A hill is a landform that extends above the surrounding terrain. Hills often have a distinct summit, although in areas with scarp/dip topography a hill may refer to a particular section of flat terrain without a massive summit (e.g. Box Hill, Surrey).

The panoramic view from Connors Hill, near Swifts Creek, Victoria

Terminology[link]

A Khulan (Mongolian Wild Ass) on a hill in the Gobi of Mongolia at sunset.

The distinction between a hill and a mountain is unclear and largely subjective, but a hill is generally somewhat lower and less steep than a mountain. In the United Kingdom geographers historically regarded mountains as hills greater than 1,000 feet (300 m) above sea level, which formed the basis of the plot of the 1995 film The Englishman Who Went Up a Hill But Came Down a Mountain. In contrast, hillwalkers have tended to regard mountains as peaks 2,000 feet (610 m) above sea level: the Oxford English Dictionary also suggests a limit of 2,000 feet (610 m). This has led to Cavanal Hill in Poteau, Oklahoma, receive billing as the "World's Tallest Hill" due to its height of 1,999 feet (609 m). Mountains in Scotland are frequently referred to as "hills" no matter what their height, as reflected in names such as the Cuillin Hills and the Torridon Hills. In Wales, the distinction is more a term of land use and appearance and has nothing to do with height.

A hillock is a small hill. Other words include knoll and (in Scotland, Northern Ireland and northern England) its variant, knowe.^[1]

Artificial hills may be referred to by a variety of technical names, including mound and tumulus.

Hills of the Judean Desert.

Hills may form through a number of geomorphic phenomena: faulting, erosion of larger landforms, such as mountains and movement and deposition of sediment by glaciers (e.g. moraines and drumlins, or by erosion exposing solid rock which then weathers down into a hill. The rounded peaks of hills results from the diffusive movement of soil and regolith covering the hill, a process known as downhill creep.

Areas that would otherwise have hills do not because of glacier cover during the Ice Age. The hills that existed before the ice age were worn down by the ice (and the rocks they carry) and/or the surrounding valleys and hollows were filled in with glacial drift, therefore leaving a level topography. The contrast between the flat plains of northern Indiana, once covered by ice, and the rugged hills of southern Indiana, where the ice never reached, is a result of this. Another example is the Driftless Zone, an island of hilly country that the ice sheets missed, surrounded by glacial plains, also in the American Midwest.

There are various specific names used to describe particular types of hill, based on appearance and method of formation. Many such names originated in one geographical region to describe a type of hill formation peculiar to that region, though the names are often adopted by geologists and used in a wider geographical context. These include:

• Drumlin – an elongated whale-shaped hill formed by glacial action.
• Butte – an isolated hill with steep sides and a small flat top, formed by weathering.
• Tor – a rock formation found on a hilltop; also used to refer to the hill itself, especially in South West England.
• Puy – used especially in the Auvergne, France, to describe a conical volcanic hill.
• Pingo – a mound of earth-covered ice found in the Arctic and Antarctica.

Historical significance[link]

Clouds over hills

Hills have played an important role in history.

Many settlements were originally built on hills, either to avoid or curb floods, particularly if they were near a large body of water, or for defence, since they offer a good view of the surrounding land and require would-be attackers to fight uphill. For example, Ancient Rome was built on seven hills, protecting it from invaders.

In northern Europe, many ancient monuments are sited in heaps. Some of these are defensive structures (such as the hill-forts of the Iron Age), but others appear to have hardly any significance. In Britain, many churches at the tops of hills are thought to have been built on the sites of earlier pagan holy places. The National Cathedral in Washington, DC has followed this tradition and was built on the highest hill in that city.

Military significance[link]

The Battle of Bunker Hill

Hills provide a major advantage to an army, giving them an elevated firing position and forcing an opposing army to charge uphill to attack them. They may also conceal forces behind them, allowing a force to lay in wait on the crest of a hill, using that crest for cover, and firing on unsuspecting attackers as they broach the hilltop.

As a result, conventional military strategies often demand possession of high ground. Hills have become sites for many noted battles, such as the first recorded military conflict in Scotland known as the battle of Mons Graupius. Modern conflicts include the Battle of Bunker Hill (which was actually fought on Breed's Hill) in the American War for Independence and Cemetery Hill and Culp's Hill in the Battle of Gettysburg, the turning point of the American Civil War. The Battle of San Juan Hill in the Spanish-American War won Americans control of Santiago. The Battle of Alesia was also fought from a hilltop fort. Fighting on Mamayev Kurgan during the Battle of Stalingrad and the Umurbrogol Pocket in the Battle of Peleliu were also examples of bloody fighting for high ground. Another recent example is the Kargil War between India and Pakistan.

The Great Wall in China is also an example of an advantage provider; it is built on mountain tops, and was meant to defend against invaders from the north, and among others, Mongolians.

Sports and games[link]

Hillwalkers on Beinn Dearg, Scotland

An example of a golf course in England that has hills

Hillwalking is a British English term for a form of hiking which involves the ascent of hills. The activity is usually distinguished from mountaineering as it does not involve ropes or technically difficult rock climbing, although the terms mountain and hill are often used interchangeably in Britain. Hillwalking is popular in mountainous areas such as the English Peak District or the Scottish Highlands. Many hills are categorised according to relative height or other criteria and feature on lists named after mountaineers, such as Munros (Scotland) or Wainwrights (England). Specific locating activities such as "peak bagging" (or "Munro bagging") involve climbing hills on these lists with the aim of completing (or "compleating") the list.

In golf, the terrain on golf courses is often made more rugged and hilly to make the holes harder to play. For example, the hole may be located at the top of a hill, and the course is designed specifically to make it almost impossible to allow the golf ball to rest near the top; it would roll down, and the player would have to try again.

Cheese rolling is an annual event in the West Country of England which involves rolling a wheel of cheese down a hill. Contestants stand at the top and chase the wheel of cheese to the bottom. The winner, the one who catches the cheese, gets to keep the wheel of cheese as a prize.

Largest man-made[link]

• Blackstrap Ski Hill (45 m (148 ft))^[2]
• Silbury Hill (40 m (130 ft))
• Grizzly Peak (Disneyland Resort) (34 m (112 ft))
• Mount Manisty 100ft
• Monks Mound (30 m (98 ft))
• Mount Gushmore (27 m (89 ft))

Gallery[link]

• 

  Cerro Paranal in Chile is a privileged place for astronomical observation.^[3], and home of ESO's telescopes.

• 

  A coffee plantation on a conical hill near Orosí, Costa Rica.

