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Pop music (a term that originally derives from an abbreviation of "popular") is a genre of popular music which originated in its modern form in the 1950s, deriving from rock and roll.^[1] The terms popular music and pop music are often used interchangeably, even though the former is a description of music which is popular (and can include any style), whilst the latter is a specific genre containing qualities of mass appeal.^[1]

As a genre, pop music is very eclectic, often borrowing elements from other styles including urban, dance, rock, Latin and country;^[1] nonetheless, there are core elements which define pop. Such include generally short-to-medium length songs, written in a basic format (often the verse-chorus structure), as well as the common employment of repeated choruses, melodic tunes, and catchy hooks.^[1]

So-called "pure pop" music, such as power pop, features all these elements, utilising electric guitars, drums and bass for instrumentation;^[1] in the case of such music, the main goal is usually that of being pleasurable to listen to, rather than having much artistic depth.^[1] Pop music is generally thought of as a genre which is commercially recorded and desires to have a mass audience appeal.^[1]

Definitions[link]

David Hatch and Stephen Millward define pop music as "a body of music which is distinguishable from popular, jazz and folk musics".^[2] Although pop music is often seen as oriented towards the singles charts it is not the sum of all chart music, which has always contained songs from a variety of sources, including classical, jazz, rock, and novelty songs, while pop music as a genre is usually seen as existing and developing separately.^[3] Thus "pop music" may be used to describe a distinct genre, aimed at a youth market, often characterized as a softer alternative to rock and roll.^[4]

Origin of the term[link]

The term "pop song" is first recorded as being used in 1926, in the sense of a piece of music "having popular appeal".^[5] Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues and hillbilly music.^[6]

According to Grove Music Online, the term "pop music" "originated in Britain in the mid-1950s as a description for rock and roll and the new youth music styles that it influenced ...".^[7] The Oxford Dictionary of Music states that while pop's "earlier meaning meant concerts appealing to a wide audience ...[;] since the late 1950s, however, pop has had the special meaning of non-classical mus[ic], usually in the form of songs, performed by such artists as the Beatles, the Rolling Stones, ABBA, etc."^[8] Grove Music Online also states that "... in the early 1960s [the term] ‘pop music’ competed terminologically with Beat music [in England], while in the USA its coverage overlapped (as it still does) with that of ‘rock and roll’."^[7] Chambers' Dictionary mentions the contemporary usage of the term "pop art";^[9] Grove Music Online states that the "term pop music ... seems to have been a spin-off from the terms pop art and pop culture, coined slightly earlier, and referring to a whole range of new, often American, media-culture products".^[7]

From about 1967 the term was increasingly used in opposition to the term rock music, a division that gave generic significance to both terms.^[10] Whereas rock aspired to authenticity and an expansion of the possibilities of popular music,^[10] pop was more commercial, ephemeral and accessible.^[11] According to Simon Frith pop music is produced "as a matter of enterprise not art", is "designed to appeal to everyone" and "doesn't come from any particular place or mark off any particular taste". It is "not driven by any significant ambition except profit and commercial reward ... and, in musical terms, it is essentially conservative". It is, "provided from on high (by record companies, radio programmers and concert promoters) rather than being made from below ... Pop is not a do-it-yourself music but is professionally produced and packaged".^[12]

Influences and development[link]

Throughout its development, pop music has absorbed influences from most other genres of popular music. Early pop music drew on the sentimental ballad for its form, gained its use of vocal harmonies from gospel and soul music, instrumentation from jazz, country, and rock music, orchestration from classical music, tempo from dance music, backing from electronic music, rhythmic elements from hip-hop music, and has recently appropriated spoken passages from rap.^[4]

It has also made use of technological innovation. In the 1940s improved microphone design allowed a more intimate singing style^[13] and ten or twenty years later inexpensive and more durable 45 r.p.m. records for singles "revolutionized the manner in which pop has been disseminated" and helped to move pop music to ‘a record/radio/film star system’.^[13] Another technological change was the widespread availability of television in the 1950s; with televised performances, "pop stars had to have a visual presence".^[13] In the 1960s, the introduction of inexpensive, portable transistor radios meant that teenagers could listen to music outside of the home.^[13] Multi-track recording (from the 1960s); and digital sampling (from the 1980s) have also been utilized as methods for the creation and elaboration of pop music.^[4] By the early 1980s, the promotion of pop music had been greatly affected by the rise of Music Television channels like MTV, which "favoured those artists such as Michael Jackson and Madonna who had a strong visual appeal".^[13]

Pop music has been dominated by the American and (from the mid-1960s) British music industries, whose influence has made pop music something of an international monoculture, but most regions and countries have their own form of pop music, sometimes producing local versions of wider trends, and lending them local characteristics.^[14] Some of these trends (for example Europop) have had a significant impact of the development of the genre.^[4]

