Loud Records is a subsidiary of SRC Records founded by Steve Rifkind in 1992.

Loud was a hip hop label which has released material by acts such as Wu-Tang Clan, Big Punisher, Mobb Deep, Krayzie Bone, The Beatnuts, M.O.P., Tha Alkaholiks, Pete Rock, Lil' Flip, Three 6 Mafia, Project Pat, Xzibit, Twista, Dead Prez, The Dwellas and The X-Ecutioners. Despite this, the label released thrash metal band Megadeth's deluxe and remastered debut album Killing Is My Business... And Business Is Good! in 2002.

The label was shut down in 2002 and was originally distributed by RCA Records until 1999 when distribution moved over to Columbia Records, which is now part of the same company as RCA Records, Sony Music Entertainment. Rumors report that Rifkind might buy back the label and revive the label as a sub-label of his SRC Records. Loud Records is officially resurrected as an imprint for Def Jam Recordings and Universal Island Records.

Artists[link]

• Three 6 Mafia
• Wu-Tang Clan
• RZA
• Big Pun (deceased)
• Tha Alkaholiks
• Tha Crow
• Krayzie Bone
• Dead Prez
• Mobb Deep
• Xzibit
• David Banner
• M.G.T.
• Method Man
• Ghostface Killah
• Raekwon
• GZA
• Inspectah Deck
• Ol' Dirty Bastard (deceased)
• T-Beats
• Cella Dwellas
• Davina
• M.O.P
• Asher Roth
• [Анжела Лондон]

See also[link]

• List of record labels

This article about a United States record label is a stub. You can help Wikipedia by expanding it. v t e

Mobb Deep is an American Hip-Hop duo from Queensbridge, Queens, New York, U.S.,^[1] that consists of Havoc and Prodigy. The duo is "one of the most critically acclaimed hardcore East Coast Hip-Hop groups".^[2] The group is best known for its dark, hardcore delivery as exemplified by the single "Shook Ones Pt. II".^[3] Mobb Deep have become one of the most successful rap duos in Hip Hop having sold over three million records.^[2] The majority of their albums have been critically acclaimed, in particular The Infamous in which is considered to be classic among avid Hip-Hop listeners and general fans.^[4][5] They are partially credited for the resurgence of East Coast rap in the early to mid-'90s. Havoc and Prodigy were also judges for the 7th Annual Independent Music Awards to support independent artists' careers and breakthroughs.^[6]

Biography[link]

Origins[link]

Havoc and Prodigy supposedly started their career in music in 1986 and they both attended the High School of Art and Design in New York City. Havoc took the role of kurwa and as secondary musician/rapper while Prodigy assumed the position of primary musician/rapper. Originally dubbing themselves the Poetical Profits, the duo later changed its name to Mobb Deep in order to "reflect their reputation on the streets."^[7] It is rumored that before the groups initial career beginnings, Prodigy was at the age of fifteen when he was featured on the classic movie soundtrack Boyz In The Hood in a track call Too Young. In June 1991, when Havoc and Prodigy were at the age of seventeen they released their debut album as they self-titled, Juvenile Hell which was promoted by the single "Peer Pressure." The album sold poorly and eventually met with harsh reviews that dismissed the duo as just another hardcore group with little to distinguish it from the rest of the hip-hop world, despite production by DJ Premier and Large Professor. However, a few songs from Juvenile Hell had gain recognition such as; "Hit It from the Back," "Locked in Spofford" and "Me and My Crew." Moreover, in 1993 Havoc attended a show as a guest appearance on the critically acclaimed Black Moon album Enta Da Stage on a song titled "U Da Man." In 1994 the duo released a single titled "Shook Ones Part 1", which contained verses that later were incorporated into their most commercially successful song, "Shook Ones Part 2".

Rise to Success[link]

The group saw its first major success with their second album, The Infamous released in 1995. Mobb Deep catapulted to the top of the hardcore hip-hop scene through Havoc and Prodigy's straightforward narration of street life. In this album, Mobb Deep portrayed the struggles of living in New York City's Queensbridge Houses where they grew up. Following the release of The Infamous, Mobb Deep became some of the most prolific artists of the East Coast in regards to the hardcore Hip Hop sub-genre. The production of this album was very dark and sample-based thanks to Havoc, who produced the beats almost exclusively throughout Mobb Deep's career.^[8] Furthermore, the smash hit single "Shook Ones Pt. II" received critical acclaim and was well-received within the Hip Hop community.

Mobb Deep's third album, Hell on Earth was released in 1996 debuting at number six on the Billboard Album Chart; the album continued the duo's portrayal of harsh street life while further pushing them to the forefront of the hardcore Hip Hop scene along with contemporary East Coast Rappers like The Notorious B.I.G., Wu-Tang Clan collective, Jay-Z and fellow Queensbridge Associate Nas. Both Method Man and Raekwon of the Wu Tang Clan appear on 'Hell on Earth'.

In 1996, they appeared on the Red Hot Organization's compilation CD, America is Dying Slowly alongside Biz Markie, Wu-Tang Clan and Fat Joe among many other prominent Hip Hop artists. This compilation was solely meant to raise awareness of the AIDS epidemic among African American men and this compilation was heralded as "a masterpiece" by The Source Magazine, a Hip Hop Publication. In 1998, the duo collaborated with a reggae dancehall rapper named, Bounty Killer on the track "Deadly Zone" for the soundtrack to Blade. In 1999, they released the highly anticipated Murda Muzik album in which despite extensive bootlegging, the majority of its songs were unintentionally leaked which resulted in delays in the official album release. When the album officially released it eventually debuted at number three on the Billboard 200 and quickly received Platinum Certification and further promoted by the popular single "Quiet Storm." Shortly afterward, Prodigy released his long-awaited solo album H.N.I.C in which the artist collaborated with fellow artist on the likes of, (B.G. and N.O.R.E.) and lastly, producers (including The Alchemist, Rockwilder, and Just Blaze).

