Look up thing in Wiktionary, the free dictionary.

Thing may refer to: object

Philosophy[link]

• An object (philosophy), being, or entity
• Thing-in-itself (or noumenon), the reality that underlies perceptions, a term coined by Immanuel Kant

History[link]

• Thing (assembly), also transliterated as ting or þing, a historical Germanic governing assembly
• Thing (listening device), a Soviet bug used during the Cold War for eavesdropping on the ambassador to the Soviet Union
• The Thing (art project)

Fiction[link]

• Things (film) 1989 film
• The Thing from Another World, often referred to as The Thing, 1951 science fiction film
  • The Thing (1982 film), a remake, directed by John Carpenter, more closely following the original novella Who Goes There
  • The Thing (2011 film), a prequel of the 1982 film
• Thing (comics), a superhero in the Marvel Universe and member of the Fantastic Four
• The Thing!, a 1950s comic book series from Charlton Comics
• The Thing (video game), a 2002 video game sequel based after the events of the 1982 film
• Thing (The Addams Family), a fictional character in The Addams Family
• The Things, recurring characters in the British comic Viz
• Things: A Story of the Sixties, is a novel by Georges Perec

Music[link]

• "The Thing" (song), a 1950 song, recorded by Phil Harris and others
• "Things" (Bobby Darin song), a 1962 song by Bobby Darrin
• "Things" (Split Enz song), a 1979 song by Split Enz
• The Thing (jazz band), a jazz band from Norway and Sweden
• "The Thing", a B-side song on the single release of "Velouria" by Pixies

Other uses[link]

• Things (application), a personal task management software for Mac OS X
• The Thing?, an attraction in Arizona
• T.H.I.N.G.S., Totally Hilarious Incredibly Neat Games of Skill, a line of toys marketed by the Milton Bradley Company
• Thing, the terminology for entities in the Doom engine
• Volkswagen 181, an automobile sold in the 1970s
• "The Thing", professional wrestler Bryan Carrera, who sidelined as Jon Roberts' bodyguard^[1]

See also[link]

• Thang (disambiguation)

References[link]

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2008)

Dean Martin
Photo 1960
Background information
Birth name	Dino Paul Crocetti
Also known as	Dean Martin The King of Cool Dino Dino Martini
Born	(1917-06-07)June 7, 1917 Steubenville, Ohio, U.S.
Died	December 25, 1995(1995-12-25) (aged 78) Beverly Hills, California, U.S.
Genres	Big band, easy listening, pop standard, country
Occupations	Musician, singer, actor, comedian, film producer
Years active	1939–1995
Labels	Capitol, Reprise

Dean Martin (born Dino Paul Crocetti; June 7, 1917 – December 25, 1995) was an American singer, film actor, television star and comedian. Martin's hit singles included "Memories Are Made of This", "That's Amore", "Everybody Loves Somebody", "You're Nobody till Somebody Loves You", "Sway", "Volare" and "Ain't That a Kick in the Head?". Nicknamed the "King of Cool",^[1][2] he was one of the members of the "Rat Pack" and a major star in four areas of show business: concert stage/night clubs, recordings, motion pictures, and television.

Early life[link]

Martin was born in Steubenville, Ohio, to Italian parents, Gaetano and Angela Crocetti (née Barra). His father was from Montesilvano, Pescara, Abruzzo, Italy, and his mother was an Italian of part Neapolitan and part Sicilian ancestry. Martin was the younger of two sons. His brother was named Bill. Martin spoke only Italian until he started school. He attended Grant Elementary School in Steubenville, and took up the drums as a hobby as a teenager. He was the target of much ridicule for his broken English and ultimately dropped out of Steubenville High School in the 10th grade because he thought that he was smarter than his teachers.^[3] He delivered bootleg liquor, served as a speakeasy croupier, was a blackjack dealer, worked in a steel mill and boxed as welterweight. He grew up a neighbor to Jimmy the Greek.

At the age of 15, he was a boxer who billed himself as "Kid Crochet". His prizefighting years earned him a broken nose (later straightened), a scarred lip, and many sets of broken knuckles (a result of not being able to afford the tape used to wrap boxers' hands). Of his twelve bouts, he would later say "I won all but eleven."^[4] For a time, he roomed with Sonny King, who, like Martin, was just starting in show business and had little money. It is said that Martin and King held bare-knuckle matches in their apartment, fighting until one of them was knocked out; people paid to watch. Martin knocked out King in the first round of an amateur boxing match.^[5]

Eventually, Martin gave up boxing. He worked as a roulette stickman and croupier in an illegal casino behind a tobacco shop where he had started as a stock boy. At the same time, he sang with local bands, calling himself "Dino Martini" (after the famous Metropolitan Opera tenor, Nino Martini). He got his first break working for the Ernie McKay Orchestra. He sang in a crooning style influenced by Harry Mills (of the Mills Brothers), among others. In the early 1940s, he started singing for bandleader Sammy Watkins, who suggested that he change his name to Dean Martin.

In October 1941, Martin married Elizabeth Anne McDonald. During their marriage (ended by divorce in 1949), they had four children. Martin worked for various bands throughout the early 1940s, mostly on looks and personality until he developed his own singing style. Martin famously flopped at the Riobamba, a high class nightclub in New York,^[6] when he followed Frank Sinatra in 1943, but it was the setting for their meeting.

Martin was drafted into the United States Army in 1944 during World War II, serving a year stationed in Akron, Ohio. He was then reclassified as 4-F and was discharged (possibly because of a double hernia; Jerry Lewis referred to the surgery that Martin needed for this in his autobiography).

By 1946, Martin was doing relatively well, but was still little more than an East Coast nightclub singer with a common style, similar to that of Bing Crosby. He drew audiences to the clubs where he played, but he inspired none of the fanatical popularity enjoyed by Sinatra.

Alleged Mafia connections[link]

A biography of Martin titled Dean Martin: King of the Road, by Michael Freedland, alleged that he had links to the Mafia early in his career. According to this book, Martin received help with his singing career from members of the Chicago Outfit, who owned saloons in the city, and later performed in shows hosted by these bosses when he was a star. The mob bosses were Tony Accardo and Sam Giancana. Freedland suggests that Martin felt little sympathy for the Mafia and did small favors for them only if it was not inconvenient for him. Another book, The Animal in Hollywood by John L. Smith, depicted Martin's longtime friendship with Mafia mobsters Johnny Roselli and Anthony Fiato. Smith suggested that Fiato did many favors for Martin, such as recovering money from two swindlers who had cheated his ex-wife Betty out of thousands of dollars of her alimony.^[7]

Career[link]

Teaming with Jerry Lewis[link]

Dean Martin and Jerry Lewis

Martin attracted the attention of Metro-Goldwyn-Mayer and Columbia Pictures, but a Hollywood contract was not forthcoming. He met comic Jerry Lewis at the Glass Hat Club in New York, where both men were performing. Martin and Lewis formed a fast friendship which led to their participation in each other's acts and the ultimate formation of a music-comedy team.

Martin and Lewis's official debut together occurred at Atlantic City's 500 Club on July 24, 1946, and they were not well received. The owner, Skinny D'Amato, warned them that if they did not come up with a better act for their second show later that night, they would be fired. Huddling together in the alley behind the club, Lewis and Martin agreed to "go for broke", to throw out the pre-scripted gags and to improvise. Martin sang and Lewis came out dressed as a busboy, dropping plates and making a shambles of both Martin's performance and the club's sense of decorum until Lewis was chased from the room as Martin pelted him with breadrolls. They did slapstick, reeled off old vaudeville jokes, and did whatever else popped into their heads at the moment. This time, the audience doubled over in laughter. This success led to a series of well-paying engagements on the Eastern seaboard, culminating in a triumphant run at New York's Copacabana. Patrons were convulsed by the act, which consisted primarily of Lewis interrupting and heckling Martin while he was trying to sing, and ultimately the two of them chasing each other around the stage and having as much fun as possible. The secret, both said, is that they essentially ignored the audience and played to one another.

The team made its TV debut on the very first broadcast of CBS-TV network's Toast of the Town (later called The Ed Sullivan Show) with Ed Sullivan and Rodgers & Hammerstein appearing on this same inaugural telecast of June 20, 1948. A radio series commenced in 1949, the same year Martin and Lewis were signed by Paramount producer Hal B. Wallis as comedy relief for the movie My Friend Irma.

Their agent, Abby Greshler, negotiated for them one of Hollywood's best deals: although they received only a modest $75,000 between them for their films with Wallis, Martin and Lewis were free to do one outside film a year, which they would co-produce through their own York Productions. They also had complete control of their club, record, radio and television appearances, and it was through these endeavors that they earned millions of dollars.

In Dean & Me, Lewis calls Martin one of the great comic geniuses of all time. But the harsh comments from the critics, as well as frustration with the formulaic similarity of Martin and Lewis movies, which producer Hal Wallis stubbornly refused to change, led to Martin's dissatisfaction.^[8] He put less enthusiasm into the work, leading to escalating arguments with Lewis. They finally could not work together, especially after Martin told his partner he was "nothing to me but a dollar sign". The act broke up in 1956, 10 years to the day from the first official teaming.

Martin's first solo film, Ten Thousand Bedrooms (1957), was a box office failure. He was still popular as a singer, but with rock and roll surging to the fore, the era of the pop crooner was waning.

