- published: 16 Jul 2011
- views: 259990
- author: HammerFallman
5:01
Metal Church - Metal Church
Artist Info: www.metalchurchmusic.com http www.metal-archives.com Song Info: Artist: Metal...
published: 16 Jul 2011
author: HammerFallman
Metal Church - Metal Church
Artist Info: www.metalchurchmusic.com http www.metal-archives.com Song Info: Artist: Metal Church Album Title: Metal Church Year: 1984 Track Number: 02 Genre: Heavy Metal (Power Metal) Title: Metal Church Lyrics: Many, many years ago on a distant shore Men did gather secretly beyond a hidden...
5:58
Metal Church - Watch the Children Pray
The studio version of Watch the Children Pray from the album The Dark....
published: 16 Nov 2010
author: ADeadHeaDz
Metal Church - Watch the Children Pray
The studio version of Watch the Children Pray from the album The Dark.
- published: 16 Nov 2010
- views: 153663
- author: ADeadHeaDz
4:29
Metal Church - In Harms Way
Music video by Metal Church performing In Harms Way. (C) 1991 SONY BMG MUSIC ENTERTAINMENT...
published: 25 Oct 2009
author: MetalChurchVEVO
Metal Church - In Harms Way
Music video by Metal Church performing In Harms Way. (C) 1991 SONY BMG MUSIC ENTERTAINMENT
- published: 25 Oct 2009
- views: 123300
- author: MetalChurchVEVO
41:52
Metal Church - Metal Church (1984) FULL ALBUM
Banda/Band: Metal Church. Álbum/Album: Metal Church - 1984. Género/Genre: Heavy/Power/Thra...
published: 09 Jun 2012
author: MjKillercorpse
Metal Church - Metal Church (1984) FULL ALBUM
Banda/Band: Metal Church. Álbum/Album: Metal Church - 1984. Género/Genre: Heavy/Power/Thrash Metal. País/Country: USA Alineación/Lineup: David Wayne - Voz/Vocals (RIP 2005) Kirk Arrington - Bateria/Drums Duke Erickson - Bajo/Bass Craig Wells - Guitarra/Guitars Kurdt Vanderhoof -...
- published: 09 Jun 2012
- views: 23020
- author: MjKillercorpse
6:41
Metal Church - Gods of Wrath
Another heavy metal classic !!! It appeared on the "METAL CHURCH"-album (1984)(Their first...
published: 13 Jun 2008
author: BGF324
Metal Church - Gods of Wrath
Another heavy metal classic !!! It appeared on the "METAL CHURCH"-album (1984)(Their first album) The Lyrics: A lonely god you captured, do you feel the pain Tried to help the people but your help was all in vain You gave to us their fire, but who was watching you Chainin' out a reason, now what you gonna do? Whoa, oh Yeah! Alright! Come on! Right now! Now that they picked you, a lesson has been taught Join us now in vengeance and let the bodies rot A thousand times a thousand is finally gonna end Storms of war are brewing- we need your help but when Whoa, yeah, ah! Gods of wrath Gods of wrath Gods of wrath Gods of wrath are heartless when they left you hanging there Cast out and abandoned, you had to pay the fare Now's the time to break free and help us if you can Cause we're all behind you to start the master plan Whoa, yeah, ah Gods of wrath Gods of wrath Gods of wrath Harpy's fly by you Saying you will never learn Reach up to the heavens and let the bodies burn You know you have the answer You've always been a friend Break the chains in anger and let it all begin Whoa, yeah, ah Gods of wrath Gods of wrath Gods of wrath God, come down, gods are before you
- published: 13 Jun 2008
- views: 350362
- author: BGF324
5:47
Metal Church - Waiting For A Savior
SUBSCRIBE Waiting for a savior by Metal Church Night time, see the castles burning Smoke i...
