Sight & Sound (ISSN 0037-4806) is a British monthly film magazine published by the British Film Institute (BFI).

Sight & Sound was first published in 1932 and in 1934 management of the magazine was handed to the nascent BFI, which still publishes the magazine today. Sight & Sound was published quarterly for most of its history until the early 1990s, apart from a brief run as a monthly publication in the early 1950s, but in 1991 it merged with another BFI publication, the Monthly Film Bulletin, and started to appear monthly. The journal was edited by Gavin Lambert from 1949 to 1955, and from 1956 to 1990 by Penelope Houston. The relaunch editor was Philip Dodd. It is currently edited by Nick James. The magazine reviews all film releases each month, including those with a limited (art house) release, as opposed to most film magazines which concentrate on those films with a general release. Sight and Sound features a full cast and crew credit list for each reviewed film.

Every decade, Sight & Sound asks an international group of film professionals to vote for their greatest film of all time. Critics are asked to provide a top ten list; in 1992, directors were invited to participate in a separate poll. The individual results are eclectic; in the 2002 poll, 885 different films received at least one mention from one voter. Even the top-of-the-list consensus has its limits. In 2002, both the critics and the directors selected Stanley Kubrick films in their top ten; however, the critics chose 2001: A Space Odyssey, while the directors preferred Dr. Strangelove. The Sight & Sound accolade has come to be regarded as one of the most important of the "greatest ever film" polls. Roger Ebert described it as "by far the most respected of the countless polls of great movies--the only one most serious movie people take seriously."^[1] The first poll, in 1952, was topped by Bicycle Thieves. The five subsequent polls (1962–2002) were won by Citizen Kane (which finished 13th in 1952).^[2] Just two films have appeared in all six of the magazine's six decennial polls: The Battleship Potemkin and La Règle du jeu (The Rules of the Game).

Sight & Sound has in the past been the subject of criticism, notably from Raymond Durgnat, who often accused it of elitism, puritanism and upper-middle-class snobbery, although he did write for it in the 1950s, and again in the 1990s.^{[citation needed]}

Critics' Top Ten Poll[link]

1952[link]

01. Bicycle Thieves (25 mentions)

02. City Lights (19 mentions)

02. The Gold Rush (19 mentions)

04. The Battleship Potemkin (16 mentions)

05. Intolerance (12 mentions)

05. Louisiana Story (12 mentions)

07. Greed (11 mentions)

07. Le Jour se leve (11 mentions)

07. The Passion of Joan of Arc (11 mentions)

10. Brief Encounter (10 mentions)

10. La Règle du jeu (The Rules of the Game) (10 mentions)

10. Le Million (10 mentions)

• Closest runners-up: Citizen Kane, La Grande Illusion, and The Grapes of Wrath (9 mentions apiece)

1962[link]

01. Citizen Kane (22 mentions)

02. L'avventura (20 mentions)

03. La Règle du jeu (The Rules of the Game) (19 mentions)

04. Greed (17 mentions)

04. Ugetsu Monogatari (17 mentions)

06. The Battleship Potemkin (16 mentions)

07. Bicycle Thieves (16 mentions)

07. Ivan the Terrible (16 mentions)

09. La terra trema (14 mentions)

10. L'Atalante (13 mentions)

• Closest runners-up: Hiroshima Mon Amour, Pather Panchali and Zero de Conduite (11 mentions apiece)

1972[link]

01. Citizen Kane (32 mentions)

02. La Règle du jeu (The Rules of the Game) (28 mentions)

03. The Battleship Potemkin (16 mentions)

04. 8½ (15 mentions)

05. L'avventura (12 mentions)

05. Persona (12 mentions)

07. The Passion of Joan of Arc (11 mentions)

08. The General (10 mentions)

08. The Magnificent Ambersons (10 mentions)

10. Ugetsu Monogatari (9 mentions)

10. Wild Strawberries (9 mentions)

• Closest runners-up: The Gold Rush, Hiroshima mon Amour, Ikiru, Ivan the Terrible, Pierrot le Fou, and Vertigo (8 mentions apiece)

