The term "sinthome" (French: [sɛ̃tom]) was introduced by Jacques Lacan in his seminar Le sinthome (1975–76). According to Lacan, sinthome is the Latin way (1495 Rabelais, IV,63) of spelling the Greek origin of the French word symptôme, meaning symptom. The seminar is a continuing elaboration of his topology, extending the previous seminar's focus (RSI) on the Borromean Knot and an exploration of the writings of James Joyce. Lacan redefines the psychoanalytic symptom in terms of his topology of the subject.
In "Psychoanalysis and its Teachings" (Écrits) Lacan views the symptom as inscribed in a writing process, not as ciphered message which was the traditional notion. In his seminar "L'angoisse" (1962-63) he states that the symptom does not call for interpretation: in itself it is not a call to the Other but a pure jouissance addressed to no one. This is a shift from the linguistic definition of the symptom — as a signifier — to his assertion that "the symptom can only be defined as the way in which each subject enjoys (jouit) the unconscious in so far as the unconscious determines the subject." He goes from conceiving the symptom as a message which can be deciphered by reference to the unconscious structured like a language to seeing it as the trace of the particular modality of the subject's jouissance.
(Yeh Baat Koi Samjhaye Re
Kyun Aaj Nazar Sharmaye Re) 2
(Maine Dil Se Kaha Kya Baat Hain
Kaha Dil Ne Milan Ki Raat Hain) 2
Kaahe Ghuunghat Mein Mukhda Chupaye Re
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Yeh Baat Koi Samjhaye Re
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Paas Aa Gayi Hain Saajan Ki Galiyan) 2
Meri Chunri Hawa Mein Lehraai Re
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Yeh Baat Koi Samjhaye Re
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(O Dekho Dekho Baji Shehnaaiya
Mohe Aane Lagi Angdaaiyan) 2
Meri Patli Kamar Balkahaai Re
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Yeh Baat Koi Samjhaye Re
Kyun Aaj Nazar Sharmaye Re