Look up AAP in Wiktionary, the free dictionary.

AAP may stand for:

Aviation & Aerospace[link]

• Apollo Applications Program, NASA's vision for long-range space exploration based on technologies developed for Project Apollo
• Agrupación Aérea Presidencial, the Argentine president's personal air fleet
• AAP, IATA code for Aappilattoq (Qaasuitsup) Heliport in Aappilattoq, Greenland
• Andrau Airpark, a former airport in Houston, Texas, United States

Companies[link]

• Advance Auto Parts (NYSE stock symbol: AAP), vehicle parts retailer in Virginia, United States
• Associated Artists Productions, a film distributor (almost its entire library is now owned by Time Warner); the initials are usually spelled "a.a.p."
• The Association of American Publishers, a United States trade association

Jobs[link]

• Accredited ACH Professional, an Electronic Payments Professional

Media[link]

• ArtAsiaPacific, a contemporary art and culture magazine
• Australian Associated Press (AAP), Australia's national news agency
• Active Advertising Platform

Medicine[link]

• Alanine aminopeptidase, a medical biomarker enzyme
• Atypical antipsychotic, a group of antipsychotic drugs

Organizations[link]

• Associated Artists Productions, a distributor of theatrical feature films and short subjects for television whose library is now owned by Time Warner
• Association of American Physicians, a medical honor society
• Automobile Association Philippines, a member of the Fédération Internationale de l'Automobile
• Airport Armed Police in Bangladesh
• The Association of Australasian Palaeontologists
• The Australasian Association of Philosophy
• The American Academy of Pediatrics, an American and Canadian professional medical fellowship
• The American Academy of Periodontology, the professional organization for periodontists

Places[link]

• Alexandra Palace railway station in London, UK
• Ann Arbor Pioneer High School, a high school in Michigan, United States
• Cornell University College of Architecture, Art, and Planning, New York, United States

Technology[link]

• A-A-P, a computer software building and installation utility

Other[link]

• Argumentum ad populum, a logical fallacy
• Arbour Absent Promises, chemical imbalance causing a mix of a promise followed by disappointment

Aap may also refer to:

• Ap (water), a Sanskrit word

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Hrithik Roshan
Hrithik Roshan at Mumbai Police Show Umang in 2011
Born	(1974-01-10) 10 January 1974 (age 38) Mumbai, Maharashtra, India
Occupation	Actor
Years active	1980–1986 (child artist) 2000–present
Spouse	Suzanne Khan (2000 – present)
Children	2

Hrithik Roshan ([ˈrɪt̪ʰɪk ˈroːʃən]; born 10 January 1974)^[1] is an Indian film actor. Having appeared as a child actor in several films throughout the 1980s, Roshan made his film debut in a leading role in Kaho Naa... Pyaar Hai in 2000. His performance in the film earned him Filmfare Awards for Best Actor and Best Male Debut. He followed it with leading roles in Fiza and Mission Kashmir (both 2000) and a supporting part in the blockbuster Kabhi Khushi Kabhie Gham... (2001), which was India's highest-grossing film in the overseas market up to then.^[2]

Following through with several unnoticed performances from 2002 to 2003, he starred in the blockbusters Koi... Mil Gaya (2003) and its sequel Krrish (2006), both of which won him numerous Best Actor awards.^[3] Roshan received his third Filmfare Award for Best Actor in 2006 for his performance in the action film Dhoom 2, his biggest commercial success to date, and his fourth for Jodhaa Akbar,^[4] for which he was also awarded at the Golden Minbar International Film Festival. These accomplishments have established him as one of the leading contemporary actors of Hindi cinema.^[5] He later received further acclaim for his work in Guzaarish (2010), Zindagi Na Milegi Dobara (2011) and Agneepath (2012).

Biography[link]

Early career, until 1999[link]

Roshan's first movie role was as a child artist when he was six years old in the 1980s movie Aasha, where he appeared in a dance sequence as an extra. Roshan went on to play minor roles in Aap Ke Deewane (1980) and Bhagwan Dada (1986) both of which starred his father Rakesh Roshan in the leading role. He then became an assistant director assisting in the production of his father's films Karan Arjun (1995) and Koyla (1997).