1982[link]

01. Citizen Kane (45 mentions)

02. La Règle du jeu (The Rules of the Game) (31 mentions)

03. Seven Samurai (15 mentions)

04. Singin' in the Rain (15 mentions)

05. 8½ (14 mentions)

06. The Battleship Potemkin (13 mentions)

07. L'avventura (12 mentions)

07. The Magnificent Ambersons (12 mentions)

07. Vertigo (12 mentions)

10. The General (11 mentions)

10. The Searchers (11 mentions)

• Closest runners-up: 2001: A Space Odyssey and Andrei Rublev (10 mentions apiece)

1992[link]

01. Citizen Kane (43 mentions)

02. La Règle du jeu (The Rules of the Game) (32 mentions)

03. Tokyo Story (22 mentions)

04. Vertigo (18 mentions)

05. The Searchers (17 mentions)

06. L'Atalante (15 mentions)

06. The Passion of Joan of Arc (15 mentions)

06. Pather Panchali (15 mentions)

06. The Battleship Potemkin (15 mentions)

10. 2001: A Space Odyssey (14 mentions)

• Closest runners-up: Bicycle Thieves and Singin' in the Rain (10 mentions apiece)

2002[link]

01. Citizen Kane (46 mentions)

02. Vertigo (41 mentions)

03. La Règle du jeu (The Rules of the Game) (30 mentions)

04. The Godfather and The Godfather Part II (23 mentions)

05. Tokyo Story (22 mentions)

06. 2001: A Space Odyssey (21 mentions)

07. The Battleship Potemkin (19 mentions)

07. Sunrise: A Song of Two Humans (19 mentions)

09. 8½ (18 mentions)

10. Singin' in the Rain (17 mentions)

• Closest runners-up: The Seven Samurai and The Searchers (15 mentions apiece)

2012[link]

A new rule was imposed for this ballot: related films that are considered part of a larger whole (e.g. "The Godfather" and "The Godfather Part II", Krzysztof Kieslowski's "Three Colors trilogy" and "Dekalog", or Satyajit Ray's "Apu trilogy") were to be treated as separate films for voting purposes.

Directors' Top Ten Poll[link]

1992[link]

01. Citizen Kane

02. 8½

03. Raging Bull

04. La Strada

05. L'Atalante

06. The Godfather

06. Modern Times

06. Vertigo

09. The Godfather Part II

10. The Passion of Joan of Arc

10. Rashomon

10. Seven Samurai

2002[link]

01. Citizen Kane

02. The Godfather and The Godfather Part II

03. 8½

04. Lawrence of Arabia

05. Dr. Strangelove

06. Bicycle Thieves

06. Raging Bull

06. Vertigo

09. Rashomon

09. La Règle du jeu (The Rules of the Game)

09. Seven Samurai

References[link]

Further reading[link]

• Pam Cook and Philip Dodd (eds): Women and Film. A Sight and Sound Reader, London: Scarlet Press, 1994, 287 p.
• Jacqueline Louviot: Le regard de Sight and Sound sur le cinéma britannique des années 50 et 60 (What Sight and Sound Saw: Sight and Sound on British Cinema during the Fifties and Sixties), French doctoral thesis, University of Strasbourg II, 1997, 980 p.
• David Wilson (ed): Sight and Sound. A Fiftieth Anniversary Selection, London: Faber and Faber in association with BFI Publishing, 1982, 327 p.

