1:02
![](http://web.archive.org./web/20121023041624im_/http://i.ytimg.com/vi/vkLUY7z5FjY/0.jpg)
Theme from "Ivan the Terrible"
Theme from "Ivan the Terrible," by Sergei Prokofiev...
published: 13 Feb 2009
Author: mayerdf
Theme from "Ivan the Terrible"
Theme from "Ivan the Terrible," by Sergei Prokofiev
14:46
![](http://web.archive.org./web/20121023041624im_/http://i.ytimg.com/vi/qtoZCURHzw4/0.jpg)
1/7.STRIKE (1924) Sergei Eisenstein
www.zazzle.com Produced by Boris Mikhin; Written by Grigori Aleksandrov/Ilya Kravchunovsky...
published: 27 Jul 2011
Author: ArtFilmsAnimation
1/7.STRIKE (1924) Sergei Eisenstein
www.zazzle.com Produced by Boris Mikhin; Written by Grigori Aleksandrov/Ilya Kravchunovsky/ Sergei M. Eisenstein, and Valeryan Pletnyov. Cinematography Eduard Tisse. Strike (Russian: Стачка, translit. Stachka) is a 1925 silent film made in the Soviet Union by Sergei Eisenstein. It was Eisenstein's first full-length feature film, and he would go on to make The Battleship Potemkin later that year. It was acted by the Proletcult Theatre, and composed of six parts. It was in turn, intended to be one part of a seven-part series, entitled Towards Dictatorship (of the proletariat), that was left unfinished. Eisenstein's influential essay, Montage of Attractions was written between Strike's production and premiere. The film depicts a strike in 1903 by the workers of a factory in pre-revolutionary Russia, and their subsequent suppression. The film is most famous for a sequence near the end in which the violent putting down of the strike is cross-cut with footage of cattle being slaughtered, although there are several other points in the movie where animals are used as metaphors for the conditions of various individuals.[3] Another theme in the film is collectivism in opposition to individualism which was viewed as a convention of western film. Collective efforts and collectivization of characters were central to both Strike and Battleship Potemkin. Sergei Mikhailovich Eisenstein (Russian: Сергей Михайлович Эйзенштейн Sergej Mihajlovič Ejzenštejn; January 23, 1898 -- February 11 <b>...</b>
10:03
![](http://web.archive.org./web/20121023041624im_/http://i.ytimg.com/vi/5hIH9pTk93Q/0.jpg)
7/7.STRIKE (1924) Sergei Eisenstein
www.zazzle.com Directed by Sergei Eisenstein Produced by Boris Mikhin; Written by Grigori ...
published: 27 Jul 2011
Author: ArtFilmsAnimation
7/7.STRIKE (1924) Sergei Eisenstein
www.zazzle.com Directed by Sergei Eisenstein Produced by Boris Mikhin; Written by Grigori Aleksandrov/Ilya Kravchunovsky/ Sergei M. Eisenstein, and Valeryan Pletnyov. Cinematography Eduard Tisse. Strike (Russian: Стачка, translit. Stachka) is a 1925 silent film made in the Soviet Union by Sergei Eisenstein. It was Eisenstein's first full-length feature film, and he would go on to make The Battleship Potemkin later that year. It was acted by the Proletcult Theatre, and composed of six parts. It was in turn, intended to be one part of a seven-part series, entitled Towards Dictatorship (of the proletariat), that was left unfinished. Eisenstein's influential essay, Montage of Attractions was written between Strike's production and premiere. The film depicts a strike in 1903 by the workers of a factory in pre-revolutionary Russia, and their subsequent suppression. The film is most famous for a sequence near the end in which the violent putting down of the strike is cross-cut with footage of cattle being slaughtered, although there are several other points in the movie where animals are used as metaphors for the conditions of various individuals.[3] Another theme in the film is collectivism in opposition to individualism which was viewed as a convention of western film. Collective efforts and collectivization of characters were central to both Strike and Battleship Potemkin. Sergei Mikhailovich Eisenstein (Russian: Сергей Михайлович Эйзенштейн Sergej Mihajlovič Ejzenštejn <b>...</b>
15:00
![](http://web.archive.org./web/20121023041624im_/http://i.ytimg.com/vi/U5wf2MCvqOc/0.jpg)
3/7.STRIKE (1924) Sergei Eisenstein
www.zazzle.com Produced by Boris Mikhin; Written by Grigori Aleksandrov/Ilya Kravchunovsky...