East Coast vs. West Coast National Feud[link]

Mobb Deep was part of the infamous East Coast vs West Coast Hip Hop rivalry that was fueled and increasingly promoted by the private media. The beef started when Snoop Dogg and the West Coast group, Tha Dogg Pound released "New York, New York" which Mobb Deep, along with Capone-N-Noreaga and Tragedy Khadafi responded with the song "L.A L.A" (This song can be found on Capone-N-Noreaga's debut album The War Report). This song was released during rapper 2Pac's final days of incarceration. Members of 2Pac's group, Outlawz, allegedly attended a Mobb Deep concert; they then visited with 2Pac over public rumoring that the duo had snubbed them at the concert. 2Pac dissed Mobb Deep on multiple tracks, including: "Hit 'Em Up" and "When We Ride on Our Enemies" in which 2Pac makes light of Prodigy's sickle-cell disease. Additional 2Pac diss tracks include: "Bomb First (My Second Reply)" and "Against All Odds", both of which were released on 2Pac's posthumous studio album, The Don Killuminati: The 7 Day Theory. Mobb Deep retaliated on their 1996 release of Hell on Earth, which contains a diss track entitled "Drop A Gem On 'Em."

2000 to 2010[link]

Mobb Deep released Infamy while in 2001 the song "Burn" (featuring Vita) was perceived as a response to Jay-Z's diss song "Takeover" on The Blueprint, as was "Crawlin'," in which Prodigy's two verses both mention Jay-Z. The album marked a major stylistic change in which the duo moved away from a raw, minimalist, stripped-down beat toward a commercial friendly in terms with such songs as "Hey Luv (Anything)." This transition fostered accusations of "selling out". The eventually led the group's fanbase upset and many long-time fans who did not wish to see them veer away from their original style eventually lost some interest in their music. Although these stylistic adjustments opened up by Mobb Deep to a wider audience, many critics and fans consider their style change as a detriment to Mobb Deep's street image and record sales (most evident when comparing the platinum-selling Murda Muzik to Infamy which struggled to attain gold-record status). In 2003, the group split with Loud Records and released Free Agents: The Murda Mix Tape, in which Havoc and Prodigy proclaimed themselves "free agents" and addressed the group's split with its old label and its search for a new label. Jive Records signed the duo later in the year through a deal with the group’s own imprint. Mobb Deep then released Amerikaz Nightmare in 2004 which was seen by the general hip-hop audience as an "weaker release"; this resulted in poor sales and the group’s subsequent departure from the label.^[9] Today, as a result of various mergers, all of Mobb Deep's studio albums from 1995 to 2004 are owned by Sony Music Entertainment.

G-Unit Records[link]

In June 2005, Prodigy and Havoc announced they had signed with 50 Cent's label G-Unit Records. The move was surprising among Hip Hop fans because 50 Cent had ridiculed the group in his song "Piggy Bank". 50 Cent had a connection to Mobb Deep as he grew up in Queens and Havoc had provided production on projects by G-Unit, Lloyd Banks and Tony Yayo. The relationship strengthened as Prodigy and 50 Cent each received tattoos to pledge their loyalty to each other. Prodigy has the word "G-Unit" tattooed on the side of his right hand and 50 Cent has "Mobb Deep" tattooed on his wrist. As part of their contract with G-Unit, both Prodigy and Havoc were given new Porsches. Later, Mobb Deep signed different artists onto Infamous/G-Unit Records including Nyce, 40 Glocc and Gail Gotti. Mobb Deep released their eighth album, Blood Money in 2006. It features G-Unit members 50 Cent, Lloyd Banks, Tony Yayo and Young Buck as well as Mary J. Blige and Nate Dogg. In 2006, Mobb Deep became the first American hip-hop duo to perform in India, via VH1's Hip Hop Hustle. It performed in a nightclub called Enigma. In late 2009, Mobb Deep were released from their contract with 50 Cent's G-Unit label.

2011 to Present Day[link]

On April 4, 2011 a possible new Mobb Deep single leaked on the internet named "Dog Shit", this song features rapper Nas as its collaborator. This is the first official song by Mobb Deep since Prodigy made his return from jail and their first consensual collaboration with Nas in nearly ten years due to their feud (Except member Prodigy & Nas appearing on producer The Alchemist's album 1st Infantry, on song "Tick Tock"). It is produced by Havoc and Alchemist. In the longrun of their relationship, they are also recording an upcoming, self titled album (which will be their ninth studio album) with production from Havoc, The Alchemist, Sid Roams, DJ Premier, MTK, Cardiak and the J.U.S.T.I.C.E. League as well as other guest artists such as; Rick Ross, Lil' Kim, Wiz Khalifa, Odd Future and Nas on their new album.^[10] On November 21, 2011, the duo released an EP called Black Cocaine which is an EP promoting their LP which is rumored to be released in the Year of 2012.^[11]

Discography[link]

References[link]

External links[link]

• Mobb Deep on Myspace
• Interview with Prodigy - Prodigy Interview of 2006, Hip Hop Publication
• Prodigy Interview of 2007, Hip Hop Publication