External links[link]

• Sight & Sound website

Mikey Dread
Mikey Dread performing at the 2006 Winnipeg Ska and Reggae Festival.
Background information
Birth name	Michael George Campbell
Born	(1954-06-04)4 June 1954 Port Antonio, Jamaica
Died	15 March 2008(2008-03-15) (aged 53) Stamford, Connecticut, United States
Occupations	Singer, Author, Composer, producer, and broadcaster
Years active	1978–2008
Associated acts	The Clash
Website	mikeydread.com

Michael George Campbell (born 4 June 1954 in Port Antonio, Jamaica - died 15 March 2008 in Connecticut, United States),^[1] better known as Mikey Dread, was a Jamaican singer, producer, and broadcaster. He was one of the most influential performers and innovators in reggae music. His abilities, technical expertise, and unique vocal delivery combined to create a unique sound that tells the listener emphatically that it is the "Dread at the Controls".^[2]

Biography[link]

From an early age, Campbell showed a natural aptitude for engineering and electronics. In 1976, after he finished college, Campbell started out as an engineer with the Jamaica Broadcasting Corporation (JBC).^[3] Campbell wasn't impressed that the JBC's playlists mainly consisted of bland, foreign pop music at a time when some of the most potent reggae was being recorded in Jamaica. He convinced his JBC bosses to give him his own radio program called Dread At The Controls, where he played nothing but reggae. Before long, Campbell (now using the DJ name Mikey Dread) had the most popular program on the JBC. Well-known for its fun and adventurous sonic style, Dread At The Controls became a hit all over Jamaica. Inevitably, JBC's conservative management and Campbell clashed, and he quit in protest.

Examples of Mikey Dread's distinctive radio chatter can be heard on the US release of the RAS label LP African Anthem Dubwise. Unlike its Jamaican counterpart Mikey Dread At The Controls Dubwise, his radio exclamations and chatter have been included and add quite a bit of atmosphere to the dubwise proceedings.

By 1979-80, Campbell had earned a solid reputation as a singer and producer and began recording his own material. Distinctive albums such as Dread at the Controls, Evolutionary Rockers, and World War III all became favorites amongst reggae fans. His collaboration with producers King Tubby and Carlton Patterson stand out as some of the best work each party has done.

Campbell's music attracted the attention of British punk rockers The Clash, who invited him over to England to produce some of their music.^[4][5] Although initially suspicious of the strangers, Campbell soon became the best of friends with the band, producing their famous "Bankrobber" single^[6][7] and performing on several songs on their 1980 album Sandinista!.^[8] Campbell also toured with The Clash across Britain, Europe, and the US, gaining many new fans along the way.^[8]

He studied at the National Broadcasting School in London where he perfected his media production/radio broadcasting skills, graduating with special commendations in 1980.^[2]

During the early 1980s he provided vocals with the reggae collective Singers And Players on Adrian Sherwood's On-U Sound record label.

Dread produced ten dub tracks for UB40 and toured Europe and Scandinavia as their support artist.^[3]

Mikey Dread performing at SOB's NYC on 8 April 2003

Some of his works in the United Kingdom include narrating reggae documentaries, hosting series such as Rockers Roadshow and the ever popular six-part Channel 4 reggae documentary series Deep Roots Music. He later recorded "The Source (Of Your Divorce)" for Warner Brothers Records US, which obtained regularly rotated video airplay.^[2]

In 1991, Dread recorded Profile and African Anthem Revisited. He also toured in Europe and the US with Freddie McGregor, Lloyd Parks, We The People Band, and the Roots Radics Band.^[2]

In 1992, he collaborated with former Guns N' Roses guitarist Izzy Stradlin on a duet entitled "Can't Hear 'Em". He was nominated for a NAIRD award, an award from the Billboard Magazine, for his work on his 1990 compilation album Mikey Dread's Best Sellers.^[2]

In 1993, Mikey Dread was involved in several projects, including his tour supporting the album Obsession and working in TV with the Caribbean Satellite Network (CSN) where he was Program Director and On Air personality as well as Producer of various shows.^[2]

In 1994 he presented The Culture Award of Honor in the Martin’s International Reggae Music Awards in Chicago. In 1995, he worked as a Radio DJ for WAVS 1170 AM and WAXY-AM 790 in Miami, Florida. In 1996 he participated in the Essential Music Festival as a performer in Brighton, UK.^[2]