• 

  Some hills can be quite small, such as this Ant-hill

See also[link]

Look up hill in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: hills

References[link]

This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations. (September 2009)

• Earth Sculpture; Or, The Origin of Land-forms
• The International Geography

Napoleon Hill
Portrait of a young Napoleon Hill
Born	(1883-10-26)October 26, 1883 Pound, Virginia
Died	November 8, 1970(1970-11-08) (aged 87)
Occupation	author, journalist, attorney, lecturer
Nationality	United States
Period	1928–1970
Genres	non-fiction, how-to, treatise
Subjects	personal development, self-help, motivation, finance, investment
Literary movement	personal development, self-help
Notable work(s)	Think and Grow Rich The Law of Success Success Through a Positive Mental Attitude
Influences Andrew Carnegie, W. Clement Stone, Thomas Edison, John D. Rockefeller
Influenced W. Clement Stone Og Mandino
Signature
The Napoleon Hill Foundation naphill.org the napoleon hill foundation
Literature portal

Napoleon Hill (October 26, 1883 – November 8, 1970) was an American author who was one of the earliest producers of the modern genre of personal-success literature. He is widely considered to be one of the great writers on success.^[1] His most famous work, Think and Grow Rich (1937), is one of the best-selling books of all time (at the time of Hill's death in 1970, Think and Grow Rich had sold 20 million copies).^[2] Hill's works examined the power of personal beliefs, and the role they play in personal success. He became an advisor to President Franklin D. Roosevelt from 1933 to 1936. "What the mind of man can conceive and believe, it can achieve" is one of Hill's hallmark expressions.^[3][4] How achievement actually occurs, and a formula for it that puts success in reach of the average person, were the focal points of Hill's books.

Life and works[link]

According to his official biographer, Tom Butler-Bowdon, Napoleon Hill was born in a one-room cabin near the Appalachian town of Pound, in Southwest Virginia.^[5] Hill's mother died when he was eight years old, and his father remarried two years later. At the age of 13, Hill began writing as a "mountain reporter" for small-town newspapers in the area of Wise County, Virginia. He later used his earnings as a reporter to enter law school, but soon he had to withdraw for financial reasons.^[6]

Influence of Andrew Carnegie (1835–1919)[link]

Andrew Carnegie

Hill considered the turning point in his life to have occurred in the year 1908 with his assignment, as part of a series of articles about famous and successful men, to interview the industrialist Andrew Carnegie. At the time, Carnegie was one of the most powerful men in the world. Hill discovered that Carnegie believed that the process of success could be outlined in a simple formula that anyone would be able to understand and achieve. Impressed with Hill, Carnegie asked him if he was up to the task of putting together this information, to interview or analyze over 500 successful men and women, many of them millionaires, in order to discover and publish this formula for success.^[7]

As part of his research, Hill interviewed many of the most famous people of the time, including Thomas Edison, Alexander Graham Bell, George Eastman, Henry Ford, Elmer Gates, John D. Rockefeller, Sr., Charles M. Schwab, F.W. Woolworth, William Wrigley Jr., John Wanamaker, William Jennings Bryan, Theodore Roosevelt, William H. Taft and Jennings Randolph. Hill was also an advisor to two presidents of the United States of America, Woodrow Wilson and Franklin Delano Roosevelt.^[8]

The Philosophy of Achievement[link]

Napoleon Hill holding his book Think and Grow Rich

As a result of Hill's studies via Carnegie's introductions, the Philosophy of Achievement was offered as a formula for rags-to-riches success by Hill and Carnegie, published initially in 1925 as a multi-volume study course called The Law of Success, later re-released in 1928 in an abridged version under the same title. The Achievement formula was detailed further and published in home-study courses, including the seventeen-volume "Mental Dynamite" series until 1941.

Hill later called his personal success teachings "The Philosophy of Achievement", and he considered freedom, democracy, capitalism, and harmony to be important contributing elements to this philosophy. Hill claimed throughout his writings that without these foundations upon which to build, successful personal achievements were not possible. He contrasted his philosophy with others' and thought that the Achievement Philosophy was superior. He felt that it was responsible for the success Americans enjoyed for the better part of two centuries. Negative emotions such as fear, selfishness, etc., had no part to play in his philosophy. Hill considered those emotions to be the source of failure for unsuccessful people.^[9]

The secret of achievement was tantalizingly offered to readers of Think and Grow Rich, but Hill felt readers would benefit most if they discovered it for themselves. Although most readers feel that he never explicitly identified this secret, he offers these words about 20 pages into the book: If you truly desire money so keenly that your desire is an obsession, you will have no difficulty in convincing yourself that you will acquire it. The object is to want money, and to be so determined to have it that you convince yourself that you will have it. . . You may as well know, right here, that you can never have riches in great quantities unless you work yourself into a white heat of desire for money, and actually believe you will possess it.

He presented the idea of a "Definite Major Purpose" as a challenge to his readers in order to make them ask themselves, "In what do I truly believe?" According to Hill, 98% of people had few or no firm beliefs, and this alone put true success firmly out of their reach.^[10]

One of Hill's most moving stories was about his own son, Blair. He tells how his son was an inspiration to him, because although Blair was born without ears, without any normal hearing organs at all, even though his doctor told Hill that his son would neither be able to hear nor speak, Blair grew up to be able to hear and speak almost normally. Hill tells how his son, in his last year of college, picked up the manuscript of chapter two of Think and Grow Rich, discovered Hill's secret for himself and went on to be an inspiration for hundreds and thousands of people who could not hear or speak.^[11]

From 1952 to 1962, Hill taught his Philosophy of Personal Achievement – Lectures on "Science of Success" in association with W. Clement Stone.^[12] In 1960, Hill and Stone co-authored the book, Success Through A Positive Mental Attitude. Norman Vincent Peale stated "These two men [Hill and Stone] have the rare gift of inspiring and helping people...In fact, I owe them both a personal debt of gratitude for the helpful guidance I have received from their writings." ^[13]

Think and Grow Rich remains the top seller of Napoleon Hill's books – a perennial best-seller after 70 years (Business Week Magazine's Best-Seller List ranked Think and Grow Rich as the sixth best-selling paperback business book 70 years after it was first published).^[14] Think and Grow Rich is listed in John C. Maxwell's A Lifetime "Must Read" Books List. ^[15]

Hill's numerous books have sold millions of copies, showing that the secret of achievement is still highly sought-after by many today. Hill dealt with many controversial subjects through his writings including racism, slavery, oppression, failure, revolution, war and poverty. Persevering and then succeeding in spite of these obstacles using the Philosophy of Achievement, Hill stated, was the responsibility of every human.^[10]

Today's philosophy-of-success teachers still use the research formulas taught by Hill to expand their students' knowledge of personal development.^[15]

Bibliography[link]

• The Law of Success (1928)
• The Magic Ladder To Success (1930)
• Think and Grow Rich (1937)
• How to Sell Your Way through Life (1939)
• Success Through a Positive Mental Attitude (1960)
• You Can Work Your Own Miracles (1971)
• Napoleon Hill's Keys to Success: The 17 Principles of Personal Achievement
• Grow Rich!: With Peace of Mind
• The Master-Key to Riches
• Succeed and Grow Rich Through Persuasion
• Outwitting the Devil (2011) ISBN 978-1-4027-8453-8