published: 27 Jul 2011
Author: ArtFilmsAnimation
3/7.STRIKE (1924) Sergei Eisenstein
www.zazzle.com Produced by Boris Mikhin; Written by Grigori Aleksandrov/Ilya Kravchunovsky/ Sergei M. Eisenstein, and Valeryan Pletnyov. Cinematography Eduard Tisse. Strike (Russian: Стачка, translit. Stachka) is a 1925 silent film made in the Soviet Union by Sergei Eisenstein. It was Eisenstein's first full-length feature film, and he would go on to make The Battleship Potemkin later that year. It was acted by the Proletcult Theatre, and composed of six parts. It was in turn, intended to be one part of a seven-part series, entitled Towards Dictatorship (of the proletariat), that was left unfinished. Eisenstein's influential essay, Montage of Attractions was written between Strike's production and premiere. The film depicts a strike in 1903 by the workers of a factory in pre-revolutionary Russia, and their subsequent suppression. The film is most famous for a sequence near the end in which the violent putting down of the strike is cross-cut with footage of cattle being slaughtered, although there are several other points in the movie where animals are used as metaphors for the conditions of various individuals.[3] Another theme in the film is collectivism in opposition to individualism which was viewed as a convention of western film. Collective efforts and collectivization of characters were central to both Strike and Battleship Potemkin. Sergei Mikhailovich Eisenstein (Russian: Сергей Михайлович Эйзенштейн Sergej Mihajlovič Ejzenštejn; January 23, 1898 -- February 11 <b>...</b>
15:01
![](http://web.archive.org./web/20121023041624im_/http://i.ytimg.com/vi/_OC9pfa-71A/0.jpg)
4/7.STRIKE (1924) Sergei Eisenstein
www.zazzle.com Produced by Boris Mikhin; Written by Grigori Aleksandrov/Ilya Kravchunovsky...
published: 27 Jul 2011
Author: ArtFilmsAnimation
4/7.STRIKE (1924) Sergei Eisenstein
www.zazzle.com Produced by Boris Mikhin; Written by Grigori Aleksandrov/Ilya Kravchunovsky/ Sergei M. Eisenstein, and Valeryan Pletnyov. Cinematography Eduard Tisse. Strike (Russian: Стачка, translit. Stachka) is a 1925 silent film made in the Soviet Union by Sergei Eisenstein. It was Eisenstein's first full-length feature film, and he would go on to make The Battleship Potemkin later that year. It was acted by the Proletcult Theatre, and composed of six parts. It was in turn, intended to be one part of a seven-part series, entitled Towards Dictatorship (of the proletariat), that was left unfinished. Eisenstein's influential essay, Montage of Attractions was written between Strike's production and premiere. The film depicts a strike in 1903 by the workers of a factory in pre-revolutionary Russia, and their subsequent suppression. The film is most famous for a sequence near the end in which the violent putting down of the strike is cross-cut with footage of cattle being slaughtered, although there are several other points in the movie where animals are used as metaphors for the conditions of various individuals.[3] Another theme in the film is collectivism in opposition to individualism which was viewed as a convention of western film. Collective efforts and collectivization of characters were central to both Strike and Battleship Potemkin. Sergei Mikhailovich Eisenstein (Russian: Сергей Михайлович Эйзенштейн Sergej Mihajlovič Ejzenštejn; January 23, 1898 -- February 11 <b>...</b>
9:39
![](http://web.archive.org./web/20121023041624im_/http://i.ytimg.com/vi/tETsFOPUXJs/0.jpg)
6/7.STRIKE (1924) Sergei Eisenstein
www.zazzle.com Produced by Boris Mikhin; Written by Grigori Aleksandrov/Ilya Kravchunovsky...
