Georgian alphabet ქართული ანბანი
Type	Alphabet
Languages	Georgian and other Kartvelian languages
Time period	430 AD to present Traditional date 284 BC
ISO 15924	Geor, 240
	Geok (241, Khutsuri)
Direction	Left-to-right
Unicode alias	Georgian
Unicode range	U+10A0–U+10FF, U+2D00–U+2D2F
Note: This page may contain IPA phonetic symbols.

This article contains Georgian text. Without proper rendering support, you may see question marks, boxes, or other symbols instead of Georgian letters.

The Georgian alphabet (Georgian: ქართული დამწერლობა, [kʰɑrtʰuli dɑmt͡sʼɛrlɔbɑ], literally "Georgian script") is the writing system used to write the Georgian language and other Kartvelian languages (Mingrelian, Svan, sometimes Laz), and occasionally other languages of the Caucasus such as Ossetic and Abkhaz during the 1940s.^[1] The Georgian language has phonemic orthography and the modern alphabet has thirty-three letters.

The word meaning "alphabet", Georgian: ანბანი anbani, is derived from the names of the first two letters of each of the three Georgian alphabets. The three alphabets look very different from one another but share the same alphabetic order and letter names. The alphabets may be seen mixed to some extent, though Georgian is officially unicameral meaning there is normally no distinction between upper and lower case in any of the alphabets.

History[link]

The three forms of the Georgian alphabet

The writing of the Georgian language has progressed through three forms, known by their Georgian names: Asomtavruli, Nuskhuri, and Mkhedruli. They have always been distinct alphabets, even though they have been used together to write the same languages, and even though these alphabets share the same letter names and collation. Although the most recent alphabet, Mkhedruli, contains more letters than the two historical ones, those extra letters are no longer needed for writing modern Georgian.

The Georgian kingdom of Iberia converted to Christianity in 326 AD. Scholars believe that the creation of an Old Georgian alphabet was instrumental in making religious scripture more accessible to the Georgians. This happened in the 4th or 5th century, not long after conversion. The oldest uncontested example of Georgian writing is an Asomtavruli inscription from 430 AD in a church in Bethlehem.

It has been asserted^[2][3] that the Georgian alphabet was created by Mesrop Mashtots (who also created the Armenian alphabet around 405 AD and the Caucasian Albanian alphabet). This viewpoint is accepted by encyclopaedias,^[4][5][6][7] as well as by authoritative scholars.^[2][3][8][9] Other authorities such as John Greppin and A.G. Perikhanian have concluded that while Mesrop Mashtots may not have been the only creator of the Georgian alphabet, it could not have appeared without his participation.^[10][11] The Encyclopaedia Britannica suggests that the Old Georgian script must have been derived from the Greek alphabet, on account of the order of the alphabet and the shapes of some of the characters, although the shapes of the majority of the signs appear to be a result of a free creation of its inventor.^[12]

Georgian historical tradition attributes the invention of the Georgian alphabets to the semi-mythical Parnavaz I of Iberia in the 3rd century BC. Georgian scholars have asserted that the Georgian alphabet was created before Mesrop Mashtots.^{[13][14][15][16]} The modern Georgian scholar Levan Chilashvili, on the basis of dating the Nekresi inscription in eastern Georgia to the 1st–2nd century AD, claimed that Parnavaz probably created the scripts in order to translate the Avesta (sacred Zoroastrian writings) into Georgian. However, a pre-Christian origin for the Georgian scripts has not been firmly supported by archaeological evidence. According to Donald Rayfield, the assumption that the Georgian script has pre-Christian origin, is rather unfounded and was not confirmed by archaeological findings.^[3] Stephen H. Rapp, too, has questioned such a dating.^[17] Victor Schnirelmann has noted that the Georgian historians' somewhat painful attitude towards Mesrop Mashtots is conditioned by the "myth of some pure original indigenous culture."^[18]

[edit] Asomtavruli

Asomtavruli, also known as Mrgvlovani, is the historical, monumental, and oldest form of the Georgian alphabet. Asomtavruli (ასომთავრული, "capital letters") derives from aso (ასო, "letter, type") and mtavari (მთავარი, "main, chief, principal, head"). Mrgvlovani (მრგვლოვანი, "rounded") is related to the word mrgvali (მრგვალი, "round"). Despite its common Georgian name, this rounded alphabet was originally purely unicameral, just like the modern Georgian alphabet. Examples of the earliest Asomtavruli are still preserved in monumental inscriptions such as those of the Georgian church in Bethlehem (near Jerusalem, 430 AD) and the church of Bolnisi Sioni near Tbilisi (478-493 AD).