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Napoleon Hill

• Napoleon Hill Quotes
• Article on Hill's life from Success magazine
• Napoleon Hill (1883–1970) – Find A Grave Memorial

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2011)

Benny Hill
A waxwork of Hill in character as Fred Scuttle on The Benny Hill Show
Birth name	Alfred Hawthorne Hill
Born	(1924-01-21)21 January 1924[1] Southampton, Hampshire, England
Died	20 April 1992(1992-04-20) (aged 68) Teddington, London, England
Medium	Comedian, actor
Nationality	British
Years active	1937–1992
Genres	Comedy, television
Influences	Jack Benny
Notable works and roles	The Benny Hill Show (1951–91) Who Done It? (1956) Light Up the Sky! (1960) Those Magnificent Men in Their Flying Machines (1965) Chitty Chitty Bang Bang (1968) The Italian Job (1969)

Benny Hill (21 January 1924 – 20 April 1992) was an English comedian and actor, notable for his long-running television programme The Benny Hill Show.

Early life[link]

This unreferenced section requires citations to ensure verifiability.

Alfred Hawthorne Hill was born in Southampton and attended Taunton's School. During World War II, he was evacuated to Bournemouth.^{[citation needed]}

After leaving school, Hill worked at Woolworth's,^[2] as a milkman, a bridge operator, a driver and a drummer before he finally got a foot in the door of the entertainment industry by becoming assistant stage manager with a touring review. He was called up in 1942 and trained as a mechanic, but transferred to the Combined Services Entertainment^[3] division before the end of the war. It was there that he met his future agent, Richard Stone, then a colonel.^{[citation needed]}

Inspired by the "star comedians" of British music hall shows, Hill set out to make his mark in show business. For the stage, he changed his first name to 'Benny', in homage to his favourite comedian, Jack Benny.^[2] Hill began appearing at working men's clubs and Masonic dinners before moving on to nightclub and theatre jobs. Hill auditioned for Soho's famed Windmill Theatre (home of Revudeville, a popular show of singers, comedians and nude girls), but he was not hired. Hill's first job in professional theatre as a performer was as Reg Varney's straight man, beating a then unknown Peter Sellers to the role.^{[citation needed]}

Career[link]

Between the end of World War II and the dawn of television, Hill worked as a radio performer. His first appearance on television was in 1950. In addition, he attempted a sitcom anthology, Benny Hill, which ran from 1962 to 1963, in which he played a different character in each episode. In 1964, he played Nick Bottom in an all-star TV film production of William Shakespeare's A Midsummer Night's Dream. He also had a short-lived radio programme, Benny Hill Time, on BBC Radio's Light Programme from 1964 to 1966.

Films and recordings[link]

Benny Hill's film credits include parts in nine films including Who Done It? (1956); Those Magnificent Men in Their Flying Machines (1965); Chitty Chitty Bang Bang (1968), in which he played the relatively straight role of the Toymaker; The Italian Job (1969); and, finally, a clip-show film spin-off of his early Thames shows (1969–73), called The Best of Benny Hill (1974). Hill's audio recordings include Gather in the Mushrooms, (1961), Pepys' Diary (song), (1961), Transistor Radio (1961), Harvest of Love (1963), and Ernie (The Fastest Milkman In The West) (1971). He also appeared in the 1986 video of the song Anything She Does by the band Genesis. Hill's song, Ernie (The Fastest Milkman In The West), on the Best of Benny Hill album, was the UK Singles Chart Christmas number one single in 1971.^[4]

The Benny Hill Show[link]

Hill had struggled on stage and had uneven success in radio. But in television he found a form that played to his strengths, allowing him a format that included live comedy and filmed segments, with him at the focus of almost every segment. It was to prove one of the great success stories of television comedy, keeping Hill a star for nearly four decades, generating impressive revenues for Thames TV, and remaining a cult series in much of the world long after Hill's death.

The show had a music hall-derived format and its humour relied on slapstick, innuendo, and parody. Recurring players on his show during the BBC years included Patricia Hayes, Jeremy Hawk, Peter Vernon, Ronnie Brody, and his co-writer from the early 1950s to early 1960s, Dave Freeman. He remained mostly with the BBC through to 1968, except for a few sojourns with ITV station ATV between 1957 and 1960 and again in 1967. In 1969, his show moved from the BBC to Thames Television, where it remained until cancellation in 1989, with an erratic schedule of one-hour specials. The series showcased Hill's talents as an imaginative writer, comic performer and impressionist. He also bought scripts from various comedy writers but they never received an onscreen credit. He had a need to be in sole control of the show. There is evidence that he bought a script from one of his regular cast members in 1976, Cherri Gilham, whom he wrote to from Spain and told her he was using her "Fat Lady idea on the show" in January 1977.

The most common running gag in Benny Hill's shows was the closing sequence, The 'run-off', which was literally a "running gag" in that it featured various members of the cast chasing Hill as part of the chase, along with other stock comedy characters, such as policemen, vicars, old ladies, and so on. This was commonly filmed using stop motion and time-lapse techniques for comic effect, and included other comic devices such as characters running off one side of the screen and reappearing running on from the other. The tune used in all the chases, Boots Randolph's "Yakety Sax", is commonly referred to as "The Benny Hill Theme". It has been used as a form of parody in many ways by television shows and a small number of films. The Wachowskis used the same style (and musical theme) in a scene in the film V for Vendetta (2006). It also appears in the cult movie The Gods Must Be Crazy.

From the start of the eighties the show featured a troupe of attractive young women, known collectively as 'Hills Angels'. They would appear either on their own in a dance sequence, or in character as foils against Hill. Sue Upton, one of the longest serving members of the Angels, said of Hill, "He was one of the nicest, kindest, most gentle of men to work with".^{[citation needed]} However, the sexual content of the routines contributed to feminist accusations of sexism.^{[citation needed]}

The alternative comedian Ben Elton made a headline-grabbing allegation, both on the TV show Saturday Live and in the pages of Q magazine (in its January 1987 issue), that The Benny Hill Show was single-handedly responsible for the incidences of rape in England during the period in question, and also suggested the programme incited other acts of violence against women.^[5] But a writer in The Independent newspaper opined that Elton's assault was "like watching an elderly uncle being kicked to death by young thugs".^[6] Elton later claimed his comment was taken out of context, and he appeared in a parody for Harry Enfield and Chums, Benny Elton, where Elton ends up being chased by angry women, accompanied by the "Yakety Sax" theme, after trying to force them to be more feminist rather than letting them make their own decisions.