Mikey furthered his knowledge of TV/Video Production at the Art Institute of Ft. Lauderdale, where he graduated in 1996 with Honors and at Lynn University in Boca Raton / Florida where he earned a Bachelor of Arts Degree in International Communications, with Magna Cum Laude honors.^[2]

He did live appearances with The Clash, UB40, Bob Dylan, Carlos Santana, Macka B, Channel One, and many other bands and artists. He also produced artists such as Sugar Minott, Junior Murvin, Earl Sixteen, Wally Bucker, Sunshine, Jah Grundy and Rod Taylor. He also worked closely with producer Trevor Elliot to launch musical career of singer Edi Fitzroy. Mikey Dread was the featured artist on "Lips Like Sugar" with Seal for the soundtrack of the 2004 film, 50 First Dates.^[3]

Mikey Dread, 2006

After many years working as a producer and singer, Campbell withdrew from the business and moved to Miami where he furthered his college education with courses in electronics and business. Disgusted with several unfair contracts with record companies, Campbell shrewdly waited until all of the existing contracts expired and then regained control over his entire catalogue. He began re-releasing much of it on his own Dread At The Controls record label.

Dread, together with The Blizzard of 78, featured on The Sandinista! Project, a tribute to the 1980 Clash album Sandinista!, with the song "Silicone on Sapphire". The tribute album, recorded in 2004, was released on 15 May 2007 by the 00:02:59 Records (a label named after a lyric from the Sandinista! song "Hitsville UK").^[9][10][11]

In October 2007, it was announced that Campbell was being treated for a brain tumour.^[12] He died on 15 March 2008, surrounded by his family, at the home of his sister in Stamford, Connecticut.^[1]

Discography[link]

Studio albums[link]

Compilations[link]

Singles[link]

• 1982 "Roots & Culture" / "Jungle Dread" (DATCD 008)
• 1982 "Break Down the Walls" (DREAD 1)

Appears on[link]

• The Trojan Story Vol. 2 (1982; compilation album by various artists; TALL 200)
• Singers and Players - Staggering Heights (1983; On-U Sound), "School Days"
• Singers and Players - Leaps and Bounds (1984; Cherry Red), "Autobiography (Dread Operator)" and "Vegetable Matter"
• Funky Reggae Crew - Strictly Hip-Hop Reggae Fusion (1989; compilation album by various artists; 926 011-1)
• The Roots of Reggae Vol. 1 (1991; compilation album by various artists; MCCD 014)
• Larks From the Ark (1995; compilation album by Lee "Scratch" Perry; NTMCD 511)
• History of Trojan Records 1972-1995 Volume 2 (1996; compilation album by various artists)
• Arkology (1997; compilation album by Lee "Scratch" Perry; CRNCD 6)
• Rockers Galore (1999; compilation album by The Clash; ESK 47144)
• Classic Reggae: The Producers (2000; compilation album by various artists; MCCD 444)
• Dub Reggae Essentials (2000; compilation album by various artists)
• Blunted in the Bomb Shelter Mix (2002; compilation album by Madlib; ANTCD102)
• Auralux Reggae Showcase (2004; compilation album by various artists; LUXXCD007)
• 50 First Dates (2004; compilation album by various artists)
• Radio Clash (2004; compilation album by various artists)
• Best 1991-2004 (2004; compilation album by Seal)
• Echodelic Sounds of Future Pigeon (2006; album by Future Pigeon)
• Singles Box (2006; compilation album by The Clash; Sony BMG)
• Down in a Tenement Yard: Sufferation and Love in the Ghetto 1973-1980 (2007; compilation album by various artists; TJDDD352)
• Family Front (2008; Album by Habakuk; 5935240)
• Royale Rockers: Reggae Sessions (2008; album by Casino Royale)
• Iration - Generation Time (Ft. Mikey Dread)

References[link]

External links[link]

Wikimedia Commons has media related to: Mikey Dread

• Official website
• Official Label website
• Official Podcast with Insomnia Radio website
• Mikey Dread Online Memorial

