"Omen" is the nineteenth single released by the British electronic band The Prodigy. It was released on 16 February 2009^[2], and it is the first commercial single from the album Invaders Must Die.

The release was announced on 9 January, in a newsletter sent to fans. The single is accompanied by a video that features live footage from the band. It was first played on Radio 1 on 12 January. The single was co-produced by Does It Offend You, Yeah? singer James Rushent and features a remix from the Dutch drum and bass group NOISIA. The track was The Prodigy's tenth top ten hit on the UK Singles Chart. The single has yet to receive a physical release outside Europe. The song won the Kerrang! Award for Best Single. It came in at #68 in the 2009 Triple J Hottest 100: the fifth track by The Prodigy to chart in the annual countdown, following "Voodoo People" in 1994, "Breathe" and "Firestarter" in 1996, and "Funky Shit" in 1997. The song itself is featured in the movie Kick-Ass and also on the soundtrack respectively. The song also features Nirvana drummer Dave Grohl on drums.

Chart performance[link]

In its second week on the charts, the single moved up the charts to break into the top five, at number four making it their highest charting single since Breathe reached number 1 in 1996.

Tracklist[link]

CD Single

1. Omen (Edit) - 3:14
2. Omen (NOISIA Remix) - 6:18

12" Vinyl

1. Omen (NOISIA Remix) - 6:18
2. Invaders Must Die (Chase & Status Remix) - 5:09

Digital Bundle

1. Omen (Edit) - 3:14
2. Omen (Hervé's End Of The World Remix) – 5:22 (Exclusive to iTunes)
3. Omen (NOISIA Remix) - 6:18
4. Omen (Extended Mix) - 3:41
5. Omen (Instrumental) - 3:36

Chart performance[link]

End-of-year charts[link]

Notable cover versions[link]

The Welsh rock band Lostprophets have recently been playing a version of the song in their The Betrayed -tour and it has established itself as a crowd-favourite. It was also released as a single by Japanese Metalcore band Crossfaith, and this version was included on the Japanese version of on Punk Goes Pop 3

References[link]

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2008)

Examples of omens from the Nuremberg Chronicle (1493): natural phenomena and unnatural births.

An omen (also called portent or presage) is a phenomenon that is believed to foretell the future, often signifying the advent of change.^[1] Though the word "omen" is usually devoid of reference to the change's nature, hence being possibly either "good" or "bad," the term is more often used in a foreboding sense, as with the word "ominous". The origin of the word is unknown, although it may be connected with the Latin word audire, meaning "to hear."^[2]

Ancient Rome[link]

Ancient Roman religion employed two distinct types of professional omen readers. Augurs interpreted the flights of birds, while haruspices employed animal sacrifice to obtain the entrails necessary for divination.

Astrology[link]

In the field of astrology, solar and lunar eclipses (along with the appearance of comets and to some extent the full moon) have often been considered omens of notable births, deaths, or other significant events throughout history in many societies. One biblical example is the Magi in the Gospel of Matthew who predicted the birth of Jesus after seeing the Star of Bethlehem.

Good or bad[link]

Halley's Comet's appearance in 1066 was recorded on the Bayeux Tapestry. ISTI MIRANT STELLA literally means "These ones are looking in wonder at the star". National Geographic translated it in a 1966 article about the tapestry as "These men wonder at the star."

Omens may be considered either good or bad depending on their interpretation. The same sign may be interpreted differently by different people or different cultures.

For example, a superstition in the United States and other countries across Europe indicates that a black cat is an omen of bad luck.^[3]

Comets also have been considered to be both good and bad omens. The best-known example is probably Halley's Comet, which was a "bad omen" for King Harold II of England but a "good omen" for William the Conqueror.^[4]

Indian Astrology[link]

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"Nimmita" or "shukuna shastra" is the identification and interpretation of omens in Hindu astrology.^[5]

Omens seen, heard, or even visualized at the initiation of an activity are said to foretell the outcome of the activity. Shakun & Utpaatsis a branch of Indian astrology dealing with; interpretation of dreams, status of living & non-living items in the environment, sounds produced by human & animals, analysis of portents, and modes of pacification of adverse omens and portents. It acts as a guide in horary astrology when there is a stalemate. In Nimmita it is thought that coming events reveal their results prior to them actually occurring in a means similar to foreshadowing in stories.

