Manuel Olivares Lapeña (2 April 1909 – 16 February 1976) was a Spanish football striker and manager.

In only 82 La Liga games he scored 55 goals, mostly for Real Madrid, with which he won three major titles.

Born in Son Servera, Balearic Islands, Olivares joined Deportivo Alavés in 1928, making his debut in La Liga in 1930–31, scoring ten goals in 14 games as the Basque finished in eighth position (out of ten clubs). In the following off-season, he signed for country giants Real Madrid.

In his first two seasons with the Merengues, Olivares netted at an impressive rate, winning two consecutive national championships, and the 1934 Copa del Rey. In the 1932–33 campaign, he scored 16 goals in only 14 matches to conquer the Pichichi Trophy.

Olivares spent a further three seasons in the top division, with Donostia CF, Real Zaragoza and Hércules CF. In 1935, he started his coaching career with the second club, goingt to act as player-coach for several teams until 1943, definitely retiring as a player with Algeciras CF in the regional leagues.

Juan Manuel Hermenegildo de la Luz Olivares (April 4, 1760 - March 1, 1797) was a Venezuelan composer from the Colonial era.

Olivares was born in Caracas. As a child, he studied under Don Ambrosio Carreño. In 1784, he began teaching in Caracas, and this same year Pedro Ramón Palacios y Sojo entrusted to him the direction of the Academia del Oratorio de San Felipe de Neri, which he held until his death; he also became organist at the academy's church, the Basílica de Santa Teresa.

On May 11, 1789, he married Sebastiana Velásquez in Caracas at the Church of San Pablo Ermitaño, which stood where the Municipal Theater now stands. Padre Sojo was the priest. Olivares was the caretaker and teacher of Lino Gallardo. He died in El Valle, Caracas.

His Dúo de violines is the only work of chamber music composed in colonial Venezuela which is preserved in its entirety.

Incomplete

José Ángel Lamas (August 2, 1775 – December 10, 1814) was a Venezuelan classical musician and composer born in Caracas. He was the main representative of the classical period in Venezuela.

Author of the immortal sacred piece, Popule Meus, his most important and best known piece. It was composed in 1801, and premiered in Caracas Cathedral during the colonial-provincial period. Lamas, away from politics and the whirlpool of the independence war, dedicated his life to music and specifically religious music. As a member of the School of Chacao, in 1789 he played Tiple and Bajón Chirimía in the cathedral orchestra. He played the chirimía, an ancient medieval Spanish instrument, which preceded the oboe. From 1796 until his death on the December 10, 1814, José Ángel Lamas was Maestro Bajonista or Main Bassoonist of the orchestra.

Among his pieces are, En Premio a tus Virtudes (As a Price to Your Virtues), Sepulto Domino (Sepulted Lord), Ave Maris Stella (Ave Star Mary), Misa en re (Mass in D), Benedicta et Venerabilis (Blessed and Venerable).