Articles

• Complicated Dread: the Mikey Dread interview Complicated Fun, 21 June 2006
• Mikey Dread Interview: Mikey Dread at the controls trakMARX.com - Punk Rock... & Roll, trakMARX 21 — October 2005 — The No Time To Be 21 Issue

John Martyn
Martyn onstage at the Cropredy Festival, 11 August 2006
Background information
Born	(1948-09-11)11 September 1948 New Malden, Surrey, England
Died	29 January 2009(2009-01-29) (aged 60) Ireland
Genres	Folk rock, folk jazz
Occupations	Musician, Songwriter
Instruments	Vocals, guitar
Years active	1965–2009
Labels	Island, WEA
Website	www.johnmartyn.com

John Martyn OBE (11 September 1948 – 29 January 2009) was a British singer-songwriter and guitarist. Over a 40 year career he released 20 studio albums, working with artists such as Eric Clapton and David Gilmour. He has been described by The Times as "an electrifying guitarist and singer whose music blurred the boundaries between folk, jazz, rock and blues".^[1]

Biography[link]

Early life[link]

Martyn was born in Beechcroft Avenue, New Malden, Surrey, England.^[2] Martyn's parents, both opera singers, divorced when he was five and he spent his childhood alternating between Scotland and England. Much of this was spent in the care of his grandmother. His strongest ties were in Glasgow, and he attended Shawlands Academy there.^[1]

Late 1960s and collaborations with Beverley Martyn[link]

Mentored by Hamish Imlach, Martyn began his professional musical career when he was 17, playing a blend of blues and folk resulting in a distinctive style which made him a key figure in the British folk scene during the mid-1960s. He signed to Chris Blackwell's Island Records in 1967 and released his first album, London Conversation, the following year.

This first album was soon followed by The Tumbler, which was moving towards jazz. By 1970 Martyn had developed a wholly original and idiosyncratic sound: acoustic guitar run through a fuzzbox, phase shifter and Echoplex. This sound was first apparent on Stormbringer! in 1970, which was written and performed by both John and Beverley Martyn, his then wife, who had previously recorded solo as Beverley Kutner and had worked with artists such as Nick Drake and Jimmy Page. Her second album with Martyn was The Road to Ruin, also released in 1970. However, Island Records felt that it would be more successful to market Martyn as a solo act and this was how subsequent albums were produced, although Beverley Martyn continued to make appearances as a background singer as well as continuing as a solo artist herself.^[1]

1970s[link]

	"Eibhli Ghail Chiuin Ni Chearbhail" noicon "Eibhli Ghail Chiuin Ni Chearbhail" (1973), built around a traditional tune, was featured on Inside Out. It typifies Martyn's unique use of the echoplex effect, coupled with a fuzzbox and phase-shifter.
Problems listening to this file? See media help.

In 1973, Martyn released one of the defining British albums of the 1970s, Solid Air, the title song a tribute to the singer-songwriter Nick Drake, a close friend and label-mate, who died in 1974 from an overdose of antidepressants. In 2009 a double CD Deluxe edition of Solid Air compiled, with John Martyn's blessing, by John Hillarby from the official John Martyn website and with sleeve notes by Record Collector's Daryl Easlea was released featuring unreleased songs and out-takes. On Solid Air, as with the one that preceded it, Bless the Weather, Martyn collaborated with jazz bassist Danny Thompson, with whom he proceeded to have a fruitful musical partnership which continued until his death. He also developed a new, slurred vocal style, the timbre of which resembled a tenor saxophone.

Martyn in 1978

Following the commercial success of Solid Air, Martyn quickly recorded and released the experimental Inside Out, a more difficult album with emphasis placed on feel and improvisation rather than song structure. In 1974, he followed this with Sunday's Child. In September 1975 he released a live album, Live at Leeds—Martyn had been unable to convince Island to release the record, and resorted to selling individually signed copies by mail from home. Live at Leeds features Danny Thompson and drummer John Stevens. In 2010 Universal Music released a 2CD Deluxe version of Live at Leeds researched and compiled by John Hillarby. Whilst researching the release Hillarby discovered that not all of the songs on the original album were from the Leeds concert. After releasing Live at Leeds, Martyn took a sabbatical, including a visit to Jamaica, spending time with famous reggae producer Lee "Scratch" Perry.