Pete Rock
Pete Rock performing at Marvel/Stussy launch party in Los Angeles, 2011
Background information
Birth name	Peter Phillips
Also known as	Soul Brother #1[citation needed] The Chocolate Boy Wonder[citation needed]
Born	(1970-06-21) June 21, 1970 (age 42) New York City, United States
Origin	Mount Vernon, New York, United States
Genres	East Coast hip hop, jazz rap
Occupations	Music producer, disc jockey, rapper, singer
Instruments	Turntable, sampler, keyboard, bass guitar
Years active	1987–present
Labels	Elektra, Loud/RCA/BMG, Rapster/BBE, Nature Sounds/Caroline/Virgin/EMI
Associated acts	CL Smooth, Marley Marl, INI, Heavy D, The UN, YGz, DJ Premier, Edo G, J Dilla, 9th Wonder, DJ Green Lantern, Rakim, Nas, Wu-Tang Clan, Pharoahe Monch, Kanye West, Smif-N-Wessun

Peter Phillips (born June 21, 1970),^[1] better known by his stage name Pete Rock, is an American record producer, DJ and rapper. He rose to prominence in the early 1990s as one half of the critically acclaimed group Pete Rock & CL Smooth. After the duo went their separate ways, Rock continued with a solo career that has garnered him worldwide respect, though little in the way of mainstream success.^[2] Along with groups such as Stetsasonic, A Tribe Called Quest, The Roots and Gang Starr, Rock played a major role in the merging of elements from jazz into hip hop music (also known as jazz rap). He is widely recognized as one of the greatest hip hop producers of all time, and is often mentioned alongside DJ Premier, the RZA, and J Dilla as one of the mainstays of 1990s East Coast hip hop production. Pete Rock is also the older brother and younger cousin, respectively, of rappers Grap Luva and the late Heavy D.^[3][4][5]

Biography[link]

Early life[link]

Pete Rock was born in The Bronx, New York,^[6] the sixth of seven children of Jamaican immigrant parents.^[7] His family moved to Mount Vernon, New York when he was seven years old. During high school, he met his future recording partner CL Smooth. According to Rock, his father was also a part-time DJ who had an impressive record collection. Rock would often accompany his father to a cricket club called Wembley in The Bronx and watch as he spun records for the guests.^[8] His first job was as a paperboy, in his neighborhood.^[8]

Early career[link]

His first major exposure to the hip-hop audience was in 1987 with Marley Marl, as a DJ on New York's WBLS radio show "In Control With Marley Marl." The 17-year-old Phillips was recognized by the listening audience as the man "puttin' in work", as he would use double copies of each record to cut up every song he played, when most New York DJs would only use double copies on every third or fourth song. Propelled by the growth of his popularity, he began producing in the early 1990s. In 1991 he joined with CL Smooth to release the EP All Souled Out.

The following year saw Mecca and the Soul Brother, the first of two full-length albums, released to critical acclaim and hailed as a classic by many. Pete Rock and CL Smooth were first signed to Elektra Records, managed, and Executive Produced by Eddie F of Heavy D and The Boyz who also then managed Pete Rock as a producer. Pete Rock was one of the original three "Untouchables" producers along with Eddie F himself and Nevelle Hodge.

During this period, Pete Rock began to produce songs for other acts, such as "Down With the King" for Run-DMC and "The World Is Yours" for Nas, as well remix singles for Jeru the Damaja ("You Can't Stop the Prophet"), Public Enemy ("Shut 'em Down"), and The Notorious B.I.G. ("Juicy" – the original of which was allegedly based on Rock's own demo). Pete and CL followed up Mecca in 1994 with The Main Ingredient. Like its predecessor, The Main Ingredient also received wide critical acclaim. However, soon after the album's release, the duo split and went their separate ways, with Rock focusing on production work for other artists.

In 1995, he formed the group INI, with Grap Luva, Rob-O, and I Love H.I.M. and released the classic 12" "Fakin' Jax". The trio recorded an album, Center of Attention(originally named The Life I Live), which was heavily bootlegged and remained unreleased until 2003, when BBE Records picked it up for distribution. The release of this album was coupled with another previously unreleased mid-'90s Pete Rock-produced album, DeDa's The Original Baby Pa.

In 1996, he appeared on the Red Hot Organization's compilation CD, America is Dying Slowly, alongside Wu-Tang Clan, Coolio, and Fat Joe, among others. The CD, meant to raise awareness of the AIDS epidemic among African American men, was heralded as a masterpiece by The Source magazine.

Solo career[link]

While working as a DJ with Marley Marl on Hot 97's Future Flavas show, Rock was able to forge a relationship with Loud Records, allowing him to release his solo album Soul Survivor in the summer of 1998. After being dropped from the Loud imprint, Rock signed with Rapster/BBE under his own label Soul Brother Recordings. His first release on the imprint was PeteStrumentals, which was mostly made up of previously unreleased Rock beats; all recorded between 1990 and 1995 but remixed and mastered for the 2001 BBE Project. The album did however feature two additional 2001 songs that featured the vocals from The UN. An expanded and revisited version of the album was released less than one year later; three instrumentals had been replaced with three new songs performed by C.L. Smooth, Freddie Foxxx and Nature separately.

Since then he has continued releasing solo albums including 2004's Soul Survivor II. In that same year he also produced the bulk of Edo G's My Own Worst Enemy, as well as a track for the all-girl rap group Northern State.