published: 07 Dec 2008
author: RRckr910
Metal Church - Waiting For A Savior
SUBSCRIBE Waiting for a savior by Metal Church Night time, see the castles burning Smoke in the skies and tears in their eyes As the world keeps turning Sleep now, hear a distant thunder It's far away, at least for today Close your eyes and wonder Spring turns so quickly to summer Summer so quickly to fall It seemed far away, or it was yesterday When time didn't matter at all And then you met your winter While dancing with her daughters Till tired and cold Were much wiser than bold You wait for tomorrow to call All of your life you have waited alone for a Savior He's not coming A carousel horse, who is constantly lost Standing still but always running And all of those things that you needed so bad You have found they mean nothing Oh Lord, I'm coming home I'm searching through the haze that's drifting through my mind Stare in the looking glass and wonder who I'll find No one would listen to a man upon the water Until they were old and their mountains of gold couldn't buy any more time All of your life you have waited alone for the Savior He's not coming A carousel horse, who is constantly lost Standing still but always running And all of those things that you needed so bad You have found they mean nothing And Oh Lord, I'm coming home
- published: 07 Dec 2008
- views: 15895
- author: RRckr910
9:33
Metal Church - Anthem to the Estranged
Starved for destination, a beggar man by trade A desperate man needs more than someone els...
published: 28 Nov 2009
author: Kaenanthebarbarian
Metal Church - Anthem to the Estranged
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Starved for destination, a beggar man by trade A desperate man needs more than someone else to blame Friendless he appears, he hides behind his tears For things he's lost, or things he'll never have at all The forgotten man wanders misplaced in the world Obscurity is all the eye can see, and I recall All alone again As we pass on by and continue with our day Can we appraise the quality of life some other way? All alone again When you take a longer look at someone on the run You may see reflections of yourself becoming one Take an extra moment when you find yourself at peace To think about your values and your own affluency Everything you've worked for and everything you've done May be thrown by the wayside, and you're not the only one Everything around you may seen worn and overused But imagine yourself removed from all that you're used to All alone again Once an influential man, once was in his prime He spends his days repeating lines like "can you spare a dime?" Shunned by those loved you and by those who were your friends Can you adjust to a different life of living on the edge? The destitute find meaning in a different way of life The doorways that they dwell in are shelter in the night No shining crystal possessions set out for his display His purpose is to find the food to get him throught the day All alone again Roaming aimless through the streets of supply and demand Once a gypsy disconnected, no more, no future plans Self discarded king of ruin, worthless to the ...
- published: 28 Nov 2009
- views: 58611
- author: Kaenanthebarbarian
4:13
Metal Church - The Dark
FAN TRIBUTE ONLY !!! Thank you all for the nice comments! METAL CHURCH 4 EVER !!! Music : ...
published: 12 Sep 2010
author: JoeTheMetal
Metal Church - The Dark
FAN TRIBUTE ONLY !!! Thank you all for the nice comments! METAL CHURCH 4 EVER !!! Music : Metal Church Song : The Dark Album : The Dark Enjoy :-))
- published: 12 Sep 2010
- views: 134130
- author: JoeTheMetal
6:22
Metal Church - Beyond the Black
Fan vid. Song 1 of Metal Church's debut album entitled 'Metal Church'. *Copyright Disclaim...
published: 06 Nov 2010
author: cosmicsuperstrong
Metal Church - Beyond the Black
Fan vid. Song 1 of Metal Church's debut album entitled 'Metal Church'. *Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
- published: 06 Nov 2010
- views: 59532
- author: cosmicsuperstrong
5:00
Metal Church Gods of Wrath live with Ronny Munroe
Metal Church with singer Ronny Munroe sings the metal classic Gods of Wrath at the Wacken ...
published: 29 Oct 2007
author: WBB10000
Metal Church Gods of Wrath live with Ronny Munroe
Metal Church with singer Ronny Munroe sings the metal classic Gods of Wrath at the Wacken Open Air Festival 2005
- published: 29 Oct 2007
- views: 73283
- author: WBB10000
3:06
Metal Church - Ton Of Bricks
Metal Church - The Dark Released: 1986 Label : Elektra David Wayne: Vocals Kurdt Vanderhoo...