In 1977, he released One World, which led some commentators to describe Martyn as the "Father of Trip-Hop".^[3] It included tracks such as "Small Hours" and "Big Muff", a collaboration with Lee "Scratch" Perry. One World was recorded outside; the album's lush soundscapes are partly the result of microphones picking up ambient sounds, such as geese from a nearby lake.^[4] In 1978 he played guitar on album Harmony of the Spheres by Neil Ardley.

1980s and marriage breakup[link]

Martyn's marriage to Beverley broke down at the end of the 1970s and "John hit the self destruct button" (although other biographers, including The Times obituary writer, attribute the break-up of his marriage to his already being addicted to drink and drugs).^[1] Out of this period, described by Martyn as "a very dark period in my life",^[5] came the album Grace and Danger.

Released in October 1980, the album had been held up for a year by Chris Blackwell. He was a close friend of John and Beverley, and found the album too openly disturbing to release. Only after intense and sustained pressure from Martyn did Blackwell agree to release the album. Commenting on that period, Martyn said, "I was in a dreadful emotional state over that record. I was hardly in control of my own actions. The reason they finally released it was because I freaked: Please get it out! I don't give a damn about how sad it makes you feel—it's what I'm about: the direct communication of emotion. Grace and Danger was very cathartic, and it really hurt."^[5]

In the late 1980s Martyn would cite Grace and Danger as his favourite album, and said that it was "probably the most specific piece of autobiography I've written. Some people keep diaries, I make records."^[5] The album has since become one of his highest-regarded, prompting a deluxe double-disc issue in 2007, containing the original album remastered.

Phil Collins played drums and sang backing vocals on Grace and Danger and subsequently played drums on and produced Martyn's next album, Glorious Fool, in 1981.

Martyn left Island records in 1981, and recorded Glorious Fool and Well Kept Secret for WEA, the label clearly aiming to bring him mainstream success, and achieving his first Top 30 album.^[1] Glorious Fool was a sharp departure from Martyn's 70s sound and at the time was regarded as something of a sell-out by his die-hard fans, but time has revealed it to be a much stronger album than it seemed at the time, with some fine songwriting and vocals. Well Kept Secret (1982) was less successful. Martyn released a live album, Philentropy, in 1983.

Returning to Island records, Martyn recorded Sapphire (1984), Piece by Piece (1986) and the live Foundations (1987) before leaving the label in 1988.

1990s and 2000s[link]

John Martyn performs at the Barbican Centre, London 2008.

Martyn released The Apprentice in 1990 and Cooltide in 1991 for Permanent Records, and then rerecorded many of his "classic" songs for No Little Boy (1993). The similar 1992 release Couldn't Love You More was unauthorised by and disowned by Martyn. Material from these recordings and his two Permanent albums has been endlessly recycled on many releases. Permanent Records also released a live 2 CD set called "Live" in 1994.

And (1996) came out on Go!Discs and saw Martyn draw heavily on hip-hop textures while blending a sound still distinctively Martyn, a direction which saw more complete expression on 2000's Glasgow Walker ; The Church with One Bell (1998) is a covers album taking in material from Portishead to Ben Harper.

In 2001 Martyn appeared on the track Deliver Me by Faithless keyboard player and DJ Sister Bliss.

In July 2006 the documentary Johnny Too Bad was screened by the BBC.^[6] The programme documented the period surrounding the operation to amputate Martyn's right leg below the knee (the result of a burst cyst) and the writing and recording of On the Cobbles (2004), an album described by Peter Marsh on the BBC Music website as "the strongest, most consistent set he's come up with in years." Much of Cobbles was a revisiting of his acoustic-based sound.

