7:38
Alban Berg - Chamber Concerto 1/4
Chamber Concerto for Piano and Violin with 13 Wind Instruments (1923-25) I. Thema scherzos...
published: 11 May 2010
author: pelodelperro
Alban Berg - Chamber Concerto 1/4
Chamber Concerto for Piano and Violin with 13 Wind Instruments (1923-25) I. Thema scherzoso con variazioni II. Adagio III. Rondo ritmico con introduzione Daniel Barenboim, piano Pinchas Zukerman, violin Ensemble InterContemporain Pierre Boulez Alban Berg's Chamber Concerto (1923-1925) followed on the heels of the composer's greatly successful opera Wozzeck (1917-1922). Dedicated to Berg's teacher, mentor, and friend Arnold Schoenberg, the Chamber Concerto is a transitional work, marking the near-end of the composer's freely atonal period and approaching Schoenberg's twelve-tone technique. The concerto, in fact, actually features a number of 12-note rows, though they are not yet used in a thoroughly systematic fashion. In the year following the concerto's completion, Berg finished the well-known Lyric Suite (1925-1926), his first extended work in the twelve-tone idiom. The Chamber Concerto is remarkable for the thoroughness of its organization; that is, it was composed with rigorous attention to minute details, and its structure is derived from a series of complex mathematical relationships. This is evident, for example, in the number of measures in each of the work's three movements. The first movement consists of variations that appear in alternating sets of 30 and 60 measures, totalling 240 measures; the second movement is exactly 240 measures long; and the number of measures in the final movement is equal to the sum of the measures in the first two (480). The work is ...
published: 11 May 2010
views: 6759
10:32
Glenn Gould-Alban Berg-Piano Sonata in One Movement (HD)
Glenn Gould plays the Sonata in One Movement by Alban Berg (HD video)...
published: 14 Oct 2011
author: pianoconc
Glenn Gould-Alban Berg-Piano Sonata in One Movement (HD)
Glenn Gould plays the Sonata in One Movement by Alban Berg (HD video)
published: 14 Oct 2011
author: pianoconc
views: 14526
4:46
Alban Berg - Three Orchestral Pieces, I
Three Orchestral Pieces, Op. 6 (1913-1929) I. "Präludium" (Prelude) II. "Reigen" (Round Da...
published: 30 Dec 2009
author: pelodelperro
Alban Berg - Three Orchestral Pieces, I
Three Orchestral Pieces, Op. 6 (1913-1929) I. "Präludium" (Prelude) II. "Reigen" (Round Dances) III. "Marsch" (March) Vienna Philharmonic Orchestra Claudio Abbado In mid-1913 Berg was deeply depressed by the disastrous premiere of some of his Altenberg Lieder as well as by scorching criticism from his mentor Arnold Schoenberg, of the aphoristic nature of his recent music. Berg resolved to write a large-form orchestral work, his first, and initially tried to compose a one-movement symphony more or less in the manner of Schoenberg's first Chamber Symphony. Progress soon stalled, but Berg transferred some of this material into a new project that he called "a suite of character pieces for orchestra." The resulting Pieces (3) for orchestra came to be regarded as one of Berg's most ambitious works, excepting the operas and the Violin Concerto. The opening "Präludium" (Prelude) stands apart from the movements that follow in that it is not based on a traditional form. It does, however, introduce a number of small motivic figures and some larger ideas that recur throughout the work. It rises uncertainly from the depths of the orchestra, experiences a brief eruption, then builds more patiently and yearningly to a huge climax before sinking back into the nebulous material with which it began (with the opening chord sequence now played in retrograde, underlining the movement's arch construction). "Reigen" (Round Dances) features overlapping dance rhythms contrasting with unsettled ...
published: 30 Dec 2009
author: pelodelperro
views: 15918
10:28
Alban Berg violin concerto 1. Mvt. - Andante; Nina Liepe
Gala concert at Orford Festival, Canada, 2009 Nina Liepe and Francis Perron play the first...
published: 20 Oct 2009
author: violona1
Alban Berg violin concerto 1. Mvt. - Andante; Nina Liepe
Gala concert at Orford Festival, Canada, 2009 Nina Liepe and Francis Perron play the first movement of the Alban Berg violin concerto
published: 20 Oct 2009
author: violona1
views: 25652
5:40
Alban Berg - Wozzeck
Frankfurter Museumsorchester, director: Sylvain Cambreling, Wozzeck: Dale Duesing, Marie: ...