According to Grove Music Online, "Western-derived pop styles, whether coexisting with or marginalizing distinctively local genres, have spread throughout the world and have come to constitute stylistic common denominators in global commercial music cultures".^[15] Some non-Western countries, such as Japan, have developed a thriving pop music industry, most of which is devoted to Western-style pop, has for several years has produced a greater quantity of music of everywhere except the USA.^[15] The spread of Western-style pop music has been interpreted variously as representing processes of Americanization, homogenization, modernization, creative appropriation, cultural imperialism, and/or a more general process of globalization.^[15]

Characteristics[link]

Musicologists often identify the following characteristics as typical of the pop music genre^{[citation needed]}:

• an aim of appealing to a general audience, rather than to a particular sub-culture or ideology^[4]
• an emphasis on craftsmanship rather than formal "artistic" qualities^[4]
• an emphasis on recording, production, and technology, over live performance^[11]
• a tendency to reflect existing trends rather than progressive developments^[11]
• much pop music is intended to encourage dancing, or it uses dance-oriented beats or rhythms^[11]

The main medium of pop music is the song, often between two and a half and three and a half minutes in length, generally marked by a consistent and noticeable rhythmic element, a mainstream style and a simple traditional structure.^[16] Common variants include the verse-chorus form and the thirty-two-bar form, with a focus on melodies and catchy hooks, and a chorus that contrasts melodically, rhythmically and harmonically with the verse.^[17] The beat and the melodies tend to be simple, with limited harmonic accompaniment.^[18] The lyrics of modern pop songs typically focus on simple themes – often love and romantic relationships – although there are notable exceptions.^[4]

Harmony in pop music is often "that of classical European tonality, only more simple-minded."^[19] Clichés include the barbershop harmony (i.e. moving from a secondary dominant harmony to a dominant harmony, and then to the tonic) and blues scale-influenced harmony.^[20] "The influence of the circle-of-fifths paradigm has declined since the mid-1950s. The harmonic languages of rock and soul have moved away from the all-encompassing influence of the dominant function. ...There are other tendencies (perhaps also traceable to the use of a guitar as a composing instrument) – pedal-point harmonies, root motion by diatonic step, modal harmonic and melodic organization – that point away from functional tonality and toward a tonal sense that is less directional, more free-floating."^[21]

See also[link]

Music portal

• Origins of rock and roll
• Popular music pedagogy

Notes[link]

Bibliography[link]

• Adorno, Theodor W., (1942) "On Popular Music", Institute of Social Research.
• Bell, John L., (2000) The Singing Thing: A Case for Congregational Song, GIA Publications, ISBN 1-57999-100-9
• Bindas, Kenneth J., (1992) America's Musical Pulse: Popular Music in Twentieth-Century Society, Praeger.
• Clarke, Donald, (1995) The Rise and Fall of Popular Music, St Martin's Press. http://www.musicweb.uk.net/RiseandFall/index.htm
• Dolfsma, Wilfred, (1999) Valuing Pop Music: Institutions, Values and Economics, Eburon.
• Dolfsma, Wilfred, (2004) Institutional Economics and the Formation of Preferences: The Advent of Pop Music, Edward Elgar Publishing.
• Frith, Simon, Straw, Will, Street, John, eds, (2001), The Cambridge Companion to Pop and Rock, Cambridge University Press, ISBN 0-521-55660-0.
• Frith, Simon (2004) Popular Music: Critical Concepts in Media and Cultural Studies, Routledge.
• Gillet, Charlie, (1970) The Sound of the City. The Rise of Rock and Roll, Outerbridge & Dienstfrey.
• Hatch, David and Stephen Millward, (1987), From Blues to Rock: an Analytical History of Pop Music, Manchester University Press, ISBN 0-7190-1489-1
• Johnson, Julian, (2002) Who Needs Classical Music?: Cultural Choice and Musical Value, Oxford University Press, ISBN 0-19-514681-6.
• Lonergan, David F., (2004) Hit Records, 1950-1975, Scarecrow Press, ISBN 0-8108-5129-6.
• Maultsby, Portia K., (1996) Intra- and International Identities in American Popular Music, Trading Culture.
• Middleton, Richard, (1990) Studying Popular Music, Open University Press.
• Negus, Keith, (1999) Music Genres and Corporate Cultures, Routledge, ISBN 0-415-17399-X.
• Pleasants, Henry (1969) Serious Music and All That Jazz, Simon & Schuster.
• Roxon, Lillian, (1969) Rock Encyclopedia, Grosset & Dunlap.
• Shuker, Roy, (2002) Popular Music: The Key Concepts, Routledge, (2nd edn.) ISBN 0-415-28425-2.
• Starr, Larry & Waterman, Christopher, (2002) American Popular Music: From Minstrelsy to MTV, Oxford University Press.
• Watkins, S. Craig, (2005) Hip Hop Matters: Politics, Pop Culture, and the Struggle for the Soul of a Movement, Beacon Press, ISBN 0-8070-0982-2.