Pete Rock returned to greater visibility through a closer relationship with the Wu-Tang Clan. Their collaborations began with Soul Survivor, which featured Inspectah Deck, Method Man, Ghostface Killah and Raekwon on various tracks as well as producing a track each for Inspectah Deck's ("Trouble Man") and Raekwon's ("Sneakers") respective 1999 albums. Rock continued to work with the Wu on Soul Survivor II which featured both GZA and RZA. In 2006 he also produced three tracks for Ghostface's release Fishscale, including the first single, and Nature Sounds labelmate Masta Killa's second album, Made in Brooklyn.

Pete Rock has cultivated a relationship with Brooklyn-based Nature Sounds Records. He recorded the song "The PJs", which also features Wu-Tang Clan's Raekwon and Masta Killa, released on the Nature Sounds compilation Natural Selection. He released an album entitled NY's Finest in February 2008, featuring Raekwon, Masta Killa, D-Block, Redman, Papoose, Slum Village and Jim Jones, among others, also on Nature Sounds. The lead single from the album is entitled "914" and features rappers Sheek Louch and Styles P. He is scheduled to appear on albums by Bishop Lamont, Cannibal Ox, Termanology, Freddie Foxxx, Royal Flush, Verbal Threat, LL Cool J, JoJo Pellegrino, La The Darkman, Cormega, R.A. The Rugged Man, and others. He is also working with DJ/Rapper Doo Wop under the name Tango & Cash (taken from the film of the same name).

Planet Asia has recently claimed that later on in 2009 he will release a collaboration fully produced album with Pete Rock called "Planet Rock". On December 2009 Rock denied that, but talked about collabo projects with Tha Dogg Pound, Camp Lo, Smif-N-Wessun.

Pete Rock oversaw the production of Jay Stay Paid, a posthumous album by the producer J Dilla, released June 2, 2009, on Nature Sounds. Lately he has been in Hawaii, working with Kanye West on the latter's fifth album, My Beautiful Dark Twisted Fantasy.^[9] In addition, he and DJ Premier have announced that they are working on a joint album together, although further details are unknown.^[10] Recently in London he confirmed that Big Pooh & C.L. Smooth will be on his half of the VS album and he plans on dropping 5 albums in 2011 including reuniting with C.L. Smooth for a third album & drop his 4th album on Nature Sounds.^[11] His next few collaborative albums are both due for a summer release with Monumental first then with Camp Lo's "80 Blocks From Tiffanys" LP.^[12] In an April 2011 interview on Conspiracy Worldwide Radio, Pete Rock discussed his new solo work including his album with DJ Premier, as well as exploring the fact that he has had numerous beats rejected by Eminem over the years ^[13] Pete Rock Uncensored Radio Interview. In a August 2011 interview, he has confirmed the completion of the Camp Lo album "80 Blocks From Tiffany's" and that he is currently working on production for Torae's album, Elzhi & his own solo album "Petestrumentals II".

Affiliates[link]

Proteges[link]

Through the years, Rock has helped to jump-start the careers of several artists. His first project outside of Pete Rock & CL Smooth was the hardcore duo YG'z, who released an EP called Street Nigga in 1993, with four out of the six tracks produced by Rock; however, they were quickly dropped from their deal with Reprise Records. His next venture, INI, was a group featuring Rock, his younger brother Grap Luva, Rass and rapper Rob-O. They released a single, "Fakin' Jax", through Elektra Records in 1995, before their debut album, Center of Attention, was shelved by the label. The other two members continue to record solo material, albeit only sporadically. In an interview Rock elaborated on the situation:

We finished the album, turned it in to Elektra and they never put it out, they only put out a single. Sylvia [Rhone] really didn't cooperate, she didn't break bread with me when it came down to resolving that. It was all about her changing everything around. She wanted to change my whole sound. When she said, "You gotta make a beat like Puffy", I just knew it wasn't going to work out.^[8]

Another mid-1990s artist, DeDa, also met the same fate with his album The Original Baby Pa, although both this and INI's album were eventually released as a double album package in 2003. Other associated artists include Meccalicious, who recorded a few songs under Pete Rock's guidance (sometime around 1997), before disappearing from the music scene altogether.

Rock has had some success, however, overseeing and jump-starting the career of hardcore underground favorites The UN, a group featuring four MCs, including former Flipmode Squad member Roc Marciano. Rock premiered the group on the single "Nothin' Lesser" from his PeteStrumentals album, and they went on to release the fairly successful album UN or U Out in July 2004, featuring production by Rock, Large Professor, and several others.

Relationship with CL Smooth[link]

Since their split in 1995, Pete Rock's relationship with CL Smooth has been highly unpredictable. Although the pair briefly united for the reflective "Da Two" from Rock's Soul Survivor album in 1998, they avoided entertaining requests for a reunion album until 2001, when they once again teamed up for "Back on Da Block" from Rock's PeteStrumentals. In their interviews during this period, it appeared as though a new album was underway. As Rock would explain:

We've been on tour, we know every rhymer and producer in this business. We've influenced people, even people we've never met have said that we changed the face of hip-hop. So we're going to try to do some more.^[8]

The pair went on a short international tour culminating in their well-received show at London's Jazz Cafe; however, soon after this they declined to comment any further on the new album, which never materialized (although Smooth did make three separate appearances on Soul Survivor II). Eventually, Smooth would confirm rumors of a rift in an interview with AllHipHop.com,^[14] in which he appeared angry and frustrated with his former partner, saying "I didn’t ask him to be a superhero" and "I’m not the problem." In an interview taken in December 2006, Rock ruled out any further collaborations with Smooth but stated that he holds no grudges against his former partner.^[15] He recently confirmed that he will be recording a third album with C.L. Smooth.

