- published: 01 Feb 2009
- views: 10446
- author: TheQuaveringOnes
7:41
The Bold Blues (Extracted Fro Piano Lessons)
August Wilson's Pulitzer Prize-winning play into a cinematic masterpiece in this richly wo...
published: 01 Feb 2009
author: TheQuaveringOnes
The Bold Blues (Extracted Fro Piano Lessons)
August Wilson's Pulitzer Prize-winning play into a cinematic masterpiece in this richly women tapestry of a family divided by their heritage and their dreams for the future. Boy Willie(Charles S. Dutton) wants to buy a farm where his ancestors used to work as slaves, but first he must sell the family's most valuable possesion, abeautifully carved piano that hold a unique place in their history. He tries everything to persuade his sister, Berniece(Alfre Woodard) to let it go, but she refuses. This scene bring up the depth and strenght of the african american spirit. Charlie Dutton, Carl Gordon, Tommy Hollis, Lou Myers with an incredible amount of naturalness epitomize the black american trademark facing life controversies and dilemmas. Fine sense of intelligence, straight bullshitting attitude, and Excellent Bold Soul.
- published: 01 Feb 2009
- views: 10446
- author: TheQuaveringOnes
6:00
The Bold and the Beautiful (1996)
Sheila (Kimberlin Brown) visit Grant (Charles Grant) and meet his hew girl Michael (Lindsa...
published: 29 Jun 2008
author: LindsayPriceOrg
The Bold and the Beautiful (1996)
Sheila (Kimberlin Brown) visit Grant (Charles Grant) and meet his hew girl Michael (Lindsay Price). DISCLAIMER: NO COPYRIGHT INFRINGEMENT INTENDED. FOR ENTERTAINMENT PURPOSES ONLY.
- published: 29 Jun 2008
- views: 16031
- author: LindsayPriceOrg
2:04
Bobbie Eakes (Macy) sings "Smile ..." to Grant
Bobbie Eakes (Macy) sings "Smile though your heart is breakin'" to her then - lover Grant ...
published: 19 May 2008
author: tonibonboniF
Bobbie Eakes (Macy) sings "Smile ..." to Grant
Bobbie Eakes (Macy) sings "Smile though your heart is breakin'" to her then - lover Grant Chambers (Charles Grant) at cafe "Insomnia". The year is 1997. The show: "the bold and the beautiful".
- published: 19 May 2008
- views: 12114
- author: tonibonboniF
2:05
Come all You Bold Canadians
According to military historian Donald Graves this song dates to the War of 1812. This is ...
published: 26 Jan 2012
author: TheDrprunesquallor
Come all You Bold Canadians
According to military historian Donald Graves this song dates to the War of 1812. This is the best recording of it I know, but it's very hard to find. It's from Canadian Folksongs Centennial Collection, produced by the CBC, but never commercially available. Apparently the song was widely sung in Ontario in the 19th century, but wasn't actually published until the 1920s, if I remember correctly. Note: Lieutenant Governor Simcoe was not a lord - my mistake.
- published: 26 Jan 2012
- views: 3377
- author: TheDrprunesquallor
3:09
YOU ARE SO BEAUTIFUL by Sam Harris (as heard on "The Bold and the Beautiful")
MP3 ► SamTunes.NET ► Facebook ► http Twitter ► twitter.com Web Site ► SamHarris.com Subscr...
published: 29 Apr 2008
author: SamHarrisCOM
YOU ARE SO BEAUTIFUL by Sam Harris (as heard on "The Bold and the Beautiful")
MP3 ► SamTunes.NET ► Facebook ► http Twitter ► twitter.com Web Site ► SamHarris.com Subscribe! ► http YOU ARE SO BEAUTIFUL by Sam Harris (as heard on "The Bold and the Beautiful") YOU ARE SO BEAUTIFUL You are so beautiful to me, can't you see? You're everything I hope for You're everything I need You are so beautiful to me * This version is available on Sam's CD called "Always". * Download at: SamTUNES.net * Buy CD at SamHarris.com ---------------------------------------- Popular Soap Opera, "The Bold and the Beautiful" used Sam's version of "You Are So Beautiful" in the April 28, 2008 episode for the storyline between Brother and Sister characters Storm and Katie and her heart wrenching demise. The song written by Billy Preston, Dennis Wilson and Bruce Fisher. It was first recorded by Preston and made popular in a version by Joe Cocker. Preston's original version first appeared on his 1974 album "The Kids and Me". Cocker's producer, Jim Price created a slowed-down arrangement for Cocker's version, which first appeared on the album "I Can Stand a Little Rain" (released later in 1974). Released as a single, this Joe Cocker version reached #5 on the 1975 Billboard pop single charts and helped the album become a hit. Although never officially credited, several sources have documented that Dennis Wilson of The Beach Boys was a co-writer of the song. According to Wilson's biographer, Jon Stebbins, Wilson claimed that he and Preston spontaneously collaborated on the words ...