External links[link]

• The pop genre on Allmusic
• The Consumption of Music and the Expression of Values: A Social Economic Explanation for the Advent of Pop Music, Wilfred Dolfsma, American Journal of Economics and Sociology, October 1999

Wikimedia Commons has media related to: Pop music

Carly Rae Jepsen
Jepsen performing on Canada Day in 2010
Background information
Born	(1985-11-21) November 21, 1985 (age 26) Mission, British Columbia, Canada
Genres	Pop, pop rock
Occupations	Singer-songwriter
Years active	2007–present
Labels	604 (2008–present) Schoolboy/Interscope (2012–present)
Website	carlyraemusic.com

Carly Rae Jepsen (born November 21, 1985) is a Canadian recording artist and singer-songwriter from Mission, British Columbia. In 2007, she placed third in the fifth season of Canadian Idol, and was a part of the Canadian Idol Top 3 concert tour.^[1]

Shortly after competing on Idol, she signed to Fontana and MapleMusic, and released her debut album, Tug of War, on September 30, 2008. Three years later, she released a new single, entitled "Call Me Maybe", which was released by 604 Records, and was followed by the release of her debut extended play, Curiosity, on February 14, 2012. "Call Me Maybe" was met with much success, reaching the Top 5 on the Billboard Hot 100 and reaching the number 1 spot on the Canadian Hot 100. The single also went to number 1 in Australia, Ireland and the United Kingdom. Jepsen signed with Interscope Records in 2012.

Life and career[link]

Jepsen attended Heritage Park Secondary School in Mission, British Columbia and has since performed there post-graduation. She later attended the Canadian College of Performing Arts in Victoria, BC before auditioning for Canadian Idol. After completing the Canadian Idol tour, Jepsen retreated to B.C. to focus on writing, recording and completing her band. Her demos attracted attention and she was eventually signed a joint management deal with Simkin Artist Management and Dexter Entertainment. A deal with Fontana/Maple Music quickly followed, leading Jepsen into the studio with producer/writer Ryan Stewart.^[2]

[edit] 2008–11: Tug of War

On June 16, 2008, Jepsen released her debut single and another single, a cover of John Denver's song "Sunshine On My Shoulders". It is the only cover song on her debut album.^[3] On July 21, 2008, Jepsen added two new songs from the album to her MySpace page: "Bucket" and "Heavy Lifting". In August 2008, Jepsen's MySpace page announced that the album's title would be Tug of War, and it was released on September 30, 2008. The page also mentioned two more songs that were included on the album: "Tug of War" and "Sweet Talker". The former was released as a single on iTunes on September 16, 2008, and has been receiving radio airplay on various stations across Canada. She performed the latter as her Canadian Idol audition.^[4]
A music video for "Tug of War" was released in January 2009. "Bucket", her second single, was released in May 2009, and the video for "Sour Candy", a duet with Josh Ramsay of Marianas Trench who has also help produce some of her songs including Call Me Maybe, has also been released. All of Jepsen's music videos have been directed by Ben Knechtel. In spring 2009, she toured western Canada with Marianas Trench and Shiloh.^[5] She then went on a cross-Canada tour with Marianas Trench, The New Cities and Mission District.

[edit] 2012–present: Curiosity

Jepsen's second album Curiosity was released on February 14, 2012. It was produced by Ryan Stewart and Kevin James Maher produced the track "Dear Julien". On the same day as the release, Justin Bieber made the announcement on the MuchMusic program New Music Live that Jepsen has been signed to Schoolboy Records, the label run by Justin Bieber's manager, Scooter Braun.^[6] The lead single, "Call Me Maybe" (which gained notoriety after "Primetime" Sam Roberts played the track during "After Opie and Anthony Live" on SiriusXM Satellite Radio) is from her second studio album Curiosity was released on September 21, 2011 and was produced by Josh Ramsay of Marianas Trench and co-written by Jepsen, Ramsay and Tavish Crowe. "Call Me Maybe" is the first song by a Canadian artist to reach the top of the digital chart since Justin Bieber's “Baby” in January 2010. It is also only the 11th song by a Canadian artist to reach No. 1 on the Digital Songs chart since Nielsen SoundScan began tracking digital download sales in 2005. The song has also peaked at #1 on Billboard's Canadian Hot 100, being the 4th Canadian artist to do so, after Avril Lavigne's "Girlfriend", Nikki Yanofsky's "I Believe", and the Young Artists for Haiti version of "Wavin' Flag", originally by Canadian rapper K'naan.^[7] Jepsen is currently touring on the Shout it Out World Tour. She is the opening act for the pop-rock trio Hanson. In February 2012, Jepsen visited Justin Bieber and Scooter Braun in Los Angeles, California, where she subsequently signed to Schoolboy Records and Interscope. Her music will still be distributed by 604 Records in Canada. On March 23, 2012, Jepsen made her first American television debut on The Ellen DeGeneres Show, performing "Call Me Maybe" (with Jared Manierka on keys), later joined by Justin Bieber. Carly was also the first Canadian Idol contestant to enter the UK charts, when Call Me Maybe debuted at #1. Carly played at Citywalk at Universal Studios on April 14 2012. 400 people who paid $5 were allowed to meet with the singer and get CDs autographed by her.