This unicameral alphabet is still used today in some section headings and book titles, and sometimes used in a pseudo-bicameral way by varying the glyph sizes for creating capitals. Since it is no longer used for writing Georgian, it has also been reused in a creative way for writing capital letters, along with letters of one of the two other Georgian alphabets.

Incidentally, a unique local form of Aramaic writing known as Armazuli (არმაზული დამწერლობა, armazuli damts'erloba, i.e. the "Armazian script", derived from the name of the god Armazi) existed before that, as demonstrated by the 1940s discovery of a bilingual Greco-Aramaic inscription at Mtskheta, Georgia. It is conceivable that local pre-Christian records did exist, but were subsequently destroyed by zealous Christians. Therefore, many found more palatable the idea that the medieval Georgian chronicles crediting Parnavaz with the creation of Georgian writing actually refer to the introduction of a local form of written Aramaic during his reign.^[17]

[edit] Nuskhuri

The Nuskhuri (ნუსხური "minuscule, lowercase"), the ecclesiastical alphabet first appeared in the 9th century. It was mostly used in hagiography. Nuskhuri is related to the word nuskha (ნუსხა "inventory, schedule").

The forms of the Khutsuri letters may have been derived from the northern Arsacid variant of the Pahlavi (or Middle Iranian) script, which itself was derived from the older Aramaic, although the direction of writing (from left to right), the use of separate symbols for the vowel sounds, the numerical values assigned to the letters in earlier times, and the order of the letters all point to significant Greek influence on the script.^[19]

However, the Georgian linguist Tamaz Gamkrelidze argues that the forms of the letters are freely invented in imitation of the Greek model rather than directly based upon earlier forms of the Aramaic alphabet, even though the Georgian phonological inventory is very different from Greek.

Like the monumental Asomtavruli alphabet, this squared alphabet was initially purely unicameral. However, it has also been used also along with the Asomtavruli alphabet (serving as capital letters in religious manuscripts) to form the Khutsuri (ხუცური "ecclesiastical") bicameral style that is still used sometimes today.

[edit] Mkhedruli

Road sign in Georgian Mkhedruli and Latin alphabets.

King George V of Georgia's written charter, 14th century.

The modern alphabet, called Mkhedruli (მხედრული, "cavalry" or "military"), first appeared in the 11th century. It was used for non-religious purposes up until the 19th century, when it completely replaced the Khutsuri style (that used the two previous alphabets). Mkhedruli is related to the word mkhedari (მხედარი, "horseman", "knight", or "warrior"); Khutsuri is related to the term khutsesi (ხუცესი, "elder" or "priest").

Like the two other alphabets, the Mkhedruli alphabet is purely unicameral. However, certain modern writers have experimented with using Asomtavruli letters as capitals, similarly to Khutsuri script style. In some cases, this may be a conflation with the religious Khutsuri style rather than the result of a creative design choice. Georgians often consider this bicameral use of Mkhedruli an error because some Mkhedruli letters lack equivalents in the other alphabets. Others use the Mkhedruli alphabet alone in a pseudo-bicameral way, adapting letter sizes to create capital letters, known as Mtavruli for titles and headings. Mtavruli (მთავრული) means "titlecase" and is an appropriate tribute to the older Asomtavruli.

Obsolete letters[link]

Eight of the forty-one Mkhedruli letters (shaded above) are now obsolete. Five of these, ⟨ჱ⟩ (he), ⟨ჲ⟩ (hie), ⟨ჳ⟩ (vie), ⟨ჴ⟩ (qar), and ⟨ჵ⟩ (hoe) were used in Old Georgian. These letters were discarded by the Society for the Spreading of Literacy Among Georgians, founded by Ilia Chavchavadze in 1879, and were either dropped entirely or replaced by the sounds they had become. The last three, ⟨ჶ⟩ (fi), ⟨ჷ⟩ (shva), and ⟨ჸ⟩ (elifi), were later additions to the Georgian alphabet used to represent sounds not present in Georgian proper, and are used to write other languages in the region. Also obsolete in modern Georgian is a variant of the letter ⟨უ⟩ (un), differentiated using a diacritic: ⟨უ̌⟩ or ⟨უ̂⟩.