Breakthrough, 2000–2002[link]

In 2000, Roshan made his film debut as the leading man in the film Kaho Naa... Pyaar Hai opposite another debutante actress Amisha Patel. The film, which was directed by his father and saw him playing a double role, proved to be very successful at the box office and was declared a blockbuster,^[6] it also became the highest grossing film of 2000^[7] and winner of the Filmfare Best Movie Award. Roshan's performance was well-received, and the film made him an overnight star.^[8][9][10] He eventually received both the Filmfare Best Male Debut Award and the Filmfare Best Actor Award for the role. The film entered the Limca Book of Records in 2003 for the most number of awards won by a Bollywood film – 102 awards.^[11]

Later that year, Roshan starred in Khalid Mohammed's Fiza. Although the film did poorly at the box office, his performance was praised, earning him another nomination for Best Actor at the Filmfare ceremony. Taran Adarsh from indiaFM noted, "The mainstay of the film is undoubtedly Hrithik Roshan. His body language, his diction, his expressions, his overall persona deserves great praise. With this film, Hrithik proves that there is more to him than just being a fashionable rage, a Mills & Boon lover-boy and a sex symbol. His talent comes to the fore in several scenes, especially those with Karisma. All said and done, the show belongs to Hrithik, who saves Fiza to a major extent. A brilliant performance undoubtedly!"^[12]

Roshan's last release of the year, Mission Kashmir, became the third highest grossing film of the year.^[7] His performance was once again acclaimed with one critic praising him, "Hrithik once again cuts a splendid performance as a youngster sucked in the vortex of terrorism. He is portrayed as anti-government in the early part of the film-- a bold role to play for even a seasoned actor, leave alone a budding superstar." All these achievements promoted him as one of the biggest stars in the industry.^[13]

Subhash Ghai's Yaadein was his first release in 2001. This was followed by Karan Johar's melodramatic Kabhi Khushi Kabhie Gham, which did extremely well at the box office, becoming the second-highest grossing film of 2001 and the biggest hit overseas.^[14][15] Roshan's performance was well received and his performance earned him a nomination for Best Supporting Actor at various award ceremonies.

Roshan had an unsuccessful year in 2002 when all three of his releases – Mujhse Dosti Karoge!, Na Tum Jaano Na Hum and Aap Mujhe Achche Lagne Lage – failed to make an impact the box office and were declared flops.^[16]

Success, 2003–present[link]

In 2003, he made a comeback with the science-fiction film Koi... Mil Gaya, which saw him playing a mentally disabled young man.^[10] The film was the highest grosser of the year and won him many awards, including his second Filmfare Award for Best Actor and his first Filmfare Critics Award for Best Actor.^[17] Taran Adarsh noted, "Hrithik Roshan dominates the show and packs in a power-packed performance. The role of a mentally challenged person is no cakewalk, but the actor takes to it like a fish takes to water. He manages to pull off the zero to hero routine exceptionally well. As an actor, he scales dizzier heights with this splendid performance."^[18] His performance was later included in the 2010 issue of the "Top 80 Iconic Performances" by Filmfare.^[19]

Hritik Roshan with his wax statue at Madame Tussauds

Farhan Akhtar's Lakshya was Roshan's only release in 2004; the film was critically acclaimed but did not do well at the box office.^[20] His performance was praised by critics.^[21] and again, was included in the 2010 issue of the "Top 80 Iconic Performances" by Filmfare.^[22]

Roshan took a two-year break from acting before resurfacing with the superhero film Krrish opposite Priyanka Chopra. A sequel to his 2003 film Koi... Mil Gaya, the film was a major box office success and became the second highest grosser of 2006.^[23] His performance as a superhero was praised, earning him many Best Actor awards at various award ceremonies, including Star Screen and the International Indian Film Academy.^[3] IndiaFM wrote, "To state that Hrithik is the soul of Krrish would be an understatement. If the actor walked away with all noteworthy awards in Koi... Mil Gaya, it's going to be an encore with Krrish. You cannot imagine any other actor enacting the role of a gifted child with aplomb. If his mask and robe look is splendid, watch his makeup, gait and mannerisms as the aged father and you had to agree, he's one of the finest talents on the Indian screen today. Krrish is yet another ground-breaking film in his dazzling repertoire!"^[24]

His next film that year was Dhoom 2, a sequel to the 2004 Dhoom. Featured opposite Aishwarya Rai Bachchan, Roshan's performance in the movie not only earned him widespread critical acclaim,^[3][25] but also his third Filmfare Best Actor Award. The film went on to become the highest grossing film of 2006, as well as one of the most successful films of Bollywood.^[23][26]

In 2008, Roshan featured in Ashutosh Gowariker's Jodhaa Akbar opposite Aishwarya Rai Bachchan. He played the historical role of Akbar the Great. The movie did very good business, both in India and abroad.^[15][27] His performance in the movie was widely appreciated by critics,^[3] earning him his fourth Filmfare Best Actor Award as well as his first international award for Best Actor at the Golden Minbar International Film Festival in Kazan, Russia.^[4]

Roshan then appeared in Zoya Akhtar's Luck by Chance (2009), in which he made a guest appearance. The following year, he was seen in Anurag Basu's Kites along with Mexican actress Bárbara Mori and Kangna Ranaut. The film failed to do well at the box office after taking a huge start and was eventually declared a flop. He next acted in Sanjay Leela Bhansali's Guzaarish opposite Aishwarya Rai. Upon release, the film received overwhelmingly positive reviews and Roshan's portrayal of Ethan Mascarenhas, a quadriplegic patient earned him several Best Actor nominations at various award ceremonies.