- published: 29 Apr 2008
- views: 27853
- author: SamHarrisCOM
4:17
Medieval spectacle
Bern's Historical Museum is hosting a special exhibition on Charles the Bold and Burgundia...
published: 18 Aug 2008
author: swissinfovideos
Medieval spectacle
Bern's Historical Museum is hosting a special exhibition on Charles the Bold and Burgundian life during his time. For ten days the museum's grounds are being transformed into a medieval encampment, where doctors have there own ways of curing people and knights risk their lives in jousting tournaments. (swissinfo, Michele Andina)
- published: 18 Aug 2008
- views: 1994
- author: swissinfovideos
2:13
The Lonesome Southern Comfort Company - La Somme
"La Somme" is the second single from the album "Charles the Bold" by The Lonesome Southern...
published: 05 Oct 2011
author: onthecamperrecords
The Lonesome Southern Comfort Company - La Somme
"La Somme" is the second single from the album "Charles the Bold" by The Lonesome Southern Comfort Company (On the Camper Records, 2010). thelonesomesoutherncomfortcompany.bandcamp.com http www.onthecamperrecords.com
- published: 05 Oct 2011
- views: 966
- author: onthecamperrecords
1:01
Town of Dinant - Belgium Travel Attractions
Take a tour of Town of Dinant in Belgium -- part of the World's Greatest Attractions trave...
published: 07 Dec 2010
author: geobeats
Town of Dinant - Belgium Travel Attractions
Take a tour of Town of Dinant in Belgium -- part of the World's Greatest Attractions travel video series by GeoBeats. Dinant - the birth place of the saxophone. After its destruction in 1466 by the Duke of Burgundy and his son Charles the Bold, the city rebuilt itself into its present day marvel. Four hundred and twenty stone steps above Dinant is one of the town's most noted locations, the Citadel; easily accessible through the cable car system. From the top of the Citadel to the river below, the daily boat tours are a great way to take in the full beauty and charm of this cozy town. The Collegiate Church of Notre Dame is exemplar of the Gothic architectural style of the city.
- published: 07 Dec 2010
- views: 1227
- author: geobeats
8:47
The Bold And The Beautiful July 19 2004 Ridge and Thorne showdown
Part 2/2....
published: 10 Nov 2012
author: SoapOperaSpectacular
The Bold And The Beautiful July 19 2004 Ridge and Thorne showdown
Part 2/2.
- published: 10 Nov 2012
- views: 302
- author: SoapOperaSpectacular
1:51
Patriotic songs of Canada:The Bold Canadian/Come all you Bold Canadians
DISCLAIMER: I do not own the rights of this piece. Title: The Bold Canadian/Come all you B...
published: 05 Nov 2012
author: Rulecanada
Patriotic songs of Canada:The Bold Canadian/Come all you Bold Canadians
DISCLAIMER: I do not own the rights of this piece. Title: The Bold Canadian/Come all you Bold Canadians Words and music composed by (believed to be) Cornelius Flummerfelt Performing artist: Charles Jordan For more information click the link below: en.wikipedia.org Lyrics: Come all you brave Canadians I'd have you lend an ear Unto a simple ditty That will your spirits cheer, Concerning an engagement We had at Sandwich town― The courage of those Yankee boys So bravely we pulled down. Their purpose to invade us Was to kill and to destroy To distress our wives and children And cause us much annoy. Our countrymen were filled With sorrow, grief and woe To think that they would fall By an unnatural foe. At length our bold commander Sir Isaac Brock by name Took shipping at Niagara And unto York he came. He said: "My valiant heroes, Will you go along with me To fight those Yankee boys In the west of Canady." "O yes," we all replied, "We'll go along with you Our knapsacks on our back And make no more ado." Our fire-locks then we shouldered And straight we marched away With firm determination To shew them British play. Yes our fire-locks we shouldered Forward our course to steer To meet and fight the invader With neither dread nor fear. At Sandwich we arrived Each man with his supply With bold determination To conquer or to die. Our general sent a flag And thus to them did say: "Surrender now your garrison Or I'll fire on you this day." Our troops then marched over Our artillery we ...