Solo career[link]

Dean Martin in the film Ada (1961)

Never totally comfortable in films, Martin wanted to be known as a real actor. Though offered a fraction of his former salary to co-star in a war drama, The Young Lions (1957), he was ecstatic to receive the part because it would be a dramatic showcase with the two most intriguing young actors of the period and he could learn from Marlon Brando and Montgomery Clift. Tony Randall already had the part, but talent agency MCA realized that with this movie, Martin would become a triple threat: they could make money from his work in night clubs, movies, and records. Martin replaced Randall and the film turned out to be the beginning of Martin's spectacular comeback. Success would continue as Martin starred alongside Frank Sinatra for the first time in a highly acclaimed Vincente Minnelli drama, Some Came Running (1958). By the mid '60s, Martin was a top movie, recording, television, and nightclub star, while Lewis' film career declined. Martin was acclaimed for his performance as Dude in Rio Bravo (1959), directed by Howard Hawks and also starring John Wayne and singer Ricky Nelson. He teamed up again with Wayne in The Sons of Katie Elder (1965), somewhat unconvincingly cast as brothers.

In 1960, Martin was cast in the motion picture version of the Judy Holliday hit stage play Bells Are Ringing. Martin played a satiric variation of his own womanizing persona as Vegas singer "Dino" in Billy Wilder's comedy Kiss Me, Stupid (1964) with Kim Novak, and he was not above poking fun at his image in films such as the Matt Helm spy spoofs of the 1960s, in which he was a co-producer. Indeed, in the second Matt Helm film Murderers' Row (1966), Helm, about to be executed, receives a last cigarette, and tells the provider, "I'll remember you from the great beyond," continuing sotto voce, "somewhere around Steubenville, I hope."

With John Wayne in Rio Bravo

As a singer, Martin copied the styles of Harry Mills (of the Mills Brothers), Bing Crosby, and Perry Como until he developed his own and could hold his own in duets with Sinatra and Crosby. Like Sinatra, he could not read music, but he recorded more than 100 albums and 600 songs. His signature tune, "Everybody Loves Somebody", knocked The Beatles' "A Hard Day's Night" out of the number-one spot in the United States in 1964. This was followed by the similarly-styled "The Door is Still Open to My Heart", which reached number six later that year. Elvis Presley was said to have been influenced by Martin, and patterned "Love Me Tender" after his style. Martin, like Elvis, was influenced by country music. By 1965, some of Martin's albums, such as Dean "Tex" Martin, The Hit Sound Of Dean Martin, Welcome To My World and Gentle On My Mind were composed of country and western songs made famous by artists like Johnny Cash, Merle Haggard, and Buck Owens. Martin hosted country performers on his TV show and was named "Man Of the Year" by the Country Music Association in 1966. "Ain't That a Kick in the Head", a song Martin performed in Ocean's 11 that never became a hit at the time, has enjoyed a spectacular revival in the media and pop culture.

For three decades, Martin was among the most popular acts in Las Vegas. Martin sang and was one of the smoothest comics in the business, benefiting from the decade of raucous comedy with Lewis. Martin's daughter, Gail, also sang in Vegas and on his TV show, co-hosting his summer replacement series on NBC. Though often thought of as a ladies' man, Martin spent a lot of time with his family; as second wife Jeanne put it, prior to the couple's divorce, "He was home every night for dinner."

The Rat Pack[link]

As Martin's solo career grew, he and Frank Sinatra became close friends. In the late 1950s and early 1960s, Martin and Sinatra, along with friends Joey Bishop, Peter Lawford, and Sammy Davis, Jr. formed the legendary Rat Pack, so called by the public after an earlier group of social friends, the Holmby Hills Rat Pack centered on Humphrey Bogart and Lauren Bacall, of which Sinatra had been a member.

Dean Martin and Frank Sinatra

The Martin-Sinatra-Davis-Lawford-Bishop group referred to themselves as "The Summit" or "The Clan" and never as "The Rat Pack", although this has remained their identity in the popular imagination. The men made films together, formed an important part of the Hollywood social scene in those years, and were politically influential (through Lawford's marriage to Patricia Kennedy, sister of President John F. Kennedy).

The Rat Pack were legendary for their Las Vegas Strip performances. For example, the marquee at the Sands Hotel might read DEAN MARTIN---MAYBE FRANK---MAYBE SAMMY. Las Vegas rooms were at a premium when the Rat Pack would appear, with many visitors sleeping in hotel lobbies or cars to get a chance to see the three men together. Their appearances were unprecedentedly valuable because the city would always become flooded with high rollers, wealthy gamblers who would routinely leave substantial fortunes in the casinos' coffers. Their act (always in tuxedo) consisted of each singing individual numbers, duets and trios, along with much seemingly improvised slapstick and chatter. In the socially-charged 1960s, their jokes revolved around adult themes, such as Sinatra's infamous womanizing and Martin's legendary drinking, as well as many at the expense of Davis's race and religion. Davis famously practiced Judaism and used Yiddish phrases onstage, eliciting much merriment from both his stage-mates and his audiences.^{[citation needed]} It was all good-natured male bonding, never vicious, rarely foul-mouthed,^{[citation needed]} and the three had great respect for each other. The Rat Pack was largely responsible for the integration of Las Vegas. Sinatra and Martin were active supporters of the Civil Rights Movement and refused to perform in clubs that would not allow African-American or Jewish performers.^[9]

Posthumously, the Rat Pack has experienced a popular revival, inspiring the George Clooney/Brad Pitt "Ocean's" trilogy.

The Dean Martin Celebrity Roast[link]

In 1965, Martin launched his weekly NBC comedy-variety series, The Dean Martin Show, which exploited his public image as a lazy, carefree boozer. There he perfected his famous laid-back persona of the half-drunk crooner suavely hitting on beautiful women with hilarious remarks that would get anyone else slapped, and making snappy if slurred remarks about fellow celebrities during his famous roasts. During an interview he stated, and this may have been tongue-in-cheek, that he had someone record them on cassette tape so he could listen to them; this is evidenced by his comments to this effect on the British TV documentary 'Wine, Women and Song' which was aired in 1983.

The TV show was a success. Martin prided himself on memorizing whole scripts – not merely his own lines.^{[citation needed]} He disliked rehearsing because he firmly believed his best performances were his first.^{[citation needed]} The show's loose format prompted quick-witted improvisation from Martin and the cast. On occasion, he made remarks in Italian, some mild obscenities that brought angry mail from offended, Italian-speaking viewers.^{[citation needed]} This prompted a battle between Martin and NBC censors, who insisted on more scrutiny of the show's content. The show was often in the Top Ten. Martin, deeply appreciative of the efforts of the show's producer, his friend Greg Garrison, later made a handshake deal giving Garrison, a pioneer TV producer in the 1950s, 50% ownership of the show. However, the validity of that ownership is currently the subject of a lawsuit brought by NBC Universal.

Despite Martin's reputation as a heavy drinker – a reputation perpetuated via his vanity license plates reading "DRUNKY" – he was remarkably self-disciplined.^[10] He was often the first to call it a night, and when not on tour or on a film location, liked to go home to see his wife and children. Phyllis Diller has said that Martin was indeed drinking alcohol onstage and not apple juice. She also commented that although he was not drunk, he was not really sober either, but had very strict rules when it came to performances. He borrowed the lovable-drunk shtick from Joe E. Lewis, but his convincing portrayals of heavy boozers in Some Came Running and Howard Hawks's Rio Bravo led to unsubstantiated claims of alcoholism. More often than not, Martin's idea of a good time was playing golf or watching TV, particularly westerns – not staying with Rat Pack friends Frank Sinatra and Sammy Davis, Jr. into the early hours of the morning.^{[citation needed]}

Martin starred in and co-produced a series of four Matt Helm superspy comedy adventures. A fifth, The Ravagers, was planned starring Sharon Tate and Martin in a dual role, one as a serial killer, but due to the murder of Tate and the decline of the spy genre, the film was never made.^{[citation needed]}

By the early 1970s, The Dean Martin Show was still earning solid ratings, and although he was no longer a Top 40 hitmaker, his record albums continued to sell steadily. His name on a marquee could guarantee casinos and nightclubs a standing-room-only crowd. He found a way to make his passion for golf profitable by offering his own signature line of golf balls. Shrewd investments had greatly increased Martin's personal wealth; at the time of his death, Martin was reportedly the single largest minority shareholder of RCA stock. Martin even managed to cure himself of his claustrophobia by reportedly locking himself in the elevator of a tall building and riding up and down for hours until he was no longer panic-stricken.^{[citation needed]}

Now comfortable financially, Martin did not need to work as much and he began reducing his schedule. The final (1973–74) season of his variety show would be retooled into one of celebrity roasts, requiring less of Martin's involvement. After the show's cancellation, NBC continued to air The Dean Martin Celebrity Roast format in a series of TV specials through 1984. In those 11 years, Martin and his panel of pals successfully ridiculed and made fun of these legendary stars in this order: Ronald Reagan, Hugh Hefner, Ed McMahon, William Conrad, Kirk Douglas, Bette Davis, Barry Goldwater, Johnny Carson, Wilt Chamberlain, Hubert Humphrey, Carroll O'Connor, Monty Hall, Jack Klugman & Tony Randall, Zsa Zsa Gabor, Leo Durocher, Truman Capote, Don Rickles, Ralph Nader, Jack Benny, Redd Foxx, Bobby Riggs, George Washington, Dan Rowan & Dick Martin, Hank Aaron, Joe Namath, Bob Hope, Telly Savalas, Lucille Ball, Jackie Gleason, Sammy Davis Jr, Michael Landon, Evel Knievel, Valerie Harper, Muhammad Ali, Dean Martin, Dennis Weaver, Joe Garagiola, Danny Thomas, Angie Dickinson, Gabe Kaplan, Ted Knight, Peter Marshall, Dan Haggerty, Frank Sinatra, Jack Klugman, Jimmy Stewart, George Burns, Betty White, Suzanne Somers, Joan Collins, and Mr T. For nearly a decade, Martin had recorded as many as four albums a year for Reprise Records. That stopped in November 1974, when Martin recorded his final Reprise album - Once In A While, released in 1978. His last recording sessions were for Warner Brothers Records. An album titled The Nashville Sessions was released in 1983, from which he had a hit with "(I Think That I Just Wrote) My First Country Song", which was recorded with Conway Twitty and made a respectable showing on the country charts. A followup single "L.A. Is My Home" / "Drinking Champagne" came in 1985. The 1975 film Mr. Ricco marked Martin's final starring role, and Martin limited his live performances to Las Vegas and Atlantic City.^{[citation needed]}

