn.com/Beethoven_Moonlight_Sonata_(1St_Movement)
Beethoven - Moonlight Sonata (1st Movement)
Click the 🔔bell to always be notified on new uploads!
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Hope you enjoy my performance of the 1st Movement from Beethoven's Moonlight Sonata.
Sheet music: https://www.patreon.com/posts/sheet-music-mvt-20261120
Outro: Satie - Gymnopedie No. 1
Hello, I'm Rousseau, I make piano covers of classical and pop songs with a reactive visualizer. New videos every Monday!
#Rousseau #Piano #PianoCover
- published: 23 Jul 2018
- views: 24232188
17:53
Jean Sibelius ‒ Piano Sonata in F Major, Op. 12
- Order: Reorder
- Duration: 17:53
- Uploaded Date: 09 Mar 2016
- views: 111685
Jean Sibelius (1865 - 1957), Piano Sonata in F Major, Op. 12 (1893)
Performed by Håvard Gimse
00:00 - No. 1 Allegro molto
06:02 - No. 2 Andantino-Presto
13:51...
Jean Sibelius (1865 - 1957), Piano Sonata in F Major, Op. 12 (1893)
Performed by Håvard Gimse
00:00 - No. 1 Allegro molto
06:02 - No. 2 Andantino-Presto
13:51 - No. 3 Vivacissimo
Sibelius was not a pianist by training, and never truly mastered the art of composing for the instrument. He nevertheless produced a great deal of keyboard music, of which the Op.12 Piano Sonata in F major is the earliest successful effort.
Cast in three movements, the first, not surprisingly, is in standard sonata-allegro form. While it is abundantly clear that Sibelius is not entirely comfortable with the piano -- witness the extended use of tremolo filling and the predominance of octaves in the left-hand, both idiomatic defects which a true pianist would have shunned -- the development section does contain passages which herald methods he embraced in the later Symphonies. The recapitulation contains no surprises, and the movement ends with an inventive coda.
Formally, the second movement is the most inventive of the three, fusing together elements of slow movement and scherzo. This technique grows increasingly dear to Sibelius as years go by, ultimately culminating in the single-movement structure of the Seventh Symphony. The scherzo is basically a two-voice dance in the Phrygian mode, while the much more expansive slow section is rich in melancholy, if embarrassingly poor in pianistic writing.
Despite its numerous textural flaws -- of the type already encountered in the first movement, the finale best represents the composer's typical work of the 1890s. It has the same kind of energetic thrust found in his orchestral work of the period, exemplified by En Saga, and is perhaps best viewed as a symphonic work condensed into pianistic proportions.
https://wn.com/Jean_Sibelius_‒_Piano_Sonata_In_F_Major,_Op._12
Jean Sibelius (1865 - 1957), Piano Sonata in F Major, Op. 12 (1893)
Performed by Håvard Gimse
00:00 - No. 1 Allegro molto
06:02 - No. 2 Andantino-Presto
13:51 - No. 3 Vivacissimo
Sibelius was not a pianist by training, and never truly mastered the art of composing for the instrument. He nevertheless produced a great deal of keyboard music, of which the Op.12 Piano Sonata in F major is the earliest successful effort.
Cast in three movements, the first, not surprisingly, is in standard sonata-allegro form. While it is abundantly clear that Sibelius is not entirely comfortable with the piano -- witness the extended use of tremolo filling and the predominance of octaves in the left-hand, both idiomatic defects which a true pianist would have shunned -- the development section does contain passages which herald methods he embraced in the later Symphonies. The recapitulation contains no surprises, and the movement ends with an inventive coda.
Formally, the second movement is the most inventive of the three, fusing together elements of slow movement and scherzo. This technique grows increasingly dear to Sibelius as years go by, ultimately culminating in the single-movement structure of the Seventh Symphony. The scherzo is basically a two-voice dance in the Phrygian mode, while the much more expansive slow section is rich in melancholy, if embarrassingly poor in pianistic writing.
Despite its numerous textural flaws -- of the type already encountered in the first movement, the finale best represents the composer's typical work of the 1890s. It has the same kind of energetic thrust found in his orchestral work of the period, exemplified by En Saga, and is perhaps best viewed as a symphonic work condensed into pianistic proportions.
- published: 09 Mar 2016
- views: 111685
2:11:40
30 Most Famous Classical Piano Pieces
- Order: Reorder
- Duration: 2:11:40
- Uploaded Date: 29 Aug 2018
- views: 10169498
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30 MOST FAMOUS CLASSICAL PIANO PIECES
01. Beethoven - Piano Sonata No. 14 "Moonlight Sonata": I. Adagio sostenuto 00:00
02. Chopin - Nocturnes, Op. 9: No. 2 in E-flat major 04:53
03. Debussy - Suite Bergamasque, L. 75: III. Clair de Lune 09:11
04. Satie - Trois Gymnopédies: No. 1, Lent et doloreux 13:55
05. Grieg - Lyric Pieces, Book I, Op. 12: No. 1, Arietta 16:43
06. Chopin - Nocturne in C sharp minor, Op. Posth. 18:13
07. Schumann - Kinderszenen, Op. 15: No. 7, Träumerei (Live Recording) 22:01
08. Bach/Gonoud - Ave Maria 25:01
09. Beethoven - Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" 26:44
10. Mozart - Piano Sonata No. 11 in A Major, K 331: III. Alla Turca 30:30
11. Chopin - Preludes, Op. 28: No. 15 "Raindrop" 34:11
12. Debussy - 2 Arabesques: No. 1, Andantino con moto 39:30
13. Liszt - Consolations, S. 172: No. 3, Lento placido 43:38
14. Liszt/Schumann - Liebeslied "Widmung", S. 566 47:39
15. Mozart/Liszt - Ave Verum Corpus, S. 44 51:14
16. Debussy - Rêverie, L. 68 53:34
17. Rachmaninoff - Rhapsody on a Theme by Paganini: Var. XVIII 57:47
18. Tchaikovsky - The Seasons, Op. 37a: No. 6, June. Barcarolle (Live Recording) 01:00:45
19. Schubert - Four Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major (Live Recording) 01:06:01
20. Mendelssohn - Songs Without Words, Book 1, Op. 19b: No. 1, Andante con moto 01:12:10
21. Schubert/Liszt - Ständchen (Serenade), S. 560, No. 7 01:16:01
22. Tchaikovsky - 18 Morceaux, Op. 72: No. 5 in D Major, Andante mosso (Méditation) 01:21:44
23. Scriabin - Étude in C-Sharp Minor, Op. 2 No. 1 (Live Recording) 01:27:24
24. Rachmaninoff - Six Moments Musicaux, Op. 16: No. 3 in B Minor, Andante cantabile 01:30:34
25. Chopin - Fantaisie-Impromptu in C-Sharp Minor, Op. 66 01:35:55
26. Beethoven - 2 Rondos, Op. 51: No. 1 in C Major, Moderato e grazioso 01:40:03
27. Liszt - Liebesträume, S. 541: No. 3 in A-Flat Major 01:46:28