Musical style[link]

Production[link]

Pete Rock builds his beats from samples, the majority of which are taken from obscure R&B, funk, and jazz records. Early on in his career he would also sample drum breaks such as Black Heat's "Zimba Ku" for Heavy D & The Boyz's "Letter To The Future". Pete Rock heavily used the E-mu SP-1200 as well as the AKAI [S950]—later moving onto using the MPC—for his productions. Pete Rock tends to use the samples as palettes for his beats, chopping (cutting the sample into smaller parts), filtering (altering the frequencies of the sample), and layering several samples, often within the same song. While this technique was applied long before Rock (on De La Soul's Three Feet High and Rising or the work of The Bomb Squad for example), Rock's work is distinctive for the way in which he uses samples to achieve a hazy, droning effect. He is also noted for his resonant basslines, horn samples, and gritty sounding drums. His beats often sound as though they were being played from an old vinyl record; he samples many of his sounds straight off these records.^[16]

Another trait of his, more so in the earlier part of his career, is the way he uses horn samples to supplement his grooves. With perhaps the most famous example being "They Reminisce Over You (T.R.O.Y.)" (on which he uses a horn sample from Tom Scott's "Today"), Rock has also used horns on several other productions such as "Straighten It Out", Public Enemy's "Shut 'Em Down", Rah Digga's "What They Call Me", and A.D.O.R.'s "Let It All Hang Out".

Along with Gang Starr, The Roots and A Tribe Called Quest, Pete Rock played a large role in the fusing of jazz and funk music into Hip hop. The aforementioned "Reminisce..." withstanding, Rock used many jazz samples on his album Mecca and The Soul Brother, such as Cannonball Adderley's "Country Preacher", for the song "Return of the Mecca", or "Capricorn" for the song "In the House" from The Main Ingredient. Pete Rock's heavy use of intro and outro beats has also been widely influential. To introduce feature songs, he often plays a short instrumental excerpt, completely different from the rest of the song. Aside from their role as transitions, these are widely regarded as a way of displaying his large collection and as a challenge to other hip-hop producers to identify the records that the breaks come from.^[17] Mecca & the Soul Brother and The Main Ingredient use intro/outro beats on nearly every track to great effect, and the tradition continues to the present on Rock's recent releases.

Remixes[link]

"Another Pete Rock Remix" is Pete Rock's trademark catchphrase, heard on countless singles which he has remixed. In addition to Hip-hop artists he has done remix work for artists from other genres such as his 1995 remix of "Before You Walk Out Of My Life" for R&B singer Monica. In 1992 he collaborated with Mary J. Blige on the What's the 411? single "Reminisce", which utililized the same sample from his own single "T.R.O.Y. (They Reminisce Over You)". Rock claims to have done several high profile remixes which remain unreleased including one of Madonna's "Secret".^[8] He also claims to have produced the original beat for The Notorious B.I.G.'s "Juicy", and that it was recreated by P. Diddy and Poke (of Tone & Poke fame), without consent. However, he was invited to produce the remix, which utilizes the same sample as the original – Mtume's "Juicyfruit".^[8] Although he received no official producer credit, he made the original demo beat for A Tribe Called Quest's "Jazz (We've Got)", which was then recreated by the group for the album The Low End Theory.^[8] He remixed Public Enemy's "Shut 'em Down" and "Nighttrain", in the same day, starting at 12pm and finishing at 12am.^[8]

Up until 2003, he created all of his productions on the E-mu SP1200, thereafter using the AKAI MPC2000XL. He also has a collection of about 90,000 records and looks for records at least once a week.^[6] Pete Rock was one of 9 artists who participated in thetruth.com’s Remix Project, where he remixed the Sunny Side song “Magical Amount”.

In 2010, Pete Rock remixed indie rockers, Yo La Tengo's single, Here To Fall for the Here To Fall Remixes EP which included remixes by De La Soul and RJD2.

Influence[link]

Pete Rock has had a considerable impact on a number of record producers who have emerged in the hip hop scene since the late 1990s. Many critics have compared newcomers to him, generally favorably. Perhaps most notable among these comparisons are the late Detroit producer J Dilla, and North Carolina's 9th Wonder, both of whom have worked with Rock during their recording careers. Several of the comparisons stem from the fact that these producers have created the bulk of their productions out of samples, as well as the warm, mellow, and exuberant undertones apparent in their work. Pete Rock himself has added validation to the comparisons with J Dilla by stating "he's the only producer in this game that was just as serious [as me]."^[18]

Many other producers, including Kev Brown and Kanye West, have also found themselves compared to Pete Rock, with the latter glowingly referring to himself as "the new version of Pete Rock" on Slum Village's "Selfish" from the group's 2004 album Detroit Deli (A Taste of Detroit).^{[citation needed]} Pete Rock has acknowledged his relevance to these artists, releasing an instrumental record with 9th Wonder (Class Is in Session), as well as recording his own remix of West's "Heard 'Em Say". Rock himself has named his main musical influences as being influential hip hop producer and close friend Marley Marl and legendary soul musician James Brown.

Discography[link]

Studio albums

• Soul Survivor (1998)
• PeteStrumentals (2001)
• Lost & Found: Hip Hop Underground Soul Classics (2003)
• My Own Worst Enemy (with Ed O.G.) (2004)
• Soul Survivor II (2004)
• The Surviving Elements: From Soul Survivor II Sessions (2005)
• NY's Finest (2008)
• Monumental (with Smif-N-Wessun) (2011)
• 80 Block's From Tiffany's (with Camp Lo) (2012)
• Petestrumentals II (2012)

References[link]

External links[link]

• Pete Rock discography at Discogs
• Pete Rock on Myspace
• Pete Rock at the Internet Movie Database
• Pete Rock on Twitter

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (August 2009)

Sadat X (born Derek Murphy; December 29, 1968^[1]) is an American rapper, most famed as a member of Alternative hip hop group Brand Nubian. Originally known as Derek X, Sadat takes his name from former Egyptian president Anwar Sadat^[2].