According to Nimmita, omens observed at the start of an action foretell its outcome. As a result when an adverse omen occurs some practitioners of Nimmita will say the activity should not be initiated.^[6]

The treatises on Hindu astrology have discussed omens in detail in regards to "travel elections".^[7] On seeing an inauspicious omen the treatises state the person should halt their journey and return to the starting point. Upon reaching the starting point the traveler is advised to recite Pranayam (a specific Mantra’s recitation) eleven times and then start the journey once more. If an inauspicious omen is again seen during the trip the traveler should return to the starting point once more and recite Pranayam 16 times, restarting the journey once more. Should an inauspicious omen be observed a third time the treatises state the journey should be abandoned.

Interpretation[link]

In Nimmita numerous different aspects of the omen come into play in interpreting what the omen means. The severity of an omen is assessed based on its position with respect to the observer, its direction in respect to the observer, the time of its observation, the speed of the omen, the sounds heard during the omen, and the place where an omen is observed.

See also[link]

• Biblical Magi
• Battle of Halys
• Coincidence
• Death-warning
• Delusions of reference
• Divination
• Harbinger^{[disambiguation needed ]}
• Luck

References[link]

Three singers-a trio-singing a song while accompanied on a lute played by one of the singers. Das Konzert [The Concert] (c. 1490, Lorenzo Costa).

In music, a song is a composition for voice or voices, performed by singing. A song may be accompanied by musical instruments, or it may be unaccompanied, as in the case of a cappella songs. The lyrics (words) of songs are typically of a poetic, rhyming nature, though they may be religious verses or free prose.

A song may be for a solo singer, a duet, trio, or larger ensemble involving more voices. Songs with more than one voice to a part are considered choral works. Songs can be broadly divided into many different forms, depending on the criteria used. One division is between "art songs", "pop songs", and "folk songs". Other common methods of classification are by purpose (sacred vs secular), by style (dance, ballad, Lied, etc.), or by time of origin (Renaissance, Contemporary, etc.).

A song is a piece of music for accompanied or unaccompanied voice or voices or, "the act or art of singing," but the term is generally not used for large vocal forms including opera and oratorio.^[1] However, the term is, "often found in various figurative and transferred sense (e.g. for the lyrical second subject of a sonata...)."^[1] The noun "song" has the same etymological root as the verb "to sing" and the Oxford English Dictionary (OED) defines the word to mean "that which is sung" or "a musical composition suggestive of song." The OED also defines the word to mean "a poem" or "the musical phrases uttered by some birds, whales, and insects, typically forming a recognizable and repeated sequence and used chiefly for territorial defence or for attracting mates." ^[2]

Cultural types[link]

Art songs[link]

Art songs are songs created for performance in their own right, usually with piano accompaniment, although they can also have other types of accompaniment such as an orchestra or string quartet, and are always notated. Generally they have an identified author and composer and require voice training for acceptable performance. German-speaking communities use the term art song ("Kunstlied") to distinguish so-called "serious" compositions from folk song ("Volkslied"). The lyrics are often written by a poet or lyricist and the music separately by a composer. Art songs may be more formally complicated than popular or folk songs, though many early Lieder by the likes of Franz Schubert are in simple strophic form. They are often important to national identity.

Art songs feature in many European cultures, including but not limited to: Russian (romancy), German (Lieder), Italian (canzoni), French (mélodies), Scandinavian (sånger), Portuguese (canções), Spanish (canciones). There are also highly regarded British and American art songs in the English language. Cultures outside of Europe that have a classical music tradition, such as India, may or may not feature art songs. The accompaniment of European art songs is considered as an important part of the composition.

The art song of the period in which they originally flowered is often a duet in which the vocalist and accompanist share in interpretive importance. The pieces were most often written to be performed in a home or salon setting, although today the works enjoy popularity as concert pieces. The emergence of poetry during this era was much of what inspired the creation of these pieces by Brahms, Schumann, Schubert and other composers. These composers set poems in their native language. Many works were inspired by Johann Wolfgang von Goethe and Heinrich Heine. Another method would be to write new music for each stanza to create a unique form; this was through-composed form known in German as durchkomponiert. A combination of both of these techniques in a single setting was called a modified strophic form. Often romantic art songs sharing similar elements were grouped as a song cycle.^[3]

Folk songs[link]

Folk songs are songs of often anonymous origin (or are public domain) that are transmitted orally. They are frequently a major aspect of national or cultural identity. Art songs often approach the status of folk songs when people forget who the author was. Folk songs are also frequently transmitted non-orally (that is, as sheet music), especially in the modern era. Folk songs exist in almost every culture.

