Coordinates | 38°59′52″N174°23′25″N |
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Name | Mikhail Lermontov |
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Birth place | Moscow, Russian Empire |
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Death date | (aged 26) |
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Death place | Pyatigorsk, Russian Empire |
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Occupation | Soldier, Poet, Novelist, Artist |
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Nationality | Russian |
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Movement | Romanticism |
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Influences | At the age of fourteen Lermontov moved to Moscow, where he entered a boarding school for the sons of the nobility. At the Moscow University he started to write poetry under the influence of Lord Byron, adapting the Byronic cult of personality. Ğabdulla Tuqay |
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Signature | Лермонтов Михаил автограф.JPG |
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Website | }} |
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Mikhail Yuryevich Lermontov (; – ), a
Russian Romantic writer,
poet and
painter, sometimes called "the poet of the
Caucasus", has become the most important Russian poet after
Alexander Pushkin's death in 1837. Lermontov is considered the supreme poet of
Russian literature side by side with Pushkin and the greatest figure of Russian
Romanticism. His influence on later
Russian literature is still felt in modern times, not only through his poetry, but also through his prose, which has founded the tradition of Russian psychological novel.
Early life
Lermontov was born in Moscow to a respectable noble family of the
Tula Governorate, and grew up in the village of Tarkhany (in the
Penza Governorate), which now preserves his remains. According to one disputed and uncorroborated theory his paternal family was believed to have descended from the Scottish Learmonths, one of whom settled in Russia in the early 17th century, during the reign of Mikhail Fedorovich Romanov. The legendary Scottish poet
Thomas the Rhymer (Thomas Learmonth) is claimed to be a relative of Lermontov. However this claim has been neither proved nor disproved, and thus remains a legend.
Lermontov's father, Yuri Lermontov, like his father before him, was a military man. Having moved up the ranks to captain, he married the sixteen year old Mariya Arsenyeva, to the great dismay of her mother, Yelizaveta Alekseyevna. A year after the marriage, on the night of October 3 (Old Style), 1814, Mariya Arsenieva gave birth to Mikhail Lermontov. According to tradition, soon after his birth, some discord between Lermontov's father and grandmother erupted, and unable to bear it, Mariya Arsenieva fell ill and died in 1817. After the daughter's death, Yelizaveta Alekseyevna devoted all her love to her grandson, always in fear that his father might move away with him. Either because of this pampering or continuing family tension or both, Lermontov as a child developed a fearful and arrogant temper, which he took out on the servants, and vandalising his grandmother's garden.
As a small boy Lermontov listened to stories about the outlaws of the Volga region, about their great bravery and wild country life. When he was ten, Mikhail fell sick, and Yelizaveta Alekseyevna took him to the Caucasus for its better climate, that originated his love for this region.
School years
The intellectual atmosphere in which he grew up was similar to that experienced by
Pushkin, though the domination of
French had begun to give way to a preference for
English, and
Lamartine shared popularity with
Byron. In his early childhood Lermontov was educated by a Frenchman named Gendrot. Yelizaveta Alekseyevna felt that this was not sufficient and decided to take Lermontov to Moscow, to prepare for
gymnasium. In Moscow, Lermontov was introduced to
Goethe and
Schiller by a German pedagogue, Levy, and shortly afterwards, in 1828, he entered the gymnasium. He showed himself to be an exceptional student. Also at the gymnasium he became acquainted with the poetry of Pushkin and
Zhukovsky, and one of his friends, Katerina Hvostovaya, later described him as "''married to a hefty volume of Byron''". This friend had at one time been an object of Lermontov's affection, and to her he dedicated some of his earliest poems, "''Нищий (У врат обители святой)''" (''The Beggar''). At that time, along with his poetic passion, Lermontov also developed an inclination for poisonous wit, and cruel and sardonic humor. His ability to draw
caricatures was matched by his ability to pin someone down with a well aimed
epigram or nickname.
At the university
After the academic gymnasium, in August 1830, Lermontov entered
Moscow University. That same summer the final, tragic act of the family discord played itself out. Having been deeply struck by his son's alienation, Yuri Lermontov left the Arseniev house for good, only to die a short time later. His father's death on such a note was a terrible loss for Mikhail, and is reflected in his poems: "''Forgive me, Will we Meet Again?''" and "''The Terrible Fate of Father and Son''".