28. Debussy - Préludes, Premier livre, L. 117: No. 8, La fille aux cheveux de lin 01:52:05
29. Ravel - Pavane pour une infante défunte in G Major, M. 19 01:54:58
30. Chopin - Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre. Lento 02:01:59
Tracks: 1-3, 6, 11-14, 16, 17, performed by Luke Faulkner
Tracks: 5, 7, 18-24, performed by Vadim Chaimovich
Tracks: 4, 8, 15, 25, 26, performed by Carlo Balzaretti
Tracks: 9, 10, 27-30, performed by Giovanni Umberto Battel
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The very best of Mozart, Beethoven, Bach, Chopin, Tchaikovsky, Vivaldi, Schubert, Handel, Liszt, Haydn, Strauss, Verdi, Brahms, Wagner, Mahler, Rossini, Ravel, Grieg, Dvorák…
#classicalmusic #classical #piano #chopin #liszt #debussy
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30 MOST FAMOUS CLASSICAL PIANO PIECES
01. Beethoven - Piano Sonata No. 14 "Moonlight Sonata": I. Adagio sostenuto 00:00
02. Chopin - Nocturnes, Op. 9: No. 2 in E-flat major 04:53
03. Debussy - Suite Bergamasque, L. 75: III. Clair de Lune 09:11
04. Satie - Trois Gymnopédies: No. 1, Lent et doloreux 13:55
05. Grieg - Lyric Pieces, Book I, Op. 12: No. 1, Arietta 16:43
06. Chopin - Nocturne in C sharp minor, Op. Posth. 18:13
07. Schumann - Kinderszenen, Op. 15: No. 7, Träumerei (Live Recording) 22:01
08. Bach/Gonoud - Ave Maria 25:01
09. Beethoven - Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" 26:44
10. Mozart - Piano Sonata No. 11 in A Major, K 331: III. Alla Turca 30:30
11. Chopin - Preludes, Op. 28: No. 15 "Raindrop" 34:11
12. Debussy - 2 Arabesques: No. 1, Andantino con moto 39:30
13. Liszt - Consolations, S. 172: No. 3, Lento placido 43:38
14. Liszt/Schumann - Liebeslied "Widmung", S. 566 47:39
15. Mozart/Liszt - Ave Verum Corpus, S. 44 51:14
16. Debussy - Rêverie, L. 68 53:34
17. Rachmaninoff - Rhapsody on a Theme by Paganini: Var. XVIII 57:47
18. Tchaikovsky - The Seasons, Op. 37a: No. 6, June. Barcarolle (Live Recording) 01:00:45
19. Schubert - Four Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major (Live Recording) 01:06:01
20. Mendelssohn - Songs Without Words, Book 1, Op. 19b: No. 1, Andante con moto 01:12:10
21. Schubert/Liszt - Ständchen (Serenade), S. 560, No. 7 01:16:01
22. Tchaikovsky - 18 Morceaux, Op. 72: No. 5 in D Major, Andante mosso (Méditation) 01:21:44
23. Scriabin - Étude in C-Sharp Minor, Op. 2 No. 1 (Live Recording) 01:27:24
24. Rachmaninoff - Six Moments Musicaux, Op. 16: No. 3 in B Minor, Andante cantabile 01:30:34
25. Chopin - Fantaisie-Impromptu in C-Sharp Minor, Op. 66 01:35:55
26. Beethoven - 2 Rondos, Op. 51: No. 1 in C Major, Moderato e grazioso 01:40:03
27. Liszt - Liebesträume, S. 541: No. 3 in A-Flat Major 01:46:28
28. Debussy - Préludes, Premier livre, L. 117: No. 8, La fille aux cheveux de lin 01:52:05
29. Ravel - Pavane pour une infante défunte in G Major, M. 19 01:54:58
30. Chopin - Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre. Lento 02:01:59
Tracks: 1-3, 6, 11-14, 16, 17, performed by Luke Faulkner
Tracks: 5, 7, 18-24, performed by Vadim Chaimovich
Tracks: 4, 8, 15, 25, 26, performed by Carlo Balzaretti
Tracks: 9, 10, 27-30, performed by Giovanni Umberto Battel
Thank you so much for watching this video by Halidon Music channel, we hope you enjoyed it! Don't forget to share it
All the best classical music ever on Halidon Music Youtube Channel: The Best Classical Music Playlist Mix, The Best Classical Music For Studying, Classical Music For Reading, Classical Music For Concentration, Classical Music for Sleeping and Relaxation, Instrumental Music, Background Music, Opera Music, Piano, Violin & Orchestral Masterpieces by the greatest composers of all time.
The very best of Mozart, Beethoven, Bach, Chopin, Tchaikovsky, Vivaldi, Schubert, Handel, Liszt, Haydn, Strauss, Verdi, Brahms, Wagner, Mahler, Rossini, Ravel, Grieg, Dvorák…
#classicalmusic #classical #piano #chopin #liszt #debussy
- published: 29 Aug 2018
- views: 10169498
1:15:19
Chopin: Piano sonatas (Complete)
- Order: Reorder
- Duration: 1:15:19
- Uploaded Date: 11 Jan 2018
- views: 20387
Frederic Chopin's piano sonatas.
Piano sonata no 1 in c minor OP4
01. Allegro maestoso 00:00
02. Menuetto 07:18
03. Larghetto 11:46
04. Finale 16:03
Piano so...
Frederic Chopin's piano sonatas.
Piano sonata no 1 in c minor OP4
01. Allegro maestoso 00:00
02. Menuetto 07:18
03. Larghetto 11:46
04. Finale 16:03
Piano sonata no 2 in b-flat minor OP35
05. Grave - Doppio movimento 23:10
06. Scherzo 29:20
07. Marche funebre 36:23
08. Finale - Presto 45:36
Piano sonata no 3 in b minor OP58
09. Allegro maestoso 47:18
10. Scherzo - Molto vivace 57:28
11. Largo 01:00:31
12. Presto non tanto 01:09:41
https://wn.com/Chopin_Piano_Sonatas_(Complete)
Frederic Chopin's piano sonatas.
Piano sonata no 1 in c minor OP4
01. Allegro maestoso 00:00
02. Menuetto 07:18
03. Larghetto 11:46
04. Finale 16:03
Piano sonata no 2 in b-flat minor OP35
05. Grave - Doppio movimento 23:10
06. Scherzo 29:20
07. Marche funebre 36:23
08. Finale - Presto 45:36
Piano sonata no 3 in b minor OP58
09. Allegro maestoso 47:18
10. Scherzo - Molto vivace 57:28
11. Largo 01:00:31
12. Presto non tanto 01:09:41
- published: 11 Jan 2018
- views: 20387
10:15:33
Beethoven: Complete Piano Sonatas
- Order: Reorder
- Duration: 10:15:33
- Uploaded Date: 12 Apr 2018
- views: 1077526
More Information: https://www.brilliantclassics.com/articles/b/beethoven-complete-piano-sonatas/
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Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical music for dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Composer: Ludwig van Beethoven
Artist: Alfred Brendel (piano)
For many collectors in the 1960s, the budget priced Vox Turnabout LPs of the Beethoven Sonatas and Concertos were a revelation, and introduced an amazing young talent to the public.
Alfred Brendel was born in 1931 in Wiesenberg, and won the Concorso Busoni in 1949. He studied with Edwin Fischer, Paul Baumgartner and Edward Steuermann. The Vox Beethoven recordings won the Grand Prix du Disque in 1965, and were praised by critics world-wide.
These early recordings illustrate clearly all the characteristics that would become a hallmark of Brendel’s playing. A refusal to fall back on ‘flashy’ bravura, and the intellectual rigour he brings to the Beethoven sonatas marked him out even in these early recordings as one of the very great pianists of the 20th century. Brendel retired from the musical scene in 2009 at the height of his powers, leaving a recorded legacy without parallel in the music of Beethoven, Mozart and Schubert.