Popular songs[link]

Modern popular songs are typically distributed as recordings and are played on the radio, though all other mass media that have audio capabilities are involved. Their relative popularity is inferred from commercially significant sales of recordings, ratings of stations and networks that play them, and ticket sales for concerts by the recording artists. A popular song can become a modern folk song when members of the public who learn to sing it from the recorded version teach their version to others. Popular songs may be called pop songs for short, although pop songs or pop music may instead be considered a more commercially popular genre of popular music as a whole.

See also[link]

Wikiquote has a collection of quotations related to: Song

• Air (music)
• Animal song: bird song, whale song, zoomusicology
• Aria
• Ballad
• Canticle
• Category:Musical forms
• Hymn
• Instrumental
• Lied
• Madrigal (music)
• Song structure (popular music)
• Vocal music
• Theme song
• Poem and song
• Singing

References[link]

Further reading[link]

• Marcello Sorce Keller (1984), "The Problem of Classification in Folksong Research: a Short History", Folklore, XCV, no. 1, 100- 104.

The Prodigy
The Prodigy performing at the Rock Am Ring festival
Background information
Origin	Braintree, Essex, England
Genres	Big beat, dance-punk, electropunk, electronica, breakbeat hardcore, oldschool jungle, alternative dance, drum and bass, synthrock
Years active	1990–present
Labels	Take Me to the Hospital, Ragged Flag, Cooking Vinyl, XL, Beggars Banquet, Mute, Maverick, Warner Bros., Elektra, Shock
Website	www.theprodigy.com
Members
Liam Howlett Keith Flint Maxim Reality Rob Holliday Leo Crabtree
Past members
Leeroy Thornhill Sharky

The Prodigy are an English electronic dance music group formed by Liam Howlett in 1990 in Braintree, Essex. Along with Fatboy Slim, The Chemical Brothers, and other acts, The Prodigy have been credited as pioneers of the big beat genre, which achieved mainstream popularity in the 1990s and 2000s.^[1] They have sold over 25 million records worldwide.^[2] The group has won numerous music awards throughout their career, including two Brit Awards—winning Best British Dance Act twice, three MTV Video Music Awards, two Kerrang! Awards, five MTV Europe Music Awards, and have twice been nominated for Grammy Awards.^[3][4]

The group's brand of music makes use of various styles ranging from rave, hardcore techno, industrial, and breakbeat in the early 1990s to big beat and electronic rock with punk vocal elements in later times. The current members include Liam Howlett (keyboardist and composer), Keith Flint (dancer and vocalist), and Maxim (MC and vocalist). Leeroy Thornhill (dancer and very rarely a live keyboardist) was a member of the band from 1990 to 2000, as was a female dancer and vocalist called Sharky who left the group during their early period. The Prodigy first emerged on the underground rave scene in the early 1990s, and have since then achieved immense popularity and worldwide renown.

History[link]

Beginnings and first appearances (1990–1991)[link]

Liam Howlett named the group after the Moog Prodigy synthesizer.

Liam Howlett created an initial 10-track demo, put together on a Roland W-30 music workstation in Essex, England. XL Recordings picked up the demo after Howlett played several tracks to XL boss Nick Halkes in a meeting, and an initial 12" pressing of "What Evil Lurks" was released in February 1991. The Prodigy's name was chosen by Liam as a tribute to his first analogue synthesiser, the Moog Prodigy.^[5]

	G Force (Energy Flow) noicon An excerpt of the song "G Force (Energy Flow)" from Kaos Theory Volume 1 compilation.
Problems listening to this file? See media help.

