10:00
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Mexican Music - Pop-Rock, And Some Tecno from Mexico
mexican music like mexican pop-rock and, mostly pop, and some tecno...
published: 16 Feb 2010
author: fanaticom0narca81
Mexican Music - Pop-Rock, And Some Tecno from Mexico
mexican music like mexican pop-rock and, mostly pop, and some tecno
published: 16 Feb 2010
views: 37165
2:40
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Mexican Pop Singer
Jimena is a Mexican pop singer. In June 2001, Jimena was signed to Crescent Moon Records, ...
published: 04 Sep 2008
author: Pacito4u
Mexican Pop Singer
Jimena is a Mexican pop singer. In June 2001, Jimena was signed to Crescent Moon Records, record label co-owned by Emilio Estefan and Sony Music. Her first album was Jimena, which included 10 songs, seven of which she wrote. The single Maldita ignorancia was released in three versions, norteña, ranchera and cumbia. She has worked with and trained with Eugenia Sutti, Patricia Reyes Spíndola, Luis Felipe Tovar, Savior Sánchez, and Natalia Travena. In 2003 she signed an additional contract with Univision Music. Her second album, En Soledad was also produced by Emilio Estefan. She has been nominated for several awards, including Premios Lo Nuestro in 2004 for Artista Revelación and in 2006 for Singer of the Year, sharing the nomination alogside Paulina Rubio, Laura Pausini and Julieta Venegas. She has performed in numerous important venues, including the Madison Square Garden, Miami Sand, Staples Center in Los Angeles. She was a special guest in the 2004, having been invited by president George W. Bush to perform in the White House. In 2008, she started serving as a judge on the fifth season of Objetivo Fama, a Puerto Rican show similar to American Idol. She had served as a guest judge on the previous season for several shows here her video clip NO ME CULPES
published: 04 Sep 2008
author: Pacito4u
views: 17054
7:08
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K-pop Thrills Mexico [Arirang Today]
Hallyu has been attracting more and more Mexican fans to Korean TV and music over the past...
published: 19 Dec 2011
author: arirangtoday
K-pop Thrills Mexico [Arirang Today]
Hallyu has been attracting more and more Mexican fans to Korean TV and music over the past decade, and now Korea is recognizing Mexico's potential value as an important center of Hallyu support abroad. Arirang Today will take a look at it.
published: 19 Dec 2011
author: arirangtoday
views: 16616
15:02
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Mexican Music - Rock, Pop And Some Electro from Mexico Vol. 2
mexican music like mexican pop-rock and, mostly pop, and some tecno in a second edition vo...
published: 06 Aug 2012
author: fanaticom0narca81
Mexican Music - Rock, Pop And Some Electro from Mexico Vol. 2
mexican music like mexican pop-rock and, mostly pop, and some tecno in a second edition volume 2
published: 06 Aug 2012
author: fanaticom0narca81
views: 2117
5:43
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Ximena Sariñana - Maps (Yeah Yeah Yeahs cover)
Mexican pop singer Ximena Sariñana stopped by the Rolling Stone studio recently to perform...
published: 21 Sep 2011
author: StepOutAgain
Ximena Sariñana - Maps (Yeah Yeah Yeahs cover)
Mexican pop singer Ximena Sariñana stopped by the Rolling Stone studio recently to perform two songs from her brand new album, Ximena Sariñana, as well as a cover of the Yeah Yeah Yeahs hit "Maps." Source: www.rollingstone.com
published: 21 Sep 2011
author: StepOutAgain
views: 63295
3:08
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Neel c - Dance (song 2011) Pop Mexicano mexican pop
link downloded www.mediafire.com...
published: 28 Jun 2010
author: neelcoffcial
Neel c - Dance (song 2011) Pop Mexicano mexican pop
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Mexican Pop?