Tracklist can be found in the description!
https://wn.com/Beethoven_Complete_Piano_Sonatas
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Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical music for dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Composer: Ludwig van Beethoven
Artist: Alfred Brendel (piano)
For many collectors in the 1960s, the budget priced Vox Turnabout LPs of the Beethoven Sonatas and Concertos were a revelation, and introduced an amazing young talent to the public.
Alfred Brendel was born in 1931 in Wiesenberg, and won the Concorso Busoni in 1949. He studied with Edwin Fischer, Paul Baumgartner and Edward Steuermann. The Vox Beethoven recordings won the Grand Prix du Disque in 1965, and were praised by critics world-wide.
These early recordings illustrate clearly all the characteristics that would become a hallmark of Brendel’s playing. A refusal to fall back on ‘flashy’ bravura, and the intellectual rigour he brings to the Beethoven sonatas marked him out even in these early recordings as one of the very great pianists of the 20th century. Brendel retired from the musical scene in 2009 at the height of his powers, leaving a recorded legacy without parallel in the music of Beethoven, Mozart and Schubert.
Tracklist can be found in the description!
- published: 12 Apr 2018
- views: 1077526
3:26:23
Top 50 Best Classical Piano Music
- Order: Reorder
- Duration: 3:26:23
- Uploaded Date: 17 May 2017
- views: 5721861
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play): https://brilliant-classics.lnk.to/Top50BestPianoClassics
Social Medi...
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play): https://brilliant-classics.lnk.to/Top50BestPianoClassics
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Spotify Playlists:
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Classical Piano Music: https://brilliant-classics.lnk.to/ClassicalPianoMusic
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical music for dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Artists:
Misha Goldstein
Klára Würtz
Håkon astbø
Tracklist:
00:00:00 Liebesträume, S. 541: III. Oh Lieb, so lang du lieben kannst - Franz Liszt
00:04:36 Lieder ohne Worte, Op. 19b: I. Andante con moto - Felix Mendelssohn
00:08:29 Nocturne in B-Flat Minor, Op. 9 No. 1 - Frédéric Chopin
00:13:54 4 Impromptus, D. 935, Op. 142: III. Impromptu in B-Flat Major "Rosamunde" - Franz Schubert
00:25:49 Klavierstücke, Op. 76: IV. Intermezzo. Allegretto grazioso - Johannes Brahms
00:28:22 4 Impromptus, D. 935: II. Impromptu in A-Flat Major - Franz Schubert
00:34:54 6 Lieder, Op. 57: V. Venetianisches Gondellied - Felix Mendelssohn
00:37:59 Intermezzo in E-Flat Major, Op. 117 No. 1 - Johannes Brahms
00:43:20 Intermezzo in B-Flat Minor, Op. 117 No. 2 - Johannes Brahms
00:48:12 Consolation in E-Flat Major, S. 172 - Franz Liszt
00:51:33 Piano Sonata No. 14, Op. 27 No. 2: II. Allegretto - Ludwig van Beethoven
00:57:13 Lieder ohne Worte, Op. 62: VI. Allegretto grazioso "Frühlingslied" - Felix Mendelssohn
00:59:33 Deux Arabesques, L. 66: I. Première Arabesque - Claude Debussy
01:03:43 Moments musicaux, D. 780, Op. 90: IV. Moderato - Franz Schubert
01:05:23 Sonate Pathetique, Op. 13: II. Adagio - Ludwig van Beethoven
01:10:07 Für Elise, WoO 59 - Ludwig van Beethoven
01:12:58 Klavierstück in E-Flat Major, D. 946, No. 2 - Franz Schubert
01:24:07 Intermezzo in A Major, Op. 118, No. 2 - Johannes Brahms
01:30:29 Deux Arabesques, L. 66: Deuxième Arabesque - Claude Debussy
01:33:35 Fantasiestücke, Op. 12: I. Des Abends - Robert Schumann
01:36:59 4 Impromptus, D. 899, Op. 90: III. Impromptu in G-Flat Major - Franz Schubert
01:42:15 Rêverie, L. 68 - Claude Debussy
01:45:59 3 Romances, Op. 28: II. Romanze in F-Sharp Major - Robert Schumann
01:49:21 Sonate in B Minor, Kk. 27 - Domenico Scarlatti
01:54:49 Consolation in D-Flat Major, S. 172 - Franz Liszt
01:57:14 Clair de Lune, L. 32 - Claude Debussy
02:02:13 Träumerei, Op. 15 No. 7 - Robert Schumann
02:05:25 Prelude in D-Flat Major, Op. 28 No. 15, "Regentropfen" - Frédéric Chopin
02:10:12 Nocturne in E-Flat Major, Op. 9 No. 2 - Frédéric Chopin
02:14:30 16 Waltzes, Op. 39: No. 15, Waltz in A-Flat Major "Lullaby" - Johannes Brahms
02:16:08 Piano Sonata No. 11 in A Major, K. 331: III. Alla Turca. Allegretto - Wolfgang Amadeus Mozart
02:19:35 Lieder ohne Worte, Op.67: IV. Spinnerlied in A Major. Presto - Felix Mendelssohn
02:21:38 Lyric Pieces, Op. 12: IV. Dance of the Fairies - Edvard Hagerup Grieg
02:22:33 Lyric Pieces, Op. 38: I. Berceuse - Edvard Hagerup Grieg
02:24:50 Lyric Pieces, Op. 43: I. Butterfly -Edvard Hagerup Grieg
02:26:27 Lyric Pieces, Op. 54: III. March of the Dwarfs - Edvard Hagerup Grieg
02:29:22 Waltzes, Op. 64: No. 1, Waltz in D-Flat Major "Minute Waltz" - Frédéric Chopin
02:31:06 Sonate facile in C Major, K. 545: I. Allegro - Wolfgang Amadeus Mozart
02:34:28 3 Gymnopédies: No. 1, Lent et douloureux - Erik Satie
02:38:07 Gnossiennes Nos. 4-6: Gnossienne No. 5 - Erik Satie
02:40:59 Nocturne in C-Sharp Minor Op. Posth. - Frédéric Chopin
02:45:02 Etudes in E Major Op. 10: III. “Tristesse” - Frédéric Chopin
02:49:32 2 Konzertetüden, S.145: No. 1 in A-Flat Major “Waldesrauschen“ - Franz Liszt
02:53:39 Impromptu No. 1 in A-Flat Major, Op. 29 - Frédéric Chopin
02:57:26 The Seasons, Op. 37a: No. 10, October. Autumn Song in D Minor. Andante doloroso e molto cantabile - Piotr Ilyich Tchaikovsky
03:00:50 Pavane pour une infante défunte in G Major, M. 19 - Maurice Ravel
