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- Published: 29 Apr 2009
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Name | Hound Dog |
---|---|
Cover | HoundDogThorntonPeacock.jpg |
Cover size | 200 |
Artist | Big Mama Thornton |
B-side | "Nightmare" |
Recorded | August 13, 1952 Los Angeles |
Released | March 1953 |
Format | 78 RPM 10" single |
Genre | Rhythm and blues |
Length | 2:52 |
Label | Peacock Records |
Writer | Jerry Leiber and Mike Stoller |
Producer | Johnny Otis |
"Hound Dog" is a twelve-bar blues written by Jerry Leiber and Mike Stoller and originally recorded by Willie Mae "Big Mama" Thornton in 1952. Other early versions illustrate the differences among blues, country, and rock and roll in the mid-1950s. The 1956 remake by Elvis Presley is the best-known version; it is his version that is No. 19 on Rolling Stone's list of The 500 Greatest Songs of All Time. "Hound Dog" was also recorded by five country singers in 1953 alone, and over 26 times through 1964. From the 1970s onward, the song has appeared, or is heard, as a part of the soundtrack in numerous films, most notably in blockbusters such as American Graffiti, Grease, Forrest Gump, Lilo & Stitch, A Few Good Men, and Indiana Jones and the Kingdom of the Crystal Skull.
Thornton gave this account of how the original was created to Ralph J. Gleason. “They were just a couple of kids, and they had this song written on the back of a paper bag.” She added a few interjections of her own, played around with the rhythm (some of the choruses have thirteen rather than twelve bars), and had the band bark and howl like hound dogs at the end of the song. In fact, she interacts constantly in a call and response fashion during a one minute long guitar "solo" by Pete Lewis. Her vocals include lines such as: "Aw, listen to that ole hound dog howl...OOOOoooow," "Now wag your tail," and "Aw, get it, get it, get it."
Thornton's delivery has flexible phrasing making use of micro-inflections and syncopations. Over a steady backbeat, she starts out singing each line as one long upbeat. When the words change from "You ain't nothin' but a HOUND Dog," she begins to shift the downbeat around: "You TOLD me you was high-class / but I can SEE through that, You ain't NOTHIN' but a hound dog." Each has a focal accent which is never repeated.
Johnny Otis, Pete Lewis, and bassist Albert Winston are listed as "Kansas City Bill & Orchestra" on the Peacock record labels. Habanera and Habanera-mambo variations can be found in this recording.
Billboard reviewed the record on March 14 as a new record to watch, calling it "a wild and exciting rhumba blues" with "infectious backing that rocks all the way".
Six versions of the song were recorded on several different labels by "country" groups the very next month (April 1953):
Others were also performing the song at that time. Bass player Al Rex, who joined Bill Haley and His Comets in the fall of 1955 told of performing the song when given the spotlight at live performances. "I used to do 'Hound Dog.' Haley would get mad at me if I'd do that. This was even before Presley did it. Haley didn't like those guys from Philadelphia that wrote the song." As Leiber and Stoller were not from Philadelphia (and Haley recorded other Leiber and Stoller songs), Haley was probably referring to Bell and Lowe.
Name | Hound Dog |
---|---|
Cover | ElvisCruelDog.JPG |
Artist | Elvis Presley |
A-side | "Don't Be Cruel" |
Border | yes |
Released | July 13, 1956 |
Format | 45 rpm, 78 rpm single |
Recorded | July 2, 1956, New York City |
Genre | Rock and roll |
Length | 2:15 |
Label | RCA Records |
Writer | Jerry Leiber and Mike Stoller |
Producer | Steve Sholes | Certification = |
Last single | "I Want You, I Need You, I Love You" (1956) |
This single | "Hound Dog" (1956) |
Next single | "Love Me Tender" (1956) |
Drummer D. J. Fontana put it this way: "We took that from a band we saw in Vegas, Freddie Bell and the Bellboys. They were doing the song kinda like that. We went out there every night to watch them. He'd say: 'Let's go watch that band. It's a good band!' That's where he heard 'Hound Dog,' and shortly thereafter he said: 'Let's try that song.'" "Hound Dog" became Elvis and Scotty and Bill's closing number for the first time on May 15, 1956 at Ellis Auditorium in Memphis.
Presley first performed "Hound Dog" to a nationwide television audience on The Milton Berle Show on June 5, 1956, his second appearance with Berle. By this time, Scotty Moore had added a guitar solo, and D.J. Fontana had added a hot drum roll between verses of the song. Presley appeared for the first time on national television sans guitar. Before his death, Berle told an interviewer that he had told Elvis to leave his guitar backstage. "Let 'em see you, son," advised Uncle Miltie.