- published: 05 Nov 2012
- views: 65
- author: Rulecanada
1:18
40 and Leroy (Season 1) Promo
SUBSCRIBE! SUBSCRIBE! SUBSCRIBE! SUBSCRIBE! SUBSCRIBE! Follow the bold,zany & UNSCRIPTED t...
published: 23 Nov 2010
author: liveat5tube
40 and Leroy (Season 1) Promo
SUBSCRIBE! SUBSCRIBE! SUBSCRIBE! SUBSCRIBE! SUBSCRIBE! Follow the bold,zany & UNSCRIPTED tales ofyoung actor, 40oz, his cousin Leroy and a host of their crazy friends as they show you life in the concrete jungle, New York City. "40 & Leroy Crazy In New York" web series cleverly conveys through comedy, a unique, honest and sometimes brash look at the daily experiences of contemporary urban youth which is seldom seen in films and network television today. This web series is in its second season with a new episode appearing every Tuesday. The "40 & Leroy Crazy In New York" series is a sneak peak at the characters from the upcoming comedy feature, "40 and Leroy Smoke Cali". The film stars Lorenzo Eduardo (Eagle Eye, Shackels,The Brandon T. Jackson Show) as 40oz. and Horace Glasper (BET's Teens Of Comedy) as Leroy. The film will also feature Kym Whitley (Transformers, Dark Side Of The Moon), Richard Gant (Men Of A Certain Age,Rocky 5,Crush Groove), and introducing Rafael Correa, Denzel McCants, Isaiah Kelly, Janus Yvonne, Lance Allen, Jason Ritchey, Phillp Pennix and a ton of special guests stars. Created, produced and edited by actor/director Reed R McCants (Civil Brand, Woman Thou Art Loosed: On The 7th Day) these webisodes are a follow-up to his feature film, "Cuttin Da Mustard", which has garnered several awards on the Festival circuit and has become a pop urban cult classic. Most impressive is the amazing pool of talent featured in the "Mustard" series which includes ...
- published: 23 Nov 2010
- views: 1680
- author: liveat5tube
4:59
Gentilz Galans - (Hayne van Ghizeghem)
A charming new piece by Hayne from our current program of chansons that might have been pe...
published: 10 Jun 2011
author: ecumedesjours
Gentilz Galans - (Hayne van Ghizeghem)
A charming new piece by Hayne from our current program of chansons that might have been performed before Charles the Bold during the siege of Neuss in 1475. The text of Gentilz Galans serves as a sort of model of the courtly love ideal; Hayne instructs us that a truly chivalrous knight is gentle, gallant, good-spirited, and always serves his lady with a true and honest heart. Asteria (Sylvia Rhyne, soprano, and Eric Redlinger, lute and tenor) is an American medieval and renaissance ensemble known for their intimate, gracious performance style and the emotional immediacy of their interpretations of French medieval and renaissance music. asteriamusica.com
- published: 10 Jun 2011
- views: 2124
- author: ecumedesjours
5:16
The Lonesome Southern Comfort Company - Horrible Town
"Horrible Town" is the first single from the album "Charles the Bold" by The Lonesome Sout...
published: 05 Apr 2011
author: onthecamperrecords
The Lonesome Southern Comfort Company - Horrible Town
"Horrible Town" is the first single from the album "Charles the Bold" by The Lonesome Southern Comfort Company (On the Camper Records, 2010). Video made with extracts from a documentary directed by Alan Kishbaugh (1969). Creative Commons license: Public Domain. Source: archive.org thelonesomesoutherncomfortcompany.bandcamp.com http www.onthecamperrecords.com
- published: 05 Apr 2011
- views: 2759
- author: onthecamperrecords
13:31
Philip The Bold - Wiki Article
For the King of France known as Philip the Bold, see Philip III of France. Philip the Bold...