03:07:15 Waldszenen, Op. 82: No. 7, Vogel als Prophet - Robert Schumann
03:10:06 Ballade No. 3 in A-Flat Major, Op. 47 - Frédéric Chopin
03:17:29 8 Klavierstücke, Op. 76: No. 2, Capriccio in B Minor. Allegretto non troppo - Johannes Brahms
03:21:11 Fantasie Impromptu No. 4 in C-Sharp Minor, Op. 66 - Frédéric Chopin
Artist:
Misha Goldstein
Klára Würtz
Håkon astbø
https://wn.com/Top_50_Best_Classical_Piano_Music
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play): https://brilliant-classics.lnk.to/Top50BestPianoClassics
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The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical music for dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Artists:
Misha Goldstein
Klára Würtz
Håkon astbø
Tracklist:
00:00:00 Liebesträume, S. 541: III. Oh Lieb, so lang du lieben kannst - Franz Liszt
00:04:36 Lieder ohne Worte, Op. 19b: I. Andante con moto - Felix Mendelssohn
00:08:29 Nocturne in B-Flat Minor, Op. 9 No. 1 - Frédéric Chopin
00:13:54 4 Impromptus, D. 935, Op. 142: III. Impromptu in B-Flat Major "Rosamunde" - Franz Schubert
00:25:49 Klavierstücke, Op. 76: IV. Intermezzo. Allegretto grazioso - Johannes Brahms
00:28:22 4 Impromptus, D. 935: II. Impromptu in A-Flat Major - Franz Schubert
00:34:54 6 Lieder, Op. 57: V. Venetianisches Gondellied - Felix Mendelssohn
00:37:59 Intermezzo in E-Flat Major, Op. 117 No. 1 - Johannes Brahms
00:43:20 Intermezzo in B-Flat Minor, Op. 117 No. 2 - Johannes Brahms
00:48:12 Consolation in E-Flat Major, S. 172 - Franz Liszt
00:51:33 Piano Sonata No. 14, Op. 27 No. 2: II. Allegretto - Ludwig van Beethoven
00:57:13 Lieder ohne Worte, Op. 62: VI. Allegretto grazioso "Frühlingslied" - Felix Mendelssohn
00:59:33 Deux Arabesques, L. 66: I. Première Arabesque - Claude Debussy
01:03:43 Moments musicaux, D. 780, Op. 90: IV. Moderato - Franz Schubert
01:05:23 Sonate Pathetique, Op. 13: II. Adagio - Ludwig van Beethoven
01:10:07 Für Elise, WoO 59 - Ludwig van Beethoven
01:12:58 Klavierstück in E-Flat Major, D. 946, No. 2 - Franz Schubert
01:24:07 Intermezzo in A Major, Op. 118, No. 2 - Johannes Brahms
01:30:29 Deux Arabesques, L. 66: Deuxième Arabesque - Claude Debussy
01:33:35 Fantasiestücke, Op. 12: I. Des Abends - Robert Schumann
01:36:59 4 Impromptus, D. 899, Op. 90: III. Impromptu in G-Flat Major - Franz Schubert
01:42:15 Rêverie, L. 68 - Claude Debussy
01:45:59 3 Romances, Op. 28: II. Romanze in F-Sharp Major - Robert Schumann
01:49:21 Sonate in B Minor, Kk. 27 - Domenico Scarlatti
01:54:49 Consolation in D-Flat Major, S. 172 - Franz Liszt
01:57:14 Clair de Lune, L. 32 - Claude Debussy
02:02:13 Träumerei, Op. 15 No. 7 - Robert Schumann
02:05:25 Prelude in D-Flat Major, Op. 28 No. 15, "Regentropfen" - Frédéric Chopin
02:10:12 Nocturne in E-Flat Major, Op. 9 No. 2 - Frédéric Chopin
02:14:30 16 Waltzes, Op. 39: No. 15, Waltz in A-Flat Major "Lullaby" - Johannes Brahms
02:16:08 Piano Sonata No. 11 in A Major, K. 331: III. Alla Turca. Allegretto - Wolfgang Amadeus Mozart
02:19:35 Lieder ohne Worte, Op.67: IV. Spinnerlied in A Major. Presto - Felix Mendelssohn
02:21:38 Lyric Pieces, Op. 12: IV. Dance of the Fairies - Edvard Hagerup Grieg
02:22:33 Lyric Pieces, Op. 38: I. Berceuse - Edvard Hagerup Grieg
02:24:50 Lyric Pieces, Op. 43: I. Butterfly -Edvard Hagerup Grieg
02:26:27 Lyric Pieces, Op. 54: III. March of the Dwarfs - Edvard Hagerup Grieg
02:29:22 Waltzes, Op. 64: No. 1, Waltz in D-Flat Major "Minute Waltz" - Frédéric Chopin
02:31:06 Sonate facile in C Major, K. 545: I. Allegro - Wolfgang Amadeus Mozart
02:34:28 3 Gymnopédies: No. 1, Lent et douloureux - Erik Satie
02:38:07 Gnossiennes Nos. 4-6: Gnossienne No. 5 - Erik Satie
02:40:59 Nocturne in C-Sharp Minor Op. Posth. - Frédéric Chopin
02:45:02 Etudes in E Major Op. 10: III. “Tristesse” - Frédéric Chopin
02:49:32 2 Konzertetüden, S.145: No. 1 in A-Flat Major “Waldesrauschen“ - Franz Liszt
02:53:39 Impromptu No. 1 in A-Flat Major, Op. 29 - Frédéric Chopin
02:57:26 The Seasons, Op. 37a: No. 10, October. Autumn Song in D Minor. Andante doloroso e molto cantabile - Piotr Ilyich Tchaikovsky
03:00:50 Pavane pour une infante défunte in G Major, M. 19 - Maurice Ravel
03:07:15 Waldszenen, Op. 82: No. 7, Vogel als Prophet - Robert Schumann
03:10:06 Ballade No. 3 in A-Flat Major, Op. 47 - Frédéric Chopin
03:17:29 8 Klavierstücke, Op. 76: No. 2, Capriccio in B Minor. Allegretto non troppo - Johannes Brahms
03:21:11 Fantasie Impromptu No. 4 in C-Sharp Minor, Op. 66 - Frédéric Chopin
Artist:
Misha Goldstein
Klára Würtz
Håkon astbø
- published: 17 May 2017
- views: 5721861
5:04:48
Mozart: Complete Piano Sonatas
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published: 04 Apr 2018
Mozart: Complete Piano Sonatas
Mozart: Complete Piano Sonatas
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Mozart’s piano sonatas date from 1773 until 1788 – a period in which his style matured at a truly remarkable rate. The earliest sonatas are very much in the galant style of W.F and CPE Bach, and in places Scarlatti’s influence can be detected. However, the late sonatas, such as K457 are full of surprises, and here the influence of Haydn is to the fore – even predicting Beethoven in passages. The years from 1773 to the late 80s saw the rapid development of the piano from a novelty and experimental instrument, to the stage where it’s power and range provided composers with a hitherto undreamed palate of colours and expression. Mozart exploited the new instruments to maximum effect in his concertos and his sonatas.