The Prodigy's first public performance, with Howlett augmented by dancers Keith Flint and Leeroy Thornhill, was at the Four Aces in Dalston, London, then home to "Club Labyrinth".^[6]

"Charly", released six months later, became a huge hit in the rave scene at the time.^[7] The release reached number 3 in the UK Singles Chart, catapulting the band into the wider public attention. The Kaos Theory compilation series featured "G Force (Energy Flow)", from their third single, "Everybody in the Place".^[8]

After the release of the successful single "Charly", the charts included various "hardcore" rave tracks, to which speed and ecstasy-fuelled clubbers would dance to, but which did not appeal to reviewers from publications at the time.^[9] Examples were tracks such as Urban Hype's "A Trip to Trumpton" and Smart E's (as in Ecstasy) "Sesame's Treet", instigating death-by-publicity to the underground "hardcore rave" scene, according to a number of critics associated with the scene.^[9] As a result, "Charly", amid being titled after a contemporary reference to cocaine, with its memorable sample of the "Charley Says" children's Public information films, saw The Prodigy briefly identified by critics as "kiddie rave" or "Toytown Techno". Critical reception to the single was generally mixed.^[10]

Experience (1992–1993)[link]

The band's first full length album, the critically acclaimed Experience, followed "Charly" as a landmark release in the history of British rave music. The album closes with a live version of "Death of the Prodigy Dancers", featuring Maxim on vocals. There were five singles spawned from the album: "Charly", "Everybody in the Place", "Fire/Jericho", "Out of Space", and "Wind It Up (Rewound)"; the latter is a remix of "Wind It Up". The album was a commercial success in the UK, but failed to chart in other countries. Peaking at number 12, it was certified Platinum by the British Phonographic Industry.^[11][12]

After Experience and the run of singles that accompanied it, The Prodigy moved to distance themselves from the "kiddie rave" reputation that now dogged them. The rave scene was beginning to move on from its hardcore phase, with the Criminal Justice Act's "anti-rave" legislation on the horizon, calling rave music "repetitive beats".^[13] The Prodigy responded to the bill by writing "Their Law".

[edit] Music for the Jilted Generation (1993–1995)

In 1993, Howlett released an anonymous white label, bearing only the title "Earthbound I". Its hypnotic, hard-edged sound won wide underground approval. It was officially released as "One Love" later that year, and went on to chart at number 8 in the UK.^[14] The following year, The Prodigy's second album, Music for the Jilted Generation, debuted in the UK Albums Chart at number one, and jettisoned into positive reactions from album critics.^[15] Adding elements of big beat and electro-industrial to the mix, the album expressed a wider spectrum of musical styles, with heavy breakbeat-based tracks complemented by the concept sequence The Narcotic Suite and a rock-oriented inclination, "Their Law", featuring Pop Will Eat Itself.

The album was nominated for a Mercury Music Prize, although Howlett had reaffirmed his dedication to making The Prodigy a 'hard dance band', commercially successful but without compromise.^[16] The band managed to continue to prevent over-exposure in the media by refusing to appear on Top of the Pops or other television shows in the UK.^[17] To date, their only studio appearance on British television came when they appeared on the BBC2 series Dance Energy in 1991, performing "Everybody in the Place". In the ensuing years, their videos received a strong level of support by MTV Europe, which boosted their popularity across the continent. Keith Flint himself hosted an episode of the MTV show 120 Minutes in 1995.

Following the international success of Music for the Jilted Generation, the band augmented their line-up with guitarist Jim Davies (a live band member who later joined the group Pitchshifter) in 1995 for tracks such as "Their Law", "Break and Enter 95", and various live-only interludes and versions. He was soon to be replaced by Gizz Butt of the band Janus Stark, who remained with the band for the next three years.^[18]

[edit] The Fat of the Land and controversies (1996–2002)

The release of "Firestarter" in 1996, featuring vocals for the first time courtesy of a new-look Keith Flint, helped the band break into the U.S. and other overseas markets, and reached number one on the UK Singles Chart.^[19] In this year The Prodigy also headlined the prestigious Lollapalooza festival.^[20]

The long-awaited third Prodigy album, The Fat of the Land, was released in 1997, just as the band headlined the Glastonbury Festival on its opening night.^[20] Featuring simplified melodies, sparser sampling, less rave music influences, and punk-like vocals supplied by a shockingly madeover Flint, the album nevertheless retained the bone-jarring breaks and buzzsaw synths so idiomatic of the band. The album cemented the band's position as one of the most internationally successful acts in the dance genre, entering the UK and US charts at number one.^[19][21]