published: 20 Nov 2012
author: WikiPlays
Philip The Bold - Wiki Article
For the King of France known as Philip the Bold, see Philip III of France. Philip the Bold (French: Philippe le Hardi, Dutch: Filips de Stoute), also Philip II, Duke of Burgundy (15 January 1342, Po... Philip The Bold - Wiki Article - wikiplays.org Original @ http All Information Derived from Wikipedia using Creative Commons License: en.wikipedia.org Author: Unknown Image URL: en.wikipedia.org ( This work is in the Public Domain. ) Author: Heralder Image URL: en.wikipedia.org ( Creative Commons ASA 3.0 ) Author: Unknown Image URL: en.wikipedia.org ( Creative Commons ASA 3.0 ) Author: Unknown Image URL: en.wikipedia.org ( This work is in the Public Domain. ) Author: Christian Degrigny Image URL: en.wikipedia.org ( Creative Commons ASA 3.0 ) Author: Heralder Image URL: en.wikipedia.org ( Creative Commons ASA 3.0 )
- published: 20 Nov 2012
- views: 4
- author: WikiPlays
Vimeo results:
1:21
The Multiproduct Commercial
With budgets slashed in the economic recession, advertisers experimented with new ways to ...
published: 11 Oct 2010
author: Therefore Productions
The Multiproduct Commercial
With budgets slashed in the economic recession, advertisers experimented with new ways to get more value in the same amount of ad time. Thus, the multiproduct commercial was born. Despite enthusiasm for this bold new experiment in synergistic adver-conglomeration, the format proved disastrous. Viewers described it as “impossible to follow,” and experienced side effects including dizziness, nausea, and occasional madness. The multiproduct commercial was never aired.
Cast:
Spencer Hughes as Victor
Charles Wood as Pat
Julia Maggiola as Allyson
Bill Bodkin as Pizza Delivery Man
Crew:
Victor Reyes – Director/Writer
Rebecca Heineman – Producer
Bill Bodkin – Assistant Director
Andrew Hymas – Director of Photography
Bliss Holloway – Gaffer
Patrick Brady – Sound/Editor/Motion Graphics
Patrick MacDonald – Production Assistant
67:23
53rd Journalism Awards Gala (part 1)
A. JOURNALISTS OF THE YEAR
A1. PRINT (Over 50,000 circulations)
Patrick Range McDonal...
published: 18 Jul 2011
author: EDP
53rd Journalism Awards Gala (part 1)
A. JOURNALISTS OF THE YEAR
A1. PRINT (Over 50,000 circulations)
Patrick Range McDonald, LA Weekly
Comments: "Range" is an appropriate middle name. What incredibly
detailed reporting on a variety of complicated topics. What an ability to
make us feel as if we know the players. What skill in explaining messy
situations. The very essence of solid journalism.
2nd place: David Evans, Bloomberg Markets, "Duping the Families of
Fallen Soldiers"
HM: Mariel Garza, Los Angeles Daily News Editorials
A2. PRINT (Under 50,000 circulation)
Radley Balko, Reason Magazine
Comment: ―Radley Balko is one of those throw-back journalists that
understands the power of groundbreaking reporting and how to make a
significant impact through his work. Time and time again, his stories cause
readers to stop, think, and most significantly, take action.
Congratulations!‖
2nd Place: Dan Evans, Glendale News-Press
HM: Ryan Vaillancourt, Los Angeles Downtown News
A3. TELEVISION JOURNALIST
Ana Garcia and Fred Mamoun, KNBC-TV
Garcia and Mamoun shoot, write and edit compelling stories. One of
their strengths as a team is the obvious respect for their subjects, and the
ability through contacts in the community to land exclusive interviews and
opportunities. They are strong storytellers and the pieces move!
2nd Place: Antonio Valverde, Univision
Valverde has a wide range as a journalist. He is able to work with various
segments of the community to tell compelling stories. He has political
acumen and can accurately and fairly tell stories, while also reaching out
to the disenfranchised to share their stories of life in L.A.