He continued to write and collaborate with various artists up until his death whilst living in Ireland. He recorded a ballad entitled "Really Gone" with Irish group UltanJohn featuring John Conneely & Ultan Conlon which was released in November 2006.^{[citation needed]}

On 4 February 2008, Martyn received the lifetime achievement award at the BBC Radio 2 Folk awards. The award was presented by his friend Phil Collins. The BBC website says of Martyn, "his heartfelt performances have either suggested or fully demonstrated an idiosyncratic genius." Eric Clapton was quoted as saying that Martyn was, "so far ahead of everything, it's almost inconceivable."^[7] Martyn performed "Over the Hill" and "May You Never" at the ceremony, with John Paul Jones accompanying on mandolin.^{[citation needed]}

To mark Martyn's 60th birthday, Island released a career-spanning 4CD boxed set, Ain't No Saint on 1 September 2008. The acclaimed set includes unreleased studio material and rare live recordings.

Martyn was appointed OBE in the 2009 New Year Honours.^[8]

John Martyn was born Iain David McGeachy; and the OBE was cited under that name. The presentation by the Queen at Buckingham Palace was made to his partner Teresa and his daughter, Mhairi McGeachy.^{[citation needed]}

Death[link]

Martyn died on 29 January 2009, in hospital in Ireland, as a result of double pneumonia.^[9][10] His death was announced by his friend John Hillarby on the official website: "With heavy heart and an unbearable sense of loss we must announce that John died this morning."^[9]

Phil Collins paid tribute, saying: "John's passing is terribly, terribly sad. I had worked with and known him since the late 1970s and he was a great friend. He was uncompromising, which made him infuriating to some people, but he was unique and we'll never see the likes of him again. I loved him dearly and will miss him very much." ^[11] English rock band Keane included a dedication to Martyn at their Glasgow concert.^[when?] On 31 January 2009, Liverpool-based folk-singer/guitarist John Smith, who had previously supported Martyn on tour, performed "Spencer The Rover", from Martyn's Sunday's Child album, at The Bluecoat in Liverpool, announcing the song "For John".^{[citation needed]}

At the Celtic Connections festival in Glasgow, on the evening of Martyn's death, Kathy Mattea and a band including Eddi Reader played "May You Never". Martyn and Danny Thompson had featured in the BBC television series "Transatlantic Sessions".^{[citation needed]}

Danny Baker devoted an entire radio programme to Martyn's music on the day he died.

Paying tribute to Martyn, BBC Radio 2's folk presenter Mike Harding said: "John Martyn was a true original, one of the giants of the folk scene. He could write and sing classics like 'May You Never' and 'Fairy Tale Lullaby' like nobody else, and he could sing traditional songs like Spencer The Rover in a way that made them seem new minted." ^[12] Harding introduced an hour-long tribute to Martyn in his Radio 2 programme on 25 February 2009.

Paying further tribute to McGeachy, Bob Cunningham commented: "Iain loved life and music, particularly Debussy. He'll be sadly missed amongst all his mates in Scotland; and our condolences go to his children; Wesley, Mhairi and Spenser; and his partner Teresa."

A tribute album entitled Johnny Boy Would Love This was released on 15 August 2011, comprising cover versions of his songs by various artists.

Discography[link]

Singles[link]