Jepsen, 26, has been criticized in the press for dressing "too young" for her age in an effort to appeal to the pre-teen demographic.^[8][9]

On May 20th, 2012 Jepsen performed "Call Me Maybe" at the 2012 Billboard Music Awards. On May 22th, 2012 she performed "Tug of War", "Curiosity", and "Call Me Maybe" at the first Q102 Springle Ball concert.

[edit] Canadian Idol performances

Discography[link]

Studio albums[link]

• Tug of War (2008)

Extended plays[link]

• Curiosity (2012)

Tours[link]

Opening act

• Justin Bieber – Believe Tour (North American dates) (2012)

Filmography[link]

Awards and nominations[link]

References[link]

External links[link]

• Official website
• Carly Rae Jepsen on Twitter
• Carly Rae Jepsen on Myspace
• "Primetime" Sam Roberts

Lauren Bennett (born 23 June 1989) is a British singer, dancer and model. She is best known for her involvement with girl group the Paradiso Girls and her work with Cee Lo Green and LMFAO. She is the new lead singer in the new line-up of the Pussycat Dolls.

Early life[link]

Bennett was raised in Meopham, Kent and went to a song and dance school in Tunbridge Wells. She also auditioned for the third series of The X Factor in 2006 and made it to bootcamp, but was sent home.

Career[link]

Paradiso Girls (2007–2010)[link]

Bennett was part of a girl group called Paradiso Girls. The group consisted of seven members at its formation in 2007, but by 2008 it had dropped to five. Each member comes from a different country: Chelsea Korka from the United States, Aria Crescendo from France, Kelly Beckett from Barbados, Shar Mae Amo from the Philippines and Lauren herself from the United Kingdom. The band was signed to Interscope Records. Their debut single "Patron Tequila" featuring Lil’ Jon and Eve was released on 12 May 2009 and reached 3 on the Hot Dance Club Play Chart and 82 in Canadian Hot 100. After their second single, "Who's My B***" was unsuccessful, the group was put on an indefinite hiatus in 2010.

Solo career and The Pussycat Dolls (2010–present)[link]

After the group was put on an indefinite hiatus in 2010, she then went on to pursue a solo career. She featured in a remix of will.i.am's "I Got It from My Mama". She also joined in the Party Rock Tour with LMFAO. Later on that year she met Cee Lo Green, she was then featured on his album The Lady Killer on the track "Love Gun".

The following year, she was featured on LMFAO's international hit "Party Rock Anthem", which has sold over 5,000,000 digital downloads in the United States and reached number one in the U.S. for six weeks. She also is modeling for ViolentLips.^[1]

Bennett still works with Robin Antin and is featured in the Pussycat Dolls' second fitness DVD. Talking to Billboard.com on the red carpet at the American Music Awards, Bennett confirmed herself as a part of the newly regrouped recording group. This makes her the first member of a brand new lineup that creator Robin Antin confirmed to Billboard was in the process of being built. "We're currently figuring out who's in the group and we're working on an album," Bennett says of the Pussycat Dolls.^[2] In 2011 it was announced that a new line-up of the "sexy brand" would debut in February 2012 in a Go Daddy advertisement at the Super Bowl. A video posted showed Lauren Bennett, Vanessa Curry, Chrystina Sayers, Erica Kiehl Jenkins and Paula van Oppen as the current line-up.

Her debut solo single "I Wish I Wish"^[3] was released on 21 November 2011 via Interscope Records.^[4] The track was written by Esmée Denters, Billy Mann and produced by David Schuler.