*BURRRRRRRPPPPPPPPPPPPP* ahhh :D Mexican pop is what we;re drinkng :D XDDDDDd...
published: 22 Jul 2010
author: VedaandEmilyShow
Mexican Pop?
*BURRRRRRRPPPPPPPPPPPPP* ahhh :D Mexican pop is what we;re drinkng :D XDDDDDd
published: 22 Jul 2010
author: VedaandEmilyShow
views: 437
3:30
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MEXICAN POP SINGER THALIA
Ryan Janek Wolowski Samara Riviera...
published: 15 Oct 2009
author: RyanReporting
MEXICAN POP SINGER THALIA
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Aries Spears - Mexican In Pop Eyes Chicken (HQ)
Aries Spears - Mexican In Pop Eyes Chciken Aries Spears - Mexican In Pop Eyes Chicken Arie...
published: 21 Aug 2012
author: Love4Comedy365
Aries Spears - Mexican In Pop Eyes Chicken (HQ)
Aries Spears - Mexican In Pop Eyes Chciken Aries Spears - Mexican In Pop Eyes Chicken Aries Spears - Mexican In Pop Eyes Chicken Look Im Smiling Aries Spears (born April 3, 1975) is an American stand-up comedian, actor, voice artist, and comedian. Spears was a regular on Fox's sketch comedy series MADtv, appearing in 198 episodes, making him the second longest-serving original cast member on the show. He recently released a new special called Aries Spears: Hollywood, Look I'm Smiling.[c Early life Spears was born in Chicago, Illinois. His mother Doris Spears is a jazz singer. Spears moved to New Jersey at age 11 and attended Arthur M. Judd Elementary School. He became a comedian at 14, performing stand-up comedy in various comedy clubs in New York City. He was expelled for fighting during his sophomore year in North Brunswick Township High School in North Brunswick Township, at age 17.[1] Spears started doing his own comedy routine around his hometown. He is a self-professed Michael Jordan fan. Career Early film and TV roles Spears' first television appearance was on Russell Simmons's Def Comedy Jam, followed by It's Showtime at the Apollo (1987). He moved to Los Angeles in 1992, landed a recurring role on A Different World (1993) and became a regular at The Comedy Store, The Improv and The Laugh Factory. Other television credits include Crosstown Traffic, The Adventures of Brisco County, Jr. (1993) and Soul Train. At 17, Spears landed a part in the movie Malcolm X ...
published: 21 Aug 2012
author: Love4Comedy365
views: 14263
3:40
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U2 Pride (in the name of love) (Pop Mart Tour Mexico)
U2 Pride (in the name of love) (Pop Mart Tour Mexico)...
published: 14 Mar 2008
author: Juan Jose Colin Arciniega
U2 Pride (in the name of love) (Pop Mart Tour Mexico)
U2 Pride (in the name of love) (Pop Mart Tour Mexico)
published: 14 Mar 2008
author: Juan Jose Colin Arciniega
views: 93195
4:45
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mexican music (pop) - musica mexicana
1 - Belanova 2 - Paulina Rubio 3 - Mariana Ochoa 4 - RBD 5 - Gloria Trevi 6 - Moderatto 7 ...
published: 23 Jul 2009
author: alsr0011
mexican music (pop) - musica mexicana
1 - Belanova 2 - Paulina Rubio 3 - Mariana Ochoa 4 - RBD 5 - Gloria Trevi 6 - Moderatto 7 - Ximena Sariñana 8 - Fey 9 - Sussie 4 10 - Natalia Lafourcade 11 - Thalía 12 - Maná 13 - Luis Miguel 14 - Maria Daniela y su sonido lasser 15 - Kabah 16 - Alexander Acha 17 - Zoé 18 - Alejandro Fernandez 19 - Iskander 20 - OV7
published: 23 Jul 2009
author: alsr0011
views: 16319
5:17
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Mogwai - Mexican Grand Prix
Mogwai! www.subpop.com Hardcore Will Never Die, But You Will www.subpop.com...