Composer: Wolfgang Amadeus Mozart
Artist: Klara Würtz (piano)
00:00:00 Piano Sonata No.1 in C, K279: I. Allegro
00:04:56 Piano Sonata No.1 in C, K279: II. Andante
00:10:09 Piano Sonata No.1 in C, K279: III. Allegro
00:13:31 Piano Sonata No.2 in F, K280: I. Allegro assai
00:18:02 Piano Sonata No.2 in F, K280: II. Adagio
00:24:04 Piano Sonata No.2 in F, K280: III. Presto
00:26:59 Piano Sonata No.3 in B flat, K281: I. Allegro
00:33:47 Piano Sonata No.3 in B flat, K281: II. Andante amoroso
00:39:19 Piano Sonata No.3 in B flat, K281: III. Rondeau: Allegro
00:43:56 Piano Sonata No.4 in E flat, K282: I. Adagio
00:50:57 Piano Sonata No.4 in E flat, K282: II. Menuetto
00:55:02 Piano Sonata No.4 in E flat, K282: III. Allegro
00:58:06 Piano Sonata No.5 in G, K283: I. Allegro
01:03:32 Piano Sonata No.5 in G, K283: II. Andante
01:09:14 Piano Sonata No.5 in G, K283: III. Presto
01:13:02 Piano Sonata No.6 in D, K284: I. Allegro
01:18:32 Piano Sonata No.6 in D, K284: II. Rondeau en polonaise: Andante
01:22:38 Piano Sonata No.6 in D, K284: III. Andante (Tema con variazioni)
01:38:15 Piano Sonata No.7 in C, K309: I. Allegro con spirito
01:44:13 Piano Sonata No.7 in C, K309: II. Andante un poco adagio
01:49:21 Piano Sonata No.7 in C, K309: III. Rondeau: Allegretto grazioso
01:55:23 Piano Sonata No.8 in A Minor, K310: I. Allegro maestoso
02:01:24 Piano Sonata No.8 in A Minor, K310: II. Andante cantabile con espressione
02:08:31 Piano Sonata No.8 in A Minor, K310: III. Presto
02:11:14 Piano Sonata No.9 In D, K311: I. Allegro con spirito
02:15:41 Piano Sonata No.9 In D, K311: II. Andante con espressione
02:20:33 Piano Sonata No.9 In D, K311: III. Rondeau: Allegro
02:26:39 Piano Sonata No.10 In C, KV330: I. Allegro moderato
02:33:20 Piano Sonata No.10 In C, KV330: II. Andante cantabile
02:39:53 Piano Sonata No.10 In C, KV330: III. Allegretto
02:45:36 Piano Sonata No.11 In A, K331: I. Andante grazioso
02:58:30 Piano Sonata No.11 In A, K331: II. Menuetto
03:04:25 Piano Sonata No.11 In A, K331: III. Alla Turca: Allegretto
03:07:50 Piano Sonata No.12 in F, K332: I. Allegro
03:14:24 Piano Sonata No.12 in F, K332: II. Adagio
03:19:07 Piano Sonata No.12 in F, K332:III. Allegro assai
03:25:58 Piano Sonata No.13 in B flat, K333: I. Allegro
03:33:20 Piano Sonata No.13 in B flat, K333: II. Andante cantabile
03:38:53 Piano Sonata No.13 in B flat, K333: III. Allegretto grazioso
03:45:30 Piano Sonata No.14 in C Minor, K457: I. Allegro molto
03:50:59 Piano Sonata No.14 in C Minor, K457: II. Adagio
03:58:42 Piano Sonata No.14 in C Minor, K457: III. Allegro assai
04:03:02 Piano Sonata No.15 in F, K533: Allegro
04:10:39 Piano Sonata No.15 in F, K533: Andante
04:17:14 Piano Sonata No.15 in F, K533: Rondeau: Allegretto
04:23:42 Piano Sonata No.16 in C, K545: I. Allegro
04:27:02 Piano Sonata No.16 in C, K545: II. Andante
04:31:12 Piano Sonata No.16 in C, K545: III. Rondo
04:32:58 Piano Sonata No.17 in B flat, K570: I. Allegro
04:38:32 Piano Sonata No.17 in B flat, K570: II. Adagio
04:46:07 Piano Sonata No.17 in B flat, K570: III. Allegretto
04:49:38 Piano Sonata No.18 in D, K576: I. Allegro
04:54:50 Piano Sonata No.18 in D, K576: II. Adagio
05:00:23 Piano Sonata No.18 in D, K576: III. Allegretto
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5:20
Mozart - Piano Sonata No. 16 in C Major, K.545 (1st Mvt)
Mozart - Piano Sonata No. 16 in C Major, K.545 (1st Mvt)
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published: 24 Jun 2019
Mozart - Piano Sonata No. 16 in C Major, K.545 (1st Mvt)
Mozart - Piano Sonata No. 16 in C Major, K.545 (1st Mvt)
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Mozart - Piano Sonata No. 16 in C Major, K.545 (1st Mvt)
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Hope you enjoy my performance of the 1st Mvt of Mozart's Piano Sonata No. 16 in C Major, K.545.
Outro: Petzold - Minuet in G
Hello, I'm Rousseau, I make piano covers of classical and pop songs with a reactive visualizer. New videos every Monday and Thursday!
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15:00
Beethoven - Moonlight Sonata (FULL)
Beethoven - Moonlight Sonata (FULL) - Piano Sonata No. 14
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published: 15 Dec 2010
Beethoven - Moonlight Sonata (FULL)
Beethoven - Moonlight Sonata (FULL)
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Beethoven - Moonlight Sonata (FULL) - Piano Sonata No. 14
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The Piano Sonata No. 14 in C♯ minor "Quasi una fantasia", op. 27, No. 2, by Ludwig van Beethoven
The sonata has three movements:
0:00 1 mvt: Adagio sostenuto
6:00 2 mvt: Allegretto
8:05 3 mvt: Presto agitato
Adagio sostenuto
The first movement, in C♯ minor, is written in an approximate truncated sonata form. The movement opens with an octave in the left hand and a triplet figuration in the right. A melody that Hector Berlioz called a "lamentation", mostly by the right hand, is played against an accompanying ostinato triplet rhythm, simultaneously played by the right hand. The movement is played pianissimo or "very quietly", and the loudest it gets is mezzo forte or "moderately loud".
The adagio sostenuto has made a powerful impression on many listeners; for instance, Berlioz said of it that it "is one of those poems that human language does not know how to qualify. The work was very popular in Beethoven's day, to the point of exasperating the composer himself, who remarked to Carl Czerny, "Surely I've written better things.
Allegretto
The second movement is a relatively conventional scherzo and trio, a moment of relative calm written in D-flat major, the enharmonic equivalent of C♯ major, the more easily-notated parallel major of C♯ minor. Franz Liszt described the second movement as "a flower between two chasms."[citation needed] The slight majority of the movement is in piano, but a handful of sforzandos and forte-pianos helps to maintain the movement's cheerful disposition.
Presto agitato
The stormy final movement (C♯ minor), in sonata form, is the weightiest of the three, reflecting an experiment of Beethoven's (also carried out in the companion sonata, Opus 27, No. 1 and later on in Opus 101) placement of the most important movement of the sonata last. The writing has many fast arpeggios and strongly accented notes, and an effective performance demands lively and skillful playing.
It is thought that the C-sharp minor sonata, particularly the third movement, was the inspiration for Frédéric Chopin's Fantaisie-Impromptu, which manifests the key relationships of the sonata's three movements.
Of the final movement, Charles Rosen has written "it is the most unbridled in its representation of emotion. Even today, two hundred years later, its ferocity is astonishing.
Beethoven's heavy use of sforzando notes, together with just a few strategically located fortissimo passages, creates the sense of a very powerful sound in spite of the predominance of piano markings throughout. Within this turbulent sonata-allegro, there are two main themes, with a variety of variation techniques utilized.
Beethoven's pedal mark
See also: Piano history and musical performance, Mute (music), and Piano pedals#Beethoven and pedals
At the opening of the work, Beethoven included a written direction that the sustain pedal should be depressed for the entire duration of the first movement. The Italian reads: "Si deve suonare tutto questo pezzo delicatissimamente e senza sordino". ("One must play this whole piece [meaning "movement"] very delicately and without dampers.") The modern piano has a much longer sustain time than the instruments of Beethoven's day, leaving for a rather blurry and dissonant tone.