published: 12 May 2009
author: MetalForThePeople
Metal Church - Ton Of Bricks
Metal Church - The Dark Released: 1986 Label : Elektra David Wayne: Vocals Kurdt Vanderhoof: Guitars Kirk Arrington: Drums Craig Wells: Guitars Duke Erickson: Bass 1.Ton Of bricks 2.start The fire 3.Method To Your Madness 4.Watch The Children Pray 5.Over My Dead Body 6.The Dark 7.Psycho 8.Line Of Death 9.Burial At Sea 10.Western Alliance
- published: 12 May 2009
- views: 138455
- author: MetalForThePeople
Vimeo results:
1:14
Absolute Body Control
Epopoeia of the Food and Drink of the United States (A Dream in Hell)
1
Beautiful like a ...
published: 08 Sep 2010
author: soonaspossible
Absolute Body Control
Epopoeia of the Food and Drink of the United States (A Dream in Hell)
1
Beautiful like a baby calf is the song of chicken fried with batter,
the long red and white picnic tablecloth is finer than the finest lady’s legs, the finest thing there is to embark upon a heaping bowl of coleslaw,
shrimp from the gulf coast are delicious, gushing with wine as if feeling,
like honey mussels, in Redmond or Olympia, harvested by fishwives, in the seaweed,
and the glory of banjos in Baton Rouge, their juices course through them like
ageless autumn lemons,
like mom's fragrant pot pie, chocked full of juicy stew, widens the gullet,
and, baked, cries out blooming peach tree blossoms.
2
What would you say to some barbecue ribs, burning hot
grilled on a charcoal fire in June on the banks of a man made lake,
pines or cedar trees that sum up the dramatic atmosphere of a
damp sunset at Lake Lanier or Stone Mountain,
or to a clam chowder, whose name is inextricably related to Manhattan or
Rhode Island or New England?
No, you hunt quail and you grill it, just like you hear honky-tonk or stars and stripes
at the feet of Mount Rushmore, and fried catfish along the Chattahoochee
where it leaps into the sacred sizzling skillet, superbly fine
river fish, makes fishing boats rich while the sisters Lee,
as if in pain, sweat what's human and divine on the grand antique family fiddle.
3
Tremendous turkeys that smell like summer, almost human, autumn shades of
walnut or chestnut, I eat them everywhere, and in D.C. I kiss them,
like the vats where barley sighs like the prettiest girl in Jersey
raising her skirt underneath the lights of the big apple, same
as the roof off of a block party with streamers and flags where we drink in red plastic cups
a substantial whiskey and beer,
or the love mattress, upon which we set sail and sighing face each other and
the night’s tremendous oceans, into whose horrible darkness,
black and tenacious flows the bloody calla lily,
or the teardrop that falls in our moths as we joyfully sing.
4
Napa Valley wine is enormous and dark in the California sunset, and when
it's in your blood, nostalgia
and the apology to heroism sing in the wheels of spurs to
the beast’s hide, dancing to the fundamental tune of backwater rapids
against the frothy red glare.
5
Nicely aged bourbon bellows in its cellars like a great sacred cow,
and St. Louis will be golden, like a rib-eye on the grill, all over
the bloodied paths towards Oklahoma, autumn's
guitar will weep like a soldier's widow,
and we'll remember everything we didn’t do and could have and
should have and wanted to, like a madman
staring down a town's abandoned well,
watching, ear shattering, the engines of youth rev down dawn's
wide gust
crumbling like memories in the abyss.
6
The saddle glows all across the Midwest, mountain range to mountain range, booming like a great combine with its 20 foot span, booming
like a cow auctioneer or a righteous pastor or tornado season,
lasso raised up against the sky
on top of a guffaw, a hyuck or a yeehaw, splashed with sun and hard work, where manure perfumes dung heaps like a domestic god, with tremendous balls like a widow.