A4. RADIO JOURNALIST
Susan Valot, KPCC
Comments: Well-rounded reports with authoritative, informed tone. Great
use of sound. Valot‘s work is some of the best we‘ve heard.
2nd Place: Brian Watt: KPCC
HM: Kitty Felde: KPCC
A5. ONLINE JOURNALIST
Daniel Heimpel, FosteringMediaConnections.org
2nd Place: Chris Hedges, Truthdig.com
HM: Robert Scheer, Truthdig.com
A6. SPORTS JOURNALIST
N/A
A7. ENTERTAINMENT JOURNALIST
Kim Masters, KCRW-FM Radio
Comments: Nice voice in both senses of the word, along with substantive
content. Covering a story about outed CIA agent Valerie Plame, she
tracked down Plame to comment on her portrayal, rather than just talking
to the actress. She also gave a lot of information on entertainment agents
that broadened the picture the public was likely to have of that
occupation.
2nd Place: Tara Wallis-Finestone, NBC LA
HM: George Pennacchio, KABC-TV
A8. PHOTO JOURNALIST
Rick Loomis, Los Angeles Times
A9. DESIGNER
N/A
B. DAILY/WEEKLY NEWSPAPERS
Over 50,000 circulations – including news bureaus and correspondents
B1. HARD NEWS
Tracy Manzer and Sarah Peters, Long Beach Press-Telegram, "Heroes foil
bank heist"
Comments: The writing was appropriately-paced for the category and
the story content. I enjoyed the writers' use of sensory details and factual
information, presented with a slightly humorous/sarcastic tone that made
this piece fun to read.
B2. NEWS FEATURE
Patrick Range McDonald, LA Weekly, ―The Parent Trigger‖.
Comments: Documents a groundswell of democracy while explaining a
new law through a real-world prism. Powerful. Incredibly well-sourced and
informative, yet provides a human touch. The story of poor minorities trying
to make a change documented how the masses can move the
establishment. Inspiring to others, this story shows what newspaper do like
no other. Bravo.
2nd Place: Thomas Curven, Los Angeles Times, ―Walking Away from Grief‖
HM: Kristopher Hanson, Long Beach Press-Telegram, ―Dangers Close to
Home‖
B3. PERSONALITY PROFILE
Steve Friess, LA Weekly, ―A Tragic Love Story‖
2nd Place: Charlotte Hsu, LA Weekly, ―Forever Scared — The Story of
Herman Atkins‖
HM: Karen Robes Meeks, Long Beach Press-Telegram, ―Murchison: A
Portrait of a Long Beach Lobbyist‖
B4. INVESTIGATIVE/SERIES
David Evans, Bloomberg News, "Fallen Soldiers' Families Denied Cash
Payout as Insurers Profit"
Comments: These articles are the soul of great investigative journalism,
uncovering a shocking system whereby the families of slain soldiers are
tricked about benefits, and where shameless insurance companies reap
big profits at the expense of those families.
Best of all, it led to immediate Congressional investigations and action.
2nd place: Beth Barrett, LA Weekly, "The Dance of the Lemons"
HM: Monica Alonzo and Simone Wilson, LA Weekly, "Culture of Cruelty"
B5. BUSINESS
Alana Semuels, Los Angeles Times, "California unfriendly to business?
Figures say no"
Comments: This is an authoritative and well-documented piece that
refutes the common wisdom of California's tax structure being unfriendly
to business.
2nd place: Beth Barrett, LA Weekly, "Barry Minkow 2.0"
HM: Donna Howell, Investor's Business Daily,
2:07
Sten & Lex • Gaia at Brooklynite
"Portraits"
STEN & LEX • GAIA
Brooklynite Gallery
Opening Reception October 16th - 7-10 pm...
published: 12 Oct 2010
author: Charles le Brigand
Sten & Lex • Gaia at Brooklynite
"Portraits"
STEN & LEX • GAIA
Brooklynite Gallery
Opening Reception October 16th - 7-10 pm
334 Malcom X Blvd, Brooklyn, NY 11233
. . . . . . . . . . . . . . . . . . . . . . . . .