• ⟨ჱ⟩ (he), sometimes called "ei" or "e-merve" ("eighth e"). As in Ancient Greek (Ηη, Ͱͱ, ēta), it holds the eighth place in the Georgian alphabet. The name and shapes of the letter in Asomtavruli ⟨Ⴡ⟩ and Nuskhuri ⟨ⴡ⟩ also resemble Greek's tack-shaped archaic consonantal heta. In old Georgian, he was interchangeable with the digraph ⟨ეჲ⟩. It represented [ei] or [ej].
• ⟨ჲ⟩ (hie), also called iot'a, often marked Georgian nouns in the nominative case. In Old Georgian, it represented [i] or [j].
• ⟨ჳ⟩ (vie) represented the diphthong [ui] or [uj]. It holds the same position and numerical value as Ancient Greek's Υυ upsilon, which its Asomtavruli ⟨Ⴣ⟩ and Nuskhuri ⟨ⴣ⟩ versions resemble. Its modern pronunciation is usually like ⟨უ⟩ [u] or ⟨ი⟩ [i].
• ⟨ჴ⟩ (qar, har) represented [q] or [qʰ], the non-ejective counterpart to ⟨ყ⟩ (q'ar) above. Although this consonant is still distinguished in Svan, its modern pronunciation in Georgian is identical to ⟨ხ⟩ [χ].
• ⟨ჵ⟩ (hoe), also called oh, represented a long ⟨ო⟩, [oː].
• ⟨ჶ⟩ (fi) was borrowed to represent the phoneme /f/ in loanwords from Latin and Greek such as ჶილოსოჶია (filosofia, 'philosophy'). Its name and shape derive from Greek. Its modern usage is a feature of Ossetic and Laz when written in the Georgian alphabet. In modern Georgian, ⟨ფ⟩ par replaces fi.
• ⟨ჷ⟩ (shva), also called yn, represents the mid central vowel [ə]. It appears in written Mingrelian, Laz, and Svan.
• ⟨ჸ⟩ (elifi) represents the glottal stop [ʔ]. Its name and pronunciation derive from Aramaic. It is used in written Mingrelian and rarely in Laz.
• ⟨უ̌⟩ or ⟨უ̂⟩ (un-brjgu) represented a short [u] in Old Georgian. It is still differentiated in Svan, Mingrelian, and Laz. In modern Georgian, it becomes ⟨ვ⟩ vin.

Numeral value of letters[link]

An inscription at the Motsameta monastery, dating to ჩყმვ meaning 1846.

Georgian inscriptions.

*Both, letters ჳ and უ equal to 400 in numerals.

Ligatures and abbreviations[link]

Calligraphy

Arabic Chinese Georgian Indian Japanese Korean Kufic Nepalese Persian Sini Tibetan Western

Writing in Asomtavruli is often highly stylized. Since the time of Vakhtang I of Iberia in the 5th century, writers readily formed ligatures, intertwined letters, and placed letters within letters. The first ligature below was a feature of 6th century Sassanid period currency. The second and third examples come from the arch of the David Gareja Monastery, pictured above. Ligatures flourished during the Middle Ages and could represent up to three letters.

Nuskhuri, like Asomtavruli is also often highly stylized. Writers readily formed ligatures and abbreviations for nomina sacra, including diacritics called karagma, which resemble titla. Because writing materials such as vellum were scarce and therefore precious, abbreviating was a practical measure widespread in manuscripts and hagiography by the 11th century.^[20] Some common examples include romeli, "which" (, r~i) and Iesou Krist'e, "Jesus Christ" (, I~ui K~e).

In the 11th – 17th centuries, Mkhedruli also came to employ digraphs to the point that they were obligatory, requiring adhesion to a complex system. For example, ⟨დ⟩ don and ⟨ა⟩ an make "da": .