7
A mighty log cabin with its open yard, apple trees, front porch
scented with remote antiquity,
where the bootlegger and his still would sing, drop by drop, a sense of eternity into
the water, recalling old ancestors with its tremulous pendulum,
exists, same as in Madison as in Franklin or Fairview or Springfield,
although it’s the little town of Hodgenville Kentucky that most proudly proclaims the wooden troughs or pig iron pots, wide open spaces, the Appalachians, the original wild west, civil war and emancipation, in little log cabins,
from Tennessee to Ohio, who express it proudly in tremendous language, eating ears of pigs eating ears of corn.
8
Because, if it's necessary to stuff yourself with hot dogs in a Detroit Coney before dying,
on a rainy day, blessed with a strawberry milkshake from fresh upstate dairy, and smoke, bathing in conversation, friends and the munchies, launching yourself into terrible leaps and bounds, blubbering, savoring the booming chili in spoonfuls and fries,
it's also necessary to get your meat from the Kansas City stockyards in March, when the pigs
look like televangelists and the televangelists look like swine or hippopotamus,
and wash the food down with some fiery sips from a short glass,
yes... in Dallas or Fort Worth the corn tortillas look like the local ladies: wide white waists and sleepy half moon eyes, since, ticklish and cuddly,
they turn their faces, and let themselves be kissed, unendingly on either end.
9
And the chit'lins, swimming and searing in broth and tabasco, and the cornbread that moaned in broiling bacon fat, is blessed where thunder rolls in wide whips, along the Mississippi,between one drink and the next,
but it never surpasses a gamy partridge, savored in the dry underbrush of July,
in t
3:03
Goldfrapp "Alive" Music Video directed by Legs
Artist: Goldfrapp
Track: “Alive”
Record Company: Mute Records LTD
Commissioner: Katie G...
published: 23 May 2010
author: LEGS MEDIA
Goldfrapp "Alive" Music Video directed by Legs
Artist: Goldfrapp
Track: “Alive”
Record Company: Mute Records LTD
Commissioner: Katie Griffiths, EMI
Director: Geremy Jasper and Georgie Greville/ Legs
Prod Co: Rokkit
Executive Producer: Luke Jacobs, Rokkit
Producer: Helen Potter
DP: Ross McLennan
Editorial: Paul Snyder, Lost Planet
Post Effects: Absolute Post, NY
Art Dept: Louise Corcoran
Choreography: Mark Battershall
Stylist: Cathy Edwards
Hair: Lyndell, CLM
Makeup: Kelly Cornwell, Premier
Casting: Nana Klimek
From a Q&A; with Legs by Glossyinc:
How did this job come to you?
LEGS: Alison Goldfrapp liked the Florence and The Machine video we made a few months ago and through Rokkit and our reps at OB Management asked us to take a crack at writing a script for “Alive.”
Was their a creative brief given to you? Whose concept was it? How involved were Goldfrapp? Please explain.
LEGS:There was no real brief just a few guidelines- Goldfrapp wanted dancers, a performance, and a narrative. Because the song is so infectiously happy and bright we knew we had to place it in a dark and demonic world. We took an old, amazing concept that Georgie had about Norwegian Black Metal heads doing aerobics that Geremy reworked it into a narrative mixing Olivia Newton John with rainbow blood sucking sex nymphs and a neon coffin. Alison loved it from the start and was very involved with her look but gave us considerable freedom and trust with all the other elements of the production.
There are a lot of things going on (I mean that in a good way). - vampires, girls who look they are right out of The 20 Minute Workout, Lasers – tell me about bringing all these things together.