Discography[link]

With Paradiso Girls[link]

Solo singles[link]

As a featured artist[link]

References[link]

1. ^ "Violent Lips Look Book". Facebook. http://www.facebook.com/media/set/fbx/?set=a.207190305976687.61082.171816272847424. Retrieved 2011-12-15. 
2. ^ "Latest Music News, Band, Artist, Musician & Music Video News". Billboard.com. 2011-10-23. http://www.billboard.com/news#/news/party-rock-anthem-singer-lauren-bennett-1005557752.story. Retrieved 2011-12-15. 
3. ^ "Connecting to the iTunes Store". Phobos.apple.com. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=480077889. Retrieved 2011-12-15. 
4. ^ "Lauren Bennett : Releases : I Wish I Wish". Interscope.com. 2011-12-06. http://www.interscope.com/artist/releases/detail.aspx?pid=3148&aid=1248. Retrieved 2011-12-15. 
5. ^ "I Wish I Wish - single by Lauren Bennett". iTunes. http://itunes.apple.com/us/album/i-wish-i-wish-single/id480077889. Retrieved 2011-11-21. 
6. ^ Party Rock Anthem - LMFAO

External links[link]

• Official website

Katy Perry
Katy Perry at the Logie Awards in 2011
Background information
Birth name	Katheryn Elizabeth Hudson
Also known as	Katy Hudson
Born	(1984-10-25) October 25, 1984 (age 27) Santa Barbara, California, U.S.
Genres	Pop, rock, dance, gospel
Occupations	Singer-songwriter, actress
Instruments	Vocals, guitar, piano
Years active	2001–present
Labels	Red Hill, Island, Columbia, Capitol
Associated acts	The Matrix
Website	Katyperry.com

Katheryn Elizabeth Hudson^[1] (born October 25, 1984), known by her stage name Katy Perry, is an American singer, songwriter and actress. Perry grew up with gospel music, and during her first year of high school she pursued a music career as Katy Hudson, releasing her first studio album called Katy Hudson which failed to chart. She recorded a solo album later, which was never released. After signing with Capitol Music Group in 2007, her fourth record label in seven years, she adopted the stage name Katy Perry.

She first gained recognition with the release of her first mainstream album, One of the Boys in 2008, which spawned three Billboard Hot 100 top-ten songs—"I Kissed A Girl", "Hot n Cold" and "Waking Up In Vegas". Perry supported the album with her Hello Katy Tour. In 2010, her third studio album, Teenage Dream (2010), which topped the Billboard 200 chart, and spawned five number one singles—"California Gurls", "Teenage Dream", "Firework", "E.T." and "Last Friday Night (T.G.I.F.)"—Teenage Dream was the only album (after Michael Jackson's Bad)—to do so, and the first female in history to achieve this milestone. She embarked on the California Dreams Tour, which grossed nearly $60 million worldwide.^[2] Perry re-released the album under the name of Teenage Dream: The Complete Confection on March 26, 2012, and the re-release has already spawned the number-one single "Part of Me".

Perry is the only artist to spend over 52 consecutive weeks in the top ten of the Billboard Hot 100, and has since heightened this to 69 weeks.^[3] As of 2012, Perry has been nominated for eight Grammy Awards. She was named 2011's "Artist of the Year" by MTV.^[4] She has sold 37.6 million digital tracks in the United States and 11 million albums worldwide.^[5] Perry was a guest judge on the seventh series of The X Factor UK and the ninth season of American Idol. She has released fragrances "Purr" and "Meow". She ventured into film, voicing Smurfette in the 2011 film The Smurfs. Perry was married to British comedian Russell Brand from 2010 to 2012.

Early life[link]

Perry was born Katheryn Elizabeth Hudson in Santa Barbara, California^[6] to Keith, a West Coast scenester in the 1960s,^[7] and Mary Hudson (née Perry), an evangelist who grew up in Southern California and had a "tempestuous" first marriage in Zimbabwe.^[7] Perry has Portuguese, German, Irish, and English ancestry.^[8][9][10] She is the second child of two pastors.^[11] She has an older sister named Angela Hudson and younger brother named David Hudson.^[12] Perry's mother's aunt and uncle were screenwriter Eleanor Perry and director Frank Perry.^[7] Perry was incorporated into her parents' ministry^[11] and sang in their church between the ages of 9 and 17.^[13] She grew up listening to gospel music,^[14] was not allowed to listen to what her mother called "secular music",^[13][15] and attended Christian schools and camps.^[11] As a child, Perry learned how to dance in a recreation building in Santa Barbara. She was taught by seasoned dancers and began with swing, Lindy Hop, and jitterbug.^[16] She took her GED after her first year at Dos Pueblos High School and decided to leave school in the pursuit of a career in music.^[17] Perry initially started singing "because [she] was at that point in [her] childhood where [she] was copycatting [her] sister and everything she [would do]."^[17] Her sister practiced with cassette tapes, while Perry took the tapes herself when her sister was not around. She rehearsed the songs and performed them in front of her parents, who suggested she take vocal coaching. She grabbed the opportunity and began taking lessons at the age of nine and continued until she was sixteen. She later enrolled in at the Music Academy of the West in Santa Barbara, and studied Italian opera for a short period of time.^[17]