In 1996, Sadat appeared on the Red Hot Organization's compilation CD, America is Dying Slowly, alongside Biz Markie, Wu-Tang Clan, and Fat Joe, among many other prominent hip hop artists. The CD, meant to raise awareness of the AIDS epidemic among African American men, was heralded as "a masterpiece" by The Source magazine.

Biography[link]

On December 22, 2005, Sadat was arrested in Harlem and charged with criminal possession of a weapon, reckless endangerment and resisting arrest.^[3] On October 3, 2006, Female Fun Music released Sadat's third full-length album Black October.

Sadat is involved in teaching children. Has worked as an elementary school teacher in New Rochelle, New York. Qualified as a firefighter in New Rochelle, New York. Coaches children's basketball for the New York City Basketball League. He also played point guard for the Howard University basketball team.^[4]

On March 23, 2010, Sadat X released Wild Cowboys II, the long-awaited sequel to his 1996 solo debut Wild Cowboys, on Fat Beats Records. The album featured several guest appearances from Ill Bill, Kurupt, A.G., Brand Nubian, Rhymefest and others, with production from Pete Rock, Diamond D, Buckwild, Sir Jinx and others. On February 23, 2010, he released an EP, containing five songs from the album and their complementary instrumentals, which is currently available at any music store. The first single from the album is "Turn It Up" which features, and is produced by, Pete Rock. A music video for the song premiered on March 12, 2010, which contains cameo appearances from different New York veteran rappers.

Discography[link]

Solo albums[link]

Guest Appearances[link]

References[link]

External links[link]

• Sadat X at Allmusic
• Sadat X on Myspace

Busta Rhymes
Background information
Birth name	Trevor Tahiem Smith, Jr.
Born	(1972-05-20) May 20, 1972 (age 40)
Origin	Brooklyn, New York, U.S.
Genres	Hip hop
Occupations	Rapper, actor
Years active	1989–present
Labels	Conglomerate, Cash Money
Associated acts	Leaders of the New School, A Tribe Called Quest, Flipmode Squad, Spliff Star, Dr. Dre, N.O.R.E., The Notorious B.I.G., Pharrell, Swizz Beatz, DMX, Mystikal, Wu-Tang Clan, M.O.P.,

Trevor Tahiem Smith, Jr., (born May 20, 1972),^[1] better known by his stage name Busta Rhymes, is an American rapper, producer and actor. Chuck D of Public Enemy gave him the alias Busta Rhymes after NFL wide receiver George "Buster" Rhymes. Early in his career, he was known for his wild style and fashion, and today is best known for his intricate rapping technique, which involves rapping at a fast rate with lots of internal rhyme and half rhyme, and to date has received eleven Grammy nominations for his musical work. About.com included him on its list of the 50 Greatest MCs of Our Time (1987–2007),^[2] while Steve Huey of Allmusic called him one of the best and most prolific rappers of the '90s.^[3]

Early life[link]

Busta was born in Red Hook, Brooklyn, New York, and grew up in Flatbush, Brooklyn, to Jamaican parents Geraldine Green and Trevor Smith, Sr. in 1972. Smith attended George Westinghouse Career and Technical Education High School, alongside Jay-Z, DMX and The Notorious B.I.G.^[4][5][6][7] He went to Uniondale High School on Long Island, graduating in 1990.

Music Career[link]

Leaders of the New School and rising popularity: 1990–1993[link]

Hip-hop crew Leaders of the New School began recording in 1989 and released their debut album A Future Without a Past... in 1991 on Elektra Records. In early 1992 the group appeared on A Tribe Called Quest's posse cut "Scenario," in which Busta's climactic verse propelled him into the cultural consciousness.^[8] In 1993, they released T.I.M.E. (The Inner Mind's Eye). Soon after, however, internal problems arose because of Busta's increasing popularity, and the group broke up on the set of Yo! MTV Raps.

After LONS broke up, Busta Rhymes began making guest appearances on several hip-hop and R&B artists singles such as R&B group Boyz II Men, he appeared on the track "Intro Talk" on Mary J. Blige's landmark debut album, What's the 411?, he also appeared on the album jacket of fellow hip-hop group A Tribe Called Quest's Midnight Marauders, with a host of other fellow hip-hop pioneers. In 1993, he appeared in a cameo role in Yo! MTV Raps hosts Doctor Dré and Ed Lover's film, Who's the Man?, and in the HBO film, Strapped, and co-starred alongside Ice Cube and Omar Epps in the John Singleton film, Higher Learning (which was in post-production until it was released in 1995). The following year, he teamed up with Puff Daddy, LL Cool J, and future Flipmode Squad member, Rampage and former classmate The Notorious B.I.G., on a remix to Craig Mack's "Flava In Ya Ear", soon after he would team up again with The Notorious B.I.G. among a plethora of rappers such as Bone Thugs-n-Harmony and Coolio on the single, "The Points" which appeared on the soundtrack to the 1995 film, Panther.

[edit] The Coming and When Disaster Strikes: 1995–1997

In the summer of 1995, Busta Rhymes started work on his first album The Coming, and a month after recording the album, he released it in March of 1996. A month before the album was released, he broke out with a solo hit single, "Woo Hah!! Got You All in Check". Later, he started work on his second album, When Disaster Strikes, which would not be released until September 1997. It produced the hit singles "Put Your Hands Where My Eyes Could See" and "Fire It Up".