published: 27 Jul 2011
Author: ArtFilmsAnimation
6/7.STRIKE (1924) Sergei Eisenstein
www.zazzle.com Produced by Boris Mikhin; Written by Grigori Aleksandrov/Ilya Kravchunovsky/ Sergei M. Eisenstein, and Valeryan Pletnyov. Cinematography Eduard Tisse. Strike (Russian: Стачка, translit. Stachka) is a 1925 silent film made in the Soviet Union by Sergei Eisenstein. It was Eisenstein's first full-length feature film, and he would go on to make The Battleship Potemkin later that year. It was acted by the Proletcult Theatre, and composed of six parts. It was in turn, intended to be one part of a seven-part series, entitled Towards Dictatorship (of the proletariat), that was left unfinished. Eisenstein's influential essay, Montage of Attractions was written between Strike's production and premiere. The film depicts a strike in 1903 by the workers of a factory in pre-revolutionary Russia, and their subsequent suppression. The film is most famous for a sequence near the end in which the violent putting down of the strike is cross-cut with footage of cattle being slaughtered, although there are several other points in the movie where animals are used as metaphors for the conditions of various individuals.[3] Another theme in the film is collectivism in opposition to individualism which was viewed as a convention of western film. Collective efforts and collectivization of characters were central to both Strike and Battleship Potemkin. Sergei Mikhailovich Eisenstein (Russian: Сергей Михайлович Эйзенштейн Sergej Mihajlovič Ejzenštejn; January 23, 1898 -- February 11 <b>...</b>
15:01
![](http://web.archive.org./web/20121023041624im_/http://i.ytimg.com/vi/gFenLc-x-KM/0.jpg)
5/7.STRIKE (1924) Sergei Eisenstein
www.zazzle.com Produced by Boris Mikhin; Written by Grigori Aleksandrov/Ilya Kravchunovsky...
published: 27 Jul 2011
Author: ArtFilmsAnimation
5/7.STRIKE (1924) Sergei Eisenstein
www.zazzle.com Produced by Boris Mikhin; Written by Grigori Aleksandrov/Ilya Kravchunovsky/ Sergei M. Eisenstein, and Valeryan Pletnyov. Cinematography Eduard Tisse. Strike (Russian: Стачка, translit. Stachka) is a 1925 silent film made in the Soviet Union by Sergei Eisenstein. It was Eisenstein's first full-length feature film, and he would go on to make The Battleship Potemkin later that year. It was acted by the Proletcult Theatre, and composed of six parts. It was in turn, intended to be one part of a seven-part series, entitled Towards Dictatorship (of the proletariat), that was left unfinished. Eisenstein's influential essay, Montage of Attractions was written between Strike's production and premiere. The film depicts a strike in 1903 by the workers of a factory in pre-revolutionary Russia, and their subsequent suppression. The film is most famous for a sequence near the end in which the violent putting down of the strike is cross-cut with footage of cattle being slaughtered, although there are several other points in the movie where animals are used as metaphors for the conditions of various individuals.[3] Another theme in the film is collectivism in opposition to individualism which was viewed as a convention of western film. Collective efforts and collectivization of characters were central to both Strike and Battleship Potemkin. Sergei Mikhailovich Eisenstein (Russian: Сергей Михайлович Эйзенштейн Sergej Mihajlovič Ejzenštejn; January 23, 1898 -- February 11 <b>...</b>
70:14
![](http://web.archive.org./web/20121023041624im_/http://i.ytimg.com/vi/WhxoOg987VI/0.jpg)
My Favorite Husband: Marriage License / Absolute Truth / Speech for Civic Organizaton
My Favorite Husband is the name of an American radio program and network television series...
published: 02 Sep 2012
Author: theradioarchive
My Favorite Husband: Marriage License / Absolute Truth / Speech for Civic Organizaton
My Favorite Husband is the name of an American radio program and network television series. The original radio show, co-starring Lucille Ball, was the initial basis for what evolved into the groundbreaking TV sitcom I Love Lucy. The series was based on the novels Mr. and Mrs. Cugat, the Record of a Happy Marriage (1940) and Outside Eden (1945) written by Isabel Scott Rorick, which had previously been adapted into the Paramount Pictures feature film Are Husbands Necessary? (1942), co-starring Ray Milland and Betty Field. Liz Cooper, played by Lucille Ball; happily married housewife George Cooper, played by Richard Denning; Liz's husband, works for Mr. Atterbury Mr. Rudolph Atterbury, played by Gale Gordon; George's boss, friend of the Cooper family, refers to male acquaintances as "boy", as in "George-Boy" Mrs. Iris Atterbury, played by Bea Benaderet; wife of Rudolph and friend of the Cooper family, refers to female acquaintances as "girl", as in "Liz-Girl". Katy, played by Ruth Perrott; the Cooper's maid, presumably enjoys making Jell-O. Mrs. Leticia Cooper, played first by Benaderet and in subsequent episodes by Eleanor Audley; George's aristocratic mother, who typically looks down on Liz. Gale Gordon and Bea Benaderet were both given first consideration for the roles that would become Fred and Ethel Mertz on "I Love Lucy", but both had contract conflicts that forced them to turn down the roles. en.wikipedia.org When Ball registered to vote in 1936, she listed her party <b>...</b>
5:13
![](http://web.archive.org./web/20121023041624im_/http://i.ytimg.com/vi/Win4twTVreU/0.jpg)
Festa da ovelha negra albina
trailerhinew glitchershalo Machinima GTA4 hack cheats mods halo3 halo2 halo1 mario linkinp...