In the older Asomtavruli, the sound /u/ was represented by the digraph ⟨ႭჃ⟩ or as ⟨Ⴓ⟩, a modified ⟨Ⴍ⟩. Nuskhuri saw the combination of the digraph ⟨ⴍⴣ⟩ into a ligature, ⟨ⴓ⟩ (cf. Greek ου, Cyrillic Ѹ/Ꙋ). However, Mkhedruli normally uses only ⟨უ⟩ as opposed to a digraph or ligature, and uses ⟨უ⟩ instead of obsolete ⟨ჳ⟩ (above) to represent the value 400.

→	→	→	→ → →
Asomtavruli ⟨Ⴂ⟩ gan and ⟨Ⴌ⟩ nar form a ligature.[21]	The word da (⟨ႣႠ⟩, "and") in Asomtavruli.	The word ars (⟨ႠႰႱ⟩, "be; is") in Asomtavruli.	Development of the letter un from a digraph through the three alphabets.

Calligraphy[link]

The Georgian calligraphy is centuries-old tradition of an artistic writing of the Georgian language with its 3 (three) Georgian alphabets.

Transcription[link]

150-meter-tall glass "Georgian Alphabet Tower" in Batumi, south-western resort city of Georgia by Black Sea.

This table lists only the modern unicameral Mkhedruli alphabet (i.e. 33 letters that are convertible to the other two alphabets, excluding the 8 Mkhedruli letters that are now obsolete). "National" is the official transliteration system used by the Georgian government, while "Laz" is the official system used in northeastern Turkey for the Laz language.

Unicode[link]

The Georgian alphabet was added to the Unicode Standard in October, 1991 with the release of version 1.0.

History[link]

In Unicode version 1.0 the U+10A0 ... U+10CF range of the Georgian block represented Khutsuri (Asomtavruli and Nuskhuri). With the release of version 4.1 in March, 2005 Asomtavruli and Nuskhuri were "disunified". The U+10A0 ... U+10CF range of the Georgian block now represents Asomtavruli and the Georgian Supplement block represents Nuskhuri.

Blocks[link]

The Unicode block for Georgian is U+10A0 ... U+10FF. Mkhedruli (modern Georgian) occupies the U+10D0 ... U+10FF range and Asomtavruli occupies the U+10A0 ... U+10CF range.

The Unicode block for Georgian Supplement is U+2D00 ... U+2D2F and it represents Nuskhuri.

Keyboard layout[link]

All keyboards in Georgia are fitted with both Latin and Georgian letters. Georgian QWERTY keyboard below.

Gallery[link]

See also[link]

• Georgian calligraphy
• Georgian language
• Old Georgian language
• Georgian dialects
• Georgian calendar
• Georgian numerals
• Georgian national system of romanization
• ISO 9984

References[link]

Bibliography[link]

• Aronson, Howard I. (1990), Georgian: a reading grammar (second ed.), Columbus, OH: Slavica 
• Shosted, Ryan K.; Vakhtang, Chikovani (2006), "Standard Georgian", Journal of the International Phonetic Association 36 (2): 255–264, DOI:10.1017/S0025100306002659 

External links[link]

• Reference grammar of Georgian by Howard Aronson (SEELRC, Duke University)
• Georgian transliteration + Georgian virtual keyboard
• Direct transliteration Latin ↔ Georgian
• Georgian fonts, compliant with Unicode 4.0, also available for MAC OS 9 or X
• Unicode Code Chart (10A0–10FF) for Georgian scriptsPDF (105 KB)
• Transliteration of GeorgianPDF (105 KB)

St. Mesrop Mashtots
Statue of Saint Mesrop Mashtots, founder of the Armenian alphabet, at the Matenadaran Institute of Ancient Manuscripts in Yerevan, Armenia. The original letters (i.e. only uppercase) in their original shapes can be seen on the stone plaque.
Born	361 or 362 AD Hatsik, Province of Taron, historical Armenia
Died	February 17, 440 Vagharshapat, Armenia
Honored in	Armenian Apostolic Church, Armenian Catholic Church, Roman Catholic Church
Major shrine	St. Mesrop Mashtots Church in Oshakan, Armenia
Feast	The Armenian Church remembers St. Mesrop (together with St. Sahak), twice each year, first in July and then again on the Feast of the Holy Translators in October.[1]
Patronage	Armenia

Saint Mesrop Mashtots (also Mesrob, Mashtotz, Armenian: Մեսրոպ Մաշտոց) (361 or 362 – February 17, 440) was an Armenian monk, theologian and linguist. He is best known for having invented the Armenian alphabet, which was a fundamental step in strengthening the Armenian Church, the government of the Armenian Kingdom, and ultimately the bond between the Armenian Kingdom and Armenians living in the Byzantine Empire and the Persian Empire.