One option for dealing with this problem is to perform the work on a restored or replicated piano of the kind Beethoven knew. Proponents of historically informed performance using such pianos have found it feasible to perform the work respecting Beethoven's original direction.
#Beethoven #Piano #ClassicalMusic
1:18:51
Chopin: Complete Piano Sonatas Nos. 1-3
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published: 20 Jul 2018
Chopin: Complete Piano Sonatas Nos. 1-3
Chopin: Complete Piano Sonatas Nos. 1-3
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Wolfram Schmitt-Leonardy has gradually built a distinguished catalogue of recordings over the years on Brilliant Classics, and each new release from this German pianist tends to be welcomed in effusive terms by the international press. His accounts of Chopin have met with particular praise. A 2CD set of the Ballades, Impromptus and Preludes (BC95210) was celebrated by Classics Today as achieving ‘a fusion of impassioned ardour and classical textual rigour… the best of Schmitt‐Leonardy’s Chopin adds up to a stimulating and compelling listening journey well worth travelling, even if you’ve heard these works hundreds of times.’
Individual discs of Mendelssohn (BC93975), Schumann (BC93136) and Brahms (BC92512) have likewise attracted admiring comments. According to Gramophone, ‘Wolfram Schmitt-Leonardy’s superb technical and musical command holds unflagging interest throughout the [Brahms] variation sets, which easily hold their own among the top versions available.’
With these new recordings, made in 2011 and 2015, Schmitt-Leonardy returns to Chopin, and to ‘his wildest children’ according to Schumann: a comment which has been much parsed for its implications of structural incoherence as well as indomitable passion. In truth, Chopin’s struggle with the larger, multi-movement form has by no means failed, but rather resulted in a more accurate and elaborated mosaic of interrelations, coherencies and references, which cannot be discerned by casual listening or glancing at the scores. Chopin’s ability to balance these elements comes from neatly hidden formal concessions and the use of several compositional tools found in the music of Bach; combined, these aspects award Chopin’s sonatas continuity.
Even if the First Sonata is the work of a student, it nonetheless demonstrates some of those Bachian connections and a lyric poise which would come to full bloom in the Second. This work is centred around the grave Funeral March which has become perhaps Chopin’s best-known individual piece. Bachian principles of counterpoint and polyphony are even more richly satisfied by the final sonata of the trilogy, at least until the grand and sweeping passion of its concluding Rondo.
00:00:00 Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso
00:09:52 Piano Sonata No. 1 in C Minor, Op. 4: II. Menuetto
00:14:35 Piano Sonata No. 1 in C Minor, Op. 4: III. Larghetto
00:18:23 Piano Sonata No. 1 in C Minor, Op. 4: IV. Finale. Presto
00:25:04 Piano Sonata No. 2 in B-Flat Minor, Op. 35: I. Grave - Doppio movimento
00:33:22 Piano Sonata No. 2 in B-Flat Minor, Op. 35: II. Scherzo
00:40:39 Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre. Lento
00:50:03 Piano Sonata No. 2 in B-Flat Minor, Op. 35: IV. Finale. Presto
00:51:40 Piano Sonata No. 3 in B Minor, Op. 58: I. Allegro maestoso
01:01:05 Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo. Molto vivace
01:03:59 Piano Sonata No. 3 in B Minor, Op. 58: III. Largo
01:13:25 Piano Sonata No. 3 in B Minor, Op. 58: IV. Finale. Presto non tanto
14:17
Fanny Mendelssohn - Piano Sonata in C minor (audio + sheet music)
Fanny Mendelssohn (14 November 1805 – 14 May 1847), later Fanny Mendelssohn Bartholdy and,...
published: 13 Mar 2016
Fanny Mendelssohn - Piano Sonata in C minor (audio + sheet music)
Fanny Mendelssohn - Piano Sonata in C minor (audio + sheet music)
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Fanny Mendelssohn (14 November 1805 – 14 May 1847), later Fanny Mendelssohn Bartholdy and, after her marriage, Fanny Hensel, was a German pianist and composer. She composed over 460 pieces of music. Her compositions include a piano trio and several books of solo piano pieces and songs. A number of her songs were originally published under Felix's name in his opus 8 and 9 collections. Her piano works are often in the manner of songs, and many carry the name Lied ohne Worte (Song without Words).
Fanny Mendelssohn composed over 460 pieces of music. Her compositions include a piano trio and several books of solo piano pieces and songs. A number of her songs were originally published under Felix's name in his opus 8 and 9 collections. Her piano works are often in the manner of songs, and many carry the name Lied ohne Worte (Song without Words). This style (and title) of piano music was most successfully developed by Felix Mendelssohn, though some modern scholars assert that Fanny may have preceded him in the genre.
(Wikipedia)
Please take note that the audio AND the sheet music ARE NOT mine. Change the quality to a minimum of 480p if the video is blurry.
Original audio:
Part 1: https://www.youtube.com/watch?v=csn4j3XtVDQ
Part 2: https://www.youtube.com/watch?v=C4xZB5NgwOk
Part 3: https://www.youtube.com/watch?v=nx0_oGD1gMg
Original sheet music: en.scorser.com
7:25
Beethoven - Moonlight Sonata (1st Movement)
Beethoven - Moonlight Sonata (1st Movement)
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published: 23 Jul 2018
Beethoven - Moonlight Sonata (1st Movement)
Beethoven - Moonlight Sonata (1st Movement)
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Beethoven - Moonlight Sonata (1st Movement)
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Hope you enjoy my performance of the 1st Movement from Beethoven's Moonlight Sonata.
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Outro: Satie - Gymnopedie No. 1
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17:53
Jean Sibelius ‒ Piano Sonata in F Major, Op. 12
Jean Sibelius (1865 - 1957), Piano Sonata in F Major, Op. 12 (1893)
Performed by Håvard G...
published: 09 Mar 2016
Jean Sibelius ‒ Piano Sonata in F Major, Op. 12
Jean Sibelius ‒ Piano Sonata in F Major, Op. 12
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Jean Sibelius (1865 - 1957), Piano Sonata in F Major, Op. 12 (1893)
Performed by Håvard Gimse
00:00 - No. 1 Allegro molto
06:02 - No. 2 Andantino-Presto
13:51 - No. 3 Vivacissimo
Sibelius was not a pianist by training, and never truly mastered the art of composing for the instrument. He nevertheless produced a great deal of keyboard music, of which the Op.12 Piano Sonata in F major is the earliest successful effort.
Cast in three movements, the first, not surprisingly, is in standard sonata-allegro form. While it is abundantly clear that Sibelius is not entirely comfortable with the piano -- witness the extended use of tremolo filling and the predominance of octaves in the left-hand, both idiomatic defects which a true pianist would have shunned -- the development section does contain passages which herald methods he embraced in the later Symphonies. The recapitulation contains no surprises, and the movement ends with an inventive coda.
Formally, the second movement is the most inventive of the three, fusing together elements of slow movement and scherzo. This technique grows increasingly dear to Sibelius as years go by, ultimately culminating in the single-movement structure of the Seventh Symphony. The scherzo is basically a two-voice dance in the Phrygian mode, while the much more expansive slow section is rich in melancholy, if embarrassingly poor in pianistic writing.
Despite its numerous textural flaws -- of the type already encountered in the first movement, the finale best represents the composer's typical work of the 1890s. It has the same kind of energetic thrust found in his orchestral work of the period, exemplified by En Saga, and is perhaps best viewed as a symphonic work condensed into pianistic proportions.