• John The Baptist / The Ocean (Island WIP 6076, January 1970)
• Anni Part 1 / Anni Part 2 (with John Stevens' Away) (Vertigo 6059 140, 1976)
• Over The Hill / Head And Heart (Island WIP 6385, February 1977)
• Dancing / Dealer (version) (Island WIP 6414, January 1978)
• In Search Of Anna / Certain Surprise (Island K7450, 1979)
• Johnny Too Bad / Johnny Too Bad (version) Island WIP 6547, October 1980)
• Johnny Too Bad (extended dub version) / Big Muff (extended remix) (Island IPR 2047, March 1981)
• Sweet Little Mystery / Johnny Too Bad (Island WIP 6718, June 1981)
• Please Fall In Love With Me / Don't You Go (WEA K 79243, August 1981)
• Hiss On The Tape / Livin' Alone (WEA K 79336, October 1982)
• Gun Money (U.S. remix) / Hiss On The Tape (live) (WEA 259987-7, November 1982)
• Over The Rainbow / Rope Soul'd (Island IS 209, October 1984)
• Angeline / Tight Connection To My Heart (Island IS 265, February 1986)^[13]
• Classic John Martyn (Island CID 265, February 1986)
• Angeline / Tight Connection To My Heart / May You Never / Certain Surprise / One Day Without You (Island 12 IS 265, February 1986)
• Lonely Love / Sweet Little Mystery (live) (Island IS 272, October 1986)
• Send Me One Line / Patterns In The Rain (Hypertension HYS 100 102, May 1990)
• Deny This Love (remix) / The Apprentice (live) (Permanent S12, August 1990, 7 inch vinyl)
• Deny This Love (remix) / The Apprentice (live) / Deny This Love (album version) (Permanent CD Perm 1, August 1990)
• Jack The Lad / Annie Sez / The Cure / Jack Sez (Permanent CD Perm 3, April 1992)
• Sweet Little Mystery / Head and Heart (Permanent, Perm 6, September 1982)
• Lonely Love / May You Never (Permanent, Perm 8, December 1992)
• Somewhere Over The Rainbow (Voiceprint, JMCD001 1998)
• Excuse Me Mister / God Song (live) / Rock, Salt & Nails (live) / John Wayne (live) (Independiente, ISOM14MS CD May 1998)
• Deliver Me (with Sister Bliss) (Multiply Records], CDMULTY72, March 2001)

Studio albums[link]

• London Conversation (October 1967)
• The Tumbler (December 1968)
• Stormbringer! (February 1970) (with Beverley Martyn)
• The Road to Ruin (November 1970) (with Beverley Martyn)
• Bless the Weather (November 1971)
• Solid Air (February 1973)
• Inside Out (October 1973)
• Sunday's Child (January 1975)
• One World (November 1977)
• Grace and Danger (October 1980)
• Glorious Fool (September 1981)
• Well Kept Secret (August 1982)
• Sapphire (November 1984)
• Piece by Piece (February 1986)
• The Apprentice (March 1990)
• Cooltide (November 1991)
• And (August 1996)
• The Church with One Bell (covers album) (March 1998)
• Glasgow Walker (May 2000)
• On the Cobbles (April 2004)
• Heaven and Earth (May 2011)

Other[link]

• Live at Leeds (September 1975)
• So Far So Good (1977)
• Philentropy (November 1983)
• Foundations (October 1987)
• BBC Radio 1 Live In Concert (1992)
• Couldn't Love You More (October 1992)
• No Little Boy (July 1993)
• Sweet Little Mysteries: The Island Anthology (1994)
• Live (1994)
• Serendipity — An Introduction To John Martyn (1998)
• Solid Air - Classics Re-visited (2002) (compilation of previously released tracks)
• Late Night John (2004)
• In Session (live) (2006) (BBC sessions recorded for the John Peel and Bob Harris programs between 1973 and 1978)
• The Battle of Medway: 17 July 1973 (live) (2007)
• Anthology (2007)
• The Simmer Dim (2008)
• The July Wakes (2008)
• Ain't No Saint (2008) 40-year anthology
• May You Never — The Very Best Of (2009)

DVD[link]

• Live in Concert (with Danny Thompson) (2005)
• John Martyn at the BBC (2006)
• The Apprentice In Concert (with Dave Gilmour) (2006)
• Empty Ceiling (2007) (recorded in 1986)
• The Man Upstairs (2008)

References[link]

Further reading[link]

• John Neil Munro Some People Are Crazy: The John Martyn Story (2008)
• Chris Nickson Solid Air: The Life of John Martyn (2011)
• Mat Snow John Martyn In Person (2011)

External links[link]

• Official website - johnmartyn.com