An upbeat version ended abruptly as Presley threw his arm back, then began to vamp at half tempo, "You ain't-a nuthin' but a hound dog, cuh-crying all the time. You ain't never caught a rabbit..." A final wave signaled the band to stop. Elvis pointed threateningly at the audience, and belted out, "You ain't no friend of mine." Presley's movements during the performance were energetic and exaggerated. The reactions of young women in the studio audience were enthusiastic, as shown on the broadcast.
Over 40,000,000 people saw the performance and the next day controversy exploded. Berle's network received many letters of protest. The various self appointed guardians of public morality attacked Elvis in the press. TV critics began a merciless campaign against Elvis, making statements that he had a "caterwauling voice and nonsense lyrics" and was an "influence on juvenile delinquency," and began using the nickname, "Elvis the Pelvis".
Elvis next appeared on national television singing "Hound Dog" on The Steve Allen Show on July 1. Steve Allen wrote: "When I booked Elvis, I naturally had no interest in just presenting him vaudeville-style and letting him do his spot as he might in concert. Instead we worked him into the comedy fabric of our program...We certainly didn't inhibit Elvis' then-notorious pelvic gyrations, but I think the fact that he had on formal evening attire made him, purely on his own, slightly alter his presentation." As Allen was notoriously contemptuous of rock 'n' roll music and songs such as "Hound Dog," he smirkingly presented Elvis "with a roll that looks exactly like a large roll of toilet paper with, says Allen, the 'signatures of eight thousand fans,'" and the singer had to wear a tuxedo while singing an abbreviated version of Hound Dog to an actual top hat-wearing Basset Hound. Although by most accounts Presley was a good sport about it, according to Scotty Moore, the next morning they were all angry about their treatment the previous night.
The morning after the Steve Allen Show performance, the studio version was recorded for RCA Victor by Elvis' regular band of Scotty Moore on lead guitar (with Elvis usually providing rhythm guitar), Bill Black on bass, D. J. Fontana on drums, and backing vocals from the Jordanaires. Presley recorded this version along with "Don't Be Cruel" and "Any Way You Want Me" on July 2, 1956, at RCA's New York City studio. The producing credit was given to RCA's Steve Sholes, however the studio recordings reveal that Elvis produced the songs (as well as most of the RCA recording sessions) himself, which is verified by the band members. Presley insisted on getting the song exactly the way he wanted it, recording 31 takes of the song.
"Hound Dog" (G2WW-5935) was initially released as the B-side to the single "Don't Be Cruel" (G2WW-5936) on July 13, 1956. Both sides of the record topped the charts independently, a rare feat. The single also topped all three extant Billboard charts: pop, country & western, and rhythm & blues, the first record in history to do so. Later reissues of the single by RCA in the 1960s designated the pair as double-A-sided.
On September 9, with the song topping the US charts, Presley performed an abbreviated version of "Hound Dog" on The Ed Sullivan Show hosted by Charles Laughton. After performing "Ready Teddy," he introduced the song with the following statement, "Friends, as a great philosopher once said..." Elvis's first time on the Sullivan show was an event that drew some 60 million TV viewers. During his second Sullivan show appearance, October 28, he introduced the song thusly (although unable to keep a straight face). "Ladies and gentlemen, could I have your attention please. Ah, I'd like to tell you we’re going to do a sad song for you. This song here is one of the saddest songs we’ve ever heard. It really tells a story, friends. Beautiful lyrics. It goes something like this." He then launched into a full version of the song. Elvis was shown in full during this performance. Again, Presley drew more than 60 million viewers.
Presley's "Hound Dog" sold over 4 million copies in the United States on its first release. It was his best selling single and starting in July 1956, it spent a record eleven weeks at #1. It stayed in the #1 spot until it was replaced by "Love Me Tender," also recorded by Elvis.
In March 2005, Q magazine placed Presley's version at No. 55 in its list of the Q Magazine's 100 Greatest Guitar Tracks. Rolling Stone magazine ranked it No. 19 on their list of the 500 Greatest Songs of All Time, the highest ranked of Presley's eleven entries.
Category:1953 singles Category:Blues songs Category:1956 singles Category:Big Mama Thornton songs Category:Billboard Hot Country Songs number-one singles Category:Billboard Hot R&B;/Hip-Hop Songs number-one singles Category:Billy "Crash" Craddock songs Category:Elvis Presley songs Category:Jerry Lee Lewis songs Category:Little Richard songs Category:Grammy Hall of Fame Award recipients Category:Songs written by Jerry Leiber and Mike Stoller
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