In response to the accusations of sexism, defenders of Hill have said the show used traditional comic stereotypes to reflect universal human truths in a way that was non-malicious and fundamentally harmless. Hill's friend and producer Dennis Kirkland said it was the women who chased Hill in anger for undressing them, all of which was done accidentally by some ridiculous means. An article on 27 May 2006 in The Independent quoted Hill and Kirkland as saying they believed this misrepresentation demonstrated critics could not have watched his programmes.^{[citation needed]}

In an episode about Hill transmitted as part of the documentary series Living Famously, John Howard Davies, the head of light entertainment at Thames Television who had cancelled the show, stated there were three reasons why he did so: "The audiences were going down, the programme was costing a vast amount of money, and he (Hill) was looking a little tired."^{[citation needed]}

The loss of his show totally devastated Hill (or, as one former supporting player put it, "He started to die from there"), and what followed was a self-inflicted decline in his health. In 1990 a new show was produced complete with Hill and his usual team, called Benny Hill's World Tour: New York!.

In February 1992, Thames Television, which received a steady stream of requests from viewers for The Benny Hill Show repeats, finally gave in and put together a number of re-edited shows. Hill died on 20 April 1992, the same day that a new contract arrived in the post from Central Independent Television, for which he was to have made a series of specials. Hill turned down competing offers from Carlton and Thames.

Celebrity fans[link]

Charlie Chaplin was a fan of Hill's work: Hill had discovered that Chaplin, his childhood idol, was a fan when he was invited to Chaplin's home in Switzerland by Chaplin's family and discovered that Chaplin had a collection of Hill's work on video. Hill and Dennis Kirkland were the first outside the family to be invited into Chaplin's private study. Hill was awarded the Charlie Chaplin International Award for Comedy at the 1991 Festival of Comedy in Vevey, Switzerland.^[7]

Radio and TV show host Adam Carolla claimed that he was a fan of Benny Hill and that he considered Hill "as American as the Beatles." Indeed, during an episode of The Man Show, Carolla performed in what was billed as a tribute to "our favourite Englishman, Sir Benny Hill" in a more risqué takeoff of the sketches that Hill popularised. (Note: Hill was never knighted.) Carolla played a rude and lecherous waiter; a role Hill essayed numerous times in his shows—and the sketch featured many of the staples of Hill's shows, including a Jackie Wright-esque bald man, as well as the usual scantily-clad women.

Michael Jackson was a Benny Hill fan: "I just love your Benny Hill!" the young Jackson told a bemused English music-press critic during a 1970s tour. "He's so funny!". During Benny Hill's decline in his health he was visited by Jackson, who was in the UK at the time.

In Benny Hill: The World's Favourite Clown, filmed shortly before his death, celebrities such as Burt Reynolds, Michael Caine, John Mortimer, Mickey Rooney, and Walter Cronkite, among others, expressed their appreciation of and admiration for Hill and his humour – and in Reynolds' case, the appreciation extended to the Hill's Angels as well. More surprisingly, perhaps, the novelist Anthony Burgess made no secret of his admiration for Hill. Burgess, whose novels were often comic, relished language, wordplay and dialect, admired the verbal and comedic skill that underlay Hill's success. Reviewing a biography of Hill, Saucy Boy, in the Guardian in 1990, Burgess described Hill as "a comic genius steeped in the British music-hall tradition" and "one of the great artists of our age". A meeting between the two men was described in a newspaper article by Burgess and recalled in the Telegraph newspaper by the satirist Craig Brown.^[8]

In 2006, broadcaster and critic Garry Bushell launched a campaign to erect a statue of Hill in Southampton, with the support of Barbara Windsor, Brian Conley and other British comedy favourites. Those taking part in the first fundraising concert included Neville Staple, Right Said Fred and Rick Wakeman.

In a June 2011 interview in The Observer, the American rapper Snoop Dogg declared himself to be a fan of Benny Hill.^[9]

In a 2011 interview British actor and director Mark Noyce stated that Benny Hill was his all-time favourite comedian. He was quoted as saying “he was way ahead of his time and an absolute master of his art. I would have loved the opportunity to have met him and I hope he will be remembered as the genius I believe he was.”^[10]

Personal life[link]

Hill never married, although he did propose to three women—one the daughter of a British writer—but was turned down by all three. Although he owned the family home in Southampton, he never owned his own home in London, nor a car. Hill preferred to rent a place to live rather than buy one, first a large double apartment in Queensgate, London for 26 years until 1986, and then a small flat in Teddington, London, within walking distance of the studios of Thames Television where he recorded his shows.

His mother died in 1976 at age 82, and Hill kept the family house at 22 Westrow Gardens in Southampton as a shrine to her, not changing a thing. Before his move to Teddington, whilst looking for somewhere else to live in the Richmond area of London, he lived at 22 Westrow Gardens. Travelling was the one luxury Hill permitted himself; he became a francophile, enjoying frequent visits to France, and in particular Marseille, where until the 1980s he could enjoy anonymity in outdoor cafés, on public transport, and socialising with local women. Besides mastering French, Hill also spoke enough German, Dutch and Italian to get by when travelling. Such holidays were often gathering missions for comedy material, borrowed from regional acts.

Death[link]

After suffering a mild heart attack on 24 February 1992, doctors told him he needed to lose weight and recommended a heart bypass. He declined, and a week later was found to have kidney failure. Hill died at the age of 68 on 20 April 1992.^[1] On 22 April, after several days of unanswered telephone calls, his producer, Dennis Kirkland, climbed a ladder to the balcony of Hill's 3rd floor apartment and upon seeing the body through a window had the neighbours call the police. The police broke into the apartment and found Hill, dead, sitting in his armchair in front of the television. Hill's cause of death was recorded as coronary thrombosis.^[11]

Hill was buried at Hollybrook Cemetery near his birthplace in Southampton on 26 April 1992. In October 1992, following rumours that he was buried with large amounts of gold jewellery, an attempt was made by thieves to exhume his body. When authorities looked into his open grave the following morning "The vandals had dug down, exposing his coffin [...] Within two hours of the discovery, cemetery staff had refilled the grave and covered it with a half-ton concrete slab."^[12]

Hill's fortune was estimated at £10 million. His only will, however, dated from 1961 and left his entire estate to his parents, both of whom had since died. Next in line were his brother Leonard and sister Diana, both of whom were also dead. This left his seven nieces and nephews, among whom the money was divided. A note was found among his belongings assigning huge sums of money to his close friends, but because there was no witness the note had no legal standing.^{[citation needed]}

Posthumous reception[link]

Although still shown worldwide, The Benny Hill Show has not been shown on UK terrestrial, networked television since a tribute season on Channel 4 in 1992, and not on satellite or cable since a run on the now defunct channel Granada Plus – now ITV3 – in 1999. To quote his biographer Mark Lewisohn, "In Britain, Benny Hill is taboo". In the United States the show has recently been aired on the BBC America cable channel and over Tribune Broadcasting's Antenna TV digital subchannel network. An Australian channel, Seven Network, showed some episodes as part of a Great Comedy Classics slot. On the new Australian channel 7TWO, The Benny Hill Show is shown frequently. In Italy, Sky television broadcasts quite regularly on Comedy Channel. And in Finland the channel MTV3 MAX presents "The Benny Hill Show" every weekend.