In July 2011, he appeared in Zoya Akhtar's Zindagi Na Milegi Dobara alongside Abhay Deol, Farhan Akhtar, Katrina Kaif, Kalki Koechlin. The film opened to positive reviews, and Roshan's portrayal was praised. According to Rajeev Masand, "Hrithik Roshan once again brings real depth to his character with a spectacular performance. He’s shy and restrained, then lets go with such fantastic intensity that you make the inward journey with his character".^[28] The film was declared as "super-hit" in both in India and Overseas.^[29] In the same year Roshan featured as a judge for the dance competition reality show, Just Dance along with Farah Khan and Vaibhavi Merchant.^[30][31] The show got the highest opening (a cumulative TRP of 4.7) for a reality show that year for which he was voted as the best TV host by a poll conducted by Ormax Media.^[32] In 2012, he then appeared in Agneepath in which he reprise the role of Vijay Deenanath Chauhan opposite Priyanka Chopra. The film has taken a historic opening and has broken all opening-day records.^[33]

Besides acting, Roshan made his debut as a singer in Kites, and has also sung in the films Zindagi Na Milegi Dobara and Guzaarish.^[34]

A life-size wax figure was installed at London's Madame Tussauds Wax Museum on 20 January 2011, making him the fifth Indian actor to have been replicated as a wax statue in the museum.^[35]

Personal life[link]

Hrithik, with his wife Suzanne

Roshan was born in Mumbai to a Hindu family of cinema personalities. His father, film director Rakesh Roshan, is the son of music director Roshan, while his mother, Pinky, is the daughter of producer and director J. Om Prakash. Hrithik has an elder sister, Sunaina. His uncle Rajesh Roshan is a famous music director. As a child, Roshan attended the Bombay Scottish School.^[36] He later attended Sydenham College, where he earned a bachelor's degree in Commerce.^[37]

During an interview he revealed that his childhood was traumatized because of stammering, a defect that surfaced when he was around six years old and plagues him even today. "For oral tests at school, I used to bunk school, I used to fall sick, I used to break my hand, I used to get a sprain" the actor said. He however said that things improved for him gradually, after he started practicing speech therapies on a daily basis.^[38]

Roshan is married to Suzanne (Khan) Roshan, owner of Suzanne Roshan's House of Design and daughter of actor Sanjay Khan. Hrithik got married to Suzanne on 20 December 2000. The couple have two sons, Hrehaan, born in 2006 and Hridhaan born in 2008.^[39][40] Roshan has two thumbs on his right hand.^[41] Although it is usually hidden in his films, it was not hidden in Koi... Mil Gaya, and was even used as a minor plot point, as Jaadoo the alien was also designed to have two thumbs.^[42]

Filmography[link]

See also[link]

Bollywood portal

• List of Indian Actors

References[link]

External links[link]

Wikimedia Commons has media related to: Hrithik Roshan

• Hrithik Roshan at the Internet Movie Database

Mohammad Rafi (December 24, 1924 – July 31, 1980) is considered to be the greatest Indian male playback singer of all time.^[1] He was awarded the National Film Award, Best Singer Award, six Filmfare Awards and the Best Singer of the Millennium award. In 1967, he was honoured with the Padma Shri award by the Government of India.^[2] His singing career spanned about 35 years, and he is noted for his ability to sing songs of different moods and varieties:^[3] his songs ranged from classical numbers to patriotic songs, sad lamentations to highly romantic numbers, qawwalis to ghazals and bhajans. He is best known for romantic and duet songs, which he playback sings with the technique to mould the voice according to characters of the actor on the screen.^[4]

Rafi is primarily noted for his songs in Hindi-Urdu, over which he had a strong command. He also sang in other Indian languages including Konkani, Bhojpuri, Oriya, Punjabi, Bengali, Marathi, Sindhi, Kannada, Gujarati, Telugu, Maghi, Maithili and Assamese. He also recorded a few songs in foreign languages such as English, Persian, Spanish and Dutch. From available figures, Rafi sang 4,516 Hindi film songs, 112 non-Hindi film songs, and 328 private (non-film) songs from 1945 to 1980.

Early years and background[link]

Mohammed Rafi was the second youngest of six brothers. His father, Hajji Ali Mohammad and family lived in Kotla Sultan Singh, a village near Amritsar in Punjab (British India).^[5] Rafi, whose nickname was Pheeko, began singing by imitating the chants of a fakir in his village.^[5] Rafi's father moved to Lahore in the 1920s where he ran a men's salon in Noor Mohalla in Bhatti Gate Lahore.^[6] His elder brother, Mohammad Deen, had a friend, Abdul Hameed, (future brother-in-law), who spotted the talent in Rafi in Lahore and encouraged him to sing. Abdul Hameed later convinced the family elders to let Rafi move to Mumbai and he accompanied him in 1944.