Career[link]

1999–2006: Career beginnings[link]

Perry performing on her guitar, an instrument she learned to play when she was just starting her record career

When Perry was 15, her singing in church attracted the attention of rock veterans from Nashville, Tennessee, who brought her there to polish her writing skills.^[18] In Nashville, Perry started recording demos and was taught by country music veterans how to craft songs and play guitar.^[13][15] Perry signed to the Christian music label Red Hill, under which she recorded her first album at the age of 15.^[19] Performing as Katy Hudson, she released a self-titled gospel rock album in 2001.^[18] She supported this album with The Strangely Normal Tour, accompanied by Phil Joel, LaRue, Luna Halo, Earthsuit and V*Enna.^[20] The album was unsuccessful as the label ceased operations at the end of 2001.^[19] She later changed her surname to Perry, her mother's maiden name, because "Katy Hudson" was too close to film actress Kate Hudson.^[18][21]

Perry performs at the 2008 Warped Tour

At the age of 17, Perry left her home for Los Angeles, where she worked with Glen Ballard on an album for Island Records.^[22] Growing up listening to mostly gospel music, Perry had few references when she began recording songs.^[13] Asked by the producer with whom she would like to collaborate, Perry had no idea. That night, she went with her mother to a hotel. Inside, she turned on VH1 and saw producer Glen Ballard talking about Alanis Morissette;^[13] Ballard produced Morissette's Jagged Little Pill, which had a "huge influence" on Perry.^[18] She expressed interest in working with Ballard to her initial collaborator, who arranged a meeting for her with Ballard in Los Angeles. Perry presented one of her songs to Ballard. Ballard then helped Perry develop her songwriting over the next few years.^[13] The album was due for release in 2005,^[18][19] but Billboard reported it also went nowhere.^[19] Perry was dropped by The Island Def Jam Music Group.^[7] Some of Perry and Ballard's collaborations included "Box", "Diamonds" and "Long Shot", were posted on her official MySpace page. "Simple", one of the songs she recorded with Ballard, was released on the soundtrack to the 2005 film The Sisterhood of the Traveling Pants.^[23][24] "Long Shot" and "I Do Not Hook Up" was later recorded by Kelly Clarkson for her 2009 album All I Ever Wanted.^[25]

Perry signed to Columbia Records in 2004. However, the label was not amenable with her vision, not putting her in the "driver's seat".^[19] Instead, one of Columbia's ideas was to pair Perry with the record production team The Matrix, who was working on an album, to serve as its female vocalist. Although the album was later shelved,^[26] she caught the attention of the music press: Her burgeoning music career led to her being named "The Next Big Thing" in October 2004 by Blender magazine.^[19] With no album project ongoing, Perry began recording her own. Eighty percent completed, however, Columbia decided not to finish it and dropped her from the label.^[19] While waiting to find another label, she worked in an independent A&R company called Taxi Music. In 2006, Perry was featured in the tail-end of the video to P.O.D.'s single "Goodbye for Now".^[27] She made a cameo appearance in Carbon Leaf's video, "Learn to Fly".

[edit] 2007–09: Commercial success with One of the Boys and MTV Unplugged

While in the process of being dropped by Columbia in 2006, the company's publicity executive Angelica Cob-Baehler enthusiastically recommended Perry to Virgin Records chairman Jason Flom.^[28] At the time Flom was leading a complete revival in fortunes at the label and looking to crown recent achievements by breaking a global pop act.^[28] Despite mixed reactions from fellow Virgin executives, Flom became convinced that Perry could be that breakthrough star, and at the start of 2007 extended discussions with Columbia resulted in Perry signing to the newly created Capitol Music Group, a merger between Virgin and Capitol. As part of the deal, the label secured the masters to the unfinished album, recorded while at Columbia, that would go on to form a significant part of her official mainstream debut album, One of the Boys.^[28]

The Columbia recordings were seen by Flom as being "very strong but lacking an undeniable smash or two that would work both at U.S. pop radio and internationally" and so one of the executive's first actions after completing the signing was to set up a collaboration between Perry and the writer-producer Dr. Luke.^[28] The results were the songs "I Kissed a Girl" and "Hot n Cold". Establishing her image was one of the immediate concerns of her management.^[19] A campaign was started in November 2007 with the release of the video to "Ur So Gay", aimed at introducing her to the music market. A digital EP led by "Ur So Gay" was later released to create online buzz and press story.^[11][19][29] This was a successful move that resulted in bringing Perry to the attention of Madonna,^[19] who mentioned her on KISS FM and KRQ's JohnJay & Rich morning show in Arizona. On March 10, 2008, she appeared as herself on the ABC Family television series, Wildfire, on the episode "Life's Too Short".^[30]