In 1998 Channel 4 featured Hill in one of its Heroes Of Comedy programmes.

On 28 December 2006, Channel 4 broadcast the documentary Is Benny Hill Still Funny?. The programme featured an audience that comprised a cross-section of young adults who had little or no knowledge of Hill, to discover whether Hill's comedy was valid to a generation that enjoyed the likes of Little Britain, The Catherine Tate Show and Borat. The participants were asked to watch a 30-minute compilation that included examples of Hill's humour from both his BBC and ITV shows. The responses and results demonstrated that none of the sample of viewers took offence at any of the sketches shown.

Hill's silent "Wishing Well" sketch was discovered to be the most popular. The alternative comedian Ben Elton, who had criticised Hill for sexism, was interviewed in the programme. Elton said he still had reservations about certain aspects of Hill's sketches, but claimed to be an admirer of Hill's talent and abilities as a comic performer.

References[link]

Notes

Bibliography

• Lewisohn, Mark. Funny, Peculiar – The True Story of Benny Hill
• Smith, John. Benny Hill Story New York: St. Martin's Press, 1989
• GRO – Alfred H. Hill born MAR qtr 1924 2c 52 SOUTHAMPTON, mmn = Cave
• GRO – Alfred Hawthorne Hill died: APR 1992 14 1352 Richmond-upon-Thames, aged 68, his date of birth was 21 January 1924

External links[link]

Wikiquote has a collection of quotations related to: Benny Hill

Biography portal

• Benny Hill - Daily Telegraph obituary
• Benny Hill page at the Museum of Broadcast Communications
• The Benny Hill Show page at the Museum of Broadcast Communications
• Benny Hill at the Internet Movie Database
• The Eastleigh Photograph Archive Photos of the dairy and streets where Benny worked as a milkman, inspiring the song Ernie (The fastest milkman in the west)
• The Benny Hill Songbook Lyrics, guitar chords and transcripts
• Benny's Place featuring Louise English & Hill's Angels A tribute to Benny Hill and his beautiful ladies known as Hill's Angels
• Laughterlog.com Article with complete list of appearances on television, radio and record
• BBC Hampshire BBC article on Benny Hill's Hampshire connections

Kate Bush
Kate Bush about to perform at Comic Relief 1986
Background information
Birth name	Catherine Bush
Born	(1958-07-30) 30 July 1958 (age 53) Bexleyheath, Southeast London, England
Genres	Art rock,[1] progressive rock,[2] alternative rock[1], baroque pop
Occupations	Musician, vocalist, songwriter, record producer
Instruments	Vocals, piano, keyboards, bass guitar, guitar, violin
Years active	1975–present
Labels	EMI Records (1975–present) Columbia Records (U.S.) (1989–2009) Legacy Recordings (2010–present) Fish People (division of EMI) 2011–
Website	Official website
Notable instruments
Fairlight CMI

Catherine "Kate" Bush (born 30 July 1958)^[1] is an English singer-songwriter, musician and record producer. Her eclectic musical style and idiosyncratic vocal style have made her one of the United Kingdom's most successful solo female performers of the past 30 years.

In 1978, at the age of 19, Bush topped the UK Singles Chart for four weeks with her debut single "Wuthering Heights", becoming the first woman to have a UK number one with a self-written song.^[3] She has since released ten albums, three of which topped the UK Albums Chart, and has had 25 UK Top 40 hit singles including the Top 10 hits "Wuthering Heights", "Running Up that Hill", "King of the Mountain", "Babooshka", "The Man with the Child in His Eyes", and "Don't Give Up".

In 1987, she won a Brit Award for Best British Female Solo Artist, and in 2002, her songwriting ability was recognised with an Ivor Novello Award for Outstanding Contribution to British Music. During the course of her career, she has also been nominated for three Grammy Awards. After her 1979 tour – the only concert tour of her career – Bush released the 1980 album Never for Ever, which made her the first British solo female artist to top the UK album charts and the first female artist ever to enter the album chart at Number 1.^[4] She is also the first (and to date only) female artist to have Top 5 albums in the UK charts in 5 successive decades.

In May 2012, Bush's latest album, 50 Words for Snow, won the South Bank Arts Award ^[5]. The album was also nominated for an Ivor Novello Award and a Brit Award that same year.

Early life[link]

Bush was born in Bexleyheath, Southeast London, to English physician Robert Bush and his Irish wife, Hannah Daly.^[6] She was raised in their farmhouse in East Wickham with her older brothers, John and Paddy.^[7] Bush came from an artistic background: her mother was a former Irish folk dancer, her father was an accomplished pianist, Paddy worked as a musical instrument maker and John was a poet and photographer. Both brothers were involved in the local folk music scene.^[8]

John was a karateka at Goldsmiths College karate club and Kate also trained there, becoming known as "Ee-ee" because of her squeaky kiai. One of the instructors, Dave Hazard, later noted in his autobiography that her dance moves seemed to owe something to karate.^[9]

Her family's musical influence inspired the young Kate to teach herself to play the piano at the age of 11. She also played the organ in a barn behind her parents' house and studied the violin.^[10] She soon began writing her own tunes and eventually added lyrics to them.^[11]

Career[link]

Bush attended St Joseph's Convent Grammar School (later the St Joseph's campus of Bexley College) and a Catholic girls' school on Woolwich Road in Abbey Wood, London, in the mid-1970s. During this time her family produced a demo tape with over 50 of her compositions, which was turned down by record labels. David Gilmour of Pink Floyd received the demo from Ricky Hopper, a mutual friend of Gilmour and the Bush family. Impressed with what he heard, Gilmour helped the sixteen-year-old Bush get a more professional-sounding demo tape recorded that would be more saleable to the record companies.^[12] Three tracks in total were recorded and paid for by Gilmour. ^[13]The tape was produced by Gilmour's friend Andrew Powell, who would go on to produce Bush's first two albums,^[11] and sound engineer Geoff Emerick.^[14] The tape was sent to EMI executive Terry Slater.^[15] Slater was impressed by the tape and signed her.^[16] The British record industry was reaching a point of stagnation.^[15] Progressive rock was very popular and visually oriented rock performers were growing in popularity, thus record labels looking for the next big thing were considering experimental acts.^[15]

Bush was put on retainer for two years by Bob Mercer, managing director of EMI group-repertoire division. According to Mercer he felt Bush's material was good enough to be released but felt that if the album failed it would be demoralising and if it was successful Bush was too young to handle it.^[17] For the first two years of her contract, Bush spent more time on school work than making an album. She left school after doing her mock A-levels and having gained ten GCE O-Level qualifications.^[18] In 2005, Bush stated in an interview with Mark Radcliffe on BBC Radio 2 that she believed EMI signed her before she was ready to make an album so that no other record company could offer her a contract. After the contract signing, EMI forwarded her a sizeable advance which she used to enrol in interpretive dance classes taught by Lindsay Kemp, a former teacher of David Bowie,^[19] and mime training with Adam Darius.^[20]

Bush also wrote and made demos of close to 200 songs, a few of which today can be found on bootleg recordings and are known as the Phoenix Recordings.^[21] From March to August 1977, she fronted the KT Bush Band at public houses around London – specifically at the Rose of Lee public house (now Dirty South) in Lewisham. The other three band members were Del Palmer (bass), Brian Bath (guitar), and Vic King (drums). She began recording her first album in August 1977,^[11] although two tracks had been recorded during the summer of 1975.