Martin seemed to suffer a mid-life crisis. In 1972, he filed for divorce from his second wife, Jeanne. A week later, his business partnership with the Riviera was dissolved amid reports of the casino's refusal to agree to Martin's request to perform only once a night. He was quickly snapped up by the MGM Grand Hotel and Casino, and signed a three-picture deal with MGM Studios. Less than a month after his second marriage had been legally dissolved, Martin married 26-year-old Catherine Hawn on April 25, 1973. Hawn had been the receptionist at the chic Gene Shacrove hair salon in Beverly Hills. They divorced November 10, 1976. He was also briefly engaged to Gail Renshaw, Miss World-U.S.A. 1969.

Eventually, Martin reconciled with Jeanne, though they never remarried. He also made a public reconciliation with Jerry Lewis on Lewis' Labor Day Muscular Dystrophy Association telethon in 1976. Frank Sinatra shocked Lewis and the world by bringing Martin out on stage. As Martin and Lewis embraced, the audience erupted in cheers and the phone banks lit up, resulting in one of the telethon's most profitable years. Lewis reported the event was one of the three most memorable of his life. Lewis brought down the house when he quipped, "So, you working?" Martin, playing drunk, replied that he was "at the Meggum" – this reference to the MGM Grand Hotel convulsed Lewis.^{[citation needed]} This, along with the death of Martin's son Dean Paul Martin a few years later, helped to bring the two men together. They maintained a quiet friendship, but only performed together again once, in 1989, on Martin's 72nd birthday.^[11]

Personal life[link]

Martin was married three times. Martin's first wife, Elizabeth Anne McDonald, tried by all accounts to be a good wife and mother to their four children, but her efforts were ultimately undone by her alcoholism^{[citation needed]}. It remains a matter of speculation whether her alcoholism led to the failure of the marriage, or whether Martin's infidelities led to Betty's alcoholism. Subsequent to their divorce, Martin gained custody of their children; Betty lived out her life in quiet obscurity in San Francisco. Their children were Stephen Craig (born June 29, 1942), Claudia Dean (March 16, 1944 - 2001 from breast cancer), Barbara Gail (born April 11, 1945) and Deana (Dina) (born August 19, 1948).

Martin's second wife was Jeanne Biegger. A stunning blonde, Jeanne could sometimes be spotted in Martin's audience while he was still married to Betty. Their marriage lasted 24 years (1949–1973) and produced three children. Their children were Dean Paul (November 17, 1951 - March 21, 1987; plane crash), Ricci James (born September 20, 1953) and Gina Caroline (born December 20, 1956), whose marriage made Dean the father-in-law of The Beach Boys' Carl Wilson.

Martin's third marriage, to Catherine Hawn, lasted three years. One of Martin's managers had spotted her at the reception desk of a hair salon on Rodeo Drive, then arranged a meeting. Martin adopted Hawn's daughter, Sasha, but their marriage also failed. Martin initiated divorce proceedings.

Martin's uncle was Leonard Barr, who appeared in several of his shows.

Later years and death[link]

Dean Martin's grave

On December 1, 1983 while gambling at the Golden Nugget casino in Atlantic City, Martin and Sinatra intimidated the dealer and several employees into breaking New Jersey law by making the dealer deal the cards by hand instead of from a shoe. Although Sinatra and Martin were implicated as the cause of the violation, neither was fined by the New Jersey Casino Control Commission. The Golden Nugget received a $25,000 fine (which Sinatra paid, stating that it was his responsibility as he and Martin were the cause of the fine) and four employees including the dealer, a supervisor and pit boss were suspended from their jobs without pay.

Martin returned to films briefly with appearances in the two star-laden, yet critically panned Cannonball Run movies. He also had a minor hit single with "Since I Met You Baby" and made his first music video, which appeared on MTV. The video was created by Martin's youngest son, Ricci.

On March 21, 1987, Martin's son, Dean Paul (formerly Dino of the '60s "teeny-bopper" rock group Dino, Desi & Billy), was killed when his F-4 Phantom II jet fighter crashed while flying with the California Air National Guard. A much-touted tour with Davis and Sinatra in 1988 sputtered. On one occasion, he infuriated Sinatra when he turned to him and muttered, "Frank, what the hell are we doing up here?" Martin, who always responded best to a club audience, felt lost in the huge stadiums they were performing in (at Sinatra's insistence), and he was not interested in drinking until dawn after performances. His final Vegas shows were at Bally's Hotel in 1990. There he had his final reunion with Jerry Lewis on his 72nd birthday. Martin's last two TV appearances involved tributes to his former Rat Pack members. On December 8, 1989, he joined many stars of the entertainment industry in Sammy Davis, Jr's 60th anniversary celebration, which aired only a few weeks before Davis died from throat cancer. In December 1990, he congratulated Frank Sinatra on his 75th birthday special.

Martin was diagnosed with lung cancer at Cedars Sinai Medical Center in September 1993, and in early 1995 retired from public life. He died of acute respiratory failure resulting from emphysema at his Beverly Hills home on Christmas morning 1995, at age 78.^[12] The lights of the Las Vegas Strip were dimmed in his honor.

Martin is buried at the Westwood Village Memorial Park Cemetery in Los Angeles.

Tributes and legacy[link]

In 1996, Ohio Rte. 7, through Steubenville, was rededicated as "Dean Martin Boulevard." Road signs bearing an Al Hirschfeld caricature of Martin's likeness officially designate the stretch, along with a state historical marker, in the Gazebo Park at Route 7 and North Fourth Street.

An annual "Dean Martin Festival" celebration is held in Steubenville. Impersonators, friends and family of Martin, and various entertainers, many of Italian ancestry, appear.

In 2005, Clark County, Nevada renamed Industrial Road as Dean Martin Drive. A similarly named street was dedicated in 2008 in Rancho Mirage, California.

Martin's family was presented a gold record in 2004 for Dino: The Essential Dean Martin, his fastest-selling album ever, which also hit the iTunes Top 10. For the week ending December 23, 2006, the Dean Martin and Martina McBride duet of "Baby, It's Cold Outside" reached #7 on the R&R AC chart. It also went to #36 on the R&R Country chart - the last time Martin had a song this high in the charts was in 1965, with the song "I Will", which reached #10 on the Pop chart.

An album of duets, Forever Cool, was released by Capitol/EMI in 2007. It features Martin's voice with Kevin Spacey, Shelby Lynne, Joss Stone, Big Bad Voodoo Daddy, Robbie Williams, McBride and others.

His footprints were immortalized at Grauman's Chinese Theater in 1964. Martin has three stars on the Hollywood Walk of Fame: one at 6519 Hollywood Boulevard, for movies; one at 1617 Vine, for recordings; and one at 6651 Hollywood Boulevard, for television.

In February 2009, Martin was honored with a posthumous Grammy Lifetime Achievement Award. Four of his surviving children, Gail, Deana, Ricci and Gina, were on hand to accept on his behalf. In 2009, Martin was inducted into the Hit Parade Hall of Fame.

Popular culture[link]

A number of Dean Martin songs have constantly been featured across popular culture for decades. Hit songs such as "Ain't That a Kick in the Head", "Sway","You're Nobody Till Somebody Loves You", "That's Amore", and Martin's signature song "Everybody Loves Somebody" (and many more) have been used in films (such as the Oscar-winning Logorama, A Bronx Tale, Casino, Goodfellas, Payback, and Return to Me), television series (such as American Dad!, Friends, and House MD), video games (such as The Godfather: The Game, The Godfather II, Fallout: New Vegas, and Mafia II), and even fashion shows (such as the Victoria's Secret Fashion Show 2008).