published: 10 Feb 2011
author: subpoprecords
Mogwai - Mexican Grand Prix
Mogwai! www.subpop.com Hardcore Will Never Die, But You Will www.subpop.com
published: 10 Feb 2011
author: subpoprecords
views: 93636
Vimeo results:
7:05
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THE ARMY OF LUCK, OR THE GLOBAL PURSUIT OF HAPPINESS
The Maneki Neko (jap., literally Beckoning Cat; aka Lucky Cat, Money Cat) is a common Japa...
published: 19 Mar 2012
author: boris petrovsky
THE ARMY OF LUCK, OR THE GLOBAL PURSUIT OF HAPPINESS
The Maneki Neko (jap., literally Beckoning Cat; aka Lucky Cat, Money Cat) is a common Japanese figurine which is believed to bring luck, attract customers and bring prosperity. The Lucky Cat waves with the raised left paw and holds a historic coin in front of itself with the right one. The Lucky Cat as talisman and selling product is wide-spread in Asia and meanwhile almost all over the world.
Luck is associated here with monetary and material prosperity.
For tourists the Lucky Cat became a kind of pop style Manga character which appears in growing numbers in western private households. As kitschy-petite like exotic souvenir it refers to a certain idea of western lifestyle.
The material element of the installation»The Global Pursuit of Happiness, or: The Army of Luck« is the »Lucky Cats' Matrix«. It contains 520 shiny golden XXL Lucky Cats made of plastics which are arranged in 40 rows and 13 columns on a ramp-like stand made of aluminum (W 8 m, H 3 m, D 2 m).
Visitors experience the Lucky Cats' Matrix as a dot-matrix display which consists of 520 waving paw grid points as its »pixels«. In each cat a servomotor is built in to control the paws move exactly in position and speed.
The visitors are requested imaginarily by the cats to interact as users: "Your concept of happiness is our lucky command. Write it on the keyboard".
Words and sentences up to 40 characters can be put in and are displayed clearly visible with the paws letter by letter as sliding text marquee. So to say, the users »choreograph« the Lucky Cats performance wordwise. Literally it is the »inscription« of an idea of happiness or a wish in the Lucky Cats' bodies by moving their paws forward and backward.
For users, the Lucky Cats become multiplied »avatars« in the world of chance and happiness. But the Lucky Cats are also able to perform spontaneously as well: they can show 25 different salutatory and signalizing gestures as well as mass movements like the »Mexican Wave« or an ecstatic »hyperkinesis«. Every displayed sentence triggers audio events – sound samples of mass or group events, like entertainment shows, political speeches, demonstrations, sport events, parades, accidents, etc. from the beginning of the last century until today. The sounds express auditorily different states of mind, like joy, euphoria, desire, fear, hate, aggression and resignation, astonishment, outrage, pain, panic, desperation and fanatical excitement. The sounds are played in random order and unpredictable combinations. Different contexts and changing settings are emerging.
Are the Lucky Cats »one-armed bandits«? Or is it a gesture in the context of a political or religious movement? Is it a just a happy waving of the fun-loving, hedonistic society? Or is the assembly of Lucky Cats a revolutionary deployment of »wish machines« as »army of luck« or is it just another marketing campaign?
The lined up, gold-reflecting mass of the Lucky Cats in the matrix appears almost as an insubstantially copy-paste-animation. The Lucky Cats in the matrix as an industrial made product become an »ornament of the masses« for repetetive-stererotype and globalized-industrialized ideals. Do we need more and more Lucky Cats to generate more and more prosperity for more and more people?
Boris Petrovsky 2012
www.petrovsky.de
Video and post production: Nina Martens www.stereomorph.net
Location: Art Fair »Art Karlsruhe 2012«, Karlsruhe (Germany), one artist show, gallery ABTART, Stuttgart
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Mogwai - Mexican Grand Prix
Mogwai!
http://www.subpop.com/artists/mogwai
Directed by Danny McConnell for Square Lips....
published: 10 Feb 2011
author: Sub Pop Records
Mogwai - Mexican Grand Prix
Mogwai!
http://www.subpop.com/artists/mogwai
Directed by Danny McConnell for Square Lips.