[edit] The Kick Inside and Lionheart

	Kate Bush "Wuthering Heights" (1978) noicon Sample from Kate Bush's "Wuthering Heights".
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As part of her preparation for entering the studio, Bush toured pubs with the KT Bush Band. However, for her debut album The Kick Inside (1978) she was persuaded to use established session musicians, some of whom she would retain even after she had brought her bandmates back on board.^[22] Her brother Paddy played the harmonica and mandolin, unlike on later albums where he would play more exotic instruments such as the balalaika and didgeridoo. Stuart Elliott played some of the drums and would become her main percussionist on subsequent albums.^[23]

Bush released The Kick Inside when she was 19 years old, but some of the songs had been written when she was as young as 13. EMI originally wanted the more rock-oriented track "James and the Cold Gun" to be her debut single, but Bush insisted that it should be "Wuthering Heights". Even at this early stage of her career, she had gained a reputation for her determination to have a say in decisions affecting her work.^[11] "Wuthering Heights" topped the UK and Australian charts and became an international hit.^[24] Bush became the first woman to reach number one in the UK charts with a self-penned song.^[25] A second single, "The Man with the Child in His Eyes", reached number six in the UK charts.^[26] It also made it onto the American Billboard Hot 100 where it reached number 85 in early 1979. Bob Mercer felt that Bush's relative lack of success in the United States compared to the rest of the world was due to her music being a poor fit for American radio formats and that there were no outlets for the visual presentation central to Bush's appeal.^[17] "The Man with the Child in His Eyes" went on to win her an Ivor Novello Award in 1979 for Outstanding British Lyric.^[27]

EMI capitalised on Bush's appearance by promoting the album with a poster of her in a tight pink top that emphasised her breasts. In an interview with NME magazine in 1982, Bush criticised the marketing technique, stating: "People weren't even generally aware that I wrote my own songs or played the piano. The media just promoted me as a female body. It's like I've had to prove that I'm an artist in a female body."^[11] In late 1978, EMI persuaded Bush to quickly record a follow-up album, Lionheart, to take advantage of the success of The Kick Inside. Bush has often expressed dissatisfaction with Lionheart, feeling that she had needed more time to get it right. The album was produced by Andrew Powell, assisted by Bush. While it had spawned several hit singles, most notably "Wow", it did not garner the same reception as her first album, reaching number six in the UK album charts.^[28]

Bush was displeased with being rushed into making the second album. She set up her own publishing company, Kate Bush Music, and her own management company, Novercia, to maintain complete control over her work. Bush herself, along with members of her family, comprised the company's board of directors.^[11] Following the album's release, she was required by EMI to undertake heavy promotional work and an exhausting tour, the only one of her career.^[29] The tour, named The Tour of Life, began in April 1979 and lasted six weeks. This live show was co-devised and performed on stage with magician Simon Drake.^[30] Typical of her determination to have control, she was involved in every aspect of the show's production, choreography, set design, and staff recruitment.^[11] The shows were noted for her dancing, complex lighting and her 17 costume changes per show. Because of her intention to dance as she sang, her sound engineers used a wire coat hanger and a radio microphone to fashion the first headset mic to be used by a rock performer since the Swedish group Spotnicks used a very primitive version in the early 1960s.^[1][31]

[edit] Never for Ever and The Dreaming

	Kate Bush "Babooshka" (1980) noicon Sample from Kate Bush's "Babooshka". Kate Bush "There Goes a Tenner" (1982) noicon Sample from Kate Bush's "There Goes a Tenner".
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Released in September 1980, Never for Ever saw Bush's second foray into production, co-producing with Jon Kelly. Her first time as a producer was on her Live On Stage EP, released after her tour the previous year. The first two albums had resulted in a definitive sound evident in every track, with orchestral arrangements supporting the live band sound. The range of styles on Never for Ever is much more diverse, veering from the straightforward rocker "Violin" to the wistful waltz of hit single "Army Dreamers". Never for Ever was the first Kate Bush album to feature synthesisers and drum machines, in particular the Fairlight CMI, to which she was introduced when providing backing vocals on Peter Gabriel's eponymous third album in early 1980.^[11] It was her first record to reach the top position in the UK album charts, also making her the first female British artist to achieve that status,^[18] and the first female artist ever to enter the album chart at the top.^[4] The top-selling single from the album was "Babooshka", which reached number five in the UK singles chart.^[32] In November 1980, she released the Christmas single "December Will Be Magic Again", which reached number 29 in the UK charts.

September 1982 saw the release of The Dreaming, the first album Bush produced by herself.^[33] It was also a major departure for Bush, being initially composed on the Fairlight CMI rather than piano, with songs extensively revised and rebuilt in the studio, rather than merely arranged there.^{[citation needed]} With her new-found freedom, she experimented with production techniques, creating an album that features a diverse blend of musical styles and is known for its near-exhaustive use of the Fairlight CMI. The Dreaming received a mixed critical reception in the UK at first. Many were baffled by the dense soundscapes Bush had created, and some critics accused the album of being over-produced.^{[citation needed]} In a 1993 interview with Q, Bush stated: "That was my 'She's gone mad' album."^[11] However, the album was hailed as a "masterpiece" and a "musical tour-de-force" by critics in America, and the album became her first to enter the US charts, albeit only reaching number 157.^[11] The album entered the UK album chart at number three, but is to date her lowest-selling album, garnering only a gold disc.

"Sat in Your Lap" was the first single from the album to be released. It pre-dated the album by over a year and peaked at number 11 in the UK.^[34] The album's title track, featuring the talents of Rolf Harris and Percy Edwards, stalled at number 48, while the third single, "There Goes a Tenner", failed to chart, despite promotion from EMI and Bush. The track "Suspended in Gaffa" was released as a single in Europe, but not in the UK.