The Prodigy were getting considerable airplay on rock stations with their controversial track "Smack My Bitch Up"—and also a negative backlash for the song. The National Organization for Women (NOW) criticized the song and its music video. The song's lyrics consist entirely of the repeated phrase "Change my pitch up, smack my bitch up", which NOW stated are a "dangerous and offensive message advocating violence against women".^[22] Howlett responded to the criticism by stating that the meaning of the song and its lyrics were being misinterpreted, and the phrase meant "doing anything intensely, like being on stage – going for extreme manic energy".^[22] The band did not actually write the lyric, but rather, sampled it from the hip hop Ultramagnetic MCs' track "Give the Drummer Some"^[23] which also appears on the Dirtchamber Sessions; they had also sampled another Ultramagnetic MCs song "Critical Beatdown" on their earlier "Out of Space" single.^[24] The National Organization for Women also believed that the lyrics are in reference to administering heroin (smack) to another person.^[25] Several radio stations limited the song's airplay to nighttime hours.^[26] In September 1997, The Prodigy performed "Breathe" at the 1997 MTV Video Music Awards, and won the Viewer's Choice Award.^[27][28]

	"Smack My Bitch Up" noicon The song generated an amount of controversy, and received backlash for the repeating sample.
Problems listening to this file? See media help.

The music video for "Smack My Bitch Up", directed by Jonas Åkerlund, featured a first-person point of view of someone going clubbing and indulging in large amounts of drugs and alcohol. Other content shown includes the protagonist getting into fist fights with men, abusing women, vomiting repeatedly, and picking up a lap dancer (played by British glamour model Teresa May) and having sex with her. Much of the aforementioned is depicted fairly explicitly. At the end of the video, the camera pans over to a mirror, revealing the subject to be a woman. MTV only aired the video between 1 and 5 a.m due to the offensive material.^[29] After one week, the very same television network banned the music video at NOW's request.^[30] The director got the inspiration for the contents of the video after a night of drinking and partying in Copenhagen.^[25]

During a performance at the Reading Festival on 29 August 1998, The Prodigy and the Beastie Boys had an onstage disagreement over the track, with the Beastie Boys requesting the song should be pulled from their set as it could be considered offensive to those who had suffered domestic abuse.^[31] Choosing to ignore the Beastie Boys plea, Maxim introduced "Smack My Bitch Up" with the declaration "They didn't want us to play this fucking tune. But the way things go, I do what the fuck I want".^[32][33]

Wal-Mart and Kmart later announced they would pull The Fat of the Land off their shelves. Despite the fact that the LP had resided on their store shelves for over 20 weeks, and the fact that they had sold 150,000 copies of the album in total, the two stores found the marketing campaign for the new single release "offensive".^[34] At the 1998 MTV Video Music Awards in Los Angeles, "Smack My Bitch Up" won two awards; Best Dance Video and Breakthrough Video.^[35]

1999 saw the release of The Prodigy's The Dirtchamber Sessions Volume One, a DJ mix album by Howlett, produced as an official record of a successful guest appearance on the British Radio 1.^[36] In June of the same year, when the band had arguably reached their commercial peak, they parted company with guitarist Gizz Butt.

Following 1999, Thornhill departed from the group while he divorced Sara Cox due to the risk of nervous breakdown, resulting in the band's website being replaced with their logo and the words "We will be back" set against a black background, a stint that it'd remain until 2002.^[37]

Reunion (2002–2004)[link]

In 2002, after a break from touring and recording, the single "Baby's Got a Temper" was released to critical disappointment. The song was written by Keith Flint's sideband, Flint, produced by Howlett, and also featured Jim Davies. Once again, the band courted controversy by including references to the so-called "date rape" drug Rohypnol in the song's lyrics, although it is unclear whether or not the band "glorifies" or presents the drug in a negative light.^[38] The song's music video was also controversial, which featured topless women milking cows in a suggestive fashion. The complete, unedited video was aired on MTV2 in 2002 as part of a special countdown showing the most controversial videos ever to air on MTV. This countdown was only shown late at night because of the graphic imagery of "Smack My Bitch Up" and several other videos on the countdown, including Nine Inch Nails' 1994 hit "Closer". The "Smack My Bitch Up" video in particular was deemed the "Most Controversial Video" by MTV and showed at the number 1 spot on the countdown.^[39] In the same year, however, Q magazine named The Prodigy one of the "50 Bands to See Before You Die".^[40]

This year also saw the marriage of Howlett and All Saints' Natalie Appleton on 6 June.^[41] Their son, Ace Billy, was born on 2 March 2004.