In film and television[link]

• In a 1996 episode of the NBC-TV series Boston Common, actor Anthony Clark pantomimes and dances a routine to Martin's 1960 song, "Ain't That A Kick In The Head?"
• In That '70s show episode, S-6/E-2 "Join Together." When the Forman's were throwing away all of their bad foods and drinks, because of Red's Heart Attack. Red's beloved beer and his meats were taken away and Red's Fresh mouth son, Eric said,"Whoa look at this, it looks like Dean Martin exploded!"
• In the movie A Bronx Tale, Martin's song, "Ain't That A Kick In The Head?", was featured during the scene when C was playing dice.
• A Budweiser TV commercial that premiered during Super Bowl XLI featured Martin's "Ain't That A Kick In The Head?".
• British actor Jeremy Northam portrayed the entertainer in a made-for-TV movie called, Martin and Lewis, alongside Will & Grace's Sean Hayes as Jerry Lewis.
• Martin was portrayed by Joe Mantegna in an HBO movie about Sinatra and Martin titled The Rat Pack. Mantegna was nominated for both an Emmy Award and a Golden Globe Award for the role.
• In the movie Return to Me, three of his recordings are featured: "Good Morning, Life," "Buona Sera" and "Return to Me".
• Danny Gans portrayed Martin in the miniseries Sinatra.
• In the pilot episode of White Collar, Peter refers to Neal as "Dino", referencing the newly-found Sy Devore suits that Neal now wears – made famous by the "Rat Pack".
• In the movie Pulp Fiction, Mia Wallace and Vincent Vega go out to dinner at "Jack Rabbit Slim's" – she chooses "Martin and Lewis", and a $5 milkshake shows up.
• In the movie Moonstruck, Martin's recording of "That's Amore" plays over both the opening and closing credits.
• In the HBO television series, The Sopranos, in season 6 episode "Johnny Cakes", "That's Amore" is heard when Vito Spatafore is cooking.
• In the Wong Kar-Wai movie 2046, Martin's recording of "Sway" is played extensively.
• In a Royal Automobile Club commercial, "Memories are Made of This" is sung.
• In the 2009, 60's-era French parody film, "OSS 117: Rio Ne Répond Plus... (Lost in Rio)" starring Jean Dujardin, Martin's "Gentle On My Mind" plays during the opening credits scene
• In the 2011 film, Mission: Impossible – Ghost Protocol Martin's song "Ain't That A Kick In The Head?" is used by Cruise to arouse his fellow prisoner's into a riot.

In games and gambling[link]

• Martin is the subject of "Dean Martin's Wild Party", a video slot machine found in some casinos. The game features songs sung by Martin during the bonus game and the count-up of a player's winnings.
• The 2010 video game, Fallout: New Vegas, features Martin's "Ain't that a Kick in the Head?" throughout the game. It can be listened to on the "New Vegas" radio channel and heard on the loud speakers when entering the Vegas Strip. The first quest of the game is named after the same song, as the player character is afflicted with a headshot wound.
• Dean Martin's music is featured on the radios in the video games Mafia II and Godfather II.

In music[link]

• A compilation album called, Amore!, debuted at Number One on Billboard magazine's Top Pop Catalog Albums chart in its February 21, 2009 issue.

Other[link]

• In the Victoria's Secret Fashion Show 2008, "Ain't That A Kick In The Head?" was the opening song from the show.

Discography[link]

Filmography[link]

References[link]

Further reading[link]

• Arthur Marx. Everybody Loves Somebody Sometime (Especially Himself): The story of Dean Martin and Jerry Lewis, New York, NY: Hawthorn Books, 1974, ISBN 978-0-8015-2430-1
• Lewis, Jerry and James Kaplan. Dean & Me (A Love Story). Doubleday, New York, 2005. ISBN 0-7679-2086-4
• Tosches, Nick. Dino: Living High in the Dirty Business of Dreams. Delta Trade Paperbacks, New York, 1992 (1st edition). ISBN 0-385-33429-X
• Smith, John L. The Animal in Hollywood: Anthony Fiato's Life in the Mafia. Barricade Books, New York, 1998. ISBN 1-56980-126-6

External links[link]

Biography portal

Wikimedia Commons has media related to: Dean Martin

• Dean Martin at the Internet Movie Database
• Dean Martin at The Biography Channel
• Cleveland.com: Homegrown Heroes: Dean Martin Timeline
• Dean Works the room at the Sands
• Dean Martin biography/discography on The Interlude Era site
• Radio interview with Deana Martin WSLR

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (October 2011)

Nancy Sinatra
Sinatra circa 1960s.
Background information
Birth name	Nancy Sandra Sinatra
Born	(1940-06-08) June 8, 1940 (age 72)
Origin	Jersey City, New Jersey, United States
Genres	Rock, pop
Occupations	Singer Actress Author
Instruments	Vocals
Years active	1961–present
Labels	Boots Enterprises, Inc. Reprise Records RCA Records Private Stock Elektra Records Cougar Records Buena Vista Records Attack Records
Associated acts	Frank Sinatra, Lee Hazlewood, Frank Sinatra, Jr., Mel Tillis, Morrissey
Website	NancySinatra.com SinatraFamily.com

Nancy Sandra Sinatra (born June 8, 1940) is an American singer and actress. She is the daughter of singer/actor Frank Sinatra, and remains best known for her 1966 signature hit "These Boots Are Made for Walkin'".

Other defining recordings include "Sugar Town", the 1967 number one "Somethin' Stupid" (a duet with her father), the title song from the James Bond film You Only Live Twice, several collaborations with Lee Hazlewood such as "Jackson", and her cover of Cher's "Bang Bang (My Baby Shot Me Down)", which features during the opening sequence of Quentin Tarantino's Kill Bill.

Sinatra began her career as a singer and actress in the early 1960s, but initially achieved success only in Europe and Japan. In early 1966 she had a transatlantic number-one hit with "These Boots Are Made for Walkin'", which showed her provocative but good-natured style, and which popularized and made her synonymous with go-go boots. The promo clip featured a big-haired Sinatra and six young women in tight tops, go-go boots and mini-skirts. The song was written by Lee Hazlewood, who wrote and produced most of her hits and sang with her on several duets, including the critical and cult favorite "Some Velvet Morning". In 1966 and 1967, Sinatra charted with 13 titles, all of which featured Billy Strange as arranger and conductor.

Sinatra also had a brief acting career in the mid-60s including a co-starring role with Elvis Presley in the movie Speedway, and with Peter Fonda in The Wild Angels.

Early life[link]

Sinatra was born in Jersey City, New Jersey, the daughter of singer/actor Frank Sinatra and his first wife, Nancy Barbato Sinatra.

Recording career[link]

1960s[link]

In the late 1950s, Sinatra began to study music, dancing, and voice at the University of California in Los Angeles. She dropped out after a year,^{[citation needed]} and made her professional debut in 1960 on her father's television special, The Frank Sinatra Timex Show: Welcome Home Elvis, welcoming the return of Elvis Presley home from Europe following his discharge from service in the US Army. Nancy was sent to the airport on behalf of her father to welcome Elvis when his plane landed. On the special, Nancy and her father danced and sang a duet, "You Make Me Feel So Young/Old". That same year she began a five-year marriage to Tommy Sands.^{[citation needed]}

Sinatra was signed to her father's label, Reprise Records, in 1961. Her first single, "Cuff Links and a Tie Clip", went unnoticed. However, subsequent singles charted in Europe and Japan. Without a hit in the US by 1965, she was on the verge of being dropped. Her singing career received a boost with the help of songwriter/producer/arranger Lee Hazlewood, who had been making records for ten years, notably with Duane Eddy. Hazlewood became Sinatra's inspiration. He had her sing in a lower key and crafted pop songs for her. Bolstered by an image overhaul — including bleached-blonde hair, frosted lips, heavy eye make-up and Carnaby Street fashions — Sinatra made her mark on the American (and British) music scene in early 1966 with "These Boots Are Made for Walkin'", its title inspired by a line in Robert Aldrich's 1963 western comedy 4 for Texas starring her father and Dean Martin. One of her many hits written by Hazlewood, it received three Grammy Award nominations, including two for Sinatra and one for arranger Billy Strange. It sold over one million copies, and was awarded a gold disc.^[1] The camp promo clip featured a big-haired Sinatra and six young women in loose sweaters, go-go boots and hot pants. The song has been covered by artists such as Geri Halliwell, Megadeth, Jessica Simpson, Lil' Kim, Little Birdy, Billy Ray Cyrus, Faster Pussycat, KMFDM, Symarip, Operation Ivy and the Del Rubio Triplets and The Supremes.^{[citation needed]}

A run of chart singles followed, including the two 1966 Top 10 hits "How Does That Grab You, Darlin'?" (#7) and "Sugar Town" (#5). "Sugar Town" became her second million seller.^[1] The ballad "Somethin' Stupid" — a duet with her father — hit #1 in the US and the UK in April 1967 and spent nine weeks at the top of Billboard's easy listening chart. It earned a Grammy Award nomination for Record of the Year and remains the only father-daughter duet to hit No.1 in the US It became Sinatra's third million-selling disc.^[1] Other 45s showing her forthright delivery include "Friday’s Child" (#36, 1966), and the 1967 hits "Love Eyes" (#15) and "Lightning’s Girl" (#24). She rounded out 1967 with the raunchy but low-charting "Tony Rome" (#83) — the title track from the detective film Tony Rome starring her father — while her first solo single in 1968 was the more wistful "100 Years" (#69).