Continuing in her storytelling tradition, Bush looked far outside her own personal experience for sources of inspiration. She drew on old crime films for "There Goes a Tenner", a documentary about the war in Vietnam for "Pull Out the Pin", and the plight of Indigenous Australians for "The Dreaming". "Houdini" is about the magician's death, and "Get Out Of My House" was inspired by Stephen King's novel The Shining.^[35]

[edit] Hounds of Love and The Whole Story

	Kate Bush "Running Up that Hill" (1985) noicon Sample from Kate Bush's "Running Up that Hill".
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Hounds of Love was released in 1985. Because of the high cost of hiring studio space for her previous album, she built a private studio near her home, where she could work at her own pace.^[36] Hounds of Love ultimately topped the charts in the UK, knocking Madonna's Like a Virgin from the number one position.^[37]

The album takes advantage of the vinyl format with two very different sides. The first side, Hounds of Love, contains five "accessible" pop songs, including the four singles "Running Up that Hill", "Cloudbusting", "Hounds of Love", and "The Big Sky". In August 1985, NME featured Bush in a "Where Are They Now" article. "Running Up that Hill" reached number 3 in the UK charts and also re-introduced Bush to American listeners, climbing to number 30 on the Billboard Hot 100 in November 1985. The second side of the album, The Ninth Wave, takes its name from Tennyson's poem, "Idylls of the King", about the legendary King Arthur's reign, and is one continuous piece of music.^[38] The album earned Bush nominations for Best Female Solo Artist, Best Album, Best Single, and Best Producer at the 1986 BRIT Awards. In the same year, Bush and Peter Gabriel had a UK top ten hit with "Don't Give Up" (Dolly Parton, Gabriel's original choice, turned his offer down),^[39] and EMI released her "greatest hits" album, The Whole Story. Bush provided a new lead vocal and refreshed backing track on "Wuthering Heights," and recorded a new single, "Experiment IV," for inclusion on the compilation. At the 1987 BRIT Awards, Bush won the award for Best Female Solo Artist.

[edit] The Sensual World and The Red Shoes

The increasingly personal tone of her writing continued on 1989's The Sensual World, with songs about unexpressed and unrequited love ("Love and Anger" and "Never Be Mine", respectively), and the pressures on modern relationships ("Between a Man and a Woman").^{[citation needed]} One of the quirkiest tracks on the album, touched by Bush's black humour, is "Heads We're Dancing", about a woman who dances all night with a charming stranger only to discover in the morning that he is Adolf Hitler.^[40] The title track drew its inspiration from James Joyce's novel Ulysses.^[40]

	Kate Bush "The Sensual World" (1989) noicon Sample from Kate Bush's "The Sensual World".
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The Sensual World went on to become her biggest-selling album in the US, receiving an RIAA Gold certification four years after its release for 500,000 copies sold. In the United Kingdom album charts, it reached the number two position.^[41]

In 1990, the boxed-set This Woman's Work was released and included all of her albums with their original cover art, as well as two discs of all single B sides recorded from 1978–1990. In 1991, Bush released a cover of Elton John's "Rocket Man", which reached number 12 in the UK singles chart^[42], and went as high as number two in Australia, and in 2007, was voted the greatest cover ever by readers of The Observer newspaper.^[43] She recorded "Candle in the Wind", as the single's b-side.^[44]

The Red Shoes was released in November 1993. The Red Shoes features more high-profile cameo appearances than Bush's previous efforts, including contributions from composer and conductor Michael Kamen. Comedian Lenny Henry, Prince, Eric Clapton, Gary Brooker of Procol Harum, Trevor Whittaker, and Jeff Beck also contributed to the album. Both "The Sensual World" and "The Red Shoes" featured contributions from Trio Bulgarka, a trio of women who sang on several tracks, including "You're The One" and "Rocket's Tail." The album gave Bush her highest chart position in the US, reaching number 28, although the only song from the album to make the US singles chart was "Rubberband Girl", which peaked at number 88 in January 1994. In the UK, the album reached number two, and the singles "Rubberband Girl", "The Red Shoes", "Moments of Pleasure", and "And So Is Love" all reached the top 30.^[34][45] That same year, the short film The Line, the Cross & the Curve, written and directed by Bush, and starring Bush and English actress Miranda Richardson,^[46] used six of the songs on the album.

The initial plan had been to take the songs out on the road (though a new tour did not transpire), so Bush deliberately aimed for a live-band feel, with less of the studio trickery that had typified her last three albums and that would be difficult to recreate on stage.^[47] The result alienated some of her fan base, who enjoyed the intricacy of her earlier compositions,^[48] but others found a new complexity in the lyrics and the emotions they expressed.^[49]

This was a troubled time for Bush. She had suffered a series of bereavements, including the loss of guitarist Alan Murphy, who had started working with her on The Tour Of Life in 1979, and her mother Hannah, to whom she was exceptionally close.^[18] Many of the people she lost are honoured in the ballad "Moments of Pleasure". However, Bush's mother was still alive when "Moments of Pleasure" was written and recorded. Bush describes playing the song to her mother, who thought the line where she is quoted by Bush as saying "Every old sock meets an old shoe", was hilarious and "couldn't stop laughing".^[50]

[edit] Aerial

After the release of The Red Shoes, Bush dropped out of the public eye for many years, although her name occasionally cropped up in the media with rumours of a new album release. Bush had originally intended to take one year off but despite working on material 12 years would pass before her next album release.^[51] The press often viewed her as an eccentric recluse, sometimes drawing a comparison with Miss Havisham from Charles Dickens's Great Expectations.^[52] In reality, she was trying to give her young son a normal childhood, and needed a quiet place for her creative process to function.^[51] In 1998, Bush had given birth to Albert, known as "Bertie", fathered by her guitarist and now-husband Danny McIntosh.^[18][53] After living for many years on Court Road, Eltham, southeast London, the couple and their son moved away from the city and currently have two homes: a £2.5 million house in East Portlemouth on the Devon coast^[53] and a mansion on an islet on the Kennet and Avon canal at Sulhamstead in West Berkshire.^[54]

Bush's eighth studio album, Aerial, was released on double CD and vinyl in November 2005.^[18] The first single from the album was "King of the Mountain", which was played for the first time on BBC Radio 2 on 21 September 2005.^[55]

As on Hounds of Love (1985), the album is divided into two sections, each with its own theme and mood.^[56] The first disc, subtitled A Sea of Honey, features a set of unrelated themed songs, including "King of the Mountain"; "Bertie", a Renaissance-style ode to her son; and "Joanni", based on the story of Joan of Arc. In the song "π", Bush sings the number Pi to 115 decimal places.^[56][57] The second disc, subtitled A Sky of Honey, features one continuous piece of music describing the experience of being outdoors after waking at dawn, moving through afternoon, dusk, to night, then back to the following dawn of single summer's day. All the pieces in this suite refer or allude to sky and sea in their lyrical content. Bush mixed her voice with cooing wood pigeons to repeat the phrases "A sea of honey, a sky of honey," and "You're full of beauty" throughout the piece, and uses recordings of actual birdsong throughout. A Sky of Honey features Rolf Harris playing the didgeridoo on one track, and providing vocals on "The Painter's Link".^[56] Other artists making guest appearances on the album include Peter Erskine, Eberhard Weber, Lol Creme, and Gary Brooker. Two tracks feature string arrangements by Michael Kamen, performed by the London Metropolitan Orchestra. A CD release of the single "King of the Mountain" included a cover of "Sexual Healing" by Marvin Gaye.^[58]