2:11:40
30 Most Famous Classical Piano Pieces
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published: 29 Aug 2018
30 Most Famous Classical Piano Pieces
30 Most Famous Classical Piano Pieces
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30 MOST FAMOUS CLASSICAL PIANO PIECES
01. Beethoven - Piano Sonata No. 14 "Moonlight Sonata": I. Adagio sostenuto 00:00
02. Chopin - Nocturnes, Op. 9: No. 2 in E-flat major 04:53
03. Debussy - Suite Bergamasque, L. 75: III. Clair de Lune 09:11
04. Satie - Trois Gymnopédies: No. 1, Lent et doloreux 13:55
05. Grieg - Lyric Pieces, Book I, Op. 12: No. 1, Arietta 16:43
06. Chopin - Nocturne in C sharp minor, Op. Posth. 18:13
07. Schumann - Kinderszenen, Op. 15: No. 7, Träumerei (Live Recording) 22:01
08. Bach/Gonoud - Ave Maria 25:01
09. Beethoven - Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" 26:44
10. Mozart - Piano Sonata No. 11 in A Major, K 331: III. Alla Turca 30:30
11. Chopin - Preludes, Op. 28: No. 15 "Raindrop" 34:11
12. Debussy - 2 Arabesques: No. 1, Andantino con moto 39:30
13. Liszt - Consolations, S. 172: No. 3, Lento placido 43:38
14. Liszt/Schumann - Liebeslied "Widmung", S. 566 47:39
15. Mozart/Liszt - Ave Verum Corpus, S. 44 51:14
16. Debussy - Rêverie, L. 68 53:34
17. Rachmaninoff - Rhapsody on a Theme by Paganini: Var. XVIII 57:47
18. Tchaikovsky - The Seasons, Op. 37a: No. 6, June. Barcarolle (Live Recording) 01:00:45
19. Schubert - Four Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major (Live Recording) 01:06:01
20. Mendelssohn - Songs Without Words, Book 1, Op. 19b: No. 1, Andante con moto 01:12:10
21. Schubert/Liszt - Ständchen (Serenade), S. 560, No. 7 01:16:01
22. Tchaikovsky - 18 Morceaux, Op. 72: No. 5 in D Major, Andante mosso (Méditation) 01:21:44
23. Scriabin - Étude in C-Sharp Minor, Op. 2 No. 1 (Live Recording) 01:27:24
24. Rachmaninoff - Six Moments Musicaux, Op. 16: No. 3 in B Minor, Andante cantabile 01:30:34
25. Chopin - Fantaisie-Impromptu in C-Sharp Minor, Op. 66 01:35:55
26. Beethoven - 2 Rondos, Op. 51: No. 1 in C Major, Moderato e grazioso 01:40:03
27. Liszt - Liebesträume, S. 541: No. 3 in A-Flat Major 01:46:28
28. Debussy - Préludes, Premier livre, L. 117: No. 8, La fille aux cheveux de lin 01:52:05
29. Ravel - Pavane pour une infante défunte in G Major, M. 19 01:54:58
30. Chopin - Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre. Lento 02:01:59
Tracks: 1-3, 6, 11-14, 16, 17, performed by Luke Faulkner
Tracks: 5, 7, 18-24, performed by Vadim Chaimovich
Tracks: 4, 8, 15, 25, 26, performed by Carlo Balzaretti
Tracks: 9, 10, 27-30, performed by Giovanni Umberto Battel
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The very best of Mozart, Beethoven, Bach, Chopin, Tchaikovsky, Vivaldi, Schubert, Handel, Liszt, Haydn, Strauss, Verdi, Brahms, Wagner, Mahler, Rossini, Ravel, Grieg, Dvorák…
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1:15:19
Chopin: Piano sonatas (Complete)
Frederic Chopin's piano sonatas.
Piano sonata no 1 in c minor OP4
01. Allegro maestoso 0...
published: 11 Jan 2018
Chopin: Piano sonatas (Complete)
Chopin: Piano sonatas (Complete)
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- published: 11 Jan 2018
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Frederic Chopin's piano sonatas.
Piano sonata no 1 in c minor OP4
01. Allegro maestoso 00:00
02. Menuetto 07:18
03. Larghetto 11:46
04. Finale 16:03
Piano sonata no 2 in b-flat minor OP35
05. Grave - Doppio movimento 23:10
06. Scherzo 29:20
07. Marche funebre 36:23
08. Finale - Presto 45:36
Piano sonata no 3 in b minor OP58
09. Allegro maestoso 47:18
10. Scherzo - Molto vivace 57:28
11. Largo 01:00:31
12. Presto non tanto 01:09:41
10:15:33
Beethoven: Complete Piano Sonatas
More Information: https://www.brilliantclassics.com/articles/b/beethoven-complete-piano-so...
published: 12 Apr 2018
Beethoven: Complete Piano Sonatas
Beethoven: Complete Piano Sonatas
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- views: 1077526
More Information: https://www.brilliantclassics.com/articles/b/beethoven-complete-piano-sonatas/
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Composer: Ludwig van Beethoven
Artist: Alfred Brendel (piano)
For many collectors in the 1960s, the budget priced Vox Turnabout LPs of the Beethoven Sonatas and Concertos were a revelation, and introduced an amazing young talent to the public.
Alfred Brendel was born in 1931 in Wiesenberg, and won the Concorso Busoni in 1949. He studied with Edwin Fischer, Paul Baumgartner and Edward Steuermann. The Vox Beethoven recordings won the Grand Prix du Disque in 1965, and were praised by critics world-wide.
These early recordings illustrate clearly all the characteristics that would become a hallmark of Brendel’s playing. A refusal to fall back on ‘flashy’ bravura, and the intellectual rigour he brings to the Beethoven sonatas marked him out even in these early recordings as one of the very great pianists of the 20th century. Brendel retired from the musical scene in 2009 at the height of his powers, leaving a recorded legacy without parallel in the music of Beethoven, Mozart and Schubert.
Tracklist can be found in the description!
3:26:23
Top 50 Best Classical Piano Music
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play): ...