published: 11 Mar 2012
Author: greeyagami
Festa da ovelha negra albina
trailerhinew glitchershalo Machinima GTA4 hack cheats mods halo3 halo2 halo1 mario linkinpark soad lonley day saw5 saw4 saw3 saw2 saw1 saw basket ball crazy callofdutyheadshots youtube magicman530 gypsyglitchers08 Arby 'n' the Chief World of Warcraft Halo Sims GTA Battlefield Counterstrike and many more games. xJediPiMPx IV mariomods evilKIMARU weezer NBA IdolFans2008 beckham4ever2005 iGameStudios Obama tayzonday afroninja magictricks Evolution Dance xbox live modded account sale knee deep glitches Jimmy Kimmel Live - Kobe Bryant, Derek Fisher Pau Gasol, and Trevor Ariza talk to Jimmy, for more highlights. Watch Kobe Bryant defy gravity and dazzle defenders in his top 10 plays,Kobe Bryant jumps over pool of snakes Kobe jumps over snakes Kobe bryant jumps over snakes kobe bryant jumps over pool of snakes kobe bryant jumps ... LA Lakers superstar Kobe Bryant gives TIME's Sean Gregory some tips for a pickup game ,om for more highlights. A 19-year-old Kobe Bryant bursts onto the scene and dazzles in his all-star debut in the 48th All-Star Game ,Jimmy Kimmel Live - The second part of Jimmy's interview with the Lakers: Jordan Farmar, Shannon Brown, Josh Powell, DJ Mbenga, and Adam Morrison ... MVPs - Kobe & LeBron (Mrs. Lewis,MVPs - Kobe & LeBron (Three Rings) Kobe searches for his misplaced championship rings while LeBron plays some video games. Top 10 Lakers Playoff Highlights Visit www.nba.com for more highlights. The Top 10 Los Angeles Lakers highlights of the 2009 Western <b>...</b>
101:29
![](http://web.archive.org./web/20121023041624im_/http://i.ytimg.com/vi/rgZeFixPJNU/0.jpg)
My iz budushego 2 (Mы из будущего 2) 2010
here you can find mor Russian movies: mozete naci jos Ruskih filmova na ovom sajtu: gledaj...
published: 19 Apr 2012
Author: besnihipik
My iz budushego 2 (Mы из будущего 2) 2010
here you can find mor Russian movies: mozete naci jos Ruskih filmova na ovom sajtu: gledajte-besplatno.weebly.com
95:01
![](http://web.archive.org./web/20121023041624im_/http://i.ytimg.com/vi/TErRmE5jB2s/0.jpg)
Deadly Spring / Halálos tavasz (1939) eng subs
Deadly Spring / Halálos tavasz (1939) eng subs Cast Pál Jávor ... Dr....
published: 24 Jul 2012
Author: TheGePeU
Deadly Spring / Halálos tavasz (1939) eng subs
Deadly Spring / Halálos tavasz (1939) eng subs Cast Pál Jávor ... Dr. Egry István Katalin Karády ... Ralben Edit ........... www.imdb.com Dr. István Egri commits suicide in his hotel room. What we see is his story, a sequence of events from the very moment he first comes across the girl in the staircase, one who later introduces herself as Edit Ralben. * * * * * * * * * * * * Actress Katalin Karády After completing her drama studies, Katalin Karády appeared at two theatres in Budapest (Pesti Színház and Vígszínház) between 1939 and 1941. She became the celebrated diva of the age after her first motion picture, Deadly Spring, was released. She played the title role in twenty films over nine years. After German troops occupied Hungary, her songs were banned and in 1944 she was arrested by the Gestapo on charges of spying. Even during the most difficult times she retained her humanity and dignity, and, risking her own life, saved Jewish children from certain death. The Yad Vashem Institute in Jerusalem honoured her extraordinary compassion by awarding her the title Righteous Among the Nations in 2004. Between 1945 and 1948 she played at the Operetta Theatre in Budapest, but the communist authorities made her work impossible. Her films were banned in 1949 and she could no longer appear on stage. In 1951 she left Hungary forever. She spent some time in Salzburg, Switzerland, Brussels and São Paolo before settling in New York in 1968. Although she did appear on a few occasions <b>...</b>