Sinatra enjoyed a parallel recording career cutting duets with the husky-voiced, country-and-western-inspired Hazlewood, starting with "Summer Wine" (originally the B-side of "Sugar Town"). Their biggest hit was a cover of the country song, "Jackson". The single peaked at #14 on the Billboard Hot 100 in the summer of 1967, when Johnny Cash and June Carter Cash also made the song their own. In December they released the "MOR"-psychedelic single "Some Velvet Morning", regarded as one of the more unusual singles in pop, and the peak of Sinatra and Hazlewood’s vocal collaborations. It reached #26 in the US. The promo clip is, like the song, sui generis. The British broadsheet The Daily Telegraph placed "Some Velvet Morning" in pole position in its 2003 list of the Top 50 Best Duets Ever. ("Somethin' Stupid" ranked number 27).^[2]

In 1967 she recorded the theme song for the James Bond film You Only Live Twice. In the liner notes of the CD reissue of her 1966 album, Nancy In London, Sinatra states that she was "scared to death" of recording the song, and asked the songwriters: "Are you sure you don't want Shirley Bassey?" There are two versions of the Bond theme. The first is the lushly orchestrated track featured during the opening and closing credits of the film. The second – and more guitar-heavy — version appeared on the double A-sided single with "Jackson", though the Bond theme stalled at #44 on the Billboard Hot 100.^{[citation needed]}

In 1966 and 1967 Sinatra traveled to Vietnam to perform for the troops. Many US soldiers adopted her song "These Boots Are Made for Walkin'" as their anthem, as shown in Pierre Schoendoerffer's academy award winning documentary The Anderson Platoon (1967) and reprised in a scene in Stanley Kubrick's Full Metal Jacket (1987). Sinatra recorded several anti-war songs, including "My Buddy", featured on her album Sugar, "Home", co-written by Mac Davis, and "It's Such A Lonely Time of Year", which appeared on the 1968 LP The Sinatra Family Wish You a Merry Christmas. In 1988 Sinatra recreated her Vietnam concert appearances on an episode of the television show China Beach. Today, Sinatra still performs for charitable causes supporting US veterans who served in Vietnam, including Rolling Thunder Inc..^{[citation needed]}

Films and television[link]

Sinatra starred in three teen musicals (otherwise known as 'beach party' films) — For Those Who Think Young (1964), Get Yourself a College Girl (1964) and The Ghost in the Invisible Bikini (1966) — the latter of which featured her in a singing role. She was also scheduled to appear in the role that went to Linda Evans in Beach Blanket Bingo, but was unable. In 1966 she also starred in Roger Corman's The Wild Angels with Peter Fonda and Bruce Dern, and in 1968 she shared the screen with Elvis Presley in Speedway — her final film. She was the only singer to have a solo song on an Elvis album or soundtrack while he was still alive. Since his death, several previously unreleased Ann-Margret solo recordings have appeared on Elvis albums, but Sinatra's was the first.^{[citation needed]}

She also made appearances on The Ed Sullivan Show, The Smothers Brothers Comedy Hour, The Man from U.N.C.L.E., and Rowan & Martin's Laugh-In, The Virginian and starred in television specials. These include the Emmy-nominated 1966 Frank Sinatra special A Man and His Music - Part II,^{[citation needed]} and the 1967 NBC Emmy Award nominated for 'Special Classification of Individual Achievements' by choreographer David Winters TV special Movin' With Nancy, in which she appeared with Lee Hazlewood, her father and his Rat Pack pals Dean Martin and Sammy Davis, Jr., with a cameo appearance by her brother Frank Sinatra, Jr. and guest star appearance by West Side Story dancer David Winters. At one point in the video, Nancy shared a kiss with Sammy Davis, Jr. She has stated "The kiss [was] one of the first interracial kisses seen on television and it caused some controversy then, and now. [But] contrary to some inaccurate online reports, the kiss was unplanned and spontaneous."^[3] The special also features Winters' choreography, dancing and dancers. As there was no Emmy Award category for Choreography – the shows Emmy Nomination was placed in the 'Special Classification of Individual Achievements' category. Possibly due to this specials success and its choreography a new category for 'Outstanding Choreography' was created by the Emmys the next year.^[4] Movin' With Nancy was sponsored by Royal Crown Cola.^{[citation needed]}

1970s and 1980s[link]

Sinatra remained with Reprise until 1970. In 1971, she signed with RCA, resulting in three albums: Nancy & Lee – Again (1971), Woman (1972), and a compilation of some of her Reprise recordings under the title This Is Nancy Sinatra (1973). That year she released a non-LP single, "Sugar Me" b/w "Ain't No Sunshine". The former was written by Lynsey De Paul/Barry Blue and, with other covers of works by early-70s popular songwriters, resurfaced on the 1998 album How Does It Feel.^{[citation needed]}

In the autumn of 1971 Sinatra and Hazlewood’s duet "Did You Ever?" reached number two in the UK singles chart. In 1972 they performed for a Swedish documentary, Nancy & Lee In Las Vegas, which chronicled their Vegas concerts at the Riviera Hotel and featured solo numbers and duets from concerts, behind-the-scenes footage, and scenes of Sinatra's late husband, Hugh Lambert, and her mother.^[5] The film did not appear until 1975.

By 1975 she was releasing singles on Private Stock, which are the most sought-after by collectors. Among those released were "Kinky Love", "Annabell of Mobile", "It's for My Dad," and "Indian Summer" (with Hazlewood). "Kinky Love" was banned by some radio stations in the 1970s for "suggestive" lyrics. It saw the light of day on CD in 1998 on Sheet Music: A Collection of Her Favorite Love Songs. Pale Saints covered the song in 1991.^{[citation needed]}

By the mid-1970s, she slowed her musical activity and ceased acting to concentrate on being a wife and mother. She returned to the studio in 1981 to record a country album with Mel Tillis called Mel & Nancy. Two of their songs made the Billboard Country Singles Chart: "Texas Cowboy Night" (#23) and "Play Me or Trade Me" (#43).^{[citation needed]}

In 1985, she wrote the book Frank Sinatra, My Father.

1990s–present[link]

At 54 she posed for Playboy in the May 1995 issue and made appearances on TV shows to promote her album One More Time. The magazine appearance caused some controversy. On the talk show circuit, she said her father was proud of the photos. Those close to the Sinatras claimed that family members were upset with the nude photo spread. Nancy told Jay Leno on a 1995 Tonight Show that her daughters gave their approval, but her mother said she should ask her father before committing to the project. Nancy claims that when she told her father what Playboy would be paying her, he said, "Double it."^{[citation needed]}

She and Lee Hazlewood embarked on a US tour playing the House of Blues, the Viper Room, the Whiskey-a-Go-Go, the now-defunct Mama Kin in Boston, the Trocadero in Philadelphia, and The Fillmore.^{[citation needed]}

That year, Sundazed Records began reissuing Sinatra's Reprise albums with remastered sound, new liner notes and photos, and bonus tracks. She also updated her biography on her dad and published Frank Sinatra: An American Legend.^{[citation needed]}

In 2003 she reunited with Hazlewood once more for the album Nancy & Lee 3. It was released only in Australia.^{[citation needed]}

One of her recordings — a cover of Cher's "Bang Bang (My Baby Shot Me Down)" — was used to open the 2003 Quentin Tarantino film Kill Bill: Vol. One. In 2005, Sinatra's recording was sampled separately by the Audio Bullys and Radio Slave into dance tracks (renamed into "Shot You Down" and "Bang Bang" respectively), and by hip-hop artist Young Buck in a song titled "Bang Bang", as well as covered for a single and music video by R&B artist Melanie Durrant. Sinatra recorded the song for her second Reprise album, How Does That Grab You? in 1966. She and Billy Strange worked on the arrangement, and it was Sinatra's idea to change from a mid-tempo romp (as sung in Cher's hit single) to a ballad. Sinatra's father asked her to sing it on his 1966 TV special A Man and His Music - Part II. The footage of Sinatra's performance on that special was used in the Audio Bullys' music video of "Shot You Down."^{[citation needed]}

Taking her father's advice from when she began her recording career ("Own your own masters"), she owns or holds an interest in most of her material, including videos.^[3]

In 2004 she collaborated with former Los Angeles neighbour Morrissey to record a version of his song "Let Me Kiss You", which was featured on her autumn release Nancy Sinatra. The single — released the same day as Morrissey’s version — charted at #46 in the UK, providing Sinatra with her first hit for over 30 years. The follow-up single, "Burnin' Down the Spark", failed to chart. The album, originally titled To Nancy, with Love, featured rock performers such as Calexico, Sonic Youth, U2, Pulp's Jarvis Cocker, Steven Van Zandt, Jon Spencer, and Pete Yorn, who all cited Sinatra as an influence. Each artist crafted a song for Sinatra to sing on the album.^{[citation needed]}

Two years later EMI released The Essential Nancy Sinatra – a UK-only greatest-hits compilation featuring the previously unreleased track, "Machine Gun Kelly". The collection was picked by Sinatra and spans her 40-year career. The record was Sinatra's first to make the UK album charts (#73) in 30 years.^{[citation needed]}

Sinatra, also recorded "Another Gay Sunshine Day" for Another Gay Movie in 2006.^{[citation needed]}

Nancy received her own star on the Hollywood Walk of Fame on May 11, 2006, which was also declared "Nancy Sinatra Day" by Hollywood’s mayor, Johnny Grant.^{[citation needed]}

Sinatra appeared, as herself, on one of the final episodes (Chasing It) of the HBO mob drama The Sopranos. Her brother, Frank Jr., had previously appeared in the 2000 episode The Happy Wanderer.^{[citation needed]}

Nancy Sinatra recorded a public service announcement for Deejay Ra's 'Hip-Hop Literacy' campaign, encouraging reading of Tarantino screenplays and related books.^{[citation needed]}

September 2009 saw the release of Nancy's digital-only album Cherry Smiles: The Rare Singles, featuring previously unreleased tracks and songs only available on 45.^{[citation needed]}

Nancy now hosts a weekly show on Sirius Satellite Radio, Siriusly Sinatra, where she shares her personal insights about her father.^[3]

Family[link]

Marriage:

• Tommy Sands, 1960–1965 (divorced)
• Hugh Lambert, 1970–1985 (deceased)

Children (by her second husband):

• Angela Jennifer Lambert (whose godparents are James Darren and his second wife Evy Norlund)
• Amanda Kate Lambert