Lermontov's career at the university was short-lived. He attended lectures faithfully, but he would often read a book in the corner of the auditorium, and rarely took part in student life. A prank pulled by a group of students against one of the professors named Malov brought his time at the University to an end. Several biographers see this incident as the reason for Mikhail's departure.
Young cadet - first poems
The events at the University led Lermontov to seriously reconsider his career choice. From 1830 to 1834 he attended the cadets school in
Saint Petersburg, and in due course he became an officer in the guards. At that time he began writing poetry. He also took a keen interest in Russian history and medieval epics, which would be reflected in ''
the Song of the Merchant Kalashnikov'', his long poem ''
Borodino'', poems addressed to the city of
Moscow, and a series of popular
ballads.
Fame and exile
To express his own and the nation's anger at the loss of Pushkin (1837) the young soldier wrote a passionate poem, ''
Death of the Poet'', — the latter part of which is explicitly addressed to the inner circles at the court, though not to the Tsar himself. The poem all but accuses the powerful "pillars" of Russian high society of complicity in Pushkin's death. Without mincing words, it portrays that society as a cabal of self-interested venomous wretches "huddling about the throne in a greedy throng", "the hangmen who kill liberty, genius, and glory" about to suffer the apocalyptic judgment of God.
The tsar Nicholas I, however, seems to have found more impertinence than inspiration in the address, for Lermontov was forthwith exiled to the Caucasus as an officer in the dragoons. He had been in the Caucasus with his grandmother as a boy of ten, and he found himself at home, with feelings deeper than those of childhood recollection. The stern and rocky virtues of the mountain tribesmen against whom he had to fight, no less than the scenery of the rocks and of the mountains themselves, were close to his heart; the tsar had exiled him to his native land.
Lermontov visited Saint Petersburg in 1838 and 1839, and his indignant observations of the aristocratic milieu, wherein fashionable ladies welcomed him as a celebrity, occasioned his play ''Masquerade''. His doomed love for Barbara Lopukhina was recorded in the novel ''Princess Ligovskaya'', which he never finished. His duel with a son of the French ambassador led to Lermontov being returned to the army fighting the war in the Caucasus, where he distinguished himself in hand-to-hand combat at the Battle of the Valerik River, the basis for his poem ''Valerik''.
By 1839 he completed his most important novel, ''A Hero of Our Time'', which prophetically describes a duel like the one in which he would eventually lose his life.
Death
On July 25, 1841, at
Pyatigorsk, fellow army officer
Nikolai Martynov, who felt hurt by one of Lermontov's jokes, challenged Lermontov to a duel. The duel took place two days later at the foot of Mashuk mountain. Lermontov was killed by Martynov's first shot. Several of his verses were posthumously discovered in his notebook.
Works
Lermontov's poetic development was unusual. His earliest unpublished poems that he circulated in manuscript through his friends in the military were pornographic in the extreme, with elements of sadism. His subsequent reputation was clouded by this, so much so that admission of familiarity with Lermontov's poetry was not permissible for any young upper-class woman for a good part of the 19th century. These poems were published only once, in 1936, as part of a scholarly edition of Lermontov's complete works (edited by
Irakly Andronikov).
During his lifetime, Lermontov published only one slender collection of poems (1840). Three volumes, much mutilated by censorship, were published a year after his death. His short poems range from indignantly patriotic pieces like ''Fatherland'' to the pantheistic glorification of living nature (e.g., ''Alone I set out on the road ...'') Lermontov's early verse has been termed by some puerile, for despite his dexterous command of the language, it usually appeals more to adolescents than to adults. Mikhail attempted to analyse and bring to light the deeper reasons for this metaphysical discontent with society and himself. His poem "Mtsyri" ("The Novice") tells the story of a young man who finds that dangerous freedom is vastly preferable to protected servitude.
Both his patriotic and pantheistic poems had enormous influence on later Russian literature. Boris Pasternak, for instance, dedicated his 1917 poetic collection of signal importance to the memory of Lermontov's ''Demon'', a long poem featuring some of the most mellifluous lines in the language, which Lermontov rewrote several times. The poem, which celebrates the carnal passions of the "eternal spirit of atheism" to a "maid of mountains", was banned from publication for decades. Anton Rubinstein's lush opera on the same subject was also banned by censors who deemed it sacrilegious and stupid.