The world's oldest known "Portrait" is believe to be created over 27,000 year ago. So why after all this time is it still the most often used subject of creation? A portrait often speaks much less about the physical features we are viewing, then it does about what's behind the gaze in ones eyes or the telling angles of their mouth. This fascination continues to intrigue us through the work of three street artists who use traditional and non-traditional techniques to create their own brand of "PORTRAITS".
Just because street art tandem, STEN & LEX are widely considered to be the pioneers of "stencil graffiti" in their Italian homeland, doesn't necessarily mean they are content with resting on the title. Best known for introducing their "halftone stencil" technique, these two self-proclamined "Hole School" artists spend ample time hand-cutting pixel dots and lines to compose their imagery which is best viewed from a distance. Choosing to forgo the common pop culture imagery often associated with street art, STEN & LEX's subject matter pulls no punches. Saints, Popes and the Italian Christian Church were primarily referenced early on --minus the often added social commentary. However, most recently and for their upcoming exhibition here, the subjects of choice comes from the historic Italian archives they've rescued. The 1960's, 70's and 80's portraits from all walks of life are the focus this time around, as they are put through the rigorous transformation of stencil cutting style that is trademark STEN & LEX. The final appearance of these portraits appear to have been fed halfway through a paper shredder then pulled back at the last minute leaving the shreds left to dangle. The images are for the most part of common folk---young and old. People who have lived lives and have stories to tell. Just read their faces.
Seems as if the young, hard charging NYC street artist GAIA has been showcasing his bold imagery to the masses since before he could walk. Well maybe it hasn't been quite that long but over the past few years he's managed to garner a lot of attention by using more traditional techniques to create his wildlife animals and distinguishing human portraits. Taking a more intelligent, reflective approach to his work, this "old soul" uses wood block carvings and hand-drawn methods to achieve the fur textures of bears, tigers and rabbits as well as the worn lines in the faces of his latest portrait series entitled, "Legacy." At it's core, "Legacy" raises the question of infrastructure design and how we are forced to live with the decisions, good or bad, created by figures such as Robert Moses, James Wilson Rouse & Mies van der Rehoboth, all of whom have shaped parts of the American landscape. GAIA also plans on featuring a series of faded self portraits called "Sunsets". Sunsets are a portrait of the nature of the street artist as an identity. It's a pseudonym, to the person behind the work and the conflict between the secret, the collective and the fame of the individual. Some of the work is directly painted onto reclaimed street posters and found materials.
Gaia: www.flickr.com/photos/gaiastreetart
Sten & Lex: www.flickr.com/photos/-sten-
Brooklynite: www.brooklynitegallery.com
Filmed and cut by Charles le Brigand
http://charleslebrigand.com/
59:46
Road Back to the Frozen Four (69 minutes)
History
[edit]Partridge and his academy
The university was founded in 1819 at Norwich by ...
published: 06 May 2011
author: Norwich Television
Road Back to the Frozen Four (69 minutes)
History
[edit]Partridge and his academy
The university was founded in 1819 at Norwich by military educator and former superintendent of West Point, Captain Alden B. Partridge. Captain Partridge believed in the "American System of Education," a traditional liberal arts curriculum with instruction in civil engineering and military science. After leaving West Point because of congressional disapproval of his system, he returned to his native state of Vermont to create the American Literary, Scientific and Military Academy. Captain Partridge, in founding his academy, rebelled against the reforms of Sylvanus Thayer to prevent the rise of what he saw as the greatest threat to the security of the young republic: a professional officer class. He believed that a well-trained militia was an urgent necessity and developed the American system around that idea. His academy became the inspiration for a number of military colleges throughout the nation, including both the Virginia Military Institute and The Citadel, and later the land grant colleges created through the Morrill Act of 1862.[4]
Partridge's educational beliefs were considered radical at the time, and this led to his conflicting views with the federal government while he was the superintendent of West Point. Upon creation of his own school, he immediately incorporated classes of agriculture and modern languages in addition to the sciences, liberal arts, and various military subjects. Field exercises, for which Partridge borrowed cannon and muskets from the federal and state governments, supplemented classroom instruction and added an element of realism to the college’s program of well-rounded military education.
