The Dresden Academy of Fine Arts (German Hochschule für Bildende Künste Dresden), often abbreviated HfBK Dresden or simply HfBK, is a vocational university of visual arts located in Dresden, Germany. The present institution is the product of a merger between the famous Dresden Art Academy, founded in 1764, the workplace and training ground of a number of influential European artists, and another well-established local art school, Hochschule für Werkkunst Dresden, after World War II.

One of three buildings of today’s Dresden Academy of Fine Arts, the former Royal Academy of Arts, built in 1894, is located at a prominent position in town on Brühl's Terrace just next to the Frauenkirche. Since 1991, the building built by Constantin Lipsius on Brühl's Terrace between 1887 and 1894 – the glass dome of which is also known as Lemon Squeezer due to its form – has been heavily renovated and the parts that were destroyed during World War II were reconstructed. The studios for painting/graphic arts/sculpture/other artistic media, the graphic workshops, the rector's office and the exhibition rooms of the Academy, which house the annual graduation exhibitions of the graduates, are located on Brühl's Terrace.

Includes institutions called the University of the Arts and those with very similar names:

The name of several schools (usually high schools) that are devoted to the fine arts, including:

Arts programs within a university may also be called a "School of the Arts". Such programs include:

Some art schools have been initiated by artists; these may be designed to operate as traditional schools, or may themselves be considered art projects.

Vilhelm Hammershøi ( pronunciation (help·info)), often written in English Vilhelm Hammershoi (15 May 1864 – 13 February 1916), was a Danish painter. He is known for his poetic, low-key portraits and interiors. In 1997, Denmark issued a postage stamp in his honor.

Vilhelm Hammershøi was born in 1864 in Copenhagen, Denmark. The son of a well-to-do merchant, Christian Hammershøi, and his wife, Frederikke (née Rentzmann), Hammershøi studied drawing from the age of eight with Niels Christian Kierkegaard and Holger Grønvold, as well as painting with Vilhelm Kyhn, before embarking on studies with Frederik Vermehren and others at the Royal Danish Academy of Fine Arts. From 1883 to 1885, he studied with Peder Severin Krøyer at the Independent Study Schools, then debuted in the Charlottenborg Spring Exhibition in 1885 with Portrait of a Young Girl (his sister, Anna; Pierre Auguste Renoir is reported to have admired this painting). Hammershøi married Ida Ilsted in 1891.

Hammershøi worked mainly in his native city, painting portraits, architecture, and interiors. He also journeyed to the surrounding countryside and locations beyond, where he painted rolling hills, stands of trees, farm houses, and other landscapes. He is most celebrated for his interiors, many of which he painted in Copenhagen at Strandgade 30 (where he lived with his wife from 1898 to 1909, and Strandgade 25 (where they lived from 1913 to 1916). He travelled widely in Europe, finding London especially atmospheric in providing locations for his highly understated work, suffused as it was at the time with a foggy, coal smoke polluted atmosphere. His work in consequence has been described as "Monet meets the Camden School".

Gerhard Richter (born February 9, 1932) is a German visual artist. Richter has simultaneously produced abstract and photorealistic painted works, as well as photographs and glass pieces, thus undermining the concept of the artist’s obligation to maintain a single cohesive style.^{[citation needed]} Richter is regarded as the Top-Selling Living Artist. In 2011, Richter's works achieved prices higher than any other living artist. His works sold for more than $200 million, topping auction result totals for Claude Monet, Alberto Giacometti, and Mark Rothko combined.

The son of a schoolteacher, Gerhard Richter was born in Dresden, Saxony, and grew up in Reichenau, Lower Silesia, and in Waltersdorf (Zittauer Gebirge) in the Upper Lusatian countryside. He left school after 10th grade and apprenticed as an advertising and stage-set painter, before studying at the Dresden Academy of Fine Arts. In 1948 he terminated the higher professional school in Zittau, and, between 1949 and 1951, was trained there in writing as well as in stage and advertising painting.^{[citation needed]} In 1950 his application for membership in the Hochschule für Bildende Künste Dresden (Dresden University of Visual Arts, founded in 1764) was rejected.^{[citation needed]} He finally began his study at the Dresden Academy of Fine Arts in 1951. His teachers were Karl von Appen, Ulrich Lohmar and Will Grohmann.

George Grosz (July 26, 1893 – July 6, 1959) was a German artist known especially for his savagely caricatural drawings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic before he emigrated to the United States in 1933.

George Grosz was born Georg Ehrenfried Groß in Berlin, Germany, the son of a pub owner. His parents were devoutly Lutheran. Grosz grew up in the Pomeranian town of Stolp, where his mother became the keeper of the local Hussar's Officers' mess after his father died in 1901. At the urging of his cousin, the young Grosz began attending a weekly drawing class taught by a local painter named Grot. Grosz developed his skills further by drawing meticulous copies of the drinking scenes of Eduard Grutzner, and by drawing imaginary battle scenes. From 1909–1911, he studied at the Dresden Academy of Fine Arts, where his teachers were Richard Müller, Robert Sterl, Raphael Wehle, and Oskar Schindler. He subsequently studied at the Berlin College of Arts and Crafts under Emil Orlik.