Life[link]

Mesrop Mashtots by Francesco Maggiotto (1750-1805)

Mesrop Mashtots was born in the town of Hatsekats in Taron^[2] and died in Vagharshapat. Koryun, his pupil and biographer, tells us that Mesrop received a liberal education, and was versed in the Greek and Persian languages.^[2] On account of his piety and learning Mesrop was appointed secretary to King Khosrov IV. His duty was to write in Greek and Persian characters the decrees and edicts of the sovereign.

Leaving the court for the service of God, he took holy orders, and withdrew to a monastery with a few chosen companions. There, says Koryun, he practiced great austerities, enduring hunger and thirst, cold and poverty. He lived on vegetables, wore a hair shirt, slept upon the ground, and often spent whole nights in prayer and the study of the Holy Scriptures. This life he continued for a few years.

Armenia, so long the battle-ground of Romans and Persians, lost its independence in 387, and was divided between the Byzantine Empire and Persia, about four-fifths being given to the latter. Western Armenia was governed by Byzantine generals, while an Armenian king ruled, but only as feudatory, over Persian Armenia. The Church was naturally influenced by these violent political changes, although the loss of civil independence and the partition of the land could not destroy its organization or subdue its spirit. Persecution only quickened it into greater activity, and had the effect of bringing the clergy, the nobles, and the common people closer together. The principal events of this period are the invention of the Armenian alphabet, the revision of the liturgy, the creation of an ecclesiastical and national literature, and the readjustment of hierarchical relations. Three men are prominently associated with this work: Mesrop, Patriarch Isaac, and King Vramshapuh, who succeeded his brother Khosrov IV in 394. In 394 AD, with the help of blessing of Armenia's Catholicos, Sahak Partev, Mesrop set out on a mission of spreading the word of God to a pagan or semi-pagan people.

Illustration of Mesrop Mashtots from a 1776 manuscript.

Mesrop, as noted, had spent some time in a monastery preparing for a missionary life. With the support of Prince Shampith, he preached the Gospel in the district of Golthn near the river Araxes, converting many heretics and pagans. However, he experienced great difficulty in instructing the people, for the Armenians had no alphabet of their own, but used the Greek, Persian, and Syriac scripts, none of which were well suited for representing the many complex sounds of their native tongue. Again, the Holy Scriptures and the liturgy, being written in Syriac, were, to a large extent, unintelligible to the faithful. Hence the constant need of translators and interpreters to explain the Word of God to the people.

Mesrop, desirous to remedy this state of things, resolved to invent a national alphabet, in which undertaking Isaac and King Vramshapuh promised to assist him. It is hard to determine exactly what part Mesrop had in the fixing of the new alphabet. According to his Armenian biographers, he consulted Daniel, a bishop of Mesopotamia, and Rufinus, a monk of Samosata, on the matter. With their help and that of Isaac and the king, he was able to give a definite form to the alphabet, which he probably adapted from the Greek. Others, like Lenormant, think it derived from the Avestan. Mesrop's alphabet consisted of thirty-six letters; two more (long O and F) were added in the twelfth century.

The first sentence in Armenian written down by St. Mesrop after he invented the letters is said to be the opening line of Solomon’s Book of Proverbs:

The Amaras Monastery in Nagorno Karabakh where in the 5th century Saint Mesrop Mashtots, the inventor of the Armenian Alphabet, established the first-ever Armenian school that used his script.^[3]

The invention of the alphabet (406) was the beginning of Armenian literature, and proved a powerful factor in the upbuilding of the national spirit. "The result of the work of Isaac and Mesrop", says St. Martin,^[4] "was to separate for ever the Armenians from the other peoples of the East, to make of them a distinct nation, and to strengthen them in the Christian Faith by forbidding or rendering profane all the foreign alphabetic scripts which were employed for transcribing the books of the heathens and of the followers of Zoroaster. To Mesrop we owe the preservation of the language and literature of Armenia; but for his work, the people would have been absorbed by the Persians and Syrians, and would have disappeared like so many nations of the East".