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GESTALT WORK ON AWARENESS (HQ) - PART גשטאלט - מודעות - חלק 1
HQ. gestalt work on awareness, part 1. hebrew subtitles added.
BY FRANKLYN WEPNER ...
published: 13 Aug 2011
author: franklyn wepner
GESTALT WORK ON AWARENESS (HQ) - PART גשטאלט - מודעות - חלק 1
HQ. gestalt work on awareness, part 1. hebrew subtitles added.
BY FRANKLYN WEPNER SEPTEMBER 1, 2006
HOW I WORK: GESTALT DREAMWORK AS THEATER AND PROPHECY
GESTALT DREAM WORK AS PREPARATION FOR PERFORMING
Since 1975 I have been using Gestalt work on awareness, dreams and personal relationships as a way to train and direct performers. The basic principle is simple. I use the Gestalt work to peel the onion of layer after layer of social cliches, ego games and unfinished personal business, and then I do the reverse process reconstituting the onion in the form of characters or other artist structures. The existential message of the dream becomes the superobjective or action of the tragedy, and then I build up the way the performer handles the characters and the plot around that.
My usual procedure is to begin the training with three Gestalt sessions, one on one. The first session, two hours long, deals with the three zones of awareness. During the first hour I simply let him relate what he aware of, since I want to know how he operates before I start meddling with his life. This is important since overall during the Gestalt sessions we are peeling the onion of cliches and games to get to authentic action, and later we will need all of those layers to rebuild the onion as characters involved in the unfolding action of a drama. We need his cliche and game layers for the beginning of the action in Act One as much as we need his authentic action at the end of the dramatic action for Acts Four and Five of a tragic drama.
During the second hour of the first Gestalt session on awareness I attempt to guide him towards a balance of the zones of awareness: outer zone awareness of the environment, inner zone awareness of his body, and fantasy zone awareness of his daydreams. The second and third Gestalt sessions are each three hours long, and each is a typical Gestalt dreamwork session as presented by Fritz Perls in Gestalt Therapy Verbatim. The performer tells the dream in the here and now, identifies with (play acts) several of the main images of the dream in dialogues with each other, and experiences the rhythm of contact and withdrawal. That is to say, after each major dialogue of polarized sides of himself (the contact part) he is instructed to close his eyes, enter his body awareness and daydream (the withdrawal phase of the rhythm).
Since my goal is theater as well as healing, whenever possible during the Gestalt dreamwork I encourage lots of expression using sound and movements. I work with a palette of about 200 different types of recorded musical excerpts, and whenever appropriate I ask him if that image or emotional state were part of a movie what sort of music might be the sound track. Then I find something close to that in my palette of musical colors and ask him to express the mood using the music along with his vocalizing and expressive movements. While he is doing the entire session I spend most of my time jotting down near verbatim notes and making stick figures of his poses and movements, since later in the work I will feed all this back to him and encourage him to explore using it as creative material for acting, dance or whatever his medium is. Taping the session is less useful, since then I would need to spend too much time replaying the tapes. Taking notes live forces me to sort out the wheat from the chaff very efficiently, even at the cost of not observing or notating every detail.
WORKING OUT FROM YOUR CENTERS
After the three introductory one on one Gestalt sessions, session number four is for feedback and discussion of the results. I show him in my notes and diagrams all of the stages of competed and uncompleted actions, and together we search for characters in the theater literature that have similar patterns of action. Is he a Hamlet type, or an Oedipus type, for example? In contrast to the usual practice in acting classes, his first acting assignment probably will be a monologue from a serious tragedy, since I want him to begin with a dramatic action with which he can identify totally. In this process he is using his major Gestalt moments as what Michael Chekhov in his book "To The Actor" labels "psychological gestures". Perls calls them the "essences" of a patient's personality, or we can say he is working from his "centers", stretching those sounds, moves and psychological motivations in as many creative directions as he can. I monitor closely to be sure he is not faking it, the way most actors end up doing since they do not have the centers to begin with.