[edit] Always Outnumbered, Never Outgunned (2004–2008)

The Prodigy band member and founder Liam Howlett live in August 2005.

The Prodigy's fourth studio album, Always Outnumbered, Never Outgunned, was released on 23 August 2004, and 14 September 2004 in the USA. A precursory and experimental single, "Memphis Bells", was released in very limited numbers, followed by the traditional release of the single "Girls". The U.S. version of the studio album contained a bonus track; a remix of "Girls", entitled "More Girls". The album, which topped the UK Album Charts on its debut week,^[11] was promoted by a 2-year-long tour.

5,000 digital copies of "Memphis Bells" were sold over the Internet. Each copy was a combination of customer-chosen instrumental, rhythmic, and melodic options, of which 39,600 choices were available. Five mixes were sold in three file formats, WAV, two audio mixes in MP3, and a 5.1 DTS surround sound mix, and all were free of digital rights management.^[39]

In 2005, they released a compilation, Their Law: The Singles 1990-2005, which spawned a single containing new remixes of the songs "Out of Space" (the "Audio Bullys Remix") and "Voodoo People" (the "Pendulum Remix"). The artwork represented drawn versions of the front covers of the "Out of Space" and "Voodoo People" single releases. The latter was also followed by a music video filmed in Romford Market, Essex, which featured on the DVD release of the compilation. Sharky, the group's only female member, is shown running and winning the race depicted in the video.

The Prodigy's first two albums, 1992's Experience and 1994's Music for the Jilted Generation, were re-released in expanded, deluxe editions on 4 August 2008.^[42] As well as being remastered, the new packages featured a bonus disc including mixes, rarities, and live tracks. The two albums also featured expanded artwork in addition to the new musical content.

When asked about the idea, Howlett responded that they were getting ready to make a new album:

No, we're all done with that [those albums] now, all the old material. We didn't actually want to do the Greatest Hits, we were ready to start our new record—until the record company pointed out that it was in the contract. But then we got into it, and tried to be creative with it as much as [we could]. And, you know, we ended up being really proud of it. You have to have a different brain when you're doing a record like that. It's more about [saying] "this is your achievement"; I could hold in one hand all the records we've released, so that was cool. We're moving on now, and getting on with the new record.^[39]

[edit] Invaders Must Die (2008–2010)

The Prodigy showcased four new songs at the Oxegen Festival in the early hours of 13 July 2008. Among the tracks previewed were "Worlds on Fire", "Warriors Dance", "Mescaline", and "First Warning", which was featured in the gangster movie Smokin' Aces and as among the songs featured in the soundtrack for Electronic Arts video game Need for Speed: Undercover.

Frontman Keith Flint and live member, Rob Holliday.

On 5 November 2008, it was announced that the band's fifth studio album would be called Invaders Must Die and would be released on the band's new label, Take Me to the Hospital. It was released in the US on 3 March 2009, and was the first Prodigy album since 1997's The Fat of the Land to feature all three members of the band.^[43][44]

The album featured drummer Dave Grohl on drums for "Run with the Wolves". The top five hit "Omen" and "Invaders Must Die" were co-produced with Does It Offend You, Yeah? frontman James Rushent.^[45] The band said that the album would go back to their "old-school but cutting edge" roots.^[46] The album was released as a CD, CD-DVD set, double vinyl, digital download, and a luxury 7-inch vinyl box set including five 7-inches, CD-DVD, bonus CD, poster, stickers, and stencils.^[47]

Invaders Must Die was released on 21 February 2009 in Australia and in Europe on 23 February 2009, charting at number one in the UK with week one sales of over 97,000 – a higher figure than for either Always Outnumbered or their singles collection.^[19] The album also reached the top five in Germany and Australia and top 10 in Norway and several other European countries.

To coincide with the release of the album, the band embarked on a nine-date UK arena tour, with support from Dizzee Rascal, Noisia, Herve, and DJ Kissy Sell Out. The single "Omen" debuted at number 1 on the Canadian Singles Chart the week of 25 February 2009 and won the Kerrang! Award for Best Single. Initial critical response to Invaders Must Die was somewhat mixed. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 60, based on 20 reviews.^[48] However, the album was well received by the fans, who welcomed it in a positive light compared to Always Outnumbered, Never Outgunned.^[49] Two singles followed, "Warrior's Dance" and "Take Me to the Hospital", which were released on 11 May and 31 August 2009 respectively. The former song peaked at number 9 on the UK Singles Chart,^[19] while the latter included a VHS-filmed music video that premiered on VidZone.^[50]

A fourth single, "Invaders Must Die (Liam H Reamped Version)", from the Special Edition of the album, was released.^[50]

In an interview with Rob Swire of Pendulum, he revealed that The Prodigy were collaborating on Pendulum's third album, Immersion. Howlett was a co-producer of the song Immunize.^[51] They also played at Glastonbury Music Festival in 2008.