Discography[link]

Filmography[link]

• For Those Who Think Young (1964)
• Get Yourself A College Girl (1964)
• Marriage on the Rocks (1965)
• The Ghost in the Invisible Bikini (1966)
• The Last of the Secret Agents? (1966)
• The Oscar (1966)
• The Wild Angels (1966)
• Speedway (1968)

References[link]

External links[link]

• Nancy Sinatra's Official Website
• Nancy Sinatra on Myspace (Official)
• Nancy Sinatra at the Internet Movie Database
• Sinatra Family Official Website
• Article on Nancy and her music
• Kugel, Allison. "Nancy Sinatra: Interview – The Promise She Made Her Father, Praising Mia Farrow & Embracing Social Media". http://www.pr.com/article/1174.  (April 2011)

Robbie Williams
Williams performing as part of the Progress Live tour in May 2011
Background information
Birth name	Robert Peter Williams
Born	(1974-02-13) 13 February 1974 (age 38) Stoke-on-Trent, Staffordshire, England
Genres	Pop rock, soft rock, dance
Occupations	Singer-songwriter, musician, vocal coach, record producer, actor
Instruments	Vocals, guitar, bass guitar, synthesiser, drums, piano, violin, harmonica, marimba
Years active	1990–present
Labels	Universal (2011–present) Virgin (2009–2010) Chrysalis (1996-2008)
Associated acts	Take That
Website	robbiewilliams.com

Robert Peter "Robbie" Williams^[1] (born 13 February 1974) is an English singer-songwriter, vocal coach and occasional actor. He is a member of the pop group Take That.

Williams rose to fame in the band's first run in the early- to mid-1990s. After many disagreements with the management and certain group members, Williams left the group in 1995 to launch his solo career. On 15 July 2010, it was announced he had rejoined Take That and that the group intended to release a new album in November 2010^[2][3] which became the second fastest-selling album of all-time in UK chart history^[4] and the fastest-selling record of the century.^[5]

Williams has sold over 70 million records worldwide, which ranks him among the best-selling music artists worldwide.^[6] He is the best-selling British solo artist in the United Kingdom and the best selling non-Latino artist in Latin America. Six of his albums are among the top 100 biggest-selling albums in the United Kingdom. He has also been honoured with seventeen BRIT Awards—more than any other artist—and seven ECHO Awards. In 2004, he was inducted into the UK Music Hall of Fame after being voted as the "Greatest Artist of the 1990s."

Life and career[link]

1974–89: Early life[link]

Williams was born to Peter and Janet Williams in Stoke-on-Trent on 13 February 1974. His parents ran a pub called the Red Lion in the town of Burslem, before his father became the licensee at the Port Vale F.C. Social Club - this led to Williams' lifelong affinity for the team.^[7] Williams attended Mill Hill Primary School in Stoke-on-Trent^[8] then St Margaret Ward Roman Catholic School in Tunstall,^[9] and also attended dance school UKDDF in Tunstall.^{[citation needed]} He participated in several school plays, and his biggest role was that of the Artful Dodger in a production of Oliver!.

1990–95: Take That[link]

In 1990, the sixteen year old Williams was the youngest member to join Take That. According to the documentary Take That: For the Record, his mother read an advertisement seeking members for a new boy band and suggested that he try out for the group. He met fellow member Mark Owen on the day of his audition/interview with Nigel Martin-Smith. During the heights of the band's popularity, Williams was known as the extrovert and practical joker of the band. Although the majority of the band's material was written and performed by Gary Barlow, Williams did perform lead vocals on their first Top Ten hit "Could It Be Magic", "I Found Heaven", and "Everything Changes". However, he had conflicts with Martin-Smith over the restrictive rules for Take That members, and he began drinking more alcohol and dabbling in cocaine.

In July 1995, Williams's drug abuse had escalated to the point of his having a near drug overdose the night before the group was scheduled to perform at the MTV Europe Music Awards. According to the documentary For the Record, he stated that he was unhappy with his musical ideas not being taken seriously by lead singer Barlow and Nigel Martin-Smith, because his desire to explore hip hop and rap conflicted with the band's usual ballads. Barlow explained in interviews that Williams had given up trying to offer creative input and merely did as he was told. As well as Williams's friction with the management of the band, Jason Orange had problems with his increasingly belligerent behaviour, his lack of interest in performing, and his frequent habit of missing the band's rehearsals.

Both Orange and Barlow confronted Martin-Smith about the internal conflict, because they did not want him dropping out while touring and before any possible future touring of America, which never took place. During one of the last rehearsals before the tour commenced, the group confronted Williams about his attitude and stated they wanted to do the tour without him. He agreed to quit the band and left; it would be the last time for twelve years that they were all together. Despite the departure of Williams, Take That completed their Nobody Else Tour as a four-piece band. They later disbanded on 13 February 1996, Williams's 22nd birthday.

Shortly afterwards, Williams was photographed by the press partying with the members of Oasis at Glastonbury Festival. Following his departure, he became the subject of talk shows and newspapers as he acknowledged his plans to become a solo singer, and he was spotted partying with George Michael in France. However, a clause in his Take That contract prohibited him from releasing any material until after the group was officially dissolved, and he was later sued by Martin-Smith and forced to pay $200,000 in commission. After various legal battles over his right to a solo career, Williams was victorious in getting released from his contract with BMG. On 27 June 1996, Williams formally announced that he had signed with Chrysalis Records.

[edit] 1996–98: Life Thru a Lens and I've Been Expecting You

After leaving Take That, Williams launched his solo career starting off in 1996 by covering George Michael's "Freedom", the single reached number two in the UK Singles Chart.^[10]

Recordings for Williams's first album began at London's Maison Rouge studios in March 1996. Shortly after his introduction to Guy Chambers, Williams released "Old Before I Die" which would be the first single taken from his début album. The single reached number two on the UK Charts;^[10] however, it was largely ignored on international charts.

His debut album, Life Thru a Lens, was released in September 1997. The album launched with his first live solo gig at the Élysée Montmartre theatre in Paris, France. The album debuted at number eleven of the UK Album Charts.

Williams released what would be the fourth single taken from his album. "Angels" became Williams' best-seller in the United Kingdom.^[11] The song, apart from becoming a hit around Europe and Latin America, caused sales of his album to skyrocket. The album remained inside the British top ten for forty weeks and spent 218 weeks there altogether, making it the 58th best selling album in UK history with sales of over 2.4 million.^[12] The album eventually managed to sell over three million copies in Europe.^[13]

Williams and Chambers started writing the second album in Jamaica in early 1998. The first single, "Millennium", became Williams' first solo number one single in the United Kingdom.^[14] It also became a top twenty hit in many European countries, Latin America and Australia.^[15]

When the album I've Been Expecting You was released in late October 1998, it débuted at number one in the UK Albums Chart.^[14] The album received more attention outside the United Kingdom, leaving its mark in the European and Latin American markets with hits such as "No Regrets", a collaboration with The Pet Shop Boys' singer Neil Tennant and The Divine Comedy's Neil Hannon.

A cover of a track from World Party's album, Egyptology, became Williams' second number one hit in the UK.^[14] Williams finished the year with a European Tour late in 1999.

The album I've Been Expecting You sold almost 3 million copies in the UK and was certified 10x Platinum by the BPI.^[16] In Europe, the album sold over 4 million copies.^[17]

[edit] 1999–2001: Sing When You're Winning and Swing When You're Winning

In 1999, Williams was signed to Capitol Records in the United States, a part of EMI. He embarked on a US promotional tour and released his first U.S. and Canadian single, "Millennium". The album The Ego Has Landed was released in July 1999 in the United States and Canada.

Williams in London in 2000, gesturing to a paparazzo photographer.

In the middle of promotion and the tours in 1999, Williams began work on his third studio album. This time he had finally found his inner confidence.^[18]

The first single taken from the album was "Rock DJ", a song inspired by Williams's UNICEF mentor, the late Ian Dury. The video showed Williams in an attempt to get noticed by a group of females, first stripping and then tearing chunks of skin and muscle from his body, and caused controversy in the United Kingdom and many other countries. The video was edited by Top of the Pops for its graphic content and many other channels followed suit.^[19] The song became an instant hit, reaching number one in the UK (becoming his third number one single as a solo artist) and New Zealand. The song went on to win "Best Song of 2000" at the MTV Europe Music Awards, "Best Single of the Year" at the BRIT Awards and an MTV Video Music Award for Best Special Effects.

When the album, Sing When You're Winning was released in August 2000, it topped the charts in many different countries.^[20] In the UK the album was certified 2x Platinum on its first week of release.^[21]

After the success of his third album, Williams wanted to take another musical direction. He took two weeks off from his tour to record what would be his fourth studio album, a big band album.^[22] Born from his life-long love for Frank Sinatra – combined with the success of the track "Have You Met Miss Jones?" that he recorded for the film Bridget Jones' Diary in early 2001 – the album was recorded at Capitol Studios in Los Angeles.

Williams took the chance to duet with his long-time friend Jonathan Wilkes, Little Voice star Jane Horrocks, Saturday Night Live star Jon Lovitz, Rupert Everett and actress Nicole Kidman. The first single released from the album was a duet with Kidman, on "Somethin' Stupid". Originally a hit for Frank and Nancy Sinatra, the song became Williams' fifth number one hit in the UK.^[23] It eventually went on to become one of the biggest hits of 2001.^[24]

When the album Swing When You're Winning (in reference to his 2000 studio album Sing When You're Winning) was released in late 2001, it became an instant hit in the UK, Ireland, New Zealand, Austria, Germany and Switzerland.^[25]

"Beyond the Sea" was featured over the credits of the film Finding Nemo in 2003 and was also released on the film's soundtrack CD.