Perry during Hello Katy Tour on March 27, 2009

In the next step of promoting the album, Perry undertook a two-month tour of radio stations. The album's official lead single, "I Kissed a Girl", was released on May 6, 2008. Perry's A&R, Chris Anokute, told HitQuarters the song and its controversial theme had met with strong resistance at the label: "People said, 'This is never going to get played on the radio. How do we sell this? How’s this going to be played in the bible belt?'"^[29] Anokute said that they needed the support of one of the label's radio promoters to convince people to believe in the record; otherwise, Perry would have likely been dropped again. Capitol's SVP of Promotions, Dennis Reese, saw the vision and helped push the single on national radio. The first station to pick it up and take a chance was The River in Nashville. After playing it for three days they were innundated with enthusiastic calls.^[29] With the song climbing atop the charts, Perry embarked on the annual Warped Tour music festival, which her management used to "establish her as a credible performer and make sure she wasn't seen as just a one-hit wonder."^[19] The single was a commercial success, peaking at number one for seven weeks on the Billboard Hot 100.^[19] It has since become a major worldwide hit, topping charts in 30 countries,^[26] including Australia, Canada, and the United Kingdom.^[31] On June 12, 2008, Perry appeared as herself on the daytime soap opera The Young and the Restless,^[30] posing for the cover to the June 2008 issue of the fictional magazine Restless Style.^[32] Perry also performed backing vocals on the song, "Another Night in the Hills" from Gavin Rossdale's 2008 solo album Wanderlust.^[33]

One of the Boys was released on June 17, 2008, to mixed critical reviews.^[34] The album has reached number nine on the Billboard 200,^[35] and has been certified platinum by the Recording Industry Association of America.^[36] Perry released her second single, "Hot n Cold", which became her second top three single in dozens of countries around the world, including the United States where it reached number three on the Billboard Hot 100,^[19] as well as topping the charts in Germany, Canada, and Denmark. After Perry wrapped up her appearance at the Warped Tour, she went on tours in Europe. She later launched her first headlining tour, the Hello Katy Tour, in January 2009.^[19] "I Kissed a Girl" earned Perry a nomination for Best Female Pop Vocal Performance at the 2009 Grammy Awards.^[37] Perry was nominated in five categories at the 2008 MTV Video Music Awards, including Best New Artist and Best Female Video, but lost to Britney Spears.^[38] She won Best New Act at the 2008 MTV Europe Music Awards, which she co-hosted,^[39] and Best International Female Artist at the 2009 BRIT Awards.^[40] On February 9, 2009, both "I Kissed a Girl" and "Hot n Cold" were certified three-time platinum by Recording Industry Association of America for individual digital sales of over three million.^[41] The Guinness Book of World Records recognized Perry in its 2010 version as the "Best Start on the US Digital Chart by a Female Artist," for having her first two singles sell over two million digital copies.^[42]

Perry during the Hello Katy Tour in June 2009

The Matrix's self-titled debut album, which features Perry, was later released via the team's label, Let's Hear It, during Perry's solo tour. When the release date was scheduled, "I Kissed a Girl" had been charting well. Matrix member Lauren Christy spoke to Perry about the decision, but she wanted to hold the release until the fourth single of One of the Boys had been dispatched. Despite their communication, The Matrix was released on January 27, 2009, via iTunes Store.^[43]

In December 2008, Perry apologized to British singer Lily Allen for remarks in which she called herself a "skinnier version" of her, saying she meant it as a joke.^[44] Allen retaliated and told a British radio station that she "happen[ed] to know for a fact that she [Perry] was an American version" of her because their record company needed "to find something controversial and 'kooky'" like her.^[45] In January 2009, Perry embarked on her first headlining world tour, the Hello Katy Tour, visiting North America, Europe, Asia, and Australia. Beginning on January 23, 2009, and ending on November 28, 2009, the tour consisted of 89 concerts. During that time, Perry also opened select concerts for the band No Doubt, on their Summer Tour 2009.