[edit] How to Steal a Jet Fighter (2010–present)

On November 16, 2010, Liam Howlett announced that after their American tour with Linkin Park, The Prodigy are going back to the studio to record their next album. In a recent interview, Liam Howlett said that The Prodigy are currently back in the studio and working around new ideas for their new album.^[52]

On March 18, 2010, The Prodigy announced through their website and mailing list a showing of World's on Fire, a film made mostly from footage of the Warrior's Dance festival from July 2010, for one night only in selected cinemas across Europe. Recorded before 65,000 fans, World's on Fire is the debut live film of The Prodigy, documenting their biggest concert to date.^[53] The CD, DVD, and Blu-ray of World's on Fire was released on 23 May 2011.^[54]

On 6 August 2011, The Prodigy headlined Przystanek Woodstock (Poland) playing to a crowd of over 700,000 fans, though the police declared the band's role at the festival unsafe.^[55] At their two final shows of 2011 (in Brazil), The Prodigy played two new tracks: "A.W.O.L" and "Dogbite".^[56] On 18 November, The Prodigy were announced as a headliner for Download Festival 2012, and will be closing the main stage on Friday 8 June with songs from their new album, to be released later in 2012. ^[57] Liam Howlett has confirmed this album will not be Dubstep, but they have announced their new album sound will feel "Fresh" whilst darker.

On 3 May 2012, The Prodigy announced the working title of their new album: How To Steal A Jet Fighter.^[58]

Members[link]

Discography[link]

Studio albums

• Experience (1992)
• Music for the Jilted Generation (1994)
• The Fat of the Land (1997)
• Always Outnumbered, Never Outgunned (2004)
• Invaders Must Die (2009)

Live album

• World's on Fire (2011)

References[link]

External links[link]

• Official website
• The Prodigy at Allmusic
• The Prodigy at the Internet Movie Database
• The Prodigy on Twitter
• The Prodigy on Facebook
• The Prodigy on Myspace

Ben Harper
Background information
Birth name	Benjamin Chase Harper
Born	(1969-10-28) October 28, 1969 (age 42) Claremont, California United States
Genres	Folk rock, blues rock, alternative rock, soul, funk rock, gospel, reggae, jam rock, neofolk
Occupations	Musician, Singer-songwriter, Humanitarian
Instruments	Vocals, electric guitar, lap steel guitar, slide guitar, acoustic guitar, keyboards, piano, bass guitar, drums, percussion, vibes
Years active	1992–present
Labels	Virgin, EMI Records
Associated acts	Ben Harper and The Blind Boys of Alabama Relentless7 Vanessa da Mata Ringo Starr Fistful of Mercy
Website	www.benharper.com
Notable instruments
Weissenborn lap steel guitar

Benjamin Chase "Ben" Harper (born October 28, 1969) is an American singer-songwriter and musician. Harper plays an eclectic mix of blues, folk, soul, reggae and rock music^[1] and is known for his guitar-playing skills, vocals, live performances and activism.^[2] Harper's fan base spans several continents.^[3] His albums have been commercially successful in North America, Europe and Oceania. Harper is a two-time Grammy Award winner as well, winning awards for Best Pop Instrumental Performance and Best Traditional Soul Gospel Album, in 2005.

Early life[link]

Harper was born in Claremont, in California's Inland Empire. His father, Leonard, was of African-American and Cherokee ancestry, and his mother, Ellen Chase-Verdries, is Jewish. His maternal great-grandmother was a Russian-Lithuanian Jew.^[4][5][6] His parents divorced when he was age five, and he grew up with his mother's family. Harper has two brothers, Joel and Peter.