Rafi learnt classical music from Ustad Bade Ghulam Ali Khan, Ustad Abdul Wahid Khan, Pandit Jiwanlal Matto and Firoze Nizami.^[7][8] His first public performance came at the age of 13, when he sang in Lahore featuring K. L. Saigal.^[7] In 1941, Rafi, under Shyam Sunder, made his debut in Lahore as a playback singer in the duet "Soniye Nee, Heeriye Nee" with Zeenat Begum in the Punjabi film Gul Baloch (the film was released in 1944).^[9] In that same year, Rafi was invited by All India Radio Lahore station to sing for them.^[10] He made his professional debut in the Shyam Sunder-directed 1941 Punjabi film Gul Baloch and the earliest debut in Mumbai film was Gaon Ki Gori in 1945.^[4]

In Bombay[link]

In 1944, Rafi moved to Bombay. He and Ahmed rented a ten-by-ten-feet room in the crowded downtown Bhendi Bazar area. During this time, poet Tanvir Naqvi introduced him to film producers including Abdur Rashid Kardar, Mehboob Khan and actor-director Nazeer.^[6] Shyam Sunder was in Mumbai and provided the opportunity to Rafi to sing a duet with GM Durrani, ‘Aji dil ho qaabu mein to dildar ki aisi taisi…’, for Gaon Ki Gori, which became Rafi’s first recorded song in a Hindi film. Other songs followed.^[11] Rafi also had brief roles in movies like Laila-Majnu (1945) and Jugnu. In Laila-Majnu, he sang Tera Jalwa as a part of the chorus.^[12]

In 1948, after the assassination of Mahatma Gandhi, the team of Husanlal Bhagatram-Rajendra Krishan-Rafi had overnight created the song "Suno Suno Ae Duniyawalon, Bapuji Ki Amar Kahani".^[11] He was invited by the Indian Prime Minister, Jawaharlal Nehru, to sing at the latter's house. In 1948, Rafi received a silver medal from Nehru on the Indian Independence Day. In 1949, Rafi was given solo songs by music directors such as Naushad, (Chandni Raat, Dillagi and Dulari) Shyam Sunder (Bazaar) and Husnalal Bhagatram (Meena Bazaar).

Rafi's first song with Naushad was "Hindustan Ke Hum Hain" with Shyam Kumar, Alauddin and others, from A. R. Kardar's Pehle Aap (1944). Around the same time, Rafi recorded another song for the 1945 film Gaon Ki Gori, "Aji Dil Ho Kaaboo Mein". He considered this song his first Hindi language song.^[10]

Rafi also appeared in two movies. In 1945, Rafi appeared on the screen for the song "Tera Jalwa Jis Ne Dekha" in the film Laila Majnu.^[10] He sang a number of songs for Naushad as part of the chorus, including "Mere Sapnon Ki Rani, Roohi Roohi" with K. L. Saigal from the film Shahjahan (1946). Rafi sang "Tera Khilona Toota Balak" from Mehboob Khan's Anmol Ghadi (1946) and a duet with Noor Jehan in the 1947 film Jugnu, "Yahan Badla Wafa Ka". Following the Partition of India, Rafi decided to stay in India and had his family flown to Mumbai. Whereas Noor Jahan migrated to Pakistan and made a pair with playback singer Ahmed Rushdi.

Rafi was influenced by the singers of that time like K. L Saigal and, most notably, by G. M. Durrani - on whose style he based his singing. He sung with his idol in some of the songs such as "Humko Hanste Dekh Zamana Jalta Hai" (Hum Sab Chor Hain, 1956)^[13] and "Khabar Kisi Ko Nahiin, Woh Kidhar Dekhte" (Beqasoor, 1950),^[14] etc.

Recording career in the 1950s and 1960s[link]

In his early career, Rafi associated with many contemporary music directors, most notably Naushad. In the late 1950s and 1960s, he worked with other composers of the era such as O. P. Nayyar, Shankar Jaikishan, S.D. Burman and Roshan.