A DVD called Robbie Williams Live at the Albert Hall was released in December of that year. So far, it has become one of the best selling music DVDs in Europe, being certified 6x Platinum in the United Kingdom^[26] and 2x Platinum in Germany.^[27]

[edit] 2002–05: Escapology and Intensive Care

In 2002, Williams signed a record-breaking £80 million contract with EMI.^[28] The contract included a number of provisos, including the label ceding greater creative control to the artist and a commitment to breaking Williams into the US market. So far it is the biggest music deal in British history. The deal was brokered by Ingenious Media, a leading UK corporate finance advisory business.^[29]

Williams began working on what would be his fifth studio album, spending a year in the recording studio. The album heralded a new era for Williams. He had taken a more active role in the making of this album, giving an indication of his growing confidence in the studio. "One Fine Day", "Nan's Song", and "Come Undone" were the first songs that Williams wrote without the input of Guy Chambers. Most of the songs were recorded in Los Angeles.^[29]

The album's first single, "Feel", written by Williams and Chambers, was recorded as a demo. When they started working on the album and were trying to re-record the vocals, Williams felt unsatisfied with it, so he decided to include the demo version and then release it as the first single.^[30] When the single was released in late 2002, it became Williams' biggest international hit, going number one in countries like The Netherlands and Italy, as well as reaching the top ten in almost every single European country.^[31]

When Williams' fifth studio album, Escapology, was released in late 2002, it hit number one in at least 10 countries around the world. In the United States, however, it failed to make such an impact.

Due to the controversial video for the album's second single, "Come Undone", it was heavily censored by MTV Networks Europe for depicting a debauched (but fully clothed) Williams having three-way sex with two women. The video was about some young people having a party and it showed footage of fights, drug taking and alcohol abuse. It also showed unsettling images of insects and reptiles. The uncensored version of the video was released on DVD single in Europe and was also included on the Enhanced CD Single.^[32] BBC Radio 2 also banned the song for its explicit content.^[33] At that time, it was confirmed that Williams and Guy Chambers were to officially split up.^[32]

Escapology sold almost 2 million copies by the end of 2003 in the United Kingdom.^[34]

In October 2003, Williams released his first live album, Live at Knebworth.

In October 2004, Williams released, Greatest Hits, a retrospective of his career, and also, to reveal the new tracks he had been working on with the then-new collaborator, Stephen Duffy.^[35] "Radio", the compilation's first single, debuted at number one in the UK Singles Chart^[14] (becoming Williams' sixth number-one hit). When the compilation was later released it debuted at number one in the UK^[14] and was the best selling album of the year in the UK^[36] and Europe.^[37]

Eight years after the release of "Angels", in February 2005 the British public voted it as the "Best Single of the Past Twenty-Five Years" at the 2005 BRIT Awards.^[38]

After touring Latin America in late 2004 for the promotion Greatest Hits, Williams started working on his sixth studio album. Recorded at his house in the Hollywood Hills, the album was co-written by Stephen Duffy over the course of 24 months.^[39]

The track "Ghosts" was inspired by the Human League's "Louise", about a man who breaks off a relationship with his partner and realises he still has strong feelings for her.^[39]

The album Intensive Care was launched in Berlin on 9 October. It became a smash hit around the world.

In November 2005, Williams took home the MTV Europe Music Award for 'Best Male', but also, entered in The Guinness Book of World Records when he announced his World Tour for 2006, selling 1.6 million tickets in one single day.^[40] But after the success, Gary Barlow, Mark Owen, Jason Orange, and Howard Donald had agreed to reunite in Notting Hill, west London, for a preview screening of a documentary about Take That. The documentary screened on ITV1 on 16 November 2005. Unfortunately, according to a source quoted by The Sunday Mirror, "Robbie announced he wasn't coming. The rest of the band were gutted but felt the show had to go on."^[41]

Williams kicked off his Close Encounters World Tour in South Africa in April 2006, when he finished his European leg of the tour. 2.5 million people had seen the show,^[42] and after touring Latin America and Australia the numbers went up to 3 million.

[edit] 2006–09: Rudebox and Reality Killed the Video Star

Robbie Williams in concert in Hamburg, Germany in 2006

Williams released his much anticipated dance/electro album, Rudebox, on 23 October 2006. It featured collaborations with the Pet Shop Boys, William Orbit, Soul Mekanik, Joey Negro, Mark Ronson, Chris Grierson, The Orr Boys. It received mixed reviews: Allmusic gave it a four star rating, the NME 8 out of 10, and Music Week and MOJO were equally positive,^[43] but it received much weaker reviews from some of the British press.

The first single, "Rudebox", was premièred on radio by Scott Mills on his show on BBC Radio 1. The event caused some controversy, as the record label's embargo date was broken, although Williams himself later backed the presenter for doing so. More controversy followed due to the first single's radical change of direction when compared to his older releases. British newspaper The Sun named the song "The Worst Song Ever".^[44] However, Victoria Newton stated that there were sure-fire hits on the album.^[45]

Robbie Williams at a concert in Vienna, Austria in 2006.

The album sold 2x Platinum in Europe with sales of over 2 million making it the fastest platinum-selling album of 2006.^[46] The album finished at number eighteen in the list of 2006's best selling albums worldwide. Neil Tennant claimed the album had sold 4.5 million copies by early 2007.^[47]

To promote his album, Williams commissioned a series of short films.^[48] Goodbye to the Normals was directed by Jim Field Smith and features "Burslem Normals" by Robbie Williams.

On 4 October 2007, Williams made a guest appearance at Mark Ronson's concert in Los Angeles, performing The Charlatans' "The Only One I Know", which features on Ronson's album Version.

Rumours of a new studio album co-written with Guy Chambers surfaced in early 2007, along with known commitments required by Williams to his EMI contract. British singer-songwriter Laura Critchley commented that she had sung vocals for three songs, and said that it would not be released until 2009.^[49]

On 16 January 2008 UK tabloid The Sun announced that Williams had been working on some songs with The Blockheads member Chaz Jankel. The article went on to state that the reunion with Chambers hadn't worked out and that the material that Williams is working on with Jankel will form the basis of his next studio album.^[50] However, although it had been confirmed on the Blockheads' official site that Jankel was writing with Williams, the rumour that Chambers was no longer working with him was not official. In late August 2008, Williams' friend Callum Blue commented that he was still working on the album.^[51]

Williams performing at ARIA Music Awards of 2009 in Sydney, Australia.

In February 2009, it was confirmed that Williams had written material with Guy Chambers and Mark Ronson. A spokesman said that Williams was planning to begin the recording sessions in March and that the new album would be released in late 2009. This will probably be the last Williams album released by EMI.^[52] On his official website, Williams confirmed that he was working with producer Trevor Horn on his new album, which would eventually be titled Reality Killed the Video Star,^[53] a reference to the song "Video Killed the Radio Star" by Horn's former band The Buggles. The album was released on 9 November 2009 in the United Kingdom.^[54]

On 11 October 2009 Williams published a 12-track compilation album, titled Songbook, as a free CD for the newspaper The Mail on Sunday. The CD is a one-off album of some of his biggest hits - including several rare live performances.^[55] That same evening, Williams made his "comeback" on The X Factor results show, performing his new single "Bodies" for the first time live.^[56]

On 20 October 2009 Williams opened the BBC Electric Proms at the London RoundHouse.^[57] It was his first live concert for 3 years^[58] and was broadcast across 200 cinemas worldwide.^[59] Accompanied by a string section, horn section, full band and producer Trevor Horn, Williams performed several new tracks from Reality Killed the Video Star and older tracks.

Reality Killed the Video Star was previewed in the UK on the Spotify music streaming service on 6 November 2009, and official released on 9 November.^[60] In a high profile chart battle, Williams' album was pitted against X Factor 2008 runners-up JLS who released their debut album the same day. JLS beat Williams to the number one spot by 1500 sales. The album was also released in the United States (Williams' first album to be released there since 2002's Escapology).

In late November 2009, Williams traveled to Australia to perform at the ARIA Music Awards of 2009.

[edit] 2010–2011: In and Out of Consciousness and reunion with Take That

In October 2010 Williams released his second greatest hits album, In and Out of Consciousness: The Greatest Hits 1990–2010, to celebrate 20 years as a performing artist.^[61] A single, "Shame", was also released, which was written and sung by Williams and Barlow.^[61]

On 15 July 2010, Williams announced he was returning to Take That. A joint statement between Williams and the group said "The rumours are true... Take That: the original lineup, have written and recorded a new album, to be called, Progress for release later this year," read the band's statement. "Following months of speculation Gary Barlow, Howard Donald, Jason Orange, Mark Owen and Robbie Williams confirmed they have been recording a new studio album as a five-piece, which they will release in November."^[62]

On 26 August 2010, it was announced Williams would become a guest vocal coach on the ninth series of German reality television show Popstars: Girls forever to teach candidates for a girl group.^[63]

On 20 September 2010, Williams released his second book called "You Know Me" in collaboration with Chris Heath. The book features a collection of photographs of Williams from the past 20 years of his career and discussion of them by Williams as transcribed by Heath.^[64]

In October, Media Control named Williams the most successful album-artist of the millennium due to the fact that he had spent No. 1 on the German Albums Chart for 38 weeks since 2000. He also reached that chart's Top Ten 135 times.^[65]

2011-present: Move to Universal and ninth studio album[link]

In June 2011 Robbie Williams revealed that he has been working with Gary Barlow on a new solo album, that will be produced by Barlow.^[66] Williams confirmed on his official site that he will be doing a new duet.^{[67][citation needed]}

Williams launched a radio show titled Radio Rudebox on 6 October 2011 where he played music and interviewed Gary Barlow.^[68]

On 21 October 2011 Williams announced that he had signed with Universal Music, following his departure from his previous record label EMI in 2010. He said in a statement, "I'm really thrilled to be joining the Universal family at what I think is the most exciting time in my career." The singer's forthcoming ninth studio album is set to be released during the autumn of 2012.^[69]

Other projects[link]

Reunion of Take That[link]

Williams announced in December 2008 that he was planning to relocate to the UK prior to releasing his eighth studio album in late-2009, and a possible reunion with Take That. Photos also showed Williams with his new tattoo of the Take That logo on his right arm, in tribute to his former bandmates.^[70] Williams bought a £7 million home in the village of Compton Bassett, Wiltshire.