LEGS: With this video we were able to mix up a ton of ideas and genres that have been major interests of ours. Georgie’s been obsessed with the absurd sexuality of The 20 Minute Workout and the darkest of all musical forms for years and Geremy’s been jonesing to make a psychedelic horror movie. Because of the sound of the song we framed it in a Xanadu-esque neon+laser/ new-age church setting with Busby Berkley inspired choreography. The more visual ideas we threw into the pot the more excited the crew that worked on the piece got. It’s a classic tale of good versus evil where at the end the roles are reversed- the Goth guys are virgins who are sacrificed to keep Alison “Alive.”
It looks like most of it was in-camera, something Legs is big on (yes?). Please discuss.
LEGS: Yes, we tried to get as much in camera as possible. We set many different lighting looks for Alison’s stage and were choreographing the lighting changes live while we were shooting, which gave the footage incredible energy. The smoke machines were like Dante’s Inferno. Also, Ross McLennan, our DP was a wizard with Alison’s beauty lighting and really made the set come to life better than we could have ever imagined. That being said we did do a lot of fun post stuff with Absolute- laser beams, fang transformation and the Grateful Dead inspired rainbow blood.
How many shoot days was it. Can you tell me about the fun & challenges of the shoot?
LEGS: It was one long shoot day with much mania and magic. The morning was hilarious transforming these very handsome well mannered English boys into leather clad black metal jazzercisers. The smoke and colored lights and amazing choreography made it feel like a Halloween party on a Duran Duran video set. As we got later into the night the scene got more surreal, especially during the girls‘ vampire transformations. There was a lot of blood, gyrating, scary faces and g-strings running around. By the time we got to Alison laying in the neon coffin she was hamming it up with her gold fangs and didn’t want to stop.
If you had to describe this video in under 140 characters, how would describe it? (I chose 140 because of twitter – but feel free to go over).
LEGS: Goldfrapp leads Black Metal heads through sexed up aerobics- they are joined by neon nymphs who seduce and sacrifice them for rainbow blood.
Anything else I should know?
LEGS: Major respect to our editor Paul Snyder at Lost Planet who was hit by a bus, broke his wrist and edited the video with one hand. We raise our glasses.
3:54
SILENCE OF DEATH directed by Mani Nasry (16MM FILM) 1ST YEAR RYERSON UNIVERSITY STUDENT FILM
IMDB PAGE
www.imdb.me/maninasry
This Scene expresses- FEAR- noun: an emotion experience...
published: 22 Jun 2009
author: MANI NASRY
SILENCE OF DEATH directed by Mani Nasry (16MM FILM) 1ST YEAR RYERSON UNIVERSITY STUDENT FILM
IMDB PAGE
www.imdb.me/maninasry
This Scene expresses- FEAR- noun: an emotion experienced in anticipation of some specific pain or danger (usually accompanied by a desire to flee or fight). noun: a feeling of anxiety and agitation caused by the presence or nearness of danger, evil, pain, etc.; timidity; dread; terror; fright; apprehension. Terrify not your soul with vain imaginary fears. By realizing that you are the one feeding the fire, you can start to take control of your fears. Panic is a vicious cycle that can be broken. When you start to have irrational fears you need to take action quick. Eleanor Roosevelt once said: "You gain strength, courage, and confidence by every experience in which you really stop to look fear in the face. You must do the thing, which you think you cannot do." We must stop running away from things that frighten us, face our fears head on, and do the thing we fear the most. Most of the time we'll find out that the "thing" was not that scary after all. Our imaginations had behaved like a super fertilizer and grown a grotesque monstrosity in our minds. Remember, our imaginations are incredibly powerful. They can work against us, creating horrible images that leave us paralyzed with fear and they can also work for us, building a world where everything we do is an adventure, a miracle. And the most amazing thing is that we hold the power to control our minds - we allow fear to dominate our lives or we choose to dominate fear. Those are our only two choices.