Before the performer begins working with others doing improvs and scenework, there is an important transitional stage in the work in which I help him get comfortable using his very personal Gestalt material freely as creative material. He needs to shift from seeing himself as a patient to enjoying the role of an artist of the
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GESTALT WORK ON AWARENESS WITH BEL part 3 (HQ)
part 3 of a two hour gestalt session on awareness with actress bel baca. the focus here is...
published: 01 Jan 2011
author: franklyn wepner
GESTALT WORK ON AWARENESS WITH BEL part 3 (HQ)
part 3 of a two hour gestalt session on awareness with actress bel baca. the focus here is "the rhythm of contact and withdrawal", alternating between contact with the environment and withdrawal into the void of "not knowing" to discover what fantasies and new ideas are waiting to emerge into awareness there.
TO VIEW OR DOWNLOAD ALL OF MY VIDEOS, PLUS 1500 PAGES OF MY EXPLANATORY ESSAYS (ALL AT NO CHARGE) PLEASE VISIT MY WEBSITE: franklynwepner.com. ALSO PLEASE NOTE MY NEW EMAIL ADDRESS, IF YOU WOULD LIKE TO SHARE WITH ME ANY COMMENTS ABOUT MY WORK: franklynwepner@gmail.com. IN THE LISTING OF VIDEOS THE LETTERS (HQ) REFER TO A HIGHER QUALITY VERSION OF THE VIDEO, WHICH IS AVAILABLE TO YOU IF YOUR COMPUTER CAN HANDLE IT.
BY FRANKLYN WEPNER SEPTEMBER 1, 2006
HOW I WORK: GESTALT DREAMWORK AS THEATER AND PROPHECY
GESTALT DREAM WORK AS PREPARATION FOR PERFORMING
Since 1975 I have been using Gestalt work on awareness, dreams and personal relationships as a way to train and direct performers. The basic principle is simple. I use the Gestalt work to peel the onion of layer after layer of social cliches, ego games and unfinished personal business, and then I do the reverse process reconstituting the onion in the form of characters or other artist structures. The existential message of the dream becomes the superobjective or action of the tragedy, and then I build up the way the performer handles the characters and the plot around that.
My usual procedure is to begin the training with three Gestalt sessions, one on one. The first session, two hours long, deals with the three zones of awareness. During the first hour I simply let him relate what he aware of, since I want to know how he operates before I start meddling with his life. This is important since overall during the Gestalt sessions we are peeling the onion of cliches and games to get to authentic action, and later we will need all of those layers to rebuild the onion as characters involved in the unfolding action of a drama. We need his cliche and game layers for the beginning of the action in Act One as much as we need his authentic action at the end of the dramatic action for Acts Four and Five of a tragic drama.
During the second hour of the first Gestalt session on awareness I attempt to guide him towards a balance of the zones of awareness: outer zone awareness of the environment, inner zone awareness of his body, and fantasy zone awareness of his daydreams. The second and third Gestalt sessions are each three hours long, and each is a typical Gestalt dreamwork session as presented by Fritz Perls in Gestalt Therapy Verbatim. The performer tells the dream in the here and now, identifies with (play acts) several of the main images of the dream in dialogues with each other, and experiences the rhythm of contact and withdrawal. That is to say, after each major dialogue of polarized sides of himself (the contact part) he is instructed to close his eyes, enter his body awareness and daydream (the withdrawal phase of the rhythm).