Association with Naushad

As per Naushad, Rafi came to him with a letter of recommendation from Naushad's father.^[15] Rafi’s first song for Naushad was "Hindustan Ke Hum Hain" ("We belong to Hindustan") for the film Pehle Aap in 1944. The first song for the duo was the soundtrack of the movie Anmol Ghadi (1946). Before Rafi, Naushad’s favorite singer was Talat Mahmood. Once Naushad found Talat smoking during a recording. He was annoyed and hired Rafi to sing all the songs of the movie Baiju Bawra.^[12]

Rafi's association with Naushad helped the former establish himself as one of the most prominent playback singers in Hindi Cinema.^[10] Songs from Baiju Bawra (1952) like "O duniya ke rakhwale" and "Man tarpat hari darshan ko aaj" furthered Rafi's credentials.^[9] Rafi ended up singing a total of 149 songs (81 of them solo) for Naushad.^[16]

In the 1960 film Mughal-E-Azam, Mohammed Rafi sang the song "Ae Mohabbat Zindabad", composed by Naushad, with a chorus of 100 singers.^[17]

Association with S D Burman

S. D. Burman patronized Rafi as the singing voice of Dev Anand and Guru Dutt.^[18] Rafi worked with Burman in movies like Pyaasa (1957), Kaagaz Ke Phool (1959), Tere Ghar Ke Samne (1963), Guide (1965), Aradhana (1969), and Abhimaan (1973). S. D. Burman was also another music director besides Naushad who used Rafi prolifically to sing for most of his songs.

Association with Shankar-Jaikishan

Rafi and Shankar Jaikishan was a partnership in the Hindi film industry. Under Shankar-Jaikishan, Rafi produced some of his songs for actors like Shammi Kapoor and Rajendra Kumar. Out of six Filmfare awards, Rafi won three for S-J songs, viz., "Teri Pyari Pyari Soorat Ko", "Baharon Phool Barsao", and "Dil Ke Jharokhe Mein". The song "Yahoo! Chahe Koi Mujhe Junglee Kahe" was sung by Rafi, only to be matched a fast-paced orchestra and a composition by Shankar Jaikishan. S-J made Rafi give playback for Kishore Kumar in the film Shararat ("Ajab hai daastan teri yeh zindagi"). Rafi sang a total of 341 numbers (216 solo) for Shankar-Jaikishan.^[16] Among the films of this combination, are Basant Bahar, Professor, Junglee, Suraj, Brahmachari, An Evening in Paris, Dil Tera Deewana, Yakeen, Prince, Love in Tokyo, Beti Bete, Dil Ek Mandir, Dil Apna Aur Preet Parai, Gaban and Jab Pyar Kisi Se Hota Hai.

Association with Ravi

Rafi got his first Filmfare Award for the title song of Chaudhvin Ka Chand (1960), composed by Ravi. He got National Award for the song "Babul Ki Duaen Leti Ja" from the film Neel Kamal (1968), also composed by Ravi. Rafi actually wept during the recording of this song. He, himself, admitted this in his interview to BBC in 1977.^[19]

Ravi and Rafi produced several other songs, in the films China Town (1962), Kaajal (1965), and Do Badan (1966).

Association with Madan Mohan

Madan Mohan was another composer whose favorite singer was Rafi. Rafi's first solo with Madan Mohan in Ankhen (1950), "Hum Ishq Mein Barbad Hain Barbad Rahenge".^[10] They teamed up to produce many songs including "Teri Aankhon Ke Siva", "Yeh Duniya Yeh Mehfil" and "Tum Jo Mil Gaye Ho".

Association with O. P. Nayyar

Rafi and O. P. Nayyar created music in the 1950s and 1960s. O. P. Nayyar was once quoted as saying "If there had been no Mohd. Rafi, there would have been no O. P. Nayyar".^[20] He and Rafi created many songs together including "Yeh hai Bombay meri jaan". He got Rafi to sing for singer-actor Kishore Kumar – "Man Mora Baawara" for the movie Raagini. Later, Rafi sang for Kishore Kumar in movies such as Baaghi, Shehzaada and Shararat. O. P. Nayyar used Rafi and Asha Bhosle for most of his songs. The team created many songs in early 1950s and 1960s for movies such as Naya Daur (1957), Tumsa Nahin Dekha (1957), and Kashmir Ki Kali (1964). Rafi sang a total of 197 numbers (56 solo) for Nayyar.^[21] The song "Jawaaniyan yeh mast mast" and the title song "Yun to humne lakh hansee dekhe hain, tumsa nahin dekha" of the film Tumsa Nahin Dekha. They were followed by songs like "Taareef karoon kya uski jisne tumhe banaya" from Kashmir ki Kali.^[22]

Rafi and OP had a fallout during the recording for movie "Sawan ki Ghata", as disclosed by OP during one of his interviews.^[23]

Association with Laxmikant-Pyarelal

The composer duo Laxmikant-Pyarelal (L-P) also patronized Rafi as one of their singers, right from their very first film, Parasmani (1963). Both Rafi and L-P won the Filmfare Awards for the song "Chahoonga Main Tujhe Saanjh Savere" from Dosti (1964). Rafi rendered the maximum number of songs for the music director duo Laxmikant-Pyarelal: a total of 369 numbers (186 solo) for L-P.^[16]