Links of Interest for Producers and Filmmakers
Canadian Film Exhibiton Listing http://www.aflick.ca
Festival Info - Worldwide
Box Office-theatrical box office figures
film releases - chronologically listing of theatrical releases
Coming Soon- trailer archive and other stuff
Indie WIRE -Independent film and dialy new
Academmy of Canadian Cinema - www.academy.ca
Toronto Film and Television Office (for permits, etc.) - www.toronto.ca
Canadian Filmmaker (great site for producers and independent film development) - canadianfilmmaker.com
Writer's Guild Development Funding link - www/wgc/ca
LIFT Film co-op - - www.lift.on.ca
Jobs-Crews - Indie Access - www.indieaccess.com
Mandy.com - Cast and Crew - www.mandy.com
National Screen Instistute - - www.nsi-canada.ca
Canadian Independent Film and Video Fund - - www.cifvf.ca
Ontario Media Development Corporation (former OFDC) www.omdc.on.ca/
Telefilm Canada http://www.telefilm.gc.ca
Canadian Audio-Visual Certification Office http://www.pch.gc.ca/progs/ac-ca/progs/bcpac-cavco/index_e.cfm
(CAVCO)
Harold Greenberg Fund - - www.astralmedia.com
National Film Board http://www.nfb.ca
National Film Board - Seven week training for docs
BRAVO Fact fund - www.bravofact.com
Canadian Film and Televsion Production Association (CFTPA) http://www.cftpa.ca
Toronto Arts Council http://www.torontoartscouncil.org/
Ontario Arts Council http://www.arts.on.ca/?source=renaissancefaire.ca
Canada Council for the Arts http://www.canadacouncil.ca
Canadian Film Centre http://www.cdnfilmcentre.com
Directors Guild of Canada http://www.dgc.ca
Canadian Society of Cinematographers (CSC)
I.A.T.S.E.- Cameraman http://www.iatse667.com/
I.A.T.S.E.- Technicians http://www.iatse873.com
ACTRA http://www.actra.ca
Writers Guild http://www.writersguildofcanada.com
Canadian Copyright: Infringement, Fair Dealing, Ownership CIPO
Canadian Authors Association CAA
Music Rights and Licenses SOCAN
FilmToronto.com http://www.filmtoronto.com
Women in Film & Television (WIFT) http://www.wift.com
Internet Movie Database (imdb.com) http://www.imdb.com
Playback Magazine http://www.playbackmag.com
My Mediabiz http://www.mymediabiz.com
Links of Interest for Producers and Production Managers
Toronto Film Office - permits, etc.
Film Locations in Toronto
PS Production Services
William F. Whites
Panavision
Cinequip
Sim Video
Video Scope
Digital video supplies
Film Stock - Kodak
Fuji
MANI NASRY FILM AND TELEVISION RESUME Performer Profile Gender: Male Height: 5 feet 7 in Weight: 140 Age Range: 21 - 29 Physique: Athletic Hair Color: Brown Eyes: Brown Film Family Curse (2003 TV movie) Cast-Apr 01, 2003 SHADOW WALKERS PRODUCTIONS LTD Dawn of the Dead (2004) Cast-May 25, 2003/Jul 20, 2003 CORPUS VIVOS PRODUCTIONS INC Beautiful Girl (2003 TV movie) Cast-Aug 31, 2003 NEVER TIME PRODUCTIONS LTD New York Minute (2004/I) Cast-Sep 07, 2003 NY MINUTE FILMS INC Prom Queen: The Marc Hall Story (2004 TV movie) Cast-Oct 18, 2003 ADJUSTMENT BULLOCH Childstar (2004) Cast-Nov 23, 2003/Dec 07, 2003 RHOMBUS MEDIA The Coven (2004 TV movie) Cast-Dec 07, 2003 COVEN PRODUCTIONS CORP Man of the Year (2006) Cast-Feb 14, 2006 AXIUM ENTERTAINMENT SERVICES CANADA HOOKED ON SPEEDMAN Cast-Mar 08, 2006 PLAYING ARMY PRODUCTIONS INC "WHAT DO YOU SEE 1" Cast-Mar 14, 2006 ARNOLD WORLDWIDE CANADA Roa
78:24
The Inaugural Henry Cole Lecture: Sir Christopher Frayling, 30 October 2008
The inaugural Henry Cole Lecture, held at the V&A; Museum in London on 30 October 2008. Th...