Partridge founded six other military institutions during his quest to reform the fledgling United States military. They were the Virginia Literary, Scientific and Military Academy at Portsmouth, Virginia (1839–1846), Pennsylvania Literary, Scientific, and Military Academy at Bristol, Pennsylvania (1842–1845), Pennsylvania Military Institute at Harrisburg, Pennsylvania (1845–1848), Wilmington Literary, Scientific and Military Academy at Wilmington, Delaware (1846–1848), the Scientific and Military Collegiate Institute at Reading, Pennsylvania (1850–1854), Gymnasium and Military Institute at Pembroke, New Hampshire (1850–1853) and the National Scientific and Military Academy at Brandywine Springs, Delaware (1853).[5]
[edit]Fire and hardship: Norwich in the 19th century
In 1825 the academy moved to Middletown, Connecticut, to provide better naval training to the school's growing corps of cadets. In 1829, the state of Connecticut declined to grant Captain Partridge a charter and he moved the school back to Norwich (the Middletown campus became Wesleyan University in 1831). Beginning in 1826, the college offered the first program of courses in civil engineering in the US. In 1834 Vermont granted a charter and recognized the institution as Norwich University. During the 1856 academic year, the first chapter of the Theta Chi Fraternity was founded by cadets Frederick Norton Freeman and Arthur Chase. With the beginning of the Civil War in 1861, Norwich cadets served as instructors of the state militias throughout the Northeast and the entire class of 1862 enlisted upon its graduation. Norwich turned out hundreds of officers and soldiers who served with the federal armies in the American Civil War, including four recipients of the Medal of Honor. One graduate led a corps, seven more headed divisions, 21 commanded brigades, 38 led regiments, and various alumni served in 131 different regimental organizations. In addition, these men were eyewitnesses to some of the war's most dramatic events, including the bloodiest day of the conflict at Antietam, the attack up Marye's Heights at Fredericksburg, and the repulse of Pickett's Charge at Gettysburg. Seven hundred and fifty Norwich men served in the Civil War, of whom sixty fought for the Confederacy.[6] Because of the university's participation in the struggle, the number of students dwindled to seven in the class of 1864 alone.
The Confederate raid on St. Albans, Vermont precipitated fear that Newport, Vermont was an imminent target. The corps quickly boarded an express train for Newport, the same day, October 19, 1864, to the great relief of the inhabitants.
After a catastrophic fire in 1866 which devastated the entire campus, the town of Northfield welcomed the struggling school. The Civil War, the fire, and the uncertainty regarding the continuation of the University seriously lowered the attendance, and the school opened in the fall of 1866 with only 19 students. The 1870s and 1880s saw many financially turbulent times for the institution and the renaming of the school to Lewis College in 1880. In 1881 the student body was reduced to only a dozen men. Later, by 1884, the Vermont Legislature had the name of the school changed back to Norwich. In 1898 the university was designated as the Military
Youtube results:
1:56
The Bold and the Beautiful (1996)
Michael (Lindsay Price) talk with Grant about future....
published: 28 Jun 2008
author: LindsayPriceOrg
The Bold and the Beautiful (1996)
Michael (Lindsay Price) talk with Grant about future.
- published: 28 Jun 2008
- views: 3813
- author: LindsayPriceOrg
3:50
Charles Ives - Symphony n.4 - I. Prelude: Maestoso
Charles Ives - Symphony n.4 Michael Tilson-Thomas and Chicago Symphony Orchestra & Chorus ...
published: 04 Jul 2009
author: Epogdous
Charles Ives - Symphony n.4 - I. Prelude: Maestoso
Charles Ives - Symphony n.4 Michael Tilson-Thomas and Chicago Symphony Orchestra & Chorus The Symphony No. 4, S. 4 (K. 1A4) by Charles Ives (1874 1954) was written between the years of 1910 and 1916. The symphony is notable for its multi-layered complexity - usually necessitating two conductors in performance - and for its over-sized orchestra. Combining elements and techniques of Ives's previous compositional work, this has been called "one of his most definitive works"; Ives' biographer, Jan Swafford has called it "Ives's climactic masterpiece." First movement This movement and the third movement were first performed in New York City on January 29, 1927. In contrast to Ives's other works for large orchestra, which begin in quiet and meditative moods, this symphony starts with a strong, maestoso, fortissimo bass line, immediately followed by a rising trumpet fanfare. A quiet passage follows. The movement ends with chorus singing the Epiphany hymn Watchman ("Watchman, tell us of the night.") Unlike the bold beginning, the movement dies away, quadruple-pianissimo, at the end. Second movement Ives bases this "Comedy" movement on Hawthorne's story The Celestial Railroad. It is possibly his most extreme essay in overlapping of multiple thematic material, found also in his Holidays Symphony. Tunes quoted include The Sweet By and By, Beulah Land, Marching Through Georgia, Ye Christian Heralds, Jesus, Lover of my Soul and Nearer, my God, to Thee. The complexity of this movement ...