Once, when composer Nisar Bazmi (who had migrated to Pakistan) didn’t have enough money to pay him, Rafi charged a fee of one rupee and sang for him. He also helped producers financially. As Laxmikant (of the Laxmikant-Pyarelal duo) once observed – “He always gave without thinking of the returns”.^[24]

Between 1950 and 1970, Rafi was the most sought after singer in Bollywood.^[25] He sang for many male stars in Hindi films.^[26] In 1965, he was honoured by the Government of India with the Padma Sri award. Rafi recorded two Hindi songs in English on 7" release in 1968. He also sang a song in Creole while on his visit to Mauritius in the late 1960s.^[7] Rafi recorded two English albums as well. One of them is Pop Hits.

Association with his Contemporary Singers

Rafi associated with several of his contemporaries, singing duets with them and sometimes for them (as in case of Kishore Kumar who was also an actor). Rafi sang the maximum number of duets with Asha Bhonsle (female), Manna Dey (male) and Lata Mangeshkar (female).^[18] For the song “Man mora bawra” in the film Ragini, Kishore Kumar requested Rafi to sing this song for him because this song was a semi classical and Kishore Kumar said that "Rafi Sahab can sing this song better than me". Rafi sang the song.^[27][28] The song "Ajab Hay Dastan Teri Aey Zindagi" was first given to Kishore Kumar to sing and he sung the first half ofantara but in the second half, he faced some trouble and after many retakes, he was unable to give the effect that Shankar Jaikishan wanted, and finally the song was given to Rafi to sing.^[28] In the song "Humko Tumse Ho Gaya Hai Pyaar Kya Karein" (Amar, Akbar, Anthony), Mohd Rafi sang with Kishore Kumar, Lata Mangeshkar and Mukesh - all in one song. This was probably the only time that all of them rendered their voices for one song.^[29]

Singing career in other languages

Rafi sang several hit songs in Chris Perry's Konkani album Golden Hits with Lorna Cordeiro.^[30]

Royalty issue[link]

In 1962-1963, the popular female playback singer Lata Mangeshkar raised the issue of playback singers' share in the royalties. Recognizing Rafi's position as the leading male playback singer, she wanted him to back her in demanding a half-share from the 5 percent song royalty that the film's producer conceded to select composers. Lata's contention was that, there was no way producers and music directors could deny this singing duo, one-half share in that 5 percent song royalty to the composer. Rafi's stated that his claim on the filmmaker ended with his being paid his agreed fee for the song. After that, if the film proved a hit, the filmmaker was welcome to keep the Gramco (HMV) royalty he earned from it. If the film did not prove to be a hit, argued Rafi, that he had already been paid the same fees for his song; so later the situation is resolved. Lata viewed his stand as a stumbling block on the royalty issue and this subsequently led to differences between the two. During the recording of "Tasveer Teri Dil Mein" (Maya, 1961), Lata argued with Rafi over a certain passage of the song. Rafi felt belittled, as music director Salil Chowdhury sided with Lata. The situation worsened when Lata Mangeshkar declared that she would no longer sing with Rafi. Rafi stated that he was only so keen to sing with Lata as she was with him.^[27][28] Later, at the insistence of S. D. Burman, the two decided to reconcile and sing duets.

Early 1970s[link]

In early 1970s, Rafi recorded fewer songs At the same period Kishore Kumar's popularity increased due to the songs he sang for the film Aradhana.^[27][31] The music for Aradhana was composed by S. D. Burman, and he had used Rafi as the male playback voice for the first two recorded duets, "Baaghon Mein Bahaar Hai" and "Gunguna Rahen Hain Bhanwre".^[18] After these two recordings, S. D. Burman fell ill and his son and assistant, R. D. Burman, took over the recordings. R. D. Burman got Kishore Kumar to sing the solos "Roop Tera Mastana" and "Mere Sapnon Ki Rani".

During 1971-1973, Rafi's musical output decreased; however, he did sing several songs.^[32] Some of Rafi's songs of the early 1970s were with music directors like Laxmikant Pyarelal, Madan Mohan, R. D. Burman and S. D. Burman. These include "Tum mujhe Yun Bhula na Paoge" (a signature song of Rafi in 1971) from Pagla Kahin Ka, "Yeh Duniya Yeh Mehfil" from Heer Ranjha (1970), "Jhilmil Sitaron ka" from Jeevan Mrityu (a duet with Lata Mangeshkar, 1970), "Gulabi Aankhen" from The Train (1970), "Yeh Jo Chilman Hain" and "Itna to Yaad Hain Mujhe" from Mehboob Ki Mehndi (1971), "Mera mann tera pyasa" Gambler, "Chalo Dildar Chalo" from 1972 released Pakeezah, "Chura Liya Hain Tumne" from Yaadon Ki Baarat (a duet with Asha Bhosle, 1973), "Na tu Zameen Ke liye" from 1973 released Dilip Kumar movie Dastan, "Tum Jo Mil Gaye Ho" from Hanste Zakhm (1973), "teri bindiya re", from Abhimaan (1973) and "Aaj mausam bada beimaan hai" from Loafer (1973).