published: 22 Sep 2009
author: Victoria and Albert Museum
The Inaugural Henry Cole Lecture: Sir Christopher Frayling, 30 October 2008
The inaugural Henry Cole Lecture, held at the V&A; Museum in London on 30 October 2008. The purpose of the lecture is to celebrate the legacy of the Museum’s founding director, and explore its implications for museums, culture and society today.
The lecture, entitled 'We Must Have Steam: Get Cole! Henry Cole, the Chamber of Horrors, and the Educational Role of the Museum' was delivered by Professor Sir Christopher Frayling. He presented new research on the “chamber of horrors” (a contemporary nickname for one of the V&A;'s earliest galleries, 'Decorations on False Principles', that opened in 1852) and the myths and realities of its reception, then opened up a wider debate on design education and museums from the nineteenth century to the present day.
Transcript:
Mark Jones: The annual Henry Cole lecture has been initiated to celebrate Henry Cole's legacy and to explore the contribution that culture can make to education and society today. It has also been launched to celebrate the opening of the Sackler Centre for arts education, including the Hochhauser Auditorium in which we sit tonight. There could be no one better than Professor Sir Christopher Frayling to give the inaugural Henry Cole Lecture. Christopher is a rare being: an intellectual who is a great communicator; a theorist who has a firm grip on the practical realities of life: a writer who truly and instinctively understands the words of making design and visual communication. As an enormously successful and respected Rector of the Royal College of Art, as Chairman of the Arts Council, and as a member and chair of boards too numerous to mention - but not forgetting the Royal Mint Advisory Committee which has recently been responsible for redesigning the coinage (personal interest) and as by far the longest-serving Trustee of the V&A;, he brings together culture, education and public service in a way which Henry Cole would have approved and admired. So it's more than fitting that he should be giving this first Henry Cole Lecture, 'We Must Have Steam: Get Cole! Henry Cole, the Chamber of Horrors, and the Educational Role of the Museum'.
CHRISTOPHER FRAYLING:
Thank you very much indeed Mark and thank you very much for inviting me to give this first Henry Cole Lecture. Just how much of an honour it is for me will I hope become clear as the lecture progresses.
Mark, Chairpeople, ladies and gentlemen:
Hidden away in the garden of the South Kensington Museum - now the Madejski Garden of the V&A; - there is a small and easily overlooked commemorative plaque that doesn't have a museum number. It reads: 'In Memory of Jim Died 1879 Aged 15 Years, Faithful Dog of Sir Henry Cole of this Museum'. Jim had in fact died on 30 January 1879. He was with Henry Cole in his heyday, as the king of South Kensington - its museums and colleges - and saw him through to retirement from the public service and beyond. And next to this inscription there's another one dedicated to Jim's successor, Tycho, and dated 1885. The dogs are actually buried in the garden. Now we know from Henry Cole's diary that between 1864 and 1879 Jim, who was a cairn terrier, was often to be seen in public at his master's side. In 1864 they were together inspecting the new memorial to the Great Exhibition of 1851 just behind the Albert Hall - a statue of Prince Albert by Joseph Durham on a lofty plinth covered in statistics about the income, expenditure and visitor numbers to the Great Exhibition: 6,039,195 to be exact. Cole had been a tireless champion of Prince Albert and according to the Princess Royal (later Empress of Prussia) there was a family saying in Buckingham Palace at the time, invented by Albert himself, that when things needed doing 'when we want steam we must get Cole'. We may therefore assume that when looking at the memorial, Cole was interested in the inscription, the statistics and the likeness of Prince Albert, while Jim was more interested in the possibilities of the plinth. In early 1866 - these are five studies of Jim, an etching by Henry Cole himself of 1864. In early 1866, first thing in the morning, soon after the workmen's bell had rung, Henry and Jim would set forth together from Cole's newly constructed official residence in the Museum (where he moved in July 1863) to tour the building sites of South Kensington - a name which was first invented by Cole when he re-named the museum The South Kensington Museum to describe the new developments happening around Brompton Church. According to 'The Builder' magazine, these two well-known figures would 'be seen clambering over bricks, mortar and girders up ladders and about scaffolding'. Several buildings in the South Kensington Renaissance Revival style were springing up all around them: The Natural History Museum, The College of Science, the extension to this Museum. And on the morning the Bethnal Green Museum opened - 24 June 1872 - Jim showed a healthy distaste for his master's well-known predilection for pomp and
Youtube results:
7:04
Metal Church Fake Healer
Fake Healer I prey upon your morbid fear Of terminal disease You won't know the difference...