Harper began playing guitar as a child.^[7][8] His maternal grandparents' music store The Folk Music Center and Museum laid a foundation of folk and blues for the artist, complemented by regular patrons Leonard Cohen, Taj Mahal and David Lindley and quotes of William Shakespeare and Robert Frost made often by his grandfather.^[9] At the age of 12, Harper played his first gig.^[10] During the '80s, in his teen years, Harper began to play the slide guitar, mimicking the style of Robert Johnson. Next, Harper refined his style, taking up the Weissenborn slide guitar.^[11] Harper broke out of the Inland Empire after being offered an invitation by Taj Mahal to tour with the artist. They recorded Taj Mahal's album Follow the Drinking Gourd, released in November 1990, and toured Hawaii.^[12]

Career[link]

Harper's trademark curtain call; 2003

In 1992 Harper recorded the LP Pleasure and Pain with Folk multi-instrumentalist Tom Freund. After this limited edition record, Harper secured a record deal with Virgin Records, which released his debut album, Welcome to the Cruel World in 1994. This was followed by Fight For Your Mind in 1995, with Juan Nelson on bass, which became a college radio favorite and included several songs that Harper still plays live regularly. .^[13]

In 1999 at the Santa Barbara Bowl, Harper met Jack Johnson, who was unknown at the time and had not recorded. Harper obtained a demo tape of twelve of Johnson's songs that he forwarded to his producer, J.P. Plunier, with whom Johnson recorded his first album.^[14]

Harper playing the weissenborn at Massey Hall, Toronto, Ontario.

Early in Harper's career, his music received more attention in Europe and was widely played in Australia (first on Triple J radio). Harper has made comments on a number of occasions that his career was kicked off in Australia. While he was a well-known and respected figure in the United States, he was a star in countries like Australia, New Zealand, France, Portugal, Germany, Switzerland and the Netherlands, receiving a great deal of airplay and critical acclaim. His popularity in Europe is such that he was French Rolling Stone magazine's Artist of the Year (Artiste De L'Année) in 2003,^[15] and his Australian tour that year for Diamonds on the Inside was highly successful.

In 2002, Harper was one of the featured singers covering Motown hits by Marvin Gaye in the documentary, Standing in the Shadows of Motown (a history of The Funk Brothers). In October 2004, Harper participated in the Vote for Change concert tour organized to benefit Moveon.org and encourage people in the swing states to vote during the 2004 U.S. presidential election. In the same month, Harper contributed a live recording of the song "Oppression" to For The Lady, a benefit album for jailed Nobel Peace Prize winner and Burmese pro-democracy advocate Aung San Suu Kyi. In 2006, Harper released the double album Both Sides of the Gun which debuted at #7 on the Billboard charts. Though uncredited, he appears briefly in the 2006 David Lynch film Inland Empire, alongside his wife Laura Dern.

Harper is part of the No Nukes group which is against the expansion of nuclear power. In 2007 the group recorded a music video of a new version of the Buffalo Springfield song "For What It's Worth".^[16][17] Harper's collaboration "Boa Sorte/Good Luck" with Brazilian singer Vanessa da Mata peaked at #1 in Brazil and Portugal. In Brazil it also won a highly coveted Prêmio Multishow for "Best Song" in 2008. Also in 2008, Harper participated in the benefit album Songs for Tibet.

On August 27, 2010, it was reported that Ben Harper had formed a band called Fistful of Mercy with Dhani Harrison and Joseph Arthur.^[18] Fistful of Mercy released their debut record, As I Call You Down, on October 5, 2010.^[19]

On May 17, 2011, Ben Harper's official site posted that his next album was released, entitled Give Till It's Gone. The album is a continuation of recording with Relentless7.^[20]

Personal life[link]

Family[link]

Harper with now estranged wife, Laura Dern in December 2009

In 1996, Harper married his first wife, Joanna. They had two children, a son and daughter, Charles Joseph and Harris.^[21]

On December 23, 2005, Harper married his girlfriend of five years, actress Laura Dern. They have two children together, son Ellery Walker Harper (b. August 21, 2001) and daughter Jaya (b. November 24, 2004).

On October 8, 2010, Harper, having been married for five years, filed for divorce from Dern, citing irreconcilable differences. He is seeking joint custody of their two children, as well as asking for a denial of spousal support for Dern.^[22]

On February 7, 2012, after being spotted at the Golden Globes, it was reported that Harper and Dern had reconciled. Divorce papers have not been formally withdrawn yet.^{[citation needed]}

Awards and nominations[link]

Discography[link]

Studio albums[link]