On May 16, 2009, Perry performed at the opening ceremony of the annual Life Ball in Vienna, Austria.^[46] In June 2009, lawyers acting for Perry opposed the then-recent trademark of Australian fashion designer Katie Perry, who uses her own name to market loungewear.^[47] Some media outlets reported this as a lawsuit, which Perry denied on her blog.^[48] Katie Perry reported on her blog that at a hearing with IP Australia on July 10, 2009, the singer's lawyers withdrew their opposition to the trademark.^[49] During the summer of 2009 Perry filmed a cameo appearance for Get Him to the Greek; her scene, in which she kisses her future fiancé Russell Brand was cut, and does not appear in the final film. Discussing the issue with MTV, Perry hypothesized there may have been some fear that seeing the two make out would have taken viewers out of the experience.^[50] In 2009, Perry was featured on two singles: in August, a remix of Colorado-based band 3OH!3's song "Starstrukk" (the idea for the collaboration having come after Perry's tour that featured 3OH!3 as the supporting act, the song being released by iTunes on September 8, 2009); and, thereafter, in December, on "If We Ever Meet Again", the fourth single from Timbaland's album Shock Value II.^[51] In October 2009, MTV Unplugged revealed that Perry was one of the artists to perform for them, and that she would be releasing a live album of the performance, including two new tracks, "Brick by Brick" and Fountains of Wayne cover "Hackensack".^[52] The album, released on November 17, included both a CD and a DVD,^[53] and debuted at No. 168 on the US Billboard 200 chart.

[edit] 2010–present: Teenage Dream, film debut and The Complete Confection

Perry at 2011 MTV Video Music Awards

Perry appeared as a guest judge alongside Simon Cowell, Cheryl Cole and Louis Walsh during the Dublin audition stage of the seventh series of the British television show The X Factor on June 28, 2010.^[54] She was one of the many celebrities chosen to fulfil the role of judge whilst Dannii Minogue was on maternity leave. In May 2010, Perry released the first single from her second studio album, Teenage Dream entitled, "California Gurls". The single peaked at number one on the Billboard Hot 100 for six consecutive weeks.^[55][56] "Teenage Dream" was released as the second single from her album, and it also topped the Billboard Hot 100, becoming her third number one and second from the album. Teenage Dream was released August 24, 2010 and debuted atop the Billboard 200 chart with sales of 192,000 copies in its first week.^[57] The album as since sold over 2 million copies in the US, being certified Platinum by the RIAA. Following the album's release, the third single "Firework" was released and became the third consecutive single from Teenage Dream to top the Hot 100. With this, Perry became the first female in eleven years to have three consecutive number-ones from one album.^[58] In February 2011, Perry released the fourth single, "E.T.", a remixed version featuring Kanye West, that peaked at number one on the Billboard Hot 100 for five non-consecutive weeks.^[59] The music video for "E.T." was directed by Floria Sigismondi and features Shaun Ross as the main love interest. With "E.T." at number one on the chart of May 12, 2011, Perry became the first artist to spend 52 consecutive weeks in the top 10 of the Billboard Hot 100.^[3] In June 2011, Perry released the fifth single, "Last Friday Night (T.G.I.F.)". A remixed version featuring American rapper Missy Elliot was released in early August.^[60] The song topped the Billboard Hot 100 on August 17, 2011, making Perry the first female and second artist (tied with Michael Jackson) ever to have five No. 1 singles from one album. Also, when the song reached number 1 in the Pop Songs airplay chart, "Teenage Dream" became the first album to have 5 number 1's from the same album on that chart. Additionally, when the song reached number one in the Adult Pop Songs airplay chart, the album become the first to have 4 number 1's from the same album on the chart.^[61] In October 2011, Perry released the sixth single, "The One That Got Away". It reached No. 3 on Hot 100, becoming the third album in history to produce six top five hit singles,^[62] and the seventh song from Teenage Dream to reach the top of the Billboard Hot Dance Club Songs, the most by any album and setting a new record in the chart.^[63] Perry released a "The One That Got Away" remix featuring American rapper B.o.B. in December 2011. An acoustic version of the song was released in January 2012.^[64]

From February 2011 to January 2012, Perry embarked on an extensive world tour in support of Teenage Dream, the California Dreams Tour, playing 124 shows in Europe, Australasia, Asia, North America and South America and earning over $59 million.^[2] Perry made her perfume debut, releasing a fragrance named "Purr" in November. It is packaged in a cat-shaped bottle, and is available through Nordstrom stores.^[65][66] She followed it up with the fragrance's first flanker, "Meow".^[67][68]

Perry promoting her 2011 fragrance 'Purr'

In July 2011, Perry made her film debut in the 3D family film The Smurfs as Smurfette. The Smurfs earned $557,771,535 worldwide during its theatrical run. Perry appeared at the 2011 MTV Video Music Awards on August 28, 2011. She was nominated for ten awards, received the most nominations of the ceremony and was the first singer to have four different music videos shown in various categories, eventually winning three of those, Video of the Year for "Firework", Best Collaboration and Best Special Effects for "E.T.". On September 17, 2011, marked Perry' 69th consecutive week in the Top 10 with single "Last Friday Night (T.G.I.F.)".^[69][70] On September 23, 2011, she performed, along with Elton John, Brazilian Claudia Leitte and friend Rihanna, on the opening day of the 2011 Rock in Rio festival, which was extended to October 2.^[71] Perry performed for 100 thousand people, a show that received high praise from critics and audience alike.^[72]