Later years[link]

Rafi made a comeback as a leading singer in 1974. In 1974, he won the Film World magazine Best Singer Award for the song "Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas, 1974) composed by Usha Khanna.^[16]

In 1977, he won both Filmfare Award and the National Award for the song "Kya Hua Tera Wada" from the movie Hum Kisi Se Kum Nahin, composed by R. D. Burman.^[18] Rafi sang for Rishi Kapoor in films like Amar Akbar Anthony (1977), Sargam (1979) and Karz (1980). The qawwali "Pardah Hai Pardah" from Amar Akbar Anthony (1977) was a superhit. Rafi's notable renderings in the late 1970s and early 1980s include Bairaag (1976), Laila Majnu (1976), Apnapan (1978), Suhaag (1979), Qurbani, Dostana (1980), The Burning Train (1980), Naseeb (1981), Abdullah (1980), Shaan (1980), Asha (1980), Aap To Aise Na The (1980), Zamane Ko Dikhana Hai (1982).

In December 1979, Rafi recorded six songs for the Hindi remake of Dilip Sen's Bengali superhit Sorry Madam; unfortunately the film was never completed due to a personal tragedy in Dilip Sen's life. These songs, written by Kafeel Aazar and composed by Chitragupta, were released digitally in December 2009 by the label Silk Road under the title "The Last Songs". The physical album was released only in India by Universal.

Guiness World Records controversy[link]

During his last years, Rafi was involved in a controversy over Lata Mangeshkar's introduction in to the Guinness Book of World Records. In a letter dated June 11, 1977 to the Guinness Book of World Records, Rafi had challenged the claim that Lata Mangeshkar has recorded the maximum number of songs ("not less than 25,000" according to Guinness). After receiving a reply from Guinness, in a letter dated November 20, 1979, he wrote: "I am disappointed that my request for a reassessment vis-a-vis Ms Mangeshkar's reported world record has gone unheeded.".^[29] In an interview to BBC recorded in November 1977, Rafi claimed to have sung 25,000 to 26,000 songs till then.^[20]

After Rafi's death, in its 1984 edition, the Guinness Book of Word Records gave Lata Mangeshkar's name for the "Most Recordings" but also stated: "Mohammad Rafi (d 1 August 1980) [sic] claimed to have recorded 28,000 songs in 11 Indian languages between 1944 and April 1980."^[33] According to the available figures, Rafi has sung 4,516 Hindi film songs, 112 non-Hindi film songs, and 328 private (non-film) songs from 1945 to 1980.^[33] The Guinness Book entries for both Rafi and Lata were later removed in 1991.

Death[link]

On Thursday, 31 July 1980, Rafi died at 10:50 p.m., following a heart attack.^[34] His last song was "Shaam phir kyun udaas hai dost" (Aas Paas), which he had recorded with Laxmikant-Pyarelal few hours before his death.^[29][35]

Rafi was buried at the Juhu Muslim cemetery.^[36] It was one of the biggest funeral processions Mumbai had ever witnessed, with over 10,000 people attending.^[37]

In 2010, his tomb was demolished to make space for new burials. Fans of Mohammed Rafi who arrive twice a year at his tomb, on 24 December and 31 July, to mark his birth and death anniversary, use the coconut tree nearest to his grave as a marker.^[38]

Trivia[link]

• Rafi's song from the film Gumnaam (1965), "Jaan Pehechan Ho", was used on the soundtrack of Ghost World (2001). The film opens with the lead character dancing around in her bedroom to a video of Gumnaam.^[39]

• His "Aaj Mausam Bada Beiman Hai" is featured in the 2001 film Monsoon Wedding.^[40] His song "Mera Man Tera Pyasa" (Gambler, 1970) has been used as one of the soundtracks in the Jim Carrey-Kate Winslet starrer Eternal Sunshine of the Spotless Mind (2004). This song is played in the background in Kate Winslet's character's home while the lead pair are having a drink - at approx 00.11.14 runtime.^[41]

• Several of Rafi's unreleased songs will be used for an upcoming film titled Sorry Madam.^[42]

• A documentary about Rafi’s life is under production by The Films Division of India.^[43]

• In the summer of 2008, the City of Birmingham Symphony Orchestra released a double CD entitled Rafi Resurrected comprising 16 songs by Rafi. Bollywood playback singer Sonu Nigam provided the vocals for this project and toured with the CBSO in July 2008 at venues including the English National Opera in London, Manchester's Apollo Theatre and Symphony Hall, Birmingham.^[44]