published: 24 Jan 2011
author: HouseOfThunder1982
Metal Church Fake Healer
Fake Healer I prey upon your morbid fear Of terminal disease You won't know the difference Now it's time for surgery Another shot, another pill Two weeks therapy I take all major credit cards Your money is what I need I'm a healer I will keep you all alive I'm a healer A villain at your bedside Take this and you'll be fine Severely educated Just pay your bill on time I think it's time for another test I need more of your blood Sign this affidavit So my insurance won't go up I'm a healer I will keep you all alive I'm a healer Research and development Spend millions every year You sickly and decrepit ones Keep my yacht safe on the pier You're dying on a stretcher We'll try to save your life If you can't afford my service I will let you die I'm trusted and respected Says my diploma on the wall Before I will do anything I'll give your bank a call I'm a healer I will keep you all alive I'm a healer Line-up: Mike Howe: Vocals John Marshall: Guitars Craig Wells: Guitars Duke Erickson: Bass Kirk Arrington: Drums Originally, Metal Church was formed in 1980 in San Francisco by Kurdt Vanderhoof and others. Lars Ulrich (Metallica) also played in the band in 1981 on a few rehersals but didn't make it into the band, and so he is not considered as one of the past-members. This lineup released a few demos but nothing else. In 1981, Kurdt moved to Washington State and found Craig, Duke, and for a while Tom Weber on drums. Tom was quickly replaced by Kirk Arrington and this lineup recorded ...
- published: 24 Jan 2011
- views: 26201
- author: HouseOfThunder1982
7:30
Metal Church - They Signed In Blood
Album : Masterpeace (1999). Lyrics :We will not follow Rome The twisting of our faith With...
published: 06 Nov 2012
author: TheDnevermore
Metal Church - They Signed In Blood
Album : Masterpeace (1999). Lyrics :We will not follow Rome The twisting of our faith With the hand of God You wrote the new light The queen has decreed You must believe like me So it is written so it shall be So it shall be So the list was captured And it's time for us to die Following their orders To enforce the lie Village by village Township by town Hung drawn and quartered Some where slowly drowned They signed in blood Proclaimed their faith They signed in blood And sealed their fate Cause if your gonna die, die for what you believe in There' s more to this world than meets the eye The riders are coming the hoofbeats are thumping The spectre of death leads the way The queen has decreed the spiritual seed Will be crushed out this day And those who have signed be killed by the blind The soldiers who'll slay Thge names are above still written in blood Are there to this day www.metal-archives.com
- published: 06 Nov 2012
- views: 65
- author: TheDnevermore
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METAL CHURCH - HIGHWAY STAR
METAL CHURCH - HIGHWAY STAR - METAL CHURCH (1984)...
published: 16 Dec 2009
author: camilo sarmiento
METAL CHURCH - HIGHWAY STAR
METAL CHURCH - HIGHWAY STAR - METAL CHURCH (1984)
- published: 16 Dec 2009
- views: 63854
- author: camilo sarmiento