- published: 04 Jul 2009
- views: 14285
- author: Epogdous
7:30
Charles Ives - Symphony n.4 - II. Comedy: Allegretto (first part)
Charles Ives - Symphony n.4 Michael Tilson-Thomas and Chicago Symphony Orchestra & Chorus ...
published: 06 Jul 2009
author: Epogdous
Charles Ives - Symphony n.4 - II. Comedy: Allegretto (first part)
Charles Ives - Symphony n.4 Michael Tilson-Thomas and Chicago Symphony Orchestra & Chorus The Symphony No. 4, S. 4 (K. 1A4) by Charles Ives (1874 1954) was written between the years of 1910 and 1916. The symphony is notable for its multi-layered complexity - usually necessitating two conductors in performance - and for its over-sized orchestra. Combining elements and techniques of Ives's previous compositional work, this has been called "one of his most definitive works"; Ives' biographer, Jan Swafford has called it "Ives's climactic masterpiece." First movement This movement and the third movement were first performed in New York City on January 29, 1927. In contrast to Ives's other works for large orchestra, which begin in quiet and meditative moods, this symphony starts with a strong, maestoso, fortissimo bass line, immediately followed by a rising trumpet fanfare. A quiet passage follows. The movement ends with chorus singing the Epiphany hymn Watchman ("Watchman, tell us of the night.") Unlike the bold beginning, the movement dies away, quadruple-pianissimo, at the end. Second movement Ives bases this "Comedy" movement on Hawthorne's story The Celestial Railroad. It is possibly his most extreme essay in overlapping of multiple thematic material, found also in his Holidays Symphony. Tunes quoted include The Sweet By and By, Beulah Land, Marching Through Georgia, Ye Christian Heralds, Jesus, Lover of my Soul and Nearer, my God, to Thee. The complexity of this movement ...
- published: 06 Jul 2009
- views: 18550
- author: Epogdous
7:35
Charles Ives - Symphony n.4 - III. Fugue: Andante moderato
Charles Ives - Symphony n.4 Michael Tilson-Thomas and Chicago Symphony Orchestra & Chorus ...
published: 04 Jul 2009
author: Epogdous
Charles Ives - Symphony n.4 - III. Fugue: Andante moderato
Charles Ives - Symphony n.4 Michael Tilson-Thomas and Chicago Symphony Orchestra & Chorus The Symphony No. 4, S. 4 (K. 1A4) by Charles Ives (1874 1954) was written between the years of 1910 and 1916. The symphony is notable for its multi-layered complexity - usually necessitating two conductors in performance - and for its over-sized orchestra. Combining elements and techniques of Ives's previous compositional work, this has been called "one of his most definitive works"; Ives' biographer, Jan Swafford has called it "Ives's climactic masterpiece." First movement This movement and the third movement were first performed in New York City on January 29, 1927. In contrast to Ives's other works for large orchestra, which begin in quiet and meditative moods, this symphony starts with a strong, maestoso, fortissimo bass line, immediately followed by a rising trumpet fanfare. A quiet passage follows. The movement ends with chorus singing the Epiphany hymn Watchman ("Watchman, tell us of the night.") Unlike the bold beginning, the movement dies away, quadruple-pianissimo, at the end. Second movement Ives bases this "Comedy" movement on Hawthorne's story The Celestial Railroad. It is possibly his most extreme essay in overlapping of multiple thematic material, found also in his Holidays Symphony. Tunes quoted include The Sweet By and By, Beulah Land, Marching Through Georgia, Ye Christian Heralds, Jesus, Lover of my Soul and Nearer, my God, to Thee. The complexity of this movement ...
- published: 04 Jul 2009
- views: 10348
- author: Epogdous