• The Padma Shri Mohammed Rafi Chowk in the Bandra suburb of Mumbai and Pune (extending MG Road) is named after Rafi.^[45]

• In June 2010, Rafi was voted the most popular playback singer in the OUTLOOK Music Poll, conducted by Outlook Magazine, along with Lata Mangeshkar.^[46] The same Poll voted "Man re, tu kahe na Dheer Dhare" (Chitralekha, 1964), sung by Rafi as the #1 song.^[47] Three songs were tied for the #2 place of which two were sung by Rafi. The songs were "Tere Mere Sapne Ab Ek Rang Hain" (Guide, 1965) and "Din Dhal Jaye, hai raat na jaye" (Guide, 1965). This poll was published in Outlook Magazine. The jury included people in the Indian music industry; Abhijeet, Adesh Srivastava, Alisha Chinai, Anu Malik, Ehsaan, Gulzar, Hariharan, Himesh Reshammiya, Jatin, Javed Akhtar, Kailash Kher, Kavita Krishnamurthy, Khayyam, Kumar Sanu, Lalit, Loy, Mahalaxmi Iyer, Mahendra Kapoor, Manna Dey, Prasoon Joshi, Rajesh Roshan, Sadhna Sargam, Sameer, Sandesh Shandilya, Shaan, Shankar, Shantanu Moitra, Shreya Ghoshal, Sonu Nigam and Talat Aziz.^[48]

• In an article in Times of India, Rafi is described as "a versatile singer, who could render classical, rock and roll, indeed any kind of song with ease, he was Hindi film's, favourite male voice through the 1950s and 1960s". Music director Rajesh Roshan, who composed some of the songs with Rafi, remembers him as "a warm-hearted simple person with no ego".^[49]

• There have been appeals ^[50] to the Government of India to honour the singer, posthumously, with Bharat Ratna (India's Highest Civilian Award)^[11]

• Classical and playback singer Manna Dey, who was also a contemporary of Rafi said, "Rafi and I could sing everything, and he was such a gentleman. He was a better singer than me, and I will say this - that no one came even close to him! He deserved everything he got! We had a great understanding and it was never about one-upmanship".^[51][52]

• Veteran actor Shammi Kapoor said, "I am incomplete without Mohammad Rafi. I used to often go for the recoding of my song, which was sung by Mohammad Rafi, only because I used to like telling him how I would perform on this song on screen so that he can sing it that way. Even he liked my involvement".^[53]

• On 22 September 2007, a shrine to Rafi designed by artist Tasawar Bashir was unveiled on Fazeley Street, Birmingham, UK. Bashir is hoping that Rafi will attain sainthood as a result.^[54][55]

• Singers like Shabbir Kumar, Mohammed Aziz, and more recently, Sonu Nigam, made their names by adopting Rafi's style, and perhaps owe their entire careers to Rafi.^[56]

• After his death, seven Hindi movies were dedicated to Mohd Rafi; Allah Rakha, Mard, Coolie, Desh-Premee, Naseeb, Aas-Paas and Heeralal-Pannalal.^{[citation needed]}

• Over 9000 musical tributes were organized in July 2011 commemorating the 31st anniversary of the singer's death.^[57]

• Rafi is one of the recording artists mentioned in the 1997 song Brimful of Asha by Cornershop.

List of Songs[link]

Personal life[link]

Rafi married twice; his first marriage was to the cousin of his second wife, and took place in his ancestral village. The marriage ended when his in laws and wife migrated to Lahore, Pakistan after partition. Rafi and Abdul Hameed married each one of two sisters in Mumbai in the late 1940s. Rafi had one son from his first marriage and three sons and three daughters from his second marriage with Bilquis in Mumbai. He was very much a family man, following a recording-room, to home, to recording-room itenerary. He never attended film parties, did not smoke or drink, was religious, and was considered a humble man.^[58] He used to perform his riyaz (musical practice) regularly. His only indulgences were playing carom, badminton, and flying kites.^[11]

Awards[link]

Honorary

• 1948 - Rafi received a silver medal from the Indian Prime Minister Jawaharlal Nehru, on the first anniversary of the Indian Independence Day.^[10]
• 1967 - Honoured with the Padma Shri by the Government of India.
• 1974 - Film World magazine Best Singer Award for the song "Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas, 1974).
• 2001 - Rafi was honored with the "Best Singer of the Millennium" by Hero Honda and Stardust magazine^[59]. Rafi won with 70% of the votes.^{[citation needed]}

National Film Awards^[60]

Filmfare Awards^[61]

Bengal Film Journalists' Association Awards

Sur Sringar Award

References[link]

External links[link]

• Mohammad Rafi at the Internet Movie Database