[edit] Extinction Level Event (Final World Front): 1998–1999

In 1998, Busta recorded Extinction Level Event (Final World Front). Its lead single, "Gimme Some More" — which sampled Bernard Herrmann's theme from Psycho — reached number 6 in the UK singles chart in January 1999. Busta enjoyed further transatlantic success in April when the single "What's It Gonna Be?!", featuring Janet Jackson, reached the US and UK Top 11. The album received prominent notice for featuring the fastest rapping Busta has ever performed, particularly on a song called "Iz They Wildin Wit Us?", featuring a guest appearance by Mystikal.^[1]

J/Arista/BMG[link]

Busta Rhymes performing in 2006

Anarchy & Genesis (2000-2001)

In 2000, Busta recorded his final album for Elektra, entitled Anarchy. After Busta signed to J Records, a label started by the then recently ousted Arista Records chief and founder Clive Davis, he released a greatest hits collection^{[citation needed]} alongside a new album of original work. Continuing the Biblical theme of his previous albums, he titled his record Genesis. The album featured collaborations with Mary J. Blige, P. Diddy, Kelis, and others. Genesis was powered by the hit single with Kelis, "What It Is", and his solo single released in November 2001, "Break Ya Neck". The final single was the summer smash "Pass the Courvoisier, Part II", which featured Pharrell and P. Diddy. Despite the success of the two singles, this album did not sell as well as previous releases.

It Aint Safe No More (2002-2004)

In 2002, Busta released his sixth studio album It Ain't Safe No More. The album was moderately successful, with a hit song featuring Mariah Carey and the Flipmode Squad called "I Know What You Want". Another hit song was "Make It Clap", featuring Spliff Starr. The remix of "Make It Clap" featured Sean Paul. After its release, he left J Records. In 2004, he signed with Dr. Dre's Aftermath Entertainment.

Aftermath/Interscope[link]

The Big Bang (2006)

His seventh studio album, The Big Bang, became the first #1 album of his career. The CD sold over 209,000 copies in its first week to earn the top spot on The Billboard Top 200.^[9] The album also became his highest charting album in the UK, peaking at #19. Some of the album was leaked on the Internet, and as a result several songs were left off the album and new ones added. The Big Bang featured more production by Dr. Dre than Busta's previous releases, as well as appearances by Raekwon and Nas. The singles that have been released from the album are, "Touch It", "I Love My Bitch", featuring Kelis and Will.I.Am, "New York Shit", featuring Swizz Beatz and "In The Ghetto". Busta also had a stint opening for Mariah Carey's The Adventures of Mimi Tour. Also, Busta performed with Eminem on "Touch It Remix Part 5" and performed a verse on the aforementioned rapper's song, "I'll Hurt You". On July 17, 2008, Busta left Interscope/Aftermath due to a creative clash with Interscope head Jimmy Iovine.

Universal Motown[link]

Back on My B.S. (2007-2009)

He also made a song featuring Linkin Park called "We Made It". It was later revealed that Busta inked a deal with Universal Motown, who released his eighth studio album, Back on My B.S., on May 19, 2009.^[10] He also appeared on Asher Roth's debut album, Asleep in the Bread Aisle. The album debuted at #5 on the Billboard 200, selling 56,000 copies, and was his first album to not receive an RIAA certification, selling 122,000 copies to date. The singles that have been released from the album are, "Arab Money", featuring Ron Browz, "Hustler's Anthem '09", featuring T-Pain and "Respect My Conglomerate". The song "World Go Round", featuring British singer Estelle, was released in France on April 6, 2009 due to the heavy rotation of a leaked version. The single was released in the UK on July 13, 2009. Due to controversial content, the United Arab Emirates (UAE) has banned the album. Back on My B.S. was released internationally, but because of one song, "Arab Money", it is not available to buy as a CD there (however, the album can still be purchased via iTunes). According to the National Media Council, the lyrics were considered to be offensive to Arabs and to Islam, and permission for distribution was therefore denied. Some DJs, artists and fans have lambasted the track, saying it portrayed Arabs in a stereotypical way. The first part out of three of the remix by Rhymes contains verses from the Quran. In November, when "Arab Money" was released as a single, DJ Dany Neville and the Iraqi rapper The Narcicyst responded by recorded a reply. Busta later apologized. DJs in the country said they had not received an order banning the record from being spun in nightclubs, and they had mixed feelings on whether the record was offensive or not.^[11] DJ Saif of Dubai said:

2002

Emirati DJ DJ Bliss, refused to play the Busta Rhymes' single called Arab Money on Radio 1 in Dubai after it was banned in the UAE for offense to Arabs along with many other Dj's in the United Arab Emirates that also took a stand. He added:

[edit] Conglomerate Records / Cash Money Records & Extinction Level Event 2 (2010-present)

Busta announced that he was working on his tenth studio album, alongside Canadian producer Boi-1da, entitled The Chemo. He says that his next project is 80 percent finished.^[12] Busta has reportedly changed the title of his forthcoming Chemo album to Extinction.Level.Event.2 (E.L.E. 2).^[13] Some new songs are being considered for the album, including "C'mon (Catch 'Em By Surprise) by Tiësto and Diplo and "Look at Me Now" alongside Chris Brown and Lil Wayne. The trend of album sequels continues with Busta adding another chapter to his 1998 opus E.L.E. (Extinction Level Event): The Final World Front. Busta's manager Chris Lighty sent out the message via Twitter. He said; "Extinction.Level.Event 2 ......prepare yourself." Like the first, E.L.E. 2 is inspired by movies of impending destruction on planet Earth, Lighty said; "From the Intro of the new Busta Album you're going to know you're in trouble and you just turned on 2012 the movie on warp speed,".