On 27 March 2009, Williams stated he felt ready to re-join Take That. He said: "I'm in regular contact with them, even Gaz, and it's looking more likely by the week. The lads all seem up for it and some people think it's a done deal. I think it would be fun."^[71] Williams was eager to re-join the band on their The Circus Live tour, but these plans never materialised. In September 2009, Williams was reported to be working in New York with Take That, however these rumours were never confirmed.^[72]

While it was rumoured that Williams would reunite with Take That on 12 November 2009 for a Children In Need charity concert at The Royal Albert Hall, they merely greeted each other warmly on stage between performances. However, both did join with the other acts in the final song of the evening, with Williams putting his arm around Gary Barlow and singing "Hey Jude". Williams subsequently implied in an interview that a proper reunion was still a distinct possibility. On 15 February 2010, The Sun printed an interview with Williams, stating that he and Take That had been sighted going to an Los Angeles studio together.^[73]

It was announced on 15 July that Williams had rejoined Take That. In November 2010 the Take That album Progress was released, becoming the fastest selling album since 2000 and the second fastest selling album in UK history. Williams explained that the long-standing friction between himself and Gary has been resolved, and how close they now were.^[74]

The band also announced the Progress Live tour which would travel across the UK, including a record breaking 8 nights at Wembley Stadium in London,^[75] then continue across Europe. The tour was the fastest selling in UK history with ticket hotlines and websites crashing under the demand.^[75]

Collaborations[link]

One of his most famous collaborations was on the song "Kids", a duet with Australian pop star Kylie Minogue. The single peaked at number 2 on the UK singles charts in 2000. Williams also collaborated with Australian film star Nicole Kidman on a cover of Frank and Nancy Sinatra's "Somethin' Stupid". The single reached number 1 on the UK singles chart in 2001. His single "No Regrets" featured Neil Tennant, and Neil Hannon on backing vocals.

In 2002, Williams appeared on the track "My Culture" on the 1 Giant Leap album, alongside rapper Maxi Jazz (which features lyrics from the hidden track "Hello Sir" from Life Thru a Lens). Williams also features on a double CD titled Concrete which was released on the same day as Rudebox. The CD features a concert recorded for the BBC featuring the Pet Shop Boys and Williams singing their classic hit "Jealousy". Their joint effort, "She's Madonna", was released as a single in March 2007. On 13 August 2007, a Dean Martin duets album was released, on which Williams sings "Please Don't Talk About Me When I'm Gone". Most recently it was announced that Williams has recorded what is going to be Mexican singer Thalía's first single from her upcoming English-language album.

In 2010 he announced that he was to release "Shame", a duet with Take That lead singer songwriter Gary Barlow as the first single from his greatest hits collection In and Out of Consciousness: The Greatest Hits 1990–2010 which was certified silver in the UK and charted in 19 countries worldwide.

Video game[link]

Williams features in his own karaoke video game, We Sing Robbie Williams which was released on 12 November 2010 by Nordic Games.

Achievements[link]

It has been claimed that Williams has sold more albums in the UK than any other British solo artist in history and has won more BRIT Awards than any other artist to date.^[76] His album sales stands at over 57 million worldwide.^[77][78][79] Williams was entered in The Guinness Book of World Records when, after he announced his World Tour for 2006, 1.6 million tickets were sold in one single day.^[80]

He has been presented many awards, including seventeen BRIT^[81] and seven ECHO awards.^[82] In 2004, he was inducted into the UK Music Hall of Fame, after being voted as the Greatest artist of the 1990s.^[83]

Williams appears in the list of the all-time Top 100 biggest selling albums in the United Kingdom six times.^[36]

In October 2009 it was announced that he would receive the Outstanding Contribution To British Music award at the 2010 BRIT Awards.^[84]

In September 2010 Williams switched on the Blackpool illuminations, stating that it was one of the greatest honours he'd ever achieved.^[85]

Personal life[link]

Since 2006, Williams has spent most of his time in Los Angeles, California.^[86] Williams moved back to the UK in 2009 when he bought an £8.5 million mansion in Compton Bassett, Wiltshire, nearby to close friend Jonathan Wilkes who lives in Swindon. Williams sold the mansion a year later to move back to Los Angeles.^{[citation needed]}

Williams has reportedly battled mental illness, obesity, self-esteem issues, alcoholism, and substance abuse throughout his life.^[87][88] He once discussed how his friend Elton John booked him into a clinic to cope with his drug use that emerged from the depression he was experiencing while still in Take That.^[88] He entered a rehabilitation centre in Tucson for his addiction to the prescription pills Xanax, Seroxat/Paxil, Vicodin, and the energy drink Lucozade in February 2007^[89] Williams used to smoke up to 60 cigarettes a day; he gave up in 2009 for his girlfriend Ayda Field.

Williams has a strong interest in UFOs and related paranormal phenomena, and has pursued this interest during his 2007–08 sabbatical.^[90] His interest in the subject led to him taking part in a documentary for BBC Radio 4 with Jon Ronson. The documentary followed them to a UFO convention in Nevada. During an interview with Joss Stone on The Jeremy Kyle Show in 2008, Williams revealed that while out of his head on dispirin he has seen UFOs three times.^[91] Williams said his first UFO sighting was when he was a child in Britain while he spotted his second in Beverly Hills, and added that the third sighting was just after he had written a song about alien contact.^[91]

On 30 November 2009, Williams' hairdresser Aaron Vickers was found dead in woodland near to Williams' then home in Wiltshire. Vickers first met Williams in Los Angeles after being introduced by their mutual friend Jonathan Wilkes. When Williams bought the £8.5 million mansion in early 2009, Vickers lived at the estate for some months but had recently moved back in with his mother who lives nearby. Vickers was last seen by his boyfriend at 1am on 30 November, and his body was found hanged in the woods the following morning.^[92][93]

Relationships[link]

Since May 2006, Williams has been in a relationship with the Turkish American actress Ayda Field.^[94] They have reportedly been together for almost five years.^[95] Despite several break up stories in the press^[96][97][98] Williams and Field have been spotted together many times.^{[99][100][101]} On 29 January 2008 they were pictured on vacation together at Mammoth Ski Resort in California, accompanied by Max Beesley.^{[102][103][104]} She was featured in a UFO documentary that Williams did for BBC Radio 4 in April^[105] and took part in a field investigation he did in Trout Lake, Washington in August 2008.^[106]

On 8 November 2008, Williams was spotted with Field at football match at the Emirates Stadium home of Arsenal, where he was also seen with Gary Barlow accompanied by his two oldest children, and Williams's longtime friend Jonathan Wilkes.^[107] The couple has been living together in a mansion in Wiltshire since the beginning of 2009 according to The Sun.^[108] In October 2009, Field appeared in the video of Williams comeback single Bodies. Williams has been referring to Field as his "wife" in recent interviews.^[109]

In November 2009, Williams announced to Jonathan Ross that he was 'in love' with Field.^[110] On 26 November 2009, Williams proposed to Ayda Field live on the Australian radio channel 2dayfm in an interview on the Kyle and Jackie O Show.^[111] However, it was later revealed by Williams' manager that it was "done as a joke following suggestions it was a stunt which was set up prior to the radio show." His spokesman confirmed: 'He did say it, but he did it in a jocular manner. They are not engaged.'^[112] A few days later Williams himself denied the engagement, using his official blog to say "Hey all. We are not engaged. Rob.".^[113][114] On 7 August 2010, Williams and Field married at his home in Los Angeles.^[115] On 30 March 2012 Williams announced that he and his wife, Ayda, would become parents for the first time.^[116]

Sexuality[link]

Williams won a libel case against MGN and Northern & Shell in December 2005 relating to articles which had reported he was a closet homosexual.^[117] In the libel action that resulted from this, Williams accepted substantial damages, and the publishers accepted that the stories were untrue. His counsel, Tom Shields QC, told the court, "Mr Williams is not, and has never been, homosexual." Gay rights campaigner Peter Tatchell called for any damages paid out from the libel case to be donated to gay charities, claiming Williams' legal actions had created the impression that it is "bad to be gay."^[118] Williams responded that he was not bothered about being labelled as a gay man, and he would have taken the same action had it been regarding a heterosexual relationship. In 2008, Williams's friend, actor Max Beesley, rejected claims that Williams was gay. Beesley said, "Some of the stuff written about him is enough to make me mad, the rumours about him being gay, for example. Not true. I've never met anybody less gay in my life!"^[119]