Lermontov's major works, which can be readily quoted from memory by many Russians, suffer to other readers from poor quality or scarcity of translations - Lermontov therefore, remains largely unknown to English-speaking readers, save for his novel ''A Hero of Our Time''.
Bibliography
Spring, 1830, poem
A Strange Man, 1831, drama/play
The Masquerade, 1835, verse play
Borodino, 1837, poem
Death of the Poet, 1837, poem
The Song of the Merchant Kalashnikov, 1837, poem
Sashka, 1839, poem
The Novice, 1840, poem
A Hero of Our Time, 1840, novel
Demon, 1841, poem
The Princess of the Tide, 1841, ballad
Valerik, 1841, poem
Legacy
Lermontov's ''Cossack Lullaby'' "went the whole round: from the original folklore source to literature, and from literature to the living folklore. ... For one and a half centuries people have performed these literary lullabies in real lulling situations [in Russia]."
The minor planet 2222 Lermontov discovered in 1977 by Soviet astronomer Nikolai Stepanovich Chernykh is named after him, as is the town of Lermontov, Russia.
See also
"Un Coeur en Hiver" film by Claude Sautet based on one of the episodes in "A Hero of Our Time"
"The Princess of the Tide" - a poem by Lermontov
Sergei Parajanov - filmed ''Ashik Kerib'', a 1988 film based on a short story by Lermontov
''A Hero of Our Time'' - English translation by Irwin Paul Foote, Penguin Classics.
Barbara Bakhmetev, Lermontov's beloved and tragic muse
Lermontov (crater) - crater on the planet Mercury named after him
Mikhail Lermontov (ship)
References
Further reading
External links
English-language links
Short biography with links to other Lermontov material
Short biography
Short biography
Translations of various poems by Mikhail Lermontov
Translation of "Borodino"
Translation of "A Sail"
Translation of "The Prisoner"
Translation of "The Dream"
Translation of "Cossack Lullaby"
Translation of "We parted..."
Translation of "Because"
State Lermontov Museum and Reserve at Tarkhany
Dual-language links
Various Lermontov poems in Russian with English translations, some audio files
Various Lermontov poems, many in Russian, some English translations, at ''Friends & Partners''
Russian text of various poems with English translations
Russian text of «Смерть поэта» ("Death of the Poet") with English translation
Russian text of "Cossack Lullaby" with English translation
Russian-language links
Online Lermontov shrine
Short biography at Russian Biographical Dictionary
Short biography at Megabook
Texts of various Lermontov works
Lermontov Museum, Moscow
Photographs of State Lermontov Museum and Reserve at Tarkhany
The ancestors of Mikhail Yuryevich Lermontov
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Category:1814 births
Category:1841 deaths
Category:19th-century Russian people
Category:Deaths by firearm in Russia
Category:Duelling fatalities
Category:Duellists
Category:Eastern Orthodox Christians from Russia
Category:People from Moscow
Category:Romantic poets
Category:Russian-language poets
Category:Russian novelists
Category:Russian Orthodox Christians
Category:Russian poets
Category:Russian painters
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cy:Mikhail Lermontov
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de:Michail Jurjewitsch Lermontow
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ko:미하일 레르몬토프
hy:Միխայիլ Լերմոնտով
hr:Mihail Ljermontov
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it:Michail Jur'evič Lermontov
he:מיכאיל לרמונטוב
ka:მიხეილ ლერმონტოვი
la:Michael Lermontov
lv:Mihails Ļermontovs
lt:Michailas Lermontovas
hu:Mihail Jurjevics Lermontov
mk:Михаил Јурјевич Лермонтов
nl:Michail Lermontov
ja:ミハイル・レールモントフ
ce:Михаил Лермонтов
no:Mikhail Lermontov
nn:Mikhail Lermontov
pl:Michaił Lermontow
pt:Mikhail Lérmontov
ro:Mihail Lermontov
ru:Лермонтов, Михаил Юрьевич
simple:Mikhail Lermontov
sk:Michail Jurievič Lermontov
sl:Mihail Jurjevič Lermontov
sr:Михаил Љермонтов
sh:Mihail Ljermontov
fi:Mihail Lermontov
sv:Michail Lermontov
tt:Михаил Лермонтов
tg:Михаил Юревич Лермонтов
tr:Mihail Yuryeviç Lermontov
uk:Лермонтов Михайло Юрійович
vi:Mikhail Yuryevich Lermontov
zh:米哈伊尔·莱蒙托夫