published: 06 Apr 2007
author: Pancho Alberich
Alban Berg - Wozzeck
Frankfurter Museumsorchester, director: Sylvain Cambreling, Wozzeck: Dale Duesing, Marie: Kristine Ciesinski
published: 06 Apr 2007
author: Pancho Alberich
views: 193124
24:43
Alban Berg : Concerto per violino e orchestra ''Alla memoria di un angelo''
Alban Berg (1885-1935) : Violinkonzert ''dem Andeken eines Engels'' (1935) 1) Andante-Alle...
published: 28 Oct 2011
author: macdonald59
Alban Berg : Concerto per violino e orchestra ''Alla memoria di un angelo''
Alban Berg (1885-1935) : Violinkonzert ''dem Andeken eines Engels'' (1935) 1) Andante-Allegretto 2) Allegro-Adagio Ivry Gitlis, violino ; WDR Orchestra Sinfonica di Colonia, direttore Hans Vonk (1992)
published: 28 Oct 2011
author: macdonald59
views: 6526
10:04
Alban Berg - Violin Concerto (1/3)
Violin Concerto (1935) I: Andante Allegretto Liberamente Poco a poco sempre più II: Allegr...
published: 29 Oct 2010
author: pelodelperro
Alban Berg - Violin Concerto (1/3)
Violin Concerto (1935) I: Andante Allegretto Liberamente Poco a poco sempre più II: Allegro Pesante, ma quasi a tempo Adagio Coda Yehudi Menuhin, violin BBC Symphony Orchestra Pierre Boulez When Berg received a commission for a concerto from the violinist Louis Krasner in January 1935, he was busy working on Lulu and set the commission aside. On April 22 of that year, the beloved daughter of his friend Alma Mahler, Manon Gropius, died at the age of 18, and Berg ceased work on the opera to compose his Violin Concerto as a memorial. Working at an unusually fast pace, Berg completed the score by August 11, though did not live to hear its premiere in April 1936. Some commentators have lamented the fact that work on the Violin Concerto prevented Berg from completing Lulu, which many view as his most important work. Yet the Violin Concerto has become Berg's single most popular and regularly programmed work. Beyond the firmly tonal works of his youth, the Violin Concerto is also Berg's most accessible score in its compelling combination of both tonal and atonal idioms. As with many of Berg's pieces, the concerto follows a program governed by a strict formal design. The four movements are may be grouped into two parts of two movements each, with only a short break between movements two and three. The first two movements are structured like a Classical sonata-allegro and dance movement, respectively, and together form a musical portrait of the girl. The second part reverses the ...
published: 29 Oct 2010
author: pelodelperro
views: 15726
5:18
Alban Berg Sonata op. 1 played by Alfred Brendel (1)
The great Alfred Brendel, who have recently retired from the concert platform, plays the B...
published: 08 Apr 2009
author: anaklasis
Alban Berg Sonata op. 1 played by Alfred Brendel (1)
The great Alfred Brendel, who have recently retired from the concert platform, plays the Berg's Piano Sonata. Live recording of 1982
published: 08 Apr 2009
author: anaklasis
views: 43247
8:37
Lasalle Quartet plays: Alban Berg, Lyrische Suite
Written in 1925/26 Allegretto giovale Andante amoroso...
published: 19 Dec 2008
author: GreggaryPeccary
Lasalle Quartet plays: Alban Berg, Lyrische Suite
Written in 1925/26 Allegretto giovale Andante amoroso
published: 19 Dec 2008
author: GreggaryPeccary
views: 25855
3:27
Alban Berg: Wozzeck "Interlude"
Wozzeck is the first opera by the Austrian composer Alban Berg. It was composed between 19...
published: 20 Feb 2010
author: flammejohnes
Alban Berg: Wozzeck "Interlude"
Wozzeck is the first opera by the Austrian composer Alban Berg. It was composed between 1914 and 1922 and first performed in 1925. Since then it has established a solid place for itself in the mainstream operatic tradition, and modern productions are consistently sold out. Though its musical style is challenging, the quality of Berg's work (in particular, the characterization of the situation through clearly defined musical techniques) amply repays repeated listenings. Although a typical performance takes only slightly over an hour and a half, it is nevertheless an intense experience. The subject matter the inevitability of hardship and exploitation for the poor is brutal and uncompromisingly presented. Though Berg's musical style is not as violent as some other composers might have written for this story, the style suits the subject matter.
published: 20 Feb 2010
author: flammejohnes
views: 22265
2:16
Alban Berg - Die Nachtigall
Early Songs (7), for voice & piano (or orchestra) (1905-1908; revised and orchestrated 192...