	Kate Bush "King of the Mountain" (2005) noicon Sample from Kate Bush's "King of the Mountain".
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"King of the Mountain" entered the UK Downloads Chart at number six on 17 October 2005,^[59] and by 30 October it had become Bush's third-highest-charting single ever in the UK, peaking at number four on the full chart. Aerial entered the UK albums chart at number 3,^[60] and the US chart at number 48.^[61] Bush herself carried out relatively little publicity for the album, only conducting a handful of magazine and radio interviews. Aerial earned Bush two nominations at the 2006 BRIT Awards, for Best British Female Solo Artist and Best British Album.^[62]

In late 2007, Bush composed and recorded a new song, "Lyra", for the soundtrack to the fantasy film The Golden Compass.^[63]

[edit] Director's Cut and 50 Words for Snow

On 16 May 2011, Bush released the album Director's Cut. The album, which Bush has described as an entirely new project rather than a collection of mere remixes, contains 11 tracks of substantially reworked material from her earlier albums The Sensual World and The Red Shoes, all of which have been recorded using analogue, rather than digital, equipment to create "a warmer sound". All the tracks have new lead vocals, new drums, and radically reworked instrumentation. Some of them have been transposed to a lower key to accommodate her lowering voice. Three of the songs, including "This Woman's Work", have been completely re-recorded, with lyrics often changed in places.^[64] The album has been met with a wide range of reviews with most reviewers a bit confused about the concept of the album itself, while responding with varying degrees of enthusiasm about its revamped tracks. Of particular note is the warmer, more intimate tone of the songs and the richer, more mature sound of her voice.^[65][66] This is the first album on her new label, Fish People, a division of EMI Records, with whom she's had a relationship since she started recording. In addition to the album Director's Cut in both its single CD form and in a box-set with The Sensual World and the analogue re-mastered The Red Shoes, Fish People will be releasing re-mastered editions of The Hounds of Love and The Dreaming.^[67] The album debuted at number 2 on the United Kingdom chart.^[68]

The song "The Sensual World" has been renamed "Flower of the Mountain" and contains a passage of Molly Bloom's famous soliloquy from James Joyce's novel Ulysses. Bush said, "Originally when I wrote the song "The Sensual World", I had used text from the end of Ulysses. When I asked for permission to use the text I was refused, which was disappointing. I then wrote my own lyrics for the song, although I felt that the original idea had been more interesting. Well, I'm not James Joyce am I? When I came to work on this project I thought I would ask for permission again and this time they said yes."^[69]

The first single released from the album was "Deeper Understanding" and contains a new chorus featuring computerised vocals from Bush's son, Albert. A video for the song, directed by Bush, has been released through her channel on YouTube. It features Robbie Coltrane as a man consumed by his relationship with his computer (voiced by Bush's son). Frances Barber plays the man's wife, and Noel Fielding also appears.

Bush's next studio album, 50 Words for Snow, was released on 21 November 2011. The album contains seven new songs "set against a backdrop of falling snow," with a total running time of 65 minutes.^[70][71] A radio edit of the first single, "Wild Man," was played on BBC Radio 2's 'Ken Bruce' show on 10 October.^[72] and was released as a digital download on 11 October.^[73] The album will be distributed in the United States by Anti-Records.

On 14 November 2011, NPR played 50 Words for Snow in its entirety for the first time.^[74] Australia's ABC Radio National declared 50 Words for Snow album of the week of 12 November 2011.^[75]

The album's songs are built around Bush's quietly jazzy piano and Steve Gadd's drums, and utilise both sung and spoken word vocals in what Classic Rock's Stephen Dalton calls "a...supple and experimental affair, with a comtemporary chamber pop sound grounded in crisp piano, minimal percussion and light-touch electronics...billowing jazz-rock soundscapes, interwoven with fragmentary narratives delivered in a range of voices from shrill to Laurie Anderson-style cooing."^[76] Bassist Danny Thompson appears on the album, which also features performances by Elton John and actor Stephen Fry.

On the first track, "Snowflake," in a song written specifically to use his still high choir-boy voice,^[77] Bush's son Albert (Bertie) sings the role of a falling snowflake in a song expressing the hope of a noisy world soon being hushed by snowfall. "Snowflake" drifts into "Lake Tahoe", where choral singer Stefan Roberts and Bush sing about a rarely seen ghost: a woman who appears in a Victorian gown to call to her dog, Snowflake. Bush explained to fellow musician Jamie Cullum in an interview on Dutch Radio^[78] that she wished to explore using high male voices in contrast to her own, deeper, voice. "Misty" is about a snowman lover who melts away after a night of passion, while "Wild Man" tells the story of a group of climbers in the Himalayas who, upon finding evidence of a nearby Yeti, erase all traces of it to protect it from discovery. Elton John and Bush as eternally divided lovers trade vocals on "Snowed In at Wheeler Street", while Stephen Fry recites the "50 Words for Snow". The quiet "Among Angels" finishes the album.^[79]

50 Words For Snow received general acclaim from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 88, based on 26 reviews, which indicates "universal acclaim".^[80] She was nominated for a Brit Award in the "Best Female Artist" category^[81], and the album was nominated in 2012 in the Best Album category of both the South Bank Arts and Ivor Novello Awards.^[82]

On 1 May 2012, Bush won the South Bank Arts Award.^[5]

Musical style[link]

Bush's music is eclectic, using various styles of music even within the same album. Her songs have spanned genres as diverse as rock, pop, alternative and art rock.^[1] Even in her earliest works where the piano was a primary instrument, she wove together many diverse influences, melding classical music, rock, and a wide range of ethnic and folk sources, and this has continued throughout her career.

In an interview with Melody Maker magazine in 1977, she revealed that male artists had more influence on her work than females, stating: "Every female you see at a piano is either Lynsey De Paul, or Carole King. And most male music—not all of it but the good stuff—really lays it on you. It really puts you against the wall and that's what I like to do. I'd like my music to intrude. Not many females succeed with that."^[11]

The experimental nature of her music has led it to be described as a later, more technological, and more accessible manifestation of the British progressive rock movement.^[2][15] Southern England was the home to the most influential and successful acts of the progressive rock movement and,^[2] like other artists in this genre, Bush rejects the classic American style of making pop music, which was adopted by most UK pop artists. Bush's vocals contain elements of British, Anglo-Irish and most prominently (southern) English accents and, in its utilisation of musical instruments from many periods and cultures, her music has differed from American pop norms.^[2] Elements of Bush's lyrics tend to be more unusual and less clichéd than American-style pop lyrics, often employing historical or literary references and avoiding autobiographical lyrics. She considers herself a storyteller who embodies the character singing the song and strenuously rejects efforts by others to insist that her songs are autobiographical.^[2][83][84]