Anxious that others should profit by his discovery, and encouraged by the patriarch and the king, Mesrop founded numerous schools in different parts of the country, in which the youth were taught the new alphabet. It is historically proven, that Saint Mesrop himself taught in Amaras monastery of Artskah region of Armenia (located in contemporary Martuni region of unrecognized Nagorno-Karabakh Republic). But his activity was not confined to Eastern Armenia. Provided with letters from Isaac he went to Constantinople and obtained from the Emperor Theodosius the Younger permission to preach and teach in his Armenian possessions. Having returned to Eastern Armenia to report on his missions to the patriarch, his first thought was to provide a religious literature for his countrymen. Having gathered around him numerous disciples, he sent some to Edessa, Constantinople, Athens, Antioch, Alexandria, and other centres of learning, to study the Greek language and bring back the masterpieces of Greek literature. The most famous of his pupils were John of Egheghiatz, Joseph of Baghin, Yeznik, Koryun, Moses of Chorene, and John Mandakuni.

Verses of Mesrop Mashtots

The first monument of this Armenian literature is the version of the Holy Scriptures. Isaac, says Moses of Chorene, made a translation of the Bible from the Syriac text about 411. This work must have been considered imperfect, for soon afterwards John of Egheghiatz and Joseph of Baghin were sent to Edessa to translate the Scriptures. They journeyed as far as Constantinople, and brought back with them authentic copies of the Greek text. With the help of other copies obtained from Alexandria the Bible was translated again from the Greek according to the text of the Septuagint and Origen's Hexapla. This version, now in use in the Armenian Church, was completed about 434.

The decrees of the first three councils — Nicæa, Constantinople, and Ephesus — and the national liturgy (so far written in Syriac) were also translated into Armenian, the latter being revised on the liturgy of St. Basil, though retaining characteristics of its own. Many works of the Greek Fathers also passed into Armenian. The loss of the Greek originals has given some of these versions a special importance; thus, the second part of Eusebius's Chronicle, of which only a few fragments exist in the Greek, has been preserved entire in Armenian. In the midst of his literary labors Mesrop revisited the districts he had evangelized in his earlier years, and, after the death of Isaac in 440, looked after the spiritual administration of the patriarchate. He survived his friend and master only six months. The Armenians read his name in the Canon of the Mass, and celebrate his memory on 19 February.

He is buried in Oshakan, a village 8 km southwest from Ashtarak.

Saint Mesrop is listed officially in the Roman Martyrology of the Roman Catholic Church; his feast day is February 17.

Honors[link]

Order of Mesrob Mashtot

Virtually every town in Armenia has a street named after Mashtots. In Yerevan, Mashtots street is one of the most important in the city center, which was previously known as Lenin street (prospect). There is a statue to him at the Matenadaran, one at the church he was buried at in Oshakan village, and one at the monument to the alphabet found on the skirts of Mt. Aragats north of Ohanavan Village. Stamps have been issued with his image by both the Soviet Union and by post-Soviet Armenia.

Music[link]

Saint Mesrop also produced a number of liturgical compositions. Some of the works attributed to him are: Megha Qez Ter, Voghormea indz Astvats, Ankanim Aadgi Qo, and Voghormea (Hymns of Repentance).

Documentary films[link]

• Mashtots - 1988 Armenfilm 35 mm.film Director Levon Mkrtchyan (narration by Sos Sargisyan) Artashes Martirosyan (screenplay)

References[link]

Attribution

•  This article incorporates text from a publication now in the public domain: Vaschalde, A. A. (1911). "Mesrob". In Herbermann, Charles. Catholic Encyclopedia. 10. Robert Appleton Company. 

External links[link]

Wikiquote has a collection of quotations related to: Mesrob Mashtots (Armenian Wikiquote)

Wikimedia Commons has media related to: Saint Mesrob

• Catholic Encyclopedia — Mesrop
• Classical Music Archives — Saint Mesrop Mashtots