Since my goal is theater as well as healing, whenever possible during the Gestalt dreamwork I encourage lots of expression using sound and movements. I work with a palette of about 200 different types of recorded musical excerpts, and whenever appropriate I ask him if that image or emotional state were part of a movie what sort of music might be the sound track. Then I find something close to that in my palette of musical colors and ask him to express the mood using the music along with his vocalizing and expressive movements. While he is doing the entire session I spend most of my time jotting down near verbatim notes and making stick figures of his poses and movements, since later in the work I will feed all this back to him and encourage him to explore using it as creative material for acting, dance or whatever his medium is. Taping the session is less useful, since then I would need to spend too much time replaying the tapes. Taking notes live forces me to sort out the wheat from the chaff very efficiently, even at the cost of not observing or notating every detail.
WORKING OUT FROM YOUR CENTERS
After the three introductory one on one Gestalt sessions, session number four is for feedback and discussion of the results. I show him in my notes and diagrams all of the stages of competed and uncompleted actions, and together we search for characters in the theater literature that have similar patterns of action. Is he a Hamlet type, or an Oedipus type, for example? In contrast to the usual practice in acting classes, his first acting assignment probably will be a monologue from a serious tragedy, since I want him to begin with a dramatic action with which he can identify totally. In this process he is using his major Gestalt moments as what Michael Chekhov in his book "To The Actor" labels "psychological gestures". Per
Youtube results:
4:01
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Concrete Blonde - Joey (Live on Dennis Miller Show) 1992
Concrete Blonde - Joey (Live) 1992 Dennis Miller Show...
published: 02 Sep 2010
author: guppy80
Concrete Blonde - Joey (Live on Dennis Miller Show) 1992
Concrete Blonde - Joey (Live) 1992 Dennis Miller Show
published: 02 Sep 2010
author: guppy80
views: 223499
3:27
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Mexico
Band: Cake Album: Prolonging the Magic Song: Mexico Lyrics: I had a match, but she had a l...
published: 17 Sep 2008
author: Swordmaster10
Mexico
Band: Cake Album: Prolonging the Magic Song: Mexico Lyrics: I had a match, but she had a lighter I had a flame, but she had a fire I was bright, but she was much brighter I was high, but she was the sky Oh baby, I was bound for mexico Oh baby, I was bound to let you go I dont know much about cinco de mayo Im never sure what its all about I say I want you, and you dont believe me You say you want me, but Ive got my doubts Oh baby, I was bound for mexico Oh baby, I was bound to let you go I had a match, but she had a lighter I had a flame, but she had a fire I was bright, but she was much brighter I was high, but she was the sky Oh baby, I was bound for mexico Oh baby, I was bound to let you go
published: 17 Sep 2008
author: Swordmaster10
views: 51895
3:18
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popchips: ashton kutcher & guillermo search for popchips' vp of pop culture
popchips is searching for Ashton Kutcher's vp of pop culture -- a one-year paid term offer...
published: 15 Feb 2011
author: popchipsfans
popchips: ashton kutcher & guillermo search for popchips' vp of pop culture
popchips is searching for Ashton Kutcher's vp of pop culture -- a one-year paid term offering a $50000 salary, and the chance work with popchips and Ashton in official pop culture business. the video submissions phase has now ended. but the polls are still open! pop over to www.facebook.com to vote for your favorites! check out Ashton's campaign manager Guillermo from the Jimmy Kimmel Live as he helps search for candidates now through march 9th.
published: 15 Feb 2011
author: popchipsfans
views: 278558
0:24
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Mexican Pop
This is a trick me and my friend Morgan Jeffers invented.We were just screwing around whil...
published: 04 Oct 2008
author: DDDFilms
Mexican Pop
This is a trick me and my friend Morgan Jeffers invented.We were just screwing around while playing skate.It is a combination of a MexicanFlip and a Pop Shovit.If you have ever seen this before,tell me the web address and show so proof.Otherwise dont say anything
published: 04 Oct 2008
author: DDDFilms
views: 1209