DJ Premier, in an August 6, 2010 interview on Conspiracy Worldwide Radio said Busta Rhymes has received over eight beats which he didn't want to use but Premier hoped his next beat would be chosen for inclusion on the album.^[14] On DJ Premier's Live From Headqcourterz radio show Premier confirmed that one of his beats were to be included in E.L.E. 2. In 2010, Busta Rhymes formed his new label Conglomerate Records (With later on having rosters such as N.O.R.E., and Spliff Star). He was featured on C'mon (Catch 'Em By Surprise) by Tiësto and Diplo.

In 2011, Rhymes recorded "Look at Me Now" with Chris Brown and Lil Wayne on Brown's fourth album, F.A.M.E., the song has received favorable reviews regarding Rhymes guest verse on the song, and is his highest chart entry on the Billboard Hot 100, peaking at number six, while reaching number one on the Hot R&B/Hip-Hop Songs chart, becoming his first #1 on that chart. On September 7, 2011, Rhymes received six nominations for the BET Hip Hop Awards, held on October 11, 2011.

On May 1, 2011 Rhymes appeared on the launch show for MNET's Big Brother Africa 6: Amplified and performed some of his songs.

In 2011, Busta Rhymes performed at the Gathering of the Juggalos.^[15]

Rhymes contributed to the 2011 Tech N9ne album "All 6's and 7's". The single "Worldwide Choppers" was released on May 31st, 2011.^[16]

Canadian recording artist Justin Bieber will feature Busta on a song called "Drummer Boy" off Bieber's sophomore studio album, Under the Mistletoe, released on 1 November 2011.^[17]

On November 11, 2011, a Heavy D tribute song titled "You Ain’t Gotta Wait Till I’m Gone" was leaked.^[18]

On November 16, 2011, it was announced that Busta Rhymes and Mystikal signed to Cash Money Records.^[19] On June 08, 2010, way before he was signed by Birdman, he released "Stop the Party (Iron Man)" which featured Swizz Beatz. For his debut single on the Cash Money label and his Conglomerate Records, he reunites with Chris Brown to make the aggressive single known as Why Stop Now.

In 2012, Busta collaborated with Jodie Connor, featuring on her single "Take You There", however he did not appear in the music video.

A song with Twista, titled "Can You Keep Up" was leaked.

Acting Career[link]

Busta has appeared in a number of films (including Shaft, The Rugrats Movie, Halloween: Resurrection, and Higher Learning) and TV shows (including Cosby, The Boondocks, and The Steve Harvey Show).^{[20][21][22][23][24]}

Personal life[link]

Busta has three children with his ex-girlfriend, Joanne Wood: T'Ziah (born 1993), T'Khi (born 1999), and Trillian (born 2000).

Religion[link]

On September 2, 2007, a video was uploaded on Liveleak.com about Rhymes having converted to Islam.^[25] He himself has said that he lives his life by Islam, stating he is Muslim and loves Allah.

Legal issues[link]

On August 20, 2006, he was arraigned for charges of third-degree assault after attacking a man who reportedly spat on his car in New York City on August 12 after the AmsterJam Music Festival on Randall's Island.^[26]

On October 24, 2006, he appeared at Manhattan Criminal Court as the district attorney's office attempted to amend previous charges against him to include weapons possession for a machete found in his car. The judge refused to add the charge and adjourned the case.^[27][28]

On February 20, 2007, Busta refused a plea deal offered by the prosecutors office for the assault of his former driver, Edward Hatchett. The deal would have entailed six months in jail and pleading guilty to two assaults, the attack on Hatchett, and the attack on the former fan. The dispute with Hatchett is believed to have originated over back pay Hatchett felt he was owed. Manhattan Criminal Court Judge Becki Rowe offered Busta another option, pleading guilty to third-degree assault. The conditions of the proposed sentence would include five days of community service, two weeks of youth lectures and six months of anger management classes, as well as three years of probation. On March 18, 2008 a judge in New York City sentenced Busta to three years' probation, 10 days' community service, $1250 in fines (plus court costs), and to enroll in a drunken driving program.^{[28][29][30][31]}

On September 25, 2008, he was temporarily refused entry to the United Kingdom due to "unresolved convictions".^[32]

On October 14, 2009, a Brooklyn judge ordered Busta to pay a concert goer $75,000 in compensation for an assault which occurred in 2003.^[33]

Discography[link]

• The Coming (1996)
• When Disaster Strikes... (1997)
• E.L.E. (Extinction Level Event): The Final World Front (1998)
• Anarchy (2000)
• Genesis (2001)
• It Ain't Safe No More... (2002)
• The Big Bang (2006)
• Back on My B.S. (2009)
• E.L.E. (Extinction Level Event) 2: End of the World (TBA)

Awards and nominations[link]

Busta Rhymes has been nominated for 11 Grammy Awards during his 16-year solo career.

Grammy Awards

Busta Rhymes has been nominated for 10 MTV Video Music Awards during his 16-year solo career, but has yet to win one.

MTV Video Music Awards

See also[link]

• List of artists who reached number one on the U.S. dance chart
• List of number-one U.S. dance hits

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Busta Rhymes

Wikimedia Commons has media related to: Busta Rhymes

• Busta Rhymes at MTV
• Busta Rhymes at the Internet Movie Database