What The--?!

What The--?! was a Marvel Comics comic book series self-parodying the Marvel Universe, similar in vein to the 1960s series Not Brand Echh. It was billed as "The Marvel mag of mirth and mayhem!" The series ran for 26 issues from August 1988 through Winter 1993, with issue #26 being a "Fall Special". It typically contained a series of short stories with comedic takes on Marvel heroes and villains, such as having Spider-Ham substitute for Spider-Man.

Concept

What The--?! spotlighted some of the top artists and writers at the time. Many, such as Stan Lee and John Byrne, contributed works that spoof some of their all-time greatest successes. For example, in issue #2, Byrne creates a tale pitting his work on the Fantastic Four franchise against his work with Superman. The issue goes so far as to have the Lex Luthor character complain about the changes Byrne made to the Superman legend after DC Comics' Crisis on Infinite Earths.

Though it carried the Marvel Comics label on the front left corner, What The--?! touted itself as being published by "Marble Comics". What The--?! parodied Marvel institutions such as the legendary Marvel Comics fan mail page, with staged articles called "The Marble Mailbag" and the "What The... Mail". The title also did not contain any "true" advertisements. Instead, What The--?! hosted a number of fake advertisements that made fun of classic comic book advertisements such as Charles Atlas, novelty by-mail companies, and the Hostess snack food ads of the 1970s and 1980s.

What The...

What The... is the seventh studio album by American punk rock band Black Flag. The album was originally announced to be released on November 5, 2013. However, on November 5, What The... was only released through online streaming sources such as Spotify and Rdio, and a physical release date was pushed back to December 3, 2013. It is the band's first full-length studio album since In My Head (1985), marking the longest gap between two studio albums in their career, as well as being their first recording with vocalist Ron Reyes since Jealous Again (1980) and drummer Gregory "Drummer" Moore. This album also marked the first time since My War (1984) that guitarist Greg Ginn played bass on a Black Flag album under the name Dale Nixon.

Reception

Artwork

Unlike the cover art of the majority of Black Flag's catalog, What The... was not designed or illustrated by Raymond Pettibon. Instead, the cover art was designed by vocalist Ron Reyes. This change was very negatively received. Gregory Adams of Exclaim! described the cover as "gasp-inducing," and said that it looked like, "a South Park character giving us the devil horns after getting juiced off a bag of Fun Dip." Marah Eakin of The A.V. Club described it as "downright hideous," and said that it looked like a, "mashup of some slime green globs, the Warheads candy guy, and Rude Dog." Michael Roffman of Consequence of Sound described it as "cringeworthy," and said that it was, "either a funny nod to '90s bumper stickers, or a sign at how well of a relationship Ginn still has with his brother/former Black Flag artist Raymond Pettibon. Either way? Yikes."

What the Game's Been Missing!

What the Game's Been Missing! is the second studio album by American rapper Juelz Santana. The album was released on November 22, 2005, on Diplomat Records and Def Jam Recordings. The album yielded the singles "Mic Check", "There It Go (The Whistle Song)", "Oh Yes" and "Clockwork".

Background

In an interview with Hip Hop Canada, Juelz Santana remarked that his approach to the making of What the Game's Been Missing was different from his other albums, noting the amount of effort and work he was able to contribute to it, saying: "I'm definitely going to say that I like this album the best mainly because I got to work on it and I got to grow with it. I took care of a lot of things on it and not to say that my other albums were not good, but I just got to put more work into the making of this one."

Originally 160 songs were recorded for the album, taking over a year to make. He described the process as "learning how to ride a bike." asserting to the fact that the basis of the album developed deeper into production. The album was also influenced by the 1994 film Fresh, In the song "Lil' Boy Fresh" he loosely summarizes the story from beginning to end.