published: 30 Nov 2009
author: pelodelperro
Alban Berg - Die Nachtigall
Early Songs (7), for voice & piano (or orchestra) (1905-1908; revised and orchestrated 1928) - Nacht (Night) - Schilflied (Song amid the Reeds) - Die Nachtigall (The Nightingale) - Traumgekrönt (Crowned in Dreams) - Im Zimmer (Indoors) - Liebesode (Ode to Love) - Sommertage (Summer Days) Anne Sofie von Otter Wiener Philarmoniker Claudio Abbado Songs for voice and piano constitute the greater part of Alban Berg's earliest efforts at composition. Though completed 1905 - 08, the composer's Seven Early Songs were not published until 1928. (Berg also made orchestrations of the accompaniments at this time.) These songs, the product of the early years of Berg's apprenticeship to his most important mentor, Arnold Schoenberg, present an apparent simplicity. Upon closer examination, though, they reveal a subtlety and imagination beyond what might be expected of a composer of such relative inexperience. Musicologist Mark DeVoto notes that Berg's earliest songs are technically and creatively superior to those of fellow pupil Anton Webern, who became particularly known for his lieder, and who worked in this genre more prolifically than in any other. The Seven Early Songs have a strong motivic structure; some are built upon a single motivic cell, extensively manipulated and layered. Harmonically, the songs exist in the world of late-Romantic expanded tonality, with a certain ambiguity between major and minor modes, suspension, delayed and sometimes avoided resolutions, and occasionally ...
published: 30 Nov 2009
author: pelodelperro
views: 17658
129:55
Alban Berg: Lulu (1928/1935)
Alban Berg (1885-1935): Lulu, Opera in 3 Atti (incompiuta) su libretto proprio tratto dall...
published: 24 Dec 2011
author: TheWelleszOpus
Alban Berg: Lulu (1928/1935)
Alban Berg (1885-1935): Lulu, Opera in 3 Atti (incompiuta) su libretto proprio tratto dalla fusione dei racconti l'Erdgeist (Lo spirito della terra) e da Die Büchse der Pandora (Il vaso di Pandora) di Frank Wedekind (1928/1935). Lulu: Laura Aikin Countess Geschwitz: Cornelia Kallisch...
published: 24 Dec 2011
author: TheWelleszOpus
views: 38606
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25:48
Alban Berg conc.violino & orch. Akiko Suwanai,Pierre Boulez
Alban Marie Johannes Berg (Vienna, 9 febbraio 1885 -- 23 dicembre 1935) Concerto per violi...
published: 18 May 2011
author: giannibodoar
Alban Berg conc.violino & orch. Akiko Suwanai,Pierre Boulez
Alban Marie Johannes Berg (Vienna, 9 febbraio 1885 -- 23 dicembre 1935) Concerto per violino e orchestra "In memoria di un'angelo" Andante - allegretto Allegro - adagio Akiko Suwanai violino Gustav Mahler Youth Orchestra dir,Pierre Boulez
published: 18 May 2011
author: giannibodoar
views: 4823
10:28
Alban Berg, Lulu Act 3 (Finale; Torso)
A partly film, partly stage rendition of the 3rd Act Torso of Alban Berg's "Lulu". Laura A...
published: 06 Jun 2007
author: WagnerBuff
Alban Berg, Lulu Act 3 (Finale; Torso)
A partly film, partly stage rendition of the 3rd Act Torso of Alban Berg's "Lulu". Laura Aikin (Lulu), Cornelia Kallisch (Geschwitz). Conductor: Franz Welser-Möst. Film director: Thomas Grimm
published: 06 Jun 2007
author: WagnerBuff
views: 77329
12:35
Alban Berg: Sonata, Op.1 (1907/1909)
Alban Berg (1885-1935): Sonata per pianoforte, Op.1 (1907/1909). Steffen Schleiermacher, p...
published: 09 Oct 2011
author: TheWelleszCompany
Alban Berg: Sonata, Op.1 (1907/1909)
Alban Berg (1885-1935): Sonata per pianoforte, Op.1 (1907/1909). Steffen Schleiermacher, pianoforte. Cover image: painting by Koloman Moser. *** Themusic published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be apreciated.
published: 09 Oct 2011
author: TheWelleszCompany
views: 1813
10:17
Berg, A mvt1(begin) violin concerto
Alban Berg (1885-1935) violin concerto (1935) movement 1 (begin) Andante -Allegretto BERG,...
published: 26 Apr 2010
author: HenriVieuxtemps
Berg, A mvt1(begin) violin concerto
Alban Berg (1885-1935) violin concerto (1935) movement 1 (begin) Andante -Allegretto BERG, Alban (1885-1935) Mvt1(begin) www.youtube.com Mvt1(end)+mvt2(begin) www.youtube.com Mvt(end) www.youtube.com
published: 26 Apr 2010
author: HenriVieuxtemps
views: 5293