published: 17 May 2017
Top 50 Best Classical Piano Music
Top 50 Best Classical Piano Music
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Classical music for dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Artists:
Misha Goldstein
Klára Würtz
Håkon astbø
Tracklist:
00:00:00 Liebesträume, S. 541: III. Oh Lieb, so lang du lieben kannst - Franz Liszt
00:04:36 Lieder ohne Worte, Op. 19b: I. Andante con moto - Felix Mendelssohn
00:08:29 Nocturne in B-Flat Minor, Op. 9 No. 1 - Frédéric Chopin
00:13:54 4 Impromptus, D. 935, Op. 142: III. Impromptu in B-Flat Major "Rosamunde" - Franz Schubert
00:25:49 Klavierstücke, Op. 76: IV. Intermezzo. Allegretto grazioso - Johannes Brahms
00:28:22 4 Impromptus, D. 935: II. Impromptu in A-Flat Major - Franz Schubert
00:34:54 6 Lieder, Op. 57: V. Venetianisches Gondellied - Felix Mendelssohn
00:37:59 Intermezzo in E-Flat Major, Op. 117 No. 1 - Johannes Brahms
00:43:20 Intermezzo in B-Flat Minor, Op. 117 No. 2 - Johannes Brahms
00:48:12 Consolation in E-Flat Major, S. 172 - Franz Liszt
00:51:33 Piano Sonata No. 14, Op. 27 No. 2: II. Allegretto - Ludwig van Beethoven
00:57:13 Lieder ohne Worte, Op. 62: VI. Allegretto grazioso "Frühlingslied" - Felix Mendelssohn
00:59:33 Deux Arabesques, L. 66: I. Première Arabesque - Claude Debussy
01:03:43 Moments musicaux, D. 780, Op. 90: IV. Moderato - Franz Schubert
01:05:23 Sonate Pathetique, Op. 13: II. Adagio - Ludwig van Beethoven
01:10:07 Für Elise, WoO 59 - Ludwig van Beethoven
01:12:58 Klavierstück in E-Flat Major, D. 946, No. 2 - Franz Schubert
01:24:07 Intermezzo in A Major, Op. 118, No. 2 - Johannes Brahms
01:30:29 Deux Arabesques, L. 66: Deuxième Arabesque - Claude Debussy
01:33:35 Fantasiestücke, Op. 12: I. Des Abends - Robert Schumann
01:36:59 4 Impromptus, D. 899, Op. 90: III. Impromptu in G-Flat Major - Franz Schubert
01:42:15 Rêverie, L. 68 - Claude Debussy
01:45:59 3 Romances, Op. 28: II. Romanze in F-Sharp Major - Robert Schumann
01:49:21 Sonate in B Minor, Kk. 27 - Domenico Scarlatti
01:54:49 Consolation in D-Flat Major, S. 172 - Franz Liszt
01:57:14 Clair de Lune, L. 32 - Claude Debussy
02:02:13 Träumerei, Op. 15 No. 7 - Robert Schumann
02:05:25 Prelude in D-Flat Major, Op. 28 No. 15, "Regentropfen" - Frédéric Chopin
02:10:12 Nocturne in E-Flat Major, Op. 9 No. 2 - Frédéric Chopin
02:14:30 16 Waltzes, Op. 39: No. 15, Waltz in A-Flat Major "Lullaby" - Johannes Brahms
02:16:08 Piano Sonata No. 11 in A Major, K. 331: III. Alla Turca. Allegretto - Wolfgang Amadeus Mozart
02:19:35 Lieder ohne Worte, Op.67: IV. Spinnerlied in A Major. Presto - Felix Mendelssohn
02:21:38 Lyric Pieces, Op. 12: IV. Dance of the Fairies - Edvard Hagerup Grieg
02:22:33 Lyric Pieces, Op. 38: I. Berceuse - Edvard Hagerup Grieg
02:24:50 Lyric Pieces, Op. 43: I. Butterfly -Edvard Hagerup Grieg
02:26:27 Lyric Pieces, Op. 54: III. March of the Dwarfs - Edvard Hagerup Grieg
02:29:22 Waltzes, Op. 64: No. 1, Waltz in D-Flat Major "Minute Waltz" - Frédéric Chopin
02:31:06 Sonate facile in C Major, K. 545: I. Allegro - Wolfgang Amadeus Mozart
02:34:28 3 Gymnopédies: No. 1, Lent et douloureux - Erik Satie
02:38:07 Gnossiennes Nos. 4-6: Gnossienne No. 5 - Erik Satie
02:40:59 Nocturne in C-Sharp Minor Op. Posth. - Frédéric Chopin
02:45:02 Etudes in E Major Op. 10: III. “Tristesse” - Frédéric Chopin
02:49:32 2 Konzertetüden, S.145: No. 1 in A-Flat Major “Waldesrauschen“ - Franz Liszt
02:53:39 Impromptu No. 1 in A-Flat Major, Op. 29 - Frédéric Chopin
02:57:26 The Seasons, Op. 37a: No. 10, October. Autumn Song in D Minor. Andante doloroso e molto cantabile - Piotr Ilyich Tchaikovsky
03:00:50 Pavane pour une infante défunte in G Major, M. 19 - Maurice Ravel
03:07:15 Waldszenen, Op. 82: No. 7, Vogel als Prophet - Robert Schumann
03:10:06 Ballade No. 3 in A-Flat Major, Op. 47 - Frédéric Chopin
03:17:29 8 Klavierstücke, Op. 76: No. 2, Capriccio in B Minor. Allegretto non troppo - Johannes Brahms
03:21:11 Fantasie Impromptu No. 4 in C-Sharp Minor, Op. 66 - Frédéric Chopin
Artist:
Misha Goldstein
Klára Würtz
Håkon astbø
Piano Sonata (Bartók)
The Piano Sonata BB 88 (Sz. 80) is a piano sonata by Hungarian composer Béla Bartók, composed in June 1926. 1926 is known to musicologists as Bartók's "piano year", when he underwent a creative shift in part from Beethovenian intensity to a more Bachian craftsmanship.
The work is in three movements, with the following tempo indications:
It is tonal, but highly dissonant, using the piano in a percussive fashion. Underneath clusters of repeated notes, the melody is folk-like. Each movement has a classical structure overall, in character with Bartók's frequent use of classical forms as vehicles for his most advanced thinking. Musicologist Halsey Stevens finds in the work early forms of many stylistic traits that became more fully developed in Bartók's "golden age", 1934-1940.
Bartók wrote Dittának, Budapesten, 1926, jun. at the end of the score. Ditta is the name of his second wife. A performance generally lasts around fifteen minutes. Bartók wrote the duration as ca. 12' 30" on the score.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Piano_Sonata_(Bartók)
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Latest News for: piano sonata (bartók)
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Philharmonic Society of Orange County announces full season of indoor concerts
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The week in classical: Colin Currie; La bohème; Leeds Lieder festival – review
With fellow percussionist Sam Walton (section co-principal of the London Symphony Orchestra) and Bold favourites Pavel Kolesnikov and Samson Tsoy, Currie played Bartók’s Sonata for Two Pianos and Percussion (1938) ... Bartók insisted all four players should hold equal sway.
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The Danville News
11 Mar 2021
Married pianists make sweet music together
The Danville News
11 Mar 2021
The performance is free, but registration is required ... Their streaming Weis Center performance will include Mozart - Concerto in E-flat major for Piano and String Quintet, K. 449 and Bartók - Sonata for Two Pianos and Percussion ... The performance is sponsored, in part, by Nancy and Sam Craig ... Cindy O. Herman lives in Snyder County ... ....
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The Milton Standard Journal
14 Jan 2021
Weis Center to showcase 5 performances this spring
The Milton Standard Journal
14 Jan 2021
The first performance in March will feature Alessio Bax & Lucille Chung (pianos) ... Mozart — *Concerto in E-flat major for Piano and String Quintet, K. 449* and Bartók — Sonata for Two Pianos and Percussion ... April 11, Gloria Chien (piano) will be featured and the program will include.
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Roderick Cox forms new ties to Minnesota; celebrating Marion McClinton’s life at Pillsbury Theatre
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Igor Levit/Markus Becker review – technically faultless but strangely lacking impact
pianist Igor Levit on Beethoven's sonatas ... Brahms’ Variations on a Theme by Haydn, one of the best known of all two-piano works, never really took off as it should have done, and even Bartók’s Sonata for two piano and percussion, in which Levit and Becker were joined by Klaus Reda and Andreas Boettger, lacked real impact.
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Colin Currie: Navigating a tightrope of rhythm
From the post Rite of Spring world he names Edgard Varèse (whose 1931 Ionisation is the first major work for percussion ensemble), Béla Bartók (whose Sonata for Two Pianos and Percussion is “one of the greatest works of the 20th century, and still a very challenging piece, not ...
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